Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

SCENE II. A Room in Olivia's House. Enter Maria and Clown.

Mar.

Nay, I pr'ythee, put on this gown, and this beard: make him believe thou art sir Topas, the curate: do it quickly; I'll call sir Toby the whilst.

[Exit Maria.

Clo.

Well, I'll put it on, and I will dissemble myself in't; and I would I were the first that ever dissembled

-- 401 --

in such a gown. I am not tall enough to become the function well3 note, nor lean enough to be thought a good student; but to be said an honest man, and a good housekeeper, goes as fairly as to say a careful man, and a great scholar. The competitors enter4 note.

Enter Sir Toby Belch and Maria.

Sir To.

Jove bless thee, master parson.

Clo.

Bonos dies, sir Toby: for as the old hermit of Prague, that never saw pen and ink, very wittily said to a niece of king Gorboduc, “That, that is, is;” so I, being master parson, am master parson, for what is that, but that? and is, but is?

Sir To.

To him, sir Topas.

Clo.

What, ho! I say.—Peace in this prison.

Sir To.

The knave counterfeits well; a good knave.

Mal. [Within.]

Who calls there?

Clo.

Sir Topas, the curate, who comes to visit Malvolio the lunatic.

Mal.

Sir Topas, sir Topas, good sir Topas, go to my lady.

Clo.

Out, hyperbolical fiend! how vexest thou this man. Talkest thou nothing but of ladies?

Sir To.

Well said, master parson.

Mal.

Sir Topas, never was man thus wronged. Good sir Topas, do not think I am mad: they have laid me here in hideous darkness.

Clo.

Fie, thou dishonest Sathan! I call thee by the most modest terms; for I am one of those gentle ones,

-- 402 --

that will use the devil himself with courtesy. Say'st thou that house is dark?

Mal.

As hell, sir Topas.

Clo.

Why, it hath bay-windows5 note transparent as barricadoes, and the clear stories6 note towards the south-north are as lustrous as ebony; and yet complainest thou of obstruction?

Mal.

I am not mad, sir Topas. I say to you, this house is dark.

Clo.

Madman, thou errest: I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.

Mal.

I say, this house is as dark as ignorance, though ignorance were as dark as hell; and I say, there was never man thus abused. I am no more mad than you are: make the trial of it in any constant question.

Clo.

What is the opinion of Pythagoras concerning wild-fowl?

Mal.

That the soul of our grandam might haply inhabit a bird.

Clo.

What thinkest thou of his opinion?

Mal.

I think nobly of the soul, and no way approve his opinion.

Clo.

Fare thee well: remain thou still in darkness. Thou shalt hold the opinion of Pythagoras, ere I will allow of thy wits, and fear to kill a woodcock, lest thou dispossess the soul of thy grandam. Fare thee well.

Mal.

Sir Topas! sir Topas!—

Sir To.

My most exquisite sir Topas.

Clo.

Nay, I am for all waters7 note.

-- 403 --

Mar.

Thou might'st have done this without thy beard, and gown: he sees thee not.

Sir To.

To him in thine own voice, and bring me word how thou findest him: I would, we were well rid of this knavery. If he may be conveniently delivered, I would he were; for I am now so far in offence with my niece, that I cannot pursue with any safety this sport to the upshot. Come by and by to my chamber.

[Exeunt Sir Toby and Maria.


Clo.
“Hey Robin, jolly Robin8 note,
  Tell me how thy lady does.”
[Singing.

Mal.
Fool,—


Clo.
“My lady is unkind, perdy.”

Mal.
Fool,—


Clo.
“Alas, why is she so?”

Mal.
Fool, I say;—

Clo.
“She loves another”—Who calls, ha?

Mal.

Good fool, as ever thou wilt deserve well at my hand, help me to a candle, and pen, ink, and paper. As I am a gentleman, I will live to be thankful to thee for't.

Clo.

Master Malvolio!

Mal.

Ay, good fool.

Clo.

Alas, sir, how fell you besides your five wits?

Mal.

Fool, there was never man so notoriously abused: I am as well in my wits, fool, as thou art.

Clo.

But as well? then you are mad, indeed, if you be no better in your wits than a fool.

Mal.

They have here propertied me9 note; keep me in

-- 404 --

darkness, send ministers to me, asses! and do all they can to face me out of my wits.

Clo.

Advise you what you say: the minister is here. —Malvolio, Malvolio, thy wits the heavens restore! endeavour thyself to sleep, and leave thy vain bibble babble10 note.

Mal.

Sir Topas,—

Clo.

Maintain no words with him, good fellow.— Who, I, sir? not I, sir. God b' wi' you, good sir Topas. —Marry, amen.—I will, sir, I will.

Mal.

Fool, fool, fool, I say.

Clo.

Alas, sir, be patient. What say you, sir? I am shent1 note note for speaking to you.

Mal.

Good fool, help me to some light, and some paper: I tell thee, I am as well in my wits, as any man in Illyria.

Clo.

Well-a-day, that you were, sir!

Mal.

By this hand, I am. Good fool, some ink, paper, and light, and convey what I will set down to my lady: it shall advantage thee more than ever the bearing of letter did.

Clo.

I will help you to't. But tell me true, are you not mad indeed? or do you but counterfeit?

Mal.

Believe me, I am not: I tell thee true.

Clo.

Nay, I'll ne'er believe a madman, till I see his brains. I will fetch you light, and paper, and ink.

Mal.

Fool, I'll requite it in the highest degree: I pr'ythee, be gone.

-- 405 --


Clo.
  I am gone, sir,
  And anon, sir,
I'll be with you again,
  In a trice,
  Like to the old vice,
Your need to sustain;

Who with dagger of lath,
In his rage and his wrath,
  Cries, Ah, ha! to the devil:
Like a mad lad,
Pare thy nails, dad,
  Adieu, goodman devil 11Q04602 note.
[Exit.
Previous section

Next section


J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
Powered by PhiloLogic