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Spofford, Harriet Elizabeth Prescott, 1835-1921 [1864], Azarian: an episode (Ticknor and Fields, Boston) [word count] [eaf691T].
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Front matter Covers, Edges and Spine

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Preliminaries

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Hic Fructus Virtutis; Clifton Waller Barrett [figure description] Paste-Down Endpaper with Bookplate: heraldry figure with a green tree on top and shield below. There is a small gray shield hanging from the branches of the tree, with three blue figures on that small shield. The tree stands on a base of gray and black intertwined bars, referred to as a wreath in heraldic terms. Below the tree is a larger shield, with a black background, and with three gray, diagonal stripes across it; these diagonal stripes are referred to as bends in heraldic terms. There are three gold leaves in line, end-to-end, down the middle of the center stripe (or bend), with green veins in the leaves. Note that the colors to which this description refers appear in some renderings of this bookplate; however, some renderings may appear instead in black, white and gray tones.[end figure description]

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Annie M. Cales
With the love of
Harriet Prescott Spotford
A poor little dead book, but
what a world of life was
poured into it fifty years ago!

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BY THE SAME AUTHOR.

[figure description] Advertisement.[end figure description]

THE AMBER GODS,
AND OTHER STORIES.

1 vol. 16mo. Cloth, bevelled boards and gilt top.

Price, $ 1.50.

TICKNOR AND FIELDS; Publishers.

Preliminaries

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Title Page AZARIAN: AN EPISODE. BOSTON:
TICKNOR AND FIELDS.
1864.

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Entered according to Act of Congress, in the year 1864, by
HARRIET ELIZABETH PRESCOTT,
in the Clerk's Office of the District Court for the District of Massachusetts.
University Press:
Welch, Bigelow, and Company,
Cambridge.
Main text

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I.

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Life, which slips us along like beads on a
leash, strung summer after summer on Ruth
Yetton's thread, yet none so bright as that
one where the Azarian had pictured his sunny
face and all his infinite variety of pranksome
ways. Ruth's mother had thrown her
up in despair, as good for nothing under the
sun, but her father always took her on his
knee at twilight, listened to her little idealities,
and dreamed the hour away with her. Yet
without the mother's constructive strength,
all Ruth's inherited visioning would have
availed her ill.

Perhaps it was owing to this scheming, but
reverizing brain of his, that one day her father

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sold his farm and moved with wife and child to
the city. And when, after a while, all things
went the reversed way with him there, the
schemes suddenly ran riot in fever, and he became
an old man in his prime. The mother,
with all the quiet current of years disturbed,
died then, of vexation perhaps. And Ruth
Yetton was left more than alone, with a dear
burden on her slender shoulders, and with no
other relative whose great lodestone of race
might draw her little magnet.

When the first bursts of grief had gathered
themselves darkly inward, to suffuse all the
days to come with silent rushes of gloom and
sorrow, Ruth assumed her duties. In the first
place, she counted their money; then, selecting
sufficient furniture for some tiny kitchen
or other, should she ever be able to hire two
rooms, and a few articles of a different class,
she hastened to dispose of the remainder, —
quickly, lest, delaying, she would never have

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the heart to sell them at all, — these things
round which such memories clung. A lofty
chest of drawers with burnished brasses, the
old clock whose ponderous stroke had marked
off all those dead and gone days, her father's
chair, and one or two books of rare prints,
were not to be parted with. All done, the
accumulation in her purse seemed a great deal
to little Ruth; yet she knew it could not last
forever, and she daily sought work. Gradually,
as she paid the weekly board or bought
some little pleasure for the sad and sweet
old face in the corner, the purse began to
drop an ever lighter weight in her pocket.
One day, at last, she took the two books and
went to a place at whose windows she had
often stood to watch the storied wealth.

“No,” said the person she addressed. “You
will probably receive a good price for this on
Cornhill. We do not deal in such articles.”
But as he idly turned it over, two little papers

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slipped from between the leaves and fluttered
to the floor. He gathered them. They were
the old amusements of Ruth's careless leisure.
One, the likeness of a bunch of gentians just
plucked from the swampy mould, blue as
heaven, their vapory tissue — as if a breath
dissolved it — so tenderly curled and fringed
like some radiate cloud, fragile, fresh, a creation
of the earth's fairest finest effluence,
dreams of innocence and morning still half
veiled in their ineffable azure. The other,
only a single piece of the wandering dog-tooth,
with its sudden flamy blossom starting up
from the languid stem like a serpent's head,
full of fanged expression, and with its mottled
leaf, so dewy, so dark, so cool, that it
seemed to hold in itself the reflection of
green-gloomed transparent streams running
over pebbly bottoms.

The interlocutor examined them for a few
moments steadily. “Your name, may I ask?”

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“Ruth Yetton.”

“Has it ever occurred to you, Miss Yetton,
to offer these sketches for sale?”

“Those!”

“I see not.”

“Are they — worth anything, sir?”

“Yes, decidedly. What price will you put
upon them?”

“Is — a dollar — half a dollar — too much?”

“I will mark them three. They might
bring five. You can call again in a few days,
Miss Yetton, and if they are gone we will
hand you the proceeds, deducting a small
commission. You would find ready sale, I
believe, for as many as you could furnish.”

What visions danced over Miss Yetton's
pale little face as she remembered the overflowing
desk in her trunk. Hunger and want
and fear annihilated. Soup and sirloin every
day for the uncomplaining old man at home,
new clothes for him, fragrantest tobacco,

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trivial luxuries, now and then a ride outside
the suburbs, now and then an evening at the
play, comfort and rest and safety and pleasure
all the days and nights of his mortal life.
That moment paid for so much. Wealth rose
round her like an exhalation; another possibility
flashed upon her and faded, — she was
half-way to Italy, tossing on the blue sea,
hastening to pictures and shrines and eternal
summer.

The lounger over Rosa Bonheur's portfolio
turned and fastened his glance upon her; she
seemed to feel it, though she was not looking,
for it entered her as a sunbeam parts the
petals of a flower.

The shopman smiled at her roseate countenance.

“Very well,” said he. “I see that we have
struck a vein!” and she tripped away.

So three months' time saw many things
altered. Little gold-pieces clinked, and

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precious paper rustled, in Miss Yetton's wallet,
and she had left the new devotion of landlady
and fellow-lodgers running to waste, having
found two rooms, in an airier place, that
pleased her fancy. They were part of a house
that stood on the corner of a large, empty
square, seldom reached by the hum of business;
and as the house was old, and had none
of the modern alleviations of life, they were
obtained very reasonably. On the second
floor, with one large window for the sunshine
and one for the square, with a little carpet
pieced out by the cheap Arab mat whose
vivid elm-leaf hue seemed like perpetual fair
weather in the room, with the great chest of
drawers reaching in ancestral splendor almost
to the ceiling, with the home sound of the
clock, sentinel in the recess, the little worktable,
one window full of flowers in pots and
boxes and baskets, a portrait of some sadeyed
lady which she had found exposed in an

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auction-room, and about which she loved to
weave pathetic romances, two yellow old engravings
from Angelica Kaufmann, where figured
Fancy with the wings springing from her
filleted temples; a lounge of her own fashioning,
piled with purple cushions, and which
became a very comfortable bed at night; with
a glowing fire in the grate, and a little cat
purring before it, — Miss Yetton could hardly
devise the imagination of further comfort.
Their dinners they found in any restaurant,
their breakfasts were a pleasure to contrive.
They took long trips on the horse-cars, which
were the old father's delight; long rides then
into the wintry country, got out at any prospect
of field or wood, and returned laden with
trailers of gray moss, with clusters of scarlet
hips, with withered ferns, blue juniper-berries,
dried cones, bunches of beautiful brown-bearded
grasses, which, disposed here and
there, tasselled over the dark wood of the

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picture-frames, or, set in tapering glasses, kept
her sitting-room always sweetly ornamented,
till in summer she could make it a very bower
with all manner of flaunting herb or shrinking
bud, with great boughs of the snowy
medlar, and with long wreaths of the spiced
sweet-brier. Whenever, too, Miss Yetton had
a cent that she could religiously spare, —
for besides her little savings she had her little
charities, — she stole with it between the lofty
ranks of some greenhouse and won the gardener's
heart, and brought back threefold its
worth to lay massed in gorgeous bloom about
the room; while her ever passive companion
sat, lost in a bewildered enchantment, among
all the glowing greenery, the springing stems
and bending buds whose life leaped up so
riotously to break in blossom, — sat abandoned
to the soft damp warmth of atmosphere that
was like some other planet's, — sat there in
the emeraldine lustre that, filtering through

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the vine-leaved roof, seemed to have dripped
a shining sediment in great bunches of translucent
grapes, — thrilled through all his sense,
and growing ever rapt and paler, till the child
hurried him away lest his soul should exhale
entirely in the strange region of heavily-freighted
air, and be lost among all its other
ecstatic odors. Sometimes moreover, of an
afternoon, she slipped with the quiet old man
into an orchestra-concert; and afterwards the
dim dreamwork and sweet thoughts that had
been invoked by the murmuring music shaped
themselves to tint and color and design as
she walked round the Common in the sunset,
or went out and leaned a moment over the
arches of the bridges, and marked how the
green light fell like damp sunshine among
their shadows. Few of all those who on their
rambles were wont with interest to encounter
this little woman supporting the spiritual, frail
form beside her, associated the two in any

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measure with the beautiful creations of pencil
and paper that at that very moment perhaps
they treasured in their hand. It is true that
often in the after-dark hours she ached to
have her father's old intelligence back among
these pleasures, to feel once more the old
reliance on his omnipotence, to have her mother
sharing these long-desired comforts; but
when the feverish pain was by, with her constant
work, with her pleasant fancies, with
her brightening hopes and joyful attainment,
Miss Yetton was as happy a little maid as a
city roof can cover.

Without premeditation or affectation or
search, Miss Yetton had found an art. An
art in which she stood almost alone. As she
began to give herself rules, one that she found
absolute was to work from nothing but the
life. During the winter, and while yet her
means were very small, the opposite course
had been needful; but even then some little

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card where a handful of brown stems and
ruddy berries from the snowy roadside seemed
to have been thrown, or where she had caught
just the topmost tips of the bare tree in the
square, lined like any evanescent sea-moss,
delicate as the threads of smoke that wander
upward, faintly tinged in rosy purple and
etched upon a calm deep sky with most exquisite
and intricate entanglement of swinging
spray and swelling bud, — even then things like
these commanded twice the price of any copy
of her past sketches. Something of this was
due to growth perhaps. Already she felt that
she handled her pencil with a swifter decision,
and there was courage in her color. But
when spring came she revelled. She took
jaunts deeper and deeper among the outlying
regions. One day, luncheon in pocket, she
went pulling apart old fallen twigs and bits
of stone on the edge of a chasm where dark
and slumbrous waters forever mantled, and

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returning the forty miles in the afternoon train
brought home with her bountiful bunches, root
and blood-red leaf, downy bud and flaky flower
of the purple hepatica, — the hepatica, whose
pristine element, floating out of heaven and
sinking into the sod with every star-sown fall
of snow, answers the first touch of wooing
sunshine, assoiled of dazzle, enriched with
some tincture of the mould's own strain, and
borrowing from the crumbling granites that
companion it all winter an atom of fibre, a
moment of permanence: breezy bits of gold
and purple at last, cuddled in among old
gnarls and roots, and calling the wild March
sponsor. These before her, she wrought patiently
on ivory with all delicate veinery and
tender tint, painting in a glossy jet of background,
till, rivalling the Florentine, the dainty
mosaic was ready for the cunning goldsmith
who should shape it to the pin that gathers
the laces deep in any lady's bosom. Then,

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when the brush had extracted their last essence,
some messenger of the year, some little
stir in her pulse, warned her of hurrying
May-flowers, and she sped down to the Plymouth
woods, within sound of their rustling
sea-shore, to pull up clustered wet trailing
masses, flushed in warmest wealthiest pink
with the heartsomest flower that blows. And
there, in the milder weather, she took her
only familiar, that he might plunge his trembling
hands deep down among the flowers, or,
sitting on a mossy knoll, listen to the wild
song of the pines above. Sometimes too she
stood with him through long reveries in the
wide rhodora marshes, where some fleece of
burning mist seemed to be fallen and caught
and tangled in countless filaments upon the
bare twigs and sprays that lovingly detained
it. At other times she lingered over the
blushing wild-honeysuckle, and every tube
of fragrance poured strength and light into

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her spirit. Always in gathering her trophies
from among their natural surroundings she
felt half her picture painted. Near the city
there were fair gardens which she knew, and
which in return for her homage gave her the
sweet-pea, fluttering, balancing, tiptoe-fine,
and pansies for remembrance; while in the
farmers' orchards great broken boughs were
put at the service of the young girl with the
happy old man upon her arm. Then came a
book of tree-blossoms, — those glad things that
are in such haste to crowd into light and air
before the leaves can get chance to burst their
shining scales, — where the faint green vapor
of the elm, the callow cloud that floats
about the oak, the red flame of the maple,
the golden, dusty tassels of the willow, —
brimmed with being, whose very perfume
seemed shaken about themselves on the paper,—
hedged in with their wildness those caught
and captived beauties but half tamed with

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all the years, the fair fruit-flowers, ever a
sweeter surprise that their frail petals wreathe
such rugged boughs, — the pear rivalling the
cornel, the cherry like a suspended snowstorm
that has caught life among the branches, the
apple veined finely as the blush on any cheek,
with its twisted stem where the aged lichens
have laid their shield, the peach, like some
splendid orchid, in its fantastic shape, with
lifted wings, yet clinging to the bough, and
full of a deep rich rosiness that already holds
the luscious juices and voluptuous savor of
the perfected growth, not without a hint of
the subtly sweet poison in its heart. Then
Miss Yetton busied herself over a set of bookmarks
with a wild-flower for every day of the
year, half of April filled with violets, white
and blue, the Alpine pedate, and the bright
roadside freak of the golden-yellow, while for
love she slipped among them that other, an
atom of summer midnight, double, says some

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one, as a little rose, the only blue rose we
shall ever have; and for the days whereon
no blossom burst, she had a tip of tiny hemlock
cones, the moss from an old stone, a
bunch of berries forsaken by the birds, some
silky seedling unstripped of the rude breezes.
In all these treasures there was no flaw; the
harebell shaking in the wind and tangled
among its grasses, the wild rose whose root
so few rains had washed that there had settled
a deep color in its cup, the cardinal with the
very glitter of the stream it loves meshed
like a silver mist behind its scarlet sheen,
those slipshod little anemones that cannot stop
to count their petals, but take one from their
neighbor or leave another behind them, all
the tiny stellate things wherein the constant
crystallic force of the ancient earth steals
into light, the radiant water-lily, — these held
no dead pressed beauty, but the very spirit
and springing life of the flower. Upon them,

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too, she lavished fancy; among the sprays
little hands appeared to help the climbing
vine, here a humming-bird and a scarlet rock-columbine
seemed taking flight together, there
a wasp with the purple enamel of armor on
his wing tilted against some burly husbandman
of a bee to seek the good graces of the
hooded nymph in an arethusa; — they were
little gems, and brought the price of gems.
At length, when — summer ended, and her
tramps among pastures on fire with their burning
huckleberry-bushes just begun — there
came an order from across the seas for a book
of autumn leaves, accompanied by a check
for two hundred dollars, Miss Yetton thought
her fortune made.

She was sitting at work on this order, one
afternoon while her father slept, and with a
new friend beside her. This friend had not
long since made her acquaintance, and there
had sprung up between them one of those

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sudden intimacies which may happen to people
who have long desired and needed them,
and who are complementary each to the other.

“I am a poor little actress,” said Charmian;
“poor, I suppose, as you can be. I do not
have a great deal of money, but I do not
spend all I have. I lay up a trifle for the
rainy days, and I have squandered some on
certain water-colors. I do not mean to squander
any more, because now I shall have you,
water-colors and all, and if ever you find
yourself quite alone in the breathing world
you are to come and paint in my sitting-room,
or else I shall move, bag and baggage, and
con my parts in yours.”

So it was arranged. Charmian was exactly
what she said, a poor little actress, yet a
very good one; no star, but one who played
either Juliet or Lady Macbeth on occasion,
by the best light that was in her; at some
day, perhaps, a sudden inflorescence of

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character might take place, and she would dazzle
the world of footlights pale. She felt the possibility
ever stirring within her, — it made her
restive and bold; but to-day she was a poor
little actress with a steady engagement.

Miss Yetton sat working in the black, lustrous
berries, among the carbuncle splendors
of the tupelo branch. Charmian was furbishing
Kate Percy's bodice that it might do no
dishonor to Ophelia's petticoat, and as they
wrought, their tongues ran merrily. At length
Charmian folded her work and rose, and,
going, uttered the sentence that sealed little
Ruth Yetton's fate.

“I 'm not in the afterpiece to-night,” said
she, “so I shall be out at nine, and I 'm
going to bring Constant Azarian to see you.”

“Constant Azarian?”

“Yes. He says he used to know you, and
now your things are quite the rage, you see,
he 'd like to know you again. Patronage is

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his cue. He made much of me at my début,
thinking I would shortly extinguish Rachel.
Rachel yet burns, — and like a chiselled
flame! I hardly met his expectations, but
we 've always been on good terms.”

“Constant Azarian!”

“Oh, so you remember him? That 's bad,
or good, — tell me which! Really I don't
know whether to bring him here or not. He
is such an impostor, so perfectly charming
outside — and inside, — but there is no inside;
he is as shining and as hollow as a glass
bubble.”

“Oh, — no.”

“I must n't bring him.”

“Yes, do. I thought he could not be here
or he would have found us out. I used to
be fond of him one summer when we were
children. I should like to see him.”

“What if he should ever lay hands on our
friendship, Ruth?”

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“He?” said Ruth looking up with wondering
eyes, “why, it is no affair of his.”

“Aha! well — I don't know. However, expect
us at nine, and I should so like a cup
of hot tea at that innocent hour. Stop, I
must talk to you a bit. All the girls in town,
I hear, rave over Azarian, though he 's no
match, for his father died not long ago and
left him poor. It was a great flash-in-the-pan.
Azarian had been lapped in luxury, and expected
an inheritance. However, he behaved
very well. He has some talent, he 'd have
gone on the stage, his name alone would draw
good houses for a fortnight and have given
him a pretty pocket-piece, but of course he
could n't rival Booth, and anything less is
plebeian; he has written a farce or two, and
there are dark hints of a tragedy. Then he
has sculptured a little; he had patience to get
through the clay, and money to get through
the plaster, but not genius enough to get

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through the marble; there 's his great head
still half in the block. Then he has painted
a little, — portraits; but they are horrible; a
brush like a scalpel, it lays people bare to the
core; to look at one of his canvases is like
standing in a dissecting-chamber, where the
knife has gored a gash down some face and
laid open all the nerves and muscles; every
one's hidden sin suddenly flares up and glares
at him. Nobody likes to be excoriated in that
style; so Azarian's portraits don't pay. Meantime,
he was all along a student of medicine,
and is now established in a city practice. So.
There you have him. Sooner lose your heart
to Fra Diavolo. Be warned. Be armed.
Good by.”

Little Miss Yetton laughed to herself as
Charmian closed the door behind her; she
remembered the boy so well, or her ideal of
the boy, who had come in his black clothes
to spend a summer on the farm and to lose

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his cough. She staid so long with suspended
pencil, dreaming over that season, that the
dark had fallen and the branch before her
begun to fade ere she bethought herself of
work. But her father, busying himself at the
grate, startled her with a clatter of coal-scuttle
and tongs, and she rose and swept her pretty
litter aside.

As the great clock struck nine in the distance
that evening, the long procession of its
sounds issuing on the air with a measured
tread, Miss Yetton piled the coke on her coals
for a dancing cheer of the blaze of molten
sapphire and opal, her little tea-table glittered
in a corner, and as she glanced now and then
toward the door there was an unwonted sparkle
in her eye and a restless red on the pale
cheek.

They came in laughing. Miss Yetton did not
see Charmian, for the other stepped directly
toward her, and, bowing, uttered his name.

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“Constantine Azarian.”

Her hand just brushed across his palm.
He tossed his head with a motion that threw
back the golden curls. “You don't meet
me now as then,” he said.

“Come,” said Charmian, who had doffed
her things; “none of your old times! To
business. To my cup of tea, and then to
your health.”

“It is Constantine, father,” said Miss Yetton
to the old gentleman, who did not at
all comprehend the unusual proceedings, and
forced to a familiarity which she would not
have chosen; “you remember Constant?”

“Yes, — yes,” replied her father uneasily.
“Why, you're quite a man, sir!”

The guest laughed, exchanged with him a
sentence or two, then slipped over to the others.

“So, Ruth, I have found you at last. Where
have you been hiding?” he demanded, seating
himself, and perfectly at home in the minute.

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“We have been here a long while. Up
and down. A year in this house,” she answered
quietly.

Her tone nettled him, he raised his eyebrows.
“Come, you want your tea,” he said,
fixing his glance coolly on Charmian.

“Yes, I want my tea, it prevents reaction
after action. But that need n't hinder your
conversation. Did you say your search for
Ruth was severe?” she asked in mischievous
demi-voice.

“No. Why should it have been?”

“Why, indeed?” said she, provoked with
herself, while the red burned into Ruth's
cheek.

“Ruh and I are such dear old friends that
she should have written to me long ago. Why
did n't you, Ruth?”

Blushing and smiling, appeased and pleased,
Ruth passed him his cup without reply. It
was a quaint little cup, a bit of translucent

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gorgeousness that she had reproduced from
the depths of her trunk and nicely washed
that very evening.

Charmian arrested her arm. “Allow me
to ask, Ruth Yetton,” said she, “where you
came across that hideous little splendor, —
old china worth its weight in gold. Perhaps
you painted it yourself. You have n't been
expending your treasure to delectate Azarian's
lips in that style?”

“Pardon, bella donna,” said Azarian, securing
the disputed object, “it is mine of old, the
viaduct of youthful draughts. I drank from
it every day of one summer. And you have
kept it all this time, Ruth?”

Ruth's little heart leaped that he should
have remembered it, she could not have answered
why; she carried her father his tray
and came back with rosy cheek and dewy
eyes.

“Your tea is mercy itself, Ruth. It puts
the spirit into one.”

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“A work of supererogation, madonna.”

“It is very nice tea, it was given to me, —
because one cannot buy it; you would hardly
suppose that it was made from flowers,” said
Ruth.

“It looks as though it were strained through
sunshine,” replied Azarian.

“The quality of mercy is not strained,”
interpolated Charmian.

“Shop!” said Azarian.

“O yes, — shop, I dare say. What of that?
Now, Azarian, tell the truth and shame the—;
confess that you think it would be
splendid to be famous, while Ruth there
thinks it horrible to be infamous: but as
for me” —

“Give you liberty or give you death.”

“As for me, — it's very nice to be just unfamous;
and I hope the time will never come
when I shall be too great and dignified, and
too full of sacred genius, to make little jokes

-- 033 --

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about the play, or to pass the butter in a
tragic way. So much for shop!”

“No danger,” said Azarian, with mournfully
exaggerated eyebrows. “You are my
great disappointment.”

“Go along with you! What a plague you
are! Here 's to your confusion. Ach, ach!”
ejaculated Charmian, drinking fast, as if she
would rinse her mouth, “how sick I am of
Portia with her ridiculously unjust justice,
the impostress! Ach!”

“I don't think you 'll be cast for Juliet
again immediately. You made that botch of
it purposely, last evening?”

“And to-morrow night I 'm tamed for the
shrew.”

“I know no better subject.”

“It 's another abominable piece of business!
Just a burlesque of the truth, though, — the
very truth. It 's the way of the world, the
way of a man with a maid. What are we

-- 034 --

[figure description] Page 034.[end figure description]

better than any other clay, — only to tread
on, — trample away then!”

“All in character. It is the role of Miss
Ann Thrope. This tea, that is made of
flowers, inverses Cowper, — inebriates, but not
cheers, I fancy.”

“Azarian, unless you conduct with more
propriety, you shall go home directly, and
I will never bring you again!”

“I can come next time alone,” he said,
getting up to saunter about the room and
examine the pictures; till, possessing himself
finally of Ruth's portfolios, and taking a seat
by her father, he went over them all, listening
to the story of each sheet from the old lips
delighted to part in recital.

