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[Aug. 1, 1593.]

My good sweet mouse2 note


, I comend me hartely to you And to my father, my mother, & my sister bess; hopinge in god, though the sicknes3note be round about you, yett by his mercy itt may escape yor. house, wch. by ye grace of god it shall, therefor use this corse: kepe yor. house fayr and clean, wch. I

-- 390 --

know you will, and every evening throwe water before yor dore & in yor bakc syd, and have in yor windowes good store of rwe and herbe of grace3 note, and, wtall, the grace of god, wch. must be obtaynd by prayers; and so doinge, no dout but ye Lord will mercifully defend you: now, good mouse, I have no newse to send you but this, that we have all our helts, for wch. the Lord be praised. I reserved yor letter at Bristo, by richard couley4 note, for ye wich I thank you. I have sent you by this berer, Thomas Chockes kinsman, my whit wascote, because hit is a trobell to me to carry it. reseave it wt this letter, And lay it up for me till I com. if you send any mor Letters, send to and by the carrier of Shrowsbery or to wistchester, or to York5 note, to be kept till my Lord Stranges players com. and thus, sweet hart, wt. my harty comenda. [commendations] to all our frends, I sett from Bristo this wensday after saynt James his day, [August 1, 1593] being redy to begin the playe of hary of cornwal6 note. mouse, do my harty c&obar;mend. [commendations] to mr. grigs, his wife and all his household and to my sister Phillips. Yor Loving husband
E. Alleyn
.

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mouse, you send me no newes of any things houshould and of yo.r domesticall matters, such things as happens att homes; as how yor distilled watter proves, or this or that or any thing, what you will. And Jug7 note, I pray you. Lett my orayng tawny stokins of wolen be dyed a newe good blak against I com hom, to wear in the winter. you sente me not word of my garden, but next tym you will. but remember this in any case, that all that bed wch. was parsley, in the month of September, you sowe itt wt. spinage, for then is the tyme I would do it my selfe, but we shall not com hom till all holand tyde. and so, sweet mouse, farwell, and broke our Long Jorney wt. patience.

“This be delyvered to mr. hinslo, on [one] of the gromes of hir mats. chamber, dwelling on the banksid, right over against the clinke.”

Mr. hinchloe, I have harde fyve shetes of a playe of the Conquest of the Indes, & I dow not doute but It will be a verye good playe: tharefore I praye ye delyver them fortye shyllynges In earneste of It, & take the papers Into yor one hands, & on easter eve thaye promyse to make an ende of all the Reste. Samuel Rowley.

lent the 4 of Aprell 1601—xxxx8.

R. of Mr. Henslowe & Mr. Alleyn, the i day of Janewary 1601, for i qters Rent dewe unto my Mr,

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Mr. Doryngton, for the commisyon for the Beargarden the some of tenne pownds1 note by me Richard lefwicke, I say R. xlb. Richard [ ] lefwicks marck.

Mr. Hynchlye I praye ye dow so muche for us If Ihon Daye & wyll haughton have reseved but thre pounde ten shyllynges, as to delyver them thurtye shyllynges more, & take thare parers. yors. to comande, Samuell Rowlye.

Mr. Hinchlowe I pray let me intreate you to lende me forty shillings till the next weke and Ile then paye it you agayne by the grace of god, I pray as you love me fayle me not: here is one at home must receave it presently. if you will doe me this favour, you shall comaunde me in a greater matter. yors. Will. Birde.

feched by William felle, his man.

Mr Henchlowe, I pray ye delyver the Reste of the Monye to John daye & wyll hawton dew to them of the syx yemen of the weste. Samuell Rowlye.

I have occasion to be absent note about the plott of the Indyes, therefore pray delyver it to will hawton . . . . by me John Daye.

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Mr Henslowe, we have heard their booke and lyke yt. their price is eight pounds, weh I pray pay now to Mr. Wilson according to our promyse. I would have come my selfe, but that I am trobled with a scytation. Yors Robt. Shaa.
[Nov. 1599.]

On the back of this paper:

1. Sci. W. Wor. & Ansell, & to them the ploughmen.

2. Sci. Richard & Eliza. Catesbie, Lovell, Rice ap Tho. Blount, Banester.

3. Sci. Ansell Davye Denys, Hen. Oxf. Courtney Bou'ttner, & Grace.

4. Sci. To them Rice ap Tho. & his Soldiers.

5. Sci. K. Rich. Catesb. Lovell, Norf. Northumb. Percye.

Mr. hynchla, I praye ye let Mr hathwaye have his papars a gayne of the playe of John a gante, & for the Repayemente of the monye back a gayne he ys contente to gyve ye a byll of his hande to be payde at some cartayne tyme as In yor dyscressyon yow shall thinke good, wch done ye may crose It oute of yor boouke & keepe the byll, or else wele stande so muche indetted to you & keepe the byll or selves. Samuell Rowley.

I pray you Mr. Henshloue deliver in behalfe of the Company, unto the fifty Shillings wch they receaved the other day, three pounds & tenn shillings more, in full payment of six pounds the pryce of their play called To Good to be True. Yors Robt. Shaa.

-- 394 --

The xxiiith Daye of october 1601.

Receved of Phillipe Henslowe Esquire the some of ixs. viid. and ys for one yeares Rente due at the feast of st Michaell last past 1601, unto the Reverent Father in god Thomas by gods providence Lord Bishope of Winchester and ys for Certeine tenemts one the banke syde Late one willm Paynes and nowe in the tenore of the saide Phillipe Henslowe. &per; me Johan Middleton.

James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

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TITUS ANDRONICUS.

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Introductory matter

PRELIMINARY REMARKS.

It is observable, that this play is printed in the quarto of 1611, with exactness equal to that of the other books of those times. The first edition was probably corrected by the author, so that here is very little room for conjecture or emendation; and accordingly none of the editors have much molested this piece with officious criticism. Johnson.

There is an authority for ascribing this play to Shakspeare, which I think a very strong one, though not made use of, as I remember, by any of his commentators. It is given to him, among other plays, which are undoubtedly his, in a little book, called Palladis Tamia, or the Second Part of Wit's Commonwealth, written by Francis Meres, Maister of Arts, and printed at London in 1598. The other tragedies, enumerated as his in that book, are King John, Richard the Second, Henry the Fourth, Richard the Third, and Romeo and Juliet. The comedies are, the Midsummer-Night's Dream, the Gentlemen of Verona, the Comedy of Errors, the Love's Labour's Lost, the Love's Labour Won, and the Merchant of Venice. I have given this list, as it serves so far to ascertain the date of these plays; and also, as it contains a notice of a comedy of Shakspeare, the Love's Labour Won, not included in any collection of his works; nor, as far as I know, attributed to him by any other authority. If there should be a play in being with that title, though without Shakspeare's name, I should be glad to see it; and I think the editor would be sure of the publick thanks, even if it should prove no better than the Love's Labour's Lost. Tyrwhitt.

Dr. Farmer was of opinion that Love's Labour Won was another name for All's Well That Ends Well. See the Preliminary Remarks to that play, vol. x. Boswell.

The work of criticism on the plays of our author, is, I believe, generally found to extend or contract itself in proportion to the value of the piece under consideration; and we shall always do little where we desire but little should be done. I know not that this piece stands in need of much emendation; though it might be treated as condemned criminals are in some countries,—any experiments might be justifiably made on it.

The author, whoever he was, might have borrowed the story, the names, the characters, &c. from an old ballad, which is entered in the books of the Stationers' Company immediately after the play on the same subject. “John Danter] Feb. 6, 1563. A book entitled A Noble Roman Historie of Titus Andronicus.”

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“Enter'd unto him also the ballad thereof.”

Entered again April 19, 1602, by Tho. Pavyer.

The reader will find it in Dr. Percy's Reliques of Ancient English Poetry, vol. i. Dr. Percy adds, that “there is reason to conclude that this play was rather improved by Shakspeare with a few fine touches of his pen, than originally writ by him; for not to mention that the style is less figurative than his others generally are, this tragedy is mentioned with discredit in the induction to Ben Jonson's Bartholomew Fair in 1614, as one that had then been exhibited ‘five-and-twenty or thirty years:’ which, if we take the lowest number, throws it back to the year 1589, at which time Shakspeare was but twenty-five: an earlier date than can be found for any other of his pieces, and if it does not clear him entirely of it, shows at least it was a first attempt.”

Though we are obliged to Dr. Percy for his attempt to clear our great dramatick writer from the imputation of having produced this sanguinary performance, yet I cannot admit that the circumstance of its being discreditably mentioned by Ben Jonson, ought to have any weight; for Ben has not very sparingly censured The Tempest, and other pieces which are undoubtedly among the most finished works of Shakspeare. The whole of Ben's Prologue to Every Man in his Humour, is a malicious sneer on him.

Painter, in his Palace of Pleasure, tom. ii. speaks of the story of Titus as well known, and particularly mentions the cruelty of Tamora: And, in A Knack to Know a Knave, 1594, is the following allusion to it:


“&lblank; as welcome shall you be
“To me, my daughters, and my son in law,
“As Titus was unto the Roman senators,
“When he had made a conquest on the Goths.”

Whatever were the motives of Heming and Condell for admitting this tragedy among those of Shakspeare, all it has gained by their favour is, to be delivered down to posterity with repeated remarks of contempt,—a Thersites babbling among heroes, and introduced only to be derided.

See the notes at the conclusion of this piece. Steevens.

On what principle the editors of the first complete edition of our poet's plays admitted this into their volume, cannot now be ascertained. The most probable reason that can be assigned, is, that he wrote a few lines in it, or gave some assistance to the author, in revising it, or in some other way aided him in bringing it forward on the stage. The tradition mentioned by Ravenscroft in the time of King James II. warrants us in making one or other of these suppositions. “I have been told” (says he in his preface to an alteration of this play published in 1687,) “by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and

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he only gave some master touches to one or two of the principal parts or characters.”

“A booke entitled A Noble Roman Historie of Titus Andronicus” was entered at Stationers'-Hall, by John Danter, Feb. 6, 1593–4. This was undoubtedly the play, as it was printed in that year (according to Langbaine, who alone appears to have seen the first edition,) and acted by the servants of the Earls of Pembroke, Derby, and Sussex. It is observable that in the entry no author's name is mentioned, and that the play was originally performed by the same company of comedians who exhibited the old drama, entitled The Contention of the Houses of Yorke and Lancaster, The old Taming of a Shrew, and Marlowe's King Edward II. by whom not one of Shakspeare's Plays is said to have been performed. See the Dissertation on King Henry VI. vol. xviii. p. 570.

From Ben Jonson's Induction to Bartholomew Fair, 1614, we learn that Andronicus had been exhibited twenty-five or thirty years before; that is, according to the lowest computation, in 1589; or taking a middle period, which is perhaps more just, in 1587.

To enter into a long disquisition to prove this piece not to have been written by Shakspeare, would be an idle waste of time. To those who are not conversant with his writings, if particular passages were examined, more words would be necessary than the subject is worth; those who are well acquainted with his works, cannot entertain a doubt on the question.—I will however mention one mode by which it may be easily ascertained. Let the reader only peruse a few lines of Appius and Virginia, Tancred and Gismund, The Battle of Alcazar, Jeronimo, Selimus Emperor of the Turks, The Wounds of Civil War, The Wars of Cyrus, Locrine, Arden of Feversham, King Edward I. The Spanish Tragedy, Solyman and Perseda, King Leir, the old King John, or any other of the pieces that were exhibited before the time of Shakspeare, and he will at once perceive that Titus Andronicus was coined in the same mint.

The testimony of Meres, mentioned in a preceding note, alone remains to be considered. His enumerating this among Shakspeare's plays may be accounted for in the same way in which we may account for its being printed by his fellow-comedians in the first folio edition of his works. Meres was in 1598, when his book appeared, intimately connected with Drayton, and probably acquainted with some of the dramatick poets of the time, from some or other of whom he might have heard that Shakspeare interested himself about this tragedy, or had written a few lines for the author. The internal evidence furnished by the piece itself, and proving it not to have been the production of Shakspeare, greatly outweighs any single testimony on the other side. Meres might have been misinformed, or inconsiderately

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have given credit to the rumour of the day. For six of the plays which he has mentioned, (exclusive of the evidence which the representation of the pieces themselves might have furnished,) he had perhaps no better authority than the whisper of the theatre; for they were not then printed. He could not have been deceived by a title-page, as Dr. Johnson supposes; for Shakspeare's same is not in the title-page of the edition printed in quarto in 1611, and therefore we may conclude, was not in the title-page of that in 1594, of which the other was undoubtedly a re-impression. Had this mean performance been the work of Shakspeare, can it be supposed that the booksellers would not have endeavoured to procure a sale for it by stamping his name upon it?

In short, the high antiquity of the piece, its entry on the Stationers' books, and being afterwards printed without the name of our author, its being performed by the servants of Lord Pembroke, &c. the stately march of the versification, the whole colour of the composition, its resemblance to several of our most ancient dramas, the dissimilitude of the style from our author's undoubted compositions, and the tradition mentioned by Ravenscroft, when some of his contemporaries had not been long dead, (for Lowin and Taylor, two of his fellow-comedians, were alive a few years before the Restoration, and Sir William D'Avenant, who had himself written for the stage in 1626, did not die till April 1668,) all these circumstances combined, prove with irresistible force that the play of Titus Andronicus has been erroneously ascribed to Shakspeare. Malone.

“Kyd—probably original author of Andronicus, Locrine, and play in Hamlet.—Marloe, of H. 6.

“Ben Jonson, Barthol. Fair—ranks together Hieronymo and Andronicus, [time and stile]—first exposed him to the criticks— shelter'd afterwards under another's name.

“Sporting Kyd [perhaps wrote comedy] and Marloe's mighty line—Jonson. [might assist Lily,] Perhaps Shakspeare's additions outshone.

“Tamburlaine mention'd with praise by Heywood, as Marloe's, might be different from the bombast one—and that written by Kyd.”

From a loose scrap of paper, in the hand writing of Dr. Farmer. Steevens.

In the library of the Duke of Bridgewater, at Ashridge, is a volume of old quarto plays, numbered R. 1. 7; in which the first is Titus Andronicus.

I have collated it with the tragedy as it stands in the edition of Shakspeare, 1793: and the following remarks, and various readings, are here assigned to their proper places. Todd.

The ingenious and accurate Mr. Todd has most obligingly collated this tragedy (4to. 1600) with that in 8vo. 1793. Most of

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his collations, &c. will be found at the bottom of the following pages. Steevens.

Mr. Malone, in a preceding note, has expressed his opinion that Shakspeare may have written a few lines in this play, or given some assistance to the author in revising it. Upon no other ground than this, has it any claim to a place among our poet's dramas? Those passages in which he supposed the hand of Shakspeare may be traced, are marked with inverted commas. I cannot help thinking that this system of seizing upon every line possessed of merit as belonging of right to our great dramatist, is scarcely doing justice to his contemporaries, and resembles one of the arguments which Theobald has used in his preface to The Double Falshood: “My partiality for Shakspeare makes me wish that every thing which is good or pleasing in our tongue had been owing to his pen.” Many of the writers of that day were men of high poetical talent; and many individual speeches are found in plays, which, as plays, are of no value, which would not have been in any way unworthy of Shakspeare himself, of whom Dr. Johnson has observed, that “his real power is not shown in the splendour of particular passages, but by the progress of his fable and the tenor of his dialogue, and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen.” It is with the utmost diffidence that I venture to call in question the opinion of Dr. Farmer, who has ascribed Titus Andronicus to Kyd, and placed it on a level with Locrine; but it appears to me to be much more in the style of Marlowe. His fondness for accumulating horrors upon other occasions will account for the sanguinary character of this play; and it would not, I think, be difficult to show by extracts from his other performances, that there is not a line in it which he was not fully capable of writing. Boswell.

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PERSONS REPRESENTED. Saturninus, Son to the late Emperor of Rome, and afterwards declared Emperor himself. Bassianus, Brother to Saturninus; in love with Lavinia. Titus Andronicus, a noble Roman, General against the Goths. Marcus Andronicus, Tribune of the People; and Brother to Titus. Lucius, Son to Titus Andronicus. Quintus, Son to Titus Andronicus. Martius, Son to Titus Andronicus. Mutius, Son to Titus Andronicus. Young Lucius, a Boy, Son to Lucius. Publius, Son to Marcus the Tribune. Æmilius, a noble Roman. Alarbus, Son to Tamora. Chiron, Son to Tamora. Demetrius, Son to Tamora. Aaron, a Moor, beloved by Tamora. Captain, Roman. Tribune, Roman. Messenger, Roman. Clown; Roman. Goths and Romans [Goth], [Goth 1], [Goth 2], [Goths], [Roman 1]. Tamora, Queen of the Goths. Lavinia, Daughter to Titus Andronicus. A Nurse, and a black Child. Kinsmen of Titus, Senators, Tribunes, Officers, Soldiers, and Attendants. [Senator] SCENE, Rome; and the Country near it.

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TITUS ANDRONICUS. ACT I. SCENE I. Rome. Before the Capitol. The Tomb of the Andronici appearing; the Tribunes and Senators aloft, as in the Senate. Enter, below, Saturninus and his Followers, on one side; and Bassianus and his Followers, on the other; with Drum and Colours.

Sat.
Noble patricians, patrons of my right,
Defend the justice of my cause with arms;
And, countrymen, my loving followers,
Plead my successive title1 note

with your swords:
I am his first-born son, that was the last
That ware the imperial diadem of Rome;
Then let my father's honours live in me,
Nor wrong mine age2 note


with this indignity.

Bas.
Romans,—friends, followers, favourers of my right,—
If ever Bassianus, Cæsar's son,

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Were gracious in the eyes of royal Rome,
Keep then this passage to the Capitol;
“And suffer not dishonour to approach
“The imperial seat, to virtue consecrate,
“To justice, continence, and nobility:
“But let desert in pure election shine;
“And, Romans, fight for freedom in your choice. Enter Marcus Andronicus, aloft, with the Crown.

Mar.
Princes—that strive by factions, and by friends,
Ambitiously for rule and empery,—
Know, that the people of Rome, for whom we stand
A special party, have, by common voice,
In election for the Roman empery,
Chosen Andronicus, surnamed Pius
For many good and great deserts to Rome:
A nobler man, a braver warrior,
Lives not this day within the city walls:
He by the senate is accited home,
From weary wars against the barbarous Goths;
That, with his sons, a terror to our foes,
Hath yok'd a nation strong, train'd up in arms.
Ten years are spent, since first he undertook
This cause of Rome, and chastis'd with his arms
Our enemies' pride: Five times he hath return'd
Bleeding to Rome, bearing his valiant sons
In coffins from the field;
And now at last, laden with honour's spoils,
Returns the good Andronicus to Rome,
Renowned Titus, flourishing in arms.
Let us entreat,—By honour of his name,
Whom, worthily, you would have now succeed,
And in the Capitol and senate's right,
Whom you pretend to honour and adore,—
That you withdraw you, and abate your strength;

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Dismiss your followers, and, as suitors should,
Plead your deserts in peace and humbleness.

Sat.
How fair the tribune speaks to calm my thoughts!

Bas.
Marcus Andronicus, so I do affy
In thy uprightness and integrity,
And so I love and honour thee and thine,
Thy nobler brother Titus, and his sons,
And her, to whom my thoughts are humbled all,
Gracious Lavinia, Rome's rich ornament,
That I will here dismiss my loving friends;
And to my fortunes, and the people's favour,
Commit my cause in balance to be weigh'd.
[Exeunt the Followers of Bassianus.

Sat.
Friends, that have been thus forward in my right,
I thank you all, and here dismiss you all;
And to the love and favour of my country
Commit myself, my person, and the cause. [Exeunt the Followers of Saturninus.
Rome, be as just and gracious unto me,
As I am confident and kind to thee.—
Open the gates, and let me in.

Bas.
Tribunes! and me, a poor competitor.
[Sat. and Bas. go into the Capitol, and exeunt with Senators, Marcus, &c. SCENE II. The Same. Enter a Captain, and Others.

Cap.
Romans, make way; The good Andronicus,
Patron of virtue, Rome's best champion,
Successful in the battles that he fights,
With honour and with fortune is return'd,

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From where he circumscribed with his sword,
And brought to yoke, the enemies of Rome. Flourish of Trumpets, &c. Enter Mutius and Martius: after them, two Men bearing a Coffin covered with black; then Quintus and Lucius. After them, Titus Andronicus; and then Tamora, with Alarbus, Chiron, Demetrius, Aaron, and other Goths, prisoners; Soldiers and People, following. The Bearers set down the Coffin, and Titus speaks.

Tit.
Hail, Rome, victorious in thy mourning weeds3 note


!
Lo, as the bark, that hath discharg'd her fraught4 note

,
Returns with precious lading to the bay,
From whence at first she weigh'd her anchorage,
Cometh Andronicus, bound with laurel boughs,
To re-salute his country with his tears;
Tears of true joy for his return to Rome,—
Thou great defender of this Capitol5 note,
Stand gracious to the rights that we intend!

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Romans, of five and twenty valiant sons,
Half of the number that king Priam had,
Behold the poor remains, alive, and dead!
These, that survive, let Rome reward with love;
These, that I bring unto their latest home,
With burial amongst their ancestors:
Here Goths have given me leave to sheath my sword.
Titus, unkind, and careless of thine own,
Why suffer'st thou thy sons, unburied yet,
To hover on the dreadful shore of Styx6 note?—
Make way to lay them by their brethren. [The Tomb is opened.
There greet in silence, as the dead are wont,
And sleep in peace, slain in your country's wars!
O sacred receptacle of my joys,
Sweet cell of virtue and nobility,
How many sons of mine hast thou in store,
That thou wilt never render to me more?

Luc.
Give us the proudest prisoner of the Goths,
That we may hew his limbs, and, on a pile,
Ad manes fratrum sacrifice his flesh,
Before this earthly prison7 note of their bones;
That so the shadows be not unappeas'd,
Nor we disturb'd with prodigies on earth8 note.

Tit.
I give him you; the noblest that survives,
The eldest son of this distressed queen.

Tam.
Stay, Roman brethren;—Gracious conqueror,

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Victorious Titus, rue the tears I shed,
A mother's tears in passion for her son:
And, if thy sons were ever dear to thee,
O, think my son to be as dear to me.
Sufficeth not, that we are brought to Rome,
To beautify thy triumphs, and return,
Captive to thee, and to thy Roman yoke;
But must my sons be slaughter'd in the streets,
For valiant doings in their country's cause?
O! if to fight for king and common weal
Were piety in thine, it is in these.
Andronicus, stain not thy tomb with blood:
Wilt thou draw near the nature of the gods?
Draw near them then in being merciful8 note



:
Sweet mercy is nobility's true badge;
Thrice-noble Titus, spare my first-born son.

Tit.
Patient yourself9 note




, madam, and pardon me.
These are their brethren, whom you Goths beheld
Alive, and dead; and for their brethren slain,
Religiously they ask a sacrifice:
To this your son is mark'd; and die he must,
To appease their groaning shadows that are gone.

-- 269 --

Luc.
Away, with him! and make a fire straight;
And with our swords, upon a pile of wood,
Let's hew his limbs, till they be clean consum'd.
[Exeunt Lucius, Quintus, Martius, and Mutius, with Alarbus.

Tam.
O cruel, irreligious piety!

Chi.
Was ever Scythia half so barbarous?

Dem.
Oppose not Scythia to ambitious Rome.
Alarbus goes to rest; and we survive
To tremble under Titus' threatening look.
Then, madam, stand resolv'd; but hope withal,
The self-same gods, that arm'd the queen of Troy
With opportunity of sharp revenge
Upon the Thracian tyrant in his tent1 note


,
May favour Tamora, the queen of Goths,
(When Goths were Goths, and Tamora was queen,)
To quit the bloody wrongs upon her foes.

-- 270 --

Re-enter Lucius, Quintus, Martius, and Mutius, with their Swords bloody.

Luc.
See, lord and father, how we have perform'd
Our Roman rites: Alarbus' limbs are lopp'd,
And entrails feed the sacrificing fire,
Whose smoke, like incense, doth perfume the sky.
Remaineth nought, but to inter our brethren,
And with loud 'larums welcome them to Rome.

Tit.
Let it be so, and let Andronicus
Make this his latest farewell to their souls. [Trumpets sounded, and the Coffins laid in the Tomb.
“In peace and honour rest you here, my sons;
“Rome's readiest champions, repose you here in rest2 note


,
“Secure from worldly chances and mishaps!
“Here lurks no treason, here no envy swells,
“Here grow no damned grudges; here, are no storms,
“No noise, but silence and eternal sleep: Enter Lavinia.
In peace and honour rest you here, my sons!

Lav.
In peace and honour live lord Titus long;
My noble lord and father, live in fame!
Lo! at this tomb my tributary tears
I render, for my brethren's obsequies;
And at thy feet I kneel with tears of joy
Shed on the earth, for thy return to Rome:
O, bless me here with thy victorious hand,

-- 271 --


Whose fortunes Rome's best citizens applaud.

Tit.
Kind Rome, that hast thus lovingly reserv'd
The cordial of mine age to glad my heart!—
Lavinia, live; outlive thy father's days,
And fame's eternal date, for virtue's praise3 note

! Enter Marcus Andronicus, Saturninus, Bassianus, and Others.

Mar.
Long live lord Titus, my beloved brother,
Gracious triumpher in the eyes of Rome!

Tit.
Thanks gentle tribune, noble brother Marcus.

Mar.
And welcome, nephews, from successful wars,
You that survive, and you that sleep in fame.
Fair lords, your fortunes are alike in all,
That in your country's service drew your swords:
But safer triumph is this funeral pomp,
That hath aspir'd to Solon's happiness4 note


,
And triumphs over chance, in honour's bed.—
Titus Andronicus, the people of Rome,
Whose friend in justice thou hast ever been,
Send thee by me, their tribune, and their trust,

-- 272 --


This palliament of white and spotless hue;
And name thee in election for the empire,
With these our late-deceased emperor's sons:
Be candidatus then, and put it on,
And help to set a head on headless Rome.

Tit.
A better head her glorious body fits,
Than his, that shakes for age and feebleness:
What! should I don this robe5 note
, and trouble you?
Be chosen with proclamations to-day;
To-morrow, yield up rule, resign my life,
And set abroad new business for you all?
Rome, I have been thy soldier forty years,
And buried one and twenty valiant sons,
Knighted in field, slain manfully in arms,
In right and service of their noble country:
Give me a staff of honour for mine age,
But not a scepter to control the world:
Upright he held it, lords, that held it last.

Mar.
Titus, thou shalt obtain and ask the empery6 note.

Sat.
Proud and ambitious tribune, canst thou tell?—

Tit.
Patience, prince Saturnine7 note
.

Sat.
Romans, do me right;—
Patricians, draw your swords, and sheath them not
Till Saturninus be Rome's emperor:—
Andronicus, 'would thou wert shipp'd to hell,
Rather than rob me of the people's hearts.

Luc.
Proud Saturnine, interrupter of the good
That noble-minded Titus means to thee!

-- 273 --

Tit.
Content thee, prince: I will restore to thee
The people's hearts, and wean them from themselves.

Bas.
Andronicus, I do not flatter thee,
But honour thee, and will do till I die;
My faction if thou strengthen with thy friends8 note

,
I will most thankful be: and thanks, to men
Of noble minds, is honourable meed.

Tit.
People of Rome, and people's tribunes here,
I ask your voices, and your suffrages;
Will you bestow them friendly on Andronicus?

Trib.
To gratify the good Andronicus,
And gratulate his safe return to Rome,
The people will accept whom he admits.

Tit.
Tribunes, I thank you: and this suit I make,
That you create your emperor's eldest son,
Lord Saturnine; whose virtues will, I hope,
Reflect on Rome, as Titan's rays on earth,
And ripen justice in this common-weal:
Then if you will elect by my advice,
Crown him, and say,—Long live our emperor.

Mar.
With voices and applause of every sort,
Patricians, and plebeians, we create
Lord Saturninus, Rome's great emperor;
And say,—Long live our Emperor Saturnine!
[A long Flourish.

Sat.
Titus Andronicus, for thy favours done
To us in our election this day,
I give thee thanks in part of thy deserts,
And will with deeds requite thy gentleness:
And, for an onset, Titus, to advance
Thy name and honourable family,

-- 274 --


Lavinia will I make my emperess,
Rome's royal mistress, mistress of my heart,
And in the sacred Pantheon9 note

her espouse:
Tell me, Andronicus, doth this motion please thee?

Tit.
It doth, my worthy lord; and, in this match,
I hold me highly honour'd of your grace:
And here, in sight of Rome, to Saturnine,—
King and commander of our common-weal,
The wide world's emperor,—do I consecrate
My sword, my chariot, and my prisoners;
Presents well worthy Rome's imperial lord1 note
:
Receive them then, the tribute that I owe,
Mine honour's ensigns humbled at thy feet.

Sat.
Thanks, noble Titus, father of my life!
How proud I am of thee, and of thy gifts,
Rome shall record; and, when I do forget
The least of these unspeakable deserts,
Romans, forget your fealty to me.

Tit.
Now, madam, are you prisoner to an emperor; [To Tamora.
To him, that for your honour and your state,
Will use you nobly, and your followers.

Sat.
A goodly lady, trust me; of the hue
That I would choose, were I to choose anew.—
Clear up, fair queen, that cloudy countenance:
Though chance of war hath wrought this change of cheer,
Thou com'st not to be made a scorn in Rome:
Princely shall be thy usage every way.
Rest on my word, and let not discontent
Daunt all your hopes; Madam, he comforts you,

-- 275 --


Can make you greater than the queen of Goths.—
Lavinia, you are not displeas'd with this?

Lav.
Not I, my lord2 note; sith true nobility
Warrants these words in princely courtesy.

Sat.
Thanks, sweet Lavinia.—Romans, let us go:
Ransomless here we set our prisoners free:
Proclaim our honours, lords, with trump and drum.

Bas.
Lord Titus, by your leave, this maid is mine.
[Seizing Lavinia.

Tit.
How, sir? Are you in earnest then, my lord?

Bas.
Ay, noble Titus; and resolv'd withal,
To do myself this reason and this right.
[The Emperor courts Tamora in dumb show.

Mar.
Suum cuique is our Roman justice:
This prince in justice seizeth but his own.

Luc.
And that he will, and shall, if Lucius live.

Tit.
Traitors, avaunt! Where is the emperor's guard?
Treason, my lord; Lavinia is surpriz'd.

Sat.
Surpriz'd! By whom?

Bas.
By him that justly may
Bear his betroth'd from all the world away.
[Exeunt Marcus and Bassianus, with Lavinia.

Mut.
Brothers, help to convey her hence away,
And with my sword I'll keep this door safe.
[Exeunt Lucius, Quintus, and Martius.

Tit.
Follow my lord, and I'll soon bring her back.

Mut.
My lord, you pass not here.

-- 276 --

Tit.
What, villain boy!
Barr'st me my way in Rome?
[Titus kills Mutius.

Mut.
Help, Lucius, help!
Re-enter Lucius.

Luc.
My lord, you are unjust; and, more than so,
In wrongful quarrel you have slain your son.

Tit.
Nor thou, nor he, are any sons of mine:
My sons would never so dishonour me:
Traitor, restore Lavinia to the emperor.

Luc.
Dead, if you will; but not to be his wife,
That is another's lawful promis'd love.
[Exit.

“Sat.
No, Titus, no; the emperor needs her not,
“Nor her3 note

, nor thee, nor any of thy stock:
“I'll trust, by leisure, him that mocks me once;
“Thee never, nor thy traitorous haughty sons,
“Confederates all thus to dishonour me.
“Was there none else in Rome to make a stale4 note

,
“But Saturnine? Full well, Andronicus,
“Agree these deeds with that proud brag of thine,
“That said'st, I begg'd the empire at thy hands.

“Tit.
O monstrous! what reproachful words are these?

Sat.
But go thy ways; go, give that changing piece5 note







-- 277 --


To him that flourish'd for her with his sword:
A valiant son-in-law thou shalt enjoy;
One fit to bandy with thy lawless sons,
To ruffle in the commonwealth of Rome6 note

.

Tit.
These words are razors to my wounded heart.

Sat.
And therefore, lovely Tamora, queen of Goths,—
That, like the stately Phœbe 'mongst her nymphs,
Dost overshine the gallant's dames of Rome7 note






,
If thou be pleas'd with this my sudden choice,
Behold, I choose thee, Tamora, for my bride,
And will create thee emperess of Rome.
Speak, queen of Goths, dost thou applaud my choice?

-- 278 --


And here I swear by all the Roman Gods,—
Sith priest and holy water are so near,
And tapers burn so bright, and every thing
In readiness for Hymeneus stand,—
I will not re-salute the streets of Rome,
Or climb my palace, till from forth this place
I lead espous'd my bride along with me.

Tam.
And here, in sight of heaven, to Rome I swear,
If Saturnine advance the queen of Goths,
She will a handmaid be to his desires,
A loving nurse, a mother to his youth.

Sat.
Ascend, fair queen, Pantheon:—Lords, accompany
Your noble emperor, and his lovely bride,
Sent by the heavens for prince Saturnine,
Whose wisdom hath her fortune conquered:
There shall we cónsummate our spousal rites.
[Exeunt Saturninus and his Followers; Tamora, and her Sons; Aaron and Goths.

Tit.
I am not bid8 note to wait upon this bride;—
Titus, when wert thou wont to walk alone,
Dishonour'd thus, and challenged of wrongs?
Re-enter Marcus, Lucius, Quintus, and Martius.

Mar.
O, Titus, see, O, see, what thou hast done!
In a bad quarrel slain a virtuous son.

Tit.
No, foolish tribune, no; no son of mine,—
Nor thou, nor these, confederates in the deed
That hath dishonour'd all our family;
Unworthy brother, and unworthy sons!

Luc.
But let us give him burial, as becomes;
Give Mutius burial with our brethren.

Tit.
Traitors, away! he rests not in this tomb.
This monument five hundred years hath stood,

-- 279 --


Which I have sumptuously re-edified:
Here none but soldiers, and Rome's servitors,
Repose in fame; none basely slain in brawls:—
Bury him where you can, he comes not here.

Mar.
My lord, this is impiety in you:
My nephew Mutius' deeds do plead for him:
He must be buried with his brethren.

Quin., Mart.
And shall, or him we will accompany.

Tit.
And shall? What villain was it spoke that word?

Quin.
He that would vouch't in any place but here.

Tit.
What, would you bury him in my despite?

Mar.
No, noble Titus; but entreat of thee
To pardon Mutius, and to bury him.

Tit.
Marcus, even thou hast struck upon my crest,
And, with these boys, mine honour thou hast wounded:
My foes I do repute you every one;
So trouble me no more, but get you gone.

Mart.
He is not with himself; let us withdraw9 note



.

Quin.
Not I, till Mutius' bones be buried.
[Marcus and the Sons of Titus kneel.

Mar.
Brother, for in that name doth nature plead.

Quin.
Father, and in that name doth nature speak.

Tit.
Speak thou no more, if all the rest will speed.

Mar.
Renowned Titus, more than half my soul,—

Luc.
Dear father, soul and substance of us all,—

Mar.
Suffer thy brother Marcus to inter

-- 280 --


His noble nephew here in virtue's nest,
That died in honour and Lavinia's cause.
Thou art a Roman, be not barbarous:
The Greeks, upon advice, did bury Ajax
That slew himself; and wise Laertes' son
Did graciously plead for his funerals1 note

:
Let not young Mutius then, that was thy joy,
Be barr'd his entrance here.

Tit.
Rise, Marcus, rise:—
The dismall'st day is this, that e'er I saw,
To be dishonour'd by my sons in Rome!—
Well, bury him, and bury me the next.
[Mutius is put into the Tomb.

Luc.
There lie thy bones, sweet Mutius, with thy friends,
Till we with trophies do adorn thy tomb!—

All.
No man shed tears for noble Mutius2 note

;
He lives in fame that died in virtue's cause.

Mar.
My lord,—to step out of these dreary dumps,—
How comes it, that the subtle queen of Goths
Is of a sudden thus advanc'd in Rome?

Tit.
I know not, Marcus; but, I know, it is;
Whether by device, or no, the heavens can tell:
Is she not then beholden to the man
That brought her for this high good turn so far?
Yes, and will nobly him remunerate3 note.

-- 281 --

Flourish. Re-enter, at one side, Saturninus, attended; Tamora, Chiron, Demetrius, and Aaron: At the Other, Bassianus, Lavinia, and Others.

Sat.
So Bassianus, you have play'd your prize4 note;
God give you joy, sir, of your gallant bride.

Bas.
And you of yours, my lord: I say no more,
Nor wish no less; and so I take my leave.

Sat.
Traitor, if Rome have law, or we have power,
Thou and thy faction shall repent this rape.

Bas.
Rape, call you it, my lord, to seize my own,
My true-betrothed love, and now my wife?
But let the laws of Rome determine all;
Mean while I am possess'd of that is mine.

Sat.
'Tis good, sir: You are very short with us;
But, if we live, we'll be as sharp with you.

Bas.
My lord, what I have done, as best I may,
Answer I must, and shall do with my life.
Only thus much I give your grace to know,
By all the duties that I owe to Rome,
This noble gentleman, lord Titus here,
Is in opinion, and in honour, wrong'd;
That, in the rescue of Lavinia,
With his own hand did slay his youngest son,
In zeal to you, and highly mov'd to wrath
To be control'd in that he frankly gave:
Receive him then to favour, Saturnine;
That hath express'd himself, in all his deeds,
A father, and a friend, to thee, and Rome.

-- 282 --

Tit.
Prince Bassianus, leave to plead my deeds;
'Tis thou, and those, that have dishonour'd me:
Rome and the righteous heavens be my judge,
How I have lov'd and honour'd Saturnine!

Tam.
My worthy lord, if ever Tamora
Were gracious in those princely eyes of thine,
Then hear me speak indifferently for all;
And at my suit, sweet, pardon what is past.

Sat.
What! madam! be dishonour'd openly,
And basely put it up without revenge?

Tam.
Not so, my lord; The gods of Rome forefend,
I should be author to dishonour you!
But, on mine honour, dare I undertake
For good lord Titus' innocence in all,
Whose fury, not dissembled, speaks his griefs:
Then, at my suit, look graciously on him;
Lose not so noble a friend on vain suppose,
Nor with sour looks afflict his gentle heart.—
My lord, be rul'd by me, be won at last, Aside.
Dissemble all your griefs and discontents: Aside.
You are but newly planted in your throne; Aside.
Lest then the people, and patricians too, Aside.
Upon a just survey, take Titus' part, Aside.
And so supplant us5 note for ingratitude, Aside.
(Which Rome reputes to be a heinous sin,) Aside.
Yield at entreats, and then let me alone: Aside.
I'll find a day to massacre them all, Aside.
And raze their faction, and their family, Aside.
The cruel father, and his traitorous sons, Aside.
To whom I sued for my dear son's life; Aside.
And make them know, what 'tis to let a queen Aside.
Kneel in the streets, and beg for grace in vain.— Aside.

-- 283 --


Come, come, sweet emperor,—come, Andronicus,
Take up this good old man, and cheer the heart
That dies in tempest of thy angry frown.

Sat.
Rise, Titus, rise; my empress hath prevail'd.

Tit.
I thank your majesty, and her, my lord:
These words, these looks, infuse new life in me.

Tam.
Titus, I am incorporate in Rome,
A Roman now adopted happily,
And must advise the emperor for his good.
This day all quarrels die, Andronicus;—
And let it be mine honour, good my lord,
That I have reconcil'd your friends and you.—
For you, prince Bassianus, I have pass'd
My word and promise to the emperor,
That you will be more mild and tractable.—
And fear not, lords,—and you, Lavinia;—
By my advice, all humbled on your knees,
You shall ask pardon of his majesty.

Luc.
We do; and vow to heaven, and to his highness,
That, what we did, was mildly, as we might,
Tend'ring our sister's honour, and our own.

Mar.
That on mine honour here I do protest.

Sat.
Away, and talk not; trouble us no more.—

Tam.
Nay, nay, sweet emperor, we must all be friends:
The tribune and his nephews kneel for grace;
I will not be denied. Sweet heart, look back.

Sat.
Marcus, for thy sake, and thy brother's here,
And at my lovely Tamora's entreats,
I do remit these young men's heinous faults.
Stand up.
Lavinia, though you left me like a churl,
I found a friend; and sure as death I swore,
I would not part a bachelor from the priest.

-- 284 --


Come, if the emperor's court can feast two brides,
You are my guest, Lavinia, and your friends:
This day shall be a love-day, Tamora.

Tit.
To-morrow, an it please your majesty,
To hunt the panther and the hart with me,
With horn and hound, we'll give your grace bonjour.

Sat.
Be it so, Titus, and gramercy too.
[Exeunt. ACT II. 6 note

SCENE I. The Same. Before the Palace. Enter Aaron.

Aar.
Now climbeth Tamora Olympus' top,
Safe out of fortune's shot; and sits aloft,
Secure of thunder's crack, or lightning's flash;
Advanc'd above pale envy's threat'ning reach.
As when the golden sun salutes the morn,
And, having gilt the ocean with his beams,
Gallops the zodiack in his glistering coach,
And overlooks the highest-peering hills;
So Tamora.—
Upon her wit7 note


doth earthly honour wait,

-- 285 --


And virtue stoops and trembles at her frown.
Then, Aaron, arm thy heart, and fit thy thoughts,
To mount aloft with thy imperial mistress,
And mount her pitch; whom thou in triumph long
Hast prisoner held, fetter'd in amorous chains;
And faster bound to Aaron's charming eyes,
Than is Prometheus tied to Caucasus.
Away with slavish weeds, and idle thoughts8 note!
I will be bright, and shine in pearl and gold,
To wait upon this new-made emperess.
To wait, said I? to wanton with this queen,
This goddess, this Semiramis;—this nymph9 note


,
This syren, that will charm Rome's Saturnine,
And see his shipwreck, and his commonweal's.
Holla! what storm is this? Enter Chiron and Demetrius, braving.

Dem.
Chiron, thy years want wit, thy wit wants edge,
And manners, to intrude where I am grac'd;
And may, for aught thou know'st, affected be.

Chi.
Demetrius, thou dost over-ween in all;
And so in this to bear me down with braves.
'Tis not the difference of a year, or two,
Makes me less gracious, thee more fortunate:
I am as able, and as fit, as thou,
To serve, and to deserve my mistress' grace;

-- 286 --


And that my sword upon thee shall approve,
And plead my passions for Lavinia's love.

Aar.
Clubs, clubs1 note

! these lovers will not keep the peace.

Dem.
Why, boy, although our mother, unadvis'd,
Gave you a dancing-rapier by your side2 note



,
Are you so desperate grown, to threat your friends?
Go to; have your lath glued within your sheath,
Till you know better how to handle it.

Chi.
Mean while, sir, with the little skill I have,
Full well shalt thou perceive how much I dare.

Dem.
Ay, boy, grow ye so brave?
[They draw.

Aar.
Why, how now, lords?
So near the emperor's palace dare you draw,
And maintain such a quarrel openly?
Full well I wot the ground of all this grudge;
I would not for a million of gold,
The cause were known to them it most concerns:
Nor would your noble mother, for much more,
Be so dishonour'd in the court of Rome.
For shame, put up.

Dem.
Not I; till I have sheath'd3 note
My rapier in his bosom, and, withal,
Thrust these reproachful4 note speeches down his throat,

-- 287 --


That he hath breath'd in my dishonour here.

Chi.
For that I am prepar'd and full resolv'd,—
Foul-spoken coward! that thunder'st with thy tongue5 note
,
And with thy weapon nothing dar'st perform.

