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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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SCENE I. The Same. Court within the Castle. Enter Banquo, and Fleance, with a torch before him1 note.

Ban.
How goes the night, boy?

Fle.
The moon is down; I have not heard the clock.

Ban.
And she goes down at twelve.

Fle.
I take't, 'tis later, sir.

Ban.
Hold, take my sword.—There's husbandry in heaven2 note;

-- 120 --


Their candles are all out.—Take thee that too.
A heavy summons lies like lead upon me,
And yet I would not sleep: merciful powers!
Restrain in me the cursed thoughts, that nature
Gives way to in repose!—Give me my sword.— Enter Macbeth, and a Servant with a torch.
Who's there?

Macb.
A friend.

Ban.
What, sir! not yet at rest? The king's a-bed:
He hath been in unusual pleasure, and
Sent forth great largess to your offices3 note.
This diamond he greets your wife withal,
By the name of most kind hostess, and shut up
In measureless content.

Macb.
Being unprepar'd,
Our will became the servant to defect,
Which else should free have wrought.

Ban.
All's well.
I dreamt last night of the three weird sisters:
To you they have show'd some truth.

Macb.
I think not of them:
Yet, when we can entreat an hour to serve,
We would spend it in some words upon that business,
If you would grant the time.

Ban.
At your kind'st leisure.

Macb.
If you shall cleave to my consent, when 'tis,
It shall make honour for you4 note
.

Ban.
So I lose none

-- 121 --


In seeking to augment it, but still keep
My bosom franchis'd, and allegiance clear,
I shall be counsell'd.

Macb.
Good repose, the while!

Ban.
Thanks, sir: the like to you.
[Exeunt Banquo and Fleance5 note.

Macb.
Go; bid thy mistress, when my drink is ready,
She strike upon the bell. Get thee to bed.— [Exit Servant.
Is this a dagger, which I see before me,
The handle toward my hand? Come, let me clutch thee:—
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling, as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?
I see thee yet, in form as palpable
As this which now I draw.
Thou marshall'st me the way that I was going;
And such an instrument I was to use.—
Mine eyes are made the fools o' the other senses,
Or else worth all the rest: I see thee still;
And on thy blade, and dudgeon, gouts of blood6 note,
Which was not so before.—There's no such thing:
It is the bloody business, which informs
Thus to mine eyes.—Now o'er the one half world
Nature seems dead, and wicked dreams abuse

-- 122 --


The curtain'd sleep 11Q0991: witchcraft celebrates7 note
Pale Hecate's offerings; and wither'd murder,
Alarum'd by his sentinel, the wolf,
Whose howl's his watch, thus with his stealthy pace,
With Tarquin's ravishing strides8 note, towards his design
Moves like a ghost.—Thou sure and firm-set earth9 note,
Hear not my steps, which way they walk1 note, for fear
Thy very stones prate of my where-about,
And take the present horror from the time,
Which now suits with it.—Whiles I threat, he lives:
Words to the heat of deeds too cold breath gives. [A bell rings.
I go, and it is done: the bell invites me.
Hear it not, Duncan; for it is a knell,
That summons thee to heaven or to hell. [Exit.

-- 123 --

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J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
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