“He will have more deference to Charmian's
opinions when she returns from her southern
tour; for — I am going away, Ruth.”

“You are going away?”

“Yes: the contract, as tragical factotum

-- 035 --

[figure description] Page 035.[end figure description]

and general maid of all work, was signed,
sealed, and delivered to-day, since I left you.”

“O, Charmian, what shall I do?”

“Do without me. If you won't come with
me. What say, Ruth? I should so like to
make you and Mr. Yetton my guests on the
journey!”

“O, it is impossible!”

“I don't see why.”

“But it is so, all the same.”

“Ruth, dear, reconsider it. You renounce
pride, or I content? I shall never, never
desire more happiness than to do finely in
my art and have you with me wherever I go.”

“Nor I; but it can't be now, you know.
Will this last long?”

“No, only a month or two. It is literally
a golden opportunity. But in those regal
Southern cities they love the drama! Dear
rabble! How can any latent genius develop
in such a searching wind of criticism as —

-- 036 --

[figure description] Page 036.[end figure description]

as he breathes, for instance? There, in the
warm welcoming weather, the coaxing encouraging
air, the generous permeating sunshine,
the fiery favor and love, one's very soul blossoms.
I feel it in me, Ruth, — those tropical
nights, those passionate plaudits, will make a
great actress of me.”

“I have no doubt they will. I can spare
you for that.”

“It would please you, Ruth?”

“More than you.”

“I don't know. I 'm not so unselfish, —
fame is the flower and fruit of that divine
inner impulsion at whose first stir one desires
it. Yet I like, too, to do honor to our
friendship, Ruth.”

“Ruth,” interrupted Azarian, pausing here
over one of her arabesques, “where did you
get these little winged faces?”

“O, detached studies of Reynolds's cherubs,
you remember, — except — one or two.”

-- 037 --

[figure description] Page 037.[end figure description]

“And those?”

“My little cat sat for.”

“Naughty girl! You have never seen any
Angelicos?”

“No.”

“I will take you to-morrow to some glorious
things, — copies, yet delights.”

“You need n't be taken unless you wish,”
whispered Charmian.

“Ah, but I do! Nothing could give me
such pleasure. I have even dreamed about
them. And once — when I was in great
perplexity, you know — I dreamed I was laboring
through an interminable field of stubble,
and two Angels came, with great rosy
half-mooned wings, and lifted me by the shoulders
and bore me swiftly over it all. And
they must have looked precisely like Fra
Angelicos,” said Ruth, her face all lighted.

“You can certify them to-morrow,” he replied,
gazing at her admiringly.

-- 038 --

[figure description] Page 038.[end figure description]

“Azarian! Won't you take me too?”

“Well, — you can come,” he answered,
laughing. “Shall you be free at eleven,
Ruth?”

“No, she won't. That is during my rehearsal-hour.”

“Charmian will be through by twelve,
though,” said Ruth timidly.

“Very well, I will call for you then.”
Which accordingly he did.

Charmian went too, as she had threatened,
not for her own enjoyment primarily, but she
had some dim idea of playing dragon. Moreover,
she was accustomed, by a sort of satire,
to keep Ruth's enthusiasms an atom in check.

“They look like so many wooden dolls,”
said she, when Ruth stood rapt. “See their
round polls, — the beady eyes of them! —
their pink cheeks; — just a huddle of dolls.”

“Is that St. John up there? the beautiful
angel in the red gown, with that bright warm

-- 039 --

[figure description] Page 039.[end figure description]

hair curling over his shoulders, and his head
bent so lovingly down on the little violin?
I can hear the music! And see that St.
Cecilia, — a blaze of blue in the midst of a
blaze of gold. It is the very ecstasy of worship.”

As Ruth spoke, low-voiced, Azarian, directly
before her, was looking in her face; suddenly
her eye caught his and fell; it was a
moment of double consciousness. Azarian
felt as if he had spoken his thoughts. He
had only wondered why he had not known
it was she when he saw her that first day
in the print-shop as he lounged over Rosa
Bonheur's lithographs, why he had not spoken
to her then, why he had not thought
her pretty then: she had a certain odd and
dainty beauty of her own, those delicate features,
dark eyes, and the one great wave in
her less dark hair; she was quite petite and
perfect; when there was any red in her cheek

-- 040 --

[figure description] Page 040.[end figure description]

it was not the blush of the rose, but the
purple pink of the rhodora. And with her
talent, too. He had met no one like her.
What gave her glance that flashing fall just
then? Was she going to care for him, too?
That must n't be. Azarian, somewhat silent
and distraught, went home that day in an
uneasy frame.

As for little Ruth, she feared she had offended
him. She conjectured concerning it
too much for her comfort, and her heart gave
a bound the next day when he tapped and
immediately entered, — for Azarian's impetuosity,
when he allowed it any play, enforced
an entire want of ceremony, and just for the
nonce he was so innocent of self-scrutiny as
to forget consideration of why it was that he
came at all, — for sometimes destiny takes
even our predetermination out of our hand
and weaves another figure, — the fact being
only that he had felt as if he should like to
see her.

-- 041 --

[figure description] Page 041.[end figure description]

“Good morning, little Elderberry,” said he.

“Good morning,” said she, rising and taking
his hand. “Come and sit down here
and see if my work is good. Father will be
in directly; he is only walking round the
square.” And she resumed her occupation.
“Why do you call me an elderberry?” she
said at last, as he watched her.

“Why? only that you remind me of one;
of a whole panicle of them rather. They
are so tiny, so shining, so polished and perfect.
The tint is so unique, — your dress suggests
it to-day, black, and deep rich amaranth, —
there is a spark of something like it in your
eyes, and you have the stain of such juice
just now on your cheek; then your lips
are perhaps darker than other lips, like a
black-heart cherry, which has the bitter-sweet
elderberry flavor, too, — if one tastes it, — and
those little pearls when you laugh, as at this
moment, give them yet a wealthier hue. Yes,

-- 042 --

[figure description] Page 042.[end figure description]

you are one of the last drops of the earth's
color and pungency distilled back again to
the sunshine, and I 've no doubt that at some
time a bitter-sweet wine, hardly to be told
from old red ripened port, will be expressed
from your nature, strong enough to turn a
man's head.”

“O that will do,” said Miss Yetton, laughing,
and too utterly unaccustomed to the society
of gentlemen to know whether to repulse
this familiarity or not.

“Don't be offended. Remember that I am
a portrait-painter,” —

“Certainly. So I see a thousand reasons
why this picture is my likeness, though you
did n't paint it,” and she brought up from
among her scraps a drawing of the plant in
question.

“There are a thousand more reasons why
this is,” said Azarian, unwrapping a parcel
in his hand, — and he laid before her one of

-- 043 --

[figure description] Page 043.[end figure description]

those exquisite little tablets where on a cloud
an Angel strays singing from the Divine presence.

“I have had it a long while. It is like
those you saw yesterday, a copy from Fra
Angelico. See that robe, how it just seems
to be curdled together out of the soft purple
air. What a song the beautiful face is. It
is yours.”

“Mine!” Ruth hesitated, not because she
dreamed of any impropriety in accepting it, —
she had retaken her old childish feeling about
him, — but it seemed to her too valuable.
“No, no,” said she, “it is not mine, but if
you had really as lief, I would like to hang
it on the wall and have it a little while to
look at.”

“Forever. I shall never reclaim it. But
I should prefer you to accept it from me,
Ruth, and to thank me.”

“I do thank you.”

-- 044 --

[figure description] Page 044.[end figure description]

“Truly?” with his head resting on his
hand and his arm along the table for a while.
“How came you to know — Charmian?”

“O, she ran up behind me, one day, on the
Common, and she has been very kind to me
ever since. She is the only friend I have, —
except yourself. I like her very much, —
don't you?”

“So, so. She is — I beg your pardon —
just a mite vulgar.”

Poor little Ruth! she had seen so few people
that she did not know how that terrible
word applied itself. Her friend's peculiarities
she had taken to be points of character,
and had never suffered them to offend her.

“Moreover, she is a charmer,” quoted Azarian,
half to himself, “and can almost read
the thoughts of people.”

“I like her, — I love her!” was all Ruth
ventured to say.

“The more 's the pity,” replied the other, —

-- 045 --

[figure description] Page 045.[end figure description]

for there lingered, with all his froth of friendliness,
a certain rancor in his soul because
this same Charmian had at an earlier date
seen fit to afford him very decided discouragement,
and as a soothing lotion to his self-regard
he had been obliged to conjure about
her this phantasm of vulgarity, — a woman
of refinement could not have resisted his
power. In very truth, the two were antipathetical,
though he had failed to perceive it
at first; but her coldness had affected merely
his fancy, and to-day Azarian's dislike was
as sincere an emotion as he was capable of
feeling.

“Well, well,” said he, shaking off his cloud,
“have you ever seen her play? I should
think that might cure you. Once or twice?
We 'll make it thrice, and go to-night then.”

“I am much obliged to you. I should have
gone oftener, but you know I do not like to
leave my father.”

-- 046 --

[figure description] Page 046.[end figure description]

“Ah, little beggar,” said Azarian gayly,
catching her hands and laughing, “we 'll take
the father too!”

The rose burned in Ruth's cheek, and her
eyes lighted him along his way with joyful
thanks.

Azarian, being well pleased with himself,
repeated the experiment of the play. Too
prominent a personage in his own circle to
enter a local theatre without notice, more
glances than one had been directed at his
companions, — at the frail loveliness of the old
man's face, the silver locks floating round it
from under the little black velvet cap, — at
the quaint picturesqueness of the girl, with a
something alien, a strange element that, just
as you found her beautiful, presented itself
and absorbed the possibility, and, trying to
seize its volatile mystery, escaped beneath your
gaze, — the subtle writing, the braided

-- 047 --

[figure description] Page 047.[end figure description]

harmony of feature, the self-involution of genius.
One or two of the players, with all of whom
he was on terms of good-fellowship, came
glancing through the side-scenes, on the first
night, and wondered what little piece Azarian
had picked up now. Opera-glasses were levelled,
bows were interchanged, fair fingers and
glancing fans vainly beckoned, on the next.
Half a dozen of his acquaintance found important
reasons for joining him a moment in the
interludes, to retire and pronounce his friends
to be foreigners, as no introductions had
followed. And when, at the play's conclusion,
they resorted to Vergne's and waited for their
escaloped oysters, the place became thronged
in such a manner as to cause the poor young
maiden at the desk to lose her reckoning
and her wits altogether. This was by no
means offensive to Azarian; he was well accustomed
to pursuit, and to that rather frank
love-making in which the younger damsels of

-- 048 --

[figure description] Page 048.[end figure description]

America excel; he had been the recipient of
tri-cornered notes by the mail-ful, of bouquets
with a well-known ring among the flowers,
and had even been waylaid in the halls of
his hotel for a lock of hair, — all which was
beneath contempt; moreover, ladies of grace
and wit and courtesy and piquant reserves
had unbent to him as to no other; he knew
well now that not one of them would leave
their luxurious homes to share his life of possible
struggle, had he ever intended to ask
them, and he took a somewhat malicious
pleasure in exciting their interest anew, and
in baffling the other sex as well with his little
incognita. The delicate titillation applied to
his hidden vanity made him superb. Charmian,
at another table, sat back in her chair
with grim irony, but Azarian shone. He
was sure of dozens of dancing eyes, from the
other seats, from the gallery; he slipped to
Charmian's side and asked her audibly would

-- 049 --

[figure description] Page 049.[end figure description]

she not come and see his friends, which she
declined for that time; he had a gay sentence
for every one that passed him, he expended his
skill and tact in keeping them all in the dark.
And meanwhile the old father looked eagerly
on what seemed to him so bright a scene,
musing with dreamy pleasure over the gay
and brilliant world. And in the intoxicating
light, the perfumes of dying flowers, the
plash of the little fountain, drawn to depend
on him through her timidity, Ruth sat unconscious
of the coil, sat under the influence
of Azarian's sweet and subtle smiles, the
object of all his careless grace, beaming back
upon him out of beautiful happy eyes.

Azarian was capable of that air which puts
all questioning to the right-about; he enjoyed
the little mystery among his acquaintance, he
said so to himself, and doubtless thought, indeed,
that was his only reason for meeting
Ruth upon her walks and turning them into

-- 050 --

[figure description] Page 050.[end figure description]

longer and more public strolls, where he bent
to her voice devotedly, met her serious upcast
eyes with steady gaze, and inspired in her a
confidence, a reliance, and an association of
himself with purity, integrity, philosophy, and
strength. Not that he had the first intention
of inspiring any such confidence, any such
association; he would have laughed at the
idea, for he knew himself much better than
Ruth did, after all, and often made a note of
his various weaknesses, — indeed, making such
note was one of his strong points. But Miss
Yetton, like many another woman, saw in this
man not what he had, but what she needed, —
and as for him, clear as his sight was, and
shallow as his nature, the one failed to penetrate
the other, — for he thought he amused
himself.

Ruth was still working on the order for
the autumn leaves. Almost every other day
she had gone out into the country, and almost

-- 051 --

[figure description] Page 051.[end figure description]

every other day Azarian had gone with her,
now together in the cars, now, since superiority
of strength is one of the surest attractions,
driving her behind a high-stepping
horse that brought his physical powers well
into play, — for her father of late was less
and less inclined to go, and Azarian always
followed up his fancies closely. Sometimes,
indeed, as they went across the Common, a
leaf fluttered into her hand, whose peer no
forest could produce, and towards whose curiously
flecked and painted beauty the whole
ripening year seemed to have converged; but
oftener they went into a maze of woodland,
where the dew-drops still glittered on all the
splendid points of color, where the hills
wrapped themselves far off in blue mist, and
only some giant rose seemed to blossom at
their skirts and seal them from entirely fading
and dissolving into dreams. Together
the two wandered down lanes all aglow with

-- 052 --

[figure description] Page 052.[end figure description]

the pendent jewels of the barberry-bushes, as
it were a very Aladdin's garden; they rested
with the light flickering over them through
ruby domes of oak, they stood to watch some
golden beech intensify the sunshine, they
broke down maple-branches with every leaf
dancing on its separate stem like a tongue
of fluttering fire and casting off a flock of
scarlet shadows, they pictured the desert-edge
beneath some beam of sunset when the wild
sumachs tossed their crimson boughs like
palms, they sat down at length under majestic
hemlocks where a wild vine twisted itself
among the knolls as a gorgeously freaked
and freckled snake might do. All the ripe
earth beneath the last touch of the burnishing
sunshine, all the sweet rich air, full of its
mild decay, all the fulfilled expression of
the year, the peace, the pause, breathed only
hope about the one and a soft regret about
the other.

-- 053 --

[figure description] Page 053.[end figure description]

“These hemlocks always put me in mind
of some long-forgotten time of innocence and
freshness,” said Azarian. “Perhaps of that
when I first met you, Ruth.”

“Do you remember that time?” asked
Ruth, swinging her leaves, and looking off
into the horizon.

“I have one of those accursed memories that
never lose anything. Probably I can recall a
hundred incidents that you lost the next day.”

Ruth laughed incredulousness.

“How pretty somebody is when she laughs!
Are you happy, Ruth?”

Ruth nodded.

“Let me see. What a little monster I
was then, — but you believed in me, you
thought I was Grand Chevalier of the White
and Black Eagle. Let me see. Somebody
was calling Ruth, were n't they? I can read
that morning off as if it were a page. Don't
you want to hear it?”

-- 054 --

[figure description] Page 054.[end figure description]

Ruth nodded again.

“I was a bright-faced boy then, an hour
ago arrived. Somebody told me to keep the
sun in my eyes and I 'd find you. So the
boy started at a run; but the fields were
empty of all save the summer hum of full
July, and by and by his pace slackened, till
at length he stood silently gazing up into the
brilliant sky and unconsciously allowing all
the blithe fresh forenoon influences to touch
him. Suddenly two wide wings, two quivering
lines of shadow, trembled across his vision.
Up went hat and heels in hot pursuit. A
strange thing, with vivid life flashing through
its shining dyes, all barred and mottled in
garnet lights and diamond dust, blown to
that pasture-land on the wind sweeping up
from richer zones, a bubble of rays and
prisms, frail as resplendent. Odd that I
should treasure that butterfly, when men and
women have died and left no sign on my

-- 055 --

[figure description] Page 055.[end figure description]

experience! Dancing just beyond, the butterfly
led me to you. But that was the last
thing I thought of. — The boy, always remembering
that the boy means me, made himself
at length, like the small savage he was, a
shoulder-knot of the psyche, the royal colors
yet palpitating through it, but life and radiance
gone. Then, keeping the sun in his face,
he went along towards the brook, negligently
fanning himself with his hat. The path led
him into a grove of rustling young birches,
whose exuberant glee was kept within bounds
by the presence of a commanding hemlock or
two, and here and there overawed by some
martinet of a maple. The sward was still
tenderly damp and starred with faintly-scented
wild-flowers, and suddenly descending, it
opened on the stream that, brawling over
eddies and rocks above, here floated itself
on in tranquil shadow, to brawl again in foam
over eddies and rocks below.”

-- 056 --

[figure description] Page 056.[end figure description]

“Yes, I remember.”

“The dew yet drenched the heavy overhanging
branches, the laurel-wreaths lay pale
upon the other bank, the wild-rose breathed
its fragrance through the air; coming from
the interspersed sunshine of the wood, there
was a sweet and serious spell about the cool
noon-darkness here.”

“Ah, yes, — I seem to feel it now.”

“Sitting on a fallen trunk that bridged the
brook, a little girl appeared, her apron full
of all manner of blooms, dipping her bare feet
in and out of the sparkling water, and in a
rapture of silence as some bird in the bough
poured forth his jubilant song. In a minute” —

Ruth turned upon him a smiling rosy
face. “In a minute,” said she, “another
bird seemed to burlesque the same song, the
branches parted and tossed in a shower of
sunshine, and the boy swung himself down to

-- 057 --

[figure description] Page 057.[end figure description]

my side. Then he bent low, hat in hand,
and uttered his name: Constant Azarian.”

“Yes, and do you know what you did?
Stay, I 'm telling a story, why do you keep
interrupting? The girl, a quiet unsmiling
child, very, very small, having almost an uncanny
look about her countenance, with its
great preponderating eyes, set in a floating
frame, a nimbus, of bright hair, — it was
bright then, Ruth, it answered brightly when
the sun stroked it, black it lay in the shade, —
the girl, I say, surveyed the apparition a moment;
her clear glance seemed to penetrate
depths in him who depths had none, but
opposed a shallow reflection. That 's the case,
you need n't shake your head, I know it as
well as another.”

“No, no,” said Ruth quickly, “you are
mistaken, if you think so. There are deep
waters in every one's nature. If they are
sealed in the rock and slumber so darkly and

-- 058 --

[figure description] Page 058.[end figure description]

stilly that you do not feel them yourself, or
only in indistinct yearning and groping, perhaps
some day the great fact will come that
shall smite the rock and set them flowing.”

“Just as kind a little fancy as if it were
the truth. Ah, I see, tiny artificer, you don't
want to hear what you did. Did you remember
it when we met again not long since,
Ruth?”

Ruth nodded.

“Well, you may apply those pink fingers
to your ears, while I return to our small
people. He seemed at first to be only one
of her dreams, then smiles broke about her
face; here was what the sad little thing had
waited for; she rose quickly and met him
with a loud, warm, childish kiss on either
cheek. The boy laughed. The tears swept
over the girl's eyes. `Come,' said he, in a
sweet coaxing voice that took the edge off
his words, — it 's sweet now, is n't it, Ruth?

-- 059 --

[figure description] Page 059.[end figure description]

— `don't you go to crying. Your mother 'll
scold me if she finds it out. I came from
the city, where girls don't do so, you know.
But I like to have you kiss me, first rate.' —
Ruth —? Well, no matter. — That frosted
you. It took me some time to melt the icing.
I remember how I bound your wreath, how I
made the yellow loosestrife burn in your hair,
and crowned your forehead with a wild lily,
and said I should be sure to remember the
azalia because it was like my own name, and
you said it was delicious, and, more timidly,
that my name was too; and when I had
praised you and said that flowers always made
girls pretty, and how I remembered the ladies
at mamma's, shining in their silver wheat
and great moss-roses, you begged to take the
wreath on your arm, where you could look
at it too. You 'd do the same to-day. Upon
which I played the petty tyrant. O, don't deprecate;
it 's all fair enough; I like to

-- 060 --

[figure description] Page 060.[end figure description]

tyrannize, you like to be tyrannized. I called you
my queen, my fairy-queen, and then catechised
you. `What makes me a queen?'
said you. `O, because you choose me.'

“`No indeed,' said I, `it 's just the crown.
I 've heard my father say — my father 's a
Greek, — did you know it?'

“`What is it to be a Greek?'

“`What is it to be a Greek! Why, it 's to
be a great poet and a great orator and a
great actor, and to have chariots and horses
and games and beautiful temples and gardens
and statues — O, I forgot to tell you, your
mother wants you to help in the kitchen.
Are n't you hungry? I 've got a hard-bread
in my pocket, — girls don't like hard-bread.
Come, let 's go along.' Ruth, that was I in
epitome, a diamond edition!

“`Should n't you like some honey with your
hard-bread?' asked the little girl. And without
more words she led the way to a hollow

-- 061 --

[figure description] Page 061.[end figure description]

tree and showed, through a crevice, deep
down in its heart great cakes of that brown
and golden encrustation of sunshine and perfume
and dew.

“`It 's good for my cough,' said I.

“`I like honey to eat,' said she. `I guess
the angels had it when they went to see Eve
in Eden.'

“`Very likely.'

“`It 's real heavenly food. 'T was St.
John's while he wrote the Revelation. It 's
made out of flowers; it 's the sweet juice of
roses, and of azalias too. Warm rain-storms
and the south winds and all the sunshine
helped to make it, you know.'

“`Yes, — but how are you going to get at
it?'

“`Why, I never do. It 's too precious,' said
she, confessing to a kind of sacrament of
summer. `I just put my finger in there
sometimes. There 's so much, I don't think
the bees mind.'

-- 062 --

[figure description] Page 062.[end figure description]

“`Great I care whether they do or not!
Here goes!' and the bark was being pounded
in with a stone, and a swarm of darkness,
of angry seething turbulence, was raging all
about us. Remember? Ah, I see, — your
little lips are burning now.”

“I feel as if I were living those happy days
over again.”

“If you call it happiness to be stung to
death by the bees, I take issue.”

“Thanks to your master in Virgil, we escaped.”

“Finish the story for me, Ruth. Finish
it as you did then.”

“I am afraid my invention is not equal
to yours.”

“Little witch! You accused me of having
saved your life.”

“And so you did.”

“Well, yes, I suppose I did, — as I said
at the time, in a mimic and lordly

-- 063 --

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complaisance. `But what ever made you mention
the honey, I should like to know,' was what
I added then. `You should n't have taken
me right to that tree, you should have known
better,' growing severe as the remembrance
nettled. `One of them 's stung my hand.
Pshaw! I could save a dozen girls' lives!'
replied your hero. But you were not waiting
for his reply. So entirely had you already
invested him with ideal attributes, that, knowing
he would always say the perfect thing,
your complete attention to his real utterance
was unnecessary. You have n't changed a
whit. `O, you saved my life, Constant!'
you cried. `I always shall love you!'”

Suddenly Ruth started to find that her
hand had been in his, — how long she did not
know. And suddenly, somehow, she never
could tell how and Azarian never could tell
why, she found herself drawn and wrapped
in a clasp that checked her pulses, and his

-- 064 --

[figure description] Page 064.[end figure description]

voice was murmuring, “Ruth, sweet Ruth,
you told the truth! My own, you do love
me!” And then his kisses closed her lips
in burning silence.