Aar.
Away, I say.—
Now by the gods, that warlike Goths adore,
This petty brabble will undo us all.—
Why, lords,—and think you not how dangerous
It is to jut upon a prince's right?
What, is Lavinia then become so loose,
Or Bassianus so degenerate,
That for her love such quarrels may be broach'd,
Without controlment, justice, or revenge?
Young lords, beware!—an should the empress know
This discord's ground, the musick would not please.

Chi.
I care not, I, knew she and all the world;
I love Lavinia more than all the world.

Dem.
Youngling, learn thou to make some meaner choice:
Lavinia is thine elder brother's hope.

Aar.
Why, are ye mad? or know ye not, in Rome
How furious and impatient they be,
And cannot brook competitors in love?
I tell you, lords, you do but plot your deaths
By this device.

Chi.
Aaron, a thousand deaths
Would I propose6 note



, to achieve her whom I love.

-- 288 --

Aar.
To achieve her!—How?

Dem.
Why mak'st thou it so strange?
She is a woman, therefore may be woo'd;
She is a woman, therefore may be won7 note



;

-- 289 --


She is Lavinia, therefore must be lov'd.
What, man! more water glideth by the mill8 note

Than wots the miller of; and easy it is
Of a cut loaf to steal a shive9 note



, we know:
Though Bassianus be the emperor's brother,
Better than he have worn1 note

Vulcan's badge.

Aar.
Ay, and as good as Saturninus may.
[Aside.

Dem.
Then why should he despair, that knows to court it
With words, fair looks, and liberality?
What, hast thou not full often struck a doe2 note

,
And borne her cleanly by the keeper's nose?

-- 290 --

Aar.
Why then, it seems, some certain snatch or so
Would serve your turns.

Chi.
Ay, so the turn were serv'd.

Dem.
Aaron, thou hast hit it.

Aar.
'Would you had hit it too;
Then should not we be tir'd with this ado.
Why, hark ye, hark ye,—And are you such fools,
To square for this4 note





? Would it offend you then
That both should speed?

Chi.
I' faith, not me.

Dem.
Nor me,
So I were one.

Aar.
For shame, be friends; and join for that you jar.
'Tis policy and stratagem must do
That you affect; and so must you resolve;
That what you cannot, as you would, achieve,
You must perforce accomplish as you may.
Take this of me, Lucrece was not more chaste
Than this Lavinia, Bassianus' love.
A speedier course than lingering languishment5 note


-- 291 --


Must we pursue, and I have found the path.
My lords, a solemn hunting is in hand;
There will the lovely Roman ladies troop:
The forest walks are wide and spacious;
And many unfrequented plots there are,
Fitted by kind6 note for rape and villainy:
Single you thither then this dainty doe,
And strike her home by force, if not by words:
This way, or not at all, stand you in hope.
Come, come, our empress, with her sacred wit7 note

,
To villainy and vengeance consecrate,
Will we acquaint with all that we intend;
And she shall file our engines with advice8 note,
That will not suffer you to square yourselves,
But to your wishes' height advance you both.
The emperor's court is like the house of fame,
The palace full of tongues, of eyes, of ears9 note:
The woods are ruthless, dreadful, deaf, and dull;
There speak, and strike, brave boys, and take your turns:
There serve your lust, shadow'd from heaven's eye,
And revel in Lavinia's treasury.

Chi.
Thy counsel, lad, smells of no cowardice.

-- 292 --

Dem.
Sit fas aut nefas, till I find the stream
To cool this heat1 note
, a charm to calm these fits,
Per Styga, per manes vehor2 note.
[Exeunt. 3 note SCENE II. A Forest near Rome. A Lodge seen at a distance. Horns, and cry of Hounds heard. Enter Titus Andronicus, with Hunters, &c. Marcus, Lucius, Quintus, and Martius.

&mlquo;Tit.
&mlquo;The hunt is up, the morn4 note is bright and grey5 note











,

-- 293 --


&mlquo;The fields are fragrant, and the woods are green:
&mlquo;Uncouple here, and let us make a bay,
&mlquo;And wake the emperor and his lovely bride,
&mlquo;And rouse the prince; and ring a hunter's peal,
&mlquo;That all the court may echo with the noise.
&mlquo;Sons, let it be your charge, as it is ours,
&mlquo;To tend the emperor's person carefully:
&mlquo;I have been troubled in my sleep this night,
&mlquo;But dawning day new comfort hath inspir'd. Horns wind a Peal. Enter Saturninus, Tamora, Bassianus, Lavinia, Chiron, Demetrius, and Attendants.

Tit.
Many good morrows to your majesty;—
Madam, to you as many and as good!—
I promised your grace a hunter's peal.

Sat.
And you have rung it lustily, my lords,
Somewhat too early for new-married ladies.

Bas.
Lavinia, how say you?

Lav.
I say, no;

-- 294 --


I have been broad awake two hours and more.

Sat.
Come on then, horse and chariots let us have,
And to our sport:—Madam, now shall ye see
Our Roman hunting.
[To Tamora.

Mar.
I have dogs, my lord,
Will rouse the proudest panther in the chase,
And climb the highest promontory top.

Tit.
And I have horse will follow where the game
Makes way, and run like swallows o'er the plain.

Dem.
Chiron, we hunt not, we, with horse nor hound,
But hope to pluck a dainty doe to ground.
[Exeunt. SCENE III. A desert Part of the Forest. Enter Aaron, with a Bag of Gold.

&mlquo;Aar.
&mlquo;He, that had wit, would think that I had none,
&mlquo;To bury so much gold under a tree,
&mlquo;And never after to inherit it6 note.
&mlquo;Let him, that thinks of me so abjectly,
&mlquo;Know, that this gold must coin a stratagem;
&mlquo;Which, cunningly effected, will beget
&mlquo;A very excellent piece of villainy:
&mlquo;And so repose, sweet gold, for their unrest7 note







, [Hides the Gold.
&mlquo;That have their alms out of the empress' chest8 note.

-- 295 --

Enter Tamora.

&mlquo;Tam.
&mlquo;My lovely Aaron, wherefore look'st thou sad9 note










,
&mlquo;When every thing doth make a gleeful boast?

-- 296 --


&mlquo;The birds chaunt melody on every bush;
&mlquo;The snake lies rolled in the cheerful sun;
&mlquo;The green leaves quiver with the cooling wind,
&mlquo;And make a checquer'd shadow1 note



on the ground:
&mlquo;Under their sweet shade, Aaron, let us sit,
&mlquo;And—whilst the babbling echo mocks the hounds,
&mlquo;Replying shrilly to the well-tun'd horns,
&mlquo;As if a double hunt were heard at once2 note
,
&mlquo;Let us sit down, and mark their yelling noise:
&mlquo;And—after conflict, such as was suppos'd
&mlquo;The wandering prince of Dido once enjoy'd,
&mlquo;When with a happy storm they were surpriz'd,
&mlquo;And curtain'd with a counsel-keeping cave,—
&mlquo;We may, each wreathed in the other's arms,
&mlquo;Our pastimes done, possess a golden slumber;
&mlquo;Whiles hounds, and horns, and sweet melodious birds,
&mlquo;Be unto us, as is a nurse's song
&mlquo;Of lullaby, to bring her babe asleep3 note
.

-- 297 --

&mlquo;Aar.
&mlquo;Madam, though Venus govern your desires,
&mlquo;Saturn is dominator over mine4 note









:
&mlquo;What signifies my deadly-standing eye,
&mlquo;My silence, and my cloudy melancholy?
&mlquo;My fleece of woolly hair that now uncurls,
&mlquo;Even as an adder, when she doth unroll
&mlquo;To do some fatal execution?
&mlquo;No, madam, these are no venereal signs;
&mlquo;Vengeance is in my heart, death in my hand,
&mlquo;Blood and revenge are hammering in my head.
&mlquo;Hark, Tamora,—the empress of my soul,
&mlquo;Which never hopes more heaven than rests in thee,—
&mlquo;This is the day of doom for Bassianus;
&mlquo;His Philomel must lose her tongue to-day:
&mlquo;Thy sons make pillage of her chastity,
&mlquo;And wash their hands in Bassianus' blood.
&mlquo;Seest thou this letter? take it up I pray thee,
&mlquo;And give the king this fatal-plotted scroll:—
&mlquo;Now question me no more, we are espied;
&mlquo;Here comes a parcel of our hopeful booty,
&mlquo;Which dreads not yet their lives' destruction.

&mlquo;Tam.
&mlquo;Ah, my sweet Moor, sweeter to me than life!

-- 298 --

&mlquo;Aar.
&mlquo;No more, great empress, Bassianus comes:
&mlquo;Be cross with him; and I'll go fetch thy sons
&mlquo;To back thy quarrels, whatsoe'er they be.
[Exit. Enter Bassianus and Lavinia.

Bas.
Who have we here? Rome's royal emperess,
Unfurnish'd of her6 note


well-beseeming troop?
Or is it Dian, habited like her;
Who hath abandoned her holy groves,
To see the general hunting in this forest?

Tam.
Saucy controller of our private steps7 note!
Had I the power, that, some say, Dian had,
Thy temples should be planted presently
With horns, as was Actæon's; and the hounds
Should drive upon thy new-transformed limbs8 note




,
Unmannerly intruder as thou art!

Lav.
Under your patience, gentle emperess,
'Tis thought you have a goodly gift in horning;
And to be doubted, that your Moor and you

-- 299 --


Are singled forth to try experiments:
Jove shield your husband from his hounds to-day!
'Tis pity, they should take him for a stag.

Bas.
Believe me, queen, your swarth Cimmerian9 note


Doth make your honour of his body's hue,
Spotted, detested, and abominable.
Why are you sequester'd from all your train?
Dismounted from your snow-white goodly steed,
And wander'd hither to an obscure plot,
Accompanied but with a barbarous Moor1 note


,
If foul desire had not conducted you?

Lav.
And, being intercepted in your sport,
Great reason that my noble lord be rated
For sauciness.—I pray you, let us hence,
And let her 'joy her raven-colour'd love;
This valley fits the purpose passing well.

Bas.
The king, my brother, shall have note of this2 note

.

Lav.
Ay, for these slips have made him noted long3 note

:
Good king! to be so mightily abus'd!

Tam.
Why have I patience to endure all this?
Enter Chiron and Demetrius.

Dem.
How now, dear sovereign, and our gracious mother,

-- 300 --


Why doth your highness look so pale and wan?

&mlquo;Tam.
&mlquo;Have I not reason, think you, to look pale?
&mlquo;These two have 'tic'd me hither to this place,
&mlquo;A barren detested vale4 note


, you see, it is:
&mlquo;The trees, though summer, yet forlorn and lean,
&mlquo;O'ercome with moss, and baleful misletoe.
&mlquo;Here never shines the sun5 note





; here nothing breeds,
&mlquo;Unless the nightly owl, or fatal raven.
&mlquo;And, when they show'd me this abhorred pit,
&mlquo;They told me, here, at dead time of the night,
&mlquo;A thousand fiends, a thousand hissing snakes,
&mlquo;Ten thousand swelling toads, as many urchins6 note,
&mlquo;Would make such fearful and confused cries,
&mlquo;As any mortal body, hearing it,
&mlquo;Should straight fall mad, or else die suddenly7 note

.
&mlquo;No sooner had they told this hellish tale,
&mlquo;But straight they told me, they would bind me here
&mlquo;Unto the body of a dismal yew;
&mlquo;And leave me to this miserable death.
&mlquo;And then they call'd me, foul adulteress,
&mlquo;Lascivious Goth, and all the bitterest terms

-- 301 --


&mlquo;That ever ear did hear to such effect.
&mlquo;And, had you not by wondrous fortune come,
&mlquo;This vengeance on me had they executed:
&mlquo;Revenge it, as you love your mother's life,
&mlquo;Or be ye not henceforth call'd my children.

Dem.
This is a witness that I am thy son.
[Stabs Bassianus.

Chi.
And this for me, struck home to show my strength.
[Stabbing him likewise.

Lav.
Ay, come, Semiramis8 note,—nay, barbarous Tamora!
For no name fits thy nature but thy own!

Tam.
Give me thy poniard; you shall know, my boys,
Your mother's hand shall right your mother's wrong.

Dem.
Stay, madam, here is more belongs to her;
First, thrash the corn, then after burn the straw:
This minion stood upon her chastity,
Upon her nuptial vow, her loyalty,
And with that painted hope braves your mightiness9 note



:
And shall she carry this unto her grave?

Chi.
An if she do, I would I were an eunuch.
Drag hence her husband to some secret hole,

-- 302 --


And make his dead trunk pillow to our lust.

Tam.
But when you have the honey you desire1 note

,
Let not this wasp outlive, us both to sting.

Chi.
I warrant you, madam; we will make that sure.—
Come, mistress, now perforce we will enjoy
That nice preserved honesty of yours.

Lav.
O Tamora! thou bear'st a woman's face,—

Tam.
I will not hear her speak; away with her.

Lav.
Sweet lords, entreat her hear me but a word.

Dem.
Listen, fair madam: Let it be your glory
To see her tears; but be your heart to them,
As unrelenting flint to drops of rain.

Lav.
When did the tiger's young ones teach the dam?
O, do not learn her wrath; she taught it thee:
The milk, thou suck'dst from her, did turn to marble;
Even at thy teat thou hadst thy tyranny.—
Yet every mother breeds not sons alike:
Do thou entreat her show a woman pity.
[To Chiron.

Chi.
What! would'st thou have me prove myself a bastard?

Lav.
'Tis true; the raven doth not hatch a lark:
Yet I have heard, (O could I find it now!)
The lion mov'd with pity, did endure
To have his princely paws par'd all away.
Some say that ravens foster forlorn children,
The whilst their own birds famish in their nests:
O, be to me, though thy hard heart say no,
Nothing so kind, but something pitiful!

Tam.
I know not what it means; away with her.

-- 303 --

Lav.
O, let me teach thee: for my father's sake,
That gave thee life, when well he might have slain thee,
Be not obdurate, open thy deaf ears.

Tam.
Had thou in person ne'er offended me,
Even for his sake am I pitiless:—
Remember, boys, I pour'd forth tears in vain,
To save your brother from the sacrifice;
But fierce Andronicus would not relent,
Therefore away with her2 note, and use her as you will;
The worse to her, the better lov'd of me.

Lav.
O Tamora, be call'd a gentle queen,
And with thine own hands kill me in this place:
For 'tis not life, that I have begg'd so long;
Poor I was slain, when Bassianus died.

Tam.
What begg'st thou then; fond woman, let me go.

Lav.
'Tis present death I beg; and one thing more,
That womanhood denies my tongue to tell:
O, keep me from their worse than killing lust,
And tumble me into some loathsome pit;
Where never man's eye may behold my body:
Do this, and be a charitable murderer.

Tam.
So should I rob my sweet sons of their fee:
No, let them satisfy their lust on thee.

Dem.
Away, for thou hast staid us here too long.

Lav.
No grace? no womanhood? Ah, beastly creature!
The blot and enemy to our general name!
Confusion fall—

Chi.
Nay, then I'll stop your mouth:—Bring thou her husband; [Dragging off Lavinia.

-- 304 --


This is the hole where Aaron bid us hide him. [Exeunt.

Tam.
Farewell, my sons: see, that you make her sure:
Ne'er let my heart know merry cheer indeed,
Till all the Andronici be made away.
Now will I hence to seek my lovely Moor,
And let my spleenful sons this trull deflour.
[Exit. SCENE IV. The Same. Enter Aaron, with Quintus and Martius.

Aar.
Come on, my lords; the better foot before:
Straight will I bring you to the loathsome pit,
Where I espy'd the panther fast asleep.

Quin.
My sight is very dull, whate'er it bodes.

Mart.
And mine, I promise you; wer't not for shame,
Well could I leave our sport to sleep awhile.
[Martius falls into the Pit.

Quin.
What art thou fallen? What subtle hole is this,
Whose mouth is cover'd with rude-growing briars;
Upon whose leaves are drops of new-shed blood,
As fresh as morning's dew distill'd on flowers?
A very fatal place it seems to me:—
Speak, brother, hast thou hurt thee with the fall?

Mart.
O, brother, with the dismal'st object hurt3 note,
That ever eye, with sight, made heart lament.

Aar. [Aside.]
Now will I fetch the king to find them here;

-- 305 --


That he thereby may give a likely guess,
How these were they that made away his brother. [Exit Aaron.

Mart.
Why dost not comfort me, and help me out
From this unhallow'd3 note
and blood-stained hole?

Quin.
I am surprized with an uncouth fear:
A chilling sweat o'er-runs my trembling joints;
My heart suspects more than mine eye can see.

Mart.
To prove thou hast a true-divining heart,
Aaron and thou look down into this den,
And see a fearful sight of blood and death.

Quin.
Aaron is gone; and my compassionate heart
Will not permit mine eyes once to behold
The thing, whereat it trembles by surmise:
O, tell me who it is4 note; for ne'er till now
Was I a child, to fear I know not what.

Mart.
Lord Bassianus lies embrewed here,
All on a heap, like to a slaughter'd lamb,
In this detested, dark, blood-drinking pit.

Quin.
If it be dark, how dost thou know 'tis he?

&mlquo;Mart.
&mlquo;Upon his bloody finger he doth wear
&mlquo;A precious ring5 note

















, that lightens all the hole6 note,

-- 306 --


&mlquo;Which, like a taper in some monument,
&mlquo;Doth shine upon the dead man's earthy cheeks,
&mlquo;And shows the ragged entrails of this pit:
&mlquo;So pale did shine the moon7 note
on Pyramus,
&mlquo;When he by night lay bath'd in maiden blood.
&mlquo;O brother, help me with thy fainting hand,—
&mlquo;If fear hath made thee faint, as me it hath,—
&mlquo;Out of this fell devouring receptacle,
&mlquo;As hateful as Cocytus' misty mouth.

&mlquo;Quin.
&mlquo;Reach me thy hand, that I may help thee out;
&mlquo;Or, wanting strength to do thee so much good,
&mlquo;I may be pluck'd into the swallowing womb
&mlquo;Of this deep pit, poor Bassianus' grave.
&mlquo;I have no strength to pluck thee to the brink.

Mart.
Nor I no strength to climb without thy help.

Quin.
Thy hand once more; I will not loose again,

-- 307 --


Till thou art here aloft, or I below:
Thou canst not come to me, I come to thee. [Falls in. Enter Saturninus and Aaron.

Sat.
Along with me:—I'll see what hole is here,
And what he is, that now is leap'd into it.
Say, who art thou, that lately didst descend
Into this gaping hollow of the earth?

Mart.
The unhappy son of old Andronicus;
Brought hither in a most unlucky hour,
To find thy brother Bassianus dead.

Sat.
My brother dead? I know, thou dost but jest:
He and his lady both are at the lodge,
Upon the north side of this pleasant chase;
'Tis not an hour since I left him there8 note.

Mart.
We know not where you left him all alive,
But, out alas! here have we found him dead.
Enter Tamora, with Attendants; Titus Andronicus, and Lucius.

Tam.
Where is my lord, the king?

Sat.
Here, Tamora; though griev'd with killing grief.

Tam.
Where is thy brother Bassianus?

Sat.
Now to the bottom dost thou search my wound;
Poor Bassianus here lies murdered.

Tam.
Then all too late I bring this fatal writ, [Giving a Letter.
The complot of this timeless9 note
tragedy;

-- 308 --


And wonder greatly, that man's face can fold
In pleasing smiles such murderous tyranny.

Sat. [Reads.]
An if we miss to meet him handsomely,—
Sweet huntsman, Bassianus 'tis, we mean,—
Do thou so much as dig the grave for him;
Thou know'st our meaning: Look for thy reward
Among the nettles at the elder tree,
Which overshades the mouth of that same pit,
Where we decreed to bury Bassianus.
Do this, and purchase us thy lasting friends.
O, Tamora! was ever heard the like?
This is the pit, and this the elder-tree:
Look, sirs, if you can find the huntsman out,
That should have murder'd Bassianus here.

Aar.
My gracious lord, here is the bag of gold.
[Showing it.

Sat.
Two of thy whelps, [To Tit.] fell curs of bloody kind,
Have here bereft my brother of his life:—
Sirs, drag them from the pit unto the prison;
There let them bide, until we have devis'd
Some never-heard-of torturing pain for them.

Tam.
What, are they in this pit? O wondrous thing!
How easily murder is discovered!

Tit.
High emperor, upon my feeble knee
I beg this boon, with tears not lightly shed,
That this fell fault of my accursed sons,
Accursed, if the fault be prov'd in them,—

Sat.
If it be prov'd! you see, it is apparent.—
Who found this letter? Tamora, was it you?

Tam.
Andronicus himself did take it up.

Tit.
I did, my lord: yet let me be their bail:
For by my father's reverend tomb, I vow,
They shall be ready at your highness' will,
To answer their suspicion with their lives.

-- 309 --

Sat.
Thou shalt not bail them; see, thou follow me.
Some bring the murder'd body, some the murderers:
Let them not speak a word, the guilt is plain;
For, by my soul, were there worse end than death,
That end upon them should be executed.

Tam.
Andronicus, I will entreat the king;
Fear not thy sons, they shall do well enough.

Tit.
Come, Lucius, come; stay not to talk with them.
[Exeunt severally. SCENE V. The Same. Enter Demetrius and Chiron, with Lavinia, ravished; her Hands cut off, and her Tongue cut out.

Dem.
So, now go tell, an if thy tongue can speak,
Who 'twas that cut thy tongue, and ravish'd thee.

Chi.
Write down thy mind, bewray thy meaning so;
And, if thy stumps will let thee, play the scribe.

Dem.
See, how with signs and tokens she can scrowl9 note


.

Chi.
Go home, call for sweet water, wash thy hands.

Dem.
She hath no tongue to call, nor hands to wash;
And so let's leave her to her silent walks.

-- 310 --

Chi.
An 'twere my case, I should go hang myself.

Dem.
If thou hadst hands to help thee knit the cord.
[Exeunt Demetrius and Chiron. Enter Marcus.

Mar.
Who's this,—my niece, that flies away so fast?
Cousin, a word; Where is your husband?—
&mlquo;If I do dream, 'would all my wealth would wake me1 note!
&mlquo;If I do wake, some planet strike me down,
&mlquo;That I may slumber in eternal sleep!—
&mlquo;Speak, gentle niece, what stern ungentle hands
&mlquo;Have lopp'd, and hew'd, and made thy body bare
&mlquo;Of her two branches? those sweet ornaments,
&mlquo;Whose circling shadows kings have sought to sleep in;
&mlquo;And might not gain so great a happiness,
&mlquo;As half thy love? Why dost not speak to me?—
&mlquo;Alas, a crimson river of warm blood,
&mlquo;Like to a bubbling fountain stirr'd with wind,
&mlquo;Doth rise and fall between thy rosed lips,
&mlquo;Coming and going with thy honey breath.
&mlquo;But, sure, some Tereus hath defloured thee;
&mlquo;And, lest thou should'st detect him, cut thy tongue2 note

.
Ah, now thou turn'st away thy face for shame!
And, notwithstanding all this loss of blood,—

-- 311 --


As from a conduit with three issuing spouts3 note,—
Yet do thy cheeks look red as Titan's face,
Blushing to be encounter'd with a cloud.
Shall I speak for thee? shall I say, 'tis so?
O, that I knew thy heart; and knew the beast,
That I might rail at him to ease my mind!
Sorrow concealed, like an oven stopp'd,
Doth burn the heart to cinders where it is.
Fair Philomela, she but lost her tongue,
And in a tedious sampler sew'd her mind:
But, lovely niece, that mean is cut from thee;
A craftier Tereus, cousin, hast thou met4 note

,
And he hath cut those pretty fingers off,
That could have better sew'd than Philomel.
O, had the monster seen those lily hands
Tremble, like aspen leaves, upon a lute,
And make the silken strings delight to kiss them;
He would not then have touch'd them for his life:
Or, had he heard the heavenly harmony,
Which that sweet tongue hath made,
He would have dropp'd his knife, and fell asleep,
As Cerberus at the Thracian poet's5 note feet.
Come, let us go, and make thy father blind:
For such a sight will blind a father's eye:
One hour's storm will drown the fragrant meads;
What will whole months of tears thy father's eyes?
Do not draw back, for we will mourn with thee;
O, could our mourning ease thy misery! [Exeunt.

-- 312 --

ACT III. SCENE I. Rome. A Street. Enter Senators, Tribunes, and Officers of Justice, with Martius and Quintus, bound, passing on to the Place of Execution; Titus going before, pleading.

&mlquo;Tit.
&mlquo;Hear me, grave fathers! noble Tribunes, stay!
&mlquo;For pity of mine age, whose youth was spent
&mlquo;In dangerous wars, whilst you securely slept;
&mlquo;For all my blood in Rome's great quarrel shed;
&mlquo;For all the frosty nights that I have watch'd;
&mlquo;And for these bitter tears, which now you see
&mlquo;Filling the aged wrinkles in my cheeks;
&mlquo;Be pitiful to my condemned sons,
&mlquo;Whose souls are not corrupted as 'tis thought!
&mlquo;For two and twenty sons I never wept,
&mlquo;Because they died in honour's lofty bed.
&mlquo;For these, good tribunes6 note



, in the dust I write [Throwing himself on the ground.
&mlquo;My heart's deep languor, and my soul's sad tears.
&mlquo;Let my tears stanch the earth's dry appetite;
&mlquo;My son's sweet blood will make it shame and blush. [Exeunt Senators, Tribunes, &c. with the Prisoners.

-- 313 --


&mlquo;O earth, I will befriend thee more with rain,
&mlquo;That shall distil from these two ancient urns7 note

,
&mlquo;Than youthful April shall with all his showers:
&mlquo;In summer's drought, I'll drop upon thee still;
&mlquo;In winter, with warm tears I'll melt the snow,
&mlquo;And keep eternal spring-time on thy face,
&mlquo;So thou refuse to drink my dear sons' blood. Enter Lucius, with his Sword drawn.
O, reverend tribunes! gentle-aged-men8 note
!
Unbind my sons, reverse the doom of death;
And let me say, that never wept before,
My tears are now prevailing orators.

Luc.
O, noble father, you lament in vain;
The tribunes hear you not, no man is by,
And you recount your sorrows to a stone.

Tit.
Ah, Lucius, for thy brothers let me plead:
Grave tribunes, once more I entreat of you.

Luc.
My gracious lord, no tribune hears you speak.

Tit.
Why, 'tis no matter, man: or if they did mark,
They would not pity me, yet plead I must9 note








,

-- 314 --


All bootless unto them.
Therefore I tell my sorrows to the stones;
Who, though they cannot answer my distress,
Yet in some sort they're better than the tribunes,
For that they will not intercept my tale:
When I do weep, they humbly at my feet
Receive my tears, and seem to weep with me;
And, were they but attired in grave weeds,
Rome could afford no tribune like to these
A stone is soft as wax, tribunes more hard than stones1 note
:
A stone is silent, and offendeth not;
And tribunes with their tongues doom men to death.
But wherefore stand'st thou with thy weapon drawn?

Luc.
To rescue my two brothers from their death:
For which attempt, the judges have pronounc'd
My everlasting doom of banishment.

Tit.
O happy man! they have befriended thee.
Why, foolish Lucius, dost thou not perceive,
That Rome is but a wilderness of tigers?
Tigers must prey; and Rome affords no prey,
But me and mine: How happy art thou then,
From these devourers to be banished?
But who comes with our brother Marcus here?

-- 315 --

Enter Marcus and Lavinia.

Mar.
Titus, prepare thy aged eyes to weep;
Or, if not so, thy noble heart to break;
I bring consuming sorrow to thine age.

Tit.
Will it consume me? let me see it then.

Mar.
This was thy daughter.

Tit.
Why, Marcus, so she is.

Luc.
Ah me! this object kills me!

Tit.
Faint-hearted boy, arise, and look upon her:—
Speak, my Lavinia2 note, what accursed hand
Hath made thee handless in thy father's sight3 note?
What fool hath added water to the sea?
Or brought a faggot to bright-burning Troy?
My grief was at the height before thou cam'st,
And now, like Nilus, it disdaineth bounds.—
Give me a sword, I'll chop off my hands too4 note




;
For they have fought for Rome, and all in vain;
And they have nurs'd this woe, in feeding life;
In bootless prayer have they been held up,
And they have serv'd me to effectless use:
Now, all the service I require of them
Is, that the one will help to cut the other.—

-- 316 --


'Tis well, Lavinia, that thou hast no hands;
For hands, to do Rome service, are but vain.

Luc.
Speak, gentle sister, who hath martyr'd thee?

Mar.
O, that delightful engine of her thoughts5 note
,
That blab'd them with such pleasing eloquence,
Is torn from forth that pretty hollow cage;
Where, like a sweet melodious bird, it sung
Sweet varied notes, enchanting every ear!

Luc.
O, say thou for her, who hath done this deed?

Mar.
O, thus I found her, straying in the park,
Seeking to hide herself; as doth the deer,
That hath receiv'd some unrecuring wound.

Tit.
It was my deer6 note
; and he, that wounded her,
Hath hurt me more, than had he kill'd me dead:
For now I stand as one upon a rock,
Environ'd with a wilderness of sea;
Who marks the waxing tide grow wave by wave,
Expecting ever when some envious surge
Will in his brinish bowels swallow him.
This way to death my wretched sons are gone;
Here stands my other son, a banish'd man;
And here my brother, weeping at my woes;
But that, which gives my soul the greatest spurn,
Is dear Lavinia, dearer than my soul.—
Had I but seen thy picture in this plight,
It would have madded me; What shall I do
Now I behold thy lively body so?

-- 317 --


Thou hast no hands, to wipe away thy tears;
Nor tongue, to tell me who hath martyr'd thee:
Thy husband he is dead; and, for his death,
Thy brothers are condemn'd, and dead by this:—
Look, Marcus! ah, son Lucius, look on her!
&mlquo;When I did name her brothers, then fresh tears
&mlquo;Stood on her cheeks; as doth the honey dew
&mlquo;Upon a gather'd lily almost wither'd.

Mar.
Perchance, she weeps because they kill'd her husband:
Perchance, because she knows them innocent.

Tit.
If they did kill thy husband, then be joyful,
Because the law hath ta'en revenge on them.—
No, no, they would not do so foul a deed;
Witness the sorrow that their sister makes.—
Gentle Lavinia, let me kiss thy lips;
Or make some sign how I may do thee ease:
Shall thy good uncle, and thy brother Lucius,
And thou, and I, sit round about some fountain;
Looking all downwards, to behold our cheeks
How they are stain'd; like meadows7 note, yet not dry
With miry slime left on them by a flood?
And in the fountain shall we gaze so long,
Till the fresh taste be taken from that clearness,
And made a brine-pit with our bitter tears?
Or shall we cut away our hands, like thine?
Or shall we bite our tongues, and in dumb shows
Pass the remainder of our hateful days?
What shall we do? let us, that have our tongues,
Plot some device of further misery,
To make us wonder'd at in time to come.

Luc.
Sweet father, cease your tears; for, at your grief,
See, how my wretched sister sobs and weeps.

-- 318 --

Mar.
Patience, dear niece:—good Titus, dry thine eyes.

Tit.
Ah, Marcus, Marcus! brother, well I wot,
Thy napkin cannot drink a tear of mine,
For thou, poor man, hast drown'd it with thine own.

Luc.
Ah, my Lavinia, I will wipe thy cheeks.

Tit.
Mark, Marcus, mark! I understand her signs:
Had she a tongue to speak, now would she say
That to her brother which I said to thee;
His napkin, with her true tears all bewet,
Can do no service on her sorrowful cheeks.
O, what a sympathy of woe is this?
As far from help as limbo is from bliss8 note!
Enter Aaron.

Aar.
Titus Andronicus, my lord the emperor
Sends thee this word,—That, if thou love thy sons,
Let Marcus, Lucius, or thyself, old Titus,
Or any one of you, chop off your hand,
And send it to the king: he for the same,
Will send thee hither both thy sons alive;
And that shall be the ransom for their fault.

Tit.
O, gracious emperor! O, gentle Aaron!
Did ever raven sing so like a lark,
That gives sweet tidings of the sun's uprise?
With all my heart, I'll send the emperor
My hand;
Good Aaron, wilt thou help to chop it off?

Luc.
Stay, father; for that noble hand of thine,
That hath thrown down so many enemies,
Shall not be sent: my hand will serve the turn:

-- 319 --


My youth can better spare my blood than you;
And therefore mine shall save my brothers' lives.

Mar.
Which of your hands hath not defended Rome,
And rear'd aloft the bloody battle-axe,
Writing destruction on the enemy's castle9 note





?

-- 320 --


O, none of both but are of high desert:
My hand hath been but idle; let it serve
To ransom my two nephews from their death;
Then have I kept it to a worthy end.

Aar.
Nay, come agree, whose hand shall go along,
For fear they die before their pardon come.

Mar.
My hand shall go.

Luc.
By heaven, it shall not go.

Tit.
Sirs, strive no more: such wither'd herbs as these
Are meet for plucking up, and therefore mine.

Luc.
Sweet father, if I shall be thought thy son,
Let me redeem my brothers both from death.

Mar.
And, for our father's sake, and mother's care,
Now let me show a brother's love to thee.

Tit.
Agree between you; I will spare my hand.

Luc.
Then I'll go fetch an axe.

Mar.
But I will use the axe2 note
.
[Exeunt Lucius and Marcus.

Tit.
Come hither, Aaron; I'll deceive them both;
Lend me thy hand, and I will give thee mine.

-- 321 --

Aar.
If that be call'd deceit, I will be honest,
And never, whilst I live, deceive men so:—
But I'll deceive you in another sort,
And that you'll say, ere half an hour can pass.
[Aside. [He cuts off Titus's Hand. Enter Lucius and Marcus.

Tit.
Now, stay your strife: what shall be, is despatch'd.—
Good Aaron, give his majesty my hand:
Tell him, it was a hand that warded him
From thousand dangers; bid him bury it;
More hath it merited, that let it have.
As for my sons, say, I account of them
As jewels purchas'd at an easy price;
And yet dear too, because I bought mine own.

Aar.
I go, Andronicus: and for thy hand,
Look by and by to have thy sons with thee:—
Their heads, I mean.—O, how this villainy [Aside.
Doth fat me with the very thoughts of it!
Let fools do good, and fair men call for grace,
Aaron will have his soul black like his face.
[Exit.

Tit.
O, here I lift this one hand up to heaven,
And bow this feeble ruin to the earth:
If any power pities wretched tears,
To that I call:—What, wilt thou kneel with me? [To Lavinia.
Do then, dear heart; for heaven shall hear our prayers;
Or with our sighs we'll breathe the welkin dim,
And stain the sun with fog, as sometime clouds,
When they do hug him in their melting bosoms.

Mar.
O! brother, speak with possibilities3 note,
And do not break into these deep extremes.

-- 322 --

Tit.
Is not my sorrow deep, having no bottom?
Then be my passions bottomless with them.

Mar.
But yet let reason govern thy lament.

Tit.
If there were reason for these miseries,
Then into limits could I bind my woes:
When heaven doth weep, doth not the earth o'erflow?
If the winds rage, doth not the sea wax mad,
Threat'ning the welkin with his big-swoln face?
And wilt thou have a reason for this coil?
I am the sea; hark, how her sighs do blow5 note!
She is the weeping welkin, I the earth:
Then must my sea be moved with her sighs;
Then must my earth with her continual tears
Become a deluge, overflow'd and drown'd:
For why? my bowels cannot hide her woes,
But like a drunkard must I vomit them.
Then give me leave; for losers will have leave
To ease their stomachs with their bitter tongues.
Enter a Messenger, with Two Heads and a Hand.

Mess.
Worthy Andronicus, ill art thou repaid
For that good hand thou sent'st the emperor.
Here are the heads of thy two noble sons;
And here's thy hand, in scorn to thee sent back;
Thy griefs their sports, thy resolution mock'd:
That woe is me to think upon thy woes,
More than remembrance of my father's death.
[Exit.

Mar.
Now let hot Ætna cool in Sicily,
And be my heart an ever-burning hell!
These miseries are more than may be borne!
To weep with them that weep doth ease some deal,
But sorrow flouted at is double death.

-- 323 --

Luc.
Ah, that this sight should make so deep a wound,
And yet detested life not shrink thereat!
That ever death should let life bear his name,
Where life hath no more interest but to breathe!
[Lavinia kisses him.

Mar.
Alas, poor heart, that kiss is comfortless,
As frozen water to a starved snake.

Tit.
When will this fearful slumber have an end?

Mar.
Now, farewell, flattery: Die, Andronicus;
Thou dost not slumber: see, thy two sons' heads;
Thy warlike hand; thy mangled daughter here;
Thy other banish'd son, with this dear sight
Struck pale and bloodless; and thy brother, I,
Even like a stony image, cold and numb.
Ah! now no more will I control thy griefs6 note

:
Rent off thy silver hair, thy other hand
Gnawing with thy teeth; and be this dismal sight
The closing up of our most wretched eyes!
Now is a time to storm; why art thou still?

Tit.
Ha, ha, ha!

Mar.
Why dost thou laugh? it fits not with this hour.

Tit.
Why, I have not another tear to shed:
Besides, this sorrow is an enemy,
And would usurp upon my watry eyes,
And make them blind with tributary tears;
Then which way shall I find revenge's cave?
For these two heads do seem to speak to me;
And threat me, I shall never come to bliss,
Till all these mischiefs be return'd again,
Even in their throats that have committed them.
Come, let me see what task I have to do.—
You heavy people, circle me about;

-- 324 --


That I may turn me to each one of you,
And swear unto my soul to right your wrongs.
The vow is made.—Come, brother, take a head;
And in this hand the other will I bear:
Lavinia, thou shalt be employed in these things7 note




;
Bear thou my hand, sweet wench, between thy teeth.
As for thee, boy, go, get thee from my sight;
Thou art an exile, and thou must not stay:
Hie to the Goths, and raise an army there:
And, if you love me, as I think you do,
Let's kiss and part, for we have much to do. [Exeunt Titus, Marcus, and Lavinia.

Luc.
Farewell, Andronicus, my noble father;
The woeful'st man that ever liv'd in Rome!
Farewell, proud Rome! till Lucius come again,
He leaves8 note

his pledges dearer than his life.
Farewell, Lavinia, my noble sister;
O, 'would thou wert as thou 'tofore hast been!
But now nor Lucius, nor Lavinia lives,
But in oblivion, and hateful griefs.
If Lucius live, he will requite your wrongs;
And make proud Saturninus9 note and his empress
Beg at the gates, like Tarquin and his queen.

-- 325 --


Now will I to the Goths, and raise a power,
To be reveng'd on Rome and Saturnine. [Exit. 1 note

SCENE II. A Room in Titus's House. A Banquet set out. Enter Titus, Marcus, Lavinia and young Lucius, a Boy.

Tit.
So, so; now sit: and look, you eat no more
Than will preserve just so much strength in us
As will revenge these bitter woes of ours.
Marcus, unknit that sorrow-wreathen knot2 note

;
Thy niece and I, poor creatures, want our hands,
And cannot passionate3 note

our tenfold grief
With folded arms. This poor right hand of mine
Is left to tyrannize upon my breast;
And when4 note my heart, all mad with misery,
Beats in this hollow prison of my flesh,
Then thus I thump it down.—
Thou map of woe, that thus dost talk in signs! [To Lavinia.
When thy poor heart beats with outrageous beating,

-- 326 --


Thou canst not strike it thus to make it still.
Wound it with sighing, girl, kill it with groans;
Or get some little knife between thy teeth,
And just against thy heart make thou a hole;
That all the tears that thy poor eyes let fall,
May run into that sink, and soaking in,
Drown the lamenting fool in sea-salt tears.

Mar.
Fye, brother, fye! teach her not thus to lay
Such violent hands upon her tender life.

Tit.
How now! has sorrow made thee dote already?
Why, Marcus, no man should be mad but I.
What violent hands can she lay on her life!
Ah, wherefore dost thou urge the name of hands;—
To bid Æneas tell the tale twice o'er,
How Troy was burnt, and he made miserable?
O, handle not the theme, to talk of hands5 note

;
Lest we remember still, that we have none.—
Fye, fye, how frantickly I square my talk!
As if we should forget we had no hands,
If Marcus did not name the word of hands!—
Come, let's fall to; and, gentle girl, eat this:—
Here is no drink! Hark, Marcus, what she says;—
I can interpret all her martyr'd signs;—
She says, she drinks no other drink but tears6 note



,

-- 327 --


Brew'd with her sorrows, mesh'd upon her cheeks7 note:—
Speechless complainer, I will learn thy thought;
In thy dumb action will I be as perfect,
As begging hermits in their holy prayers:
Thou shalt not sigh, nor hold thy stumps to heaven,
Nor wink, nor nod, nor kneel, nor make a sign,
But I, of these, will wrest an alphabet,
And, by still practice8 note, learn to know thy meaning.

Boy.
Good grandsire, leave these bitter deep laments:
Make my aunt merry with some pleasing tale.

Mar.
Alas, the tender boy, in passion mov'd,
Doth weep to see his grandsire's heaviness.

Tit.
Peace, tender sapling; thou art made of tears9 note
,
And tears will quickly melt thy life away.— [Marcus strikes the Dish with a Knife.
What dost thou strike at, Marcus, with thy knife?

Mar.
At that that I have kill'd, my lord; a fly.

Tit.
Out on thee, murderer! thou kill'st my heart1 note



;
Mine eyes are cloy'd with view of tyranny:
A deed of death, done on the innocent,
Becomes not Titus' brother: Get thee gone;
I see, thou art not for my company.

Mar.
Alas, my lord, I have but kill'd a fly.

-- 328 --

Tit.
But how, if that fly had a father and mother2 note



?
How would he hang his slender gilded wings,
And buz lamenting doings in the air3 note

?
Poor harmless fly!
That with his pretty buzzing melody,
Came here to make us merry; and thou hast kill'd him.

Mar.
Pardon me, sir; 'twas a black ill-favour'd fly,
Like to the empress' Moor; therefore I kill'd him.

Tit.
O, O, O,
Then pardon me for reprehending thee,
For thou hast done a charitable deed.
Give me thy knife, I will insult on him;
Flattering myself, as if it were the Moor,
Come hither purposely to poison me.—
There's for thyself, and that's for Tamora.—
Ah, sirrah4 note!—

-- 329 --


Yet I do think we are not brought so low5 note,
But that, between us, we can kill a fly,
That comes in likeness of a coal-black Moor.

Mar.
Alas, poor man! grief has so wrought on him,
He takes false shadows for true substances.

Tit.
Come, take away.—Lavinia, go with me:
I'll to thy closet; and go read with thee
Sad stories, chanced in the times of old.—
Come, boy, and go with me; thy sight is young,
And thou shalt read, when mine begins to dazzle.
[Exeunt. ACT IV. SCENE I. The Same. Before Titus's House. Enter Titus and Marcus. Then enter young Lucius, Lavinia running after him.

Boy.
Help, grandsire, help! my aunt Lavinia
Follows me every where, I know not why:—
Good uncle Marcus, see how swift she comes!
Alas, sweet aunt, I know not what you mean.

Mar.
Stand by me, Lucius; do not fear thine aunt.

Tit.
She loves thee, boy, too well to do thee harm.

Boy.
Ay, when my father was in Rome, she did.

Mar.
What means my niece Lavinia by these signs?

-- 330 --

Tit.
Fear her not, Lucius:—Somewhat doth she mean:
See, Lucius, see, how much she makes of thee:
Somewhither would she have thee go with her.
Ah, boy, Cornelia never with more care
Read to her sons, than she hath read to thee,
Sweet poetry, and Tully's Orator6 note

.
Canst thou not guess wherefore she plies thee thus?

Boy.
My lord, I know not, I, nor can I guess,
Unless some fit or phrenzy do possess her:
For I have heard my grandsire say full oft,
Extremity of griefs would make men mad;
And I have read that Hecuba of Troy
Ran mad through sorrow: That made me to fear;
Although, my lord, I know, my noble aunt
Loves me as dear as e'er my mother did,
And would not, but in fury, fright my youth:
Which made me down to throw my books, and fly;
Causeless, perhaps: But pardon me, sweet aunt:
And, madam, if my uncle Marcus go,
I will most willingly attend your ladyship.

