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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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SCENE I. Venice. A Street. Enter Roderigo and Iago.

Rod.
Tush! never tell me1 note, I take it much unkindly,
That thou, Iago, who hast had my purse,
As if the strings were thine, should'st know of this.

Iago.
'Sblood, but you will not hear me:
If ever I did dream of such a matter, abhor me.

Rod.
Thou told'st me thou didst hold him in thy hate.

Iago.
Despise me, if I do not. Three great ones of the city,
In personal suit to make me his lieutenant,
Oft capp'd to him2 note; and, by the faith of man,
I know my price: I am worth no worse a place;
But he, as loving his own pride and purposes,
Evades them, with a bombast circumstance,
Horribly stuff'd with epithets of war;

-- 498 --


And, in conclusion3 note,
Nonsuits my mediators; “For certes,” says he,
“I have already chose my officer.” And what was he?
Forsooth, a great arithmetician,
One Michael Cassio, a Florentine,
A fellow almost damn'd in a fair wife4 note;
That never set a squadron in the field,
Nor the division of a battle knows
More than a spinster; unless the bookish theoric,
Wherein the toged consuls5 note
can propose
As masterly as he: mere prattle, without practice,
Is all his soldiership. But he, sir, had th' election;
And I,—of whom his eyes had seen the proof,
At Rhodes, at Cyprus, and on other grounds,
Christian and heathen6 note,—must be be-lee'd and calm'd
By debitor and creditor, this counter-caster:
He, in good time, must his lieutenant be,
And I, (God bless the mark!) his Moor-ship's ancient7 note.

Rod.
By heaven, I rather would have been his hangman.

-- 499 --

Iago.
But there's no remedy: 'tis the curse of service,
Preferment goes by letter, and affection,
Not by the old gradation8 note, where each second
Stood heir t' the first. Now, sir, be judge yourself,
Whether I in any just term am affin'd9 note
To love the Moor.

Rod.
I would not follow him, then.

Iago.
O, sir! content you;
I follow him to serve my turn upon him:
We cannot all be masters, nor all masters
Cannot be truly follow'd. You shall mark
Many a duteous and knee-crooking knave,
That, doting on his own obsequious bondage,
Wears out his time, much like his master's ass,
For nought but provender; and when he's old, cashier'd:
Whip me such honest knaves. Others there are,
Who, trimm'd in forms and visages of duty,
Keep yet their hearts attending on themselves, 11Q1073
And, throwing but shows of service on their lords,
Do well thrive by them; and when they have lin'd their coats,
Do themselves homage: these fellows have some soul;
And such a one do I profess myself.
For, sir,
It is as sure as you are Roderigo,
Were I the Moor, I would not be Iago:
In following him, I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so, for my peculiar end:
For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, 'tis not long after

-- 500 --


But I will wear my heart upon my sleeve
For daws to peck at1 note: I am not what I am.

Rod.
What a full fortune2 note does the thick-lips owe,
If he can carry't thus!

Iago.
Call up her father;
Rouse him: make after him, poison his delight,
Proclaim him in the streets: incense her kinsmen;
And though he in a fertile climate dwell,
Plague him with flies: though that his joy be joy,
Yet throw such changes3 note of vexation on't,
As it may lose some colour.

Rod.
Here is her father's house: I'll call aloud.

Iago.
Do; with like timorous accent, and dire yell,
As when, by night and negligence, the fire
Is spied in populous cities. 11Q1074

Rod.
What ho! Brabantio! signior Brabantio, ho!

Iago.
Awake! what, ho! Brabantio! thieves! thieves! thieves!
Look to your house, your daughter, and your bags!
Thieves! thieves!
Enter Brabantio, above, at a Window.

Bra.
What is the reason of this terrible summons?
What is the matter there?

Rod.
Signior, is all your family within?

Iago.
Are your doors lock'd4 note?

Bra.
Why? wherefore ask you this?

Iago.
'Zounds, sir! you are robb'd; for shame, put on your gown;

-- 501 --


Your heart is burst, you have lost half your soul:
Even now, now, very now, an old black ram
Is tupping your white ewe. Arise, arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you.
Arise, I say.

Bra.
What! have you lost your wits?

Rod.
Most reverend signior, do you know my voice?

Bra.
Not I: what are you?