Happy little Ruth, she could scarcely believe
her senses; she felt discovered, and in
her pretty shame was lovelier than ever, and
during those early days had only to spring
and hide her laughing blushes in his arms.
She went home on air, it was not the familiar
earth which they trod, the atmosphere was
some rosy cloud of sunset enfolding them
with radiance, informing them with warmth,
youth and strength and immortality pulsed
along their veins with every throb; it was
the life of another sphere. She sat, that
evening, in the enchanted circle of his breath,
incapable of thought, she lay the innocent
night in a dazzled dream of delight. The
days floated along and bore her with them
upbuoyed on their blissful tide. Ruth

-- 065 --

[figure description] Page 065.[end figure description]

wondered at herself, looked curiously at her hand
to think that his kiss had fallen upon it,
glanced of a morning in the little dressing-mirror
with half a reverence for the form he
loved. She asked if it could be true that
this transcendent fate was hers; she had seen
so much sorrow that she fancied such joy was
almost heaven-defying, and, fearing the crash
of some thunderbolt, opposed nothing but humility;
she understood now why certain ancients
poured libations and deprecated the
offices of evil deities and untoward chances.
She had sometimes thought of love, as all
girls will, — perhaps had longed for it, perhaps
had sighed to see the bloom of youth departing
and leaving her without it; and suddenly
the mighty gates had swung aside, and a great
destiny had taken her by the hand and led
her to the edge of heaven. She wondered,
too, what the matchless Azarian had found
in her; she trembled lest there might have

-- 066 --

[figure description] Page 066.[end figure description]

been a glamour on his eyes that should dissolve
and let him see only the little threadbare soul
of Ruth Yetton. She desired to enter his
inmost being, and in praying that he might
become one with her she strove to make her
nature ever lovelier that he might suffer no
degradation. She confided to Azarian all these
fears and fancies, he received them as a romance
of which he unexpectedly found himself
the hero, and heard their novel burden
with pure pleasure. He was abandoned to
this happy flight of time, this forgetfulness
of the outer world, not by any choice, but
as it were in spite of himself. He sat just
now like some one dazed by the lights at a
banquet where the future was perpetually
pledged; the cup was in his hand, and all
the years to come will present Azarian nothing
of more virtue than this elixir at which
he only wet his lips.

-- --

II.

[figure description] Page 067.[end figure description]

But as Ruth loved, she labored. Here this
strong efflux of her heart swept her out on
its current to a fuller and richer performance;
those autumn-leaves illumined the place; nobody
but Nature and Miss Yetton dared to
use such shades, some one had said.

There they lay, as if the very earth had
dashed her heart's-blood through them, — the
stains of rust and gold, the streaks of sun,
the sign of jostling coteries, the sinuous trail
of the tiny worm traced in tawny tints amidst
the sumptuous dyes, dun here as if wine had
been poured upon them, blazing there in
vermeil ardency, one opaque with a late
greenness full of succulence and studded
with starry sprinkle and spatter of splendor,

-- 068 --

[figure description] Page 068.[end figure description]

another dancing on its airy stem a golden
flame transparent as a film of sunshine, — the
tender purple of the pensive ash, the gilded
bronze of beeches, the fine scarlet of the
blackberry-vine, — these separate and delicately
wrought and grained with rare blending of
umber and carmine, damasked with deepening
layer and spilth of color, brinded and barred
and blotted beneath the dripping fingers of
October, nipped by nest-lining bees, suffused
through all their veins with the shining soul
of the mild and mellow season, — those heightened
by swarming shadows of blue and gray
and cast upon the page in a broad ripe flush
and glow as if fresh-bathed in wells of crimson
fire. To slender petiole and node and bud,
they lay there finished and perfect.

“Pretty Patience!” said Azarian, spreading
them about him. “How you sting me!
I complete nothing. But these — do they
not really put a polish on Nature?”

-- 069 --

[figure description] Page 069.[end figure description]

“Not unless you put the polish first in
plucking them for me.”

“Made for a courtier. Well, when the
republic is in ruins and I am county of
clouds, one room in our palace shall have
panels of these in great boughs, so that
we may fancy ourselves in sunset at command.”

“`When the republic is in ruins' our dust
will be forgotten, — so you shall have them
now!”

“Not so fast. I for one expect a driver.
I 'm tired of this omnibus where every fool
is pulling the check. There 's a hickory
for you! Little woman, you have a pact and
league with certain tipsy dryads, I 'm sure;
they had such a head of color on when they
told you their secrets that they reeled. Superb.



`That crimson the creeper's leaf across,
Like a splash of blood, intense, abrupt,
On a shield, else gold from rim to boss.'

-- 070 --

[figure description] Page 070.[end figure description]

You 're a witch with a charm at your fingers'
ends.”

“Why have you never completed anything,
Constant?”

“`Still harping on my daughter?' You
want to read me a lecture, do you? Neither
variableness nor shadow of turning. So to
speak, I never did complete anything. The
portraits are nothing. Then there 's my antique, —
it 's a fact in physics, that where the
head can go the rest can follow; so having
cleared the way, I relied on that fact and left
the fellow to shift for himself, — if he wants
to come he can. It 's true in other things
as well; had I never admired your works
with my head, I had never admired you with
my heart, — always allowing that I have one:
where my head went, my heart followed.”

“Yes, dear, but” —

“Well, then, there is one affair finished;
but you 'd laugh at it.”

“I?”

-- 071 --

[figure description] Page 071.[end figure description]

“Truly? I will subject it to your sublime
consideration this evening.”

When Azarian had gone, Miss Yetton saw
that her father was busy at his work, — a
series of her painted cards whereof he meant
to make a Jacob's Ladder of flowers and
angels, with which to surprise some one of
the little children whom he met upon his
strolls, but which made progress backward, because,
as Azarian said, when it should be done
he would have to part with it, and the old
gentleman was loath to make renunciation.
Leaving him happily humming over them all,
she went out in search of Charmian.

For many weeks Charmian had been away
with the company that she had mentioned; she
had written to Ruth of her approach, and Ruth
had seen by Azarian's paper that she was at
last announced for that evening. Knowing
that it would be vain to seek her elsewhere, she
bent her way to the theatre, and slipping in

-- 072 --

[figure description] Page 072.[end figure description]

past green-room and dressing-rooms, through
all the labyrinthine ways, under the lofty flies,—
astride which Azarian had told her he once
was fond of sitting, so that the opera-strains
rose blended in a perfect strand of unison, —
slipping by juts of scenery where trees grew
out of fireplaces, and among great coils of
ropes and pulleys, cables reaching this way
and that, up and down, all in a kind of yellow
twilight, a hollow sunshine, far aloft, swimming
full of dusty motes, — till, stealing over
one end of the bare stage, she took an empty
chair and watched her chances. Before her
lay the great, silent, black and empty theatre,
beside her moved a throng of tiny people
chattering in an inane and indifferent way
some to the rafters and some to their gloves,
with much flirting and grimacing in the side-scenes
now and then stridently hissed by the
prompter. As Miss Yetton gazed out into
the vast building, along the vacant pit, up

-- 073 --

[figure description] Page 073.[end figure description]

the galleries, whose crimson luxury and gilt
and frescoed fronts were all hidden in sombrestretching
draperies, some sense of the drama
of the world suddenly struck her, its tragedy,
its wild comedy like ocean-spray tossing at
the moon, its unities and antitheses, its Fates,
and, being ever a less reflective than sentient
nature, it was more by hit than any good
wit that, as a vague premonition of her own
part therein floated athwart her perception,
she did not rise and rehearse with wringing
hands. But perhaps a little breath saved
her, for between life and emptiness there is
alway set a certain gulf, which, however
feasible it seems, it is from either side impossible
to cross and to return again, and
here the gulf was music,* from which an

-- 074 --

[figure description] Page 074.[end figure description]

idle air blew up and scattered her dream, —
for from two or three instruments down there
on the edge of the void there gushed under
its breath a lilting sparkling stream, an airy
capriccio, a wild witch-music, the flutes, with
the deeper wood winding in, the violins dancing
pizzicato, and the three braiding into
harmony at the close, — and, under the magic
wand of the conductor, the wide amphitheatre
seemed slowly to assume the guise of the
glittering night, blossoming out with head
after head beyond, jewels and shining silks
and snowy furs, with creamy shoulders and
beautiful faces lingeringly unfolding like the
petals of a rose, with the great basket of light
up there in the dome pouring down on all
its brimming burden of lustre. Suddenly,
a voice crying, “A pound and a half more
to your thunder!” startled her, the light and
color flashed off and faded, the place was bare
again, the rehearsal was over, and Charmian
was approaching.

-- 075 --

[figure description] Page 075.[end figure description]

Charmian looked very stately and pale in
her black silk, with a hood half thrown
back, but her face was beaming as she took
Ruth's chin and tilted her head that she might
look into the eyes, — eyes for a moment timid,
then frank and resolute.

“So, you fancied you had a secret for me,”
said Charmian. “Ah, tell-tale face to betray
the shrinking heart! I should have known
it if I had not met Azarian and walked here
with him an hour ago. And angered him
withal. Are you happy, Ruth? Tell me,
does your heart seem all shivered and dissolved
and floating like motes in a great
beam of joy? Are you truly happy? Well,
then, I am. Kiss and be friends. Dear little
child, you love me yet?”

But Ruth had her arms already about
Charmian's neck, for they were alone, and
was kissing the white throat in a half-hysteric
of confession and assurance.

-- 076 --

[figure description] Page 076.[end figure description]

“What an impulsive passionate child it
is!” said the other. “Here is a posy for her,”
giving her the single blossom which she had
been twirling in her hand. “I kept it fresh
all the way. It came from the great government
greenhouses. Look at it, Ruth, so regnant
on its stem. The lady of a Venetian
Magnifico assumed such shape in order to live
on a little longer among her old colors and
splendors, — but it took the torrid belt of this
New World to give it to her.”

“Yes, yes, it is — But I want” —

“No you don't, my dear. I am not going
to hear a word till I can have it all in a nice
cose inside your own room. And then there
is not time; I make a luxury of my enjoyments,
and I am not going to take your story
by bits. Dear Ruth, you think I don't want
to hear? But I am stunned and dazzled, —
why did n't you write? — though I ought to
have expected. I am heartily glad, child, to

-- 077 --

[figure description] Page 077.[end figure description]

have you in love, do you know. You won't
think it intrusive? But I would n't give a
groat for those who have not been once
thoroughly steeped in a sincere passion. They
stand on the outside, life has never been
deepened for them, they know nothing of its
arcana, they are cold, they are dull, passing
shadows, unquickened sods. The world has
no meaning for them, they are not beating
humanity, but stocks and stones, their blood
has not been set in tune with all the generations.
Ah, well, — I have a history, too. One
day you shall hear it. A great shadow darkened
my way, — till it was transfigured. I
shall always be simply Charmian. Ah, well.
Why don't you ask your flower's name,
Ruth?”

“Yes, Charmian dear?”

“It is the Queen of August. If you could
see it throned, and all quivering and sparkling
with its court! It would be your first actual

-- 078 --

[figure description] Page 078.[end figure description]

sight of one of those plants that the exploring
expedition described as appearing to live with
more than mere vegetable life, to soar to, and
gain, the higher delight of the animal; the
petals — richest, most glowing orange — spring
up erect with such a living joy, Ruth, and in
those wings, and in its bright blue dart, the
whole flower is like a hovering brilliant bird, a
humming-bird perhaps. Is it not? Don't
you feel forcibly and irresistibly its claim to
a rank with those creatures that appreciate
life, even if it be only

`The wild joys of life, — the mere living?'

But that's not the power of the thing, after
all. It is this. Think of your country, Ruth,
all your great, beautiful, beloved country, its
wide savannas, its rushing rivers, its pastures
and prairies, its mighty mountains, from tropical
water to ice-bound coast peopled and peaceful
and proud, and then think that the whole

-- 079 --

[figure description] Page 079.[end figure description]

of its crowded wealth freely blossoms in this
single flower. Keep it forever, Ruth, it is your
country's gift to you! There 's the janitor
nodding us out,” and they went down the
ways, still talking, and when they parted it
was because Charmian was going to dine that
day with some grand people. But she could
come to-morrow noon, and Ruth was to tell
her all about it.

Ruth was so glad to have met her friend,
she had so much to say, so much to ask, such
advice to seek; and the sweet confidence and
counsel of a woman are not to be spared even
when a lover is dearest and tenderest, — and a
dim vague feeling, a phantom of pain, already
followed Ruth, a haunting glimmer of thought
that perhaps Azarian was not a very tender
lover, perhaps it was not in his nature. For
love, this great flood, had deepened all the
channels of her being and made her wants
wider. Still he had chosen her, and his way

-- 080 --

[figure description] Page 080.[end figure description]

of manifestation ought to be inconsequential,
she half said in her thoughts; so, dismissing
her sole shadow, she tripped lightly along, anticipating
the pleasure of her talk with Charmian,
of pouring on a waiting heart all the
recital of her happiness, anticipating that sympathy
which is balm to the soul excited either
with joy or sorrow, anticipating that to which
she was herself to listen, with a tremor, since
she could not associate Charmian with suffering,
and since she had always seemed to be
one of those people of large intuitions who are
acquainted with every phase of a passion without
its experience, — a thousand at once happy
and sorry ideas occurring which must be repeated, —
she had such a warm little heart,
and was so grateful for this friendship. So
she reached home and went out with her
father in high spirits to their dinner, — never
dreaming how high spirits presage misfortune.

It was in the evening that Azarian came,

-- 081 --

[figure description] Page 081.[end figure description]

and, in his lordly style, with a servant following
to deposit a casket and a violin-case by the
door. Azarian was brilliantly handsome that
night, his face overspread with a shining pallor,
his features, cut like those on some old medallion
coin, keener in outline than ever, the
thin lips curved in crimson and showering
mocking smiles, the eyes — blue steel-clad
eyes — sparkling at all they touched, and
along his low straight brow the hair lay in
great flaccid waves of gold drenched with
some penetrating perfume, an Oriental water
that stung the brain to vigor. Never was he
so radiant as on this evening, so various, so
charming, never was there such a seducing
sweetness about his every motion to wile her
soul away, and all the time some reserve
under a control that, though imperial, was
too graceful to be more than half suspected.
Poor little Ruth, — it was something to see
such a being bending all his powers to please

-- 082 --

[figure description] Page 082.[end figure description]

her, the love kept bubbling up in her heart
and suffusing soul and body, she was afraid
her face would harden in its breathing blooming
smile. At last Mr. Yetton executed a
long-cherished intention and went to bed,
and when Ruth returned from her good-night
kiss she found Azarian sitting before the fire
and leaning to warm a hand at the blaze,
the violin lying beside him, and the bow trailing
from his other hand. She went and sat
down on the mat at his feet, and was silent
awhile, because too full of quiet happiness.
At length Azarian spoke.

“I saw her, Charmian, to-day!” said he,
with an abrupt anger.

A thousand quick thoughts lanced themselves
through Ruth's brain.

“Well, dear,” said she.

“Being an excellent mouser, she had
guessed our engagement on sight. Some
deity appears to have given her your

-- 083 --

[figure description] Page 083.[end figure description]

happiness in charge. She certainly claims a freehold
in you. Perhaps I was never more insulted
than by her daring candor. We had
one sharp thrust of words, we shall have no
more. Do you hear, Ruth?”

“I don't know what you mean!”

“This. If that woman darkens your door
again, I never shall!”

“Darling!”

“I am quite in earnest, dear child” —

“You can't be. Renounce Charmian?”

“Renounce — the subject is not strong
enough to bear such a heavy word.”

“There, I knew you were in jest all the
time. What do you tease your dear child
for? Why, I love Charmian!”

“And you say you love me.”

“I say so!”

“The strongest love must conquer. Mine
or hers. Take your choice, Ruth.”

Ruth could not believe him, it seemed as

-- 084 --

[figure description] Page 084.[end figure description]

if her happiness were a fairy thing of ice dissolving
away in tears.

“O Azarian!” she cried, “I cannot do
without her; she is all the friend I have; I
love her!”

“All the friend you have,” he repeated, in
a grieved and quiet voice. “Well, then —
good by.”

He could leave her so! If Ruth had had
the spirit of a mouse! As it was, she just
clung to his hand. Then of a sudden he grew
very kind, he bent, whispering endearments
in her ear, smoothing down her fine disordered
hair, letting cool kisses fall on her
heated forehead, overcoming her with a calm
dignity till she felt like a naughty wilful child.
All at once Ruth stilled her sobbing, the
troubled waters in her heart swelled and
sighed into peace; Azarian was playing on
his violin. A Guarnerius, one of the creations
of that fantastic genius the Giuseppe

-- 085 --

[figure description] Page 085.[end figure description]

del Jesu, whose suave rich tone, and delicate
yet penetrating sonority, bend and rebound
beneath the tune; — a treasure among those
brought by his father in that early time when
the man had felt that the independence of his
native land was a thing not worth struggling
for, and, having culled the honey of Europe,
came to these Western shores to pass his
prime. What was there of which Azarian was
not master? Ruth's admiration of his powers
almost equalled her love of himself, — but
just now she thought clearly of nothing of the
kind, only sat wrapped in the mist of music,
for he improvised a singing pastoral of nightfall
when the kye come home. At length the
sound ceased. Ruth did not speak or breathe,
hoping he would retake the burden, and kept
quietly gazing into the fire for the space of
half an hour. Then she turned, and saw
Azarian with his head fallen forward on his
arms, as they lay upon the table, for some

-- 086 --

[figure description] Page 086.[end figure description]

reason very tired, and quite asleep. She came
and sat opposite, watching him, watching the
relief of the perfect profile, the lips half-parted
in gentle respiration, watched the drooping
lash, the fine thread of pulse that fluttered
through those purple veins on the beautiful
temple, watched the constraint of the position,
yet the abandon of the sleep in it. A man, the
ruler of the earth, with power to wrest their secrets
from the stars and rend the lightning out
of heaven, is yet so touching when he sleeps,
because so helpless then, utterly defenceless
he reposes in such confidence upon the universe,
the dew on his forehead for sole chrism,
the seal of holy sleep. The very act declares
weakness, so that one would fancy a bad man,
or a proud, ashamed to close his eyes, afraid
moreover of all the demonic phantasms of
that wild moment when the brain hangs between
two worlds, and on the edge of either.
Slumber is such confession; volition has

-- 087 --

[figure description] Page 087.[end figure description]

ceased to crowd her secrets down, and the
fixed cold features slowly upheave to the surface,
and float on the tide of the hour! Perhaps
Azarian's dream was not deep enough
for any such surrender of his nature; if it
had been, perhaps Ruth could not have read
it; had she read it, she would still have
loved him, — for once love, and you tear your
flesh and blood away in wringing apart. As
it was, she only guarded a tenderer silence,
and bent yearningly over him, as a mother
yearns in some passionate instant above the
child on her knee. She thought whether or
not it were possible to make this sacrifice
that he demanded, and she saw that in
the extremity of her affection she should
esteem it lightness to lay her very life beneath
his trampling heel. Still some portion
of the sacrifice was Charmian's; and
on Azarian's departure that night, Ruth refused
the promise he would have exacted,

-- 088 --

[figure description] Page 088.[end figure description]

telling him laughingly that in the morning he
would blush at himself, and forgive her. But
Azarian shook his head, and, going, paused to
call back from the foot of the black staircase,
above which she held the candle and hung
her pretty face, “Ruth, dear child, I am
perfectly in earnest.”

It was high noon of the next day when a
something queenly tread came up the stairway.
Miss Yetton's door was closed; — the
bare hand knocked. There was a hurried
sound within, and then stillness. Charmian
tapped again, turned the lock, and partly
entered. Ruth stood in the middle of the
floor, just as she had paused, petrified, in
hastening to the door, her face not less white
than the paper in her hand. Charmian's
glance coursed through the room, rested at
Azarian's violin, and at his casket yet unopened,
was caught a moment by a white
gauntlet of his, flung, perhaps by no accident

-- 089 --

[figure description] Page 089.[end figure description]

on his part, like a gage on the table there
before her, — then came back to Ruth and
saw the whole.

“Come here, Ruth,” said she cheerily.

Ruth came.

“Things will be straight,” said Charmian
then, “if not in this world, why then in
another! Thank God for that! If ever you
find Azarian's love less worth than mine, come
to me again! For mine will be always waiting
for you.”

She remained so an instant, and Ruth,
trembling, swaying, sank at her feet. Then
she bent, and left in pledge upon Ruth's
shaking hand her ring, whose chrysolite was
flashing like the morning-star.

Concerning that passage Azarian never
asked, — its slender pain should have pricked
his selfishness. Had the foe been an actress
of celebrity, he might have swallowed her
affronts, real and fancied; as it was, he had

-- 090 --

[figure description] Page 090.[end figure description]

already confessed to himself that his final
captivation was a foolish affair, and, having
philosophically resolved to make the best of
it, he began by ordaining for his little Ruth
other intimacies. Rank, Azarian assumed to
be his own; impecunious as he might be to-day,
he meant in the golden future to make
wealth his own also; fame belonged to him,
too, in that vista, by the inherent virtue of
his easy powers; and having thus retarded
himself through the results of an impetuous
moment, Azarian boldly asserted that he
had the right to require assistance from his
wife, — that she must put her hand to the
social wheel and mount with him. But life
has its apsides; it is some little hidden stroke
of nature, some sunbeam, some rain-drop,
some frost, that rounds the ripeness; it is,
perhaps, some stir, some jostle, that completes
the lingering crystallization. A trait of the
kaleidoscope belongs to us all, a week's

-- 091 --

[figure description] Page 091.[end figure description]

absence from familiar scenes will return one
with the world on another centre, — and since
Charmian's journey and engagement abroad,
Azarian had not seen her play!

That very afternoon Azarian came, and
with him two fine ladies of his acquaintance,
to call upon his little fiancée, — he had wearied
of the incognita ere that time. But under
all their soft voices, their silks and sables,
Ruth missed the great bounding heart of her
friend. After they went, he stayed, on the
edge of dusk, for a tea made gay with all
his endeavor, and then nothing would do but
the three together must sally forth and assist
at a famous farce with Laughter holding both
his sides, to make the fourth. He meant
that Ruth should forget herself in jollity a
moment, whether she would or no. On the
next morning a soft snow-storm fell, and, well
guarded among all its frolicsome myriads of
plumy flakes, Azarian swept her out into the

-- 092 --

[figure description] Page 092.[end figure description]

country to catch the daring sprite in the
very act of his wizardry, to see the airy
feathering of spray and tree, the pearly
pencilling of the vine-stem, the waterfall bursting
its way through caves of soft-tufted powdery
crystal, the elms like foamy fountain-sheaves,
the dizzy emptying of the sky, and
all the wild delights of the magic hour, —
till the arch broke up in sunset, and, returning
home past long downy-drifting fields, they
beheld the great flush overlay the dazzling
smoothness with warmth, and beneath the
hillsides of country churchyards looked to
see how Nature seemed to have tucked in
all the graves with this kind coverlid of the
snow! A week of constant devotion, — to
give him all possible credit, Azarian had resolved
that Ruth should not feel the want
of a friend, — at the end of it, he fancied
she could no longer miss the other, his profession
demanded him, and he was tired. He

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had been very tender, and Ruth had been
very happy; she had shut one gate of her
heart and let the waters there flow back
upon themselves, and because the sacrifice
had been great indeed to her, she was the
more rejoiced, since it had been made for
him. Now, as he turned himself with vigor
to his daily work, she took up hers again,
and was content to miss him in the daytime,
his coming gave such cheeriness to night.

One evening, at last, Azarian brought the
still unopened casket from its corner, before
taking it home with him.

“Well, Eve, my Fatima, have you learned
the contents of this treasury yet?” said he.

“How could I, thou Bluebeard!”

“Yet it retains the relics of a passion.
How indeed? Never trust a woman where
you can trust a key, is an excellent motto.”
And he drew the article in question from
his pocket, threw back the lid, and emptied
the shrine.

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“My talent in its napkin,” he said as he
held the thing for her inspection.

Carved in ivory with rarest skill, and finished
to the last point of perfection, it was
a vase on whose processional curve forever
circled the line of sanguine beasts, the camelopard
and the lioness, the serpent in his own
volumes intervolved, with old Silenus shaking
his stick of lilies, and the wood-gods in a
crew, with ocean nymphs and hamadryades,
and the rude kings of pastoral Garamant,
bearing honor to that

“Lovely Lady garmented in light,”

who, sealed amidst a snowy chaos of broidered
flower and vine, lay ever keeping


“The tenor of her contemplations calm,
With open eyes, closed feet, and folded palm.”
Azarian looked at it lovingly as Ruth did.
Often languid on other subjects, he was
always enthusiastic upon himself, and as that

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was the subject Ruth liked best, she was apt
to find him genial. “I shall just set it, with
all its blanched beauty, on the ground outside
the walls of heaven, when I go in!”
said he. “And never till then shall I part
with it, never! I suppose you think, if I
were the lover I should be, it would be a
wedding-present for you then, — the white
witch vase!” he added laughing. “Now sit
down, Ruth, and read the poem to yourself.
It is the Witch of Atlas, you know, that
topmost piece of pure fancy. I wonder no
painter ever got tangled in its themes, — it
needs the color, — there is flame in it, too,
to paint, such blaze of precious gums and
spices as pigment and pencil have never
made! Yet what might not the bare burin
alone do for those


`Panther-peopled forests, whose shade cast
Darkness and odors and a pleasure hid
In melancholy gloom!'

