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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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Scene SCENE, the Forest of Arden. Enter Duke Senior, Jaques, Orlando, Oliver, and Celia.

Duke Sen.
Dost thou believe, Orlando, that the boy
Can do all this that he hath promis'd?

Orla.
I sometimes do believe, and sometimes do not,
As those that fear they hope, and know they fear.
Enter Rosalind, Silvius, and Phebe.

Ros.
Patience, once more, whilst our compact is urg'd.
You say, if I bring in your Rosalind, [To the Duke.
You will bestow her on Orlando here?

Duke Sen.
That would I, had I kingdoms to give with her.

Ros.
And you say, you will have her when I bring her?
[To Orlando.

Orla.
That would I, were I of all kingdoms king.

Ros.
You say, you'll marry me, if I be willing?
[To Phebe.

Phe.
That will I, should I die the hour after.

Ros.
But if you do refuse to marry me,
You'll give yourself to this most faithful shepherd.

Phe.
So is the bargin.

Ros.
You say, that you'll have Phebe, if she will?
[To Silvius.

Sil.
Tho' to have her and death were both one thing.

Ros.
I've promis'd to make all this matter even.
Keep you your word, O duke, to give your daughter:
You, yours, Orlando, to receive his daughter.
Keep your word, Phebe, that you'll marry me;
Or else, refusing me, to wed this shepherd.
Keep your word, Silvius, that you'll marry her,

-- 143 --


If she refuse me; and from hence I go,
To make these doubts all even. [Ex. Ros. and Celia.

Duke Sen.
I do remember in this shepherd boy,
Some lively touches of my daughter's favour.

Orla.
My lord, the first time I ever saw him,
Methought he was a brother to your daughter.
But, my good lord, this boy is forest-born,
And hath been tutor'd in the rudiments
Of many desperate studies, by his uncle;
Whom he reports to be a great magician
Obscured in the circle of this forest.
Enter Touchstone and Audrey.

Jaq.

There is sure another flood toward, and these couples are coming to the ark. Here comes a pair of very strange beasts, which in all tongues are call'd fools.

Touch.

Salutation and greeting to you all.

Jaq.

Good, my lord, bid him welcome. This is the motley-minded gentleman, that I have so often met in the forest: he hath been a courtier, he swears.

Touch.

If any man doubt that, let him put me to my purgation: I have trod a measure, I have flatter'd a lady, I have been politic with my friend, smooth with mine enemy, I have undone three taylors, I have had four quarrels, and like to have fought one.

Jaq.

And how was that ta'en up?

Touch.

'Faith we met, and found the quarrel was upon the seventh cause.

Jaq.

How the seventh cause? Good, my lord, like this fellow.

Duke Sen.

I like him, very well.

Touch.

God'ild you, sir, I desire you of the like: I press in here, sir, amongst the rest of the country copulatives, to swear, and to forswear, according as marriage binds, and blood breaks: a poor virgin, sir, an ill-favour'd thing, sir, but mine own, a poor humour of mine, sir, to take that no man else will. Rich honestly dwells like a miser, sir, in a poor house, as your pearl in foul oysters.

-- 144 --

Duke Sen.

By my faith, he is very swift and sententious.

Touch.

According to the fools bolt, sir, and such dulcet diseases.

Jaq.

But for the seventh cause; how did you find the quarrel on the seventh cause?

Touch.

Upon a lye seven times remov'd; (bear your body more seeming, Audrey) as thus, sir; I did dislike the cut of a certain courtier's beard; he sent me word, if I said his beard was not cut well, he was in the mind it was; this is called the retort courteous. If I sent him word again, it was not well cut, he wou'd send me word, he cut it to please himself; this is call'd the quip modest. If again, it was not well cut, he disabled my judgment; this is called the reply churlish. If, again, it was not well cut, he would answer, I spake not true; this is called the reproof valiant. If again, it was not well cut, he would say, I lie; this is called the countercheck quarrelsome; and so the lie circumstantial, and the lie direct.

Jaq.

And how oft did you say his beard was not well cut?

Touch.

I durst not go further than the lie circumstantial; nor he durst not give me the lie direct, and so we measured swords, and parted.

Jaq.

Can you nominate in order, now, the degrees of the lie?

Touch.

O, sir, we quarrel in print, by the book, as you have books for good manners; I will name you the degrees. The first, the retort courteous; the second, the quip modest; the third, the reply churlish; the fourth, the reproof valiant; the fifth, the countercheck quarrelsome; the sixth, the lie with circumstance; the seventh, the lie direct. All these you may avoid, but the lie direct; and you may avoid that too, with an If. I knew when seven justices could not take up a quarrel, but when the parties were met themselves, one of them thought but of an If; as, you said so, then I said so; and they

-- 145 --

shook hands, and swore brothers. Your If is the only peace-maker. Much virtue in If.* note

Jaq.