Mar.
Lucius, I will.
[Lavinia turns over the books which Lucius has let fall.

Tit.
How now, Lavinia?—Marcus, what means this?
Some book there is that she desires to see:—
Which is it, girl, of these?—Open them, boy.—
But thou art deeper read, and better skill'd;
Come, and take choice of all my library,

-- 331 --


And so beguile thy sorrow, till the heavens
Reveal the damn'd contriver of this deed.—
Why lifts she up her arms in sequence thus?

Mar.
I think, she means, that there was more than one
Confederate in the fact;—Ay, more there was:
Or else to heaven she heaves them for revenge.

Tit.
Lucius, what book is that she tosseth so?

Boy.
Grandsire, 'tis Ovid's Metamorphosis;
My mother gav't me.

Mar.
For love of her that's gone,
Perhaps she cull'd it from among the rest.

Tit.
Soft! see, how busily she turns the leaves!7 note



Help her:
What would she find?—Lavinia, shall I read?
This is the tragick tale of Philomel,
And treats of Tereus' treason, and his rape;
And rape, I fear, was root of thine annoy.

Mar.
See, brother, see; note, how she quotes the leaves8 note.

Tit.
Lavinia, wert thou thus surpriz'd, sweet girl,
Ravish'd and wrong'd, as Philomela was,
Forc'd in the ruthless, vast, and gloomy woods?—
See, see!—
Ay, such a place there is, where we did hunt,
(O, had we never, never, hunted there!)
Pattern'd by that the poet here describes,
By nature made for murders, and for rapes.

Mar.
O, why should nature build so foul a den,
Unless the gods delight in tragedies!

-- 332 --

Tit.
Give signs, sweet girl,—for here are none but friends,—
What Roman lord it was durst do the deed:
Or slunk not Saturnine, as Tarquin erst,
That left the camp to sin in Lucrece' bed?

Mar.
Sit down, sweet niece;—brother, sit down by me.—
Apollo, Pallas, Jove, or Mercury,
Inspire me, that I may this treason find!—
My lord, look here;—Look here, Lavinia:
This sandy plot is plain; guide, if thou canst,
This after me, when I have writ my name
Without the help of any hand at all. [He writes his Name with his Staff, and guides it with his Feet and Mouth.
Curs'd be that heart, that forc'd us to this shift!—
Write thou, good niece; and here display, at last,
What God will have discover'd for revenge:
Heaven guide thy pen to print thy sorrows plain,
That we may know the traitors, and the truth!
[She takes the Staff in her Mouth, and guides it with her Stumps, and writes.

Tit.
O, do you read, my lord, what she hath writ?
StuprumChiron—Demetrius.

Mar.
What, what!—the lustful sons of Tamora
Performers of this heinous, bloody deed?

Tit.
Magni Dominator poli9 note

,
Tam lentus audis scelera? tam lentus vides?

Mar.
O, calm thee, gentle lord! although, I know,
There is enough written upon this earth,

-- 333 --


To stir a mutiny in the mildest thoughts,
And arm the minds of infants to exclaims.
My lord, kneel down with me; Lavinia, kneel;
And kneel, sweet boy, the Roman Hector's hope;
And swear with me,—as with the woful feere1 note












,
And father, of that chaste dishonour'd dame,
Lord Junius Brutus sware for Lucrece' rape,—
That we will prosecute, by good advice,
Mortal revenge upon these traitorous Goths,
And see their blood, or die with this reproach.

-- 334 --

Tit.
'Tis sure enough, an you knew how,
But if you hurt these bear-whelps, then beware:
The dam will wake; and, if she wind you once,
She's with the lion deeply still in league,
And lulls him whilst she playeth on her back,
And, when he sleeps, will she do what she list.
You're a young huntsman, Marcus; let it alone2 note;
And, come, I will go get a leaf of brass,
And with a gad of steel3 note will write these words,
And lay it by: the angry northern wind
Will blow these sands, like Sybil's leaves, abroad,4 note



And where's your lesson then?—Boy, what say you?

Boy.
I say, my lord, that if I were a man,
Their mother's bed-chamber should not be safe
For these bad-bondmen to the yoke of Rome.

Mar.
Ay, that's my boy! thy father hath full oft
For this ungrateful country done the like.

Boy.
And, uncle, so will I, an if I live.

Tit.
Come, go with me into mine armoury;
Lucius, I'll fit thee; and withal, my boy
Shall carry from me to the empress' sons
Presents, that I intend to send them both:
Come, come; thou'lt do thy message, wilt thou not?

Boy.
Ay, with my dagger in their bosoms, grandsire.

Tit.
No, boy, not so; I'll teach thee another course.

-- 335 --


Lavinia, come:—Marcus, look to my house;
Lucius and I'll go brave it at the court;
Ay, marry, will we, sir; and we'll be waited on. [Exeunt Titus, Lavinia, and Boy.

Mar.
O heavens, can you hear a good man groan,
And not relent, or not compassion him?
Marcus, attend him in his ecstasy;
That hath more scars of sorrow in his heart,
Than foe-men's marks upon his batter'd shield:
But yet so just, that he will not revenge:—
Revenge the heavens5 note




for old Andronicus! [Exit. SCENE II. The Same. A Room in the Palace. Enter Aaron, Chiron, and Demetrius, at one Door; at another Door, young Lucius, and an Attendant, with a Bundle of Weapons, and Verses writ upon them.

Chi.
Demetrius, here's the son of Lucius;
He hath some message to deliver to us.

Aar.
Ay, some mad message from his mad grandfather.

Boy.
My lords, with all the humbleness I may,
I greet your honours from Andronicus;—
And pray the Roman gods, confound you both.
[Aside.

-- 336 --

Dem.
Gramercy6 note, lovely Lucius: What's the news?

Boy.
That you are both decipher'd, that's the news,
For villains mark'd with rape. [Aside.] May it please you,
My grandsire, well-advis'd, hath sent by me
The goodliest weapons of his armoury,
To gratify your honourable youth,
The hope of Rome; for so he bade me say;
And so I do, and with his gifts present
Your lordships, that whenever you have need,
You may be armed and appointed well:
And so I leave you both, [Aside.] like bloody villains.
[Exeunt Boy and Attendant.

Dem.
What's here? A scroll; and written round about?
Let's see;
Integer vitæ, scelerisque purus,
Non eget Mauri jaculis, nec arcu.

Chi.
O, 'tis a verse in Horace; I know it well:
I read it in the grammar long ago.

Aar.
Ay, just!—a verse in Horace;—right, you have it.
Now, what a thing it is to be an ass! Aside.
Here's no sound jest7 note



! the old man hath found their guilt: Aside.
And sends the weapons8 note wrapp'd about with lines, Aside.

-- 337 --


That wound, beyond their feeling, to the quick. Aside.
But were our witty empress well a-foot, Aside.
She would applaud Andronicus' conceit. Aside.
But let her rest in her unrest awhile.— Aside.
And now, young lords, was't not a happy star
Led us to Rome, strangers, and more than so,
Captives, to be advanced to this height?
It did me good, before the palace gate
To brave the tribune in his brother's hearing.

Dem.
But me more good, to see so great a lord
Basely insinuate, and send us gifts.

Aar.
Had he not reason, lord Demetrius?
Did you not use his daughter very friendly?

Dem.
I would, we had a thousand Roman dames
At such a bay, by turn to serve our lust.

Chi.
A charitable wish, and full of love.

Aar.
Here lacks but your mother for to say amen.

Chi.
And that would she for twenty thousand more.

Dem.
Come, let us go; and pray to all the gods
For our beloved mother in her pains.

Aar.
Pray to the devils; the gods have given us o'er.
[Aside. Flourish.

Dem.
Why do the emperor's trumpets flourish thus?

Chi.
Belike, for joy the emperor hath a son.

Dem.
Soft; who comes here?
Enter a Nurse, with a Black-a-moor Child in her Arms.

Nur.
Good morrow, lords:
O, tell me, did you see Aaron the Moor.

Aar.
Well, more, or less, or ne'er a whit at all,
Here Aaron is; and what with Aaron now?

Nur.
O gentle Aaron, we are all undone!
Now help, or woe betide thee evermore!

-- 338 --

Aar.
Why, what a caterwauling dost thou keep?
What dost thou wrap and fumble in thy arms?

Nur.
O, that which I would hide from heaven's eye,
Our empress' shame, and stately Rome's disgrace;—
She is deliver'd, lords, she is deliver'd.

Aar.
To whom?

Nur.
I mean she's brought to bed.

Aar.
Well, God
Give her good rest! What hath he sent her?

Nur.
A devil.

Aar.
Why, then she's the devil's dam; a joyful issue.

Nur.
A joyless, dismal, black, and sorrowful issue:
Here is the babe, as loathsome as a toad
Amongst the fairest breeders of our clime.
The empress sends it thee, thy stamp, thy seal,
And bids thee christen it with thy dagger's point.

Aar.
Out9 note


, you whore! is black so base a hue?—
Sweet blowse, you are a beauteous blossom, sure.

Dem.
Villain, what hast thou done?

Aar.
Done! that which thou1 note
Canst not undo2 note


.

Chi.
Thou hast undone3 note
our mother.

-- 339 --

Aar.
Villain, I have done thy mother4 note

.

Dem.
And therein, hellish dog, thou hast undone.
Woe to her chance, and damn'd her loathed choice!
Accurs'd the offspring of so foul a fiend!

Chi.
It shall not live.

Aar.
It shall not die5 note
.

Nur.
Aaron, it must: the mother wills it so.

Aar.
What, must it, nurse? then let no man but I,
Do execution on my flesh and blood.

Dem.
I'll broach the tadpole6 note







on my rapier's point,
Nurse, give it me; my sword shall soon despatch it.

-- 340 --

Aar.
Sooner this sword shall plow thy bowels up, [Takes the Child from the Nurse, and draws.
Stay, murderous villains! will you kill your brother?
Now, by the burning tapers of the sky,
That shone so brightly when this boy was got,
He dies upon my scimitar's sharp point,
That touches this my first-born son and heir!
I tell you, younglings, not Enceladus,
With all his threat'ning band of Typhon's brood,
Nor great Alcides, nor the god of war,
Shall seize this prey out of his father's hands.
What, what; ye sanguine, shallow-hearted boys!
Ye white-lim'd walls7 note



! ye alehouse painted signs!
Coal-black is better than another hue,
In that it scorns to bear another hue8 note

:
For all the water in the ocean
Can never turn a swan's black legs to white,
Although she lave them hourly in the flood.
Tell the emperess from me, I am of age
To keep mine own; excuse it how she can.

Dem.
Wilt thou betray thy noble mistress thus?

Aar.
My mistress is my mistress; this, myself;
The vigour, and the picture of my youth:

-- 341 --


This, before all the world, do I prefer;
This, maugre all the world, will I keep safe,
Or some of you shall smoke for it in Rome.

Dem.
By this our mother is for ever sham'd.

Chi.
Rome will despise her for this foul escape9 note


.

Nur.
The emperor, in his rage, will doom her death.

Chi.
I blush to think upon this ignomy1 note.

Aar.
Why, there's the privilege your beauty bears:
Fye, treacherous hue! that will betray with blushing
The close enacts and counsels of the heart2 note
!
Here's a young lad fram'd of another leer3 note








:
Look, how the black slave smiles upon the father;
As who should say, Old lad, I am thine own.
He is your brother, lords; sensibly fed
Of that self-blood that first gave life to you;
And, from that womb4 note, where you imprison'd were,

-- 342 --


He is enfranchised and come to light:
Nay, he's your brother by the surer side,
Although my seal be stamped in his face.

Nur.
Aaron, what shall I say unto the empress?

Dem.
Advise thee, Aaron, what is to be done,
And we will all subscribe to thy advice;
Save thou the child, so we may all be safe.

Aar.
Then sit we down, and let us all consult.
My son and I will have the wind of you:
Keep there: Now talk at pleasure of your safety.
[They sit on the Ground.

Dem.
How many women saw this child of his?

Aar.
Why, so, brave lords; When we all join in league,
I am a lamb: but if you brave the Moor,
The chased boar, the mountain lioness,
The ocean swells not so as Aaron storms.—
But, say again, how many saw the child?

Nur.
Cornelia the midwife, and myself:
And no one else, but the deliver'd empress.

Aar.
The emperess, the midwife, and yourself:
Two may keep counsel, when the third's away5 note:
Go to the empress; tell her, this I said:— [Stabbing her.
Weke, weke!—so cries a pig, prepar'd to the spit.

Dem.
What mean'st thou, Aaron? Wherefore did'st thou this?

Aar.
O, lord, sir, 'tis a deed of policy:
Shall she live to betray this guilt of ours?
A long-tongu'd babbling gossip? no, lords, no.
And now be it known to you my full intent.
Not far, one Muliteus lives6 note


, my countryman,

-- 343 --


His wife but yesternight was brought to bed;
His child is like to her, fair as you are:
Go pack with him7 note



, and give the mother gold,
And tell them both the circumstance of all:
And how by this their child shall be advanc'd,
And be received for the emperor's heir,
And substituted in the place of mine,
To calm this tempest whirling in the court;
And let the emperor dandle him for his own.
Hark ye, lords; ye see, that I8 note have given her physick, [Pointing to the Nurse.
And you must needs bestow her funeral;
The fields are near, and you are gallant grooms:
This done, see that you take no longer days,
But send the midwife presently to me.
The midwife, and the nurse, well made away,
Then let the ladies tattle what they please.

Chi.
Aaron, I see, thou wilt not trust the air
With secrets.

Dem.
For this care of Tamora,
Herself, and hers, are highly bound to thee.
[Exeunt Dem. and Chi. bearing off the Nurse.

Aar.
Now to the Goths, as swift as swallow flies;

-- 344 --


There to dispose this treasure in mine arms,
And secretly to greet the empress' friends.—
Come on, you thick-lipp'd slave, I'll bear you hence;
For it is you that puts us to our shifts;
I'll make you feed on berries and on roots,
And feed9 note
on curds and whey, and suck the goat,
And cabin in a cave; and bring you up
To be a warrior, and command a camp. [Exit. SCENE III. The Same. A publick Place. Enter Titus, bearing Arrows, with Letters at the ends of them; with him Marcus, young Lucius, and other Gentlemen, with Bows.

Tit.
Come, Marcus, come;—Kinsmen, this is the way:—
Sir boy, now1 note let me see your archery;
Look ye draw home enough, and 'tis there straight:
Terras Astræa reliquit:
Be you remember'd, Marcus, she's gone, she's fled.
Sir, take you to your tools. You, cousins, shall
Go sound the ocean, and cast your nets;
Happily you may catch her in the sea2 note

;
Yet there's as little justice as at land:—
No; Publius and Sempronius, you must do it;
'Tis you must dig with mattock, and with spade,

-- 345 --


And pierce the inmost center of the earth:
Then, when you come to Pluto's region,
I pray you, deliver him this petition;
Tell him it is for justice, and for aid:
And that it comes from old Andronicus,
Shaken with sorrows in ungrateful Rome.—
Ah, Rome!—Well, well; I made thee miserable,
What time I threw the people's suffrages
On him that thus doth tyrannize o'er me.—
Go, get you gone; and pray be careful all,
And leave you not a man of war unsearch'd;
This wicked emperor may have shipp'd her hence,
And, kinsmen, then we may go pipe for justice.

Mar.
O, Publius, is not this a heavy case,
To see thy noble uncle thus distract?

Pub.
Therefore, my lord, it highly us concerns,
By day and night to attend him carefully;
And feed his humour kindly as we may,
Till time beget some careful remedy.

Mar.
Kinsmen, his sorrows are past remedy.
Join with the Goths; and with revengeful war
Take wreak on Rome for this ingratitude,
And vengeance on the traitor Saturnine.

Tit.
Publius, how now? how now, my masters? What,
Have you met with her?

Pub.
No, my good lord; but Pluto sends you word
If you will have revenge from hell, you shall:
Marry, for Justice, she is so employ'd,
He thinks with Jove in heaven, or somewhere else,
So that perforce you must needs stay a time.

Tit.
He doth me wrong, to feed me with delays.
I'll dive into the burning lake below,
And pull her out of Acheron by the heels.—
Marcus, we are but shrubs, no cedars we;
No big-bon'd men, fram'd of the Cyclops' size:

-- 346 --


But metal, Marcus, steel to the very back;
Yet wrung with wrongs3 note


, more than our backs can bear:
And, sith there is no justice in earth nor hell,
We will solicit heaven; and move the gods,
To send down justice for to wreak4 note




our wrongs:
Come, to this gear. You are a good archer, Marcus. [He gives them the Arrows.
Ad Jovem, that's for you:—Here, ad Apollinem:—
Ad Martem, that's for myself;—
Here, boy, to Pallas:—Here, to Mercury:
To Saturn, Caius5 note



, not to Saturnine,—
You were as good to shoot against the wind.—
To it, boy. Marcus, loose you6 note, when I bid:
O' my word, I have written to effect;
There's not a god left unsolicited.

-- 347 --

Mar.
Kinsmen, shoot all your shafts into the court7 note





:
We will afflict the emperor in his pride.

Tit.
Now, masters, draw. [They shoot.] O, well said, Lucius!
Good boy, in Virgo's lap; give it Pallas.

Mar.
My lord, I aim a mile beyond the moon8 note



;
Your letter is with Jupiter by this.

Tit.
Ha! Publius, Publius, what hast thou done!
See, see, thou hast shot off one of Taurus' horns.

Mar.
This was the sport, my lord: when Publius shot,
The bull being gall'd, gave Aries such a knock
That down fell both the ram's horns in the court;
And who should find them but the empress' villain?
She laugh'd, and told the Moor, he should not choose
But give them to his master for a present.

-- 348 --

Tit.
Why, there it goes: God give your lordship8 note joy. Enter a Clown, with a Basket and Two Pigeons.
News, news from heaven! Marcus, the post is come.
Sirrah, what tidings? have you any letters?
Shall I have justice? what says Jupiter?

Clo.

Ho! the gibbet-maker? he says, that he hath taken them down again, for the man must not be hanged till the next week.

Tit.

But what says Jupiter, I ask thee?

Clo.

Alas, sir, I know not Jupiter; I never drank with him in all my life9 note.

Tit.

Why villain, art not thou the carrier?

Clo.

Ay, of my pigeons, sir; nothing else.

Tit.

Why, didst thou not come from heaven?

Clo.

From heaven? alas, sir, I never came there: God forbid, I should be so bold to press to heaven in my young days. Why, I am going with my pigeons to the tribunal plebs1 note

, to take up a matter of brawl betwixt my uncle and one of the emperial's men.

Mar.

Why, sir, that is as fit as can be, to serve for your oration; and let him deliver the pigeons to the emperor from you.

Tit.

Tell me, can you deliver an oration to the emperor with a grace?

-- 349 --

Clo.

Nay, truly, sir, I could never say grace in all my life.

Tit.
Sirrah, come hither: make no more ado,
But give your pigeons to the emperor:
By me thou shalt have justice at his hands.
Hold, hold;—mean while, here's money for thy charges.
Give me a pen and ink.—
Sirrah, can you with grace deliver a supplication?

Clo.

Ay, sir.

Tit.

Then here is a supplication for you. And when you come to him, at the first approach, you must kneel; then kiss his foot; then deliver up your pigeons; and then look for your reward, I'll be at hand, sir; see you do it bravely.

Clo.

I warrant you, sir; let me alone.

Tit.
Sirrah, hast thou a knife? Come, let me see it.
Here, Marcus, fold it in the oration;
For thou hast made it like an humble suppliant:—
And when thou hast given it to the emperor,
Knock at my door, and tell me what he says.

Clo.

God be with you, sir; I will.

Tit.
Come, Marcus, let's go:—Publius, follow me.
[Exeunt. SCENE IV. The Same. Before the Palace. Enter Saturninus, Tamora, Chiron, Demetrius, Lords and Others: Saturninus with the Arrows in his Hand, that Titus shot.

Sat.
Why, lords, what wrongs are these? Was ever seen
An emperor of Rome thus overborne,

-- 350 --


Troubled, confronted thus; and, for the extent
Of egal justice, us'd in such contempt?
My lords, you know, as do2 note the mightful gods,
However these disturbers of our peace
Buz in the people's ears, there nought hath pass'd,
But even with the law3 note, against the wilful sons
Of old Andronicus. And what an if
His sorrows have so overwhelm'd his wits,
Shall we be thus afflicted in his wreaks,
His fits, his frenzy, and his bitterness?
And now he writes to heaven for his redress:
See, here's to Jove, and this to Mercury;
This to Apollo; this to the god of war:
Sweet scrolls to fly about the streets of Rome!
What's this, but libelling against the senate,
And blazoning our injustice every where?
A goodly humour, is it not, my lords?
As who would say, in Rome no justice were.
But if I live, his feigned ecstsaies
Shall be no shelter to these outrages:
But he and his shall know, that justice lives
In Saturninus' health; whom, if she sleep,
He'll so awake, as she in fury shall
Cut off the proud'st conspirator that lives.

Tam.
My gracious lord, my lovely Saturnine,
Lord of my life, commander of my thoughts,
Calm thee, and bear the faults of Titus' age,
The effects of sorrow for his valiant sons,
Whose loss hath pierc'd him deep, and scarr'd his heart;
And rather comfort his distressed plight,
Than prosecute the meanest, or the best,

-- 351 --


For these contempts. Why, thus it shall become
High-witted Tamora to gloze with all: [Aside.
But, Titus, I have touched thee to the quick,
Thy life-blood out: if Aaron now be wise,
Then is all safe, the anchor's in the port4 note.— Enter Clown.
How now, good fellow? would'st thou speak with us?

Clo.

Yes, forsooth, an your mistership be imperial.

Tam.
Empress I am, but yonder sits the emperor.

Clo.

'Tis he.—God, and saint Stephen, give you good den: I have brought you a letter, and a couple of pigeons here.

[Saturninus reads the Letter.

Sat.

Go, take him away, and hang him presently.

Clo.

How much money must I have?

Tam.

Come, sirrah, you must be hang'd.

Clo.

Hang'd! By'r lady, then I have brought up a neck to a fair end.

[Exit, guarded.

Sat.
Despiteful and intolerable wrongs!
Shall I endure this monstrous villainy?
I know from whence this same device proceeds;
May this be borne?—as if his traitorous sons,
That died by law for murder of our brother,
Have by my means been butcher'd wrongfully.—
Go, drag the villain hither by the hair;
Nor age, nor honour, shall shape privilege:—
For this proud mock, I'll be thy slaughter-man;
Sly frantick wretch, that holp'st to make me great,
In hope thyself should govern Rome and me. Enter Æmilius5 note

.
What news with thee, Æmilius?

-- 352 --

Æmil.
Arm, arm, my lords6 note



: Rome never had more cause!
The Goths have gather'd head; and with a power
Of high-resolved men, bent to the spoil,
They hither march amain, under condúct
Of Lucius, son to old Andronicus;
Who threats, in course of this revenge, to do
As much as ever Coriolanus did.

Sat.
Is warlike Lucius general of the Goths?
These tidings nip me; and I hang the head
As flowers with frost, or grass beat down with storms,
Ay, now begin our sorrows to approach:
'Tis he the common people love so much;
Myself hath often over heard7 note

them say,

-- 353 --


(When I have walked like a private man,)
That Lucius' banishment was wrongfully,
And they have wish'd that Lucius were their emperor.

Tam.
Why should you fear? is not your city strong?

Sat.
Ay, but the citizens favour Lucius;
And will revolt from me, to succour him.

Tam.
King, be thy thoughts imperious, like thy name8 note



.
Is the sun dimm'd, that gnats do fly in it?
The eagle suffers little birds to sing,
And is not careful what they mean thereby;
Knowing that with the shadow of his wings,
He can at pleasure stint their melody9 note

:
Even so may'st thou the giddy men of Rome.
Then cheer thy spirit: for know, thou emperor,
I will enchant the old Andronicus,
With words more sweet, and yet more dangerous,
Than baits to fish, or honey-stalks to sheep1 note

;
When as the one is wounded with the bait,
The other rotted with delicious feed.

-- 354 --

Sat.
But he will not entreat his son for us.

Tam.
If Tamora entreat him, them he will:
For I can smooth, and fill his aged ear
With golden promises; that were his heart
Almost impregnable, his old ears deaf,
Yet should both ear and heart obey my tongue.—
Go thou before, be our embassador2 note: [To Emilius.
Say that the emperor requests a parley
Of warlike Lucius, and appoint the meeting,
Even at his father's house, the old Andronicus.

Sat.
Emilius, do this message honourably:
And if he stand on hostage3 note for his safety,
Bid him demand what pledge will please him best.

Emil.
Your bidding shall I do effectually. [Exit Emilius.

Tam.
Now will I to that old Andronicus;
And temper him, with all the art I have,
To pluck proud Lucius from the warlike Goths.
And now, sweet emperor, be blithe again,
And bury all thy fear in my devices.

Sat.
Then go successfully4 note

, and plead to him. [Exeunt.

-- 355 --

ACT V. SCENE I. Plains near Rome. Enter Lucius, and Goths, with Drum and Colours.

Luc.
Approved warriors, and my faithful friends,
I have received letters from great Rome,
Which signify, what hate they bear their emperor,
And how desirous of our sight they are.
Therefore, great lords, be, as your titles witness,
Imperious, and impatient of your wrongs;
And, wherein Rome hath done you any scath5 note,
Let him make treble satisfaction.

1 Goth.
Brave slip, sprung from the great Andronicus,
Whose name was once our terror, now our comfort;
Whose high exploits, and honourable deeds,
Ingrateful Rome requites with foul contempt,
Be bold in us: we'll follow where thou lead'st,—
Like stinging bees in hottest summer's day,
Led by their master to the flower'd fields,—
And be aveng'd on cursed Tamora.

Goths.
And, as he saith, so say we all with him.

Luc.
I humbly thank him, and I thank you all.
But who comes here, led by a lusty Goth?
Enter a Goth, leading Aaron, with his Child in his Arms.

2 Goth.
Renowned Lucius, from our troops I stray'd,
To gaze upon a ruinous monastery6 note;

-- 356 --


And as I earnestly did fix mine eye
Upon the wasted building, suddenly
I heard a child cry underneath a wall:
I made unto the noise; when soon I heard
The crying babe controll'd with this discourse;
Peace, tawny slave; half me, and half thy dam!
Did not thy hue bewray whose brat thou art,
Had nature lent thee but thy mother's look,
Villain, thou might'st have been an emperor:
But where the bull and cow are both milk-white,
They never do beget a coal-black calf.
Peace, villain, peace!—even thus he rates the babe,—
For I must bear thee to a trusty Goth;
Who, when he knows thou art the empress' babe,
Will hold thee dearly for thy mother's sake.
With this my weapon drawn, I rush'd upon him,
Surpriz'd him suddenly; and brought him hither,
To use as you think needful of the man.

Luc.
O worthy Goth! this is the incarnate devil,
That robb'd Andronicus of his good hand:
This is the pearl that pleas'd your empress' eye7 note;
And here's the base fruit of his burning lust.—
Say, wall-ey'd slave, whither would'st thou convey
This growing image of thy fiend-like face?
Why dost not speak? What! deaf? No8 note: not a word?

-- 357 --


A halter, soldiers; hang him on this tree,
And by his side his fruit of bastardy.

Aar.
Touch not the boy, he is of royal blood.

Luc.
Too like the sire for ever being good.—
First, hang the child, that he may see it sprawl;
A sight to vex the father's soul withal.
Get me a ladder.
[A Ladder brought, which Aaron is obliged to ascend.

Aar.
Lucius, save the child9 note

;
And bear it from me to the emperess.
If thou do this, I'll show thee wond'rous things,
That highly may advantage thee to hear:
If thou wilt not, befall what may befall,
I'll speak no more; But vengeance rot you all!

Luc.
Say on; and, if it please me which thou speak'st,
Thy child shall live, and I will see it nourish'd.

Aar.
An if it please thee? why, assure thee, Lucius,
'Twill vex thy soul to hear what I shall speak;
For I must talk of murders, rapes, and massacres,
Acts of black night, abominable deeds,
Complots of mischief, treason; villainies
Ruthful to hear, yet piteously perform'd1 note

:

-- 358 --


And this shall all be buried by my death2 note,
Unless thou swear to me, my child shall live.

Luc.
Tell on thy mind; I say, thy child shall live.

Aar.
Swear, that he shall, and then I will begin.

Luc.
Who should I swear by? thou believ'st no god;
That granted, how canst thou believe an oath?

Aar.
What if I do not? as, indeed, I do not:
Yet,—for I know thou art religious,
And hast a thing within thee, called conscience;
With twenty popish tricks and ceremonies,
Which I have seen thee careful to observe,—
Therefore I urge thy oath;—For that, I know,
An idiot holds his bauble3 note for a god,
And keeps the oath, which by that god he swears4 note;
To that I'll urge him:—Therefore, thou shalt vow
By that same god, what god so'er it be,
That thou ador'st and hast in reverence,—
To save my boy, to nourish, and bring him up;
Or else I will discover nought to thee.

Luc.
Even by my god, I swear to thee, I will.

Aar.
First, know thou, I begot him on the empress.

Luc.
O most insatiate, luxurious woman5 note!

Aar.
Tut, Lucius! this was but a deed of charity,

-- 359 --


To that which thou shalt hear of me anon.
'Twas her two sons that murder'd Bassianus:
They cut thy sister's tongue, and ravish'd her,
And cut her hands; and trimm'd her as thou saw'st.

Luc.
O, détestable villain! call'st thou that trimming?

Aar.
Why, she was wash'd, and cut, and trimm'd; and 'twas
Trim sport for them that had the doing of it.

Luc.
O, barbarous, beastly villains, like thyself!

Aar.
Indeed, I was their tutor to instruct them;
That codding spirit6 note





had they from their mother,
As sure a card as ever won the set;
That bloody mind, I think, they learn'd of me,
As true a dog as ever fought at head7 note



.—
Well, let my deeds be witness of my worth.
I train'd thy brethren to that guileful hole,
Where the dead corpse of Bassianus lay:
I wrote the letter that thy father found8 note



,

-- 360 --


And hid the gold within the letter mention'd,
Confederate with the queen, and her two sons:
And what not done, that thou hast cause to rue,
Wherein I had no stroke of mischief in it?
I play'd the cheater for thy father's hand;
And, when I had it, drew myself apart,
And almost broke my heart with extreme laughter.
I pry'd me through the crevice of a wall,
When, for his hand, he had his two sons' heads;
Beheld his tears, and laugh'd so heartily,
That both mine eyes were rainy like to his;
And when I told the empress of this sport,
She swounded9 note


almost at my pleasing tale,
And, for my tidings, gave me twenty kisses.

Goth.
What! canst thou say all this, and never blush?

Aar.
Ay, like a black dog, as the saying is1 note
.

Luc.
Art thou not sorry for these heinous deeds?

Aar.
Ay, that I had not done a thousand more.
Even now I curse the day, (and yet, I think,
Few come within the compass of my curse,)
Wherein I did not some notorious ill:
As kill a man, or else devise his death;
Ravish a maid, or plot the way to do it;
Accuse some innocent, and forswear myself;
Set deadly enmity between two friends;
Make poor men's cattle break their necks;2 note

-- 361 --


Set fire on barns and hay-stacks in the night,
And bid the owners quench them with their tears.
Oft have I digg'd up dead men from their graves,
And set them upright at their dear friends' doors,
Even when their sorrows almost were forgot;
And on their skins, as on the bark of trees,
Have with my knife carved in Roman letters,
Let not your sorrow die, though I am dead.
Tut, I have done a thousand dreadful things,
As willingly as one would kill a fly;
And nothing grieves me heartily indeed3 note,
But that I cannot do ten thousand more.

Luc.
Bring down the devil4 note; for he must not die
So sweet a death, as hanging presently.

Aar.
If there be devils, 'would I were a devil,
To live and burn in everlasting fire:
So I might have your company in hell,
But to torment you with my bitter tongue!

Luc.
Sirs, stop his mouth, and let him speak no more.
Enter a Goth.

Goth.
My lord, there is a messenger from Rome,
Desires to be admitted to your presence.

Luc.
Let him come near.— Enter Æmilius.
Welcome, Æmilius, what's the news from Rome?

-- 362 --

Æmil.
Lord Lucius, and you princes of the Goths,
The Roman emperor greets you all by me:
And, for he understands you are in arms,
He craves a parley at your father's house,
Willing you to demand your hostages,
And they shall be immediately deliver'd.

1 Goth.
What says our general?

Luc.
Æmilius, let the emperor give his pledges
Unto my father and my uncle Marcus,
And we will come.—March5 note away.
[Exeunt. SCENE II. Rome. Before Titus's House. Enter Tamora, Chiron, and Demetrius, disguised.

Tam.
Thus, in this strange and sad habiliment,
I will encounter with Andronicus;
And say, I am Revenge, sent from below,
To join with him, and right his heinous wrongs.
Knock at his study, where, they say, he keeps,
To ruminate strange plots of dire revenge;
Tell him, Revenge is come to join with him,
And work confusion on his enemies.
[They knock. Enter Titus, above.

Tit.
Who doth molest my contemplation?
Is it your trick, to make me ope the door;
That so my sad decrees may fly away,
And all my study be to no effect?
You are deceiv'd: for what I mean to do,

-- 363 --


See here, in bloody lines I have set down;
And what is written shall be executed.

Tam.
Titus, I am come to talk with thee6 note
.

Tit.
No; not a word: How can I grace my talk,
Wanting a hand to give it action7 note?
Thou hast the odds of me, therefore no more.

Tam.
If thou did'st know me, thou would'st talk with me.

Tit.
I am not mad; I know thee well enough:
Witness this wretched stump, witness these crimson lines8 note
:
Witness these trenches, made by grief and care;
Witness the tiring day, and heavy night;
Witness all sorrow, that I know thee well
For our proud empress, mighty Tamora:
Is not thy coming for my other hand?

Tam.
Know thou, sad man, I am not Tamora;
She is thy enemy, and I thy friend:
I am Revenge; sent from the infernal kingdom,
To ease the gnawing vulture of thy mind,
By working wreakful vengeance on thy foes.
Come down, and welcome me to this world's light;
Confer with me of murder and of death:
There's not a hollow cave, or lurking-place,
No vast obscurity, or misty vale,
Where bloody murder, or detested rape,
Can couch for fear, but I will find them out;
And in their ears tell them my dreadful name,
Revenge, which makes the foul offender quake.

-- 364 --

Tit.
Art thou Revenge? and art thou sent to me,
To be a torment to mine enemies?

Tam.
I am; therefore come down, and welcome me.

Tit.
Do me some service, ere I come to thee.
Lo, by thy side where Rape, and Murder, stands;
Now give some 'surance that thou art Revenge,
Stab them, or tear them on thy chariot wheels;
And then I'll come, and be thy waggoner,
And whirl along with thee about the globes.
Provide thee proper palfries, black as jet9 note


,
To hale thy vengeful waggon swift away,
And find out murderers in their guilty caves1 note:
And, when thy car is loaden with their heads,
I will dismount, and by the waggon wheel
Trot, like a servile footman, all day long;
Even from Hyperion's2 note

rising in the east,
Until his very downfal in the sea.
And day by day I'll do this heavy task,
So thou destroy Rapine and Murder there3 note




.

-- 365 --

Tam.
These are my ministers, and come with me.

Tit.
Are them4 note

thy ministers? what are they call'd?

Tam.
Rapine, and Murder; therefore called so,
'Cause they take vengeance of such kind of men.

Tit.
Good lord, how like the empress' sons they are!
And you, the empress! But we worldly men
Have miserable, mad, mistaking eyes.
O sweet Revenge, now do I come to thee:
And, if one arm's embracement will content thee,
I will embrace thee in it by and by. [Exit Titus, from above.

Tam.
This closing with him fits his lunacy:
Whate'er I forge, to feed his brain-sick fits,
Do you uphold and maintain in your speeches.
For now he firmly takes me for Revenge;
And, being credulous in this mad thought,
I'll make him send for Lucius, his son;
And, whilst I at a banquet hold him sure,
I'll find some cunning practice out of hand,
To scatter and disperse the giddy Goths,
Or, at the least, make them his enemies.
See, here he comes, and I must ply my theme.
Enter Titus.

Tit.
Long have I been forlorn, and all for thee:
Welcome, dread fury, to my woful house;—
Rapine, and Murder, you are welcome too:—
How like the empress and her sons you are!
Well are you fitted, had you but a Moor:—

-- 366 --


Could not all hell afford you such a devil?—
For, well I wot, the empress never wags,
But in her company there is a Moor;
And, would you represent our queen aright,
It were convenient you had such a devil:
But welcome, as you are. What shall we do?

Tam.
What would'st thou have us do, Andronicus?

Dem.
Show me a murderer, I'll deal with him.

Chi.
Show me a villain, that hath done a rape,
And I am sent to be reveng'd on him.

Tam.
Show me a thousand, that hath done thee wrong,
And I will be revenged on them all.

Tit.
Look round about the wicked streets of Rome;
And when thou find'st a man that's like thyself,
Good Murder, stab him; he's a murderer.—
Go thou with him; and when it is thy hap,
To find another that is like to thee,
Good Rapine, stab him; he is a ravisher.—
Go thou with them; and in the emperor's court
There is a queen, attended by a Moor;
Well may'st thou know her by thy own proportion,
For up and down she doth resemble thee!
I pray thee, do on them some violent death,
They have been violent to me and mine.

Tam.
Well hast thou lesson'd us; this shall we do.
But would it please thee, good Andronicus,
To send for Lucius, thy thrice valiant son,
Who leads towards Rome a band of warlike Goths,
And bid him come and banquet at thy house:
When he is here, even at thy solemn feast,
I will bring in the empress and her sons,
The emperor himself, and all thy foes;
And at thy mercy shall they stoop and kneel,

-- 367 --


And on them shalt thou ease thy angry heart.
What says Andronicus to this device?

Tit.
Marcus, my brother!—'tis sad Titus calls. Enter Marcus.
Go, gentle Marcus, to thy nephew Lucius;
Thou shalt inquire him out among the Goths:
Bid him repair to me, and bring with him
Some of the chiefest princes of the Goths;
Bid him encamp his soldiers where they are:
Tell him, the emperor and the empress too
Feast at my house: and he shall feast with them.
This do thou for my love; and so let him,
As he regards his aged father's life.

Mar.
This will I do, and soon return again.
[Exit.

Tam.
Now will I hence about thy business,
And take my ministers along with me.

Tit.
Nay, nay, let Rape and Murder stay with me;
Or else I'll call my brother back again,
And cleave to no revenge but Lucius.

Tam.
What say you, boys? will you abide with him,
Whiles I go tell my lord the emperor,
How I have govern'd our determin'd jest?
Yield to his humour, smooth and speak him fair, [Aside.
And tarry with him, till I come again.

Tit.
I know them all, though they suppose me mad;
And will o'er-reach them in their own devices,
A pair of cursed hell-hounds, and their dam.
[Aside.

Dem.
Madam, depart at pleasure, leave us here.

Tam.
Farewell, Andronicus: Revenge now goes
To lay a complot to betray thy foes. [Exit Tamora.

-- 368 --

Dem.
I know, thou dost; and, sweet Revenge, farewell.

Chi.
Tell us, old man, how shall we be employ'd?

Tit.
Tut, I have work enough for you to do.—
Publius, come hither, Caius and Valentine!
Enter Publius, and Others.

Pub.
What's your will?

Tit.
Know you these two?

Pub.
The empress' sons,
I take them, Chiron and Demetrius5 note.

Tit.
Fye, Publius, fye! thou art too much deceiv'd;
The one is Murder, Rape is the other's name:
And therefore bind them, gentle Publius;
Caius, and Valentine, lay hands on them:
Oft have you heard me wish for such an hour,
And now I find it; therefore bind them sure;
And stop their mouths, if they begin to cry.
[Exit Titus.—Publius, &c. lay hold on Chiron and Demetrius.

Chi.
Villains, forbear; we are the empress' sons.

Pub.
And therefore do we what we are commanded.—
Stop close their mouths, let them not speak a word:
Is he sure bound? look, that you bind them fast.
Re-enter Titus Andronicus, with Lavinia; she bearing a Bason, and he a Knife.

Tit.
Come, come, Lavinia; look, thy foes are bound;—
Sirs, stop their mouths, let them not speak to me;
But let them hear what fearful words I utter.—
O villains, Chiron and Demetrius!

-- 369 --


Here stands the spring whom you have stain'd with mud;
This goodly summer with your winter mix'd.
You kill'd her husband; and, for that vile fault,
Two of her brothers were condemn'd to death:
My hand cut off, and made a merry jest:
Both her sweet hands, her tongue, and that more dear
Than hands or tongue, her spotless chastity,
Inhuman traitors, you constrain'd and forc'd.
What would you say, if I should let you speak?
Villains, for shame you could not beg for grace.
Hark, wretches, how I mean to martyr you.
This one hand yet is left to cut your throats;
Whilst that Lavinia 'tween her stumps doth hold
The bason, that receives your guilty blood.
You know, your mother means to feast with me,
And calls herself, Revenge, and thinks me mad,—
Hark, villains; I will grind your bones to dust,
And with your blood and it, I'll make a paste;
And of the paste a coffin6 note



I will rear,
And make two pasties of your shameful heads;
And bid that strumpet, your unhallow'd dam,
Like to the earth, swallow her own increase7 note.
This is the feast that I have bid her to,
And this the banquet she shall surfeit on;
For worse than Philomel you us'd my daughter,

-- 370 --


And worse than Progne I will be reveng'd:
And now prepare your throats.—Lavinia, come, [He cuts their Throats.
Receive the blood: and, when that they are dead,
Let me go grind their bones to powder small,
And with this hateful liquor temper it;
And in that paste let their vile heads be bak'd.
Come, come, be every one officious
To make this banquet; which I wish may prove
More stern and bloody than the Centaurs' feast.
So, now bring them in, for I will play the cook,
And see them ready 'gainst their mother comes. [Exeunt, bearing the dead Bodies. SCENE III. The Same. A Pavilion, with Tables, &c. Enter Lucius, Marcus, and Goths, with Aaron, Prisoner.

Luc.
Uncle Marcus, since 'tis my father's mind,
That I repair to Rome, I am content.

1 Goth.
And ours, with thine8 note, befall what fortune will.

Luc.
Good uncle, take you in this barbarous Moor,
This ravenous tiger, this accursed devil;
Let him receive no sustenance, fetter him,
Till he be brought unto the empress' face9 note


,

-- 371 --


For testimony of her foul proceedings:
And see the ambush of our friends be strong:
I fear the emperor means no good to us.

Aar.
Some devil whisper curses in mine ear,
And prompt me, that my tongue may utter forth
The venomous malice of my swelling heart!

Luc.
Away, inhuman dog! unhallow'd slave!—
Sirs, help our uncle to convey him in.— [Exeunt Goths with Aaron. Flourish.
The trumpets show, the emperor is at hand.
Enter Saturninus and Tamora, with Tribunes, Senators, and Others.

Sat.
What, hath the firmament more suns than one?

Luc.
What boots it thee, to call thyself a sun?

Mar.
Rome's emperor, and nephew, break the parle1 note;
These quarrels must be quietly debated.
The feast is ready, which the careful Titus
Hath ordain'd to an honourable end,
For peace, for love, for league, and good to Rome:
Please you, therefore, draw nigh, and take your places.

Sat.
Marcus, we will.
[Hautboys sound. The Company sit down at Table. Enter Titus, dressed like a Cook, Lavinia, veiled, young Lucius, and Others. Titus places the Dishes on the Table.