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And Turner himself need not have disdained
some flashes of the boat's flight, when


`The circling sun-bows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way,'
or where, with richer contrast of shadows, the
billows


`roared to feel
The swift and steady motion of the keel.'
After all, it 's best as it is, with no other illustration
than its own. I 've half the mind
to break my vase! When I first read the
thing, it was like, in its turbulence of fantasticism,
some shattered frieze of the ages, with
half the fragments lost; something of the
antique rose before me, urns and sarcophagi,
and Achilles casting his yellow locks on the
tomb of Patroclus, when the sweet Witch
shook

`The light out of the funeral lamps.'

Egypt came with all her grotesque awfulness

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of imagery behind those naked boys charioteering
ghastly alligators,

`By Mœris and the Mareotid lakes.'

And it was one of the Wild Ladies of medi
æval legends themselves, when, chasing the
lightning,


`She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.'
I like it because it has scarcely a human
sympathy, because its region is so remote, the
very shoreless air


`Of those mysterious stars
Which hide themselves between the Earth and Mars.
There 's the place!”

And while Ruth read, Azarian played,
played in murmuring minor with his bow
lightly hovering over the strings, and supplied
the verses' only want, in a vague sweet
melancholy.

So the evenings went, music and books and
talk, so blithe and swift that times when the

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lover failed to appear became a blank of lonesome
longing. Ruth used to reflect in amazement
that she had ever been happy without
Azarian, and in her lowliness as yet exacting
nothing and accepting his least glance as free
and generous largess, she never thought of
reproach, — it was wonderful that he should
come at all, — the times were all the happier
when after any absence he came at last. Not
so with Mr. Yetton. He fretted and wondered
and watched, laid up a shower of sentences,
none of which had he ever the heart to expend,
and could not be induced to forsake his
post till Ruth would lay her weary little head
upon his knee, and let him fold his slender
hands around her with a shadowy feeling that
he somehow stood between her and sorrow.

The Spring was drawing near again. Azarian
was very busy, and had already acquired
no inconsiderable renown by the success of
an operation from which few patients had

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ever arisen with life. But his hand was tremorless,
his eye was pitiless; he had a keen
delight, as it were, in surprising the Maker at
his secrets; his searching knife was the instrument
of a defiant curiosity; he dared beyond
his duty, and he commanded success. To
those who palpitated beneath the steel, his
very courage was tenderness. There were
some that he had upraised who worshipped
him passing upon his way, as if he had the
strength of a young god, and held the gift
of immortality in his hand. More or less,
murmur of this of course reached Ruth. She
knew that his fortunes prospered, perhaps
she was ever so little touched that he made
no mention of marriage. But Azarian had
not the intention of marrying till his menage
could equal his ideas. Yet, whether or no,
Ruth grew glad in the gladdening season,
because Spring ever sends fresh sap along the
veins of young and healthy natures, and for

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the first gift of the opening year she painted
the leafing of the lime as we find it on one
of those unexpected mornings when the great
sweet silent power has wrought outward in
the night; the bare bough where the shining
ruby sheaths dispart, that the tiny emeralds
heaped within may tumble out together. She
did not work now so assiduously as she had
been used, for, besides the dissipation of her
thoughts, her father was unable to go on
their country rambles, and she seldom liked
to leave him. Now and then Azarian brought
in a fragrant bunch from the river-side, or left
on his way home an armful of blue lupines,
or else some sabbatia sprays, — those rosy
ghosts that haunt the Plymouth ponds, and,
risen from the edge of deep water among
wading reeds and sedges, seem to belong only
to that one incanting moment of waning afternoon
sunshine, — now and then, but not often,
and she contented herself with weaving her

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old ideas into arabesque, initial-letter, and
frontispiece, and harvested the sunshine of
the long bright days for her old father's
pleasure, — there grew, as June advanced, to
be a something desert in the sense of them
to Ruth.

Azarian had by this time a new fancy, on
which he spent all his leisure, — a slender
blade-like boat, that ripped up the river with
a gash. In it, or in his wherry, he lay in wait
for morn rising rosy out of the wave, chased
the sunset along the streams at dewfall, and,
shooting down again, lingered far out on the
mysterious margin of midnight to surprise the
solemn rites of the turning tide. After all,
that was the sacred hour; it seemed to him
that such absence and negation were required
for the complete self-assertion of the deep.
He leaned over his boatside, miles away from
any shore, a star looked down from far above,
a star looked up from far below, the glint

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passed as instantly and left him the sole spirit
between immense concaves of void and fulness,
shut in like the flaw in a diamond. The
sole spirit? What was this vast vague essence
then, overpowering his tiny limitation, and
falling and heaving with long slow surge
about him? By and by, perhaps, the broken
blood-red fragment of a waning moon leaned
up the horizon, and tipped her horns to fill
the giant cup hungrily hollowed to hold the
ruby flood. But now it was all dim and
dusk and dreamy. Above, a wide want, a
hush, an emptiness; beneath, a mystery that
allured and fascinated and terrified, and all
around and up from every side, the great tone,
the muffled murmur, the everlasting fugue
sung by the Sea. An unconscious happy
strain was it, or a choral of rapt worship,
or could a finer sympathy detect a restless
sadness there,


“Infinite passion and the pain
Of finite hearts that yearn”?

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Was he weak? he silently lifted his oars and
stole away: Actæon was no myth to him.
Was he inspired? a sail ran up and lengthened
on the wandering wind; so much was
the talisman for more. With senses known
and named the poets deal, but there are others
too subtile for any statistician to seize, whose
rare quality should be like that of those
volatile liquors which evaporate on contact
with the air; these a floating flower-scent
wakens, a morning breeze just dashed with
dew, the stray sunlight of an autumn afternoon,
a breath of melancholy tune, and these
absorb the sounds of sea at midnight. Azarian
was alone, and brought no simply human
joy or sorrow with him; he made himself akin
to the wild Thing about him; it lay open to
take him, it wrapped him in the silence of
its song, ravelled the earth's webs from his
soul, woke him only with a lull. He had
been in other spheres, he had learned that

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for which there was neither speech nor language.
But though the deep-bosomed expanses
never meant to reveal to him their
inmost spells, and might spurn him from
aught but their fringes, and though what the
hour showed had not the power of what it
hid, the imagination of this bold seeker defied
them all, and filled every gulf and hollow with
its light; his fancy flew like a bird and hovered
over secret solitudes, and though he found in
fact only what he brought, yet it was alchemized
by all these unformulated agents. For
Azarian was like a prophet who believes in
himself, and has at least one worshipper; he
fortified his faith and fertilized his possible
genius with the tilth of these hours, and accepted
his own service as necessary duty.
Such experiences gave him material, since he
argued that mere emotion is the crude mass,
but, vivified to the intellectual point, it becomes
art, and he that knows the cipher reads
the revelation.

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“Las flores del romero,
Niña Isabel,
Hoy son flores azules,
Y mañana serán miel,”
he hummed, as he sprang up from the dark
wharves and threaded the lonely echoing
streets without a thought of any soft saddening
eyes that might have watched for him
so long. Yet they who gather their honey
from laurels will eat poison. Azarian was
only sowing the seed of his rosemary.

Perhaps Azarian took no account of the
purely physical pleasure his boat gave him,
though in reality he was elated by the sequestration
in the midst of garish daylight which
it afforded, the speed and prowess were keen
exhilaration; and while nothing on the river
competed with his swift supremacy, — neither
college-craft nor water-barge, and if any dared
the race, he heedlessly skimmed along, pausing
perhaps to feather an oar in solitary

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[figure description] Page 106.[end figure description]

disdain, and darting off again in matchless flight,—
there was, withal, the least effervescence of
pride that added a tang to its relish.

In clear noon-snatches when he took himself
to his boat, Azarian loved to peer down
through the yellow limpid harbor-waters and
watch the great anchors lying there blackly
or throwing off a sidelong gleam to flicker
idly upwards; sometimes he stole an hour to
go out and rock on the swell that the vast
steamers left behind them; once his oar tangled
in the tresses of some drowned girl,
he thought, but it proved to be only the
gorgonia, a splendid sea-weed all pulsating
with glow of lakes and madders, which, when
he had carried his boat between the bridge-piers
and away beyond to her moorings, he
took fresh-dripping to Ruth, although, so soon
as it was dried in a pale purple plume, he
reclaimed and donated it to the Natural History
rooms. There was a charm to him, as

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well, in the flavor of human life that bordered
all the region of tar and cordage, of aerial
spire and dark and crowded hulk, the life
that waited on the whistling winds, — the
ships winging in from foreign lands brought
a passenger they never felt, the bales of merchandise
swinging up from the holds were
rich with a dust of fancy that did not weigh
in the balance. Thus every moment became
a lure, and gradually all Ruth saw of him
was in these broken bits of time, a chance
half-hour at night, a little stroll that ended
for her at the hospital-gate in the morning,
or now and then when he came and went
out with them to dinner. And of late Ruth
used to turn and look after him with a quick
sparkle in her eye, — these long longing days
were not making a saint of her, — and then
go home and cry over her viewless work to
think that she could have been angry an instant
with her dear heart's-delight. When,

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at last, Azarian ran in one morning, in insolent
spirits, and singing gayly, —


“If you want to go a-fishing,
Do your duty like a man,
Tar the rope and tar the rigging,
Ship! on board the Mary Ann!”
and with a hurried kiss and word was off in
a vacation for a trip to Labrador, Ruth took
a valiant heart, plucked up a little pride,
wished him bon voyage, and tried not to throw
a glance after him. But treading lightly back
upon his steps, he flung open the door and
caught her after all peering through her ivyvines; —
her pretty play of piquant anger
lent her some momentary importance, and he
dallied with a lingering adieu that made her
sad and glad at once.

But now Ruth resumed her old toil with a
will. Previously she had felt little of that
independence which many maidens cherish;
she had indeed laid by and invested a few

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[figure description] Page 109.[end figure description]

hundred dollars, and had meant to add to it,
that one day her father might have his long
desire and return to some little house among
fields and hills again; but since her engagement,
this had been a secondary thing; her
father she knew could never leave her, she
earned enough for each day's wants, and,
far from wishing to make provision for the
future, she had preferred reliance on Azarian,
she was glad that he should give her all,
she had desired to owe everything to him, —
but now things were changed. So she worked.
The time had come to her at last, as it comes
to every woman, when she felt herself to be an
integer, and could not brook the treatment
of a cipher. Suddenly one morning she
flung down her pencil; some secret spring,
she felt, was undermining all the fair foundations
of her love; she made a little bonfire
of the things she had done during those
feverish days. Then she turned to her father,

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and her heart smote her to see how pale and
patient he sat there while she had been absorbed
in her own angry fancy.

A pathetic pain cut her to the quick, as
she contrasted this forlorn wan shadow with
that manly youth of his still within her
recollection. And after that was gone, fond
old memories began to stir in their sleep,
while she gazed on him, — memories sad only
with that pensiveness which clothes the past.
Little home-scenes in the old country-life,
bringing the smile with the sigh: the massacre
of her innocents, fifty babies organized
from transverse rolls of rags and concealed,
under a loose board in the garret floor, from
the invasions of the boy Azarian lately arrived, —
on seeking which hoard one morning,
shrill whoops beneath the window filled her
soul with dismay, and she looked down on
the boy, hatchet in hand, executing a wardance
before a log where lay the fifty, with

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their little heads completely severed from their
bodies, — and Ruth had wept for her children
and would not be comforted. Then her father
had showed her the securer nest of a
flat rock in the middle of the wheat-field,
and, with her two hands before her, parting,
like a swimmer, the tall waving growth that
arched overhead with a thousand trembles and
curves, and feeling it close up behind her
and leave a trackless path, she went every
summer's day to her retreat, always letting
the walk be slow and stately, with some dim
Biblical association of grandeur, half dreaming
herself to be a Hebrew child in the great
path of the Red Sea or stepping across the
Jordan, behind the shrilling trumpet-strains
and between lofty ramparts of scattering
chrysophrase momently battlemented in dazzling
cresting foam, — till, reaching the flat
white rock, hidden from all but the ardent
sky, she became absorbed in fresh family cares

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with dolls made from clustering grass-spires
uprooted and inverted, the locks combed out
upon their heads, and their lengths dressed
in store of leaves which she had brought
along, among which if by chance some early-ripened
spray were found with all its colors
kindled by August suns, her little people
rustled about as gorgeously as dames in
Indian cashmeres and silks of Smyrna. But
here, too, Azarian had surprised her. She
remembered placid Sundays, then, when her
father used to take his book, and go out with
her into the woods, and, after he had sung
his hymns, lie back in the grass and let her
play with his eyes, poke about the lids with
her rosy finger-tips, lift the fringes, stare
down into their black wells that always gave
back her tiny reflection, close them and drop
her little kisses there. And with that, she
bethought herself of the real well, balancing
on whose curb one morning and admiring

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the bright-eyed laughing little girl down there
with the red cheeks and the mouthful of
pearls, she had fallen in herself, carrying in
her plunge the bucket and its chain that
rattled in her ears like thunder; and just
as, faint with horror and cold, her cries had
ceased, and over her the sky had seemed to
darken and send out its stars, a great bright
face, an Angel's face, interposed between her
and the deepening heaven, and with his feet
striking from stone to stone of the greenly-streaked
and slippery shaft, and steadied by
his hand along the chain, her father had
dashed down and swept her up, as it seemed,
in a breath, and tumbled her out into the
warm noon light and upon the fresh and
fragrant heaps of hay. And then, with recurrence
of the chill, she thought of the
broad hearth at home, the blaze in the vast
chimney, that, summer or winter, never died,
but sent the light of its flashes to dance over

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[figure description] Page 114.[end figure description]

dresser and wall, painting a hundred ruddy
pictures in the bright pewter hanging there,
and she remembered how her father had told
her the tradition that from a fire never once
going out in seven years the little salamander
sprang, and sitting before it there with him
night after night, in every puff of smoke
that rolled upward faintly blue, in every fall
of embers that trembled apart into white ash
and glowing coal, in every ooze and simmer
of the singing log, in every snapping knot,
she had looked for the ruby outline, had
feared the sparkling eyes, had listened for
the voice of the mysterious being born of
fire and dwelling in its hot and terribly
beautiful recesses. At such times, too, her
father had sung her strange ballads, barbarous
things, but with a sweetness like that of wild-honey
in their tunes, — Fair Rosamond, —
the lay of where the ships go sailing, — a Revolutionary
air whose quaint melody charmed

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[figure description] Page 115.[end figure description]

her not half so much as the dramatic justice
subsisting between two of its stanzas, running
in this wise: —



“Next morn, at broad daylight,
The Constitution hove in sight;
Dacres ordered all his men a glass of brandy O!
Saying, do boys as you will,
Here our wishes we fulfil,
There 's a Yankee frigate bearing down quite handy O!
“When Dacres came on board
To deliver up his sword,
He was loath to leave it, 'cause it looked so handy O!
You may keep it, says brave Hull;
What makes you look so dull?
Come, step below and take a glass of brandy O!”

Ruth reflected, too, with what a keen adventurous
relish he had used to peal forth
old hunting-refrains, or the burden of some
wild sea-song.


“The stars shine bright, and the moon gives light,
And my mother 'll be looking for me.

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She may look, she may cry, with a watery eye,
She must look to the bottom of the sea,
The sea! The sea!
She must look to the bottom of the sea.
And the raging seas did roar,
And the stormy winds did blow,
While we poor sailors climbing up atop,
And the land-lubbers lying down below, below, below,
And the land-lubbers lying down below!”
And then she had crept into his waiting arms
and been lulled to sleep by the sad strain of


“Weep no more, lady,
Thy sorrows are in vain;
For violets plucked, the sweetest showers
Will ne'er make grow again,” —
all in those dear dead days when her father
had completed her whole horizon. But ah!
how different now, — how her reliance had
turned into support, and how poorly indeed
she was giving back to-day the wealth of comfort
and delight with which he once enriched

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[figure description] Page 117.[end figure description]

her, when he had it to bestow! He sat there
so old and melancholy and feeble, she recalled
him so hale and buoyant and young, — the
tears fell down her face.

There was a bright glance in Mr. Yetton's
eye just then, to which it had long been unaccustomed;
he was bending forward, and
gazing about him with a bewildered air. Ruth
went and slowly brushed her cheek across his
brow.

“Dear,” said he quickly, with almost a
vigor in his tone, drawing her away and holding
her to look at, while his mind travelled
back one phase, “things are very strange.
Where is Charmian?”

Ruth burst into tears outright.

“Don't, my dear,” said her father regretfully,
forgetting his question, and still travelling
back. “I seem,” said he, pressing his
hand against his eyes, “to have been in a
dream. Things are very strange. Ruth, my

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[figure description] Page 118.[end figure description]

love, tell me all about it, all that has happened
since, — since we came here, for instance.”

Was it possible that that old intelligence
was returning? that the passivity, the trance,
would pass, and her father be again the strong,
bright man of plans and hopes, such as once
he was when with stalwart form and nervous
limb he carried his child along the fields,
leaping the brooks, and snapping off broad
branches for her parasol, — so much do we
connect mental with bodily vigor! Ruth's
trembling hope burned in her cheeks and
dried her tears like fire. She sat on the arm
of his chair, and repeated the little story with
a caress for every period. She told him of
her work, of her happiness, of her love, even
of that day when first Azarian had claimed
her favor; but she breathed nothing of neglect,
of selfish pleasure, of tears, or of repining.
For though Ruth might feel, she would not
as yet reflect. Yet perhaps that which she

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[figure description] Page 119.[end figure description]

did not say her father's awakening power
divined.

“But you have spoken no word of Charmian,”
said he, his own remembrance all alit.

“Charmian does not come here any more.”

“— Ah, child! I see it all, I see it all.
And yet her love was best!”

Ruth shivered at the thought. Had her
father woke simply to tell her this? She
could not believe it, though one came back
from the dead.

“And where did you say Azarian was? I
must see him first, I must tell him to be
tender of my child before I go.”

“Go where, dear father?” asked Ruth,
with a hasty pang, bringing in her glance
from the evening-star that glimmered through
a long wreath of roseate vapor. “You are
not going anywhere? You will not leave
me?”

“Yes, dear, for a little while. Only a little

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[figure description] Page 120.[end figure description]

while. — You spoke of the money saved,
and said it was for me, my love, — you don't
regret?”

Ruth laughed, — though something made
it hurt her, — all that was so entirely his.

“Not but that I shall repay the sum, a
thousand fold, a thousand fold, my dear!
You shall ride in your carriage, your path
to it shall be carpeted with cloth of gold.
Nobody's affection will toss you off when you
have the soft lap of wealth to fall into. Money
is the measure of the world, to it wit, genius,
power, fame, all are transferable; a man's
possession of it is the gauge of his real worth.
Yes, yes, Ruth, your name shall yet weigh
down a million!”

“Dear, dear father, we are so much happier
as we are! Be still, dear; put your head on
my shoulder and let me sing to you your old
tunes.”

“Yes, Ruth. I am going away for a little

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[figure description] Page 121.[end figure description]

while, — to that bright country men talked
of when I fell ill, where, as they say, the
streets are paved with gold and precious-stones.”
But there a news-boy cried in the
square, —seldom thing, — and he sent her for
a paper.

Ruth obeyed, only that she dared not
thwart him; and, re-entering, unfolded the
sheet, seeking for the place he wished. As
she did so, holding the paper to the late light,
an announcement caught her eye and sent the
color up and down her face, an announcement
concerning the stock in which, by Azarian's
advice, all her little investment had been
made.

“Dear father,” said she, “it is getting
so dark” —

“What time do they sail, Ruth? Here,
give me the paper!”

“The first and twentieth, I” —

“And what day is this?”

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[figure description] Page 122.[end figure description]

“The thirty-first, — but” —

“To-morrow! I shall no more than reach
the boat if I take the night train. You must
draw the money at once, Ruth!”

“It is,” said she, with hesitation, “after
business-hours.”

“Never mind, I can easily negotiate your
certificates; give them to me now, my love,
and throw some things together in my portmanteau.
Call a coach. It is all for you,
sweet, all for you. Little one, my pretty one,
when I come home I will hang a diamond
on your forehead that shall blaze like that
star up there in Heaven!”

He lifted his tall and slender frame, quivering
in excitement, looking forward, and reckoning
rapidly his dazzling dreams. What
should she do?

“Dear father,” she said, reaching up to
wind her arms about his shoulder, “remember
how happy we have been. We do not need

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[figure description] Page 123.[end figure description]

anything more. If we did, Azarian would
give it to us. Remember — when I tell you
something — that we have peace and praise
and plenty.”

“When you tell me what?” turning his
face sharply upon her.

“Something I saw just now in the paper, —
about where our money was. The place has
failed. there is n't any money there. But
we shall never” —

There was no need to continue; the weight
upon her arm was growing heavier, the tall
and slender frame sank back into the chair, —
Mr. Yetton's heart was broken. He spoke
no more, but kissed his child with a gasping
sob, and, drifting through the night, was lost,
when morning came, in eternity. Still there,
but beyond her sight.

Poor little Ruth did not know how to be
calm; long trial had abused her strength, all

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her power of repression was gone, all her
sorrow fell upon her at once. She lay with
her face where his heart had been wont to
beat, as if she would warm it into life again
with her kisses and her wild bursts of weeping.
She called to him, as if she could not
speak and he refuse to hear, and, every time,
the white mute awfulness struck like cold
steel to her soul. He must stir, must smile;
it was impossible, she cried out, that he would
not turn and look in her eyes; when a little
breeze blew in and lifted the fine gray hair
from his brow, she thought to feel his breath
upon her cheek, — but there was only the
marble silence, the impassible repose. To
her hand, there was nothing but chill; to
her entreaties, the flinty outline sealed in frost,
the impress of unchangeable Fate. A wail of
despair left her lips as she shuddered down
beside him again. It seemed to her that this
was all she had, and this was gone. Three

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noons, three nights, then the green sods covered
him and she was alone at last.

They were dark days that followed, life
seemed too heavy to bear. She remembered
how she had driven with Azarian in the wintry
sunset and seen the snow upon the graves,
she thought with an agony of pity of the
bleak lonely winds blowing over them, of
the cruel sleet that would so soon beat above
the dear old form. She would cheat herself
into believing him in his chair, and, turning,
find it vacant, and bury her face there as if
it were his loving breast again. She would
never feel those slender hands about her neck
any more, she would never hear that voice,
never look in that pathetic face; she had not
made his life so happy as she might, and
now she could never do another thing for
him, — never, — and with the terrible word
her soul dashed up against the immutable
boundaries. She was so cold, so bruised,

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so lonely, — some human help and love she
wanted, some touch, — where were Azarian's
arms? If he could only feel her sorrow, he
might care for her as once, hold her in the
old way, comfort her. A bitter instinct told
her that, with all his skill, he should have
known this might come at any time, and not
have left her to meet its force alone, to struggle
with its succeeding horror, to let Death
drop the folds of his mighty pall upon her
and shut out the light of the world. She
remembered those recent vigils, remembered
them in the midst of her grief, with a terror
that she had not felt in enduring them, —
that icy sculptured fixity beneath all the gusty
sway of snowy drapery in the wind from the
open casement. Lying there alone, utterly
weak and unnerved in the long blackness of
the moonless nights, she felt as if the fearful
work, when the face indurates beneath the
stony palm while the soul is drawn away,

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were being done on her; all manner of ghastly
fancies oppressed her brain, a weight like
cold lead within beat out her pulse slowly,
the tears brimmed and overflowed, a ceaseless
sourceless rain; to her ken there was no life,
no immortality, no power in the wide universe
but death, and death was immitigable
horror. There had always been for Ruth a
degree of uncertain awe about the dark, as
of something unknown, unformed, incomprehensible,
incommensurate. She had never felt
its spiritual analogy till now, now when it
brought with it the bitter need of some almighty
stay, and just as reason might have
yielded to the shadows encompassing both
soul and body, out of their heart came help,
and she found this darkness of the grave
brooding thick with mercies. The little bird
that fluttered from the night-storm through
the Northumbrian king's banqueting-hall,
while the firelight bickered in the purple

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bowls of wine and flung his shadow at the
shields upon the wall, flew from the warmth
and light and cheer out at the other door,

“Into the darkness awful and divine.”

