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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE III. Warkworth. A Room in the Castle.

Enter Hotspur, reading a Letter8 note.

&lblank; But, for mine own part, my lord, I could be well contented to be there, in respect of the love I bear your house.—He could be contented,—Why is he not then? In respect of the love he bears our house:—he shows in this, he loves his own barn better than he loves our house. Let me see some more. The purpose you undertake, is dangerous; —Why, that's certain; 'tis dangerous to take a cold, to sleep, to drink: but I tell you, my lord fool, out of this nettle, danger, we pluck this flower, safety. The purpose you undertake, is dangerous; the friends you have named, uncertain; the time itself unsorted; and your whole plot too light, for the counterpoise of so great an opposition.—Say you so, say you so? I say unto you again, you are a shallow, cowardly hind, and you lie. What a lackbrain is this? By the Lord, our plot is a good plot as ever was laid; our friends true and constant: a good plot, good friends, and full of expectation: an excellent plot, very good friends. What a frosty-spirited rogue is this? Why, my lord of York9 note commends the plot, and the general course of the action. 'Zounds, an I were now by this rascal, I could brain him with his lady's fan1 note





. Is there not

-- 252 --

my father, my uncle, and myself? lord Edmund Mortimer, my lord of York, and Owen Glendower? Is there not, besides the Douglas? Have I not all their letters, to meet me in arms by the ninth of the next month? and are they not, some of them, set forward already? What a pagan rascal is this? an infidel? Ha! you shall see now, in very sincerity of fear and cold heart, will he to the king, and lay open all our proceedings. O, I could divide myself, and go to buffets, for moving such a dish of skimmed milk with so honourable an action! Hang him! let him tell the king: We are prepared: I will set forward to-night.

Enter Lady Percy.

How now, Kate2 note

? I must leave you within these two hours.

-- 253 --

Lady.
O my good lord, why are you thus alone?
For what offence have I, this fortnight, been
A banish'd woman from my Harry's bed?
Tell me, sweet lord, what is't that takes from thee
Thy stomach, pleasure, and thy golden sleep3 note

?
Why dost thou bend thine eyes upon the earth;
And start so often when thou sit'st alone?
Why hast thou lost the fresh blood in thy cheeks;
And given my treasures4 note
, and my rights of thee,
To thick-ey'd musing, and curs'd melancholy?
In thy faint slumbers5 note, I by thee have watch'd,

-- 254 --


And heard thee murmur tales of iron wars:
Speak terms of manage to thy bounding steed;
Cry, Courage!—to the field! And thou hast talk'd
Of sallies, and retires6 note; of trenches, tents,
Of palisadoes, frontiers,7 note



parapets;
Of basilisks8 note




, of cannon, culverin;
Of prisoner's ransom, and of soldiers slain,
And all the 'currents9 note of a heady fight.
Thy spirit within thee hath been so at war,
And thus hath so bestir'd thee in thy sleep,

-- 255 --


That beads of sweat1 note


have stood upon thy brow,
Like bubbles in a late disturbed stream:
And in thy face strange motions have appear'd,
Such as we see when men restrain their breath
On some great sudden haste2 note. O, what portents are these?
Some heavy business hath my lord in hand,
And I must know it, else he loves me not.

Hot.
What, ho! is Gilliams with the packet gone?
Enter Servant.

Serv.
He is my lord, an hour ago3 note



.

Hot.
Hath Butler brought those horses from the sheriff?

Serv.
One horse, my lord, he brought even now,

Hot.
What horse? a roan, a crop-ear, is it not?

Serv.
It is, my lord.

Hot.
That roan shall be my throne.
Well, I will back him straight: O esperance!4 note
Bid Butler lead him forth into the park.
[Exit Servant.

Lady.
But hear you, my lord.

Hot.
What say'st thou, my lady5 note?

-- 256 --

Lady.
What is it carries you away?

Hot.
Why my horse6 note, my love, my horse.

Lady.
Out, you mad-headed ape!
A weasel hath not such a deal of spleen7 note
,
As you are toss'd with. In faith,
I'll know your business, Harry, that I will.
I fear, my brother Mortimer doth stir
About his title; and hath sent for you,
To line his enterprize8 note

: But if you go—

Hot.
So far afoot, I shall be weary, love.

Lady.
Come, come, you paraquito, answer me
Directly to this question that I ask.
In faith, I'll break thy little finger, Harry9 note



,
An if thou wilt not tell me all things true.

Hot.
Away,
Away, you trifler!—Love?—I love thee not1 note








,

-- 257 --


I care not for thee, Kate: this is no world,
To play with mammets,2 note

and to tilt with lips:
We must have bloody noses, and crack'd crowns3 note


,
And pass them current too.—Gods me, my horse!—

-- 258 --


What say'st thou, Kate? what would'st thou have with me?

Lady.
Do you not love me? do you not, indeed?
Well, do not then; for since you love me not,
I will not love myself. Do you not love me?
Nay, tell me, if you speak in jest, or no.

Hot.
Come, wilt thou see me ride?
And when I am o' horseback, I will swear
I love thee infinitely. But hark you, Kate;
I must not have you henceforth question me
Whither I go, nor reason whereabout:
Whither I must, I must; and, to conclude,
This evening must I leave you, gentle Kate.
I know you wise; but yet no further wise,
Than Harry Percy's wife: constant you are;
But yet a woman: and for secrecy,
No lady closer: for I well believe,
Thou wilt not utter what thou dost not know4 note

;
And so far will I trust thee, gentle Kate!

Lady.
How! so far?

Hot.
Not an inch further. But hark you, Kate?
Whither I go, thither shall you go too;
To-day will I set forth, to-morrow you.—
Will this content you, Kate?

Lady.
It must, of force.
[Exeunt.

-- 259 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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