Tit.
Welcome, my gracious lord; welcome, dread queen;
Welcome, ye warlike Goths; welcome, Lucius;

-- 372 --


And welcome, all: although the cheer be poor,
'Twill fill your stomachs; please you eat of it.

Sat.
Why art thou thus attir'd, Andronicus?

Tit.
Because I would be sure to have all well,
To entertain your highness, and your empress.

Tam.
We are beholden to you, good Andronicus,

Tit.
An if your highness knew my heart, you were.
My lord the emperor, resolve me this;
Was it well done of rash Virginius,
To slay his daughter with his own right hand2 note



,
Because she was enforc'd, stain'd, and deflour'd?

Sat.
It was, Andronicus.

Tit.
Your reason, mighty lord!

Sat.
Because the girl should not survive her shame,
And by her presence still renew his sorrows.

Tit.
A reason mighty, strong, and effectual;
A pattern, precedent, and lively warrant,
For me, most wretched to perform the like:—
Die, die, Lavinia, and thy shame with thee; [He kills Lavinia.
And, with thy shame, thy father's sorrow die!

Sat.
What hast thou done, unnatural and unkind?

Tit.
Kill'd her, for whom my tears have made me blind.
I am as woful as Virginius was:
And have a thousand times more cause than he
To do this outrage;—and it is now done.

-- 373 --

Sat.
What, was she ravish'd? tell, who did the deed.

Tit.
Will 't please you eat? will 't please your highness feed?

Tam.
Why hast thou slain thine only daughter thus?

Tit.
Not I; twas Chiron, and Demetrius:
They ravish'd her, and cut away her tongue,
And they, 'twas they, that did her all this wrong.

Sat.
Go, fetch them hither to us presently.

Tit.
Why, there they are both, baked in that pye;
Whereof their mother daintily hath fed,
Eating the flesh that she herself hath bred3 note



.
'Tis true, 'tis true; witness my knife's sharp point. [Killing Tamora.

Sat.
Die, frantick wretch, for this accursed deed.
[Killing Titus.

Luc.
Can the son's eye behold his father bleed?
There's meed for meed, death for a deadly deed.
[Kills Saturninus. A great Tumult. The People in confusion disperse. Marcus, Lucius, and their Partisans, ascend the Steps before Titus's House.

Mar.
You sad-fac'd men, people and sons of Rome,
By uproar sever'd, like a flight of fowl
Scatter'd by winds and high tempestuous gusts,

-- 374 --


O, let me teach you how to knit again
This scatter'd corn into one mutual sheaf,
These broken limbs again into one body.

Sen.
Lest Rome herself be bane unto herself4 note

;
And she, whom mighty kingdoms court'sy to,
Like a forlorn and desperate cast-away,
Do shameful execution on herself.
But if my frosty signs and chaps of age,
Grave witnesses of true experience,
Cannot induce you to attend my words,—
Speak, Rome's dear friend; [To Lucius.] as erst our ancestor,
When with his solemn tongue he did discourse,
To love-sick Dido's sad attending ear,
The story of that baleful burning night,
When subtle Greeks surpriz'd king Priam's Troy;

-- 375 --


Tell us, what Sinon hath bewitch'd our ears,
Or who hath brought the fatal engine in,
That gives our Troy, our Rome, the civil wound.—
My heart is not compact of flint, nor steel;
Nor can I utter all our bitter grief,
But floods of tears will drown my oratory,
And break my very utterance; even i' the time
When it should move you to attend me most,
Lending your kind commiseration:
Here is a captain, let him tell the tale;
You hearts will throb and weep to hear him speak.

Luc.
Then, noble auditory, be it known to you,
That cursed Chiron and Demetrius
Were they that murdered our emperor's brother;
And they it were that ravished our sister:
For their fell faults our brothers were beheaded;
Our father's tears despis'd; and basely cozen'd5 note
Of that true hand, that fought Rome's quarrel out,
And sent her enemies unto the grave.
Lastly, myself unkindly banished,
The gates shut on me, and turn'd weeping out,
To beg relief among Rome's enemies;
Who drown'd their enmity in my true tears,
And op'd their arms to embrace me as a friend:
And I am the turn'd-forth, be it known to you,
That have preserv'd her welfare in my blood;
And from her bosom took the enemy's point,
Sheathing the steel in my advent'rous body.
Alas! you know, I am no vaunter, I;
My scars can witness, dumb although they are,
That my report is just, and full of truth.
But, soft; methinks, I do digress too much,
Citing my worthless praise: O, pardon me;
For when no friends are by, men praise themselves.

-- 376 --

Mar.
Now is my turn to speak; Behold this child, [Pointing to the Child in the arms of an Attendant.
Of this was Tamora delivered;
The issue of an irreligious Moor,
Chief architect and plotter of these woes;
The villain is alive in Titus' house,
Damn'd as he is6 note




, to witness this is true.
Now judge, what cause7 note had Titus to revenge
These wrongs, unspeakable, past patience,
Or more than any living man could bear.
Now you have heard the truth, what say you, Romans?
Have we done aught amiss? Show us wherein,
And, from the place where you behold us now,
The poor remainder of Andronici
Will, hand in hand, all headlong cast us down8 note
,
And on the ragged stones beat forth our brains,
And make a mutual closure of our house.
Speak, Romans, speak; and, if you say, we shall,
Lo, hand in hand, Lucius and I will fall.

Æmil.
Come, come, thou reverend man of Rome,
And bring our emperor gently in thy hand,
Lucius our emperor; for, well I know,
The common voice do cry, it shall be so.

-- 377 --

Rom. [Several speak.]
Lucius, all hail9 note

; Rome's royal emperor! Lucius, &c. descend.

Mar.
Go, go into old Titus' sorrowful house; [To an Attendant.
And hither hale that misbelieving Moor,
To be adjudg'd some direful slaughtering death,
As punishment for his most wicked life.

Rom. [Several speak.]
Lucius, all hail; Rome's gracious governor!

Luc.
Thanks, gentle Romans; May I govern so,
To heal Rome's harms, and wipe away her woe!
But, gentle people, give me aim awhile,—
For nature puts me to a heavy task;—
Stand all aloof;—but, uncle, draw you near,
To shed obsequious tears upon this trunk:—
O, take this warm kiss on thy pale cold lips, [Kisses Titus.
These sorrowful drops upon thy blood-stain'd face1 note


,
The last true duties of thy noble son!

Mar.
Tear for tear, and loving kiss for kiss,
Thy brother Marcus tenders on thy lips:
O, were the sum of these that I should pay
Countless and infinite, yet would I pay them!

Luc.
Come hither, boy; come, come, and learn of us
To melt in showers: Thy grandsire lov'd thee well:
Many a time he danc'd thee on his knee,

-- 378 --


Sung thee asleep, his loving breast thy pillow;
Many a matter hath he told to thee,
Meet, and agreeing with thine infancy;
In that respect then, like a loving child,
Shed yet some small drops from thy tender spring,
Because kind nature doth require it so2 note

:
Friends should associate friends in grief and woe:
Bid him farewell; commit him to the grave;
Do him that kindness, and take leave of him.

Boy.
O grandsire, grandsire! even with all my heart
'Would I were dead, so you did live again!—
O lord, I cannot speak to him for weeping;
My tears will choke me, if I ope my mouth.
Enter Attendants, with Aaron.

1 Rom.
You sad Andronici, have done with woes;
Give sentence on this execrable wretch,
That hath been breeder of these dire events.

Luc.
Set him breast-deep in earth, and famish him;
There let him stand, and rave and cry for food:
If any one relieves or pities him,
For the offence he dies. This is our doom:
Some stay, to see him fasten'd in the earth3 note.

Aar.
O, why should wrath be mute, and fury dumb?
I am no baby, I, that, with base prayers,
I should repent the evils I have done;
Ten thousand, worse than ever yet I did,

-- 379 --


Would I perform, if I might have my will;
If one good deed in all my life I did,
I do repent it from my very soul.

Luc.
Some loving friends convey the emperor hence,
And give him burial in his father's grave:
My father, and Lavinia, shall forthwith
Be closed in our household's monument.
As for that heinous tiger, Tamora,
No funeral rite, nor man in mournful weeds,
No mournful bell shall ring her burial;
But throw her forth to beasts, and birds of prey:
Her life was beast-like, and devoid of pity;
And, being so, shall have like want of pity.
See justice done to Aaron4 note, that damn'd Moor,
By whom our heavy haps had their beginning:
Then, afterwards, to order well the state5 note;
That like events may ne'er it ruinate.
[Exeunt6. note

-- 380 --

-- 381 --




-- 382 --






-- 383 --




































-- 384 --



-- 385 --

-- 387 --

Volume back matter

ADDENDA.

-- 389 --

ADDENDA.

The following very curious documents having been mingled with other papers of a different description, and mistakingly indorsed by Mr. Malone, so as to mislead me concerning their contents, were not discovered till The History of the Stage was printed off. The first letter is perhaps not strictly theatrical, but is worthy of preservation as a picture of the simplicity of ancient manners. Boswell.

Edward Alleyn to his wife1 note. Emanuel. Superscription.
s. d.
Item for a Staple for Georg Sommersetts Dore 0 ii
Item for a plat for one other Dore 0 i
Item for taking of a lock & setting in newewards & mending the same 0 iiii
Item for fowr barrs weying nyne pounds & half ii iiii ob

Sum Total. . . . iis. xid. ob

Inn all 1s.d. ppd

R the xxvth day of October Anno Dom 1611 of Mr Edwarde Allen Esquier, for one half yeares rent of his howse and wharfe within the Cloose of St Maryoveries dewe to the Ryghte Honnorable Antony Lorde Viscounte Mountague att the feast of St mychaell Tharchaungell, last past, the some of fiftye shillings of lawfull Englishe money; I say R ls. &per; me Mathewe Woodwarde.

I pray you, Mr Hinchlow, deliver unto the

-- 395 --

bringer hereof the some of fyve and fifty shillings, to make the 3l. fyve shillings w.ch they receaved before, full six pounds, in full payment of their booke called The fayre Constance of Rome; whereof I pray you reserve for me Mr Willsons whole share, wch is xls, wch I, to supply his neede, delivered him yesternight. Yor Lovinge ffreind
Robt. Shaa
.

Mr Hinchlow:
Mr Dawborne and I have spent a great deale of time in conference a bout this plott, wch will make as beneficiall a play as hath come these seaven yeares. It is out of his Love he detained it for us; onely xl. is desir'd in hand, for wch, wee will be bound to bring you in the play finish'd upon the first day of August; wee would not Loose it, wee have so assured a hope of it, and, on my knowledge Mr Dawborne may have his request of another Companie. pray, let us have speedie answere, and effectuall; you know, the last money you disburst was instly pay'd in, and wee are now in a way to pay you allso, unlesse yor selfe, for want of small spplie, will put us out of it. pray, let us know when wee shall speake with you; Till when and ever I rest

Yor Loving and obedient Son:
Nat. Field
.

Receved of Mr Henchlowe the iiiith of Agust 1602 for one months pay due unto my Mr Mr Edmund Tylney upon the xxxth day of July last the som of iiil. I say R. iiil. Pr mei Phil. Plaistowe.

-- 396 --

bookes owinge for (5), baxsters tragedy, Tobias, Comedy, Jepha Judg of Israel, love parts frendshipp, The cardinall8 note.

Mr Allen, I commend my love and humble duty to you, geving you thankes for yor great bounty bestoed upon me in my sicknes, when I was in great want, god blese you for it; Sir, this it is, I am to go over beyond the seeas wt Mr Browne and the company, but not by his meanes, for he is put to half a shaer, and to stay hear, for they ar all against his going, now good Sir, as you have ever byne my worthie frend, so helpe me nowe. I have a sute of clothes and a cloke at pane for three pound, and if it shall pleas you to lend me so much to release them, I shall be bound to pray for you so longe as I leve; for if I go over and have no clothes, I shall not be esteemed of; and by gods helpe the first mony that I gett I will send it over unto you, for hear I get nothinge; some tymes I have a shillinge a day and some tymes nothinge, so that I leve in great poverty hear, and so humbly take my leave praying to god, I and my wiffe, for yor health and mistris allen's, which god continew. Yor poor frend to commaund,
Richard Jones
.

Memorandun. 'tis agreed between Phillip Hinchlow Esqr & Robert Daborne gent, yt ye sd Robert shall before ye end of this Ester Term deliver in his Tragoedy cald Matchavill & ye Divill into the

-- 397 --

hands of ye sd Phillip, for ye sum of xxty pounds, six pounds whearof ye sd Robert aknowledgeth to hav receaved in earnest of ye sayd play this 17th of April, & must hav other fowr pound upon delivery in of 3 acts. & other ten pound upon delivery in of ye last scean &pab;fited. In witnes hearof the sd Rober Daborne hearunto hath set his hand this 17th of Aprill 1613. Pr me Rob: Daborne.

Good Mr Hinchlow, I am upon ye sodoyn put to great extremyty in bayling my man, c&obar;mitted to newgate upon taking a Possession for me, & I took less mony of my Kinsman, a lawier yt was with me, then servd my turn. I am thearfore to beseech yu to spare me xxs., which will doe me so great Pleasure yt yu shall find me thankfull & &pab;forming more then ever I promisd or am tyed to: so, bold upon so great an occation to truble yu, I crave yr favorable interpretation & rest. ever at yr comand
Rom: Daborne
.

28 Aprill 1613.

Lente Mr Daborne this money

wittness Hugh Attwell.

M Hinchlow, the company told me yu ware expected thear yesterday to conclude about thear coming over or goinge to Oxford. I have not only labord my own play, which shall be ready before they come over but givn Cyrill Tourneur an act of ye Arreignment of london to write, yt. we may have yt likewise ready for them. I wish yu had spoken with them to know thear resolution, for they

-- 398 --

depend upon yr purpose. I hav sent yu 2 sheets more fayr written. upon my ffayth, sr, they shall not stay one howr for me; whearfor I beseech yu as heatherto, so yu would now spare me xxs. which stands me upon to send over to my counsell in a matter concerns my whole estate, & when I deale otherways then to yr content, may I & myne want ffryndship in distress! so, relijng one [on] yr favor, which shall never reap loss by me, I rest at yr comand
Rob: Daborne
.

5o June 1613.

Receved by me Garred Leniaghe xxs.

Sr I expected yu one [on] munday. I &pab;ceav yu misdoubt my readynes; sr I would not be hyred to break my ffayth with yu. Before god, they shall not stay one hour for me; for I can this week diliver in ye last word & will yt night they play thear new play read this; whearof I have sent yu a sheet & wone fayr written yu may easyly know thear is not much behind, & I intend no other thing, god is my judge, tell this be finisht; ye necessity of term busnies exacts me beyond my custom to be trublesom unto yu; whearfore I pray send me the other 20s. I desyred, & then when I read next week, I will take ye 40s. yt remaynes, & doubt not yu shall receav thanks in doing me this curtesy. so presuming one yr favor, I rest Yrs to comaund
Rob: Daborne
.

10 June 1613.

Mr Hinchlow, I am inforced to make bold with yu for one 20s. more of ye xl, & one fryday

-- 399 --

night I will deliver in ye 3 acts fayr written, and then receve ye other 40s: & if yu please to have some papers now, yu shall; but my promise shall be as good as bond to yu, & if yu will let me have &pab;usal of any other book of yrs I will after ffryday intend it speedyly & doubt not to giv yu full content; so with my best remembranc I rest at yr comaund
Robt. Daborne
.

3 May, 1613,

R. the some of xxs. of Mr Hinchley to the use of Mr. Daborne the 3 of Maye 1613, by me, Thos. More.

Mr Hinchlow, my trubles drawing to some end, have forced me to be trublesome to yu beyond my purpose, bycause I would be free at any rate. some papers I have sent yu, though not so say written all as I could wish. I will now wholy intend to finishe my promise, which though it come not within compass of this Term, shall come upon ye neck of this new play they ar now studynge, my request is, the xl might be made up, whearof I have had 9l. if yu please to appoynt any houer to read to Mr Allin, I will not fayle, nor after this day loose any time till it be concluded; my best rememberance to yu I rest yors Robt. Daborne.

8 May, 1613.


R the some of xxs. of Mr Hinchlow to the use of Mr Daborne 8o May Pd xxs. Thos. More.

Mr. Hinchlow, yr tried curtesy hath so fur ingaged me yt howsoever this term hath much hindred my busnies, yu shall see one Tuesday night, I have not bin Idle, I thank god moste of

-- 400 --

my trubles ar ended, upon heering whearof I have taken home my wife agayne; soe yt I will now, after munday, intend yr busnies carefully, yt the company shall aknowledg themselfs bound to yu. I doubt not. one Tuesday night, if yu will appoynt, I will meet yu & Mr Allin & read some, for I am unwilling to read to ye generall company till all be finisht; which upon my credit shall be to play it this next term, with ye first. Sr, my occations of expenc have bin soe great & soe many, I am ashamed to think how much I am forct to press yu, whearin I pray let me finde yr favorablest construction, & ad one xxs. more to ye mony I have receaved, which makes xil. & yu shall one Tuesday see I will deserve, to my best ability, yr love, which I valew more in it selfe, then ye best companies in ye town; so myself & labors resting at yr service I comit yu to god. yrs to co&mbar;and
Robt. Daborne
.

16 May, 1613.

Receved by me, Garret Leniage, xxs.

I have receaved of Mr Hinchlow the full some of sixteen pounds in pt of Matchavill & ye Divill.

Mem. I have receaved of Mr Hinchlow the full some of sixteen pounds in pt of twenty pounds due to me Robert Daborne for my Tragoedy of Matchavill & ye Divill. I say receaved sixteen pounds this 19th of May as aforesayd. In witnes whearof I hereunto hav sett my hand, 1613. Robt. Daborne.

this play is to be deliverd in to Mr Hinchlow with all speed. John Alleyn.

-- 401 --

Sr. I did thinke I deservd as much mony as Mr Messenger, although knowinge yr great disbursments I forbour to urdge yu beyond yr own Pleasure; but my occations press me so neerly yt I cannot but expect this reasonable curtesy, consydering I pay yu half my earnings in the play besyds my continuall labor & chardge imployd only for yu; which if it prove not proffitable now, yu shall see I will giv yu honnest satisfaction for the utmost farthinge I owe yow, & take another course: whearfore this being my last, I beseech yu way [weigh] my great occation this once, & make up my mony Even with Mr Messengers, which is to let me have xs. more. I am sure I shall deserv it & yu can never doe me a tymelyer curtesy, resting at yr comand Robt. Daborne.

I pray Sr let yr boy giv order this night to the stage-kee&pab;, to set up bills agst munday for Eastward hoe, & one wenasday, the New play.

Sr if yu doe not like this play when it is read, yu shall have the other which shall be finished with all expedition; for befor god this is a good one, & will giv yu content: howsoever, yu shall never loose a farthing by me; whearfor I pray misdoubt me not, but as yu hav bin kynd to me, so continew it till I deserv the contrary; and I pray send me ten shillings & take these papers, which wants but one short scean of the whole play, so I rest. yrs at comand
Robt. Daborne
.


pd unto your Daughter the 11th of March 1613 [1614] xs.

-- 402 --

Mr Hinchlow yu hav now a full play. I desyr yu should disburse but 12l. a play tell they be playd; I mean to urdge yu no farther, for if yu like not this, yu shall hav another to yr. content. befor god, yu hav the full play now, & I desyr but 20s. to serv my ordynary turn, till I have finished one, yt. yu may hav yr. choyse, for I would hav yu Know, I can hav mony for papers though I hav cast myself upon yu with a purpose to deserv yr. love. As for Mr Pallat, is much discontented with your neglect of him, I would I knew yr. mynd to giv him awnswer. Sr if yu deny me this reasonable kyndnes, it will forc me to ingage a play which yu will miss: so desyring yt awnswer I rest, yr at comand
Robt. Daborne
.

28 March 1613

pd unto Mr Daborne the 2 of Aprell 1614 in earnest of The Shee Saynte, at his owne howse the some of viiis.

Lent of this bille the 29 of Marche in fulle payment of his new playe laste written; the some of . . . . . . . . . . xs.

Mr Hinchlow, of all ffryndship let me beholding to yu for one xxs. which shall be the last I will request till the play be fully by us ended. upon my honnest ffayth, with yu which I will never break, I will request no more, & soe much will be due to me then. Sr this is my last request of yr trouble which my speedy occation presses me to; soe I rely upon yr lov hearin, for which yu shall ever comaund me
Rob: Darborne
.

16th July 1613.

pd this xxs. the 16th of July, 1613.

-- 403 --

M Hinchlow I wrote a leter to Mr Griffyn requestinge thearin yr awnswer & end to these businesses & debts betwixt us but I cannot hear from him my desyer was yt eather yu would be my paymayster for another play or take xl. of yt mony we hav had into yr hands agayne & security for the rest, sr it is not unknown to yu yt I could & had good certeynty of means before I wrote unto yu which upon hopes of yr love I forsooke & must now if yu & I had ended return to them agayne, for my occations untill I have made sale of yt estate I have ar soe urgent yt I can forbear no longer, whearfor I pray Sr of yr much ffryndship doe me one curtesy more till Thursday when we deliver in or play to yu as to lend me twenty shillings & upon my ffayth and Christianyty I will then or giv yu content or secure yu to the utmost farthing yu can desyre of me, Sr I pray of all yr gentlenes deny not this curtesy to me & if yu fynd me not most just & honnest to yu may I want a ffrynd in my extremyty it is but till thursday I request yu hearing & so rest at yr comaund
Rob: Daborne
.

Sr yu hav a receipt of myne for twenty shillings which I sent yu by the waterman at the cardinalls hatt that or this shall sufficiently giv yu assurance.

30 July 1613.

witnes Moyses Bawler.

Sr I sat up last night till past 12, to write out this sheet & had not necessity inforct me to ye comon place [pleas] bar this morning to acknowledge a ffynall recovery, I would this day hav deliverd in all. I hav bin heartofor of ye receaving hand; yu shall now find return to yr content & yt speedyly.

-- 404 --

I pray, Sr, let me have 40s. in earnest of ye Arreighnment, & one munday night I will meet yu at ye new play & conclud further, to yr content I doubt not, resting my self & whole Indevors wholly at yr Service
Rob: Daborne
.

18 June 1613.

Mr Hinchlow, I &pab;ceave yu think I will be behind with my Tragoedy; if so yu might worthely account me dishonest, indeed for thear good & myne own I have took extrardynary payns with the end, & alterd one other scean in the third act. which they have now in parts. for ye Arreighnment, if yu will please to be my paymr. as for the other, they shall have it, if not, try my Tragoedy first & as yt proves so deal with me, in the mean my necessity is such yt I must use other means to be furnisht upon it; Before god, I can have 25l. for it as some of ye company know; but such is my much debt to yu, yt. so long as my labors may Pleasure them & yu say ye word, I am wholy yours to be ever comaunded
Rob: Daborne
.

I pray, Sr, if yu resolv to do this curtesy for ye company, let me hav 40s. more tell we seatel,

25 June 1613.

pade to Mr Daborne xxs.

Father Hinchlow,
I am unluckily taken on an execution of 30l. I can be discharg'd for xxl. xl. I have from a frend: if now in my extremity you will venture xl. more for my Liberty, I will never share penny till you

-- 405 --

have it againe; and make any satisfaction by writing, or otherwise yt you can devise. I am loath to importune, because I know yor disbursments are great; nor must any know I send to you, for then my creditor will not free me, but for the whole some. I pray speedily consider my occasion, for if I be putt to use other means, I hope all men, and yor selfe will excuse me, if (inforcedly) I cannot proove so honest, as towards you, I ever resolv'd to be. yor Loving son,
Nat. Field
.

Mr. Hinchlow, I have ever since I saw yu kept my bed, being so lame that I cannot stand. I pray, Sr, goe forward with that reasonable bargayn for The Bellman; we will hav but twelv pounds and the overplus of the second day, whearof I hav had ten shillings, and desyre but twenty shillings more, till yu hav 3 sheets of my papers. Good Sr, consyder how for yr sake I hav put myself out of the assured way to get mony, and from twenty pounds a play am come to twelv; thearfor in my extremyty forsake me not, as yu shall ever comand me. my wif can aquaynt yu how infinite great my occation is, and this shall be sufficient for the receipt, till I come to set my hand to your booke. yor at comand
Rob. Daborne
.

3 Agust, 1613.

Lent Mr Daborne upon this not [note] the 23 of Agust in earnest of a playe called The Bellman of London, xxs.

Mr Allen, co&mbar;ends
Sr I hope you mistak not or remooval from the bank's side. wee stood the intemperate weather,

-- 406 --

till more Intemperatr Mr. Meade thrust us over, taking the day from us wch by cours was owrs; though by the time wee can yet claime none, & that power hee exacted on us, for the prosecution of or further suite in a house; wee intreate you to for-think well of the place, (though it crave a speedie resolution) lest wee make a second fruitless paines and as wee purpose to dedicate all or paines powers & frends all referent to yor uses: so wee intreate you in the meane time, to look toward or necessityes; leaving you ever a certaine forme of satisfaction; wee have neede of some monie (indeed urdgent necessitie,) wch wee rather wish you did heare in conference then by report in writing; wee have to receive from the court (wch after shrovetide wee meane to pursue with best speede) a great summe of monie; meane while, if you'le but furnish us with the least halfe, wch will be fortie pounds; it shall be all confirm'd to you, till your satisfaction of the fourty. what we can do for yor availe or purpos, wee profess or readiest furtherance, and you shall co&mbar;and it, for wch wee entreat this kindness from you, still resting In your emploimente
frends to their best powers
Rob: Paltant

William Rowley
Joseph Taylor
John Newton
Robt. Hanten
Hugh Attwell
Anthony Smyth

Sr. I hav bin twise to speak with yu both for the sheet I told yu off, as also to know yr determination for the company, wheather yu purpose they shall

-- 407 --

have the play or noe. they rate upon me, I hear, bycause the Kingsmen hav given out they shall hav it. if yu please, I will make yu full amends for thear wrong to yu in my last play, before they get this; for I know it is this play must doe them good, if yu purpose any to them. I hav sent yu 2 sheets more, so yt yu hav 3 sheets, & I desyre yu to send me 30s. more, which is just eight pound, besyds my rent, which I will fully satisfy yu eather by them or the Kings men, as yu please. good sr let me know yr mynd, for I desyre to make yu part of amends for yr great ffryndship to me, wishing my labor or service could deserv yu: so trusting one yr gentlenes, which cannot long be without satisfaction, now I rest ever at yr comaund
Rob: Daborne

Lent Mrs Daborne upon this bill more, the 29 of october . . . . . . . . . . . . . . xxs.

Sr., yr man was with me, whoe found me wrighting the last scean, which I had thought to have brought yu to night, but it will be late ear I can doe it; & being satterday night, my occation urges me to request yu spare me xs. more, & for yr mony, if yu please not to stay till Johnsons play3 note be playd, the Kings men hav bin very earnest with me to pay yu in yr mony for yr curtesy, whearin yu shall have 30s. profit with many thanks. purposing to morow nyght, if yu call not upon me, to com & shew yu fynis. I pray Sr supply this my last occation,

-- 408 --

which crowns ye rest of yr curtesies, to which I will now giv speedy requitall, resting. ever at yr comaund
Rob Daborne

Nov: 13 1613

Sr, if ever my service may do yu so much pleasure, or my ability make yu payment for it, let me receav now this curtesy from yow, being but xs. by god, had it not bin sunday, I would not have for twise so much wrote to yu in this manner, but my Lord Willoughby hath sent for me to goe to him to morow morning, by six a clocke, & I know not how Proffitable it may be to me; & without yr kindnes hearin I cannot goe: he goes away with the king to-morow morning; whearfor I must be thear by tymes. making this last tryall of yr love & favor, I rest yis to comaund
Rob: Daborne

Lent upon this bill the 2 of Aguste 1614.

Mr Hinchlow, I builded upon yr promyse to my wife, neather did I aquaint the company with any mony I had of yow, bicause they should seek to yu., as I know they will & giv you any terms yu can desyre: if they doe not, I will bring yu yr mony for the papers & many thanks, neather will I fayle to bring in the whole play next week; whearfor I pray Sr of all ffryndship, disburse one 40s. & this note shall suffice to acknowledg my self indebted to yu with my qrters rent 8l., for which yu shall eather have the whole companyes bonds to pay yu the first day of my play being playd, or the

-- 409 --

Kings mershall pay it yu & take my papers. Sr my credit is as deer to me now as ever & I will be as carefull of it as heartofore, or may I never prosper nor myne! so, desyring this may satisfy yu till yu appoynt a tyme when I shall bring yu the companies bond, I rest expecting yu no more defering me, ever at yr comand
Rob: Daborne
.

Witnes Moyses Bowler.
october xiiij 1613

Mr Hinchlow, yu accuse me with the breach of promise. trew it is, I promysd to bring yu the last Scean, which yt yu may see finished, I send yu the foule sheet, and ye fayr I was wrighting as yr man can testify; which, if great busnies had not provented, I had this night fynished. Sr, yu meat me by ye comon measuer of Poets: if I could not liv by it & be honest, I would giv it over: for rather then I would be unthankfull to yu, I would famish. thearfor accuse me not till yu hav cause. if yu pleas to &pab;form my request, I shall think myself beholding to yu for it. howsoever, I will not fayle to write this fayr & &pab;fit the book, which shall not ly one yr hands. yrs to comaund
Rob: Daborne
.

Lent at this tyme 8s. the 13 of November, 1613.

Sr I have sent to yu to request yu to send me the twenty shillings I soe earnstly desyred yu to lend me last night; for which, as all the rest of yr mony, I will give yow that honnest & just satisfaction one Tuesday next, if yu please to come or send to

-- 410 --

me, as I told yu, yt yu shall never repent yr many curtesyes to me; which ty me so far to &pab;form the faythfull part of an honnest man, yt I shall never trewly rest contented till I manyfest myself worthy yr great favor, which ever I will aknowledge in all servic to be comaunded
Rob: Daborne
.

27 Nov. 1613.

Wittnes Moyses Bowler, xxs.

Sr out of the great love I have felt from yu, I am to request yu to my great occation & present necessety, which with less mony will be unsupplied, to send me 20s. I pray, sr, accoumpt me not amongst the number of those yt wholy serv thear own turns, for god knows it is not mony could hyre me to be dishonest to so worthy a ffrynd as yu ar: whearfor sinc thear remayns so small a so&mbar;, I pray part with it to my good which xs. will not I protest doe: yu know it is term tyme, and a litle mony wanting will much hynder me; whearfor, good Sr, let me fynd yu put some trust in me, which when I deceav, god forsake me & myne. one munday I will be with yu, so desyring yu to send me the Book yu promysd & no less than 20s. I rest ever at yr comaund
Rob: Daborne
.

7 Nov. 1613.

Witnes Moyses Bowler.

Mr Hinchlow, I acquaynted you with my necessity, which I know you did in part supply, but if yu doe not help me to tenn shillings by this bearer by the living god I am utterly disgract, one ffryday

-- 411 --

night I will bring you papers to the valew of three acts. Sr my occation is not ordynary, that thus sodeynly I write to you; whearfor I beseech you doe this for me, as ever yu wisht me well, which if I requite not, heaven forget me.

yrs at comaund
Rob: Daborne
.

Lent upon this bill xs. to the fencer, upon the owle.

Mr Griffin, my occation is so much above ordynary loss, yt if yu cannot procure Mr Hinchlow to let me have the 40s. Ile deliver yu a paten worth a hundred pound into yr hands for it, till I pay it agayn: whearfor I pray, Sr, doe my extremyty this curtesy, & I will requitt it more then I will write. I pray, Sr, let me instantly speak with yu, for it concerns me nearly yr much distressed frynd,
Rob: Daborne
.

Lent uppon a pattent to Mr Dawborne xls.

Sr I wrote to yow by my wif, hopinge, upon yr receipt of all my papers, yt yow would have pleasured me with 20s. if not upon the play yow have, yet upon my other out of yr booke, which I will undertake shall make as good a play for yr publiqe howse as ever was playd; for which I desyre but ten pounds, & I will undertake upon the reading it, your company shall giv yu 20l. rather than part with it. Sr, howsoever my want inforces me for a tyme, I shall shortly be out of it, & be able to forbear a play till I can make the best. it is but 20s. I desyre, till yu have mony or security to yr content. for yt yu ar out of. I have upon my wifes words keept one all this day heer, assuring myself yu would

-- 412 --

for my much good have pleasured me this onc, which I beseech at yr hands, though yu never lay out penny more in which trust I rest ever at yr comaund
Rob: Daborne
.

9 December 1613.

Sr. doe not thinke I incroch upon yu, for god is my judg, I mean playnly & justly & yu shall make yr own terms with me in any thinge.

Receaved by mee Robert Daborne gentleman of Phillip Hinchlow Esquier the 24 of December 1613, the some of seven pounds in part of payment of the some of tenn pounds, which I am to receave of the said Phillip Hinchlow in full satisfaction of a plaie called The Owle, when I have fynishedd and made perfect the same, accordinge to a bond made by mee to the said Phillip for the same. In wittnes whereof I have hereto sett my hand the daye and yeare first above written. Rob: Daborne.

The Condition of this obligac&obar;n is such, that if the above bounden Robert Daborne shall deliver or cause to be deliverd one plaie fullie perfected and ended Called by the name of The Oule unto the said Phillip Hinchlow, at, or uppon, the tenth daye of ffebruarie next ensuinge the date hereof, which the said Phillip Hinchlow shall approove alowe and accept of, that then and from hence foorth this present obligac&obar;n to bee voyde and of non effect, or else to remayne in full power strength and virtue. Robert Daborne.

Signed Sealed and Delvred in the presence of Edwarde Griffin, Walter Hopkinss, Geo: Hales.

-- 413 --

Sr, I yeeld yu many thanks for yr last kindnes, which did me infinite pleasure. I hav bin very ill this week of an extream cold, ells I had come this night unto you. I will request no farther curtesy at yr hands upon any occation till yu hav papers in full & to yr content only the other tenn shillings which I requested agst this day, being a tyme yt requires me beyond my present means. Sr, think not yr curtesy can loose by me. I will be any thing rather then Ingratefull to so much love as I hav receaved from yu. as yu hav donn what I can desyre in doing this, so now look for my honnest care to discharge my bond. I will not truble yu with many words. god send yu many hapy new years & me no otherwise then I approv myself honnest to yu yrs ever at comaund
Rob: Daborne

31o December 1613

one [on] munday I will come to yu, & appoynt for the reading the old Book & bring in the new.

pd upon this bille toward The Owle. xs.

Articles of Agreement,] made concluded and agreed uppon and wch are to be kept & performed by Robert Dawes of London Gent unto and with Phillipp Henslowe Esqre and Jacob [Meade Waterman] in manner and forme following, that is to say

Imprimis. the said Robert Dawes for him his executors and administrators doth covenante promise and graunt to and with the said Phillipp Henslowe and Jacob Meade their executors administrators

-- 414 --

and assynes in manner and formme followinge that is to saie that he the said Robert Dawes shall and will plaie with such company as the said Phillipp Henslowe and Jacob Meade shall appoynte for and during the tyme and space of three yeares from the date hereof for and at the rate of one whole Share accordinge to the custome of players; and that he the said Robert Dawes shall and will at all tymes during the said terme duly attend all suche rehearsall which shall the night before the rehearsall be given publickly out; and if that he the saide Robert Dawes shall at any tyme faile to come at the hower appoynted, then he shall and will pay to the said Phillipp Henslowe and Jacob Meade their executors or assignes Twelve pence; and if he come not before the saide rehearsall is ended then the said Robert Dawes is contented to pay twoe shillings; and further that if the said Robert Dawes shall not every daie whereon any play is or ought to be played be ready apparrelled and &wblank; to begyn the play at the hower of three of the clock in the afternoone unles by sixe of the same Company he shall be lycenced to the contrary, that then he the saide Robert Dawes shall and will pay unto the said Phillipp and Jacob or their assignes three [shillings] and if that he the saide Robert Dawes Happen to be overcome with drinck at the tyme when he [ought to] play, by the Judgment of ffower of the said company, he shall and will pay Tenne shillings and if he [the said Robert Dawes] shall [faile to come] during any plaie having noe lycence or just excuse of sicknes he is contented to pay Twenty shillings; and further the said Robert Dawes for him his executors and administrators doth covenant and graunt to and with the said Phillipp Henslowe and Jacob Meade their executors administrators and asignes

-- 415 --

by these presents, that it shall and may be lawfull unto and for the said Phillip Henslowe and Jacob Meade their executors or assignes during the terme aforesaid to receave and take back to their owne proper use the &pab;t of him the said Robert Dawes of and in one moyetie or halfe part of all suche moneyes as shal be receaved at the Galleres & tyring howse of such house or howses wherein he the saide Robert Dawes shall play; for and in consideration of the use of the same howse and howses, and likewis shall and may take and receave his other moyetie
the moneys receaved at the galleries and tiring howse dues towards the pa[ying] to them the saide Phillip Henslowe and Jacob Meade of the some of one hundred twenty and fower pounds [being the value of the stock of apparell furnished by the saide company by the said Phillip Henslowe and Jacob Meade
the one part of him the saide Robert Dawes or any other somes

to them for any apparell hereafter newly to be bought by the [said Phillip Henslowe and Jacob Meade until the saide Phillip Henslowe and Jacob Meade] shall therby be fully satisfied contented and paid. And further the said Robert Dawes doth covenant [promise and graunt to and with the said Phillip Henslowe and Jacob Meade that if he the said Robert Dawes] shall at any time after the play is ended depart or goe out of the [howse] with any [of their] apparell on his body Or if the said Robert Dawes [shall carry away any propertie] belonging to the said Company or shal be consentinge [or privy to any other of the said company going out of the howse with any of their apparell on his or their bodies, he the said] Robert Dawes shall and will forfeit and pay unto the said Phillip and Jacob or their administrators or assignes the some

-- 416 --

of ffortie pounds of lawfull [money of England]
and the said Robert Dawes for him his executors and administrators doth [covenant promise and graunt to with the said] Phillip Henslowe and Jacob Meade their Executors and Administrators, [and assigns]

that it shall and may be lawfull to and for the said Phillip Henslowe and Jacob Meade their executors and assignes to have and use the playhows so appoynted [for the said company
one day of] every fower daies, the said daie to be chosen by the said Phillip and [Jacob]

monday in any week on which day it shalbe lawful for the said Phillip [and Jacob their administrators] and assignes to bait their bears and bulls ther, and to use their accustomed sport and [games]

and take to their owne use all suche somes of money as therby shall arise and be receaved
And the saide Robert Dawes his executors administrators and assignes [doth hereby covenant promise and graunt to and with the saide Philip and Jacob,] allowing to the saide company for every such daye the some of ffortie shillings money of England.
[In testimony] whereof I the saide Robert Dawes have hereunto sett my hand and seal this [sev]enth daie of April 1614 in the twelfth yeare [of the reign of our sovereign lord &c.]

Robert Dawes.
Articles of Grievance against Mr. Henchlowe.

Imprimis in march 1612, uppon Mr Hinchlowes joyning companes with Mr Rossiter, the companie

-- 417 --

borrowed 80li. of one Mr Griffin, and the same was put into Mr Hinchlowe's debt, which made it sixteen score pounds, who after the receipt of the same or the most parte thereof, in march 1613, hee broke the said companies againe and ceazed all the stocke under culler to satisfie what remayned due to him; yet perswaded Mr Griffyne afterwards to arest the companie for his 80li. who are still in daunger for the same. Soe nowe there was in equitie due to the companie
80li.

Item, Mr. Hinchlowe having lent one Taylor2 note 30li. and 20li. to one Baxter, fellowes of the companie, cunninglie put theire said privat debts into the general accompt, by which meanes hee is in conscience to allow them
50li.

Item, havinge the stock of Apparell in his hands to secure his debt, he sould tenn pounds worth of ould apparell out of the same, without accomptinge or abatinge for the same. heare growes due to the Companie
10li.

Alsoe uppon the departure of one Eglestone a fellowe of the companie, he recovered of him 14li. towards his debt which is in conscience likewise to bee allowed to the companie
14li.

In march 1613 hee makes up a Companie and buies apparell of one Rosseter to the value of 63li.: and valued the ould stocke that remayned in his hands at 63li. likewise then uppon his word acceptinge the same at that rate, which beinge prized by Mr Daborne justli, betweene his partner Meade and him came but to 40li. so here growes due to the Companie
23li.

Item, he agrees with the same companie that

-- 418 --

they should enter bond to plaie with him for three yeares at such house and houses as hee shall appointe, and to allowe him halfe galleries for the said house and houses and the other halfe galleries towards his debt of 126li. and other such moneys as hee should laie out for playe apparrel duringe the space of the said three yeares agreeinge with them, in considerac&obar;n wheareof to seale each of them a bond of 200li. to find them a convenient house and houses and to laie out such monies as fower of the sharers should think fitt for theire use in apparrell which at the three yeares beinge paid for to be delivered to the Shares; whoe accordinglie entered the said bonds, but Mr Henslowe and Mr Mead deferred the same and in conclusion utterly denied to seale at all.

Item, Mr Hinchlowe having promised in considerac&obar;n of the companies lying still one daie in forteene for his baytinge, to give them 50li. hee having denied to bee bound as aforesaid gave them onlie 40li. and for that Mr Field would not consent thereunto, hee gave him soe much as his share out of 50li. would have come unto, by which meanes hee is dulie indebted to the companie.
xli.

In June followinge the said agreement, hee brought in Mr. Pallant and shortlie after Mr Dawes into the said Companie, promising one 12s. a weeke out of his part of the galleries and the other 6s. a weeke out of his part of the galleries, and likewise Mr Field was thought not to be drawne thereunto; hee promised him six shillinges weeklie alsoe, which in one moneth after unwilling to beare so greate a charge, he called the Companie together, and told them that this 24s. was to be charged upon them; threatninge those which would not consent thereunto to breake the Companie and make up a newe without them. Wheareuppon

-- 419 --

knowinge hee was not bound, the three quarters sharers advauncing them selves to whole sharers consented thereunto, by which meanes they are out of purse 30li. and his parte of the galleries bettred twise as much.
30li.

Item, having 9 gatherers more than his due, itt comes to this yeare from the Companie.
10li.

Item, the Companie paid for Arras and other properties 40li. which Mr Henchlowe deteyneth 40li.

In februarie last 1614, perceivinge the Companie drew out of his debt and called uppon him for his accompts hee brooke the Companie againe by withdrawinge the hired men from them, and sells theire stocke in his hands for 400li. givinge under his owne hand that he had receaved towards his debt
300li.

Which with the juste and conscionable allowances before named made to the Companie which comes to 267li. makes
567li.

Articles of Oppression against Mr. Hinchlowe.

He chargeth the stocke with 600li. and odd pounds, towards which hee hath receaved as aforesaid 567li. of us; yet sells the stocke to strangers for fower hundred pounds and makes us no satisfaction.

Hee hath taken all bonds of our hired men in his own name, whose wages though wee have truly paid, yet att his pleasure hee hath taken them awaye, and turned them over to others to the breckinge of our Companie.

For lendinge of vili. to pay them their wages, hee made us enter and to give him the profitt of a warrant of tenn pounds due to us at court.

Also hee hath taken right gould and silver lace of divers garments to his owne use without accompt to us or abatement.

-- 420 --

Uppon every breach of the Companie hee takes new bonds for his stocke, and our securitie for playinge with him: soe that hee hath in his hands bonds of ours to the value of 5000li. and his stocke to; which he denies to deliver, and threatens to oppresse us with.

Alsoe havinge appointed a man to the seeinge of his accompts in byinge of clothes, hee beinge to have vis. a weeke, he takes the meanes away and turnes the men out.

The reason of his often breakinge with us hee gave in these words: Should these fellowes come out of my debt, I should have noe rule with them.