Divine, instinct with possible deity, for it is
written He made darkness his secret place.
And so when the terrors of hell had got hold
upon her, Ruth turned and prayed, and at her
prayer a white calm peace gathered and rose
from the shadows, and fell upon her heart and
her eyes like dew.

Sometimes now she stole abroad, when the
evening came, and into a church at hand,
where she heard the organ pealing, — a silent
worshipper came in, a silent one went out,
a penitent knelt motionless at the altar, another
at the confessional; one burner shed
a peaceful twilight over lofty arch and clustered
column, dying dimly down the aisles
and in the recesses of the chancel; a solemn

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quiet reigned below, — and above, the voices
of the practising choir soared in ecstatic music
along the organ's golden blare. And Ruth
stood there in the obscurity with folded hands
and pale face, looking up the dark vaulted
roof, and tried to raise her soul into sympathy
with the place, to make it fit for heavenly
love, — tried to find God in his world, — the
God who had given her peace. She knew
in herself that the vast Spirit which feeds the
universe is beneficent as powerful; she dared
to trust in the force that wound the stars
upon their courses and shaped the petals of
the flower; the care that surrounded insect
and root would not be less kind to her. All
things were best, she said, whether she ceased
upon the idle air and was not, or whether
she drew nearer the infinite depths of love,
a pure existence mounting on endless æons.
She felt how one had drawn her out of deep
waters; thankfully she loved him, desired to

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find him, to worship him, and lay her tribute
at his feet. Her fears had fled away, and
though the sight of some worn garment
would bring the hungry heart to her lips,
and some memory cause the trembling tears
to fall, her very grief was purified. It had
brought her towards a world she had never
known, — already, to her hopes, the heavenly
door flew open at a touch, and angels drew
her in.

As the days crept by now, Ruth began to
long for Azarian's return, with fresh eagerness;
she needed his presence so much, his
sympathy, his solace; she wished to impart to
him this new experience, this glorious anticipation
and confidence, to learn if any other
human being had ever felt the same. However,
he was not to come till September, so
she schooled her heart to patience. But one
morning that heart kept stirring with such a

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wild insistance, that she felt as if he must be
near, yet could not believe it to be anything
but a dream, when the door opened and a
face laughed in upon her, Azarian's face,
though somewhat browned, a trifle ruddy, the
thoroughly healthy work of sun and wind.
So she sat there a moment, changed and pale
in her little black gown, and gazing up at
him with her always darkly mournful eyes,
eyes as full of pathos as those of some dumb
thing, which seem to express the sorrow of a
silent soul, — then she sprang and cried upon
his arm.

The reception hardly accorded with Azarian's
desires, — especially as behind him there
brushed a rustle of silk. He saw at once
that it had been an error not to come first
alone; but he made the best of it, brought
Ruth to herself with a word, and presented
her to Madame Saratov, a Russian lady who
had known his father, and whom he had

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accidentally found upon the Arabia when, heartily
tired of the fishing-smack and its discomforts,
he had made his way to Halifax and caught
the steamer.

Madame Saratov was perhaps Azarian's age
once and a half again; but in her fair hair
that betrayed no change, her complexion like
snow over which a rosy vapor drifts, and all
her patrician preservation, she gave no sign of
years. For the rest, she was beautiful, —
beautiful to Ruth as a mother might have
been, with a bland beatific countenance, —
beautiful to Azarian as, if he had not been
overcome against his will by another, he would
have chosen a lady-love to be, with a captivating
charm of manner, with a voice that
played freely in a range of dulcet tones and
discords, with a sparkle of wicked wit and
mischievous meanings here, with a strain of
mystical piety there, with a character whose
solution presented to him analytic pleasure.

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Madame Saratov was a woman, in fact, like
a faceted jewel; and if she was not all things
to all men, she was certainly capable of being
a great many things to one man. Having
accompanied her husband in exile until his
death, her present purpose was to give lessons
in French, in music, in her own language,
in anything, and her ultimate object the education
of her two boys, whom she had dismissed
to school, having brought them to
America for a career. Nothing was more
pleasing to Azarian than, for the while, to
consider Madame Saratov as his protégée, to
put high price on her services and barriers
about her acquaintance, to make her the
fashion, and, in his own way, to take advantage
of his position. Miss Yetton of course
was to be a pupil, — poor Ruth, who was an
ignorant little body and had small knowledge
or expression beyond her pretty art, — and
therefore he had gayly brought them together

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without ceremony. Madame Saratov's tact
was, however, superior to the situation, and
in a few minutes she made her appointment,
and, going, gave the thin hand so warm and
full a pressure that Ruth felt with a thrill
how precious some womanly companionship
might be if Azarian would allow it.

Azarian returned in the evening, and was
so genial and tender as to make Ruth absolutely
cheerful. He expressed much concern
about her loss, though none that he had been
absent, uttering now and then some dark diagnostic
word; and when his manner of listening
became slightly, ever so slightly, indifferent,
she fancied he thought it injurious for her
to brood over the subject, and hastened to
reassure him, and tell her inner half-confirmed
joy, and all its source. But at the onset
Azarian gave a great shrug, got up and walked
across the room, and, taking his violin, began
to tune it.

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“Pur!” he exclaimed, “the cat is gray!”

However, in a minute he laid down the
instrument without playing, and was by her
side again. But this was all the life Ruth
had lived of late, and she had nothing else
to tell.

“Oh, I wish you understood it,” said she
in her disappointment. “I wish I knew how
to talk and make it seem real to you!”

“Little Whimsy, it is just as real to me
now as ever I want it to be. If you 're going
to be a nun, why you may take the veil.
Oh — the cold shoulder!”

But, with a pretty light in her eye, Ruth
had to laugh back at him across the offending
member, — he had resigned himself to it so
composedly among the cushions.

“No,” said she, — “only if you would care
a little, the least little, about such things.”

“What! The new love is the cuckoo to
turn the old out of the nest?”

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“O Azarian!”

“Now, Ruth, don't try that fashion. Try
forever and you can't make yourself more
charming to me than you were when I first
knew you.”

“Than I was?” with a shy archness.

“There! Than you are! So don't affect
airs nor put on this little mask for the sake of
being interesting. You were n't brought up
in it, you have n't a moonstone rosary blessed
by the Pope or the Patriarch, as Madame Saratov
has, you have n't an ivory and ebony
crucifix mounted on jewels; and I advise
you, if you want to preserve my affection, to
remain rational, for, frankly, you could n't
bore me more than by playing the Guyon,
for which Nature never intended you!”

Years afterward, Azarian used to see the
mournful glance of those dark eyes rising
like a spectre in his wine-glass in the ashes,
behind the empty window-pane when the night

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had fallen. Here it only impressed him as
something quite exquisite, and he reached his
hand for hers. Ruth gave him her hand, and
in a minute she replied.

“I am sorry that you misunderstand me
so, because I am afraid that you will not love
me long if you think I could counterfeit such
a solemn thing even in order to interest you.”

“I don't think you could counterfeit anything.
Now come kiss me, and let it all
pass.”

“But, Azarian dear, I should think you
would like to have my confidence.”

“Not when it 's silly. I don't want to be
made a fool of. Give me my violin, Ruth,
an' thou lovest me. Now the Tourterelle.
And you shall have a Fantasie Glaciale!”
And under his strains, that shaped themselves
with a kind of weird crispness, Ruth's fancy
suffered her to see the icebergs building their
glittering architecture of frosty peaks and

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pinnacles up the blue vault, till suddenly all
was grotesquely ended by the interpolation of
a little phrase in another measure, a pair of
chasing scales, that brought everything up
standing with a twang. Azarian laughed with
his white teeth.

“That was two little cubs tumbling down
after the mother,” said he, “who snapped her
jaws at me. Strictly pictorial music, good
for the critics. Now, to farewells.”

eaf691n1*

“A little gulf of music intervenes,
A bridge of sighs,
Where still the cunning of the curtain screens
Art's paradise.”
Mrs. Howe.

-- --

III.

[figure description] Page 139.[end figure description]

Since Azarian was at home again, Ruth
forgot all the weary watching of June and
prepared herself to be happy. Certain hours
of the day she worked with her paints, and
worked for money too, as all she had was
gone; later, she fagged over her books, for she
feared, of all things, by her stupidity to do
discredit to Azarian's choice before the Russian
lady. Then in the long summer evenings
she sat with happy fancies, if she had them,
alone, if she had them not, for, to spare both
her eyes and her candles, she lit to light unless
thought and solitude became insupportable;
and she had said to herself that she had
been very selfish, and that with all his social
claims she had no right to expect Azarian on

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[figure description] Page 140.[end figure description]

more than two evenings in the week, and had
told him so. However, Azarian ran in when
he pleased, reported any piece of news, admired
her work, said she was getting a color,
played some air on his violin, said he kissed
her hands. Or, on the contrary, if she
were not there, he left some little imp sitting
astride her delicately-drawn grass-spires, or
ringing the chime out of the fairy bells of her
Linnæa, or he turned her painted snowdrop
into a plump wasp bleached for bridal, — as a
card; after which, of course, such things —
when found with a little pang of regret at her
absence, and well paid for by the loss of the
next day's airing — were too precious to part
with, if they had not, moreover, been spoiled.
That made small odds though, for, famous as
they had become, Ruth could not dispose of
half she did; — the year had been a disastrous
one, the summer was very slow, a financial
flurry was impending, and nobody had the
price to waste on kickshaws.

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But it somehow happened that Azarian did
not always come on those two evenings appointed; —
either Madame Saratov had some
fine circle, or it was the club, or the old seductions
of the boat were uppermost again.
Ruth, who had grown to count upon them at
least, and who sometimes felt as if she required
his presence so much that she must go out
and seek him, waited till the clock struck
midnight, in hopes of just a brief moment as
he passed, yet waited in vain. Strange apprehensions
beset her too, as she fancied him on
the water at such times, fancied the keel of
some plunging ship crushing down his little
cockleshell of a boat in the dark, or when the
thunder-storms had been rolling and rattling
over the city, or when sudden flaws of wind
came down and wildly rustled all the trees
upon the square and sent the dust to heaven.
Once, indeed, having some special promise that
she could not dream of his breaking, and her

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[figure description] Page 142.[end figure description]

imagination all athrob and fevered with fear,
she caught a scarf or shawl and ran out into
the black hot night, meaning to make the
water's edge; when suddenly, under the shine
of a street-lamp, she fell upon him sauntering
along. And then, to prevent any such second
interference, Azarian punishingly declined to
enter, and left her at the door. But here this
state of feeling wrought an unconscious attraction;
her sadness was so great at his voluntary
delays over greater pleasure found with
others, her expectation so strained and eager,
that, when he did come, her spirits mounted to
such a pitch of airy volatile gayety, forever
rounded by the least shadowy refrain of the
preceding hour, that her presence became an
enchantment; he watched their wavering as
one watches a flame flickering in the wind,
and not till he had discovered their secret was
the fascination lost.

Ruth's lessons at this time were a great

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[figure description] Page 143.[end figure description]

blessing; she left thought in them, and was
hindered from reflecting upon how slight and
loose a thing this love of Azarian's was. As
he had foreseen, the Baroness Saratov became
an object of far more interest than her position
warranted, through the well-known weakness
of many people; a teacher, every one
desired to avail themselves of her services; a
lady, every one aspired to her intimacy. She
rented one floor of a small house. Her rooms
were as cosey as any nest, and yet made elegant
with countless trifles which had cost her
less than nothing. To-day under her spell,
a painting, with its palm-tree and pool and
gorgeous sky, was hung there by a young
artist who just began to dip his brush in
wells of tropic color; to-morrow a pupil who
wished to do her pleasure begged acceptance
of an album of the photographs of precious
places in Europe; yesterday a publisher had
presented her with his choicest volumes; she

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[figure description] Page 144.[end figure description]

had nothing to do but dispose them. That
little gem, where one long ripple of green
water broke on a curving beach, Marine had
sent her, when after her extravagant admiration
it yet found no purchaser; that bust
Carrara had given in Rome, fresh from his
chisel, — she had procured him a commission.
An open pianoforte here, a half-veiled easel
there, the single blossom of some rare exotic
daily renewed in a snowy vase-stem, all conspired
to produce dainty effect; and throughout,
there was a stroke, an art, a sense of
something foreign, that completed the charm,
whether it were in the flask of delicate perfume
forever exhaling to the air; the quaint
ornaments, — a demoiselle-fly in such brilliantly
enamelled metal that the sardonyx, the
smaragdite, the sapphire, seemed to sheathe
its mail, its wings so fine and airy ever hovering
on the point of flight, yet with gravity
sufficient for a paper-weight; a little basket

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[figure description] Page 145.[end figure description]

of snowy lightness cut from the fig-pith and
filled with grasses, wheat-ears, thorns, and
leaves, of the same dazzlingly delicate fibre,
and looking all like one exquisite petrifaction,
for allumettes; for timepiece a tiny clepsydra,
dug from an ancient ruin, thousands of
years ago measuring the inspirations of the
oracle, the winning moment of the lampad,
the passionate greeting and parting of lovers
long since dust, the smile of Rhodope perhaps,
perhaps the vagrant song of Homer; —
the folding-screen of rosy damask; or the occupancy.
Madame Saratov was the creature of
luxury, she demanded, and therefore had, the
best of everything. A faithful maid haunted
her steps; her chosen raiment was silks and
velvets; she suffered from unpleasant dreams
if the coverlet were less than satin; she was
always soft and white and cool; her hands
were still as beautiful as that model of them
that peered from behind the droop of the

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[figure description] Page 146.[end figure description]

curtain; she had kept her jewels through every
reverse, and the very thimble with which she
stitched the vine upon her cambric was thick
crusted at the base with pearls. She had not
been in town two months before she was on
more familiar terms with every notable person
than were those who had known them all
their days; the politician came to her with
his schemes and benefited by her tact; the
star requested her reading of some passage,
her tradition of some gesture, her idea of
some point; the preacher talked with her,
and in her vein of rapt pietic ecstasy almost
expected to see her translated before his eyes,
and dropped his blessing on her bended head;
and in the warm shadows of her room, breathing
the subtile odors, and sipping perhaps,
betweenwhiles, draughts of some richly-rosy
perfumed cordial, the poet read his verses,
and went away intoxicated with them, with
her, and with himself. It was especially

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[figure description] Page 147.[end figure description]

pleasant to Azarian to come and go, among all
these more deferential, as autocratically as he
pleased. She had a trick, too, of surprising
her late-lingering company with little suppers,
ravishing revels, when from tiny engraven
bubbles of glass she drank to the health of
her charming guests, in maraschino; there
was a flavor in the unknown dishes that made
it possible to believe one ate the famous tart
of pomegranates; and if the feast consisted
of nothing but sliced oranges, they lay under
their crystals of sugar in plates whose ruby
whorls or azure banqueted the eye. There
was a silent kinship of race between Azarian
and Madame Saratov; in her he found that
certain genial dash of foreign things which
inheritance made delicious to his nature. In
all her style, too, there was a saucy disregard
of any future day of reckoning, a thing that
suited him as well. These little suppers
absorbed many an evening that by right

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[figure description] Page 148.[end figure description]

belonged to Ruth. It amused him, then,
sometimes to accompany Ruth at her recitations,
to contrast the two, to play them off,
Madame Saratov humoring him, the other
shrinking into herself; and if he chose to
stay the hour, of course poor little Ruth, under
his presence, made a very dunce of herself,
though preferring even such display and
pain, so seldom of late did she see him at
all. Spiritless girl, not to throw him off, and
when the pique was past weep lifelong solitary
tears or else harden her heart to stone!
But Ruth had not thought of that yet, so she
endured his demure scoffs and laughed up at
him beseechingly when the failure was egregious.
Stepping into Madame Saratov's salon
was, to Ruth, like an emigration to a distant
country; she could scarcely blame her lover
for delaying where it was in fact so delightful
to herself; she coveted a fragment only of the
other's versatility, but she saw plainly that

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[figure description] Page 149.[end figure description]

the foreign lady was not the friend her sore
heart needed. Yet Madame Saratov liked
Ruth, she was so fresh and simple; it was
holding a wild-flower in her hand; she took
pains to draw her out of herself, she refused
others that Ruth might dally with her awhile,
she helped her by severe criticism and glad
praise, and she began to puzzle herself in
wonderment over her engagement to so selfish
and graceless a scamp as Azarian. She
had serious thoughts of sprinkling a shower
of water-drops in her face, so if possible to
break the bewitchment. Azarian did well
enough as her own courtier; she allowed him
certain freedom there because he was so admirable;
but she told him one day, with a
laugh, that he reminded her of those vampires
who grew fat sucking the heart's-juices
of young maidens. Azarian drew the black
brows together in a line over the icy paleblue
brilliancy of his lustrous eyes, lightened

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[figure description] Page 150.[end figure description]

once, and said no more. Neither did Madame
Saratov.

Ruth used sometimes to wonder now in the
October mornings, as she faced the glass, if
Azarian cared less for her because she was
not so pretty as once, — for Ruth had always
liked her looks, in her own way, — she was
so very thin and pale, and had such shadows
under her lashes, and her cheeks beginning
to seem as though she were no longer young.
Azarian did not know what companion came
and sat daily at her elbow in his absences,
making her brain clearer, her ideas purer,
her tints more vivid, but taking slowly in return
the tone from life,

“Spare Fast that oft with Gods doth diet,”

and some little leaven of pride had, after all,
remained, for Ruth never told him. Watching
deep into night for one who did not come,
the late hours, the excitement, the anxieties,

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[figure description] Page 151.[end figure description]

the grief, the determination against murmuring,
even to herself, so inward as to be unknown, —
all had their effect on health, and
depression was settling upon her anew, that
it needed but a touch to fix. She feared she
was going to die and leave him; and because,
when truth is plainest and denies,
hope often is most buoyant and, knocking at
heaven's gate, demands, she still trusted that
a day would come when all his old desire
of her would renew itself, and by unspoken
intuitions she recognized his need of her saving
grace at last, and felt her capability of bestowing
it. Nobody else will ever love him as
I do, Ruth thought; I was put here to serve
him; if I should leave him, there would be
no other one; when he comes to die, he will
want — O so longingly! — a breast to lean
upon. Perhaps behind that there was the
glimmering thought that a home and its dear
ties and sacrifices would yet soften him, and

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[figure description] Page 152.[end figure description]

give him all that he had not; though, consciously,
she would not acknowledge in her
most secret soul that he was not already
perfection. But the very fear, the dread of
forsaking him so, leaving him loveless in the
world, forbade her indignation to usurp her
passion, and only made her tenderer.

But here, one day, Azarian commented on
her looks, and told her she must cease her
lessons. Then he took up his Guarnerius,
and scraped a great yawn across the strings.

“What a sleepy!” said Ruth, lightly.
“One would think you sat up last night till
the clock struck eleven, for somebody.”

“Nobody's fault but her own. If somebody
's not here by nine, he 's not coming
at all,” and he caressed the instrument beneath
his chin; for he loved its beauty of
outline, its supple sides, its royal varnish,
and its sounding soul. “Ruth, have you
been playing on my fiddle?”

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[figure description] Page 153.[end figure description]

“No, indeed; you play enough for me. I
wish —”

“Well, little — but you 're not like an
elder now, you 're more like a snowberry, —
what do you wish?”

“I wish — you would n't play all the time
when you come to see me,” she replied, with
a courageous coaxingness.

“So you don't like my music?”

“Yes, I do. O very much. But I like
you better.”

“Quite adroit. But then, seems to me,
you 'd like me to take my pleasure. Oh,
it 's because I don't play classical music.”

“I did n't know that.”

“But, only fancy, every note I utter goes
forth and becomes a portion of the music
of the spheres; and when the great composers
in their trances reach up among the
stars, they gather these very strains floating
there or caught in the glittering web-work

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of the orbits, and so my little tunes become
parts of the great orchestral harmonies that
they strike out deathlessly. Don't you see?”

“O yes; but” —

But Azarian silenced her with a kiss, and
then another; for he really cared as much
for her as it was in his nature to care for
anybody except himself, and went off with
his fiddle tucked under his arm.

One chilly twilight, — just when impatient
feet are hurrying home to lights and laughter
and cheerful glow of fires, — Ruth, alone,
wrapped in her shawl, was startled by a voice
beneath her window, — for minstrels were infrequent
in the square, — a loud clear sweet
soprano voice, that absolutely seemed to sparkle
in its contact with the frosty air. She looked
down, and by the aid of the lingering ruddy
orange discerned a group beneath, a woman,
hooded in a black kerchief, and clad in some
fantastic disarray of garment that displayed

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an ankle shapely under all its slouching apparel
of slipshod foot-gear. She tossed a tambourine,
and sung wild songs in an unknown
tongue full of soft guttural breathings. At
her left, in round jacket and red-tasselled cap
drooping aside, her companion surrounded her
lay with flourishes of tune from his violin.
Behind them, two young tatterdemalions jangled
strings of silver bells in what unison they
could. Ruth opened her window, the better
to hear and see, and leaned forth. The strong
full voice poured in richly, and the player,
bending to his task, sent up honeyed strains
of accord, the jets leaping and spurting from
the strings beneath his powerful stroke. In
the first break, Ruth ventured to laugh and
gently applaud; then Azarian, who had concealed
his face, looked up, with a flash of
his teeth in response, and Madame Saratov
opened a pouch and displayed a glitter of
coin.

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“A penny for your thoughts?” begged she,
in her alluring accent. “It is a charity: add
your mite, pour les orphelins. Then come
home with us and count it.”

Azarian was looking. Ruth tossed down
her silver, though it was the very last she
had. To-morrow — well, to-morrow must
take care of itself. Providence provides
for artists and authors as it does for the
birds of the air. Then she closed the window,
caught up her bonnet and gloves and
ran down to join them, and went along positively
gay with the adventure and with the
prospect of Azarian all the evening and perhaps
home again with her. Fast at their heels
the young vagabonds followed, jangling their
peals.

Entered, and under the glare of gas and
mirrors, the elder twain burst into laughing
at their odd figure, and the younger performed
an antic dance round the apartment,

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with all kinds of quaint and graceful gesture
moving to the wonderful music of their bells;
after which Madame Saratov insisted on bivouacking
like Gypsies on the carpet and telling
their gains; and then, dismissing Isa, would
wait on table herself, though there was nothing
but a cup of tea and some cracknels,
at which, to Ruth's perplexity, they were
joined by the urchins in their rags, who were
no other than Messieurs the Barons Saratov,
she discovered, as with malicious enjoyment
of her silent surprise Azarian presented them
to her, — Azarian full of his freaks, and keeping
up his character by snatches of music between
the sips, now and then telegraphing
a caress to Ruth through the farther end of
his bow, for no object but her embarrassment.
When, however, the hostess and her
young train withdrew, she half hoped he would
signify some real, if faint, pleasure at her society;
Azarian did, indeed, enjoy it, but never

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thought of telling her so. On the contrary,
Madame Saratov found him, as she had left
him, industriously sawing away, and weaving
her Northern melodies into some Scandinavian
revery of Freya of the golden tears seeking
Oder and beguiling all her way with
airs of heaven. Azarian looked forward to a
whole lifetime with Ruth, and did not dream
of economizing the present. Meanwhile the
young gentlemen, in altered guise and raiment,
fresh from bath and toilet, had already
stolen back; and, looking at their open handsome
faces where the noblest marks of their
vigorous race were strongly written, Ruth's
fancy warmed toward them, and then, after
an initial period, she found herself in a low
voice with the exaggerating aids of free-playing
eyebrow, contrasting attitudes and tones,
recounting to them a laughable legend of their
own trolls, which it was no wonder they had
never heard, as it was purely an invention

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of Azarian's, — illustrating it, as she went
along, with grotesque hand-shadows on the
wall, and with a mimicry of expression that
made her, in speaking, every character at once.
It was Azarian's turn now. He watched her
in surprise. If he did not frighten her out
of all confidence, what a treasure was this
for a rainy night! The boys, who were at
that age when the stature seems to pause to
gather strength for its sudden leaps into final
maturity of size, hung on her words at first
with parted lips, remaining motionless through
the instinct of their somewhat courtly manners,
and then at last, the barriers of a flood
of merriment giving way, rolled over each
other on the floor, picking themselves up,
with profuse apology, as their mother's hand
was heard upon the door.

