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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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SCENE II. A Bed-chamber; in one Part of it a Trunk. Imogen reading in her Bed; a Lady attending.

Imo.
Who's there? my woman, Helen?

Lady.
Please you, madam.

Imo.
What hour is it?

Lady.
Almost midnight, madam.

Imo.
I have read three hours, then. Mine eyes are weak;
Fold down the leaf where I have left: to bed.
Take not away the taper, leave it burning;
And if thou canst awake by four o' the clock,
I pr'ythee, call me. Sleep hath seiz'd me wholly. [Exit Lady.
To your protection I commend me, gods!
From fairies, and the tempters of the night,
Guard me, beseech ye!
[Sleeps. Iachimo comes from the Trunk.

Iach.
The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest: our Tarquin thus

-- 169 --


Did softly press the rushes1 note, ere he waken'd
The chastity he wounded.—Cytherea,
How bravely thou becom'st thy bed! fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! 11Q1153—Rubies unparagon'd,
How dearly they do't!—'Tis her breathing that
Perfumes the chamber thus: the flame o' the taper
Bows toward her, and would under-peep her lids,
To see the enclosed lights, now canopied
Under these windows; white and azure, lac'd
With blue of heaven's own tinct.—But my design,
To note the chamber: I will write all down:—
Such, and such, pictures:—there the window;—such
Th' adornment of her bed:—the arras, figures,
Why, such, and such;—and the contents o' the story.—
Ah! but some natural notes about her body,
Above ten thousand meaner moveables
Would testify, t' enrich mine inventory:
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying!—Come off, come off;— [Taking off her Bracelet.
As slippery, as the Gordian knot was hard!—
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord.—On her left breast
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock, and ta'en
The treasure of her honour. No more.—To what end,
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down,

-- 170 --


Where Philomel gave up.—I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye 11Q11542 note

: I lodge in fear;
Though this a heavenly angel, hell is here. [Clock strikes.
One, two, three,—time, time! [Goes into the Trunk. The Scene closes.
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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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