Alsoe wee have paid him for plaie-books 200li. or thereabouts, and yet he denies to give us the coppies of any one of them.

Also within 3 yeares hee hath broken and dismembered five Companies.

Dissertation on the Clowns and Fools of Shakspeare. By Francis Douce, Esq.

[By the liberal friendship of Mr. Douce, I am permitted to enrich the present work by the insertion of the following very curious and valuable essay. The cuts by which it was originally illustrated are unfortunately mislaid; but Mr. Douce is not one of those writers of whom it need be said that “the pictures for the page atone.” Boswell.]

The ensuing dissertation originated from the opinion of a late eminent critic and antiquary that the subject was deserving of particular consideration. How imperfectly it must be executed will

-- 421 --

best be felt by those who are already accustomed to obscure inquiries; and little more can here be offered, or reasonably expected, than some attempt to arrange a few materials that have occurred during a course of reading immediately connected with the history of ancient manners. The critic above alluded to had remarked, that Shakspeare has most judiciously varied and discriminated his fools3 note. Without doubting that great writer's capacity to have done so, it certainly remains to be proved that he has; or it might even be maintained that on some occasions he has left his sketches so imperfect as to render it by no means an easy matter to comprehend them. It has already been thought better to make the attempt in a separate note to the plays in which a clown or fool is introduced, and to direct what is now offered to a more general view of the subject.

It is so exceedingly clear that the terms clown and fool were used, however improperly, as synonymous by our old writers, that it would be an unnecessary occupation of the reader's time to adduce examples. Their confused introduction in the dramatis personæ might indeed render this position doubtful to any one who had not well considered the matter; but although the fool of our old plays denoted either a mere idiot or natural, or else a witty hireling or artificial fool, both retained for the purpose of making sport for their employers, the clown was certainly a character of much greater variety. He occasionally represented one of the above personages; sometimes he was a mere rustic, and very often no more than a shrewd and witty domestic. There are some instances in which any low character in a play served to amuse the audience

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with his sallies of coarse buffoonery, and thus became the clown of the piece. In short, the theatrical clown or fool seems to have been a kind of heterogeneous character, drawn in part from real life, but very considerably heightened in order to produce stage effect: an opinion that derives considerable support from what Shakspeare has put into the mouth of Hamlet, when he makes him admonish those who play the clowns to speak no more than is set down for them. Indeed the great dramatist himself cannot be absolved from the imputation of having given too high a colouring to the characters in question, unless we suppose, what is extremely probable, that his plays have been very much interpolated with the extemporaneous nonsense of the players. To this licentious practice the author of an excellent and well written satire, entitled Pasquil's Mad-cappe, throwne at the Corruptions of these Times, 1626, 4to. alludes in the following lines:


“Tell country players, that old paltry jests
“Pronounced in a painted motley coate,
“Filles all the world so full of cuckoes nests,
“That nightingales can scarcely sing a note:
“Oh bid them turne their minds to better meanings;
“Fields are ill sowne that give no better gleanings.”

Among other grave writers of the age, Sir Philip Sidney has reprobated the practice of introducing fools on the theatre. He remarks that the plays of his time were neither right tragedies nor right comedies, but that the authors mingled kings and clowns, “not,” says he, “because the matter so carieth it, but thrust in the clowne by head and shoulders to play a part in majestical matters, with neither decencie nor discretion: so as neither the admiration and commiseration, nor the right sportfulnesse is by their mongrell tragi-comedie obtained4 note.”

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William Rankin, a puritan, and contemporary with Shakspeare, has left us a most virulent attack on plays, and players, whom he calls monsters; “And whie monsters,” says he, “Bicause under colour of humanitie they present nothing but prodigious vanitie. These are wels without water, dead branches fit for fuell, cockle amongst corne, unwholesome weedes amongst sweete hearbes, and finallie, feends that are crept into the worlde by stealth, and holde possession by subtill invasion.” In another place, describing the performers at a fictitious banquet in Terralbon, [England] he says, “Some transformed themselves to roges, other to ruffians, some other to clownes, a fourth to fooles
the roges were ready, the ruffians were rude, theyr clownes cladde as well with country condition, as in ruffe russet; theyr fooles as fonde as might be,” &c.5 note The latter passage is interesting, because the clown is properly distinguished from the fool, as he always should have been.

It may be the means of affording a clearer view of the present subject, if something like a classification of the different sorts of fools and clowns be given. The following is therefore offered as a substitute for a better.

I. The general domestic fool, often, but as it should seem improperly, termed a clown. He was, 1. A mere natural, or idiot. 2. Silly by nature, yet cunning and sarcastical. 3. Artificial. Puttenham, speaking of the latter, says, “A buffoune or counterfet foole, to here him speake wisely which is like himselfe, it is no sport at all; but for such a counterfait to talke and looke foolishly it maketh us laugh, because it is no part of his

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naturall6 note.” All these officiated occasionally as menial servants.

II. The clown, who was, 1. A mere country booby. 2. A witty rustic. 3. Any servant of a shrewd and witty disposition, and who, like a similar character in our modern plays, was made to treat his master with great familiarity in order to produce stage effect.

III. The female fool, who was generally an idiot.

IV. The city or corporation fool, whose office was to assist at public entertainments and in pageants. To this class belong perhaps the Lord Mayor's state fool, and those employed by the companies of trades, &c.

V. Tavern fools. These seem to have been retained to amuse the customers. We learn from one of Ben Jonson's plays that they exhibited with a Jew's harp, mounted on a joint-stool7 note, and in another of them he has preserved the name of such a character8 note: they were sometimes qualified to sing after the Italian manner9 note. Fools were also employed in the common brothels1 note.

VI. The fool of the ancient theatrical mysteries and moralities. He was, more properly speaking, the Vice, a singular character, that would afford sufficient matter for much better dissertations than those of Warburton or Upton. Being generally dressed in a fool's habit, he appears to have been gradually and undistinguishably blended with the domestic fool; yet he was certainly a buffoon of a different sort. He was always a bitter enemy to the Devil, and a part of his employment consisted in teazing and tormenting the poor fiend on every

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occasion. He ceased to be in fashion at the end of the sixteenth century2 note.

VII. The fool in the old dumb shows exhibited at fairs and perhaps at inns, in which he was generally engaged in a struggle with Death; a fact that seems alluded to more than once in Shakspeare's plays. It is possible that some casual vestiges of this species of entertainment might have suggested the modern English pantomimes.

VIII. The fool in the Whitsun ales and Morris dance.

IX. The mountebank's fool, or Merry Andrew.

There may be others introduced into our old dramas of an indefinite and irregular kind, and not reducible to any of the above classes; but to exemplify these or many of the above by a specific reference to authorities is not within the scope of the present essay. It is hoped that what has been just stated may contribute to assist the readers of old plays in forming some judgment of their own whenever the necessity shall arise.

A general investigation of that most singular and eccentric character the real domestic fool would occupy more space than could here have been spared. It would indeed extend to a length that few will conceive; but should the same laudable spirit of curiosity respecting the manners of former times which at present constitutes much of the amusement of an enlightened public continue to maintain its influence, encouragement would not be wanting to resume the subject more at large. In the mean time it may be sufficient to remark that the practice of retaining fools can be traced in very remote times throughout almost all civilized and even among some barbarous nations. It prevailed from the palace to the brothel. The pope

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had his fool, and the bawd her's; and ladies entertained them of both sexes. With respect to the antiquity of this custom in our own country, there is reason to suppose that it existed even during the period of our Saxon history; but we are quite certain of the fact in the reign of William the conqueror. An almost contemporary historian, Maitre Wace, has left us a curious account of the preservation of William's life when he was only duke of Normandy by his fool Goles3 note. Mention is made in Domesday of Berdic joculator regis; and although this term was unquestionably applied in numerous instances to denote a minstrel, much evidence might be adduced to show that on this occasion it signified a buffoon. Latin terms were used by the middle-age writers so licentiously and with such extreme carelessness, that in many cases it is difficult to obtain a precise idea of their meaning. Thus the jesters and minstrels were indefinitely expressed by the words joculator, scurra, mimus, ministrallus, &c., a practice that may admit of justification when we consider that in early times the minstrel and buffoon characters were sometimes united in one person. It must be allowed, however, that in an etymological point of view the term joculator is much better adapted to the jester than the minstrel.

The accounts of the household expenses of our sovereigns contain many payments and rewards to fools both foreign and domestic, the motives for which do not appear, but might perhaps have been some witty speech or comic action that had pleased the donors. Some of these payments are annual gifts at Christmas. Dr. Fuller, speaking of the court jester, whom he says some count a necessary

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evil, remarks, in his usual quaint manner, that it is an office which none but he that hath wit can perform, and none but he that wants it will perform4 note. A great many names of these buffoons have been preserved; and sufficient materials remain to furnish a separate biography of them, which might afford even more amusement than can be found in the lives of many of their betters. They continued an appurtenance to the English court to a late period. Muckle John, the fool of Charles the First, and the successor of Archee Armstrong, is perhaps the last regular personage of the kind5 note



. The national troubles that produced the downfall of regal power, and the puritanical manners that ensued, at once determined the existence of an office that had so long maintained its ground at court; and when Charles the Second resumed the throne, it was probably deemed a matter of no moment to restore it. The common stories that relate to Killigrew as jester to Charles, rest on no sufficient authority; and although he might have contributed to amuse the witty monarch with his jokes, it is certain that he had no regular appointment to such an office. Mr. Granger has justly observed, that the wit of the buffoons became the highest recommendation of a courtier in the time of Charles the Second6 note.

The discontinuance of the court fool had a considerable

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influence on the manners of private life; and we learn from one of Shadwell's plays, that it was then “out of fashion for great men to keep fools7 note.” But the practice was by no means abolished; it maintained its ground in this country so late as the beginning of the last century; and we have an epitaph, written by Dean Swift, on Dicky Pearce the Earl of Suffolk's fool, who was buried in Berkley church-yard, June 18, 17288 note. This person was an idiot. Lord Chancellor Talbot kept a Welsh jester named Rees Pengelding. He was a very shrewd fellow, and rented a farm of his master. Being distrained on for his rent by an oppressive steward, who had been a tailor and bore him a grudge, the surly fellow said to him on this occasion: “I'll fit you, sirrah.” “Then,” replied Rees, “it will be the first time in your life that you ever fitted any one.” Another Welshman called Will the taborer was retained in a similar capacity, about the beginning of the last century, by Sir Edward Stradling, of St. Donat's castle, in Glamorganshire. He is said to have been a very witty fellow, and man of strong intellects. Lord Bussy Mansel, of Margam, had likewise in his service one Robin Rush an idiot by nature, but who often said very witty things. There are people now alive in Wales, or lately were, who well remembered him.

The sort of entertainment that fools were expected to afford, may be collected in great variety from our old plays, and particularly from those of Shakspeare; but perhaps no better idea can be formed of their general mode of conduct than from the following passage in a singular tract by Lodge, entitled Wit's Miserie, 1599, 4to. “Immoderate

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and disordinate joy became incorporate in the bodie of a jeaster; this fellow in person is comely, in apparell courtly, but in behaviour a very ape, and no man; his studie is to coine bitter jeasts, or to shew antique motions, or to sing baudie sonnets and ballads: give him a little wine in his head, he is continually flearing and making of mouthes: he laughs intemperately at every little occasion, and dances about the house, leaps over tables, out-skips mens heads, trips up his companions heeles, burns sack with a candle, and hath all the feats of a lord of misrule in the countrie: feed him in his humor, you shall have his heart, in meere kindness he will hug you in his armes, kisse you on the cheeke, and rapping out an horrible oth, crie God's soule Tum, I love you, you know my poore heart, come to my chamber for a pipe of tobacco, there lives not a man in this world that I more honor. In these ceremonies you shall know his courting, and it is a speciall mark of him at the table, he sits and makes faces: keep not this fellow company, for in jugling with him, your wardropes shall be wasted, your credits crackt, your crownes consumed, and time (the most precious riches of the world) utterly lost.” This is the picture of a real hireling or artificial fool.

As the profession of these hirelings required a considerable degree of skill and dexterity to amuse their employers, so it would in some instances fail of success, and the want of the above talents would excite considerable disgust and dissatisfaction. Cardinal Perron being one day in company with the duke of Mantua, the latter speaking of his fool, said that he was un magro buffone et non haver spirito. The cardinal remarked that nevertheless he had wit. “Why so?” demanded the duke; “Because,” replied the other, “he lives by a trade

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which he does not understand9 note.” The liberties allowed them were necessarily very great; but this was not always a protection to them. Every one knows the disgracefully severe conduct of archbishop Laud to poor Archee. The duke d'Espernon, though a man of great haughtiness of spirit, conducted himself on a similar occasion with much more discretion. His Gascon accent was a constant subject of raillery on the part of Maret, the fool of Louis XIII., whose great talent lay in mimicry. Cardinal Richelieu, who took upon him to give the duke some pointed admonitions, ordered him among other things to endeavour to get rid of his provincial tones, at the same time counterfeiting his speech, and sarcastically intreating him not to take his advice in bad part. “But why should I,” replied the duke, “when I bear as much every day from the king's fool who mocks me in your presence1 note?” Selden has remarked, on a similar occasion, that a gallant man is above ill words, and has left us a story of the forbearance of the old lord Salisbury, whom he calls a great wise man, towards Stone, a celebrated fool in the reign of James the First2 note. Fools, however, did not always escape with impunity; they were liable to, and often experienced, very severe domestic castigation. Whipping was the punishment generally inflicted3 note. On the other hand they appear

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to have been sometimes used with great tenderness. This is very feelingly exemplified in the conduct of Lear. Stafford, in his Guide of Honour, 1634, 18mo. tells us, that he “had knowne a great and competently wise man who would much respect any man that was good to his foole.” An opportunity here presents itself of explaining the old proverb of “five pounds; you've bled a fool,” which, adverting to the usual privilege or allowance belonging to this character, seems to demand a forfeit from whoever had infringed it by inflicting an improper and unlawful chastisement. This exposition derives support from a passage in Ben Jonson's Fox, and also contributes to its illustration. In the second act there is a song describing a fool, in which it is said that he “speaks truth free from slaughter.” This has been with some ingenuity supposed to mean “free from hurting any one.” The other construction may perhaps be thought as plausible.

With respect to his office on the stage, we may suppose it would be nearly the same as in reality; the difference might be that his wit was more highly seasoned. Mr. Malone has already cited a very curious passage on this subject from the play

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of The Careless Shepherdess, 16564 note. In Middleton's Mayor of Quinborough, a company of actors with a clown make their appearance, and the following dialogue ensues:

“First Cheater.
“This is our clown, sir. “Simon.
“Fye, fye, your company
“Must fall upon him and beat him; he's too fair, i' faith
“To make the people laugh. “First Cheater.
“Not as he may be dress'd sir. “Simon.
“'Faith, dress him how you will, I'll give him
“That gift, he will never look half scurvily enough.
“Oh, the clowns that I have seen in my time.
“The very peeping out of one of them would have
“Made a young heir laugh, though his father lay a dying;
“A man undone in law the day before
“(The saddest case that can be) might for his second
“Have burst himself with laughing, and ended all
“His miseries. Here was a merry world, my masters!
“Some talk of things of state, of puling stuff;
“There's nothing in a play like to a clown,
“If he have the grace to hit on it, that's the thing indeed. “Simon.
“Away then, shift; clown to thy motley crupper.”

Whoever is desirous of obtaining general and accurate information concerning the great variety of dresses that belong to some of the characters in question at different periods, must study ancient prints and paintings, and especially the miniatures that embellish manuscripts. These will afford sufficient specimens; but the difficulty of ascertaining how the theatrical fools and clowns of Shakspeare's

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time were always habited, is insuperable. In some instances the plays themselves assist by peculiar references that leave but little doubt; but this is not the case in general. It is to be lamented that our artists did not appropriate more of their labours to the representation of theatrical subjects, and the fortunate discovery of a single ancient painting of this kind would be of more importance than a volume of conjectural dissertations. As it may be presumed that former theatrical managers exhibited with fidelity on the stage the manners of their own times, a reference to the materials which remain to illustrate the dress of the real fools, may supply the defect before alluded to.

It may be collected both from the plays themselves, and from various other authorities, that the costume of the domestic fool in Shakspeare's time was of two sorts. In the first of these the coat was motley or parti-coloured, and attached to the body by a girdle, with bells at the skirts and elbows, though not always. The breeches and hose close, and sometimes each leg of a different colour. A hood resembling a monk's cowl, which, at a very early period, it was certainly designed to imitate, covered the head entirely, and fell down over part of the breast and shoulders. It was sometimes decorated with asses' ears, or else terminated in the neck and head of a cock, a fashion as old as the fourteenth century. It often had the comb or crest only of the animal, whence the term cockscomb or coxcomb was afterwards used to denote any silly upstart. This fool usually carried in his hand an official scepter or bauble, which was a short stick ornamented at the end with the figure of a fool's head, or sometimes with that of a doll or puppet3 note.

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To this instrument there was frequently annexed an inflated skin or bladder, with which the fool belaboured those who offended him, or with whom he was inclined to make sport; this was often used by itself, in lieu, as it should seem, of a bauble. The form of it varied, and in some instances was obscene in the highest degree. It was not always filled with air, but occasionally with sand, or pease. Sometimes a strong bat or club was substituted for the bauble4 note. In the second tale of the priests of Peblis, a man who counterfeits a fool is described “with club and bel and partie cote with eiris;” but it afterwards appears that he had both a club and a bauble. In an inventory of the goods of the ancient company of Saint George at Norwich, mention is made of “two habits, one for the club-bearer, another for his man, who are now called fools5 note;” and the author of Tarlton's Newes out of Purgatory, 1630, 4to. describes a dream in which he saw “one attired in russet with a button'd cap on his head, a great bag by his side, and a strong bat in his hand, so artificially attired for a clowne, as I began to call Tarlton's woonted shape to remembrance.”

In some old prints the fool is represented with a sort of flapper or rattle ornamented with bells. It seems to have been constructed of two round

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and flat pieces of wood or pasteboard, and is, no doubt, a vestige of the crotalum used by the Roman mimes or dancers6 note. This implement was used for the same purpose as the bladder, and occasionally for correcting the fool himself whenever he behaved with too much licentiousness. Such a castigation is actually exhibited in one ancient German edition of the Ship of Fools, by Sebastian Brandt; but the usual punishment on this occasion was a simple whipping. In some old plays the fool's dagger is mentioned, perhaps the same instrument as was carried by the Vice or buffoon of the Moralities; and it may be as well to observe in this place that the domestic fool is sometimes, though it is presumed improperly, called the Vice7 note. The dagger of the latter was made of a thin piece of lath; and the use he generally made of it was to belabour the Devil. It appears that in queen Elizabeth's time the archbishop of Canterbury's fool had a wooden dagger and coxcomb8 note. In Greene's play of Fryer Bacon, the fool speaks of his dagger. In Beaumont and Fletcher's Noble Gentleman, a person being compared to a fool, it is added that he should wear a guarded coat and a great wooden dagger. In Chapman's Widow's Tears, an upstart governor is termed “a wooden dagger gilded o'er;” and Rabelais has made Panurge give Triboulet the fool a wooden sword.

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In an old German print a fool is represented with a sword like a saw.

The other dress, and which seems to have been more common in the time of Shakspeare, was the long petticoat. This originally appertained to the ideot or natural fool, and was obviously adopted for the purposes of cleanliness and concealment. Why it came to be used for the allowed fool is not so apparent. It was, like the first, of various colours, the materials often costly, as of velvet, and guarded or fringed with yellow9 note. In one instance we have a yellow leather doublet1 note. In Bancroft's Epigrams, 1639, quarto, there is one addressed “to a giglot with her greene sicknesse,” in which are these lines:


“Thy sicknesse mocks thy pride, that's seldom seene
“But in foole's yellow, and the lover's greene.”

And a manuscript note in the time of the commonwealth states yellow to have been the fool's colour. This petticoat dress continued to a late period, and has been seen not many years since in some of the interludes exhibited in Wales.

But the above were by no means the only modes in which the domestic fools were habited. Many variations can be traced. The hood was not always surmounted with the cock's-comb, in lieu of which a single bell and occasionally more appeared. Sometimes a feather was added to the comb. In the old morality of The Longer Thou Livest the More Foole Thou Art, Moros the fool says,


“By my trouth the thing that I desire most
“Is in my cappe to have a goodly feather.”

The head was frequently shaved in imitation or

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perhaps ridicule of a monk's crown. This practice is very ancient, and can be traced to the twelfth century. In one instance the hair exhibits a sort of triple or Papal crown. The tails of foxes or squirrels were often suspended to the garment. Godfrey Gobilive the fool in Hawes's Pastime of Pleasure, 1517, 4to. is described as so habited. In The Pope's Funerall, 1605, 4to. the author says, “I shall prove him such a noddy before I leave him that all the world will deeme him worthy to weare in his forehead a coxcombe for his foolishness, and on his back, a fox tayle for his badge.” It was likewise the dress of the fool in the plough pageant and morris dance2 note. One might almost conclude that this custom was designed to ridicule a fashion that prevailed among the ladies in the reign of Edward the Third, and which is mentioned by the author of the old chronicle of England, erroneously ascribed to Caxton the printer in the following terms, “And the women more nysely yet passed the men in aray and coriouslaker, for they were so streyt clothed that they let hange fox tailles sowed bineth within hir clothes for to hele and hide thir a—, the which disguysinges and pride paradventure afterward brouzt forth and encaused many myshappes and meschief in the reame of Englond.” The idiot or natural was often clothed in a calf or sheep's skin3 note.

A large purse or wallet at the girdle is a very ancient part of the fool's dress. Tarlton, who personated the clowns in Shakspeare's time, appears

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to have worn it4 note. The budget given by Panurge to Triboulet the fool is described as made of a tortoise shell5 note.

We may suppose, that the same variety of dress was observed on the stage which we know to have actually prevailed in common life. The fools, however, did not always appear in a discriminative habit, and some of their portraits still remaining confirm this observation. A very fine painting by Holbein, in Kensington palace, represents Will Somers the fool of Henry the Eighth, in a common dress6 note. In a wardrobe account of that sovereign we find these articles: “For making a dubblette of wursteede lyned with canvas and cotton, for William Som'ar oure foole. Item for making of a coote and cappe of grene clothe fringed with red crule and lyned with fryse, for our saide foole. Item for making of a dublette of fustian, lyned with cotton and canvas for oure same foole.” Yet he sometimes wore the usual hood instead of a cap; for in the same account is an article “For making

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of a coote of grene clothe with a hoode to the same, fringed with white crule lyned with fryse and bokerham, for oure foole aforesaid7 note;” and there is a print of him after a picture by Holbein, in which he is represented in a long tunic with a chain and horn in his hand8 note. In the celebrated picture of Sir Thomas More's family by Holbein, Patenson the fool is not distinguished by any peculiarity of dress; and, in one instance at least, the same remark applies to Archy the fool of James I.9 note In those families where the fool acted as a menial servant, it is possible that he might have reserved his official habit for particular occasions. The paucity of materials that illustrate the theatrical character in question, must necessarily leave this part of the subject still more imperfect than the rest; but the plays of Shakspeare have furnished more information than those of any other writer. It is surprising, on the whole, that the character of the domestic fool is so seldom found in the old dramas that remain; because it was not only capable of affording considerable mirth to the unrefined part of the audience, but of giving the authors an opportunity of displaying a great deal of ingenuity so far as regarded extemporary wit. It is certain that the fools in Shakspeare's plays were preeminent above all others. For this we have the authority of Shadwell, who makes one of his characters say that they had more wit than any of the wits

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and critics of his time1 note. Beaumont and Fletcher have but rarely introduced them; Ben Jonson and Massinger never. Indeed the originals had rapidly declined at the period in which most of their plays were written, and another character of a mixed nature been substituted in their room. This was the witty servant or clown, (Class II. No. 3,) and of course his dress was not distinguished by any peculiarity.

The practice of introducing the fools and clowns between the acts and scenes, and after the play was finished, to amuse the audience with extemporaneous wit and buffoonery, has been so well illustrated by the able historian of the English stage, that very little can remain to be said on the subject2 note. It has been traced from the Greek and Roman theatres; and, as their usages were undoubtedly preserved in those of the middle ages that belonged to the countries where Roman influence had been spread, it would not of course be peculiar to the early stage in England. Indeed the records of the French theatre amply demonstrate the truth of this position, and furnish several examples of the practice in question. In the mystery of Saint Barbara we find this stage direction, “Pausa. Vadant, et Stultus loquitur;” and he is several times introduced in like manner between the scenes, in order that the amusement of the spectators might not be suspended whilst something was in agitation for the further prosecution of the piece3 note. Perhaps the most singular pause in any dramatic composition whatsoever is one which occurs in the very rare morality of La Condamnacion des Banquetz in the following

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words, “Pause pour pisser le fol. Il prent ung coffinet en lieu de orinal & pisse dedans, et tout coule par bas,” sign. M iiij. Nor was the English stage in Shakspeare's time allowed to remain empty. Lupton has related a story of the clown at the Red Bull theatre, who was suddenly called for between the acts and forgot his fool's cap4 note. Puttenham, speaking of verses that rhyme in the middle and end, observes that “they were more commodiously uttered by the buffoons or vices in playes then by any other person5 note.” It was likewise a part of the stage fool's office to introduce at his own discretion a great many old songs, or at least the fragments of them6 note.

The first symptoms of the decline of the domestic fools, and the causes of it, have been already touched on; and the same reasons may partly be assigned for their exile from the stage. In the præludium to Goffe's Careless Shepherdess, 1656, 4to. there is a panegyric on them7 note, and some concern is manifested for the fool's absence in the play itself. It is likewise expressly stated that “the motly coat was banish'd with trunk-hose.” Yet during the reign of Charles the Second occasional efforts were made to restore the character. In the tragedy of Thorney Abbey, or the London Maid, 1662, 12mo. the prologue is spoken by a fool who uses these words, “the poet's a fool who made the tragedy to tell a story of a king and a court and leave a fool out on't, when in Pacy's and Sommer's and Patche's and Archee's times, my venerable predecessours, a fool was alwaies the principal verb.”

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Shadwell's play of The Woman Captain, 1680, is perhaps the last in which a regular fool is introduced, and even there his master is made to say that the character was then exploded on the stage.

[It would be vain for me to attempt any addition to the researches of Mr. Douce on this or any other subject, to which he had applied his inexhaustible stores of curious information. Yet there is one question to which he has not adverted, which is not without its interest to those who are inclined to trace what Dr. Johnson would have called the anfractuosities of the human mind. From whence could this singular custom have first arisen? I should be unwilling to think that our ancestors could have derived pleasure from the mere exhibition of a fellow creature in the lowest and most calamitous state of degradation; and should therefore rather be desirous of deriving the employment of domestick fools from a superstition, which, however absurd, appears to have been more widely prevalent than has been generally supposed. We have been told by many travellers in the East, that the Turks regard an idiot with reverence as a person divinely inspired; and the following extraordinary passage from the Visions of Piers Plouhman, seems to prove, that a similar notion was entertained even by our countrymen at an early period.


“And yut arn yr other beggers in hele as hit semeth
“Ac hem wanteth here wit, men and women bothe
“The wiche aren lunatik lollers, and leperes aboute
“And mad as the mone sitt: more other lasse
“Thei caren for no cold ne counteth of no hete
“And are mevinge after the mone. Moneyless thei walke
“With a good wil witlees meny wyde contreys
“Ryght as Peter dude and Paul, save that thei preche nat
“Ne myracles maken: ac meny times hem happeth
“To pphetienation of the people pleynige as hit were

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“And to oure sight as hit semeth: suththe God hath the mighte
“To yeven each a whit wit. welthe and his hele
“And suffreth such so gon, hit semeth to myn inwitt
“Hit arn as hus aposteles suche peeple othr as his pvye disciples.” Whitaker's Edition, p. 152.

As knowledge and civilization increased, this wild fancy would disappear, but the practice founded upon it, would, from the force of habit, still subsist, till by degrees the place of the fool would be supplied by the licensed jester; and at last, this barbarous and absurd custom would be totally abolished.

That eagerness to become acquainted with futurity, which is confined to no period of the history of mankind, has led to every kind of irrational mode of divination, and to this perhaps among the rest. Nothing supernatural could be expected from a butcher or baker, or any one with whom the people were living in daily and familiar intercourse; but these unfortunate beings had nothing in common with the rest of the species; and their wild gestures and incoherent language would give them something of a mysterious character. From whence have the gipsies obtained the reputation of being fortune-tellers, but from their strange habits by which they are insulated from all around them? and why should the powers of witchcraft have been ascribed to miserable and decrepid old women, but because they have been driven into solitude by their poverty and infirmities?

The following extracts exhibit Mr. Douce's notions more particularly respecting the Fools in Shakspeare. Boswell.]

The Gentlemen of Verona.

The Clowns.—The character of Speed is that of a shrewd witty servant. Launce is something

-- 444 --

different, exhibiting a mixture of archness and rustic simplicity. There is no allusion to dress, nor any other circumstance, that marks either of them as the domestic fool or jester.

Love's Labour's Lost.

The Clown.—The clown in this play is a mere country fellow. The term fool, applied to him in Act V. Scene II. means nothing more than a silly fellow. He has not sufficient simplicity for a natural fool, nor wit enough for an artificial one.

Merchant of Venice.

The Clown.—There is not a single circumstance through the whole of this play which constitutes Lancelot an allowed fool or jester; and yet there is some reason for supposing that Shakspeare intended him as such, from his being called a patch a fool of Hagar's offspring, and in one place the fool. It is not reasonable, however, to conclude that person like Shylock would entertain a domestic of this description; and it is possible that the foregoing terms may be merely designed as synonymous with the appellation of clown, as in Love's Labour's Lost. On the whole, we have here a proof that Shakspeare has not observed that nice discrimination of character in his clowns for which some have given him credit.

As You Like It.

The Clown.—Touchstone is the domestic fool of Frederick the duke's brother, and belongs to the class of witty or allowed fools. He is threatened with the whip, a mode of chastisement which was often inflicted on this motley personage. His dress should be a party-coloured garment. He should occasionally carry a bauble in his hand, and wear

-- 445 --

asses' ears to his hood, which is probably the head dress intended by Shakspeare, there being no allusion whatever to a cock's head or comb. The three-cornered hat which Touchstone is made to wear on the modern stage is an innovation, and totally unconnected with the genuine costume of the domestic fool.

Measure for Measure.

The Clown.—The clown in this play officiates as the tapster of a brothel; whence it has been concluded that he is not a domestic fool, nor ought to appear in the dress of that character. A little consideration will serve to show that the opinion is erroneous, that this clown is altogether a domestic fool, and that he should be habited accordingly. In Act II. Sc. I. Escalus calls him a tedious fool, and Iniquity, a name for one of the old stage buffoons. He tells him that he will have him whipt, a punishment that was very often inflicted on fools. In Timon of Athens we have a strumpet's fool, and a similar character is mentioned in the first speech in Antony and Cleopatra. But if any one should still entertain a doubt on the subject, he may receive the most complete satisfaction by an attentive examination of ancient prints, many of which will furnish instances of the common use of the domestic fool in brothels. In Twelfth Night, Act IV. Sc. I. Sebastian mistakes the clown for such a character as that before us, and calls him a foolish Greek, a term that is very happily explained by Dr. Warburton, whose note both communicates and receives support on the present occasion.

Othello.

The Clown.—He appears but twice in the play, and was certainly intended to be an allowed

-- 446 --

or domestic fool in the service of Othello and Desdemona.

King Lear.

The Fool.—The fool in this play is the genuine domestic buffoon; but notwithstanding his sarcastical flashes of wit, for which we must give the poet credit, and ascribe them in some degree to what is called stage effect, he is a mere natural with a considerable share of cunning. Thus Edgar calls him an innocent, and every one will immediately distinguish him from such a character as Touchstone. His dress on the stage should be parti-coloured; his hood crested either with a cock's-comb to which he often alludes, or with the cock's head and neck. His bauble should have a head like his own with a grinning countenance, for the purpose of exciting mirth in those to whom he occasionally presents it.

The kindness which Lear manifests towards his fool, and the latter's extreme familiarity with his master in the midst of the most poignant grief and affliction, may excite surprise in those who are not intimately acquainted with the simple manners of our forefathers. An almost contemporary writer has preserved to us a curious anecdote of William duke of Normandy, afterwards William I. of England, whose life was saved by the attachment and address of his fool. An ancient Flemish chronicle among the royal MSS. in the British Museum, 16, F. iii., commences with the exile of Salvard lord of Roussillon and his family from Burgundy. In passing through a forest, they are attacked by a cruel giant, who kills Salvard and several of his people; his wife Emergard and a few others only escaping. This scene the illuminator of the manuscript, which is of the fifteenth century, has chosen to exhibit. He has represented Emergard as driven

-- 447 --

away in a covered cart or waggon by one of the servants. She is attended by a female, and in the front of the cart is placed her fool, with a countenance expressive of the utmost alarm at the impending danger. Nor would it be difficult to adduce, if necessary, similar instances of the reciprocal affection between these singular personages and those who retained them.

All's Well that Ends Well.

The Clown.—He is a domestic fool of the same kind as Touchstone.

Twelfth-Night.

The Clown.—The clown in this play is a domestic or hired fool, in the service of Olivia. He is specifically termed “an allowed fool,” and “Feste the jester, a fool that the lady Olivia's father took much delight in.” Malvolio likewise speaks of him as “a set fool.” Of his dress it is impossible to speak correctly. If the fool's expression, “I will impeticoat thy gratility,” be the original language, he must have been habited accordingly. Mr. Ritson has asserted that he has neither coxcomb nor bauble, deducing his argument from the want of any allusion to them. Yet such an omission may be a very fallacious guide in judging of the habit of this character on the stage. It must however be admitted that where this happens there can be no clue as to the precise manner in which the fool was dressed.

Antony and Cleopatra.

The Clown.—He is a mere country fellow; but Shakspeare, in compliance with the usual expectations of the audience, has bestowed on him a due portion of wit and satire.

-- 448 --

Timon of Athens.

The Fool.—The fool in this play is a very obscure and insignificant character. Dr. Johnson's conjecture, that he belongs to one of Alcibiades's mistresses, is very probable. Many ancient prints conduce to show that women of this description were attended by buffoons: and there is good reason for supposing, probably from the same kind of evidence, that in most brothels such characters were maintained to amuse the guests by their broad jokes and seasonable anticks. In Measure for Measure we have such a person, who is also a tapster; and in Antony and Cleopatra, Act I. Sc. I. we hear of a strumpet's fool.

The dress, in the present instance, should be a parti-coloured garment, with a hood and asses' ears, and a cock's-comb. He might also carry a bauble.

Winter's Tale.

The Clown.—He is a mere country booby.

Tempest.

The Fool.—The character of Trinculo, who in the dramatis personæ is called a jester, is not very well discriminated in the course of the play itself. As he is only associated with Caliban and the drunken butler, there was no opportunity of exhibiting him in the legitimate character of a professed fool; but at the conclusion of the play it appears that he was in the service of the king of Naples as well as Stephano. On this account therefore, and for the reasons already offered in vol. xv. p. 116, he must be regarded as an allowed domestic buffoon, and should be habited on the stage in the usual manner.

-- 449 --

Pericles.

The Clown.—Although Boult, the servant to the pandar and his wife, is not termed a clown in the dramatis personæ, it should seem that he has an equal claim to the appellation with several other low characters that have been introduced into plays for the purpose of amusing the audience. He bears some affinity to the tapster in Measure for Measure; but there is nothing that immediately constitutes him the jester to a brothel. See what has been said on such a character in the article relating to the clown in Measure for Measure.

Titus Andronicus.

The Clown.—He is nothing more than a shrewd rustic, performing the office of a messenger.

ANCIENT EDITIONS OF SHAKSPEARE.

[It is not easy to ascertain whether seemingly different copies printed in the same year, are any thing more than one edition corrected in its passage through the press. I have been favoured by Mr. Amyot with the following collation of several first folios. Boswell.]

List of Variations in two Copies of Shakspeare, folio 1623, belonging to T. Amyot.

-- 450 --

COPY NO. I. COPY NO. II.
Merchant of Venice. p. 160 166
All's Well, &c. 233 237
Hamlet, p. 278, col. 1, line 17 sirh, is sir, his
Hamlet, p. 278, col. 1, line 20 yearys years
Hamlet, p. 278, col. 1, line 41 o-n thing onething.
Cooffin Coffin.
Hamlet, Col. 2, line 3 foredo for do
Hamlet, Col. 2, line 30 Brid-bed Bride-bed
Maide Maid
Hamlet, Col. 2, line 43 Emphasies Emphasis
Hamlet, Col. 2, line 52 wisensse wisenesse
Hamlet, Col. 2, line 4 from bottom forebeare forbeare

In a copy belonging to Mr. Litchfield, in As You Like It, p. 204, col. 1, the Clown's speech, “a ripe age,” &c. is given to Orlando, and William's speech, immediately following it, is assigned to the Clown.

In a copy now or very lately in the hands of Messrs Longman and Co, in Othello, p. 333, col. 1, top line, the words “and Hell gnaw his bones,” are substituted for the first line of Roderigo's speech, “I have heard thus much,” &c.

And in a copy lately at Messrs Arch's, the title-page (evidently genuine) is dated 1622, but the last page has the usual date 1623. James Street, 7th March, 1821.

-- 450 --

ADDITIONAL NOTES TO THE PLAYS. note



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note



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END OF VOL. XXI.

-- 471 --

GLOSSARIAL INDEX OF WORDS, PHRASES, CUSTOMS, and PERSONS, EXPLAINED OR MENTIONED IN THE NOTES.

-- 473 --

I have partly informed the reader, in my Advertisement, of the plan upon which I have constructed the following Index. I have subjoined an explanation of the words and phrases wherever the commentators have all agreed; but while, by such an addition, and by the insertion of many terms which have hitherto been omitted, I have added to this part of the work, I have diminished its bulk upon the whole. Where the difficulty has arisen, not from any particular word, but from the general construction of the sentence, it appeared to me that it would answer no purpose to insert a common expression, used in its ordinary sense, in a glossarial index; because it occurred in a passage which might require explanation. I have not set down the various instances where a word occurs, as the reader is generally referred to some one page where its meaning is elucidated; but when, as sometimes is the case, this information is partially conveyed in one note, and additional light is thrown upon it in another, I have directed the attention to both. To have done more, is unnecessary; for the very valuable work of Mr. Twiss, to whom I feel a pleasure in expressing my gratitude, will point out, to any one who is willing to make the inquiry, how often any word occurs in our author's plays. Metaphors, compounded words, and all that comes under the head of poetical embellishment, I have also excluded. As there are some who take little interest in discussions which are merely verbal, I have divided the Index into three distinct branches. The first contains only

-- 474 --

words and phrases: the second relates to manners, customs, and allusions, among which I have inserted the songs and proverbs to which Shakspeare is supposed to have referred. Some of the proverbs are not uncommon; but a value is attached to any thing which our great poet has honoured with his notice. In the third place, I have set down those names which have suggested historical illustrations in the notes, as far as they seemed important. I have undergone no slight labour in performing this task; but I shall never regret the time I have bestowed upon it, if I have been able, in any degree, to add to the gratification of those who delight in the perusal of our immortal Shakspeare.

-- 475 --

GLOSSARIAL INDEX OF WORDS AND PHRASES.
Abated, depressed in spirit, xiv. 149. A B C, a catechism, xv. 215. abhor, protest against, xix. 388. abide, v. 269. able, uphold, x. 231. abridgement, v. 311. ........... vii. 299. absolute, complete, ix. 319. ........ completely accomplished, xxi. 134. abuse, deception, ix. 188. abused, deceived, ix. 441. ....... xii. 33. aby, v. 269, 279. abysm, abyss, xv. 29. accost, xi. 352. Acheron, xi. 183. acknown, ix. 376. acquittance, requital, ix. 443. Adam Cupid, vi. 72. aches, xv. 57. actures, actions, xx. 381. addition, character, vii. 228. ....... title, viii. 313. addressed, prepared, iv. 311. ......... v. 67. admittance, favour, viii. 88. advertise, inform himself, ix. 11 advertisement, admonition, vii. 131. advice, consideration, iv. 56. ...... v. 133. advised, on reflection, iv. 259, 431. adulterate, xix. 174. affection, affectation, iv. 393. affectioned, affected, xi. 400. affections, v. 111. affeered, established, xi. 221. affined, related to, ix. 224. affront, meet face to face, vii. 319. ...... viii. 334. affy, betroth, xviii. 287. agate, xvii. 24. aged custom, xiv. 99. agood, in good earnest, iv. 115. aglet, v. 400. agnise, acknowledge, ix. 271. Ajax, a jakes, iv. 443. aim, guess, iv. 68. .... ix. 250. .... verb, to aim at, iv. 207. aiery, a hawk's or eagle's nest, ix. 49. alapt, x. 72. alder liefest, most loved, xviii. 168.

-- 476 --

ale, a country festival, iv. 59. a'life, xiv. 367. allow, approve, viii. 88. ..... x. 125. allowance, approbation, vii. 340. ......... viii. 307. allowed, licensed, iv. 435. all waters, xi. 475. alms-drink, xii. 261. amaze, perplex, vi. 362. ...... viii. 200. ames ace, x. 379. a mile beyond the moon, xxi. 347. amiss, misfortune, vii. 424. among, xvii. 216. amort, dispirited, v. 480. an, as if, v. 197. an if, if, v. 264. anchor, anchoret, vii. 359. angerly, angrily, iv. 22, n. 2. ancient, ensign, the officer, ix. 223. ....... xvii. 76. ....... the flag, xvi. 369. angel, v. 473. an-heeres, viii. 69. anight, at night, vi. 392. antiquity, old age, xvii. 36. antres, caves, ix. 261. a one, an individual, xi. 178. ape, a term of endearment, vi. 73. .... vii. 412. .... xix. 105. apperil, peril, xiii. 273. apple-John, xvii. 69. apply, ply, or apply to, v. 383. apply, viii. 253. appointment, preparation, viii. 380. ........... ix. 102. approbation, proof, xiii. 33. ........... noviciate, ix. 26. approve, justify, v. 82. ....... vii. 174. ....... recommend, vii. 497. approved, experienced, iv. 128. arbitrate, determine, xi. 260. arch, chief, x. 80. argentine, silver, xxi. 210. Argier, Algiers, xv. 48. argosies, v. 7. argument, contents of a book, vi. 415. ......... conversation, vii. 76. armado, xv. 295. arm, to take up in the arms, xii. 176. arm-gaunt, xii. 210. aroint, x. 160. ...... xi. 29. arrive, arrive at, xiv. 100. articulate, set down article by article, xiv. 53. artificial, ingenious, v. 271. aspersion, sprinkling, xv. 134. aspire, verb active, to ascend, vi. 127. assinego, an ass, viii. 284. associate, verb active, accompany, vi. 227. assured, affianced, iv. 213. astre* note
, vii. 182.

-- 477 --

astringer, a falconer, x. 464. atomy, atom, vi. 51. atone, reconcile, ix. 426. ..... xii. 28. attask'd, blamed, x. 73. attent, attentive, vii. 209. attest, attestation, viii. 414. audacious, spirited, iv. 393. aukward, adverse, xviii. 257. aunts, strumpets, xiv. 335. auspicious, joyful, vii. 191. awful, iv. 96. awful banks, xvii. 155.