“Well,” said Azarian, on the first lady's
return, “what is the order of the evening?”

“Miss Yetton and I do attend the theatre,—
alone, — unless —?”

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“What is there there?”

“The new play goes to present itself, and
La Charmian.”

“Charmian? Pshaw!”

“Let me tell you that your `Pshaw!' is
an actress very remarkable.”

“Remarkably bad, yes.”

“O oui! Mais vraiment oui! Qu'il parle!
She who becomes a woman of the most famous!
I go many of nights to see her! I
count of my enthusiasms the Charmian!”

“Tant pis!”

“So you will not go? You shall have but
few of chances more. She has success; she
goes to make to commence an engagement
in England for some years” —

“Glory go with her!”

“That it will, in three weeks. And you
will not applaud?”

“In this costume? Pardon. I will be
there to wait upon you, with permission.”

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“Thank you for nothing,” she laughed.
“Les voilà, a bodyguard to make you yawn!”

“As Madame pleases,” he replied, bending
his ear to catch a vanishing semitone. “Do
you want to go, Ruth?”

Madame Saratov, instantly outraged, was
instantly appeased by the novel appearance
of consideration. But Madame Saratov was
not behind the scenes. Ruth had hesitated
at the proposal; little heart had she for such
gay places; but then to see —. She nodded
with shining eyes. So they started down the
bright streets on their long wide windy way,
Ruth's hand grasped by the boy Ivan, of
whom, on letting them out, Isa, indignant at
some jest, had declared: “Such a child was
not before born into the world. His tutor,
in vex, do report that he laugh all the time,
and when he don't laugh, he gap!” Azarian
strode silently beside them, seated them comfortably
at last, and betook himself off.

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Madame Saratov finds out who is there,
at a glance, collects her hovering chevaliers,
and lets Ruth abandon herself to her dreaming.
It is the same intoxication to Ruth as
ever: the lights, the hues, the stir; she hardly
sees the curtain rise, but suddenly finds herself
living the life the scenes present.

The play opens in the palace, at the table,
with music, and slaves bearing golden dishes.
There are present the old Emperor, courtiers,
among them the impetuous Lucinius. When
one mentions the late victories in the East,
the Emperor bends, and, with bland smiling
mouth, but eyes whose fires beneath gray
brows might wither him to ashes, asks Lucinius
concerning the victor, and straightway
Lucinius launches into panegyric till silenced
by the angry monarch who breaks up the
brilliant feast in dismay. Then the scene
changes to a moonlit garden, with soldiers
in glittering armor and upright battle-axes

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keeping the imperial gate. Grouped in a
knot they converse, low-voiced, of the young
general now on his return from conquest;
they rehearse his spoils, remind each other
of the wonders of his celerity and his combinations,
tell of his gallantry, his generosity,
his genius, and of the jealous power upon
the throne at home continually thwarting
him and to-day refusing a triumph. As they
speak, a slender girl comes floating down
the long garden-aisles where all is dusky peace
and serenity, her white robes fluttering about
her, her black hair loose beneath the thread
that binds a trembling silver star upon her
forehead. Their words arrest her; she draws
near, and stands in the semi-shadow with
folded hands and bending brow, and the silver
star flickering and darting its rays as her
pulses stir. The only word that escapes her
is his name, — Aurelius. The guard perceive
her. It is Virgilia, they exclaim, and

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withdraw each upon his separate beat. She advances
then a step, but still remains rapt in
the heroic fancies his name evoked, now and
then repeating it beneath her breath. As she
yet stands, enter two courtiers, — one talking
cautiously, the other Lucinius. They return
from the banquet, and speak concerning
it; for there is small doubt but that Lucinius
has given the hoary tyrant deadly offence
by his daring praise of Aurelius. But O for
one day of Aurelius! Lucinius cries. The
army all his own, would but some hand blest
by the gods do to death our tyrant, — he has
one heir alone, who does not know her right,
and, believing herself to be kinswoman of
the dead Empress, never needs to know it, —
and with Aurelius on the throne such glories
should arise on Rome as might make wan the
lustre of her past. Ah, what heart is hot
enough, what hand so holy! Here, at these
words, as she leans forward, with half-raised

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palm and flashing eye, the startled knights
salute the Lady Virgilia, and pass on silently;
but before they reach the gate hidden emissaries
spring forth, and, leaving the other, hale
Lucinius to a dungeon. Virgilia has seen it;
it adds only one more to the long list of tyrannies
that she has known. Alone, her thoughts
declare themselves, — this hero, dwarfed from
his possibilities, becomes in her eyes a god;
how great must be the stroke when the vibration
rings in all men's ears! To aid his wide
renown, to serve him even so much as by
being the dust he walks on, to cease the base
servitude under which her country totters, to
drown the groans in shouts, to open dungeon-doors,
to make way for such glorious reign, —
her stature rises, the star shines on her uplifted
brow, her face glows with devoted purpose.
But the way, — the way! A trembling
seizes her, — there is but one! Then she
goes. She who came a pure and happy

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maiden departs already sin-stained in her
dreams, — a bold and terrible contrast. There
follows a quick pageant of other scenes, where
Virgilia, still nursing her idea of crime, dispels
all circles by her mere approach. In the
wide hall some game goes on; Virgilia, with
the star trembling on her brow, steals silently
upon the scene; the groups melt singly one
by one before her; in mild abstraction moving
on, the music falls to melancholy tune,
the dances languish, the dancers droop and
draw away; she joins the new ring, only to
find herself freshly forsaken and apart; she
follows the clusters round the hall; each time
they separate and disappear, and leave her
there alone. She goes out. Again, the star
on her forehead bickering back the ray of
the taper she bears, she traverses at night the
long dungeon-corridors: conspirators whisper
there; but as she passes, they lose their courage
and their will, and creep away as if awed,

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[figure description] Page 167.[end figure description]

and conscious of the approach of a greater
crime than theirs; she emerges into a wider
way, and sets down the light, — all this blackness,
these moans, these clanking chains,
evoked by a power as easily quenched as this
tiny flame, — she extinguishes the taper. And
then she sacrifices at the altar, and the fire
goes out. Here Virgilia wavers, and here
Aurelius comes. She is present when he is
received at court with haughty disfavor and
disdain. They meet as the monarch withdraws,
and he bends before her, overcome with
sudden delight; for hitherto his heart has
burned with no fire but that of pure patriotism.
It is in the moonlit garden again that
Aurelius talks with his friend; of too facile nature
to breast the hour's displeasure, he finds
other satisfactions; he has no fancy for imperial
favors, nor for the luxuries of courts; never
will he promote discord through ambition;
these dark hints, wherein so much is offered,

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loyal to the heart's core, he spurns, — glory
forever plays along his sword-blade; he will
away to the frontier and serve his country as
he may by tossing back the wild waves of the
barbarian hordes. Lofty as valiant he builds
up his dream, — and here, far down across the
bottom of the garden, Virgilia is seen to flit,
turning, upon the two, eyes of glad vengeful
triumph, and, still clutched with the nervous
intensity of the deed, distinct against her
white raiment is the reddened dagger. There
follow stormy scenes of alarum, of confusion,
of coronation. By night again, Virgilia in
her wild unrest paces the garden-walks, the
silver star no longer shining on her forehead,
but all her dark unfilleted hair streaming
loose over the white shawl that wraps her
white array. To her enters Aurelius crowned.
Art does her most to beautify the scene, with
late moonrise, urns of flowers, plash of fountains,
and far-away slow rise and fall of music.

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The sense of night is perfect, and so the sense
of love in the two figures that draw near each
other, for Virgilia meets him as if the god had
come to demand her worship. He holds her
hands, in brief terms speaks, asks her to
strengthen his throne, lifts the crown from his
head, and suffers it to fall on hers. Was it
for this! For power, for empery, for herself,
had she done that deed? The thought
of her possible share in its gain had never
before occurred; she wrings the detestable
hand as if to tear its act away with it, her
blood boils in her veins, she dashes down the
crown, and the splendid bawble spins along
the ground. But he loves, Aurelius loves
her! And what vile thing is this which
she has made herself, which she has made
the soul his love embraces! Beneath her
raiment still lurks the knife. Let her die
here and now, on his heart! Just then a
little page trips through the gardens,

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tinkling his lute, and singing cheerily some
verse whose refrain flows,


When souls are glad,
Then love is blest,
When souls are sad,
Then love is best.
For in the grave love lives not,
Death takes, but gives not.
Aurelius breathes some ardent word, his vows
protest, his arms await. Then love is best, —
she says. She turns upon him, and looks him
through and through; she raises the crown
and invests him with it anew. Her work, he
is, her triumph, — joy surges up to her lips
in proud glad words, his love completes it in
delicate and tender passion; they go in, and
the place opens out to a hall of revelry.
When next Virgilia comes upon the scene,
she trails imperial purple, and a band of
cameos binds the blackness of her hair; she
is flushed with regnant pride and the sweet

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taste of authority, but ever and anon throws
anxious glances after her lord as he moves
among their guests; for the retributive Fates
tread swift behind. At length seating herself,
she beckons him to her side. But looking
down when nigh, he murmurs, with a
start, that there is blood upon his throne.
She retorts in the same key, by asking if one
who wades ankle-deep in battle-fields need
shiver at a drop dried on his chair. He
would seat himself, but is hindered by that
which glides in and occupies it first, — the
phantom of the murdered Emperor. She
offers him her hand for aid, he shrinks as if
he saw a stain upon it. For all these things,
happening to him instead of her, are but the
bodily projection of his wife's guilt slowly
making itself visible. Yet he does not so
reason, but, weakened by the recurring surprises,
he begins to question if he himself be
not the culprit; he doubts if it was

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[figure description] Page 172.[end figure description]

vehemently that he repulsed those first dark overtures;
his eye is ever distraught, his attention forced,
his breath a weary sigh; his government goes
wrong, confusion reigns in his provinces, a
power built upon tyrannicide itself wields an
insupportable sceptre, couriers enter his presence
only to announce misfortune, his health
gives way, his brain reels, — and Virgilia follows
him like a shadow. At length, in the
same garden that saw her first conception of
crime, that she crossed upon its execution, in
which she took up her destiny, Aurelius
comes, while distant thunders roll and blue
lightnings flash their blades down the darkness
of the trees, — he comes and asks if it
can be possible that in some mad and forgotten
moment, some lapse of the intellect, some
delirium, if in his sleep, it can be possible he
took his sovereign's life, — for loyalty was the
breath of the being of Aurelius. And he cries
out that he loathes himself, loathes the flesh

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that so has sinned. The bolt has fallen.
Fate has overcome Virgilia; her work follows
her. He maddens with this belief, and to
undeceive him is to die. Hating himself,
how would he abhor her! Could she bear
it? His love, — can she lose it? His love!
she has lost it already; it is not she that possesses
it, but the false, false image of her in his
heart. Her mind wanders back and lingers
on the dreadful deed, her hands upon her
temples, her wild eyes full of terror, “His old
white hair,” she mutters. But here a band
of gay maskers with torches and lutes troop
through the distance, evading the advancing
storm, their gayety throwing out the tragedy
of these two figures. Virgilia glances at her
Emperor where he has sunk upon one knee
with the groan escaping him, takes her resolve,
and gives him one last look, tender,
pitying, passionate, a look as if it were a
wife's embrace. Then going to him, she asks,

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with one hand upon his shoulder, what is his
idle fancy. He only murmurs the old Emperor's
name. She recoils a moment from
the ghastly fire that seems for one breath to
wrap the world, and then replies.

“The Emperor? Hark, — I slew him.”

“Virgilia! — thou?”

“I. And I keep the dagger for myself!”
drawing it from beneath her robes. “A good
deed! Rome's salvation!”

“Wretch! Thy father!”

“Nay — I — slew him.”

“Virgilia — thou — ” he reiterates, and it
is all he says. But reason has returned and
thrown her light upon the past; he does not
doubt. He trembles away from her touch;
his eyes meet hers, as if their horror and disgust
were death-strokes. Remorse, despair,
agonize her frame. She shudders to his feet,
the dagger in her heart, wreathing one arm
about his knee, and sighing, “I — for I loved

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thee.” A hollow roar of thunder tears the
air, sudden blackness sheets the place, and far
away the mailed sentinel at the gate catches
the distant watch-word, and, repeating, cries,
“All 's well.”

There was incident, side-plot, by-play, in
the thing, there were points and room for
power; but to Ruth it consisted only of a
succession of startling and perfect figures,
each one in geste and deed, in fold and curve,
a statuesque study infiltrated and permeated
with a glow of passion and abandon, and all
of them Charmian.

Ruth returned with Madame Saratov and
her court, dissolved in dreaming. They were
all in a state of dilettante rapture, which
must have mightily pleased Azarian. Madame
Saratov was kindly eager that Ruth should
stay and sup; the boys, clinging round her,
could take no denial; but Azarian, with a
novel regard for her health, would not hear

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of it; and though they were bringing in the
dishes that sent their appetizing smoke before
them, and though to fasting Ruth, if one will
pardon her, the crisp turn of the broiled teal,—
Azarian's shooting, — the faint vanilla odors
and cinnamon flavors, the strenghtening aroma
of the coffee, were tempting enough, she opposed
no objection, and was hurried off, — for
her lover was to return, after his farewell and
imperative injunction that she should immediately
seek her pillow.

But no pillow did Ruth visit that night.
She was fired with joyous excitement. And
the dawn-light saw her still bending over her
scattered sheets and pencils. Then at last she
slept, — one of those sweet sleeps that follow
accomplishment, haunted by noiseless dreams,
outlines of glorious and unattainable beauty
ever rhythmically sequent, and filled, by the
keen sunshine sifting through her lids, with
colors of flame and light, — sleep deep,

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blissful, and oblivious. Such sweet and fiery fervor
of work and such intoxicating reaction
dulled half the edge of Azarian's treatment,
when they could be had. He would have
reprobated them much, but in fact to them he
owed it that his doom did not envelop him
sooner. Later that day a publisher for these
drawings was obtained, and the next week
found wonderful etchings in all the windows,
mere contours with scarcely a hint of shadow,
but beautiful as the dreams themselves.
Whether when wandering with the virgin star
of her innocence trembling on her forehead;
when flashing across the garden's foot, the
weapon in her hand; when flushed with imperial
sway, moving among her maidens, the
white throat swelling proudly outward like a
swan's; when followed by the vague train of
the retributive Fates; when vainly essaying to
lift a heavy heart in prayer; when rising from
despair into a radiant sudden swift-flying

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[figure description] Page 178.[end figure description]

happiness that transformed her face into miracles
of splendor; in that wild moment of woe
when she sees the impress of her crime on him
she loves; in that awful one when she looks
face to face with the Nemesis; or when at
last fallen at her husband's feet, shrouded in
the heavy masses of drapery that swirl and
slowly settle round her, the white uplifted
arm alone left clinging to life, — all lovely as
sculpture, all perfect as pure form could be,
all full of the vivid fire of art that moulds
clay and makes it something imperishable, all
as if the lost Pleiad were picturing her path,
and all drawn with a clarity of line, with a
nerve and vigor, as if a diamond had etched
them upon crystal. If Charmian's fame had
last week been insecure, to-day it was fixed as
the stars.

Azarian was in a rare rage when he came
in one morning with a handful of them, and
the only reason that the plate was not

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[figure description] Page 179.[end figure description]

destroyed was because it had passed beyond her
power. He insisted that she should go out
with him and ascertain if that were really so;
and when they returned, they found the room
steeped in fragrance and fairly sown with
flowers, — chairs, tables, vases, books, and
carpet, all astrew, — great wide-blown exotics
in deep shades and powerful contrasts, and
the soul dying out of them in strong sweet
odors that took the delighted breath away.
Ruth kissed the broad petals as she caught
them up in her hand, — she knew well where
they came from. Had Azarian known, the
window would have found their passage to the
street. As it was, he watched her put the
thirsty stems to drink, all but those white
ones hanging about her father's chair, — those
staid as Charmian placed them; if he caught
her lip quivering, in this ruffled state of his
feathers it was pleasant as an evidence of his
power, — compassion was foreign to the soul

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[figure description] Page 180.[end figure description]

of Azarian. Then he anathematized Ruth,
time, and his patients, and was off; nor did
he condescend to present himself again for
a dozen days, partly from convenience, partly
on account of other pleasures, partly in chastisement
for her great misdemeanor. Meantime,
of course, Ruth worked, and meantime
worked in vain; for though, in its first flush,
Love had enriched her as a June sun enriches
the blossoming mould, of late it had abstracted
life and strength; the other's faithlessness prevented
its being the ambient atmosphere in
which she moved; it had come to be but a
mere outgrowth of her own soul, fed from a
chilled and half-exhausted soil, like those lingering
things, the flaunting flowers that suck
the rich earth dead. Azarian had so wholly
her thoughts, her dreams, and her desires, that
art refused to receive the poor remainder;
there was no fertility in her fancy, no color
in her pencil. The only thing she did that

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[figure description] Page 181.[end figure description]

had a ray of the old sparkle was a stem of
berries, whose scarlet juicy lights were veiled
in meshes of the witch-hazel's yellow tangles;
and just as she contemplated it, on her sad
face a faint smile like a moonbeam parting
a vapory heaven, some one's foot bounded
up the staircase, and Azarian came in.

Ruth had been trying, for discipline, to
capture and tame a belief that necessity occasioned
these indifferences and absences of
her lover's, and, nowise self-analyzing, did not
know, indeed, that she was but suffering herself
to drift along this current of her hopes
and fears till some certain boundary were
reached, — only half felt the volcanic forces
now stifled within, one day to make upheaval.
As to excuses, Azarian never availed himself
of them. If Ruth found fault, she was welcome
to keep it; and to some natures such
lordly behavior is the pressure that still draws
the streams from the deep wells in the heart.

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[figure description] Page 182.[end figure description]

When he entered the room, humming, as was
his wont, some one of the Miltonic quatrains,


“There eternal summer dwells,
And west winds with musky wing
Round the cedarn alleys fling
Nard and cassia's balmy smells,” —
or, after a fioriture of whistling, breaking into
another, —


“Oft listening how the hounds and horn
Cheerly rouse the slumbering morn,
From the side of some hoar hill
Through the high wood echoing shrill,” —
how was it possible to be angry, or to do anything
but couple him with their beauty and
melody? When, at length, he was ready to
kiss her, and then went rattling on a gay extravagance
of laughable nonsense, how could
she be chiding? In fact, all Ruth had ever
pretended to do was to forget the past, and
let the spirit of the hour rule. But to-day

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[figure description] Page 183.[end figure description]

that unsuspected little leaven was sending its
fermenting bubbles upwards; there had been
a touch of indignation that she should so pour
out her whole life at his feet, and he not even
stoop to pick it up; and though it vanished
at sight of his face, and sound of his voice,
all things leave their trace behind them.

“Very pretty,” remarked Azarian, carelessly,
looking over her shoulder at the recent
work.

“I have lost all my power,” she said.

“As if you ever had any! I suppose I
have absorbed it. Well, I 'm willing; are n't
you?”

“Yes, — if I could afford it.”

“Afford? Do you mean to paint after —
after you 're married?” Even Azarian's courage
was a little staggered by his impudence.

The color flew over Ruth's face, till it
pained her. Almost a year was it since, in
his first raptures, he had alluded to such a
possibility.

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“Well, then, you won't need the power,
and I shall; because I expect to do greatly
when I reach my meridian.”

“Not before?” Ruth asked, archly.

“No, I despise prematurities, prodigies, excrescences
of the brain, two-headed eagles” —

“Mozart, for instance.”

“Exceptions prove the rule. He was n't
a human being; he was a musician. Where 's
my violin? Why have n't I another here? I
wonder who has Paganini's Tartini?”

“I guess you have.”

“Mine 's a Guarnerius.”

“He had a living soul imprisoned in his,
you know.”

“Pooh! Well, you have n't such a thing as
a bird-call, or a comb and a piece of paper?”

“No, you silly boy.”

“Silly, eh? Allow me to observe that it
is the same great principle of vibration that
settled the structure of the violin. Yes,

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exceptions prove the rule,” said Azarian, walking
about with his hands in his pockets, as
there was nothing else to do with them. “The
mould that shaped a Penseroso, at twenty,
would have cracked and split to atoms with
the gigantic germ of a Satan. I have a little
theory to the purpose. Do you know that in
August we stand in exactly the same relative
position towards the sun that we do in April?
But the one brings only cold showers and
drifting snows, patches of blue sky and blithe
promise, and it is not till the summer solstice
has accumulated all the sunshine, and the
earth is soaked in hoarded warmth and light,
that the other gives back the fervid wealth,
gilds her billowy fields of grain, and greets
retiring day with ripe rich orchard-sides. So
let no man audit his own accounts till he
is fifty. Tarde magna proveniunt. As for
women, let them do what they 're able whenever
they can,” said Azarian, with a hearty

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contempt. “What do you think of that, little
woman?”

“O, it 's very consolatory, — especially the
last. There you touch the root of all the
evils. If I had been Alphonso of Castile!”

“You would have suggested —?”

“Something more radical than he dreamed
of.”

“A surd quantity. What might it be?”

“There never should have been a woman
made!”

“Oh indeed! Wormwood and thoroughwort
tea, — extract of Miss Yetton's bitterness, —
which means that a man has no business to
talk anything but whipt-syllabub and kisses
to his little sweetheart.”

“An untried experiment.”

“Satirical too, by Jove!”

“Am I your little sweetheart? Do you
care anything about me?” asked Ruth, under
her breath, in a sweet, coaxing tone.

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“I don't know. You ought to,” he replied,
with a blackbird's whistle, and then beginning
to sing,



“But that wild music burthens every bough,
And sweets grown common lose their dear delight.”

“Azarian,” said Ruth, timidly, again after
a moment's silence, “are you quite sure that
you love me well enough to marry me?”

“If a breeze never blew, stagnation would
ensue, — which is the reason, I suppose, that
the best of women sometimes insist upon a
fuss,” he replied, wheeling round upon her.
“You want we should arrive at an understanding,
do you? Here we are, then. Childe
Roland to the Dark Tower came. You 've
been imposed upon, neglected, and abused.
If you please,” with a wave of the hand.
“You 've been sacrificed to selfish pleasures.
You 've been left to pine alone. I received
your happiness in charge, and take no care
of it whatever. You weary of your one-sided

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affair, in which you give all, and my commodities
do not meet your wants. Yet you started
with your eyes open. I never condescended
to a concealment. If you were but once well
out of the scrape!”

“O no, no, Azarian,” sobbed little Ruth,
her head on the table.

“No? Then come kiss your heartless
wretch, and be still. What, turned over a
new leaf and blotting it already? We may
as well have it out,” said Azarian, with a fresh
inflection for every sentence. He took her
hand, but apparently in a purely medical capacity, —
as the surgeon keeps his finger on
the vein, in the hall of torture, — and, holding
it, continued. “Every man has a wife,
therefore I. Black moments visit all, then
all need a fireside; better at such times the
corner of a workhouse chimney, where faces
are, than a lonely den, albeit luxurious, where
they are not. You bewitched me once; and

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when the thrall loosened, I saw this. You
remember they say those old statues, those
faultless forms, those Grecian women of idealized
bodies, can have no soul, — the physical
perfected at expense of the intellect. Look
at an outline here, Ruth,” and his face made
a silhouette against the deep noon light.
“Pure Greek. Can the Apollo have a heart?
You will make the wife I wish, — quiet, docile,
submissive, — power enough to aid, grace
enough for a companion, tact enough to let
alone and wait when unrequired, — qualities
I might seek far, and not find in another. To
pretend myself to be madly in love would be
ridiculous; but to separate from you would
occasion me more inquietude than I care to
encounter.”