Is not this a rare fellow, my lord? He's good at any thing, and yet a fool.

Duke Sen.

He uses his folly like a stalking-horse, and under the presentation of that he shoots his wit: but let us think no more of him, and drown his remembrance, in a song.


SONG.
Then is there mirth in heav'n,
When earthly things made even
  Atone together.
Good duke receive thy daughter,
Hymen from heaven brought her,
  Yea, brought her hither.
That thou might'st join her hand with his,
Whose heart within his bosom is. Enter Rosalind in Woman's Cloaths, and Celia.

Ros.
To you I give myself; for I am yours. [To the D.
To you I give myself, for I am yours.
[To Orlando.

Duke Sen.
If there be truth in sight, you are my daughter.

Orla.
If there be truth in sight, you are my Rosalind.

Phe.
If sight and shape be true,
Why then, my love, adieu.

Ros.
I'll have no father, if you be not he;
I'll have no husband, if you be not he;
Nor ne'er wed woman, if you be not she.

Duke Sen.
O my dear niece, welcome thou art to me,
Even daughter—welcome, in no less degree.
Enter Jacques de Bois.

Jaq. de B.
Let me have audience for a word or two:
I am the second son of old Sir Rowland,

-- 146 --


That bring these tidings to this fair assembly.
Duke Frederick hearing how that, every day,
Men of great worth resorted to this forest,
Address'd a mighty power, which were on foot
In his own conduct, purposely to take
His brother here, and put him to the sword:
And to the skirts of this wild wood he came,
Where meeting with an old religious man,
After some question with him, was converted,
Both from his enterprise and from the world:
His crown bequeathing to his banish'd brother,
And all their lands restor'd to them again,
That were with him exil'd. This to be true,
I do engage my life.

Duke Sen.
Welcome, young man:
Thou offer'st fairly to thy brother's wedding:
To one, his lands with-held; and to the other,
A land itself at large, a potent dukedom.
First, in this forest, let us do those ends,
That here were well begun, and well begot:
And after, every of this happy number,
That have endur'd shrew'd days and nights with us,
Shall share the good of our returned fortune,
According to the measure of their states.
Mean time, forget this new-fall'n dignity,
And fall into our rustic revelry;
Play, musick, and you brides and bridegrooms all.
With measure heap'd in joy, to th'measures fall.

Jaq.
Sir, by your patience: if I heard you rightly,
The duke hath put on a religious life,
And thrown into neglect the pompous court.

Jaq. de B.
He hath.

Jaq.
To him will I. Out of these convertites
There is much matter to be heard and learn'd.
You to your former honour I bequeath: [To the Duke.
Your patience and your virtue well deserve it.
You to a love that your true faith doth merit. [To Orla.
You to your land and love, and great allies; [To Oli.
You to a long and well deserved bed: [To Silv.

-- 147 --


And you to wrangling; for thy loving voyage [To Touch.
Is but for two months victual'd; so to your pleasures: [Exeunt Touch. and Audrey.
I am for other than for dancing measures.

Duke Sen.
Stay, Jaques, stay.

Jaq.
To see no pastime, I: what you would have,
I'll stay to know at your abandon'd cave.
[Exit.

Duke Sen.
Proceed, proceed; we will begin these rites,
As we do trust they'll end, in true delights.

[Epilogue] Ros.* note

If it be true, that good wine needs no bush, 'tis true, that a good play needs no epilogue. Yet to good wine they do use bushes; and good plays prove the better by the help of good epilogues. What a case am I in, then, that am neither a good epilogue, nor can insinuate with you in the behalf of a good play? I am not furnish'd like a beggar; therefore to beg will not become me. My way is to conjure you, and I'll begin with the women. I charge you, O women, for the love you bear to men, to like as much of this play as pleases you: and I charge you, O men, for the love you bear to women, (as I perceive by your simpering, none of you hate them) that between you and the women, the play may please. If I were among you, I would kiss as many of you as had beards that pleas'd me, complexions that lik'd me, and breaths that I defy'd not: and I am sure, as many as have good beards, or good faces, or sweet breaths, will, for my kind offer, when I make curt'sy, bid me farewell.‡ note

[Exeunt omnes. End of the Fifth Act.

-- --

OTHELLO.
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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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