Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

SCENE II. A Room in the same. Enter Benedick, and Margaret, meeting.

Ben.

Pray thee, sweet mistress Margaret, deserve well at my hands, by helping me to the speech of Beatrice.

Mar.

Will you then write me a sonnet in praise of my beauty?

Ben.

In so high a stile, Margaret, that no man living shall come over it; for, in most comely truth, thou deservest it.

Mar.

To have no man come over me? why, shall I always keep above stairs note?14Q0182

Ben.

Thy wit is as quick as the greyhound's mouth, it catches.

Mar.

And yours as blunt as the fencer's foils, which

-- 83 --

hit, but hurt not.

Ben.

A most manly wit, Margaret, it will not hurt a woman; and so, I pray thee, call Beatrice: I give thee the bucklers.

Mar.

Give us the swords, we have bucklers of our own.

Ben.

If you use them, Margaret, you must put in the pikes with a vice; and they are dangerous weapons for maids.

Mar.

Well, I will call Beatrice to you, who, I think, hath legs.

[Exit Margaret.

Ben.

And therefore will come.—



  The god of love, [singing.
  that fits above,
and knows me, and knows me,
  how pitiful I deserve,—

I mean, in singing; but in loving,—Leander the good swimmer, Troilus the first employer of pandars, and a whole book full of these quondam carpet-mongers, whose names note yet run smoothly in the even road of a blank verse, why, they were never so truly turn'd over and over, note as my poor self, in love: Marry, I cannot shew it in rime; note I have try'd; I can find out no rime to lady, but bady, note an innocent's rime; for scorn, horn, a hard rime; for school, fool, a babbling rime; very ominous endings: No, I was not born under a riming planet; nor I note cannot woo in festival terms.—

Enter Beatrice.

Sweet Beatrice, would'st thou come when I call'd thee?

Bea.

Yea, signior, and depart when you bid me.

Ben.

O, stay but 'till then!

Bea.

Then, is spoken; fare you well now:—and yet, ere I go, let me go with that I came for, which is,

-- 84 --

with knowing what hath pass'd between you and Claudio.

Ben.

Only foul words; and thereupon I will kiss thee.

Bea.

Foul words is but foul wind, and foul wind is but foul breath, and foul breath is noysome; therefore I will depart unkist.

Ben.

Thou hast frighted the word out of his right sense, so forcible is thy wit: But I must tell thee plainly, Claudio undergoes my challenge; and either I must shortly hear from him, or I will subscribe him a coward. And, I pray thee now, tell me, for which of my bad parts did'st thou first fall in love with me?

Bea.

For them all together; which maintain'd note so politick a state of evil, that they will not admit any good part to intermingle with them. But for which of my good parts did you first suffer love for me?

Ben.

Suffer love; a good epithet! I do suffer love, indeed, for I love thee against my will.

Bea.

In spight of your heart, I think; alas, poor heart! If you spight it for my sake, I will spight it for yours; for I will never love that which my friend hates.

Ben.

Thou and I are too wise to woo peaceably.

Bea.

It appears not in this confession; there's not one wise man among twenty, that will praise himself.

Ben.

An old, an old instance, Beatrice, that liv'd in the time of good neighbours: if a man do not erect in this age his own tomb ere he dies, he shall live no longer in monument, note than the bell rings, and the widow weeps.

Bea.

And how long is that, think you?

Ben.

Question? Why, an hour in clamour, and a quarter in rheum: Therefore is it most expedient for the wise, (if Don Worm, his conscience, find no impediment

-- 85 --

to the contrary) to be the trumpet of his own virtues, as I am to myself: So much for praising myself, (who, I myself will bear witness, is praise-worthy) and now tell me, How doth your cousin?

Bea.

Very ill.

Ben.

And how do you?

Bea.

Very ill too.

Ben.

Serve God, love me, and mend: there will I leave you too, for here comes one in haste.

Enter Ursula.

Urs.

Madam, you must come to your uncle: yonder's old coil at home: it is proved my lady Hero hath been falsely accus'd, the prince and Claudio mightily abus'd; and Don John is the author of all, who is fled and gone: Will you come presently?

Bea.

Will you go hear this news, signior?

Ben.

I will live in thy heart, dye in thy lap, and be bury'd in thy eyes; and, moreover, I will go with thee to thy uncle. note

[Exeunt.
Previous section

Next section


Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
Powered by PhiloLogic