B. Babe, xii. 107. babbled of green fields, xvii. 313. Baccare, v. 414. Bajazet's mule, x. 427. Bajazet's mute, x. 427. bairns, children, vii. 98. baldrick, vii. 22. bale, misfortune, xiv. 14. balk, v. 385. balked, xvi. 186. ballase, ballast, iv. 212. ballow, x. 237. ban dog, xviii. 198. band, bond, iv. 228. bandy, x. 52. banked, xv. 350. banquet, v. 510. ........ vi. 68. ........ xii. 261. bans, curses, x. 106. barbed, xix. 9. bare, mere, iv. 80. .... to shave, x. 428. barful, full of impediments, xi. 360. barlet, xi. 70. barm, yeast, v. 284. barne, a child, xiv. 325. barns, keeps in a barn, xx. 155. barren, ignorant, v. 258. base court, xvi. 113. bases, xxi. 71. basilisk, xvii. 465. basilisks, cannons, xvi. 254. basta, enough, v. 392. bastard, raisin wine, ix. 117. ....... xvi. 265. bat, x. 237. battero, x. 237. bate, to flutter, v. 469. .... vi. 136. bauble, carried by a fool, vi. 105. bawcock, xiv. 248. bay, ix. 55. bay window, xi. 473. bear a brain, vi. 36. bear in hand, vii. 120. ............ ix. 38. bearing, deportment, v. 49. ....... vii. 40. bearing cloth, xiv. 326. beaver, vii. 212. beautified, vii. 271. becks, xiii. 288. beetles, overhangs, vii. 236. beguiled, deceitful, xx. 195. behave, manage, xiii. 340.

-- 478 --

behaviour, xv. 197. beholding, viewing with regard, xix. 436. belee'd, ix. 223. bellows-mender, v. 195. belongings, endowments, ix. 10. be-mete, be-measure, v. 487. bemoiled, bemired, v. 461. bench-hole, forica, xii. 353. beneath world, under world, xiii. 255. bent, utmost degree of any passion or mental quality, vii. 115, 265. beshrew, v. 238. bestraught, distracted, v. 375. beteem, v. 183. ....... vii. 203. bewray, disclose, x. 84. Bezonian, a mean fellow, xvii. 224. bias cheek, cheek swelling out like the bias of a bowl, viii. 381. bickerings, skirmishes, xviii. 173. bid the base, to challenge to an encounter, iv. 23. ........... xx. 8. bid, to invite, v. 53. bifold, twofold, viii. 415. biggin, xvii. 185. bilboes, vii. 485. bill, v. 489. bills, vi. 363. .... vii. 7. .... xiii. 335. bird-bolt, an arrow, vii. 9. bisson, blind, vii. 310. ...... xiv. 61. blade of youth, x. 472. blank, mark, x. 17. blank and level, xiv. 293. blanket of the dark, xi. 65. blaze of youth, x. 472. blench, shrink, vii. 317. ...... viii. 230. ...... ix. 175. blent, blended, xi. 373. bless the mark, ix. 223. blind worm, v. 236. .......... xi. 193. block, vii. 12. ..... x. 232. blood, amorous heat, vii. 41, 66. blood-bloter'd, smeared with blood, xi. 206. bloody fire, fire in the blood, viii. 192. bloody, sanguine, xvii. 144. blow, xv. 109. blown, swelled, xii. 425. blue bottle, xvii. 229. blue caps, the Scotch, xvi. 288. blurted, xxi. 162. board, accost, vii. 277. ..... q? xi. 353. bobb'd, fooled, ix. 454. bobtail-tike, x. 175. bodged, xviii. 392. bodkin, a dagger, vii. 325. boitier, viii. 49. bold of, confident in, iv. 309. bolds, emboldens, x. 252. boll'n, swollen, xx. 187. bona robas, xvii. 116. bond of air, viii. 256. bons, vi. 99. book, xvi. 322. books, vii. 12. boot, profit, ix. 76.

-- 479 --

boots, iv. 11. bordered, restrained, x. 199. bore, to stab, xix. 321. borrower's cap, xvii. 62. bosky, woody, xv. 148. bosom's lord, vi. 216. bosomed, x. 251. bots, worms in the stomach of a horse, xvi. 232. bottled spider, ix. 4. bought and sold, xviii. 120. ........... xix. 233. bourn, a boundary, viii. 314. ..... a rivulet, x. 171. bow, a yoke, vi. 448. bower, a chamber, xiv. 136. brace, defence, ix. 251. brach, v. 361. ..... viii. 287. braid, x. 435. brake, a thicket, v. 248. brakes, ix. 43. brave, to make fine, v. 487. bravery, fine cloaths, vi. 405. ....... ix. 28. brawl, a kind of dance, iv. 323. bray, vii. 227. .... xv. 283. break up, to carve, iv. 343. ........ v. 51. break with, to open the subject with, iv. 30. breast, a voice, xi. 386. breath, a breathing, a slight exercise of arms, viii. 306, 387. ...... xiii. 248. breathe in your watering, xvi. 260. breathing courtesy, made up of mere words, v. 146. breeched, xi. 127. breeching, liable to be flogged, v. 436. breed-bate, one who excites quarrels, viii. 45. brewer's horse, xvi. 337. bride buck, viii. 184. brief, x. 385. broach, to spit, xxi. brock, a badger, xi. 422. broken musick, vi. 365. broker, a procurer or procuress, iv. 21. ...... vii. 224. ...... viii. 446. brokes, pimps, x. 414. brooch, viii. 287. brooched, adorned, xii. 382. brooded, watchful, xv. 293. broom groves, xv. 138. bruit, report, xviii. 507. bruited, loudly reported, xi. 269. buff jerkin, xvi. 194. bug, an object of terror, xviii. 519. buggle boe, xvii. 234. bugs, bugbears, v. 407. .... objects of terror, xii. 190. bulk, vii. 261. bully-rook, viii. 34. bumbard, xv. 94. bung, a pocket, hence a pickpocket, xvii. 79. bunting, x. 395. burgonet, helmet, xii. 208. buried with the face upwards, vii. 32. burst, broken, v. 358, 461. buss, to kiss [formerly not a low word], xv. 298. butt-shaft, an arrow, iv. 307. ....... vi. 96.

-- 480 --

butter woman, vi. 422. buxom, xvii. 360. buz, vii. 296. byrlakin, by our lady, v. 245. by day and night, always, viii. 54.

C. cade, xviii. 295. caitiff, xvi. 21. calino costore me, xvii. 425. callet, strumpet, ix. 439. ..... xviii. 422. calling, appellation, vi. 369. came hardly off, did not succeed, iv. 37. canary, a kind of dance, iv. 323. ...... viii. 79. candle cases, v. 442. candle wasters, vii. 129. candles of the night, stars, v. 150. canker, vii. 30. ...... the canker rose, xvi. 221. canstick, candlestick, xvi. 311. cantle, a fragment, xii. 304. ..... xvi. 311. cantons, cantos, xi. 375. cap, to put off the cap in salutation, ix. 217. cap with suspicion, vii. 19. capable, intelligent, vii. 398. ...... viii. 358. capacious, ix. 390. capitulate, xvi. 333. capocchio, a fool, viii. 368 capon, a letter, iv. 343. capricious, vi. 444. captious, x. 348. carack, a vessel of great bulk and value, ix. 243. caraways, xvii. 213. carbonadoed, cut like a piece of meat for the gridiron, x. 464. card, a sea-chart, vii. 471. .... of tin, v. 433. carded, xvi. 327. carduus Benedictus, vii. 100. care, inclination, vi. 162. careful, full of care, iv. 262. carkanet, a necklace, iv. 189. carl, xii. 136. carlot, peasant, vi. 463. carnal, sanguinary, vii. 518. carry coals, vi. 7. case, to strap, x. 421. .... the skin, xi. 491. cased lion, confined lion, xv. 280. cassock, x. 444. cast, ix. 319. castilian, viii. 94. Castiliano vulgo, xi. 351. castle, viii. 419. ..... xxi. 319. Cataian, viii. 65. catling, a small lutestring, vi. 213. ...... viii. 357. cavalero, viii. 68. caviare, vii. 302. cautel, craft, vii. 215. cautelous, insidious, xiv. 152. cease, dies, x. 279, 485. ..... to put a stop to, xiii. 293. censer, v. 486. ..... xvii. 228.

-- 481 --

censure, to give an opinion, iv. 19, n. 7. ....... to condemn, ix. 39. ....... an opinion, vii. 219. ceremony, a thing highly valued, v. 149. certes, certainly, iv. 230. ..... xv. 123. cess, measure, xvi. 231. chamberers, men of intrigue, ix. 372. chambers, pieces of ordnance, xvii. 75. ........ xix. 351. change that name, vii. 207. changeling, v. 202. chapman, market-man, iv. 308. charácter, writing, vii. 218. characts, ix. 180. chares, task work, xii. 327. charge house, free school, iv. 399. chariest, most cautious, vii. 216. chariness, caution, viii. 62. charitable, endearing, xiii. 277. charm your tongue, be silent, ix. 477. charmer, one who deals in charms, ix. 399. chaudron, entrails, xi. 195. cheater, escheatour, viii. 41. check, xii. 107. checking, a term in falconry, vii. 450. cheer, countenance, v. 95, 329. cheveril, soft leather, vi. 104. cheveril, conscience, xix. 375. chewet, xvi. 382. chide, resound, xvii. 332. chiding, clamour, v. 297. ....... clamorous, viii. 257. ....... resounding, xix. 417. chief, vii. 219. child, a female infant, xiv. 324. child changed, x. 242. childing autumn, v. 220. chopine, high heeled shoe, vii. 300. chough, a jackdaw, vii. 493. christendom, xv. 309. christian, xvii. 316. christian name, x. 323. chrysom, xvii. 316. chuck, a term of endearment, xi. 156. chuffs, xvi. 249. circlet, xix. 437. circumstance, conduct, iv. 12. ........... detail, viii. 343. ........... ix. 217. cite, incite, iv. 49. cittern, a musical instrument, iv. 448. civil, vi. 424. clamour, xiv. 365. ....... moistened, x. 206. clap, join hands, xiv. 246. clap into, begin, ix. 164. claw, to flatter, iv. 357. .... vii. 30. clean, completely, iv. 158. .... xii. 27. clean kam, awry, xiv. 124. clear, pure, xiii. 307.

-- 482 --

clear, xv. 129. clear stories, xi. 474. clear thy chrystals, xvii. 322. clerkly, like a scholar, iv. 36. ...... viii. 169. cling, shrivell, xi. 265. clinquant, shining, xix. 313. clip, embrace, xiv. 168. closely, secretly, xv. 314. clout, the mark in archery, x. 226. .... xvii. 120. clouted brogues, xii. 162. cloys, xii. 200. clutch, grasp, xi. 95. ..... xiv. 145. coach fellow, confederate, viii. 74. coasting welcome, viii. 383. cobloaf, viii. 283. cock, xiii. 306. .... a cock-boat, x. 218. cock and pye, xvii. 198. cock shut time, twilight, xix. 313. cockatrice, vi. 140. cockney, x. 116. codling, xi. 368. codpiece, iv. 64. coffin, pie paste, v. 485. cognizance, badge, xviii. 66. coigne, corner, xi. 71. coil, vii. 152. collection, deduction, vii. 423. collied, blackened, v. 134. ...... ix. 336. collier, xi. 453. collop, xiv. 250. colt, a wild fellow, iv. 325. ... v. 19. colt, to trick, xvi. 246. co-mart, vii. 179. combinate, betrothed, ix. 114. combine, bind, vi. 508. ....... ix. 168. come bird, vii. 251. co-meddled, commingled, vii. 343. come of will, to succeed, viii. 251. come of, to pay, viii. 159. come your ways, x. 360. comma, connection, vii. 490. commission, authority, vi. 183. committed, ix. 436. commodity, convenience, v. 97. .......... interest, xv. 258. common, verb, vii. 444. commonty, comedy, v. 381. compact, made up, iv. 204. ....... to make a thing consistent, x. 72. companion, fellow, a term of contempt, iv. 239. .......... xii. 122. company, companion, x. 438. comparative, xvi. 198, 330. compassed cape, round cape, v. 488. compassed window, a bow window, viii. 243. competitor, a confederate, iv. 61, 311. .......... xi. 472. complain, lament, verb active, xvi. 20. complement, accomplishments, iv. 288, 323.

-- 483 --

complexion, humour, vii. 228. comply, compliment, vii. 295, 501. compose, to agree, xii. 220. composition, consistency, ix. 250. composture, compost, xiii. 404. comptible, xi. 369. con thanks, thanks, x. 443. concealed wells, xv. 352. conceit, imagination, wit, vi. 120. ...... vii. 398. ...... fanciful conception, xvi. 70. conceited, ingenious, xx. 185. conceived to scope, properly imagined, xiii. 227. concludes, is decisive, xv. 207. conclusions, experiments, v. 40. .......... vii. 405. .......... xii. 37. conclusions past the careires, viii. 24. concupy, concupiscence, viii. 418. condition, quality, ix. 424. conditions, qualities, iv. 81. ......... v. 23. ......... v. 521. condole, v. 193. condolement, sorrow, vii. 198. conduct, guide, vi. 128, 243. ....... viii. 292. ....... xv. 176. coney catch, to cheat, viii. 19. confess and be hanged, ix. 414. confess and be hanged, xiii. 273. confession, profession, viii. 273. confineless, boundless, xi. 222. confound, to destroy, iv. 162. ........ v. 329. ........ viii. 321. ........ xiii. 29. ........ to expend, xiv. 39. conger and fennel, xvii. 94. conject, conjecture, ix. 258. conjecture, suspicion, vii. 110. conjuring, supplicating, vii. 417. consent, conspiracy, iv. 432. ....... agreement, viii. 293, 296. consider, reward, xii. 72. consigned, sealed, viii. 272. consist, stand, xvii. 156. consort, subst. iv. 91. consort, to consort with, iv. 161. conspectuity, sight, xiv. 61. consummation, end, xii. 169. constancy, stability, v. 310. constant, steady, x. 8. ....... xiv. 20. constantly, certainly, ix. 140. contain, retain, v. 149. contemptible, contemptuous, vii. 66. continent, that which contains, vii. 422, 495. continuate, less interrupted, ix. 408. continued, xiii. 248. contráry, to contradict, vi. 65. contrive, spend, v. 410.

-- 484 --

convented, summoned, ix. 186. conversation, intercourse, xix. 131. converse, associate, x. 49. convertite, a penitent, vi. 510. ......... xv. 341. ......... xx. 141. convey, to steal, viii. 37. conveyance, slight of hand, vii. 44. conveyers, thieves, xvi. 138. convicted, subdued, xv. 296. convince, convict, viii. 296. ........ overcome, ix. 412. ........ xii. 23. convive, to feast, viii, 398. cooling card, xviii. 144. copatain, i. e. conical hat, v. 504. cope, encounter, vi. 384. copp'd, xxi. 29. copy, pattern, iv. 248. Corinth, a brothel, xiii. 300. Corinthian, a wencher, xvi. 260. coronal, xix. 437. corporal, corporeal, iv. 369. corporal of the field, iv. 336. costard, a head, iv. 327, 330. ...... xix. 62. costermonger, xvii. 35. cote, iv. 369. coted, overtook, vii. 237. couch, to lie, v. 153. ..... ix. 450. court confect, a specious nobleman, vii. 120. counter, a hunting term, iv. 226. ...... vii. 433. counter caster, one who counts with counters, ix. 223. counter-check, a term at chess, xv. 237. counterfeit, a portrait, v. 86. county, compte, an earl, Romeo and Juliet passim. couplement, a couple, iv. 439. court of guard, the place where the guard musters, ix. 311. court holy water, flattery, x. 139. courtsies, xi. 418. cousin, kinsman, vi. 61. cowl-staff, staff used in carrying a cowl or tub, viii. 126. coy, to soothe, v. 288. coystril, xi. 350. coziers' catches, xi. 396. crack, a boy child, xiv. 29. crack of doom, xi. 205. cracks, xi. 22. cracked in the ring, vii. 301. crank, to wind, xx. 51. cranks, windings, xiv. 13. crants, garlands, vii. 477. crare, a small trading vessel, xiii. 161. craven, a coward, a mean disspirited cock, v. 433. ...... cowardly, vii. 420. cravens, makes cowardly, xii. 120. credent, enforcing credit, ix. 173. credit, xi. 481. creep, viii. 349. crescive, xvii. 263. crewel, worsted, x. 107. crisp, curled, xv. 144. .... xvi. 216. critick, cynick, viii. 414.

-- 485 --

crone, an old woman, xiv. 298. cross, a coin, vi. 390. crush a cup, crack a bottle, vi. 33. crushed, confused into one mass, viii. 239. crulentious, cruel, x. 147. cruzadoes, a coin, ix. 394. cry, a pack of hounds, xiv. 147, 185. cry aim, to encourage, viii. 113. ...... xv. 235. cry, havock, xii. 89. .......... xiv. 122. cry hem, xiii. 128. ........ xvi. 260. cry'd game, viii. 98. cub-drawn, x. 135. cue, a theatrical term, vii. 313. ... xix. 121. cullion, v. 471. cunning, knowing, v. 387. ....... skill, vi. 83. curb, truckle, vii. 401. curiosity, scrupulousness, x. 5. ....... affectation, xiii. 393. curious, scrupulous, v. 493. curst, mischievous, v. 277. .... petulant, xi. 442. curtail dog, a cur, viii. 63. customer, a strumpet, or one who visits her, iv. 239. ........ ix. 420. cut, xi. 401. cut and long tail, viii. 133.

D. daff, do off, vii. 66, 133. damned in a fair wife, ix. 218. danger, controul, v. 121. dank, mouldy, xvi. 232. Danskers, Danes, vii. 257. dare, ix. 173. darkling, in the dark, v. 240. ........ xii. 381. darraign, set in array, xviii. 416. date broken bonds, bonds not paid when due, xiii. 298. daub, to disguise, x. 192. daubery, disguise, viii. 156. day of season, x. 474. day woman, iv. 304. dear, iv. 307, 461. .... v. 191. .... vi. 238. .... vii. 208. .... xi. 487. dearn, dreary, x. 187. death'sman, executioner, x. 239. debitor, debtor, ix. 223. deboshed, x. 485. ....... xv. 113. deck of cards, pack of cards, xviii. 515. decked, xv. 37. decline, fall, xiv. 65. deer, animals in general, x. 163. defeat, vii. 314. ...... ix. 285. ...... x. 383. defeatures, iv. 173, 262. defence, art of fencing, vi. 447. defend, to forbid, vii. 37. ...... ix. 280. deftly, adroitly, xi. 199.

-- 486 --

defy, reject, vi. 234. .... xv. 298, deject, dejected, vii. 333. delations, ix. 353. delay, let slip, xiv. 42. delighted, ix. 108. demerits, merits, ix. 240. demurely, solemnly, xii. 258. denay, denial, xi. 412. denier, a coin, xix. 33. depart, part, iv. 314. departed, xv. 257. deprive, take away, vii. 236. ....... x. 32. deracinate, tear up by the roots, viii. 262. ......... xvii. 467. derogate, x. 68. descant, variations in musick, iv. 23. designed, marked out, vii. 180. despatched, bereft, vii. 246. desperate, bold, vi. 158. desperately mortal, ix. 155. detected, suspected, ix. 126. determine, to end, xvii. 188. dewberries, v. 254. Diablo, ix. 326. Diana's priest, Diana's priestess, xii. 56. Diccon, Richard, xix. 233. diet, regimen, iv. 33. .... xiii. 371. difference, vii. 442. differing, xii. 143. diffuse, disorder, x. 48. diffused, irregular, viii. 163. digression, transgression, iv. 304. dilations, ix. 353. disable, undervalue, vi. 466. disappointed, unprepared, vii. 246. discandy, disclaim, x. 90. disclose, to hatch, vii. 482. discontents, malecontents, xii. 203. discourse of reason, vii. 205. ........ reason, xi. 482. disease, trouble, x. 19. ...... xviii. 73. dishabited, dislodged, xv. 236. dislike, displease, vi. 81. disme, tenth or tithe, viii. 289. disnatured, unnatural, x. 68. disparked, xvi. 89. dispose, command, iv. 106. disposition, vii. 235. disputable, disputatious, vi. 397. disputation, xii. 325. dispute, contend, xi. 236. disseat, depose, xi. 249. dissemble, disguise, xi. 471. dissembling, xix. 9. distaste, corrupt, viii. 294. distemperature, v. 218. distempering, intoxicating, ix. 228. distractions, xii. 303. distraught, distracted, vi. 199. divert, turn aside, vi. 388. division, a term in music, vi. 162. do me right, fill a bumper, vii. 138. do withal, v. 102. doff, do off, put off, xi. 232. don'd, put on, vii. 427.

-- 487 --

done upon the gad, suddenly, x. 34. done to death, killed, vii. 153. door particulars, particulars at our doors, close to us, x. 253. dotant, dotard, xiv. 201. double, full of duplicity, v. 151. ...... potential, ix. 238. double vouchers, a law term, vii. 470. dout, vii. 229. dowle, a feather, xv. 127. down gyved, vii. 261. Dowsabel, iv. 220. drachma, a Greek coin, xii. 103. draw, vii. 136. drawn fox xvi. 345. dribbling, ix. 29. drink, xiii. 257. drink the air, xv. 167. drollery, a puppet show, xv. 122. dropping, vii. 191. drumble, loiter, viii. 126. dry foot, iv. 226. duc dame, vi. 398. dudgeon, handle of a dagger, xi. 96. dugs, not a low word, xix. 78. duke, a leader, v. 176. dull, xvii. 183. dullard, x. 81. dumb'd, xii. 211. dump, an elegy, iv. 91. ..... vi. 210. dun out of the mire, vi. 46. dun's the mouse, vi. 46. dung, xii. 396. dungy earth, xii. 169. .......... xiv. 288. dupp'd, did up, opened, vii. 427. durance, xvi. 194. dwell, continue, v. 32.

E eager, sharp, vii. 226. eanlings, lambs just dropt, v. 27. ear, to plough, x. 338. ear kissing, x. 77. earthlier, v. 180. easy, slight, xiv. 201. .... xvii. 209. eat no fish, x. 490. ecstacy, strong emotion, iv. 209. effects, actions, vii. 399. eftest, vii. 124. egal, v. 95. eld, viii. 162. elf locks, vi. 55. elf skin, xvi. 280. elves, xv. 160. elvish marked, ix. 45. emballing, xix. 376. embarquements, xiv. 56. embossed, v. 361. ........ swelling, x. 127. ........ x. 422. embowelled, exhausted, x. 350. ......... with the bowels taken out, xvi. 405. empery, sovereignty, xii. 56. empiricutick, xiv. 63. emulation, envy, viii. 299. ......... faction, xiv. 14. emulous, viii. 303, 312.

-- 488 --

enactures, what is enacted, vii. 357. end, an end, at the conclusion, iv. 111. endart, dart forth, vi. 41. endless night, xv. 361. engross, fatten, xix. 141. engrossing, vi. 243. enmew, ix. 104. enormous, out of rule, x. 100. enridged, x. 223. enscerped, ix. 300. ensconce, fortify, viii. 76. enseamed, greasy, vii. 396. enseer, dry up, xiii. 383. enshield beauty, ix. 84. ensteeped, ix. 300. entertain, to retain in service, viii. 39. entertainment, admission of a soldier into pay, ix. 370. ............ xiv. 159. entrance of this soil, xvi. 181. entreatments, company, vii. 224. enviously, angrily, vii. 422. envy, hatred, v. 108. .... viii. 330. Ephesian, a cant term, viii. 167. .... xvii. 63. equipage, viii. 73. erring, wandering, vii. 189. ...... ix. 287. escoted, paid, vii. 293. Esil, vii. 480. essential, existing, ix. 297. esteem, x. 471. estridges, xvi. 359. eterne, eternal, xi. 154. even, xii. 127. even christian, fellow christian, vii. 463. evils, forica, ix. 70. examined, doubted, x. 413. excrement, beard, iv. 401. excrements, hair, vii. 398. execute, employ, viii. 439. executors, executioners, xvii. 281. exempt, iv. 184. exercise, a religious term, ix. 395. exhale, xvii. 301. exhaust, drawforth, xiii. 376. exhibition, allowance, iv. 30. ......... ix. 272. exigent, end, xviii. 72. exorciser, one who raised spirits, x. 490. ....... xii. 168. expect, wait, v. 494. expedient, expeditious, x. 385. ........ xvi. 45. expediently, expeditiously, vi. 416. expiate, end, xix. 119. expire, verb active, vi. 57. expostulate, discuss, vii. 268. exposture, exposure, xiv. 153. express, reveal, xi. 379. expulsed, expelled, xviii. 97. exsufflicate, ix. 364. extasy, emotion, vii. 65. ...... alienation of mind, vii. 400. extend, xii. 180. ...... xii. 8. extent, a law term, vi. 416. ...... violence, xi. 470. extern, external, ix. 225. extracting, distracting, xi. 494. extravagant, wandering, vii. 189. .......... ix. 233.

-- 489 --

extremity, calamity, xxi. 200. eye, a small portion, xv. 74. eyas musket, a young hawk, viii. 118. eyases, nestlings, vii. 290. eyeless night, xv. 361. eyliads, glances, viii. 40. eyne, eyes, v. 190. eyry, a nest of hawks, vii. 290. eysell, vinegar, xx. 324.

F. face, to feign, xviii. 146. facinorous, wicked, x. 376. faded, vanished, vii. 189. fadge, succeed, iv. 403. ..... xi. 384. fadings, dances, xiv. 359. fair, beauty, iv. 173. .... v. 186. .... vi. 69, 421. fairy, iv. 224. faithfully, xiii. 319. faitors, evil doers, xvii. 83. fall, verb active, iv. 182. .... v. 320. .... ix. 427. fall and cease, x. 279. false, falsify, xii. 74. falsing, deceiving, iv. 180. falsehood, dishonesty, v. 29. fancies, v. 443. fancy, love, v. 81, 188, 227, 301. fang, gripe, xiii. 363. fangled, xii. 201. fantastical, xi. 39. fantasticoes, vi. 98. fap, drunk, viii. 24. farced, stuffed, tumid, xvii. 401. farre, xiv. 378. fashions, farcy, a disease in horses, v. 442. favour, countenance, vii. 475. ...... ix. 146. fear, to timify, v. 510. fear no colours, xi. 361. fearful, xv. 67. fearful bravery, xii. 32. feat, xii. 10. feature, form, iv. 47. ...... q? vi. 443. ...... x. 203. ...... xii. 253. federary, ix. 88. fee-grief, a peculiar sorrow, xi. 232. feeders, xii. 329. ...... xiii. 306. feere companion, xxi. 333. fell of hair, capilitium, xi. 261. fellow, companion, xi. 452. ..... one of the same rank, xii. 121. fence, skill in fencing, vii. 133. feodary, ix. 88. ...... xii. 100. ...... xiv. 230. festinately, hastily, iv. 322. festival terms, vii. 151. fet, fetched, xvii. 339. fetch in, apprehend, or subdue, xii. 338. .... xiii. 137. fico, a term of contempt, viii. 37. fielded, in the field, xiv. 32. fierce, vehement, iv. 461.

-- 490 --

fierce, xii. 224. ..... xiii. 356. fig, xvii. 225. fig of Spain, xvii. 364. fights, a sea term, viii. 83. file, to defile, xi. 142. ... to go an equal pace, xix. 415. filed, polished, iv. 394. finder of madmen, xi. 454. fine end, x. 457. ... artful, x. 488. firago, xi. 461. fire, xix. 486. fire new, new-coined, iv. 290. firk, xvii. 430. firstlings, first produce, viii. 227. fishmonger, vii. 277. fitchew, a polecat, viii. 404. fits, viii. 317. fives, a disease in horses, v. 442. five wits, vii. 11. ... x. 152. ... xi. 477. fixure, xiv. 424. flap dragon, to swallow like a flap dragon, xiv. 325. flap dragons, iv. 397. flaw, a blast, vii. 476. .... a fragment, x. 131. flaws, ix. 72. flecked, spotted, vi. 90. fleet, float, 333. fleeting, fickle, xix. 57. flesh and fell, flesh and skin, x. 259. fleshment, confidence, x. 97. flewed, having large chaps, v. 298. flickering, x. 96. flight, vii. 8. flote, wave, xv. 45. foining, thrusting, vii. 134. ...... viii. 93. foison, plenty, ix. 37. ...... xv. 80, 143. folly, unchastity, ix. 474. fond, foolish, v. 96, 278. .... vi. 208. .... to be fond, xi. 384. fool and death, iv. 407. fool and feather, xix. 345. fools of Nature, vii. 235. footcloth, xix. 127. for, because, passim. forage, to range abroad, xv. 343. forbid, accursed, xi. 33. force, to consider as a matter of consequence, iv. 431. .... xx. 165. .... to stuff, viii. 312. .... to urge, xiv. 131. foredo, destroy, vii. 262, 476. forefended, forbid, x. 251. forslow, delay, xviii. 429. forspent, tired, xvii. 11. forestall. deprive by anticipation, xii. 131. forfeit, ix. 207. forgot, forgetful, ix. 329. forked one, a cuckold, iv. 255. formal, sober, iv. 251. ...... xii. 247. formal capacity, soundness of mind, xi. 423. former, foremost, xii. 137. forspoke, xii. 297. fortune's fool, vi. 128. fortune's star, vii. 229. forwearied, worn out, xv. 237.

-- 491 --

foundation, vii. 147. fox, a sword, xvii. 426. fractions, broken hints, xiii. 309. frame, vii. 112. frampold, froward, viii. 81. frank, a sty, xviii. 63. ..... xix. 51. franklin, a freeholder, xii. 105. ....... xiv. 419. frayed, frightened, viii. 325. free, xi. 405. frets, stops in musick, v. 419. friend, a lover, vii. 36. ...... xii. 30. friend, to befriend, xi. 219. frippery, an old cloaths shop, xv. 153. frontlet, part of female dress, x. 59. froth and lime, viii. 35. frush, to break, viii. 438. fulfill, to fill full, viii. 224. full, complete, ix. 226. full fortune, great success, ix. 226. full of bread, vii. 381. full of quality, accomplished, viii. 374. full of view, xii. 124. fulsome, v. 28. ....... xix. 220. fumiter, x. 211. funeral, baked meats, vii. 207. furnishings, pretences, x. 136. furred pack, a wallet of skin with the hair outward, xviii. 296. fur ow, x. 211. fustilarian, xvii. 49.

G. gaberdine, v. 80. ......... xv. 96. gain giving, misgiving, vii. 504. gait, passage, vii. 193. galliard, a kind of dance, xvii. 285. galliass, a ship, v. 432. gallow, frighten, x. 141. gally mawfry, confused heap of things, xiv. 373 gamester, v. 433. ........ vi. 357. ........ x. 485. garboils, commotion, xii. 194. garden house, ix. 189. garish, gawdy, vi. 138. gasted, frightened, x. 80. gawd, a bauble, v. 178, 301. gawdy, festival, xii. 325. gazed, xii. 25. gear, xviii. 236. geck, a fool, xi. 497. gelded, in a general sense mutilated, iv. 315. gemel, v. 302. gender, race, vii. 448. general, the people, vii. 302. general assault, such as youth in general is liable to, vii. 259. generosity, high birth, xiv. 18. generous, of rank, ix. 176. gentleness, gentility, v. 243. gentry, complaisance, vii. 265.

-- 492 --

german, akin, vii. 499. germens, seeds, x. 139. germins, seeds, xi. 198. gest, xiv. 241. ghosted, appear as a ghost, xii. 253. gib, vii. 405. gib cat, xvi. 196. giglot, a wanton, ix. 197. gilder, a coin, iv. 215. gilt, gold money, xvii. 291. gimmal, xvii. 411. ging, gang, viii. 153. gird, gibe, xiv. 21. gis, vii. 427. give the bucklers, to yield the day, vii. 149. glared, xii. 28. glass-gazing, x. 88. glazed, xii. 25. gleek, a scoff, v. 253. ..... to scoff, vi. 211. gleeking, scoffing, xvii. 461. glib, castrate, xiv. 286. glooming, gloomy, vi. 257. gloze, expound, xvii. 367. glozed, commented, viii. 296. glut, to swallow, xv. 23. gnarled, knotty, ix. 64. go to the world to be married, vii. 48. ...... x. 336. go your gait, go away, x. 237. God before, God being guide, xvii. 272. God dig you den, xiv. 342. God 'ield you, vii. 425. God 'ild you, vi. 448. God save the mark, vi. 141. God warn us, vi. 468. Gongarian, viii. 36. good leave, assent, vi. 255. good life, xi. 398. ........ xv. 130. goodman devil, xi. 479. good master, patron, xiv. 420. gospelled, xi. 145. gossomer, vi. 120. goujeers, x. 259. goujere, vii. 29. gouts, drops, xi. 96. graceful, virtuous, xiv. 408. gracious, graceful, lovely, iv. 86. ........ vii. 111. ........ viii. 296. grange, a lone house, ix. 116. ...... ix. 229. gratulate, ix. 208. grave, to entomb, xiii. 381. grave man, a man in his grave, vi. 126. greasily, coarsely, iv. 351. great morning, viii. 369. ..... xii. 150. Greek, xi. 469. green eyes, vi. 178. green sleeves, an old song, viii. 60. greenly, unskilfully, vii. 430. grey eyes, iv. 118. .... vi. 100. griefs, grievances, xii. 113. grievances, griefs, iv. 107. grise, a step, xi. 438. ..... xiii. 363. grize, a step, ix. 267. groundings, mean part of an audience at the theatre, vii. 336. growing, accruing, iv. 216. grunt, groan, vii. 326. guard, to fringe, vii. 25. ..... xv. 315.

-- 493 --

guard of safety, court of guard and safety, ix. 331. guerdon, reward, iv. 332. ........ vii. 153. guiled, deceitful, v. 84. Guinea hen, ix. 23. gules, a term in heraldry, vii. 306. gull, xiii. 293. gummed velvet, xvi. 244. guts, not a low word, vii. 406.

H. H. vii. 99. haggard, a wild hawk, v. 469 ........ vii. 71. hair, xvi. 356. half faced, xvi. 224. half kirtles, xvii. 229. halfpence, small pieces, vii. 65. hall! a hall, make room, vi. 61. halidom, holy doom, the day of judgment, iv. 105. hands not hearts, ix. 396. hanged an hour, ix. 197. happily, accidentally, v. 494. happy, accomplished, xii. 126. hardiment, bravery, xvi. 216. hardokes, x. 211. hare-finder, vii. 18. harlocks, x. 211. harlot, applied to males, iv. 258. harlotry, vi. 190. harness, armour, xi. 267. ....... xiii. 275. harrows, subdues, vii. 175. harryed, xii. 284. hart of Greece, v. 378. haste, post haste, ix. 242. 253. hatch, viii. 256. ..... xxi. 149. have with you, I will go with you, xix. 115. having, possessions, iv. 291. ...... vi. 440. ...... viii. 115. haviour, xii. 115. haught, haughty, xvi. 134. ...... xviii. 411. haughty, high, xvii. 75. hay, a term in fencing, vi. 98. hearted, ix. 288. hearted throne, the heart on which you were enthroned, ix. 389. hebenon, vii. 244. hebona, vii. 244. hefts, heavings, xiv. 278. hell, a dungeon, iv. 226. hem, vii. 128. henchman, a page, v. 220. hend, to seize, ix. 177. herb of grace, rue, vii. 441. ............ x. 459. hereby, as it may happen, iv. 305. hermits, xi. 73. hest, command, xv. 49, 107. Hey no nonny, vii. 437. high fantastical, fantastical to the height, xi. 340. high lone, quite alone, vi. 36. high tides, solemn seasons, xv. 268. hight, named, iv. 290. ..... v. 320. hilding, a low wretch, v. 412. ...... x. 416.

-- 494 --

Hiren, xvii. 83. hit, agree, x. 30. hizzing, x. 169. ho, ho, ho, v. 284. ........ xii. 341. hob, nob, xi. 459. holla! vi. 433. hold, enough, xi. 66, 272. honorificabilitudinitatibus, iv. 397. hook and line, xvii. 32. hope, expect, xii. 217. hordocks, x. 211. horologe, a clock, ix. 324. hot-house, bagnio, ix. 47. house, order of families, x. 121. hugger mugger, secretly, vii. 430. hull, to float without guidance, xix. 394. human mortals, v. 215. humorous, humid, vi. 74. Humphrey Hour, xix. 180. Hungarian, a cant term, viii. 35. hunt counter, xvii. 30. hunts up, vi. 163. hurly, noise, xvii. 106 hurly burly, xi. 11. hurtle, xii. 60. hurtling, tumult, vi. 483. husbandry, thrift, viii. 237. Hyrcan, x. 171.

I. and J. I cannot tell, xvii. 35. Jack, a term of contempt, vii. 18. Jack-a-lent, a puppet thrown at in Lent, viii. 118, 196. Jack-guardant, a jack in office, xiv. 202. Jack sauce, saucy fellow, xvii. 448. Jack and jills, v. 458. jade, xvii. 375. jaded, xviii. 285. jauncing, xvi. 167. jaunce, jaunt, vi. 116. jay, a strumpet, viii. 119. ... xii. 117. ice brook, ix. 484. idle, sterile, ix. 261. jesses, a term in falconry, ix. 371. jest, to act a part in a jest or masque, xvi. 29. jet, to strut, x. 414. Jew, a term of endearment, iv. 331. Jewel, an ornament generally, xi. 457. ignomy, ignominy, viii. 447. jig, vii. 308, 348. . . xii. 121. ill roasted egg, vi. 418. illustrious, without lustre, xii. 53. imagined speed, with celerity, like that of imagination, v. 100. imbare, xvii. 273. immanity, barbarity, xviii. 135. immediacy, x. 262. imp, iv. 296. .... xvii. 234. impair, unsuitable, viii. 387. impartial, partial, ix. 187. impawn, xvii. 266. impawned, wagered, vii. 497.

-- 495 --

imponed vagard, vii. 497, 498. impeachment, xvii. 371. imperious, imperial, iv. 50. ......... vii. 474. ......... viii. 392. imperseverant, xii. 144. import, xiv. 412. importance, importunity, xi. 498. .......... xii. 29. important, importunate, iv. 253. ........ vii. 35. impose, injunction, iv. 106. impositions, commands, x. 455. impossible, vii. 39, 44. impress, vii. 178. in blood, xiv. 14. in compt, subject to account, xi. 74. in his eye, in his presence, vii. 419. in little, in miniature, vii. 295. in place, present, xviii. 485. in that, because, vii. 161. insensible, vii. 460. incarnardine, stain red, xi. 110. incarnate, xvii. 321. incense, instigate, vii. 142. ............... viii. 44. inclips, embraces, xii. 266. include, iv. 136. incony, iv. 331. increase, produce, v. 220. indent, sign an indenture, xvi. 214. indifferent, v. 462. Indian, ix. 491. indigest, shapeless, xviii. 540. indite, accuse, vii. 304. induction, preface, xix. 169. inductions, preparations, xix. 11. indued, endowed, vii. 460. inexicrable, v. 118. infestion, xvi. 49. infinite, infinity, iv. 66. .............. vii. 62. informal, deranged, ix. 191. ingraft, rooted, ix. 325. inhabit, verb neuter, xi. 172. inhabitable, uninhabitable, xvi. 10. inherit, possess, iv. 93. ............... vi. 28. ...... to make to possess, xvi. 11. inhibit, forbid, xi. 172. inhibited, x. 319. inhibition, prohibition, vii. 288. inhooped, xii. 242. inkhorn mate, a book-man, xviii. 33. inkle, a kind of tape, xxi 184. inland, polite, vi. 406. innocent, a fool, x. 169, 446. insane root, xi. 42. insanie, insanity, iv. 395. insconce, fortify, iv. 178. instance, proof, x. 427. ........ example, xi. 482. instances, motives, vii. 357. integrity, consistency, xiv. 116. intemible, x. 348

-- 496 --

intend, pretend, vii. 54. .............. xix. 129. intended, understood, xvii. 153. intendment, xvii. 274. intention, eagerness, viii. 40. intentively, attentively, ix. 264. interessed, x. 12. intergatories, interrogatories, x. 445. intrenchant, which cannot be cut, xi. 271. intrinse, x. 92. invised, invisible, xx. 382. inward, intimate, iv. 400. .............. ix. 128. inwardness, intimacy, vii. 117. John a dreams, vii. 314. joint ring, ix. 451. Jove's accord, viii. 270. Jovial, resembling Jove, xii. 170. journal, daily course, xii. 146. irregulous, xii. 171. isebrooks, ix. 434. itination, recitation, xvi. 199. Judean, ix. 491. jump, just, vii. 177. ......... ix. 343. jump, to hazard, xii. 204. ............... xiv. 115. justicer, justice, x. 170. jutty, xi. 70.

K. keech, fat rolled up, xvii. 51. ..... xix. 315. keel, iv. 465. keep close, iv. 465. Keisar, viii. 34. Kendal Green, xvi. 278. kickie wickie, x. 390. kid fox, vii. 58. kiln hole, xiv. 364. kind, nature, v. 27. .......... vi. 479. kind, q? vii. 195. kindle, incite, vi. 357. kindly, natural, vii. 109. king'd of our fears, governed by our fears, xv. 244. kinsman, akin to, iv. 249. kirtle, xvii. 98. knap, to break short, v. 73. knapt, x. 117. knave, servant, xii. 369. knife, xi. 65. knights of the battle, xii. 206. knights will hack, viii. 58. knots, figures planted in box, xvi. 117.

L. lackeying, following, xii. 204. lady of the strachy, xi. 415. languish, subst. vi. 31. ....... xii. 401. land-damn, xiv. 284. land-rakers, xvi. 238. lane of children, xii. 74. lantern, vi. 237. lapwing, vii. 500. ....... ix. 35. large, not kept within bounds, vii. 108.

-- 497 --

large discourse, vii. 422. lass lorn, xv. 139. latch, to catch, xi. 232. latched, v. 261. late, lately, xviii. 436. ......... xx. 209. lated, benighted, xi. 161. .............. xii. 309. latten, viii. 22. launch, lance, xii. 393. laund, lawn, xviii. 448. laundering, wetting, xx. 369. law of children, xii. 74. lay by, xvi. 192. leaguer, camp, x. 417. leasing, lying, xi. 366. leave, to part with, iv. 111. leavened choice, considerate, ix. 13. leer, complexion, vi. 467. leets and law days, ix. 354. leg, obeisance, xvi. 290. legerity, lightness, xvii. 389. leiger, resident, ix. 102. leman, a lover, viii. 155. lenten, sparing, vii. 286. l'envoy, end of a poem, iv. 327. leno, a pander, xvii. 400. let be, vii. 141. lethe, death, xii. 36. let the musick knock it, xix. 355. let slip, a term of the chase, xii. 89. lewd, ignorant, vii. 147. ..... wicked, xvi. 12. liberal, licentious, iv. 34. ............... v. 43. ............... vii. 110, 459. ...... uncontrouled, ix. 481. liberties of sin, iv. 166. lie, to reside, iv. 237. .......... viii. 79. lieger, ambassador, xii. 40. lifter, a thief, viii. 243. light o' love, the name of an old tune, iv. 23. ........... vii. 93. lightly, commonly, xix. 103. likelihood, semblance, xix. 123. like, please, x. 95. liking, condition of body, viii. 59. limbeck, the vessels through which distilled liquors pass into the recipient, xi. 37. limbs of Limehouse, xix. 439. lime, bird-lime, iv. 90. limited, appointed, xi. 120. Lincolnshire bagpipe, xvi. 197. lines, viii. 148, 307. linstock, the staff to which the match is fixed when ordnance is fired, xvii. 336. lip, to kiss, ix. 417. Lipsbury penfold, x. 86. list, vii. 432. ... bound, ix. 5. lither, flexible, xviii. 130. living, manifest, ix. 386. loach, xvi. 232. lob, lubber, v. 201. lockram, xiv. 70. lode stars, v. 186. lone woman, unmarried woman, xvii. 47. long purples, a flower, vii. 459.