A slow indignation and amazement were
burning Ruth up. “You have said it all,
sir!” said she, half rising, and trying to tear
away her hand. “Everything is over between

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us. I never, never will be that wife, so help
me” —

“Take care, little one. You will only eat
your words. You will be my wife, and you
know it. We are bound, God sees why, by
indissoluble ties, and you feel them. In reality,
we are almost one now, or I could not
treat you so, as if you were a part of me to agitate
as I pleased. You are promised me; you
are mine; I never, never will give you back
that promise, so help me — what did n't help
you. Rock your heart to rest, — 't is a troublesome
little atom, — and don't interrupt the
oracle. Sit down, Ruth. Indeed, I could n't
let you go. If no other lover ever addressed
a woman so, it is because no other lover ever
relied on the woman's intelligence so — entirely—
as I do. The wives of men of genius
must not expect the tranquil existence of those
who marry poodles. The husband always
waxes the friend; yours has done so a trifle

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sooner than ordinary. Take the goods the
gods provide. Be content with being allowed
so to lavish yourself on me, Ruth; — some
day, perhaps, — on my death-bed, — I shall
look up and understand it all and return it.
Fluttering little pulse, be still, be still. When
we are married next June, remember these
things, and don't exact too much of me,
and you can make yourself quite comfortable.”

Ruth essayed to subdue the riot within her;
but when they had been quiet for a time, it
all bubbled up anew at his calm tones.

“It 's a fallacy that women are lovely in
tears” —

“I 'm not crying,” murmured Ruth, stoutly,
in the very face of a plunging shower.

“Who said you were?” laughed Azarian.
“I merely advanced a general apothegm. You
are the girl in the fairy-tale whose mouth
dropped roses, and whose eyes dropped — I

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suppose you call this a brilliant,” looking at
something fallen brightly on his cuff. “In
that case, how royally besprent shall I be!
But in the other, — if I put up an umbrella, —
ah! here comes the sun!” For Ruth's laugh
set her eyelashes a-glitter.

“It could n't be,” said she, “that one was
the least bit dearer than you knew” —

“Why could n't it be? Let us cherish the
kind illusion. My little girl, perhaps, after
all, there is a seedling of love deep down under
my rubbish, which, in a desire to be plain,
I have not given credit for. Ruth, accept
your fate.”

“Dear Azarian,” said she, trying hard to
keep her voice steady, “I am sorry I spoke so
then” —

“Nonsense! I like one best with a trifle
of spirit.”

“I — I want to do what is best for you.
If you should really meet the woman who was

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all to you that you are to me, by and by, when
too late” —

“It would never be too late for me.”

“But it would be for me!” said Ruth, dismayed.

“O, I thought you were regarding another.
For you, nobody can decide so well as yourself.
Now go bathe your eyes in rose-water.”

“I have n't any.”

“Then I must kiss them dry. How do
tears taste, Ruth?”

“Salt!”

“Salt, bitter salt, as who should know better. —
Lucky leech that I am! There, dissolve
that powder in something, and wet
your angry lids. That soothes, and prevents
my delay. Kissing is not the end of life,
Ruth.”

“What is?”

“Now you 're to go with me, and dine at
Madame Saratov's.”

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And free confession being good for the soul,
Azarian, in his blithest mood that night, looked
many a time at Ruth, who, stung to brilliancy,
so sparkled that he congratulated himself on
his day's work.

Madame Saratov kept Ruth that evening
after they were all gone, spread a little cot
for her in a closet adjoining her own room,
had Isa to comb out her braids, and when they
were both whitely arrayed for the night, sitting
before the fire in embowering arm-chairs,
their feet lost in the pile of crimson cushions,
idly tasting their spicy sangarees, all in a state
of more luxury than Ruth could have contrived
with the money, and that the other contrived
without, just on the indolent somnolent
dreamy verge, in that deep rich light and
warmth, with the late hour tolled out by silver
stroke of distant bells, Madame Saratov read
her the second lesson of the day.

“My dear,” said she, “you wear a ring on

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[figure description] Page 195.[end figure description]

your first finger, which, en passant, nobody
but shoemakers' brides do in Europe.”

“But everybody does in America. Azarian
says it is a national custom here, and so he
likes it. You don't want to wear the ring on
your heart-finger till it is put on never to come
off, you know.”

“You are one sentimental elf. And, moreover,
if you understood yourself, would not
so feel. Love is terribly serious, whereas you
talk as if it were play.”

“Terribly serious,” said Ruth, with a sigh.

“Yes, — a tragedy most often. De vous à
moi, — women must have excitement, so they
find their pleasure in it. They act, these good
women who won't go to the play! It imports
nothing, à ce compte-là, on which finger the
ring is worn, l'index ou l'annulaire.”

“I will tell you a little secret. This is
not my engagement-ring; Azarian never gave
me one. It is Charmian's. She could n't

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see which finger it slipt over; so I let it
stay.”

“The Charmian! You knew her, then,
before those pictures, you demure frileuse?”

“Azarian does not like her.”

“Hm! C'est cela, — I see.” And Madame
Saratov did not suspect that her clear sight
was sharpened by a certain portrait of herself
which Azarian had lately sketched and suffered
her to behold half done, without its final
touches of tint and tone, its masque of shapely
smiles and curves and rounded color, and
where, though her acquaintance might not acknowledge
it, she found fearful resemblance.
“But rings are neither here nor there. I intimate
the fact behind, the betrothal. Now
will you tell me as your friend, as one who
has had of experience, who sees that you do
need help, — it pains me the heart, — as to
a kind woman, — why you marry? Is it that
you tire of work, that you want a — what is

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[figure description] Page 197.[end figure description]

this you call it — home, that the families arranged
it, that you find yourself entrapped,
that, as your poet says, returning were as tedious
as laisser aller, — because you are ambitious,
because” —

“O Madame Saratov, because, because I
love him!”

“Pauvre petite!”

There was a world of meaning in the intonation
and the silence. It was beneath Ruth's
dignity to answer its aspersion. She clad
her lip with a smile's disguise.

“You marry him, then, because you love
him. Les roses tombent, les épines restent,”
she hummed. “And he, — does he love
you?”

If Ruth had risen in her little white wrath,
she would have cut a very ridiculous figure.
It was, besides, too late an hour for her to
leave shelter.

“Pardon, mille fois,” said Madame

-- 198 --

[figure description] Page 198.[end figure description]

Saratov, reaching across and putting her warm
hand on the cold and slender arm. “I wish
to make you a difficult service. You will
hate me, détest me, yet you will have me to
thank.”

“I appreciate the wish; but I do not need
the service,” replied Ruth, proudly. “Nobody
can help me,” was what she sighed to
herself.

“Qu'il est difficile to accept! Well, let us
fórget,” said Madame Saratov, tossing her wine
into the grate, where it flashed up the chimney
in a blue fury of fire. “The fact is,”
said she, leaning back once more, and fixing
her eyes on the pale gold of the faded ferns
that crowned the turquoise vase aloft on the
bracket, “I remember me, in my life, of some
men, the very imps and sprites of self, whose
ruin marriage would complete; they were assez
intéressés, assez despotiques, les tyranneaux,
before; from the moment the wife

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[figure description] Page 199.[end figure description]

devoted becomes their slave, their doom is
upon them. I would never adjure a woman
to reject them by her own hope of any happiness,
but by her desire for their salvation.
True marriage, my dear girl,” said she, turning
towards Ruth her blue eyes that glowed
at will, “ennobles, purifies, elevates; but how
can a marriage be true that is all on one side,—
where one loves and the other, tout agreablement,
endures?”

“Madame Saratov, I see what you mean;
yet marriage is the natural condition of maturity;
even a bad and selfish man must therefore
be a better one if he has a wife. If it
were question with me,” said Ruth, with burning
cheeks, “of marrying such a man as those
you knew, I should feel, when the dazzle of
his days was off, how dull and dreary would
they wear away. I would bide my time, I
would marry him, serve him, cheer him, be
his slave!”

-- 200 --

[figure description] Page 200.[end figure description]

“Doubtless you would be happy in some
sort. Women reap the glorious joy of martyrs.
Mais lui?”

“That is beyond my province.”

“Certes! In crossing this slack-rope of
life, you would declare, it suffices to attend
one's own steps.”

“No,” said Ruth, falteringly. “I say that
birth and death and marriage are three great
sacraments, and, partaking them, in neither
has any one the power to interfere or oppose
a will.”

“Fataliste!” exclaimed Madame Saratov,
with a laugh. “Years of discretion, adieu!
What boon to distressed suitors! Love tilts
à outrance, and borrows the weapons of reason! —
But to what end? C'est un cercle
vicieux,” said she, rising, and standing with
her beautiful arm along the black marble of
the mantel. “One is married and done with;
when life shall go to close, the sacrifice it has

-- 201 --

[figure description] Page 201.[end figure description]

demanded may have stripped off all grossness,
and one soars. But he?” said Madame Saratov,
her head upon her hand, and her voice
taking a dreamy tone as she fell into revery.
“One has so served him that he failed to serve
himself; he has attained no height in this life,
and, shuddering out into the blackness, a poor,
pitiful, naked thing at last, what can his pampered,
stifled, degraded soul do but stagger
down, down” —

Ruth rose, too, and her little foot scattered
the crimson cushions with vehemence.

“Madame Saratov, if you play with fire, you
will be burned!” said she.

The lady started. “Qu'as-tu? What have
I done?” she cried. “Trespassed on forbidden
borders? Do you know,” she asked, raising
her eyebrows with sudden thought-dissipating
effect, “how they used to fix the landmarks
in Germany? Take the children to
the spot and box their ears there. You are

-- 202 --

[figure description] Page 202.[end figure description]

not so cruel, ma petite dédaigneuse? Nay,
but I pray thee of thy clemency! that she
would go but to smile, and sonner l'angélus!
Forgiven, then, at last? Let us see how the
night goes à la belle étoile,” said she, drawing
the unwilling Ruth with her to the window,
“Ah! what a mite you are!” and
pulling aside the curtain. “How white the
moonlight wraps the town! It is like an emanation
from all the sleep. How sublime is
this sleep! — the way in which man trusts the
forces to do without him, — the careless reliance
that by daybreak the world will have
rolled round to morning. Striking one. It
seems to me at night as if the stars struck
the hours. How that spire points upward,
and leads the prayer!


`Vous qui pleurez, venez à ce Dieu, car il pleure.
Vous qui souffrez, venez à lui, car il guérit.
Vous qui tremblez, venez à lui, car il sourit.
Vous qui passez, venez à lui, car il demeure.'”

-- 203 --

[figure description] Page 203.[end figure description]

And Madame Saratov gave Ruth one of those
lingering kisses which some women have the
assurance to impress, and betook herself to
her prie-dieu, at which, — as Ruth watched
her from a dreamless pillow, — in her own
way, she seemed to find satisfaction.

Night is long at that season, and Ruth did
not slumber; yet as the white light stole into
her closet, she had no desire to rise; she
would have liked to lie forever there in the
soft scented sheets, on the richly-laced pillow;
she folded her feet and her hands, she fancied
herself to be dead. But when, at a much
later hour, Madame Saratov looked in with
a laugh, she lay there at length wrapped in
sleep, white, motionless, and perfect, like the
pallid sculpture on a tomb. It was after a
long dream that she stirred, and Isa stood
beside her with a cup dispersing cordial odors.
“Madame make it for Mamselle,” the maiden
declared, “and she smile to herself all the

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[figure description] Page 204.[end figure description]

time she vas do it.” And with a fresh vigor
coursing through every limb, Ruth performed
her toilette; felt what a different being such
daily trifling care would make her; descending,
found that Madame Saratov, in a fit of
compunction, had sent round for Azarian; and
made her breakfast with them as lightly as if
no cruel purpose had essayed to set its crystal
in the night-time. Then she hastened to give
her hostess a little lesson, — a lesson never
finished, because Azarian had brought to them
a book of his, and from it read aloud, — Maud,—
that fire-opal distilled to melody. After
which he departed upon his engagements, and
she, with the sweet sounds still singing in her
head, hastened home — fearful that she had
been wanting on the night before — to choose
for Madame Saratov her finest boards, her
purest tints, and in a book containing every
charm to illustrate the Garden-Song.

-- 205 --

IV.

[figure description] Page 205.[end figure description]

But as soon as she had fairly caught her
fancies, Ruth became absorbed in them so
earnestly as half to dwarf both consciousness
and reflection; she expended herself in lettering
the text, with twisting vines, wings,
petals, and floral charactery of form and hue
exquisite as the work of some old monk in his
cell, in pages full of all the rich confusion of
fragrance and bloom sealed in the verse, —
one leaf a single listening lily, — another, the
little foot-print that the March wind had set
in tufts of bluest violets, — a third, a mass and
strew and tangle of flowers, as if thrown down
from a tired hand with the dew yet trembling
on their sprays, — here and there dainty vignettes, —
just a bough with its waking bird

-- 206 --

[figure description] Page 206.[end figure description]

and setting moon, entwined by rose and jasmine,
and signed at foot with graceful intermixture
of the curves of violin and bassoon, —
the simple gateway wound in woodbine, and
far off, a mere outline among the curling
clouds, the black bat hastening away, — the
planet fainting on its daffodil sky, — the old
grave thrilled and blossoming out in purple
and red, — the two lovers met at last in each
other's arms. When it was over, and the fever
of design had faded, “Ah, well,” sighed
Ruth to herself, “what have artists to do with
love? I was happy while I did that.” But
happy or not, its fire had burned out her
strength; she could do no more. “I wish,
I wish,” said little Ruth, “that I had somebody
to take care of me!”

Azarian had dropped in once or twice since
she began the opuscule; no doubt he had
intended to come oftener, had not some new
thing interfered, — it took only trifles to

-- 207 --

[figure description] Page 207.[end figure description]

detach the last impression from Azarian; and
Ruth, having put other things out of mind
with all her might, had nothing but her work
to talk about, and with that she had wished
to surprise him, and therefore afforded small
entertainment. Still, what lover needs that
his mistress should speak in order to please?

Ruth, through her work, had been innocently
dallying with fate; she had given herself
brief reprieve, in vague hope of full remission.
“In this fortnight,” she had thought,
“he may find that he needs me.”

But it was not in that fortnight that Azarian
found it.

The lonely child waited a day or two in
order to please this lover with her book; but
he did not come; and knowing that it would
please him equally well at Madame Saratov's,
and probably much sooner, she sallied forth
with it, — first looking in at the print-shop to
find her things undisturbed in their portfolio,

-- 208 --

[figure description] Page 208.[end figure description]

and no balance in her favor. The salesman
assured her they would disappear in time; but
time meant existence itself to Ruth, who had
not breakfasted that morning.

It was by some oversight that Isa suffered
Ruth to enter without announcing her.

Madame Saratov, clad in her gown of green
Genoa velvet, and the golden coil of her hair
behind wreathed round with slender peacock
feathers of gorgeous green and gold, stood and
held aloft in her hand a vase, the white Witch
vase. “It should have a jewelled tripod!”
she was exclaiming.

“It has it now,” said Azarian, who had been
sitting on a cushion near her feet, and still
retained his position. “Always hold it, Bacchante!
it is for you!” fascinated in her
not at all just then as a woman, but suddenly
seized with the sense of her artistic faultlessness.
“As near Heaven as I shall ever reach,
on the whole.”

-- 209 --

[figure description] Page 209.[end figure description]

“You make me of compliments all the
days! For me?” And Madame Saratov
slowly turned and laid her eyes upon him.
“This one ouvrage, this finiment of your life?
Is it that a lover does not lay such result at his
lady's feet? For me? Pourquoi pas pour
elle? — No, no,” she added, instantly and deprecatingly,
with a wave of the other hand.
“It is as if a moonbeam had carved it on
snow. I shall keep it forever as the treasure
of my house. C'est divin, mais” —

“Was Madame exiled,” said Azarian, coolly,
“for an insane interest in other people's
affairs?”

Madame Saratov laughed, and took a step
towards him. “Bien!” said she. “I confess
the impeachment. It affords me opportunity,
de plus. Do you know that somebody's
body is wearing so thin that the soul arrives
to look through? I spoke with her not long
ago, I, your poor slave, sir!” beating her foot

-- 210 --

[figure description] Page 210.[end figure description]

on the carpet. “She was impenetrable as a
little gem. Monsieur, my good friend Azarian,
if you love the child, why do you neglect
her so? If you have need of her, why do you
break her heart?”

If Madame Saratov had looked in Azarian's
face as he lifted his length, she might not have
dared to continue. It was quite as well,
though, for the anger passed like all his other
flashes; and when she raised her glance, he
wore the old mocking smile and witty bravado.

“I don't know that I do need her!” said
he.

Just then a hand was laid upon his arm.
The vase dropped from Madame Saratov's
grasp, and fell in twenty pieces on the floor.
Ruth, in hesitation, had come gliding across
the room, and round the open screen of rosy
damask, in time to hear this last. With a
little cry, she stooped to gather the fragments.

-- 211 --

[figure description] Page 211.[end figure description]

Madame Saratov was in despair. A thundercloud
charged with lightning swept across
Azarian's brow and was gone; he dropped the
black fringes over his luminous eyes, and then
laughed. “So much for lying. Ci-gît,” said
he. “Isa, here are some crumbs of the bread
of life for you to sweep up. — How is my little
maid this morning?”

“I am so sorry, Azarian. It was quite my
fault. I could n't find my voice” —

“Not at all. She was getting up a scene,”
he said, in a stage-whisper, indicating the
other lady.

“How can he forgive me!” exclaimed Madame
Saratov, in her guilt, her hands upon her
face.

“By commencing another straightway. We
won't make it wearisome. Ruth, what affair
is that?”

Ruth laid her gift upon a table, — it was
too insignificant to repair such disaster, — then

-- 212 --

[figure description] Page 212.[end figure description]

came to him and murmured, “I should like
to see you, if you please, this evening.”

He looked down on her white face, her dark
beseeching eyes, he did not wish to be reproached,
they steeled him. Moreover, had
not the accident come through her means?

“Very well, perhaps so,” said he.

“No, but certainly, dear. It is as much as
life or death,” she urged, almost inaudibly.

“Send for the doctor, quick, — a pill, —
we 'll have a dose of calomel?”

“Azarian” —

“Well, I 'll see. Perhaps so,” possessing
himself of the little book. “Ah! what have
we here? `Apples of Syria and Turkish
quinces, and mountain peaches, and jasmine,
and Syrian lotus-roots; and myrobalans of
Uklamon, and hill citrons, and Sooltan oranges,
and sweet-scented myrtle, and camomile,
and anemonies, and violets, and pomegranate-flowers,
and narcissus-blossoms, and put the

-- 213 --

[figure description] Page 213.[end figure description]

whole down into the porter's hamper,'” quoted
the Panjandrum. “By Jove, that is delicious!
Wipe your weeping eyes, my friend, and be
charmed.”

“There are three minutes that I have destroyed
the most perfect, the most priceless —
and he asks me to amuse myself!” cried
Madame Saratov.

“Madame must not concern herself,” exclaimed
Azarian. “She ought to know me
well enough by this time never to afford credence
to a word I say. I have at home, believe
me, at least a dozen, equally priceless, more
perfect.”

“Ah, yes, I believe you, — in splinters!”

“Come. I fancy you have done me immense
service. I gloated over the thing.
Now, if the fates conspire, I may produce indeed.
You establish an era.”

“You are very philosophic. But all calm
as you are” —

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“It seems to me, if I had received such
illustrations to the Garden-Song as these, I
should not sit with my face in my hands.”

“Azarian, dear!”

“My little Ruth, ma douce consolatrice!”

“There 's jasmine for you! Ah! that acacia
stifles one, it is so sweet. What a passionflower!
it is full of torrid life, with its spikes
and anthers; it is the soul of the glowing East;
I seem to see it sprawling over the swart
sands! When the new earth is made, Ruth,
you will have to be taken into the councils.
But that is a pretty notion, — the light falling
from above on the little head with its gloss
of curls, and just the outline of the brow begun.
You are a genius, Ruth! — The power 's
not all lost, is it? I have n't absorbed it all,
eh, Ruth?” and he looked down askance
where she sat behind him on the hassock, the
sudden pleased red on her forgetful cheek,
her eyes and her instant smile full of the

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sunlight that, stealing in through the crevice of
a parting curtain, gilded the stray locks about
her face, heightened her color, and overlaid
her. He reached back his hand and placed
it on her hair a moment, then returned to the
pictures. The sunbeam went, the smile went
too. Ruth rose, saying drearily to herself that
it was going to rain, as outward things affect
one mechanically after any blow. She hung
a second on Azarian's arm. The pretty work,
the pretty smile, had melted his rigor. “You
are going?” said he. “Well, then, expect
me for sentence this evening.”

“Surely, Azarian?”

“So sure as twilight. Nay, shall I swear
it, doubter? The angel records an oath in
Heaven's chancery, — and blots it out with
his tears, very like,” he added, lightly, in undertone.
“Till then!”

“Ah, mignonne, must you go? Do not
bring such mischief when you come again. I

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am inconsolable! I shall not go out to dine
to-day!”

“Yes, you will,” said Azarian. “For here
is the carriage at the door, and you may drop
my little Ruth at hers.” So he closed the
panel upon them, and was away to his patients,
of whom, on his rounds that day, he
had made Madame Saratov one.

Ruth sat quietly opposite Madame Saratov,—
who had partially forgotten her recent paroxysms,
and made only comical little allusions
to them, — smiled at her gay words, which
seemed to strike somewhere a great way outside
of her, kept herself down as if compressed
by iron bonds till the carriage stopped. Then
she ran breathlessly up-stairs, shut her door
swiftly, and locked it, and, bursting through
all her bonds, cried out in a loud voice, “I
don't know that I do need her!” She fell
upon the floor, hiding her face, the blank side
of the universe turned upon her, utter

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negation, a kind of stupor. The pain passed at
length, for her memory only repeated the
words and drew no meaning from them.
Gradually she began to feel there was something
wrong; she strove to gather calm, to
obtain the upper hand of herself once more,
and, when that was done, she crowded all her
thoughts down, till the evening should let
them rise and shake their dismal vans before
Azarian's eyes.

Meanwhile Ruth turned to the wants of the
day. She was faint, and needed strength.
There was little left in her rooms for the
pawnbroker; she hated to denude this one
further till Azarian should have come and
gone; she took some trifle, and, going out in
the soft showers, disposed of it for a wherewithal
to dine upon, forcing herself to eat;
but she had no longer the spur that once she
had in the first blast of poverty; each time
the process grew more insupportable; and,

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so humble to Azarian that, in order to keep
upright, she must needs be proud to all the
world beside, she thought she would sooner
starve than resort to such method again.
Later in the day, she busied herself putting
the place into the most exquisite order; — a
little basket of grapes that some unknown one
had sent her she would not touch, — grapes
will not keep one alive, — saving them for the
evening; but, directly, she saw in that very
act a hope, and impetuously dashed them out
of the window, where a parcel of young ragamuffins
seized upon them as the generous
bounty of the skies.

Ever since that night with Madame Saratov,
ever since that noon with Azarian, Ruth had
indistinctly meant to assert herself, — yet had
postponed the evil day. She had scarcely
dared to do more than dream of parting, —
that so sucks the strength out of the future,
and suffocates the soul beneath the

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accumulation of the past. She still held faint pallid
pictures of the long life with him, even if it
were sacrificed to him; she had thought of a
hearth almost happy; she had suffered somewhere
in the inmost recesses a thrilling hope,
unwhispered, unheard, of the ruddy firelight
playing on little heads, each one of which
should wear his brow, his eyes, should make
her dearer, should win him nearer; she had
an insight of that advancing hour that none
but she could soothe; she sought with all the
wild rushing of her love to be the one to lead
him upward, to do him loyal service; she
abased herself in her thought and put her
heart beneath his feet, — her whole nature suddenly
went out to him in clamorous longing.
And then again those words of the morning
fell on her like ice-drops; she bent her head
in a storm of tears, and when they cleared,
though she had never written him word or
message before, she found herself pencilling

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along her drawing-paper, “Till you need me,
Azarian, — till you need me.” She wanted
to be the whole world to him. She found
herself almost nothing. Something must be
done that evening; it was right for no love
to continue on such ignoble terms!

