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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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SCENE V. Elsinore. A Room in the Castle. Enter Queen, Horatio, and a Gentleman10 note.

Queen.
I will not speak with her.

Gent.
She is importunate; indeed, distract:
Her mood will needs be pitied.

Queen.
What would she have?

Gent.
She speaks much of her father; says, she hears,
There's tricks i' the world; and hems, and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it1 note,
And botch the words up fit to their own thoughts;
Which, as her winks, and nods, and gesture yield them,
Indeed would make one think, there might be thought,
Though nothing sure, yet much unhappily.

Hor.
'Twere good she were spoken with2 note, for she may strew
Dangerous conjectures in ill-breeding minds.

Queen.
Let her come in. [Exit Horatio.

-- 304 --


To my sick soul, as sin's true nature is,
Each toy seems prologue to some great amiss:
So full of artless jealousy is guilt,
It spills itself in fearing to be spilt3 note. Re-enter Horatio, with Ophelia4 note.

Oph.
Where is the beauteous majesty of Denmark?

Queen.
How now, Ophelia?

Oph.
How should I your true love know [Singing.
  From another one?
By his cockle hat and staff,
  And his sandal shoon.

Queen.
Alas, sweet lady! what imports this song?

Oph.
Say you? nay, pray you, mark.

He is dead and gone, lady, [Singing.
  He is dead and gone;
At his head a grass-green turf, 11Q1036
  At his heels a stone.

O, ho5 note!

Queen.
Nay, but Ophelia,—

Oph.
Pray you, mark.

White his shroud as the mountain snow, [Singing.
Enter King.

Queen.
Alas! look here, my lord.

Oph.
  Larded with sweet flowers6 note;

-- 305 --


Which bewept to the grave did not go7 note,
  With true-love showers.

King.

How do you, pretty lady?

Oph.

Well, God'ild you8 note! They say, the owl was a baker's daughter. Lord! we know what we are, but know not what we may be. God be at your table!

King.

Conceit upon her father.

Oph.

Pray you, let's have no words of this; but when they ask you what it means, say you this:



To-morrow is Saint Valentine's day,
  All in the morning betime,
And I a maid at your window,
  To be your Valentine:
Then, up he rose, and don'd his clothes,
  And dupp'd the chamber door;
Let in the maid, that out a maid
  Never departed more.

King.

Pretty Ophelia!

Oph.

Indeed, la! without an oath, I'll make an end on't:



By Gis, and by Saint Charity,
  Alack, and fie for shame!
Young men will do't, if they come to't;
  By cock, they are to blame.
Quoth she, before you tumbled me,
  You promis'd me to wed:

He answers9 note.

-- 306 --


So would I ha' done, by yonder sun,
  An thou hadst not come to my bed.

King.

How long hath she been thus?

Oph.

I hope, all will be well. We must be patient; but I cannot choose but weep, to think, they would lay him1 note i'the cold ground. My brother shall know of it, and so I thank you for your good counsel. Come, my coach! Good night, ladies; good night, sweet ladies: good night, good night.

[Exit.

King.
Follow her close; give her good watch, I pray you. [Exit Horatio.
O! this is the poison of deep grief; it springs
All from her father's death. And now, behold2 note,
O Gertrude, Gertrude!
When sorrows come, they come not single spies,
But in battalions. First, her father slain;
Next, your son gone; and he most violent author
Of his own just remove: the people muddied,
Thick and unwholesome in their thoughts and whispers,
For good Polonius' death; and we have done but greenly,
In hugger-mugger to inter him3 note: poor Ophelia,
Divided from herself, and her fair judgment,
Without the which we are pictures, or mere beasts:
Last, and as much containing as all these,
Her brother is in secret come from France,
Feeds on his wonder4 note, keeps himself in clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father's death;
Wherein necessity, of matter beggar'd,

-- 307 --


Will nothing stick our persons to arraign
In ear and ear. O, my dear Gertrude! this,
Like to a murdering piece, in many places
Gives me superfluous death. [A noise within.

Queen.
Alack! what noise is this5 note?
Enter a Gentleman.

King.
Attend!
Where are my Switzers? Let them guard the door.
What is the matter?

Gent.
Save yourself, my lord;
The ocean, overpeering of his list6 note,
Eats not the flats with more impetuous haste7 note,
Than young Laertes, in a riotous head,
O'erbears your officers! The rabble call him, lord;
And, as the world were now but to begin,
Antiquity forgot, custom not known,
The ratifiers and props of every word,
They cry, “Choose we; Laertes shall be king!”
Caps, hands, and tongues, applaud it to the clouds,
“Laertes shall be king, Laertes king!”

Queen.
How cheerfully on the false trail they cry!
O! this is counter8 note, you false Danish dogs.

King.
The doors are broke.
[Noise within. Enter Laertes, armed; Danes following.