Rod.
My name is Roderigo.

Bra.
The worse welcome5 note:
I have charg'd thee not to haunt about my doors.
In honest plainness thou hast heard me say,
My daughter is not for thee; and now, in madness,
Being full of supper and distempering draughts,
Upon malicious bravery6 note dost thou come
To start my quiet.

Rod.
Sir, sir, sir,—

Bra.
But thou must needs be sure,
My spirit, and my place, have in them power
To make this bitter to thee.

Rod.
Patience, good sir.

Bra.
What tell'st thou me of robbing? this is Venice;
My house is not a grange.

Rod.
Most grave Brabantio,
In simple and pure soul I come to you.

Iago.

'Zounds, sir! you are one of those, that will not serve God, if the devil bid you. Because we come to do you service, and you think we are ruffians, you'll have your daughter covered with a Barbary horse: you'll have your nephews neigh to you; you'll have coursers for cousins, and gennets for germans.

Bra.

What profane wretch art thou?

-- 502 --

Iago.

I am one, sir, that comes to tell you, your daughter and the Moor are now making the beast with two backs.

Bra.
Thou art a villain.

Iago.
You are—a senator.

Bra.
This thou shalt answer: I know thee, Roderigo.

Rod.
Sir, I will answer any thing. But I beseech you,
If 't be your pleasure7 note, and most wise consent,
(As partly, I find, it is) that your fair daughter,
At this odd-even and dull watch o' the night,
Transported with no worse nor better guard,
But with a knave of common hire, a gondolier,
To the gross clasps of a lascivious Moor,
If this be known to you, and your allowance,
We then have done you bold and saucy wrongs;
But if you know not this, my manners tell me,
We have your wrong rebuke. Do not believe,
That from the sense of all civility,
I thus would play and trifle with your reverence:
Your daughter, if you have not given her leave,
I say again, hath made a gross revolt,
Tying her duty, beauty, wit, and fortunes,
In an extravagant and wheeling stranger, 11Q1075
Of here and every where. Straight satisfy yourself:
If she be in her chamber, or your house,
Let loose on me the justice of the state
For thus deluding you8 note.

Bra.
Strike on the tinder, ho!
Give me a taper!—call up all my people!—
This accident is not unlike my dream;
Belief of it oppresses me already.—
Light, I say! light!
[Exit from above.

-- 503 --

Iago.
Farewell, for I must leave you:
It seems not meet, nor wholesome to my place9 note,
To be produc'd1 note (as if I stay I shall)
Against the Moor: for, I do know, the state,—
However this may gall him with some check,—
Cannot with safety cast him; for he's embark'd
With such loud reason to the Cyprus wars,
(Which even now stand in act) that, for their souls,
Another of his fathom they have none,
To lead their business: in which regard,
Though I do hate him as I do hell pains 11Q10762 note,
Yet for necessity of present life,
I must show out a flag and sign of love,
Which is indeed but sign. That you shall surely find him,
Lead to the Sagittary the raised search3 note;
And there will I be with him. So, farewell.
[Exit. Enter Brabantio, and Servants with Torches.

Bra.
It is too true an evil: gone she is;
And what's to come of my despised time,
Is nought but bitterness.—Now, Roderigo,
Where didst thou see her?—O, unhappy girl!—
With the Moor, say'st thou?—Who would be a father?—
How didst thou know 'twas she?—O! thou deceiv'st me4 note
Past thought.—What said she to you?—Get more tapers!
Raise all my kindred!—Are they married, think you?

-- 504 --

Rod.
Truly, I think, they are.

Bra.
O heaven!—How got she out?—O, treason of the blood!—
Fathers, from hence trust not your daughters' minds
By what you see them act.—Are there not charms,
By which the property of youth and maidhood
May be abus'd? Have you not read, Roderigo,
Of some such thing?

Rod.
Yes, sir; I have, indeed5 note.

Bra.
Call up my brother.—O, that you had had her6 note!—
Some one way, some another.—Do you know
Where we may apprehend her and the Moor?

Rod.
I think, I can discover him, if you please
To get good guard, and go along with me.

Bra.
Pray you, lead on7 note. At every house I'll call;
I may command at most.—Get weapons, ho!
And raise some special officers of night8 note.—
On, good Roderigo;—I'll deserve your pains.
[Exeunt.

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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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