-- 498 --

longly, longingly, v. 391. loof, to bring a ship close to the wind, xii. 307. looped, x. 149. loose, too unreserved, xix. 363. love in idleness, a flower, v. 227. love, the queen of love, iv. 206, 392. ................ xii. 169. love springs, young shoots of love, iv. 199. lover, a friend, v. 99. ..... xii. 93. lover, a mistress, vi. 455. ..... ix. 36. lown, a sorry fellow, 323. lowted, xviii. 117. lozel, a worthless fellow, xiv. 300. lullaby, xxi, 297. lunes, viii. 148. ..... xiv. 291. lurched, xiv. 83. lush, xv. 73. lust, will, pleasure, viii. 373. lustick, lusty, x. 376. luxurious, lascivious, vii. 107. luxury, lust, vii. 248. ...... viii. 193. lym, x. 175.

M. mace, a sceptre, xii. 129. mad, xviii. 148. .... wild, ix. 447. magot pie, magpie, xi. 176. magnificent, boastful, iv. 343. make all split, v. 194. make hopes, x. 432. makeless, without a make, or mate, xx. 232. make remain, remain, xiv. 37. make ropes, x. 432. make the doors, bar the doors, iv. 197. ............... vi. 471. male, a bag, iv. 327. malkin, xiv. 70. malmsey nose, red nose, xvii. 48. maltworms, topers, xvi. 239. mammering, hesitating, ix. 348. mammets, xvi. 257. mammock, to tear, xiv. 29. man, applied to the devil, viii. 179. mandragora, mandrake, a soporifick, ix. 378. mankind, xiv, 155, 297. manner, mannour, a forensick term, iv. 292. ........ xvi. 283. man-queller, a murderer, xvii. 48. many, the multitude, xiv. 109. ..... xvii. 45. marble heaven, ix. 390. marble pavement, heavens, xiii. 201. march pane, biscuit, vi. 59. margent, margin, iv. 321. market, vii. 420. marry trap, viii. 25. masters, xv. 71. mated, xi. 243. material, full of matter, vi. 445. material sap, x. 200.

-- 499 --

mates, v. 386. maugre, x. 267. ....... xi. 439. maund, a basket, xx. 370. meacock, a mean wretch, v. 428. mealed, ix. 151. mean, the tenor in musick, iv. 23, 424. mean, to moan, v. 333. means, to make means, to take measures, iv. 135. measure, a solemn dance, iv. 414. ........ vii. 35. meazles, lepers, xiv. 109. medicin, physician, xi. 245. meed, reward, iv. 127. ..... excellence, vii. 497. ..... desert, xiii. 270. ..... xviii. 511. meiney, retinue, x. 110. mell, x. 449. memorize, make memorable, xi. 23. memory, memorial, vi. 386. ....... xiv. 166. men of hair, satyrs, xiv. 371. mercatante, a merchant, v. 474. mercantant, a merchant, v. 474. merchant, a low fellow, vi. 108. mere, complete, vi. 147. ..... viii. 263. mered, xii. 319. merely, entirely, vii. 203. merit, a reward, xvi. 33. mermaid, a syren, iv. 205. Merop's son, iv. 74. merry Greeks, viii. 243, 374. metaphysical, supernatural, xi. 60. metal of India, xi. 414. micher, xvi. 291. miching mallicho, vii. 352. middle earth, viii. 191. midsummer madness, xi. 451. milled sixpences, viii. 21. mimick, an actor, v. 259. mind of honour, honourable mind, ix. 93. mind's eye, vii. 208. mineral, a mine, vii. 409. minikin, x. 173. minim, a term in musick, vi. 97. minnow, a term of contempt, iv. 294. minions of the moon, thieves, xvi. 192. minute Jacks, xiii. 351. minutes of the night, vii. 174. mirable, admirable, viii. 389. miscreate, illegitimate, xvii. 266. miser, a wretched person, xviii. 150. misery, avarice, xiv. 36. misprised, mistaken, v. 263. missingly, at intervals, xiv. 332. missives, messengers, xi. 59. mistake, vii. 361. mistempered, angry, vi. 13. mistress, the jack at bowls, viii. 326. mobled, vii. 309. mock, ix. 359. mock-water, viii. 96. model, copy, vii. 491. modern, vi. 145, 409.

-- 500 --

modern, ix. 259. ....... xi. 230. modesty, moderation, v. 366. module, x. 440. ....... xv. 373. moe, make mouths, xv. 93. moiety, a portion, x. 5. moist star, the moon, vii. 184. mome, a fool, iv. 192. momentany, momentary, v. 184. monsters, x. 23. month's mind, iv. 26. mood, anger, iv. 97. moon-calf, xv. 100. moon-like, inconstant, iv. 376. moonish, inconstant, vi. 441. mope, to exhibit marks of stupidity, vii. 395. mopping and mowing, x. 194. mops and moes, xv. 129. moral, secret purpose, v. 495. ..... vii. 100. ..... meaning, viii. 376. more, greater, xv. 223. more and less, greater and less, xi. 261. morris pike, iv. 232. mort o' the deer, a lesson played on the horn at the death of the deer, xiv. 247. mortal, deadly, vi. 393. mortal coil, viii. 323. mortified man, an ascetic, xi. 244. mot, motto, xx. 153. mother, hysterica passio, x. 112. motion, a puppet, or puppet-show, iv. 36. motion, ix. 246. motive, motion, viii. 283. ...... instrument, xvi. 17. mountain, a great deal, vii. 50. mouse, a term of endearment, iv. 404. ...... vii. 603. mouse hunt, vi. 201. mousing, xv. 243. much, vi. 476. ..... xiii. 280. ..... xvii. 80. muck water, viii. 96. muffler, a dress for the face, viii. 151, 157. ...... xvii. 361. muliters, muliteers, xii. 300. mulled, softened, xiv. 174. multitudinous, xi. 110. murdering piece, vii. 431. murky, dark, xi. 241. muse, to wonder, x. 398. muss, a scramble, xii. 326. musits, xx. 52. mutine, to mutiny, vii. 395. mutines, mutineers, vii. 485. ....... xv. 246. mutton, lost, iv. 15. ....... laced, iv. 15. ...... ix. 130. mysteries, ix. 344.

N. napkin, handkerchief, vi. 481. ...... ix. 374. native, adv. naturally, iv. 303. naughty, unfit, x. 158. nayword, a bye-word, xi. 399.

-- 501 --

neat, xiv. 248. neb, mouth, xiv. 255. neeld, needle, v. 271. neglection, neglect, viii. 264. neif, fist, v. 289. .... xvii. 88. nephew, a grandson, ix. 230. nether stocks, stockings, x. 108. newt, an eft, v. 236. nice, trifling, vi. 130, 229. nick, reckoning, iv. 102. night rule, v. 257. nill, ne will, will not, v. 425. nine men's morris, v. 213. nobility, vii. 199. noble, a coin, xviii. 151. noddy, a fool, iv. 16. nonce, xvi. 205. non com, nonplus, vii. 105. nook-shotten, xvii. 354. nott pated, with the hair cut short, xvi. 263. novum, a game at dice, iv. 440. nourish, nurse, xviii. 11. nousle, xxi. 50. nowl, a head, v. 259. nut-hook, xvii. 227.

O. O, a circle, v. 270. .. xvii. 254. Os, pockmarks, iv. 406. objects, xii. 109. obsequious, careful of obsequies, xvii. 198. .......... viii. 439. observation, celebration, v. 292. obstacle, obstinate, xviii. 150. occupation, mechanicks, xiv. 182. occurrents, occurrences, vii. 516. od's pitikins, xii. 170. Oeliads, x. 215. o'ercrow, overcome, vii. 515. o'erlooked, fascinated, v. 79. ......... viii. 192.* note o'er raught, overlook, vii. 319. o'erwrested, viii. 265. of all loves, by all means, v. 243. ........... viii. 82. officers of night, ix. 236. offices, rooms of entertainment, ix. 318. ...... xiii. 305. ...... xvi. 22. off capp'd, ix. 217. oh, oh, xv. 55. old, an augmentative, v. 133, 441. ... vii. 152. ... xvii. 71. old utis, xvii. 71. old age, ages past, xi. 405. old ends, vii. 25. old lad of the castle, xvi. 193. old tale, vii. 20, 163. omen, vii. 185. once, once for all, iv. 197. .... vii. 27. .... xiv. 89. .... at some time, viii. 137. .... xii. 125. .... xiv. 89. oneyers, xvi. 239. opal, xi. 407.

-- 502 --

open, ix. 49. operant, active, vii. 356. opinion, obstinacy, iv. 393. opposite, antagonist, ix. 129. ........hostile, xi. 425. opposition, combat, xii. 145. oppression, xii. 352. or, e'er, xii. 79. ..xv. 27. or ever, before, vii. 208. orbs, fairy circles, v. 200. orchard, a garden, vii. 55. ordinance, rank, xiv. 128. orgulous, proud, viii. 223. osprey, xiv. 187. ostent, outward show, v. 48. ostentation, appearance, vii. 116. overcome, come over, xi. 175. overscutched, xvii. 138. overture, xiv. 51. Ouph, a fairy, viii. 163. ousel cock, v. 251. out, interj. iv. 65. . . . completely, xiv. 169. ...xv. 28. out of suits, vi. 270. outward, not intimate, x. 400. owe, to possess, iv. 193, 303. .... v. 240. .... xv. 238. owches, xvii. 74.

P. pack, combine, vii. 144. packing, underhand contrivances, x. 135. paddock, a toad, xi. 13. pagan, ix. 249. ...... xvii. 64. pain, punishment, ix. 85. paiock, vii. 366. paicocke, vii. 366. pajocke, vii. 366. pale, incircle, xviii. 396. pale, paleness, xx. 46. pall, to fail, vii. 486. palmy, vii. 182. palter, to deceive, viii. 313. ..... xi. 272. paly, pale, vi. 187. pang, to afflict, xix. 374. pantaloon, vi. 410. paper epitaph, xvii. 282. papers, verb, xix. 317. parcel, part, viii. 28. parcell gilt, partly gilt, xvii. 51. parcell, verb, xii. 411. pardonnez moy's, vi. 99. parle, conference, vii. 176. parlous, perilous, v. 245. ....... shrewd, xix. 91. partake, participate, xiv. 427. partaker, accomplice, xviii. 66. parted, endowed, viii. 346. partial slander, reproach of partiality, xvi. 38. particular, private, ix. 173. Partlet, xiv. 298. pash, to strike, viii. 310. .... a head, xiv. 249. pass, to go beyond bounds, viii. 153, 245. .... to die, x. 221. pass on, decide, ix. 42. passes, ix. 199. passion, to feel acutely, iv. 116. passionate, sorrowful, xv. 256.

-- 503 --

passionate, to lament, xxi. 312. passy measure, xi. 492. pastry, room where pastry was made, vi. 200. patch, iv. 192. ..... v. 258. patches, v. 258. path, to walk, xii. 42. pathetical, promise-breaker, vi. 473. patient, to make patient, xxi. 268. patines, v. 138. pattern, instance, xix. 21. pavan, xi. 492. paucas pallabris, v. 358. pay, to beat, iv. 237. .... viii. 170. pax, xvii. 362. peacock, vii. 366. pearl, ornament, xi. 274. peat, pet, or darling, v. 337. peculiar, private, ix. 19. pedant, a schoolmaster, v. 474. peer, ix. 323. peevish, foolish, iv. 124, 219, 242. peize, to weigh, v. 79. pelting, paltry, v. 212. ...... viii. 398. ...... x. 105. pennons, flags, xvii. 357. penthouse lid, xi. 33. perdu, x. 244. perdurable, lasting, xvii. 433. perdurably, lastingly, ix. 108. perdy, pardieu, Fr. iv. 240. perfect, well informed, xi. 214. ...... xii. 97. ....... xiv. 331. periapts, charms, xviii. 138. period, to end, xiii. 259. perjure, iv. 366. periwig, iv. 117. person, parson, persona ecclesiæ, iv. 358. perspective, xi. 495. pestilence, poison, ix. 339. pew fellow, comrade, xix. 173. phantasma, xii. 42. pheere, companion, xxi. 14. pheezar, viii. 34. pheeze, v. 357. ...... viii. 310. Philip, xv. 217. phill-horse, shaft-horse, v. 43. phisnomy, physiognomy, x. 461. pia mater, iv. 357. ........ viii. 285. pick, pitch, xiv. 14. pick axes, fingers, xii. 175. picked, iv. 394. ...... vii. 472. ...... xv. 214. pickers and stealers, hands, vii. 369. picking, petty, xvii. 157. Pickt hatch, viii. 76. pick thanks, parasites, xvi. 324. piece of him, vii. 173. pied ninny, a fool, xv. 116. pieled priest, xviii. 31. pierced, penetrated, ix. 268. pight, pitched, viii. 445. pilche, a leathern coat, xxi. 61. pilcher, a cloak, vi. 125. pil'desteemed, xviii. 37. pilled, pillaged, xix. 42.

-- 504 --

pillicock, x. 154. pin, a term in archery, vi. 96. pin and web, a cataract, x. 159. pinched thing, xiv. 278. pink eyne, xii. 270. pioned, xv. 136. pious chansons, vii. 299. pipe wine, viii. 116. piss tallow, viii. 183. pissing while, iv. 108. pitch and pay, xvii. 323. pith and marrow, vii. 228. pitiful-hearted, xvi. 268. pittie ward, viii. 100. pix, xvii. 363. place, a mansion, vi. 387. placket, x. 156. plagued, punished, xix. 43. plain song, v. 253. planched, made of planks, ix. 140. plantage, viii. 335. plantain leaf, vi. 31. plants, feet, xii. 261. plates, xii. 406. plausive, applauded, vii. 228. plot, a piece of ground, vii. 421. plurisy, plethory, vii. 453. point, a negative, iv. 316, 419. point-device, vi. 440. ........... xi. 426. point devise, finical, iv. 395. poize, weight, ix. 349. Polacks, Poles, vii. 177. poleaxe, vii. 177. polled, cleaned, xiv. 173. pomewater, a kind of apple, iv. 353. pons chansons, vii. 299. poor fool, a term of endearment, x. 283. ........ xviii. 433. poor fool, xx. 45. Poprin peer, vi. 74. popinjay, xvi. 211. porpentine, porcupine, iv. 2, 14. porringer, a cup, v. 484. port, external appearance, v. 15, 392. .... a gate, viii. 377. portable, bearable, xi. 224. portance, carriage, behaviour, ix. 260. ....... xiv. 102. ports, gates, xiv. 45. possess, inform, vii. 144. ...... viii. 377. ...... ix. 141. potatoes, viii. 409. potch, strike, xiv. 55. poulter, poulterer, xvi. 294. pouncet box, xvi. 210. practice, vii. 456. practise, insidious stratagems, ix. 184. prank, adorn, xi. 408. ..... xiv. 106. precedent, rough draft, xv. 345. precept, a justice's warrant, xvii. 201. precisian, a puritan, viii. 54. prefer, offer, v. 308. ..... vii. 458. ..... recommend, xii. 154. pregnant, ready, viii. 343. ........ ix. 9. prescribe, prescrips, commands, what is prescribed, vii. 274. presence, a publick room, vi. 237. ....... the presence chamber, xix. 399.

-- 505 --

presence, dignity of appearance, xv. 207. present, present time, xi. 67. ...... xv. 21. prest, ready, v. 17. pretence, design, iv. 69. ........ x. 37. pretend, intend, passim. pretended, intended, iv. 62. prevent, anticipate, xvii. 39. prick in, insert, v. 444. prick'd on, instigated, vii. 179. pride, the haughty power, xviii. 90. prig, xiv. 342. prima mater, iv. 357. primero, a game at cards, viii. 170. principality, iv. 51. principals, the strongest rafters in the roof of a building, xxi. 144. princox, vi. 65. print, in, with exactness, iv. 39. private, subst. private account, xv. 331. probal, probable, ix. 337. proceed, iv. 283. prodigious, portentous, v. 339. producted, produced, ix. 233. proface, xvii. 216. profane, licentious, ix. 230. prognostication, almanack, xiv. 397. project, verb, xii. 408. projection, xvii. 328. prolixious, delaying, ix. 92. prone, ix. 26. ..... forward, xii. 205. propagate, advance, xiii. 257. propagation, ix. 24. proper, good looking, iv. 94. ...... v. 21. ...... vii. 67. proper-false, xi. 382. properties, a stage term, v. 198. property, to make a property of, xi. 477. propose, to converse, vii. 70. ...... conservative, vii. 70. prorogue, delay, vi. 32. protest, vi. 110. provand, provender, xiv. 74. provant, vi. 71. provincial, ix. 195. provincial roses, vii. 363. provost, a gaoler, ix. 41. provulgate, make known, ix. 239. prune, xvi. 189. pugging, xiv. 334. pun, to pound, viii. 283. purchase, stolen goods, xvi. 243. purl, to curl, xx. 186. push, vii. 131. pussel, pucelle, xviii. 42. put on, instigate, vii. 518. ...... ix. 305. putting down, viii. 56. puttock, xii. 17. pyrámides, xii. 403. pyramises, xii. 264.

Q. quail, to be defeated, vi. 385. ..... xii. 212.

-- 506 --

quail, subst. viii. 403. quaintly, skilfully, iv. 72. quake, terrify, xiv. 48. qualify, to moderate, ix. 151. quality, profession, iv. 98. ...... vii. 293. ...... viii. 186. quarry, game that has been killed, vii. 517. ...... x. 233. ...... xiv. 17. quart d'ecu, a coin, x. 452. quarter, ix. 328. quartered, fives, xii. 180. quat, ix. 453. queasy, squeamish, vii. 52. quell, kill, v. 329. .... murder, ii. 87. quern, a hand-mill, v. 202. quest of love, amorous expedition, x. 21. quests, ix. 143, 243. question, conversation, v. 115. ....... vi. 23. ....... theme, vii. 181. questionable, vii. 233. questrist, one who goes in quest of another, x. 182. quick, lively, iv. 288. ..... xii. 415. quick winds, xii. 182. quicken, animate, v. 385. quiddits, subtilties, vii. 469. quietus, discharge, vii. 325. quillets, substilties, vii. 469. quintain, vi. 370. quire, to play or sing in concert with, v. 138. .... xiv. 138. quit, requite, vii. 492. .... ix. 206. quittance, return, xvii. 16. quiver, nimble, xvii. 135. quote, to observe, iv. 45. ..... vi. 45. ..... vii. 262.

R. R, dog's letter, vi. 113. rabato, a ruff, vii. 95. rack, exaggerate, vii. 117. .... subst. xii. 369. .... xv. 147. .... xx. 257. ragged, rugged, vi. 396. ...... xvii. 18. ragged end, forestall'd, remission, xvii. 207. rake up, cover up, x. 240. rampallian, xvii. 49. ranged, xii. 168. rank, vi. 495. .... xii. 83. rank garb, ix. 316. rank time, vi. 495. rapture, a fit, xiv. 69. rascal, a lean deer, vi. 447. ..... xvii. 73. rased shoes, vii. 363. rash, hasty, viii. 366. rash, verb, to strike, x. 185. ravin, devour, ix. 22. .... ravenous, x. 407. ravin'd, ravenous, xi. 194. raught, reached, iv. 355. raw, ignorant, vi. 420. ... vii. 495. rawly, hastily, xvii. 395. rawness, without preparation, xi. 221. rayed, v. 456. razes of ginger, xvi. 234. read, counsel, vii. 217. reason, discourse, iv. 393. reasoned, conversed, v. 65.

-- 507 --

reasoning, conversing, iv. 38. rebeck, a fiddle, vi. 213. receive, understand, xi. 381. receiving, ready apprehension, xi. 437. recheate, vii. 21. reck, to care for, iv. 107. reckless, careless, iv. 124. recollected, xi. 402. record, to sing, iv. 126. recorded, xi. 263. recorder, v. 317. ....... vii. 369. recover the wind, vii. 370. recourse of tears, tears coursing one another, viii. 424. recure, recover, xix. 145. red plague, erisipelas, xv. 571. reduce, bring back, xix. 241. reechy, smoky, vii. 92, 403. ...... xiv. 70. refelled, refuted, ix. 182. regiment, government, xii. 296. regreet, salutation, xv. 279. regreets, reward, v. 72. reguerdon, xviii. 86. relapse, xvii. 422. relume, relight, ix. 465. relumine, ix. 465. remorse, pity, v. 108. ....... vi. 370. remorseful, feeling pity, iv. 106. remotion, xiii. 395. removed, remote, vii. 236. render, describe, vi. 483. ...... an account, xii. 180. reneg, deny, x. 93. ..... xii. 165. rent, rend, xi. 230. repeal, recall, ix. 339. repugn, resist, xviii. 108. rere-mouse, a bat, v. 237. reserve, preserve, xx. 256. resolve, dissolve, vii. 202. ...... xv. 357. respect, consideration, vii. 323. ...... viii. 291. respective, repected, iv. 119. ........ considerate, vi. 128. resty, mouldy, xii. 138. retail, recount, xix. 189. retire, draw back, xvi. 72. reverbs, reverberates, x. 17. revolt of mein, viii. 44. revolts, rebels, xii. 180. rheumatick, splenetick, xvii. 75. rib, to inclose, v. 61. riched, enriched, x. 10. rid, destroy, xv. 576. riddles, book of, viii. 26. ride the mare, xvii. 50. rift, rive, split, xiv. 403. riggish, wanton, xii. 237. rigol, a circle, xvii. 186. rim, xvii. 427. ripe, v. 241. ripe wants, v. 26. rivage, bank, xvii. 335. rivality, equal rank, xii. 289. rivals, associates, vii. 172. Rivo, xvi. 268. romage, vii. 180. ronyon, scabbed, viii. 156. ...... xi. 28. rood, the cross, xvii. 114. rook, to squat down, xviii. 539. rooky, xi. 159.

-- 508 --

rooting hog, xix. 45. rope tricks, roguery, v. 401. ropery, roguery, vi. 108. rose, vii. 388. rough hew, vii. 487. round, free in speech or action, iv. 172. ..... vii. 272. ..... to whisper, xiv. 257. ..... without reserve, vii. 383. rounded, whispered, xv. 257. roundel, a dance, or a song, v. 234. roundure, circle, xv. 238. rouse, vii. 201. .... ix. 321. royal, a coin, xvi. 282. royal faith, faith due to a king, xvii. 156. royal merchant, v. 109. royalize, make royal, xix. 40. royalty, excellence, xi. 140. roynish, scabby, vi. 385. ruddock, red-breast, xii. 164. ruff, a boot-top, x. 401. ruffle, v. 482. .... xxi. 277. running banquet, a hasty banquet, xix. 342.

S. sables, suit of, vii. 348. sacred, accursed, xxi. 291. sacrificial whisperings, xiii. 257. sacring bell, bell that gives notice of the Host approaching, xix. 423. sad, serious, iv. 27. sad and civil, solemn and grave, xi. 448. sadness, seriousness, vi. 216. safe, be secure, xii. 194. sag, swag, xi. 247. said I well, viii. 34. Saint George to boot, xix. 232. Saint Nicholas, patron of scholars, iv. 81. sallet, vii. 303. .... xviii. 330. saltiers, xiv. 373. Samingo, xvii. 221. ........ xxi. 467. sans, without, iv. 430. savage, uncultivated, xvii. 353. savageness, wildness, vii. 259. save reverence, vi. 48. say, xviii. 313. 'say, sample, x. 269. scald, scabbed, xii. 415. scale, ix. 115. .... xiv. 9. scaling, weighing, xiv. 104. scall, a scab, viii. 111. scamble, scramble, xv. 339. scambling, scrambling, vii. 134. scamble, to divide into small portions, xvi. 309. scamels, xv. 103. 'scape of nature, an abortion, xv. 305. scare, viii. 176. scarre, x. 433. scath, to do an injury, vi. 65. scathful, destructive, xi. 486. scattered, disunited, x. 136. sconce, a head, iv. 164. ...... vii. 469.

-- 509 --

scotch, to cut, xi. 152. scrimers, fencers, vii. 452. scroyles, scabby fellows, xv. 246. scrubbed, v. 147. sculls, shoals, viii. 432. sea-mells, xv. 103. seam, fat, viii. 309. sear, burn, xi. 204. sear up, xii. 14. season, vii. 113, 209, 220. seasoned, established and settled by time, xiv. 145. sect, a cutting, ix. 284. securely, confidently, viii. 385. seel, to close up, ix. 367. .... xi. 158. seeming, specious, viii. 113. seen, well seen, practised, v. 403. seld-shown, seldom shown, xiv. 71. seldom, rare, xx. 273. self, self-same, x. 210. ... xi. 344. self covered, x. 202. self figured knot, xii. 76. semblably, resembling, xvi. 394. sennet, xii. 11. ...... xix. 381. sense, sensual desires, ix. 66, 70. sensible, having sensation, xiv. 35. septentrion, the north, xviii. 398. sequestration, ix. 285. sere dry, withered, iv. 222. ....... xi. 250. sergeant, xi. 15. serpigo, a kind of tetter, viii. 303. ...... ix. 98. servant, a lady's lover, iv. 36. sessey, x. 156. set, vii. 417. set by, to value, iv. 22. set cock-a-hoop, vi. 64. set down, ix. 309. set up rest, iv. 232. ......... vi. 263. several, iv. 318. severals and hidden passages, xvii. 264. sewer, xi. 74. shaft or bolt, two kinds of arrows, viii. 132. shag eared, xi. 215. shag haired, xviii. 250. shapeless, iv. 10, n. 5. shapes our ends, vii. 486. shard borne, xi. 155. sharded, xiii. 107. shards, potsherds, vii. 476. shark up, vii. 180. sheen, bright, v. 202. sheep, pronounced like ship, iv. 14, 220. sheer ale, v. 375. sheer, transparent, xvi. 155. shent, vii. 374. ..... rebuked, viii. 304. ..... xiv. 203. shog off, xvii. 300. short, defective, vi. 192. shoughs, a kind of dogs, xi. 146. shoulder clapper, a bailiff, iv. 225. shoulder of the sail, vii. 217. shouldered, xix. 143.

-- 510 --

shrew, applied to males, v. 461. shrewd, bitter, v. 401. shrift, confession, vi. 191. shrive, to call a person to confession, iv. 188. shrup'd, viii. 393. shut up, xi. 91. side, x. 255. side sleeves, vii. 96. siege, place, or rank, vii. 451. .... ix. 239. .... seat, ix. 152. sigh away Sundays, vii. 19. sightless, invisible, xi. 64. ........ unsightly, xv. 262. sights of steel, the perforated part of their helmets through which they could see, xvii. 152. signior, senior, iv. 297. silly, simple, x. 95. silly cheat, a cant term for thieving, xiv. 337. silver sound, vi. 213. sincere motions, honest indignation, ix. 323. single, xvii. 35. single-soled, vi. 103. single state, xi. 49. sirrab, sometimes not a term of contempt, xvi. 205. Sir-reverence, save reverence, salvâ reverentiâ, iv. 208. ........... vi. 47. sisters, verb, xxi. 184. sith, since, xviii. 371. sixpenny strikers, xvi. 238. sizes, allowance, x. 123. skain's mate, vi. 109. skill-less, viii. 230. skills, is of importance, xviii. 245. skimble scamble, xvi. 313. skipping, frolicksome, xi. 370. skirr, xi. 245. ..... xvii. 440. slack, to neglect, viii. 138. slave, to make subject, x. 195. sleave, xi. 106. sleided silk, untwisted silk, xxi. 132. slip, a counterfeit, vi. 101. sliver, tear off, x. 199. slops, large breeches, iv. 367. ....vi. 101. slough, the skin which a serpent throws off, xvii. 389. slow, to retard, vi. 181. slower, graver, xix. 25. slubber, to obscure, ix. 271. sluggabed, sluggard, vi. 204. sly-slow hours, xvi. 33. smaller, shorter, vi. 372. smirch, to soil, vi. 378. ...... vii. 92, 112. smooth, to sooth, x. 93. snake, a term of contempt, vi. 479. sneap, to check or rebuke, xvii. 53. sneaping, checking, iv. 284. ........ nipping, xiv. 240. sneck up, xi. 396. snipe, a fool, ix. 289. snuff, anger, iv. 404. snuffs, dislikes, x. 135. soldier to, xii. 127.

-- 511 --

solemn supper, xi. 136. soliciting, xi. 48. solidares, xiii. 313. sometimes, formerly, v. 17. soope, vii. 465. sooth, truth, xi. 405. ..... sweetness, xvi. 111. sop o' the moonshine, x. 88. sorrow wag, vii. 128. sort, a company, v. 260. .... a lot, viii. 279. .... and suit, ix. 171. .... degree, v. 269. .... to choose out, iv. 93. .... to succeed, v. 481. .... to suit, vii. 181. .... viii. 235. sorry, dismal, iv. 251. ..... xi. 105. sovereignty of reason, sovereign reason, vii. 236. souced gurnet, xvi. 366. soud, v. 465. soul fearing, soul appalling, xv. 247. soul of great article, soul of large comprehension, vii. 496. sound, declare, xv. 319. sowle, drag by the ears, xiv. 172. sowter, xi. 423. spanieled, followed like a spaniel, xii. 362. spare, to let go a thing, xiv. 308. Spartan hounds, v. 298. speak fewer, speak less, xvii. 391. speak parrot, talk idly, ix. 335. special soul, ix. 9. speculation, viii. 347. speculative instruments, eyes, ix. 280. sperre, shut up, viii. 224. spirit of sense, viii. 233. spleen, haste, v. 184. sprag, alert, viii. 147. sprighted, haunted, xii. 78. springs, young shoots or buds, iv. 199. spurring, xiii. 379. spurs, fibres or roots of trees, xiii. 149. spy of the time, xi. 148. square of sense, x. 11. square, to quarrel, v. 202. squarer, a quarrelsome fellow, vii. 14. squash, an immature peascod, v. 256. ....... xi. 268. squiny, squint, x. 229. squire, a rule to measure with, iv. 435. squire of the night's body, xvi. 190. staff tipped with horn, vii. 161. staggers, x. 384. stain, x. 316. stale, a stalking horse, iv. 174. stale, a term at chess, v. 386. stalk on, vii. 61. stands upon, is important, xii. 219. ........... xix. 160. stannyel, xi. 422. stark, stiff, xii. 162. starkly, stiffly, ix. 150. state, viii. 305. .... xi. 164, 416.

-- 512 --

state, xii. 117. .... xvii. 213. state of law, xvi. 57. station, attitude, vii. 392. statist, statesman, vii. 489. ..... xii. 80. statua, xii. 65. ...... xix. 139. statue, a picture, iv. 119. statute caps, iv 420. statutes, securities, vii. 470. staves, wood of the lances, xix. 212. stay, xv. 250. sternage, xvii. 235. stewed prunes, xvi. 345. sticking place, xi. 84. stickler, viii. 442. stigmatical, stigmatised, iv. 223. stigmatick, a person branded, xviii. 348. stint, to stop, v. a. viii. 387. .... to stop, v. n. vi. 36. stithy, a smith's shop, vii. 344. stoccata, a thrust, vi. 124. stomach, passion or obstinacy, iv. 22. ....... resolution, vii. 180. ....... pride, xix. 44. stone bow, xi. 417. stoup, a flaggon, vii. 465, 508. strain, a fault, viii. 61. .... to embrace, xix. 438. strange, coy, vi. 83. ....... q? xii. 49. ...... a stranger, xii. 58. strangle, suppress, xi. 490. stratagem, dreadful event, xvii. 10. stratagem, xviii. 435. straying shapes, iv. 455. stricture, strictness, ix. 29. strides, xi. 98. strike the vessels, tap the vessels, xii. 269. strumpeted iv. 183. stuck, a thrust, vii. 458. .... xi. 461. stuff, baggage, iv. 244. stuff of the conscience, ix. 237. stuffed, vii. 10. stuffed sufficiency, abilities more than enough, xiv. 289. subscribe, agree to ix. 86. ........ yield, viii. 388. ........ x. 34. success, consequence either. good or evil, ix. 368. successantly, xxi. 354. successive title, title to the succession, xxi. 263. sudden, violent, vi. 409. suggest to tempt, iv. 60. suggestion, temptation, x. 411. ......... xi. 48. suitor, pronounced like shooter, iv. 348. summer seeming xi. 223. summer swelling, which swells in summer, iv. 52. sumpter, a horse that carries provisions, x. 127. sun breeding maggots in a dead dog, vii. 278. suppliance, vii. 215. supplied, ix. 412. surcease, an end, xi. 76. sur-reined, xvii. 354. suspect, suspicion, xx. 288.

-- 513 --

sustaining, xv. 44. swaid, bent, v. 443. swart, black, iv. 209. swashing, swaggering, vi. 378. swashing blow, vi. 11. swaying, inclining, xvii. 263. sweet, subst. iv. 427. sweet mouth, iv. 83. sweeting, a term of fondness, ix. 334. swift, ready, vii. 76. sworn brother, vii. 12. sworn rioter, xiii. 343.

T. table, the palm of the hand, v. 45. .... a picture, x. 315. table of green fields, xvii. 320. tables, memorandum books, vii. 249. tabourines, small drums, viii. 398. tailor cries, v. 208. taint, x. 23. take in, overcome, xii. 99, 299. take order, to take measures, iv. 253. take out, copy, ix. 375. take the earth, xvi. 124. take the hatch, leap the hatch, xv. 252. take thought, grieve, xii. 318. take up, contradict, x. 387. takes affects magically, vii. 190. ..... blasts, viii. 162. talent, a talon, iv. 357. tall, viii. 47, 70. tall fellow of his hands, xiv. 419. tallow keech, xvi. 279. tame cheater, xvii. 77. tang, xi. 451. tarre, incite, vii. 294. .... viii. 280. .... xv. 313. Tartar's bow, vi. 43. tassel gentle, the male of the goshawk, vi. 87. taste your legs, xi. 434. taxation, censure, vi. 361. tear a cat, to bluster, v. 194. teen, sorrow, vi. 35. .... xv. 30. temnest, most contemned, x. 98. temper, verb, xviii. 499. ...... to mould, xix. 13. temperance, temperature, xv. 73. temporary meddler, ix. 187. tenable, held, vii. 213. tend, i'the eyes, xii. 235. tender, dear, iv. 127. tender, verb, vii. 222. tender-hefted, x. 123. tender-hested, x. 123. ten fingers, xviii. 191. tent, dwell as in a tent, xiv. 139. tent, search, vii. 317. tercel, the male hawk, viii. 327. testern'd, getting sixpence, iv. 18, n. 4. Theban, x. 164. theorick, theory, ix. 220. thewes, vii. 215. ...... xvii. 129.

-- 514 --

thick as tale, xi. 43. thick pleached, thickly interwoven, vii. 28. thick, quick, xii. 103. thieves of the day's beauty, xvi. 191. thill horse, v. 43. thing of nothing, vii. 413. thin helm, x. 244. think and die, xii. 317. thirdborough, a constable, v. 360. thought, melancholy, vi. 474. ....... vii. 443. thou'st him, xi. 442. thrasonical, iv. 394. thread, to pass through, x. 84. ...... xiv. 112. thread of mine own life, xv. 133. three hooped pots, xviii. 297. three-nooked, three-cornered, xii. 349. three pile, rich velvet, xiv. 335. three souls, xi. 390. throstle, v. 20. thrumbed hat, viii. 151. thrum, end of a weaver's warp, v. 328. thunder stone, thunderbolt, xii. 168. thwarting, crossing, xxi. 166. tickle brain, xvi. 291. tickle, ticklish, xviii. 177. tickle your catastrophe, xvii. 49. tickled in the sere, vii. 287. tide, pun on tide and tied, iv. 43. tidy, xvii. 92. tight, adroit, xii. 345. tightly, adroitly, viii. 41. tilly vally, xi. 394. tilth, tillage, ix. 37. time of scorn, ix. 433. time, the present times, vii. 323. timely parted, xviii. 263. tinct, tincture, x. 478. tire, a term in falconry, xiii. 347. tired, dressed, iv. 362. tiring, dressing, iv. 181. tirra-lirra, the song of the lark, xiv. 335. toasting iron, xv. 337. tods, amounts to a tod of wool, xiv. 338. toged, ix. 222. toll, x. 480. tolling, taking toll, xvii. 188. tomboys, xii. 54. tongued, wordy, ix. 222. topple, tumble, x. 218. totter'd, xv. 359. touch, exploit, v. 263. ..... feeling, v. 390. ..... viii. 368. ..... xii. 16. ..... touchstone, xiii. 397. toward, xiii. 349. towards, ready, vi. 68. toys, vii. 237, 424. toze, xiv. 394. trace, follow, xi. 209. .... xix. 408. trade, dealing, vii. 368. .... practise, ix. 111. trail, course of an animal

-- 515 --

pursued by the scent, vii. 266. .... viii. 157. tranect, v. 101. translate, transform, v. 187. ....... explain, vii. 408. ....... viii. 38. trash, ix. 314. ..... xv. 31. travel, to stroll, applied to players, vii. 288. traverse, march, ix. 288. tray trip, xi. 427. treacherous persons, x. 42. treble, vii. 213. trenched, carved, iv. 87. tribulation of Tower-hill, xix. 489. trick, peculiarity, x. 315. .......... xv. 205. Trigon, xvii. 97. triple, third, x. 361. triple-turned, xii. 361. triumphs, shows, iv. 136. ........ xvi. 149. Trojans, xvi. 238. trol my dames, xiv. 341. trossers, xvii. 376. trot, a term of contempt, ix. 123. trow, vii. 99. true man, honest man, ix. 146. ........ xviii. 394. true penny, vi. 353. trundle tail, x. 175. truth, honesty, v. 122. tub fast, xiii. 371. tucket sonuance, xvii. 409. tugged with fortune, xi. 147. tumbler's hoop, iv. 337. tup, a ram, ix. 228. turn his girdle, vii. 137. turn to, occasion, viii. 192. turn Turk, vii. 99, 361. twangling jack, v. 418. twiggen bottle, wickered bottle, ix. 326. twilled, xv. 136. twire, xx. 251. tyed, xix. 444.

V. vail, to lower, v. 9. .... ix. 178. .... xvii. 17. vailing, lowering, iv. 422. valanced, vii. 300. validity, value, x. 11, 484. valued file, xi. 146. vanity, an illusion, xv. 135. vantage, opportunity, xii. 24. vantbrace, armour for the arm, viii. 274. varlet, a servant, viii. 229. vast of night, xv. 53. vaunt, what goes before, viii. 226. vaward, forepart, v. 296. velure, velvet, v. 443. venew, iv. 308. veneys, hits, viii. 31. vengeance, mischief, vi. 478. ventages, holes of a flute, vii. 371. verbal, verbose, xii. 76. Veronesé, a ship from Verona, ix. 293. versing, writing verses, v. 210. vice of kings, vii. 397. vie, v. 427. vild, vile, viii. 192.

-- 516 --

violenteth, acts with violence, viii. 371. virginal, belonging to virgins, xiv. 201. ...... to play on the virginal, a small kind of spinnet, xiv. 248. virgin knight, vii. 153. virtuous, salutiferous, v. 280. visitor, xv. 71. vizaments, advisement, consideration, viii. 13. vox, xi. 49. vulgar, common, xi. 438. vulgarly, publickly, ix. 187.

U. Ullorxa, xiii. 337. umber, vi. 378. umber, vii. 371. umbered, xvii. 384. unaneled, without extreme unction, vii. 246. unbarbed, xiv. 137. unbolt, explain, xiii. 255. unbonnetted, ix. 240. unbraided wares, xiv. 360. unbreathed, unpractised, v. 314. uncape, a term in hunting, viii. 127. unclean, unchaste, x. 25. unclew, xiii. 264. unconfirmed, unpractised, vii. 91. uncurrent encounter, xiv. 309. undercrest, xiv. 53. under fiends, xiv. 167. undergoes, is subject to, vii. 151. understand, stand under, iv. 58, 171. underwrite, subscribe to, obey, viii. 306. uneath, scarcely, xviii. 228. uneffectual fire, vii. 248. unexpressible, unexpressive, vi. 417. unfair, to deprive of beauty, xx. 229. unhaired sauciness, xv. 351. unhappy, mischievous, x. 462. unhouselled, without having received the sacrament, vii. 246. union, a pearl, vii. 509. unkind, unnatural, vi. 411. unlace, ix. 330. unless, except, xiv. 197. unlived, lifeless, xx. 206. unlustrous, without lustre, xii. 53. unmanned, a term in faulconry, vi. 136. unmastered, licentious, vii. 216. unpregnant, vii. 314. unprepared, ix. 171. unprevailing, unavailing, vii. 199. unproper, not confined to one, ix. 416. unqualitied, xii. 312. unquestionable, vi. 439. unready, undressed, xviii. 51. unrespective, thoughtless, xix. 158. unrest, disquiet, xxi. 294. unrough youths, unbearded, xi. 245. unsifted, vii. 221. unsisting, ix. 152.

-- 517 --

unsmirched, unsoiled, vii. 434. unstaunched, xv. 22. unthread, xv. 356. untraded, not in common use, viii. 392. untrimmed, xv. 276. unvalued, invaluable, xix. 55. upspring, a dance, vii. 226. urchins, viii. 163. ....... xv. 55. use and usance, v. 30. Utis, xvii. 71. utterance, a l' outrance, to extremity, xi. 143. ......... xii. 97.

W. wafts, beckons, iv. 181. wage, xiv. 221. waist, middle, vii. 209. walk, xv. 323. wannion, xxi. 61. wanton, an effeminate man, vii. 512. wappened, xiii. 264. ward, defence, xv. 68. warden pies, xiv. 339. warder, a guard, xi. 87. warn, to summon, xii. 132. ..... xix. 36. warp, vi. 413. wassel, iv. 423. ...... vii. 226. ...... xi. 86. wassel candle, xvii. 34. wasp tongue, xvi. 226. wasp stung, xvi. 226. watch, xix. 211. water fly, a term of contempt, vii. 493. water galls, xx. 197. wawl, wail, x. 232. wax, to grow, iv. 404. waxen, xvi. 27. waxen epitaph, xvii. 383. way of life, xi. 249. weal, balanced, ix. 166. wealth, prosperity, v. 151. weather bitten, xiv. 414. weazel, xii. 125. wee, little, viii. 46. weigh, value, x. 410. weird sisters, xi. 35. welkin, the sky, iv. 326. well liking, enbonpoint, iv. 418. wench, a young woman, ix. 486. wend, to go, iv. 160. ........... v. 281. whalesbone, iv. 424. what make you? what are you doing? vii. 207. wheel, vii. 438. whelked, curled, x. 222. whelks and knobs, xvii. 369. when, an interrogation expressive of impatience, xii. 34. ........... xv. 51. where, whence, iv. 70, 312. whereas, where, xviii. 181. whiffler, xvii. 455. whiles, until, xi. 483. whinidst, mouldy, viii. 282. whipping cheer, xvii. 227. whipstock, a carter's whip, xxi. 76. whirring, xxi. 141. white, the mark in archery, v. 522. white death, x. 378. white liver'd, cowardly, xix. 197. whiting time, bleaching time, viii. 125.

-- 518 --

whitsters, bleachers of linen, viii. 117. whittle, a clasped knife, xiii. 422. whooping, vi. 429. wide, irregular, viii. 108. wide of the mark, viii. 320. wilderness, wildness, ix. 110. wild goose chase, vi. 103. will, in opposition to inclination, vii. 368. wimpled, having a wimple, or veil, iv. 343. Winchester goose, viii. 447. window-bars, xiii. 374. windows of the eyes, eyelids, vi. 187. window'd, x. 149. wing-led, xii. 80. wink, xv. 86. winter ground, xii. 164. winters pale, xiv. 335. winters sisterhood, vi. 452. wise gentleman, vii. 139. wise woman, a witch, viii. 168. wish, recommend, vii. 72. .... ix. 253. wisp, xviii. 421. wittol, a contented cockold, viii. 91. witty, able, xviii. 384. woe begone, xvii. 13. woman, to affect as a woman, x. 403. woman-tired, henpeck'd, xiv. 297. wondered, wondrous, xv. 144. wood, mad, iv. 42. .... v. 229. woodbine, v. 291. woodcock, a fool, iv. 368. ........ vii. 138. wooden thing, an awkward business, xviii. 144. woodman, viii. 184. ........ ix. 169. ........ xii. 137. woolvish, xiv. 94. woolward, wearing wool, iv. 450. world to see, wonderful, v. 427. .......... vii. 104. Worm, a serpent, xi. 165. ...... xii. 418. worship, dignity, xii. 376. worth, wealth, xi. 446. wrest, viii. 343. wretch, a term of fondness, ix. 350. writ, written composition, vii. 299. write against, vii. 108. write, to pronounce confidently, x. 261, 414. writhled, wrinkled, xviii. 57. wrong, hurt, xii. 75. ...... to punish, xx. 159. wronging, vii. 222. wroth, misfortune, v. 71. wrying, xii. 183. wry-neck'd fife, v. 54.