Laer.
Where is this king?—Sirs, stand you all without.

Dan.
No, let's come in.

Laer.
I pray you, give me leave.

-- 308 --

Dan.
We will, we will.
[They retire without the Door.

Laer.
I thank you: keep the door.—O thou vile king,
Give me my father.

Queen.
Calmly, good Laertes.

Laer.
That drop of blood that's calm9 note proclaims me bastard;
Cries, cuckold, to my father; brands the harlot
Even here, between the chaste unsmirched brow1 note
Of my true mother.

King.
What is the cause, Laertes,
That thy rebellion looks so giant-like?—
Let him go, Gertrude; do not fear our person:
There's such divinity doth hedge a king,
That treason can but peep to what it would,
Acts little of his will.—Tell me, Laertes,
Why thou art thus incens'd.—Let him go, Gertrude.—
Speak, man.

Laer.
Where is my father?

King.
Dead.

Queen.
But not by him.

King.
Let him demand his fill.

Laer.
How came he dead? I'll not be juggled with.
To hell, allegiance! vows, to the blackest devil!
Conscience, and grace, to the profoundest pit!
I dare damnation. To this point I stand,
That both the worlds I give to negligence,
Let come what comes, only I'll be reveng'd
Most throughly for my father.

King.
Who shall stay you?

Laer.
My will, not all the world's:
And, for my means, I'll husband them so well,
They shall go far with little.

-- 309 --

King.
Good Laertes,
If you desire to know the certainty
Of your dear father's death, is't writ in your revenge,
That, sweepstake, you will draw both friend and foe,
Winner and loser?

Laer.
None but his enemies.

King.
Will you know them, then?

Laer.
To his good friends thus wide I'll ope my arms;
And, like the kind life-rendering pelican2 note,
Repast them with my blood.

King.
Why, now you speak
Like a good child, and a true gentleman.
That I am guiltless of your father's death,
And am most sensibly in grief for it,
It shall as level to your judgment 'pear3 note,
As day does to your eye.

Danes. [Within.]
Let her come in4 note.

Laer.
How now! what noise is that? Re-enter Ophelia5 note.
O heat, dry up my brains! tears seven times salt,
Burn out the sense and virtue of mine eye!—
By heaven, thy madness shall be paid by weight,
Till our scale turns the beam. O rose of May!
Dear maid, kind sister, sweet Ophelia!—
O heavens! is't possible, a young maid's wits

-- 310 --


Should be as mortal as an old man's life?
Nature is fine in love; and, where 'tis fine,
It sends some precious instance of itself
After the thing it loves6 note.

Oph.

They bore him barefac'd on the bier;
Hey non nonny, nonny, hey nonny7 note:
And in his grave rain'd many a tear;—
Fare you well, my dove8 note!

Laer.
Hadst thou thy wits, and didst persuade revenge,
It could not move thus.

Oph.

You must sing, Down a-down, an you call him a-down-a. O, how the wheel becomes it! It is the false steward, that stole his master's daughter9 note.

Laer.

This nothing's more than matter.

Oph.

There's rosemary, that's for remembrance; pray you, love, remember: and there is pansies1 note, that's for thoughts.

Laer.

A document in madness; thoughts and remembrance fitted.

Oph.

There's fennel for you, and columbines:— there's rue for you; and here's some for me: we may call it, herb of grace o'Sundays2 note
:—you may wear3 note your

-- 311 --

rue with a difference.—There's a daisy: I would give you some violets; but they withered all when my father died.—They say, he made a good end,—



For bonny sweet Robin is all my joy,— [Sings.

Laer.
Thought and affliction, passion, hell itself,
She turns to favour, and to prettiness.

Oph.

And will he not come again? [Sings.
And will he not come again?
  No, no, he is dead;
  Go to thy death-bed,
He never will come again.

His beard was as white as snow,
All flaxen was his poll;
  He is gone, he is gone,
  And we cast away moan:
God ha' mercy on his soul4 note!

And of all christian souls! I pray God5 note. God be wi' you!

[Exit Ophelia.

Laer.

Do you see this, O God?

King.
Laertes, I must commune with your grief,
Or you deny me right. Go but apart,
Make choice of whom your wisest friends you will,
And they shall hear and judge 'twixt you and me.
If by direct, or by collateral hand
They find us touch'd, we will our kingdom give,
Our crown, our life, and all that we call ours,
To you in satisfaction; but if not,
Be you content to lend your patience to us,

-- 312 --


And we shall jointly labour with your soul
To give it due content.

Laer.
Let this be so:
His means of death, his obscure funeral6 note,
No trophy, sword, nor hatchment, o'er his bones,
No noble rite, nor formal ostentation,
Cry to be heard, as 'twere from heaven to earth,
That I must call't in question.

King.
So you shall;
And, where th' offence is, let the great axe fall.
I pray you, go with me.
[Exeunt.
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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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