Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

SCENE III. The Same. A Street. Enter Launce, leading a Dog.

Launce.

Nay, 'twill be this hour ere I have done weeping: all the kind of the Launces have this very fault. I have received my proportion, like the prodigious son, and am going with sir Proteus to the imperial's court. I think Crab, my dog, be the sourest-natured dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear. He is a stone, a very pebble-stone, and has no more pity in him than a dog; a Jew would have wept to have seen our parting: why, my grandam having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it. This shoe is my father; —no, this left shoe is my father:—no, no, this left shoe is my mother;—nay, that cannot be so, neither:—yes, it is so, it is so; it hath the worser sole. This shoe, with the hole in it, is my mother, and this my father. A vengeance on't! there 'tis: now, sir, this staff is my sister; for, look you, she is as white as a lily, and as small as a wand: this hat is Nan, our maid: I am the dog1 note;—no, the dog is himself, and I am the dog,—O! the dog is me, and I am myself: ay, so, so. Now come I to my father; “Father, your blessing:” now should

-- 113 --

not the shoe speak a word for weeping: now should I kiss my father; well, he weeps on. Now come I to my mother, (O, that she could speak now!) like a wood woman2 note:—well, I kiss her; why there 'tis; here's my mother's breath up and down. Now come I to my sister; mark the moan she makes: now, the dog all this while sheds not a tear, nor speaks a word, but see how I lay the dust with my tears.

Enter Panthino.

Pant.

Launce, away, away, aboard: thy master is shipped, and thou art to post after with oars. What's the matter? why weep'st thou, man? Away, ass; you'll lose the tide, if you tarry any longer.

Launce.

It is no matter if the tied were lost; for it is the unkindest tied that ever any man tied.

Pant.

What's the unkindest tide?

Launce.

Why, he that's tied here; Crab, my dog.

Pant.

Tut, man, I mean thou'lt lose the flood; and, in losing the flood, lose thy voyage; and, in losing thy voyage, lose thy master; and, in losing thy master, lose thy service; and, in losing thy service,—Why dost thou stop my mouth?

Launce.

For fear thou should'st lose thy tongue.

Pant.

Where should I lose my tongue?

Launce.

In thy tale.

Pant.

In thy tail?

Launce.

Lose the tied, and the voyage, and the master,

-- 114 --

and the service, and the tide3 note. Why, man, if the river were dry, I am able to fill it with my tears; if the wind were down, I could drive the boat with my sighs.

Pant.

Come; come, away, man: I was sent to call thee.

Launce.

Sir, call me what thou dar'st.

Pant.

Wilt thou go?

Launce.

Well, I will go.

[Exeunt.
Previous section

Next section


J. Payne Collier [1842–1844], The works of William Shakespeare. The text formed from an entirely new collation of the old editions: with the various readings, notes, a life of the poet, and a history of the Early English stage. By J. Payne Collier, Esq. F.S.A. In eight volumes (Whittaker & Co. [etc.], London) [word count] [S10101].
Powered by PhiloLogic