Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
Samuel Johnson [1778], The plays of William Shakspeare. In ten volumes. With the corrections and illustrations of various commentators; to which are added notes by Samuel Johnson and George Steevens. The second edition, Revised and Augmented (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10901].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

SCENE IV. A cottage in the forest. Enter Rosalind and Celia.

Ros.

Never talk to me, I will weep.

Cel.

Do, I pr'ythee; but yet have the grace to consider, that tears do not become a man.

Ros.

But have I not cause to weep?

Cel.

As good cause as one would desire; therefore weep.

Ros.

His very hair is of the dissembling colour.

Cel.

Something browner than Judas's2 note
: marry, his
kisses are Judas's own children.

-- 341 --

Ros.

I'faith, his hair is of a good colour3 note.

Cel.

An excellent colour: your chesnut was ever the only colour.

Ros.

And his kissing is as full of sanctity as the touch of holy beard4 note.

Cel.

He hath bought a pair of cast lips of Diana: a nun of winter's sisterhood5 note





kisses not more religiously; the very ice of chastity is in them.

-- 342 --

Ros.

But why did he swear he would come this morning, and comes not?

Cel.

Nay certainly, there is no truth in him.

Ros.

Do you think so?

Cel.

Yes: I think he is not a pick-purse, nor a horse-stealer; but for his verity in love, I do think him as concave as a cover'd goblet6 note, or a worm-eaten nut.

Ros.

Not true in love?

Cel.

Yes, when he is in; but, I think, he is not in.

Ros.

You have heard him swear downright, he was.

Cel.

Was, is not is: besides, the oath of a lover is no stronger than the word of a tapster; they are both the confirmers of false reckonings: He attends here in the forest on the duke your father.

Ros.

I met the duke yesterday, and had much question7 note with him: He asked me, of what parentage I was; I told him, of as good as he: so he laugh'd, and let me go. But what talk we of fathers, when there is such a man as Orlando?

Cel.

O, that's a brave man! he writes brave verses, speaks brave words, swears brave oaths, and breaks them bravely, quite traverse, athwart8 note







the heart of

-- 343 --

his lover; as a puny tilter, that spurs his horse but on one side, breaks his staff like a noble goose: but all's brave, that youth mounts, and folly guides:—Who comes here?

Enter Corin.

Cor.
Mistress, and master, you have oft enquired
After the shepherd that complain'd of love;
Whom you saw sitting by me on the turf,

-- 344 --


Praising the proud disdainful shepherdess
That was his mistress.

Cel.
Well, and what of him?

Cor.
If you will see a pageant truly play'd,
Between the pale complexion of true love
And the red glow of scorn and proud disdain,
Go hence a little, and I shall conduct you,
If you will mark it.

Ros.
O, come, let us remove;
The sight of lovers feedeth those in love:—
Bring us but to this sight, and you shall say
I'll prove a busy actor in their play.
[Exeunt.
Previous section

Next section


Samuel Johnson [1778], The plays of William Shakspeare. In ten volumes. With the corrections and illustrations of various commentators; to which are added notes by Samuel Johnson and George Steevens. The second edition, Revised and Augmented (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10901].
Powered by PhiloLogic