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George Sewell [1723–5], The works of Shakespear in six [seven] volumes. Collated and Corrected by the former Editions, By Mr. Pope ([Vol. 7] Printed by J. Darby, for A. Bettesworth [and] F. Fayram [etc.], London) [word count] [S11101].
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ACT III. SCENE I. †††The PARK. Enter Armado and Moth. SONG.

Armado.

Warble child, make passionate my sense of hearing.

Moth.

Concolinel.—

Arm.

Sweet air; go tenderness of years; take this key, give inlargement to the swain; bring him festinately hither: I must imploy him in a letter to my love.

Moth.

Master, will you win your love with a French brawl?

Arm.

How mean'st thou, brawling in French?

Moth.

No my compleat master, but to jig off a tune at the tongue's end, canary to it with your feet, humour it with turning up your eyelids; sigh a note and sing a note, sometimes through the throat: if you swallow'd love with singing, love sometime through the nose, as if you snuft up love by smelling

-- 117 --

love, with your hat penthouse-like o'er the shop of your eyes, with your arms crost on your thinbelly doublet, (like a rabbet on a spit) or your hands in your pocket, like a man after the old painting, and keep not too long in one tune, but a snip and away: these are complements, these are humours, these betray nice wenches that would be betray'd without these, and make them men of note: do you note men that most are affected to these?

Arm.

How hast thou purchas'd this experience?

Moth.

By my pen of observation.

Arm.

But O, but O—

Moth.

The hobby-horse is forgot.

Arm.

Call'st thou my love hobby-horse?

Moth.

No master, the hobby-hose is but a colt, and your love perhaps a hackney: but have you forgot your love?

Arm.

Almost I had.

Moth.

Negligent student, learn her by heart.

Arm.

By heart, and in heart boy.

Moth.

And out of heart, master: all those three I will prove.

Arm.

What wilt thou prove?

Moth.

A man, if I live. (And this) by, in, and out of: upon the instant: by heart you love her, because your heart cannot come by her; in heart you love her, because your heart is in love with her; and out of heart you love her, being out of heart that you cannot enjoy her.

Arm.

I am all these three.

Moth.

And three times as much more; and yet nothing at all.

Arm.

Fetch hither the swain, he must carry me a letter.

Moth.

A message well sympathiz'd; a horse to be embassador for an ass.

Arm.

Ha, ha; what say'st thou?

Moth.

Marry Sir, you must send the ass upon the horse, for he is very slow gated: but I go.

-- 118 --

Arm.

The way is but short; away.

Moth.

As swift as lead, Sir.

Arm.
Thy meaning, pretty ingenious?
Is not lead a metal heavy, dull and slow?

Moth.
Minimè honest master, or rather master no.

Arm.
I say lead is slow.

Moth.
You are too swift Sir, to say so.
Is that lead slow, Sir, which is fir'd from a gun?

Arm.
Sweet smoak of rhetorick?
He reputes me a cannon, and the bullet that's he:
I shoot thee at the swain.

Moth.
Thump then, and I fly.
[Exit.

Arm.
A most acute Juvenile, voluble and free of grace;
By thy favour, sweet welkin, I must sigh in thy face.
Most rude melancholy, valour gives thee place.
My herald is return'd.
SCENE II. Enter Moth and Costard.* note































-- 119 --

Arm.

I give thee thy liberty, set thee from durance, and in lieu thereof impose on thee nothing but this; bear this significant to the country-maid Jaquenetta; there is remuneration, for the best ward of mine honours is rewarding my dependants. Moth, follow.—

[Exit.

Moth.

Like the sequel I. Signior Costard adieu.

[Exit.

Cost.

My sweet ounce of man's flesh, my in-cony Jew: now will I look to his remuneration. Remuneration, O, that's the latin word for three farthings: three farthings remuneration: What's the price of this incle? a penny. No, I'll give you a remuneration: why? it carries its remuneration: why? it is a fairer name than a French-crown. I will never buy and sell out of this word.

-- 120 --

SCENE III. Enter Biron.

Biron.

O my good knave Costard, exceedingly well met.

Cost.

Pray you Sir, how much carnation ribbon may a man buy for a remuneration?

Biron.

What is a remuneration?

Cost.

Marry Sir, half-penny farthing.

Biron.

O, why then three farthings worth of silk.

Cost.

I thank your worship, God be with you.

Biron.
O stay slave, I must employ thee:
As thou wilt win my favour, my good knave,
Do one thing for me that I shall intreat.

Cost.
When would you have it done, Sir?

Biron.
O this afternoon.

Cost.
Well, I will do it Sir: fare you well.

Biron.
O thou knowest not what it is.

Cost.
I shall know, Sir, when I have done it.

Biron.
Why villain, thou must know first.

Cost.
I will come to your worship to-morrow morning.

Biron.
It must be done this afternoon.
Hark slave, it is but this:
The Princess comes to hunt here in the park:
And in her train there is a gentle lady;
When tongues speak sweetly, then they name her name,
And Rosaline they call her; ask for her,
And to her white hand see thou do commend
This seal'd up counsel. There's thy guerdon; go.

Cost.

Guerdon, O sweet guerdon, better than remuneration, eleven pence farthing better: most sweet guerdon. I will do it, Sir, in print. Guerdon, remuneration.

[Exit.

Biron.
O! and I forsooth in love,

-- 121 --


I that have been love's whip;
A very beadle to a humorous sigh:
A critick; nay, a night-watch constable,
A domineering pedant o'er the boy,
Than whom no mortal more magnificent.
This whimpled, whining, purblind wayward boy,
This Signior Junio, giant dwarf, Dan Cupid,
Regent of love-rimes, lord of folded arms,
Th'anointed Soveraign of sighs and groans:
Leige of all loyterers and malecontents:
Dread Prince of plackets, King of codpieces.
Sole imperator, and great general
Of trotting parators (O my little heart!)
And I to be a corporal of his field,
And wear his colours like a tumbler's hoop!
What? I love! I sue! I seek a wife,
A woman, that is like a German clock,
Still a repairing; ever out of frame,
And never going aright, being a watch,
But being watch'd, that it may still go right.
Nay to be perjur'd, which is worst of all:
And among three, to love the worst of all,
A whitely wanton with a velvet brow,
With two pitch balls stuck in her face for eyes,
Ay, and by heav'n, one that will do the deed,
Tho' Argus were her eunuch and her guard;
And I to sigh for her! to watch for her!
To pray for her! go too: it is a plague
That Cupid will impose for my neglect
Of his almighty, dreadful, little, might.
Well I will love, write, sigh, pray, sue and groan:
Some men must love my lady, and some Joan. [Exit.

-- 122 --

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George Sewell [1723–5], The works of Shakespear in six [seven] volumes. Collated and Corrected by the former Editions, By Mr. Pope ([Vol. 7] Printed by J. Darby, for A. Bettesworth [and] F. Fayram [etc.], London) [word count] [S11101].
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