Poor little Ruth thought then all had
reached an end. She did not know how
deeply she was cherishing yet one last hope,
until the twilight passed and he had not come.
She sat at the window after the dark had
fallen, straining her gaze as she searched the
long, wide, lonely square, where the gas-light
flickered in the wind and laid its fickle lustre
in the black and shallow pools. The rain
lashed along the pane, the gale sighed and
sobbed about the house or mounted and shook
the casement and lulled away again, the
great shadow stretched along the earth and
grew deeper and immense, — no one came.
A wild wet night, — few braved it, few

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traversed the spot; all were housed with their
homes, their friends, their fires. — A stir without
in the solitary space. Was it a football?
the spark of a cigar? the long lessening
shadow, — that was he! She ran to light her
candle, to compose her dress; she waited with
her breath between her teeth for the hall-door
to slam. All was silent; there came no sound,
no turning lock, no step on the stair, no shaking
off of the rain, — her heart sank down a
sickening gulf; she blew out the light again.

A long hour full of keen quick pangs, —
ah! who has not known them, the heat tearing
up and down the veins, the quenching
hopes, the wild despair? — The clock struck,
tolled out remorselessly its nine iron strokes;
it would soon be too late to expect him;
eagerness, impatience, fear, all fevered her,
her pulses began to throb with liquid fire.
She had so determined that he would come,
so set her heart upon it, if he loved her in the

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least it would be impossible he should fail.
Ah! how dismal it looks! she thought, — coming
from delightsome places, no wonder he
will not want to stay. There was yet some
coal in her grate, laid in the spring and unkindled
during all the summer; she touched
a match to the wisp of paper beneath, and
sent its crackle and sparkle up the chimney
till they fell to a soft deep blaze, where the
colored exhalations of liquescent jewels seemed
to stir and hover. How warm the room was
then! She threw up the window, and leaned
out into the southerly gale; the rain beat upon
her temples and cooled them; she seemed to
see forms flitting far down the distance; could
that be — was — ah, no! only the gas-light
flaring in the wind and tossing its shadows
about the long, wide, lonely square. “O
Azarian, how can you treat me so!” she cried
aloud.

One, — two, — three, — the clock was

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pealing ten. She went for her dressing-case; she
let down her hair warm and loose in the back
of her neck; she brushed it till it tingled all
through its length with fires and darks, till
her head burned and her brain grew clear.
He would come yet, she insisted, she was positive
of it.

There rose the noise of wheels, — ah! to be
sure, — he had been detained, and would not
walk in all the storm. She twisted the tresses
into a knot, her heart shook the chair that
held her; she forgot reproach, separation; she
sprang to meet him with passionate welcome,—
swiftly and indifferently the coach rolled by.
Others followed; they returned from the theatres;
none of them knew of the tragedy in the
life of the little girl up there in the blazing
window. She had been so confident, that the
reverse shocked her stiff; she leaned there,
and in the last fierce shower of the breaking
tempest let the rain-torrents dash about her.

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Perhaps he would not come at all; the doubt
was so like certainty that it swallowed breath
and palpitation.

There he was at last! Why had she lost
the step? Life and strength and joy surged
up again at the sound. The key rattled in
the door. He would be here after an instant.
How he would come in, in his gay way, saying
not a word, cheeks flushed with the weather,
eyes shining beneath the brim slouched like
a brigand's, open his arms, his great shaggy
coat, shut her in under all the rain-drops, feel
her heart beating, kiss her first on the forehead, —
her face was aglow with smiles, —
and all the night's tumult for nothing —.

And then the heavy step of a lodger passed
her door and went higher.

She flashed the window down, she walked
the room like one caged, she held her hands
tightly griped that she might not wring them.

How the minutes dragged and dragged and

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dragged. Eleven o'clock. She would not
look for him again; it would be of no use
if he did come; it would be only to say good
night; but oh what cheer in the sound of that
single word! She would go to bed, but she
could not sleep. The next step found her at
the window, peering through the pane, out
where the desolate lamp flung about its wild
shadows on the glowering darkness, where the
drops yet pattered from the boughs, dripped
from the eaves, and the tossing flashes lit up
the emptiness of the great lonely square.

There was no more rain; the warm wind
had risen and sent the scudding clouds to sea
in tattered shreds; here and there a star appeared,
mild and hazy, like soft summer stars;
it was the dawn of the Indian summer of the
year. But Ruth felt as though never again
for her would there be any summer in the
soul. All the sudden swift anticipations that
had met her with shining faces, like glorious

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ghosts, had turned their backs upon her in
flying, — black disappointments. They were
but trifles, — yet what sorrow they drew in
their train, what mood of anguish they superinduced!
Hot, parched, weary work, over at
length; the eyes ached, the cheeks had left
burning, the hands were cold and wet, the
nerves were all aslack. Her heart felt too
heavy to flutter any more.

Twelve o'clock of a starlight night. She
had ceased to expect him now; but it had all
passed beyond her control, and still she sat
there. They that have looked for one who
came not, and on whom their very life hung,
know what a vigil was that.

Ruth may have slept in her chair at last,
for when she looked up again, the day was
breaking, breaking over the house-tops in its
deep tender prime. Whoever has known that
perfect hour in the country can still feel its

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spell in the city, when far and near the wide
firmament broods over its soft dream of
light. But Ruth felt nothing, remembered
nothing, just now; she only saw down the
gap of a street the morning star sinking
back like a great watery chrysolite and melting
in depths of golden vapor; she had a vague
feeling that it was her own being dissolving
there in the red fumes of the sun, till suddenly
she recalled the chrysolite upon her
finger, and all the turmoil and passion of
the night rose with it. But she was too weary
for any thought; things passed before her
eyes, and made their own impression; she had
not even the volition to receive them. She
saw all the roofs lie dark and glittering in
the gray with their wet slopes, then steam in
censers of curling filmy threads; one spire
studded its base with rubies, just above great
pearly clouds flocked and floated on, then
high and clear bloomed out the faint fresh

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azure; borne on cool morning winds a rack
of rosy mist soared up and sailed away, and
slantwise round the corner of the eaves a sunbeam
touched her face. Slowly the city began
to plume itself in smoke; Ruth watched
the slender stream that left one chimney, and
dissipated itself up high in the airy sparkling
heaven, idly fancied the hearth far below from
which it rose, the bright breakfast-table, with
its cheery faces, saw by and by the children
trooping forth to school, then turned her eyes
inward. It was noon before she moved. She
was unconscious of time, felt no hunger, forgot
her toilet. All her sensations clustered
at one point, — she was waiting for Azarian.
The shriek of the trains swooping down upon
the city had not roused her; but here the fulgurant
clangor of the great steel bells startled
the air, and their reverberation seemed to shatter
itself in her frame. Ruth always loved
bells, — used to shiver with their slow toll,

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to let the blood in her heart leap exultantly
with their showering peals, felt always all attuned
to the great tone that pulsed from particle
to particle throughout their sonorous expanses, —
so musical, so ravishing, she had
wondered they should have to do with hands,—
would have had them swinging, ringing, in
the blue dome by unseen agencies. Now she
rose, caught sight of her face in the glass,
went and bathed and indued fresh raiment,
lay down on her lounge and tried to sleep.
Vain effort: all her love for Azarian was beating
its life out wildly in her bounding heart;
all her wrongs from him rushed up in wave
on wave to drown the struggling passion. The
greatest wrong of all made the very heart
stand still; but for him she could have prayed.
In this her need she could have found help.
When she came to him with all her nascent
faith, her holy hopes, he had laughed at them,
silenced her words, stifled her thoughts. For,

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whatever should be grafted on hereafter, Azarian
had to-day no religious element in his
nature; his cold intellect might stand bareheaded
without, and watch the sun strike up
the painted windows, — he had never entered
and become transmuted in the rosy warmth
and amethystine glow of prayer. He had made
himself the absorbent of all Ruth's power and
aspiration, and in his exhausting atmosphere,
if her devotion were not dead, it was at least
in syncope. She could not pray; she had
lost the language; she had made herself so
remote; she felt that there was nothing to
hear her should she call. Yet had he been
but constant! Her friend, her religion, her
love, — he had taken them all, prevented her
power, drained her strength, and in return he
had given her nothing, nothing; he did not
care for her, he had no need of her, — so little
would have contented her, — such a breath
of tenderness would have kept her warm, —

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and thinking of these things, Ruth cried out
that she was forsaken, that she was alone, that
she was all alone in the world. Why did not
Azarian come? There were double reasons
that he should, — and those words to explain!
Was it possible, was it possible that he never
meant to come again? She tried to say that
she wanted no return for all she gave. She
tried to persuade herself that she was wrong,
that he had delayed a hundred times before, —
why should this once be life or death? Oh,
she had made it so! It is from the spark
that the forest flames. She had wrought herself
to that frantic pitch that listens to nothing,
to that intense state wherein one perhaps
sees the truer relations of magnitudes, where
nothing is small, all great. She was prostrate,
and the chances swept on above, as remote
from her reach as any mighty wind that roars
through a black and hollow sky. All creation
hung on the yea or nay of his coming.

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She lay there with such a hearkening ear now
as the hours wore on, flushing and paling,
shaking with such great tremors, her breath
like little gusts of flame, half beside herself
through suffering, excitement, inanition, exhaustion,
that life seemed of no worth but to
keep her keenly attempered to pain. And of
what worth was it? Who valued it? Nobody.
Nobody in the wide world. Why should
she keep it? And she turned her face to the
wall. — Gently the day withdrew, strained all
the golden light from its rich lees in sunset,
and soft purple glooms wrapped the earth and
brought the stars down nearer as one by one
they trembled into life. Ruth sat up and
pushed back her hair, went to the window and
looked out. The perfumes of all her untended
flowers floated themselves across to soothe her,
but she did not regard them. A little fitful
breeze tapped the bare vine-stem against the
pane, but she did not let it in. Some

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prayermeeting bell was tolling seven, — she covered
her ears with her hands. It was utterly impossible
that she should re-enact last night;
she had neither the vigor nor the spirit for it;
she shuddered at the thought, the fear, — all
her nerves were torn to pieces. What should
she do? Go out? And perhaps miss seeing
him! Remain? And endure the torture.
She remained. Still waiting, all alert, there
came across her wildness brief lulls, moments
of reflection. The words of Madame Saratov
rung in her remembrance: she thought if, by
her untiring service, she were only to weaken
and degrade his soul, would it not be best to
let him leave her. “How can I let him leave
me,” she said, “when the very fear of it gives
me this agony? I have not the strength to
let him leave me, — and live. And live?
Where is the need? Well, then, why not
die? Leave? He has already left! I am
so tired, — O God, why don't you take me?”

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Suddenly Ruth sprang to her feet. Take her?—
why not go?

Yet she trembled. — And if he came —.
She stood waiting, with her hands clasped on
the table before her. When the clock should
strike eight —. What an eternity that was!
Sparkling on the fixed strain of the moment
a thousand happy vanities started up and made
darker the gloom that swallowed them. She
laughed grimly at herself, and asked if every
girl who lost a lover were mad as she. The
question was another goad. Let her hurry
to escape her humiliation! Let her bury her
sorrow and her shame out of the light! Let
her perish with it! And then the awfulness
of death smote her in the face. Here now,
burning, breathing, beating, — and then? O
terrible unknown! and then? Coming with
all her vivid life, what dreadful power was that
which could give it so sudden extinction? The
white cold horror whelmed her; yet better

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[figure description] Page 235.[end figure description]

that than this, — at least it would be rest. It
would be brief, — and then it would be over.
Her forehead was wet, her heart struck her
side with blows that one could hear; still she
was waiting, waiting, and all became lost in
the rigidity of her purpose.

Slowly, sweetly, unconsciously, the peal
parted the air, and fell, fell softly down
through the listening night, lingering and
loitering, and quivered into silence. Its tone
still swam upon the ear when Ruth was on
the pavement, flying with fleet feet to find
her fate. Step after step, in some swift mechanism
of violent will, on, on, rapid and sure.
This was the place.

Ruth leaned a moment over the parapet;
she stood and looked down into the deep dark
water that lapsed along below; she seemed to
see herself lying there forever sheathed in the
crystal flow, looking up at soft starry heavens,
all trouble dead and done with. Not far away

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a boat rose and dipped, peopled with ringing
voices, while its helmsman bore a torch. In
travesty of all their mirth, some woman sang;
the song floated over the bay and reached her
ears.


Lips that were made to sigh, —
Your bloom was bliss.
The rose fades from the sky,
From you the kiss.
Eyes that were made to weep, —
At length how blest
Soul-satisfying sleep
And dreamless rest!
Heart that was made to break, —
One pang, one breath, —
Your fluttering thrill and ache
Drop into death!
And the helmsman quenched his torch. Then,
like a strain of the wide world's indifference,
from another skiff that drifted down the obscure
far on the hither side of the bay,

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another voice echoed in antiphon, — some nocturn's
careless lazy tune, much like the motion
of the current that buoyed the singer so
languidly, so graciously along.


Float, little boat, the way is dark and wide,
Float, little boat, along the sleepy tide;
Vaguely we note, we hear the distant rote
Where the great waters and the steep shores chide, —
Slowly we slide, it lulls us as we glide,
Float, little boat.
Neither could hear the other, — Ruth heard
both. There was a subtle mockery in the
contrasting song. She delayed till they should
drop below the piers. And she looked steadily
ahead far away into the low horizon that
drew over the sphere's side all its heaven of
dark transparence, so remote and deep, with
such a lofty lucid dark that it seemed full of
slumbering light. Even then, through all the
madness that whirled about the fixed point of
her purpose, some sense of the hour's beauty

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crept into her heart, and I think that for an
instant her personal misery lifted over a quick
flash of gratitude for the perfect loveliness of
the world. How beautiful must be the hand
that made its work so fair! It was but an
instant, — then the pain shut down again.
Ah, how regardlessly the earth pursued its
way, the river went to meet the sea, the boats
slipped downward, gently drawn and loitering
along the lure! Sweet eyes that through the
western windows see every night over the
broad shadowy stream the lamps build up
their aerial bridge of light, could not detect
this little spirit hovering to be gone, hidden
among all the clustering glooms and summoning
the powers of vasty death to do her will.
She was all alone in the world; God had forgotten
her, — that was what Ruth kept saying
to herself; — a moment, and then sleep. As
she said it, suddenly she seemed to feel a hand
upon her shoulder. She turned hastily and

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looked up; there was nothing but the velvet
violet heaven full of scattered starlight, the
great immensity of clear and bending space.
What wrung the scalding drops from her brain
and dashed them impetuously down her cheek,
gazing still with brimmed and blurring eyes?
How beautiful the hand? Tender as beautiful!
God had never forgotten her! He remembered
her, he lifted her, he upheld her;
she was his little child, he loved her! He
had set her feet in that path, — let her cling
to the hand and walk therein! This pain
was in the destiny of her nature belike, evaded
here only to endure hereafter, in other worlds,
sadder lives, till accomplished. Evade it,
escape his will, escape fate, — she would not,
if it were possible; the old adoring worship
overflowed her soul; there might come barren
sighs of ineffable human longing, but through
all the years that should engulf those dreary
instants henceforth the wide universe sufficed

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[figure description] Page 240.[end figure description]

her. Let her accept all suffering of his behest,
all result of his laws, precious because
his choice, welcome since sent by him. Let
her live his life, her face upturned to catch
his light, and dying leave some handful of
his earth transmuted to heoric dust. It was
all she could do for her Lord. And if he did
more for her, if he drew her up higher and
higher and into his heart through soaring
eternities, let her wait, and, doing the Divine
will, become fit for the Divine rest. It was
all in a breath, — one of those swift miracles
that happen every day, that sooner or later
come to us all, and weld our wish with the
Eternal Will. But as Ruth restored her gaze
to the low dark horizon, how all Nature opened
its depths to meet her! what sweetness lurked
in the shadows! what brightness in the rays!
She forgot sorrow, and it seemed as if the very
heart were smiling within her. Her passion,
her selfish ecstasy of pain, had passed; rest

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[figure description] Page 241.[end figure description]

took possession of her, and the warm still Indian
summer night breathed its balm about
her. A little wind blew up and ruffled all the
idle bay as the two boats stole nearer; it refreshed
Ruth with great wafts, and soothed
her brow; it caught the dust of the thoroughfare,
and whirled it in great clouds together.
Suddenly the torch in the gay barge beyond,
peopled with its invisible voices, flared into
being again, and flung its restless light about,
tossed up to the forgetful glance a sidelong
dart from the chrysolite shining on her finger,
lingered a moment on all the cool dew that
lay beaded along the parapet flashing back
innumerable twinkles and shattered sparks of
color, then swept its gleam higher, and trembled
over Ruth herself and on the great cloud
impending there behind her, — and, suddenly,
the slender boat on the hither side, drifting
from its shadow, was caught back on a delaying
oar while its master hung upon the rapt

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bright gaze of that face above him. He remembered
with the same heart-beat that old
dream of which she had once told him, and
it seemed to his transfixed fancy that the two
upbearing angels stood behind her with their
great arching pointed wings and glorious
faces. To shoot down, secure his boat, climb
and seek the spot, was but brief work, — yet
vain. The place was vacant; he found nothing
but the empty starlight and kind sheltering
clouds of dust that perhaps hid the little
phantom as it flitted on and away.

The day had been one of the fond mistakes
of the year, — those dear surprises when all
June seems filtering through November, when
the landscape lies lapped in blue and mellow
haze, and resin-breaths — sweeter than sighs
from Sorrento's orange-groves — come floating
everywhere tangled in the blissful air.
Azarian had certainly intended to keep his

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[figure description] Page 243.[end figure description]

tardy promise to Ruth that noon, and then
he bethought himself that no such delicious
day for boating would the fall again afford, —
so he went lightly simmering up the stream
with the tide, found some woods in which to
belate himself, gathered a rare medicinal root,
watched a little sleepy fly, that all the season
had not coaxed from its cell, just break the
chrysalis, fall on his sleeve to spread and dry
its gauzy wings and flutter along upon his
way, pleased to see what kind of time the tiny
prodigal was having on his first launch in life;
and when sunset burned among the tree-boles,
found the dim bank and drifted down again.
Now, as he rapidly left the bridge, and sought
the old region, the solitary square, with its
wildly flickering lamp, I cannot say what
quick spasms of vague apprehension were
these that stung him on. He reached Ruth's
door, — it was open; the place was dark. He
entered, called her, waited, groped round and

-- 244 --

[figure description] Page 244.[end figure description]

found a candle. All was as she left it, — the
very impression of her head upon the cushion,
the spot where her breath had soiled the pane,
the fire's dead remnants in the grate, his little
Angelico hanging before her painting-desk, on
her painting-desk the amaranth half sketched,
and then those idle words. He bent and read
them: “Till you need me, Azarian, — till you
need me.” Azarian gave one long look about
the room, and set down the candle, stood before
it till, burning to the socket, it dipped
and gasped for life and fell and left the place
in blackness. Then he strode out, and locked
the door behind him.

Meanwhile, if any watched the little vagrant
woman wending under the shadow down the
lonely windy way, none molested her. The
slight form slid along the streets like a shadow
itself. Weary, it waited a moment, leaning
upon the stone pillar of a church. Down

-- 245 --

[figure description] Page 245.[end figure description]

through the portals came the heavenly song
from the choir, that terzetto where the first
voice floats forward on the great stream of
the second, and underneath all the third tolls
like a bell across a tranquil water, full of Sabbath
rest, — Lift thine eyes. Then, when the
beautiful silence had closed over it, she went
on. Up and down long windy ways, looking
only at her two clasped hands and on the single
jewel there into which the light of all the
lamps seemed to stoop and sparkle as she
went.

At length she paused beside another door
than that through which the radiant crowd
were pouring, and waited till one should issue
alone. The boy came tumbling down with
his basket, — then a different form appeared,
a firm foot stepped out, a white bare hand
wrapped the cloak together and let it fall
again in a moment's pause, — the soft breeze
soothed so after all that reeking air, the stars

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[figure description] Page 246.[end figure description]

were so brilliant with heaven's own lustre
after the glaring footlights, the great vault was
so clear, so pure the cool night-fragrance, so
grateful the silence. The lofty glance fell
downward then, — what little beggar was this
slipping a hand in hers? Ruth did not look
up.

“Charmian,” she faltered, “I have come —”

The warm hand closed over the slender
thing within it as if they were cut from one
marble, and, still fast held, without a word,
the two went on together.

Is it, when all is said, the lover or the love
that one requires? Think of Goethe, and say
the love. Think of any woman, and answer
that it is the pulsating personality of the lover.
But falling torn and bleeding, the arms
of a true and strong affection, be it whose it

-- 247 --

[figure description] Page 247.[end figure description]

may, can support one till health of the heart
returns. It is said, — L'amour est à la port
ée de tout le monde: la seule épreuve d'un
cœur d'élite est l'amitie.

Perhaps it did not take the whole of those
three foreign years for Charmian's embracing
spirit to give tone and vigor to Ruth once
more, to place her upon a fresh centre whence
she could look with clearer eyes, to let her
find herself full of such purified strength as
that with which, after its igneous struggle, the
diamond drops away from its char. Before
the second year had expired, the sudden death
of Madame Saratov left two orphans upon
the world. Ruth saw a path before her with
tears of thankfulness; she made a swallow's
flight across the Atlantic, and brought them
both back to Charmian's hearth and hers, and
took them into a heart wide enough to be a
mother's. The boys stood a shield between
her and the past; gentle maternal duties

-- 248 --

[figure description] Page 248.[end figure description]

absorbed her thought and her love; it needed
constant care to overcome the vagrant life
they lived and give it the wholesomeness of
home; they began to interknit with closest
fibres; she poured all the beautiful accumulations
of her being into the young mould
of theirs, and spared them none of the alchemized
treasure of her experience. The
brothers held Charmian in a sacred awe, and
addressed her by the reverential surname;
but the other one they worshipped and caressed,
and called her always Ruth. Then
all returned once more to the shores where
first they had met one another, and, heart free
and hand free in the service of unselfish love,
Ruth soared on her art with wings she had
not found before. She lived the life she coveted,
she had her work, she had her bliss,
these were her children.

Did one who, with a start, paused outside
as he went down the hill in the wintry

-- 249 --

[figure description] Page 249.[end figure description]

twilight, first glancing, then gazing, into the
opposite windows of a drawing-room on the
ground-floor, where the lights were lit and
shutters still thoughtlessly unclosed, divine
anything of this? Was that she, sitting in
the ruby glow of the fire, his Ruth, — Ruth,
who three years ago had gone forth into the
night and left him? Ruth with such sunny
light in her brown eyes, such soft rose-bloom
on her cheek, such happy clinging smiles
about the mouth he used to kiss? Ruth!
Was it Paul Saratov too, the youth that stood
with the mien of a young Norse hero, leaning
on the back of her tall chair, and looking
down with her at what the dark-eyed Ivan,
seated at her feet on the other side, held up
for her to see? These boys — had she set
them in his empty shrine? Ah no, that
chamber was sealed, and she was at peace.
Was it Ruth with a mother's joys grafted
upon her life? Well, — grafted? false then.

-- 250 --

[figure description] Page 250.[end figure description]

No, not so; doubtless the stem loved best
the fostering of the sunlight deep in its own
heart, rejoiced most in the blossom of its own
veins, but yet with the borrowed bud it bore
good fruit. There was a deep and perfect
serenity of gladness in that meeting of the
three warm trusting glances before him there
in the pleasant room, glances from faces full
of love and peace.

As he gazed his bitter gaze, a stir of
figures disturbed the air; those happy sun-shiny
brown eyes were lifted and looking
quietly at him. The night without, the light
within, the pane between, made him viewless.
She looked at him, and he was of less substance
than any flitting film of the darkness.
Then her fingers were stroking back
Ivan's hair, and she was smiling up at Paul.
Guests took their departure, a queenly woman
with her purples gleaming beneath the golden
drip of the chandeliers swept forward into his

-- 251 --

[figure description] Page 251.[end figure description]

range, put up a jewelled hand and dropped
the shade.

“The curtain falls,” said Azarian, striding
gloomily on his way alone, “the play is played
out.”

THE END.

-- --

[figure description] Blank Page.[end figure description]

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STRANGE, SURPRISING ADVENTURES of the
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Spofford, Harriet Elizabeth Prescott, 1835-1921 [1864], Azarian: an episode (Ticknor and Fields, Boston) [word count] [eaf691T].
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