Y. yare, handy, ix. 149. yearn, to vex, xvii. 415. years, into years, into wrinkles, iv. 433. yield in form, x. 400. yellowness, jealousy, viii. 44. yokes, viii. 194. young, early, vi. 17. ...... xix. 409. youngest wren of nine, xi. 444.

-- 519 --

INDEX OF MANNERS, CUSTOMS, SUPERSTITIONS, &c. EXPLAINED IN THE NOTES.
Acheron, what place was signified by that name, discussed, xi. 182. actors, in Shakspeare's time, sometimes performed several parts in the same play, iv. 440. ...... xvi. 162. Adam Bell, vii. 23. Adonis' gardens, xviii. 45. aldermen distinguished by thumb-rings, xvi. 285. Alexandreis, a poem, by Philip Gualtier, v. 104. alliteration ridiculed, iv. 356. .................. v. 320. Alnaschar, story of, in the Arabian Nights, found also in the Dialogues of Creatures Moralized, xi. 419. Amaimon and Barbazon, dæmons, viii. 91. anachronisms, singular, pointed out in contemporary authors, xii. 174. anthropophagi, ix. 262. apes in hell, v. 412. apostle spoons given at christenings, xix. 480. arras, large in Shakspeare's time, so that a person might be concealed behind them, vii. 378. .......... xvi. 298. Arthur's show at Mile End, xvii. 131. aurum potabile, xvii. 192.

B. baffuling, an ignominious punishment for perjury, xvi. 16. bagpipe, effects of its musick, v. 111. ballads, written upon all occasions, xiv. 368.

-- 520 --

barbarous exhibitions on the ancient stage, x. 186. barber's chair, x. 369. ....... forfeits, ix. 195. barnacles, ancient opinions concerning them, xv. 155. Bartholomew pigs, xvii. 92. basilisk, killed by its look, xviii. 255. bason and ewer expensive, because displayed at table when they washed their hands before and after dinner, xiii. 312. bastardy, how far thought disgraceful, xviii. 21. beards, how worn, v. 197, 307. ............... vi. 409. ............... xvii. 366. Judas's beard, vi. 451. Cain's beard, viii. 46. Abram's beard, viii. 46. beaver of a helmet, passages mentioning it, explained, xvi. 429. bedfellows, men of the highest rank, so to each other, xvii. 305. Bedlam beggars, x. 104. beggars' clack-dish, ix. 127. bell, book, and candle, excommunication by, xv. 289. Bergomask dance, v. 33. Bermudas supposed to be inhabited by devils, xv. 44. ........ in cant language applied to privileged places resorted to by rogues and bullies, xv. 44. Sir Bevis, a romance, quoted, x. 163. bilboes, a punishment, described, vii. 485. bills, weapons carried by watchmen; represented in a wood-cut, vii. 87. .... frequent puns on the word, xiii. 335. bishops dressed in white, xvii. 145. biting thumbs an insult, vi. 10. Black Monday, Easter Monday, why so called, v. 54. blanks, an oppressive mode of taxation, xvi. 63. bleeding at the nose deemed ominous, v. 54. blue coats, the dress of servants, v. 461. brake, an instrument of torture, explained, with a wood cut, ix. 43. breaking a lance across, a disgraceful piece of awkwardness, vi. 454. .................... x. 358. breeches ridiculously large, ix. 53.

-- 521 --

breeches ridiculously large, xi. 116. ...................... xix. 346. bride-bed blessed, v. 338. Bucklersbury inhabited by druggists, viii. 123. Burbage, the original performer of Richard the Third, xix. 241. burning crown, a punishment for regicides, xix. 153. bush, generally of ivy, hung out as a sign at vintners' doors, vi. 511. Buttery, players taken to, v. 369.

C. cakes made in honour of saints' days, xi. 398 Camelot, King Arthur's court, x. 94. calf-skin, worn by fools, xv. 27. captain, a title assumed by rogues, xvii. 80. captives, whom they belonged to, xvi. 188. carpets used for table cloths, v. 460. carpet knights, xi. 458. carraways eaten with apples, xvii. 213. carving, an accomplishment, perhaps a mode of showing kindness, viii. 38. cat in a bottle, a cruel sport, described, vii. 23. St. Charity, name of a saint, vii. 427. Child Rowland, x. 166. Christmas carols, v. 216. clowns, dramatick, described, x. 334. ......................... xi. 361. ...... their extempore wit, vii. 341. clubs, the cry of the citizens of London when they wanted assistance, vi. 490. ...... ix. 487. coals, to carry coals signified to submit to disgrace, vi. 7. ......................................... xvii. 343. cockatrice, its look deadly, xix. 152. conjuration, its ceremonies described, xviii. 199. cooks, their perquisites, xi. 30. corpse bleeding at the approach of the murderer, xix. 22. Cotswold games, founded by Dover, viii. 16. ............................... xvii. 115. court of wards, iv. 253.

-- 522 --

country girls, their finery: inkles, caddesses, sleeve hand, and the work about the square ont, sweet gloves, masks, bugle bracelets, necklace amber, golden quoifs, poking sticks, tawdry lace, xiv. 361. pomander, brooch, horn ring, xiv. 388. cowslip, a favourite flower with fairies, v. 200. coxcomb, part of a fool's dress, x. 53. St. Crispin, his history, xvii. 416. crocodile's tears, ix. 426. crow-keeper described, x. 224. crusades, their object pointed out and defended, xvi. 183. curled hair, the mark of a man of fashion, or sometimes of a fop, ix. 245. .......... x. 154.

D. day-bed, a luxury in Shakspeare's time, xi. 417. .................................. xix. 141. Dæmons, names of, and their qualities, described: Flibbertigibbet, xi. 159, 194. Modo, x. 163, 194. Mahu, x. 163, 194. Smolkin, x. 163. Frateretto, x. 168. Hopdance, x. 172. Obbidicut, x. 194. Hobbididance, x. 194. deaths-head in a ring, worn by bawds, xvii. 93. death and the fool, ix. 95. ................. xxi. 116. death-tokens of the plague, viii. 309. deer, their names at different ages, iv. 353. degrees taken in the art of fencing, viii. 30. demoniacal possession described, x. 151, 155, 172. devil in old mysteries, v. 368. ................... xi. 479. devils, six kinds of them: fiery, aerial, terrestrial, watery, subterranean, and fawns, satyrs, nymphs, &c. xv. 286. ..... names of, xvi. 313. Diana in a fountain, vi. 470. distinctions of rank at table: lower messes, xiv. 258. higher messes, xv. 213.

-- 523 --

dress regulated by law in Queen Elizabeth's reign, iv. 419. drugs given to procure love, ix. 254. ........................ xvi. 243. duello, the laws of it settled with great nicety, xi. 463. Duke, a general term for a military leader, v. 126. .................................... xvii. 342. Duke Humphrey, dining with him, the phrase explained, xix. 179.

E. ears burning, what it betokened, vii. 77. earls first created in Scotland by Malcolm III. xi. 275. Edward shovel boards, viii. 21. elegies had black title pages, xvii. 13. elephants supposed to have no joints, viii. 305. English deemed epicures by the Scotch, xi. 247. eunuchs made for the voice, xi. 348. Essex, Lord, alluded to, xvii. 427.

F. face, a round one, a mark of folly, xii. 283. fading, an old Irish dance, described, xiv. 429. fairies, their practices described, v. 199. ............................ viii. 185. ...... fond of cleanliness, v. 336. ...... sometimes beautiful and kind to men; sometimes ugly and hostile, iv. 225. ....................................... xii. 354. ...... whether they die, discussed, v. 215. falconry excelled in by the French, vii. 302. fancy, an ornament worn in the hat, v. 444. .... a ballad, v. 444. fans, expensive in their materials, viii. 74. .... large, carried by servants, viii. 74. .... made of feathers, this illustrated by a wood-cut, viii. 74. .... worn sometimes by male fops, xix. 345. feasts, accompanied with artificial tempests, and other pantomimical devices, viii. 184. ...................................... xv. 127.

-- 524 --

feathers and flowers worn in the cap by men, xi. 231. ........................................ xix. 345. fellow with a great belly and his dog, xvii. 23. fern-seed made the person who carried it invisible, xvi. 242. fish-eating in Lent, how far a mark of popery, x. 50. fillipping toads, how practised, (with a wood-cut,) xvii. 38. Finsbury walks, the resort of citizens, xvi. 320. Flemings, notorious as drunkards, viii. 55. Florentius' love, an allusion to a story in Gower's Confessio Amantis, v. 398. flowers, their emblematical characters, vii. 439. .................................. xiv. 349. fools bauble described, x. 460. .... their songs, x. 61. fool at city feasts leaped into a custard, x. 396. footcloths described, xviii. 315. forehead, a high one, a beauty, vi. 73. ........ a low one, a deformity, xi. 283. ............................ xv. 127. foreign physicians, popular, viii. 49. fortune, what deemed an ample one, viii. 131, 132. forty, a favourite number, xix. 421. fourscore, a general term for old age, viii. 106. French, how pronounced in Shakspeare's time, xvii. 428. fumbling with the sheets, a sign of approaching death, xvii. 428. fumigating rooms, its necessity, vii. 32. ............................ xvii. 228.

G. Garagantua, vi. 431. galliard, the dance so called, described, xvii. 285. garters made very expensive, xvi. 265. German clocks, iv. 338. ....... hunting in waterwork, xvii. 154. ghosts, supposed to vanish when the cock crew, vii. 187, 189, 211. gloves worn in the hat, upon what occasions, x. 155. gourd, fullam, high and low, gambling terms, explained, viii. 42. ............ alluded to, xiv. 410.

-- 525 --

green, the colour of lovers, iv. 302. green eyes, vi. 178. groats half-faced, when introduced, xv. 205. guests at private tables attended by their own servants, viii. 29. Guinever, King Arthur's Queen, iv. 350. gun-stones used in ordnance instead of iron balls, xvii. 288.

H. hands always washed before and after meals, v. 466. handy-dandy, a game described, x. 230. hand, a dry one, sign of a cold constitution, xi. 354. ..... a moist one, of the contrary, ix. 395. .............................. xii. 177. Hecate, mistress of the witches, xi. 180. hair, artificially coloured, fashionable, vii. 57, 95. hangers, the sword-belt so called, described, vii. 498. hangman, a name applied to Cupid, vii. 79. Harry ten shillings, xvii. 127. hare, why called melancholy, xvi. 197. hare-lip, how cured, v. 339. hats worn during dinner, v. 48. heart supposed to be the seat of the understanding, xiv. 12. Heliodorus, a story quoted from his Æthiopicks, xi. 488. Herne the hunter, story of, viii. 162. Herod, how represented in the mysteries, vii. 338. hide fox and all after, a child's play, described, vii. 414. hobby-horse in May-games, iv. 324. ........................ vii. 350. honour, the address to a lord, ix. 58. .......................... xiii. 260. horn for drinking, carried about by Bedlam beggars, x. 177. horses actually shod with felt, x. 233. horse hair dropped into corrupted water supposed to become an animal, xii. 190. Howleglass, an old story book, referred to, vii. 82. hundred merry tales, vii. 39, 165. hunting in the evening, xiii. 296.

-- 526 --

I. and J. Jerusalem, dying there, a story told in many shapes, xvii. 196. Jesuits satirized as equivocators, xi. 116. Incidis in Scyllam cupiens vitare Charybdim, the author of that line pointed out, v. 104. index always prefixed to books, vii. 391. ........................... ix. 313. Indians exhibited in London, xv. 95. .................. xix. 485. John Drum's entertainment, x. 417. Ireland, no poisonous reptiles there, xvi. 69. Irish could rhyme rats to death, vi. 428. ............... either man or beast to death, xviii. 10. judicial astrology satirized, x. 40. justices of peace, their extortion, xvii. 203.

K. Kempe probably acted Justice Shallow, xvii. 114. kernes and gallow glasses described, xi. 16. kissing comfits, viii. 183. ...... the hands often the mark of a fop, xi. 450. knives worn by women, vi. 196. ..... brought by the guests invited to an entertainment, xiii. 275. knot grass given to young animals to prevent them from growing, v. 278.

L. ladies accustomed to strike their servants, xi. 445. ..... went deer-shooting, iv. 340. ..... wore mirrors at their girdles, iv. 341, 344. ..... wore a pocket at the bosom, for letters, vii. 272. ..... frequently acquired classical learning, v. 416. ..... kissed by their partners before dancing, xix. 354. lavolta, a dance, described, xvii. 355. lie, how many ways of giving it, vi. 501. lion in a masque, at court, represented by a blackamoor, v. 246. ... would not hurt the blood-royal, xvi. 281.

-- 527 --

liver, the seat of love, iv. 368. .................. vii. 117. .................. viii. 63. loggats, an old game, described, vii. 468. London called the king's chamber, xix. 94. Londoners called, in contempt, eaters of buttered toasts, xvi. 368. long swords disused after the introduction of rapiers, viii. 70. .......................................... xvi. 123. loose-bodied gowns the dress of harlots, v. 488. Lord have mercy upon us, written on the doors of houses infected with the plague, iv. 430. love and lover applied by one male to another, xx. 256. love described as made up of contrarieties, vi. 481. love-locks, how worn, vii. 146. louse, a familiar beast to man, and signifies love, viii. 9. lying at the feet of a mistress, a common fashion, vii. 468.

M. Mab, the fairy queen, described, vi. 50. maid Marian, xvi. 347. magicians, their power over the operations of nature, xv. 161; and Tempest, passim. ......... showed future events in a glass, xi. 205. man in the moon, his dog and his bush, v. 325. .................................. xv. 107. mandrakes, what they were supposed to be, vi. 198. ......... their groan destructive, vi. 198. ............................. xviii. 270. Maningtree fair, ox roasted whole there, xvi. 295. .............. metrical interludes performed there, xvi. 295. Mantuan quoted, much read at that time, iv. 359. Mary Frith, or Mistress Mall, account of her, xi. 356. map of the Indies alluded to, xi. 445. May day, a favourite time for authors to publish on, v. 299. May-pole described, v. 277. medals worn, appended to a ribbon round the neck, xiv. 264. .............................................xix. 366.

-- 528 --

melancholy affected by those who wished to be thought fashionable, xv. 308. men whose heads did grow beneath their shoulders, ix. 262. ....................................... xv. 125. ................... represented in a wood-cut, ix. 500. Mephostophilus, a demon in the old romance of Doctor Faustus, viii. 20. Mile-end celebrated for its shows, x. 451. ............................. xvii. 131. milled sixpences used for counters, viii. 21. mistaking words, a common source of humour on the old stage, vii. 89. Monarcho, a fantastical character of that time, iv. 345. Merlin and his prophecies, xvi. 312. ....................... xxi. 463. Monmouth caps, xvii. 445. monopolies, frequently satirized, x. 57. Moorditch, why called melancholy, xvi. 197. mountaineers dewlapped like bulls, xv. 125. mules, Cardinals accustomed to ride on them, xix. 442. mummy, to what uses it was applied, ix. 401. Muscovites, frequently introduced in masques, iv. 410. mustard, injurious to cholerick persons, v. 480.

N. Nero, an angler in the lake of darkness, x. 168. Nicholas (St.), the patron of scholars, and of parish clerks, iv. 82. ............. ludicrously called the patron of thieves, xvi. 237. nobody, a ridiculous figure sometimes exhibited on signs, xv. 119. nuncle, a vulgar term of respect, x. 54.

O. Oberon, the king of fairies, v. 209. O Lord! sir, an affected exclamation, ridiculed, x. 372. owl, a baker's daughter, vii. 426. out roaring Dick, a celebrated ballad singer, iv. 433.

-- 529 --

P. pageants, iv. 441. ........ xii. 368* note




. ........ xv. 146. painted cloths, vi. 435. painted cloths had labels issuing from the mouths of the figures containing moral sentences, vi. 435. ................................ xvi. 147. painted tyrants, in tapestry, vii. 307. painting, much used by women, vii. 332. Paris garden, xix. 483. parish top, xi. 351. Patience on a monument, xi. 411, 505. patient Grisel alluded to, v. 426. Pavan, a dance, described, xi. 492. pawnbroker, his dress a leathern jerkin with chrystal but tons. xvi. 263. pelican, vii. 426. ...... x. 153. pensioners, v. 200. perjured persons wore papers on their breasts, expressing the crime, iv. 366. Perseus's horse, a ship, viii. 254. periwigs, v. 83. ........ worn by women, satirized, xiii. 378. ........ made of hair from dead bodies, xiii. 377. .................................... xx. 286. ........ children plundered of their hair for this purpose, xiii. 377. perspective, a pictorial device described, xvi. 69. phœnix, xv. 123. picktooth, mark of a courtier, xiv. 394. ......................... and of a traveller, xv. 213.

-- 530 --

picture of we three, xi. 386. pioneers disgraced soldiers, ix. 379. pilgrims, their dress, vii. 424. ....... how distinguished from palmers, x. 412. pillars borne before Cardinal Wolsey, what they denoted, xix. 383. philosopher's stone, xvii. 141. plague, death tokens of it, viii. 309. playhouse prices, ix. 448. players at the conclusion of the performance sometimes knelt down and prayed for the queen or their patron, xvii. 242. points, a part of dress, described, xi. 363. Portunus, a frolicksome dæmon in ancient superstition, resembling Puck, v. 205. posies inscribed on rings, vii. 354. ..... and on knives, when they were termed cutler's poetry, v. 146. possets taken at bed time, how made, xi. 103. primero, a game at cards, explained, xix. 456. Puck, a description of his pranks, v. 203, 207. ..... whence the name derived, v. 206. punishments after death fancifully described, ix. 108, 486. purgatory described, vii. 239. putting out of one for five, a mode of speculation in our author's time, xv. 125.

Q. questions and commands, a game, vii. 465. quintaine described, vi. 370, 514.

R. reckonings adjusted by small pieces of metal called counters, vi. 404. ...... xiv. 339. red lattice, the mark of an alehouse, viii. 75. riddles, book of, viii. 26. riding wagers, xii. 104. roasted pig, antipathy to, v. 100. Robin Goodfellow, v. 203, 207. roses stuck in the ear, xv. 209. .... on Queen Elizabeth's three-farthing pieces, xv. 209.

-- 531 --

ruddock, or robin red-breast, said to cover dead bodies with leaves, xiii. 164. Rumour painted full of tongues, xvii. 5. rushes strewn in rooms in place of carpets, vi. 45. .................................... xiii. 63. .................................... xvi. 41, 317. rush rings, when given, and by whom, x. 370.

S. sack, what kind of wine it signified, discussed, xvi. 200, 272, 296. .......................................... xvii. 170. .... drunk with sugar, xvi. 200. .... for which purpose sugar carried by waiters made up in small papers, xvi. 261. .... sent, as a present at taverns from one guest to another, viii. 85. .... adulterated with lime, xvi. 271. .... not known till Henry VIII. [1543,] xvi. 301. .... its beneficial effects on the intellect, xvii. 170. Sackerson, a celebrated bear at the Paris garden, viii. 32. Sagittary, a monster engaged at the siege of Troy, described, viii. 431. sand bag, the weapon of inferior men in the trial by battle, xviii. 223. satyrs, in masques, personated by persons covered with hair; account of some of the most remarkable of these exhibitions, with a wood-cut, xiv. 371. Scogan, whether two poets of that name, xvii. 116. schoolmaster, often reckoned a conjurer, iv. 238. seamanship, Shakspeare's accurate knowledge of, and skilful use of its technical language, xv. 184. Setebos, a god of the Patagonians, xv. 58. seven deadly sins, ix. 107. shaving a man considered as a disgrace, iv. 256. sheep-shearing feasts, expensive, xiv. 339. sheriff's fool, what persons so designated, x. 445. ....... posts, xi. 367. shirts expensive, xvi. 341. shoes worn with pointed toes of an absurd length, forbidden by statute, vii. 472.

-- 532 --

shovegroat shillings, xvii. 89. shoulders of a buck, the keeper's perquisite, viii. 184. shrove-tide, xvii. 218. silence necessary during incantations, xi. 199. sir, a title given to clergymen, vi. 447. .......................... viii. 7, 210. .......................... xix. 202. Sir Dagonet, in Arthur's show, xvii. 132 Sir Eglamour, a common name for an inamorato, iv. 19. sirrah, not always a disrespectful expression, xvi. 205. ...................................... xxi. 328. sleeping in the afternoon, a common practice, vii. 244. soldiers accused of being in the habit of stealing linen, xvi. 370. son, a title frequently given by one literary man to another, viii. 314. songs and sonnets, book of, viii. 26. spitting white, the mark of a drunkard, xvii. 37. spleen, supposed to be the cause of laughter, iv. 410. ...................................... ix. 65. Squire of Low Degree, a romance, alluded to, xvii. 460. stage, its licentiousness in our author's time, vii. 290. ..... hung with black at the performance of tragedies, x. 149. .......... xviii. 7. ..... poverty of its scenery in Shakspeare's time, xix. 368, 471. statesmen affected to write a bad hand, vii. 489. statues painted, xiv. 416. statute caps directed by law to be worn by citizens, iv. 419. stewards wore gold chains, xi. 398. stocks introduced on the stage, x. 98. strange fish exhibited in London, xiv. 368. ............................. xv. 95. strange exhibitions of various kinds, xiv. 368 ............................... xv. 95. ............................... xix. 485. strumpets, by an old statute, compelled to wear their garments the wrong side outward, xiii. 377. subtilties, a term in cookery, used to signify dishes made to appear different from what they really were, a frequent practice, xv. 169.

-- 533 --

swearing by a sword, vii. 253. ........ by St. Patrick, vii. 252. sweet Oliver, a common phrase, without any very distinct meaning, vi. 449. sword and buckler carried by serving-men, vi. 225. ................. their use occasioned frequent quarrels, xvi. 225. ................. at what period they fell into disuse, viii. 70. .................................... xvi. 275. sworn brothers, what that term signified, xvi. 141, 258. ................................... xvii. 295.

T. taylors fond of singing, xvi. 321. Titania, the Queen of Fairies, v. 209. tongs, &c. rural musick, v. 289. travellers, their dress and manners described, xv. 212. ........ their society sought after, x. 396. .............................. xv. 213. ........ their wonderful stories ridiculed, xv. 123. travelling, particularly in Italy, censured by Ascham and Hall, and ridiculed by Shakspeare, vi. 466. ............................... xv. 212. trees, branches of them hewn down for a screen to conceal the numbers of an army, xi. 257. trenchers in general use, xv. 104. trial by battle described, xviii. 226. truckle-bed, its use, vii. 167. trumpets sounded thrice before the prologue, v. 317. trunks richly ornamented, considered as furniture, xi. 466. tumblers' hoops, iv. 337. Turnbull-street, infamous, xvii. 136.

U. undertakers, what persons were satirized under that name, xi. 461. ungartered, going ungartered, the mark of a lover, iv. 35. ......................................... vi. 440. unicorns and bears, how caught, xii. 50. universities, plays acted there, vii. 343.

-- 534 --

usurers wore chains, vii. 42. ...... their practices described, ix. 159. Utopian schemes ridiculed, xv. 78.

V. St. Valentine's day, vii. 426. vapours, a game at, described, xvi. 192. velvet guards worn by the wives of opulent citizens, xvi. 320. Venetian dresses, fashionable, described, viii. 120. Venetians had always foreign generals, ix. 253. Venice, officers of night there, ix. 236. vice, the fool of the old moralities, xi. 469. ............................. xvii. 138. .... armed with a dagger of lath, xi. 469. ............................. xvi. 274. ............................. xvii. 432. .... used to belabour the devil, xi. 469. vows of chastity entered into by widows, or widowers, or lovers, on the death of their mistresses, iv, 106.

W. wardship prevailed in France as well as in England, x. 307. watches, uncommon, xi. 427. ....... Guy Faux fell under suspicion for wearing one, xi. 427. wax, soft, used in sealing letters, xi. 421. waxen images, how employed in witchcraft, iv. 55. ..................................... xv. 357. weavers fond of singing psalms, xi. 390. ........................... xvi. 227. we three, picture of, xi. 386. Welsh-hook, a warlike instrument, described, xvi. 286. Winchester, bishop of, had jurisdiction over the stews in Southwark, viii. 448. wine drunk at weddings, v. 449. wisp, a punishment for a scold, xviii. 421. witches, popular superstitions with regard to them, detailed, xi. 189.

-- 535 --

witches could sail in sieves, xi. 29. ....... or in an egg-shell, or cockle-shell, xxi. 165. ....... sold winds, xi. 31. ....... when transformed into other animals, had no tails, why, xi. 30. ....... had beards, xi. 38. ....... by what gifts propitiated, iv. 235. ....... their power over the operations of nature, xi. 197. ....... lost their power over those who drew blood from them, xviii. 43. ....... distinguished from conjurers and enchanters, x. 491. Withold (St.), x. 160. worship, the address to a knight, or esquire, xv. 213.

Y. yellow starch, x. 457. yellow stockings, wearing them, and being cross-gartered, what they denoted, xi. 425. PROVERBS QUOTED OR ALLUDED TO.
A bad cook that cannot lick his own fingers, vi. 190. a little pot soon hot, v. 456. a long spoon to eat with the devil, iv. 235. ............................ xv. 98. a man of forty is either a fool or a physician, viii. 136. a friend at court is worth a penny in purse, xvii. 202. a crafty knave needs no broker, xviii. 183. all hoods make not monks, xix. 398. an two men ride of a horse one must ride behind, vii. 104. as fit as Tib's rush for Tom's fore finger, x. 370. as the bell clinketh, so the fool thinketh, vii. 79. as true as steel, viii. 334. at hand, quoth pick-purse, xvi. 236. baccare, quoth Mortimer to his sow, v. 416.

-- 536 --

black men are pearls in beauteous ladies' eyes, iv. 122. blessing of your heart, you brew good ale, iv. 83. blush like a black dog, xxi. 360. bought and sold, viii. 285. Brag is a good dog, but Hold-fast is a better, xvii. 323. by chance, and not by truth, xv. 211. something about, a little from the right, xv. 211. in at the window, or else o'er the hatch, xv. 211. have is have, however men do catch, xv. 211. care killed a cat, vii. 137. cry with the lapwing farthest from her nest, iv. 223. cry you mercy, I took you for a joint-stool, x. 174. curæ leves loquuntur ingentes stupent, x. 234. dead as a door-nail, xvii. 225. good goose bite not, vi. 104. good liquor will make a cat speak, xv. 99. good wine needs no bush, vi. 511. happy man be his dole, viii. 135. ................... xiv. 24. he is mad that trusts in the tameness of a wolf, a horse's health, a boy's love, or a whore's oath, x. 170. honest as the skin between his brows, vii. 102. I know a hawk from a hand-saw, vii. 296. I'll make a shaft, or a bolt, of it, viii. 132. it is easy to steal a shive from a cut loaf, xxi. 289. it is an ill wind which blows no man to good, xvii. 222 let the galled jade wince, vii. 360. let the world slide, v. 358. love will creep where it cannot go, iv. 99. maids say nay, and take it, iv. 21. more water glideth by the mill than the miller wots of, xxi. 289. my cake is dough, v. 508. needs must, when the devil drives, x. 336. neither flesh, nor fish, nor good red herring, xvi. 348.

-- 537 --

out of God's blessing, into the warm sun, vii. 196. patience, per force, is a medicine for a mad dog, vi. 65. pitchers have ears, xix. 91. praise in departing, xv. 124. pray God my girdle break, xvi. 348. respice finem, respice funem, iv. 238. service is no heritage, x. 336. sowed cockle reap no corn, iv. 392. still swine eat all the draff, viii. 152. tell truth and shame the devil, xvi. 307. the cat would eat fish, and would not wet her feet, xi. 82. the devil rides on a fiddle-stick, xvi. 297. there went but a pair of shears between them, ix. 16. 'Tis merry in hall when beards wag all, xvii. 218. two may keep counsel, putting one away, vi. 112. ungirt, unblest, xvi. 348. Vineggia, Vineggia, chi non te vede ei non te preggia, iv. 359. walls have ears, v. 324. wedding and ill-wintering spoil both man and beast, v. 458. we burn day-light, vi. 49. while the grass grows the steed starves, vii. 369. who goes to Westminster for a wife, to St. Paul's for a man, and to Smithfield for a horse, may meet with a whore, a knave, and a jade, xvii. 27. worth a Jew's eye, v. 55. young ravens must have food, viii. 37. SONGS QUOTED, OR ALLUDED TO.
a cup of wine that's brisk and fine, xviii. 219. be merry, be merry, my wife has all, xvii. 217.

-- 538 --

bonny sweet Robin is all my joy, vii. 443. come o'er the bourn, Bessy, to me, x. 173. Dolphin, my boy, my boy, x. 156. do me right, and dub me knight, Samingo, xvii. 220. do nothing but eat and make good cheer, xvii. 215. farewell, dear heart, since I must needs be gone, xi. 397. fill the cup and let it come, xvii. 219. hey, Robin, jolly Robin, xi. 496. how should I your true love know, x. 424. Jack boy, ho boy, iv. 459. I shall no more to sea, to sea, xv. 97. Jephtha, judge of Israel, vii. 298. in youth, when I did love, did love, vii. 466. it was the friar of orders grey, v. 466. king Cophetua and the beggar maid, iv. 303. .............................. vi. 72. .............................. xvi. 156. .............................. xvii. 223. king Stephen was a worthy peer, ix. 323. larded all with sweet flowers, vii. 425. let me the canakin clink, clink, ix. 322. let the welkin roar, xvii. 86. Peg a Ramsey, xi. 392. sleep'st thou, or wak'st thou, jolly shepherd, x. 173. the god of love that sits above, vii. 148. the master, the swabber, the boatswain, and I, xv. 97. was this fair face the cause, quoth he, x. 339. when Arthur first in court began, xvii. 72. when griping grief the heart doth wound, vi. 212. whoop! do me no harm, good man, xiv. 360.

-- 539 --

HISTORICAL INDEX.
Abradas, a Macedonian pirate, xviii. 289. Agincourt, the numbers engaged on both sides in that battle, xvii. 419. ......... dignities conferred on the Englishmen who fought there, xvii. 417. Albertus, Alasco, v. 20. Althea, erroneously, instead of Hecuba, said to have dreamed of a burning brand, xvii. 60. Amurah the Third, Emperor of the Turks, xvii. 208. Apollo, his temple in ancient Britain, x. 17. Arthur, King John's nephew, at what time he was put to death, xv. 295, 307. ...... the manner of his death uncertain, xv. 330. Arundell, Thomas, Archbishop of Canterbury, xvi. 64. ........ Thomas, son of Richard Duke of, xvi. 64. Aumerle, Duke of, xvi. 24. Austria, Leopold, Duke of, xv. 221.

B. Bankes, and his bay horse, iv. 299. Barbarossa, the Emperor, his punishment of the Milanese, xvii. 225. Bargalus, an Illyrian pirate, xviii. 289. Baynard's castle, xix. 133. Beaufort, Cardinal, historical account of his death, xviii 277. Bolingbroke, at what time Henry Earl of Hereford assumed that name, xvi. 9. .......... his mode of taking possession of the throne, described, xvi. 128. a conjuror of that name, xviii. 196. Blanch, the lady niece to King John, xv. 248. Buckingham, Henry Duke of, grounds of his quarrel with Richard III. xix. 162.

-- 540 --

Buckingham, Duke of, grounds of his execution, xix. 204. ........... Edward Duke of, the son of the foregoing, a learned man, xix. 336. ................... his arraignment, xix. 343. ................... his execution, xix. 358. ................... affected the name of Bohun, xix. 362.

C. Cataline, xviii. 464. Cadwall, xiii. 112. Cassibelan, great uncle to Cymbeline, xii. 112. Cawdor, xi. 26. Clarence, George Duke of, brother to Edward IV. suspected by his brother on account of a prophecy, xix. 12. ...................... another cause assigned for their quarrel, xix. 54. ...................... grounds of his quarrel with his brother Richard, xix. 66. ...................... tried, and found guilty, by his Peers, xix. 63. ...................... fate of his children, xix. 134, 168. Claribel, xv. 75. Clerk of Chatham, xviii. 298. Colbrand, the giant, xv. 216. Colevile of the dale, xvii. 165. Colmes-inch, or Inch-comb, xi. 27. Colme-kill, or Icolm-kill, xi. 134. Cranmer, Archbishop, the conspiracy against him described, xix. 460. Crosby place, xix. 30. Cumberland, Prince of, xi. 56. Cyprus, ix. 290.

D. Damascus, the spot where Cain killed Abel, xviii. 32. Darius's coffer, xviii. 47. Decius Brutus, xii. 9. Decimus Brutus, xii. 9. Dido, xv. 75. Drayton's Barons' Wars, when first published, xii. 155.

-- 541 --

E. Eastcheap, the Boar's Head tavern in, xvi. 259. ......... why selected for Prince Henry's revels, xvii. 69. Edward the Confessor had the power of curing diseases; the mode described, xi. 228. ...... the young King Edward V. question as to his journey towards London after his father's death, xix. 88. Eleanor, Queen, hostile to Prince Arthur from jealousy of his mother Constance, xv. 227, 248. Essex, Lord, his great popularity, xvii. 457.

F. Falstolfe, Sir John, real person in history, xviii. 15, 105. Fauconbridge, what was the historical foundation for this character, xv. 202. Faulconbridge, Thomas Nevil, bastard son of Lord Faulconbridge, his character, xviii. 378. Florio, whether he was pointed at in the character of Holofernes, discussed, iv. 479. Fores, xi. 37.

G. Gadshill, account of a celebrated gang of robbers there, xvi. 431. Galen, spoken of as in the time of Coriolanus, xiv. 63. Gam, Davy, Esquire, a valiant Welshman, honourably mentioned, xvii. 453. Gascoigne, Sir William, chief justice, his conduct to Henry V. when Prince of Wales, xvii. 243. Glendower, xvi. 90. .......... the time of his death mistaken, xvii. 113. Gough, Mathew, xviii. 311. Grey, Sir John, xviii. 454. ..... Lady Elizabeth, afterwards Queen to Edward IV. her family, xviii. 484. ................... her character, xix. 195.

-- 542 --

Grey, Sir Richard, son to Queen Elizabeth Grey, his death, xix. 118. Guiscard, King of Sicily, prophecy that he should die at Jerusalem, xv. 197. Gurney, James, xv. 216.

H. Hastings, Lord, his condemnation, xix. 124. Henry the Fifth, when Prince of Wales, prematurely introduced in Richard II. xvi. 152. ..... his dissipation in early life denied, xvi. 152. Henry VI. why Pope Julius refused to canonize him, xviii. 501. ......... manner of his death, xviii. 533. Henry VIII. his interview with Francis I. of France, xix. 341, et seq. ........... extravagant expences incurred by those who attended it, xix. 318. ........... the masque given to him by Wolsey, described, xix. 353, et seq. Hotspur, why so called, xvi. 185. Hotspur's wife mistakingly called Kate, her name was Elizabeth, xvi. 252. Howard, Sir Thomas, afterwards Earl of Surrey temp. Richard III.; his jesting conversation with Lord Hastings, xix. 116.

I and J. Jaques, St. his church at Orleans. Iden or Eden, Alexander, put Cade to death, xviii. 329. Imogen, xii. 11. John, Prince of Lancaster, not Duke of Lancaster, xvi. 178. ........................................... xvii. 44. ..... King, how often he was crowned, xv. 315. .......... where he was buried, xv. 373. John of Gaunt, only 58 when described as an old man, xvi. 7. Jourdan, Margery, the witch, xviii. 182. Ipswich College, founded by Wolsey, xix. 449.

-- 543 --

Isabella, wife to King Richard II. her marriage, xvi. 13. ....... Duchess of York, an anachronism in her introduction in Richard II. xv. 146. Julio Romano, xiv. 416. Julius Cæsar's tower, the tower of London traditionally so called, xvi. 139.

L. Lewis the Tenth, xvii. 270. Lingare, the lady, daughter to Charlemagne, xvii. 269. London Bridge, made formerly of wood, xviii. 310. Lucy, the lady Elizabeth, said to have been affianced to Edward IV. xix. 137. Luke's iron crown, xix. 153. Lymoges confounded with Leopold Duke of Austria, xv. 269.

M. Machiavel, frequent mention made of him in our old dramas, xviii. 153. Macdowald, xi. 16. Mahomet inspired with a dove, xviii. 27. Malmutius, xii. 96. Margaret, widow of King Henry VI. her history, xix. 43. Mordake, Earl of Fife, xvi. 187. Mortimer, mistakes with regard to two persons of that name, pointed out and explained, xvi. 213, 219. Mortimer, Edmund, his genealogy, xvi. 220. ........ his history discussed, xviii. 68, 216. ........ Lord, confounded with Lord March, xvi. 335. Morton, Bishop of Ely, xix. 120.

N. Nennius, xii. 94. Norfolk, the Duke of, temp. Richard II. died in exile of grief, xvi. 36. ....... Dukes of, in Henry VIII. distinguished, xix. 418.

O. Oldcastle, the question discussed whether that was originally the name of Falstaff, xvi. 193, 410. ............................................ xvii. 31.

-- 544 --

P. Pace (Dr.), xix. 372. Pannonians and Dalmatians, their revolt against the Romans, xii. 97, 143. Paracelsus, x. 375. Patay, the battle of, xviii. 105. Pendragon, xviii. 93. Peter the hermit, xv. 323. Percy, the name, said, by Boetius, to have been derived from piercing the king's eye, xvi. 398. Plantagenet, date and origin of that name, xv. 210. ........... Richard, his genealogy, xviii. 64. Polydore, xii. 112. Pompey, erroneous account of his death, xviii. 292. Puttenham, his Art of Poetry, when published, ix. 303.

R. Rhodope, xviii. 47. Richard Cœur de Lion, his combat with a lion, xv. 220. .................... killed by the Duke of Austria, xv. 220. .................... who afterwards wore his lion's hide, xv. 220. Richard II. remarkable for his extravagance in dress, xvi. 112. .......... entertained at meat, every day, ten thousand men, xvi. 136. .......... the manner of his murder discussed, xvi. 168. Richmond, Countess of, mother to Henry VII. her marriages, xix. 35. ......... Henry Earl of, afterwards Henry VII. xviii. 501. ...................... his family, and title to the crown, xix. 200. Rivers, Earl, his death, xix. 118. Roscius, a comedian, not a tragedian, xviii. 537. Rutland, young Earl of, his melancholy fate, xviii. 388.

S. Salisbury, Earl of, temp. Henry V. his death, xviii. 426, 475. Shaw, Dr. xix. 134.

-- 545 --

Shaw, Edmund, Dr. Shaw's brother, Lord Mayor, xix. 141. Shirley, Sir Robert, ambassador from Persia, xi. 427. Simpcox, an impostor, xviii. 208. Sinchlo, an actor, v. 367. Sly, William, an actor, v. 358. Solyman, the magnificent, his ostentatious letter to the Emperor Ferdinand, xviii. 133. Somerset, Duke of, temp. Henry VI. prophecies concerning his death fulfilled, xviii. 353. Stanley, Lord, xix. 216. Suffolk, Duke of, temp. Henry VI. the manner of his death, xviii. 280, 291. ................ prophecies relating to it, xviii. 283. Sweno, King of Norway, xi. 27. Sylvester Pope, a prophecy that he should die in Jerusalem, xvii. 197.

T. Talbot, Lord, the terror of the French, xviii. 39, 53. ........... list of his titles, xviii. 132. Tarleton, sign of his eating-house, xi. 429. Temple garden, contest there, between the two houses of York and Lancaster, xviii. 60. Tenantius, father to Cymbeline, xii. 9. Turk Gregory, Pope Gregory the Seventh, so called, xvi. 396.

W. Warwick, Richard Beauchamp Earl of, distinguished from Richard Nevil Earl of, xviii. 7. Warwick, Richard Nevil Earl of, doubts with regard to some part of his history, xviii. 467. .............................. marriages of his daughters explained, xviii. 478, 486. Westminster Hall first used for the deposition of Richard II. after he had finished rebuilding it, in 1399, xvi. 121. Wincot, v. 374. Wolsey, the cause of his fall mis-stated; what suggested the mis-statement, xix. 412. ....... his establishment exaggerated, xix. 431. ....... distinguished for his eloquence, xix. 449.

-- 546 --

Y. York and Lancaster, account of the battles fought during their contests, and the numbers killed on both sides, xviii. 546. York, Edward Duke of, son to Edward III. his character, xvi. 47. ..... Richard Duke of, father of Richard III. his marriages and connections, xviii. 173. .................... son of the Earl of Cambridge, mistakingly called son of the Duke of York, xviii. 371. .................... whether he was guilty of perjury, discussed, xviii. 387. .................... treated with insult before his death, xviii. 395. .................... his death, occasioned by his own imprudence, xviii. 401. .................... ages of his children ascertained, xviii. 409. ..... Richard Duke of, afterwards Richard III. the time of his birth, xviii. 366.

-- 547 --

ERRATA.
vol. page line i. 8, 7 from bottom, for laid, read lain. i. 563, 11, for till, read that in which. i. 108, add Malone to the last note. iv. 118, 10 from bottom, for This be, read Thisbe. iv. 225, 11 of notes, for T. Weston, read T. Warton. v. 79, 3 of notes, for Glanvilli, read Glanvil. v. 104, 16 of notes, for Hermann, read Heumann* note. v. 128, 16, put an asterisk after the word one. vi. 161, 10 of notes, for &grL;&gra;&grm;&grp;&grh;&grt;&grh;&grr;&gre;&grst;, read &grL;&gra;&grm;&grp;&grt;&grh;&grr;&gre;&grst;. vi. 220, add Malone to note 1. vi. 265, 14 from bottom, for upon the subject, read upon it. vi. 266, 5 from bottom, for find, read discover. vii. 306, 10 of the quotation from Marlowe, for wound, read wind. vii. 401, 4 from bottom, for of habit's devil, read of habits devil. vii. 540, 8, for absolute, read obsolete. viii. 303, 2 from bottom, for fetter, read tetter. ix. 68, 8 of notes, for so, read no. ix. 226, 1, for daws, read doves. ix. 434, 7 of notes, dele Steevens. x. 275, 15 from bottom, for term, read tense. xi. 200, 12 from bottom, for the spirit by the witch, read the spirit raised by the witch. xi. 501, 13 from bottom, for Anglicamus, read Anglicanus. xi. 501, 20 from bottom, for reflection, read rejection. xi. 501, 22 from bottom, for much more, read more. xiv. 275, 4 from bottom, for cacoethis, read cacoethes. xv. 17, 9 from bottom, for that he must have happened, read that Shakspeare must have happened. xv. 143, 9 of notes, for see p. 66, read see p. 80. xvi. 235, 6 from bottom, my reference belongs to note 1, and not note 2. xvi. 304, 10 from bottom, for vol. iv. read, vol. xiv. xvi. 329, 14 from bottom, insert Malone. xxi. 9, 8 from bottom, after 1773, insert Steevens, and make what follows a new note.
THE END.
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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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