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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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SCENE II. A Bed-chamber; a Trunk in one Part of it: Imogen in her Bed; a Lady attending.

Imo.
Who's there? my woman Helen?

Lad.
Please you, madam.

Imo.
What hour is it?

Lad.
Almost midnight, madam.

Imo.
I have read three hours then: mine eyes are weak:—
Fold down the leaf where I have left: To bed:
Take not away the taper, leave it burning;
And if thou can'st awake by four o'the clock,
I pr'ythee, call me. [Exit Lady.] Sleep hath seis'd me wholly.
To your protection I commend me, gods:
From fairies, and the tempters of the night,
Guard me, beseech ye!
[sleeps. Jachimo, from the Trunk.

Jac.
The crickets sing, and man's o'er-labour'd sense
Repairs itself by rest: Our Tarquin thus
Did softly press the rushes, ere he waken'd
The chastity he wounded.—Cytherea,
How bravely thou becom'st thy bed! fresh lilly!
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon'd, [kissing her.
How dearly they do't! 'Tis her breathing that

-- 33 --


Perfumes the chamber thus: The flame o'the taper14Q1260
Bows toward her; and would under-peep her lids,
To see the inclosed lights, now canopy'd
Under the windows note: White and azure, lac'd;
With blue of heaven's own tinct.—But my design?
To note the chamber:—I will write all down:
Such, and such, pictures; There the window; Such
The adornment of her bed; The arras, figures?
Why, such, and such; And the contents of the story,—
Ah, but some natural notes about her body,
(Above ten thousand meaner moveables they
Would testify) to enrich mine inventory.
O sleep, thou ape of death, lye dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off; note [taking off her Bracelet.
As slippery, as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left breast
A mole cinque-spotted, like the crimson drops
I'the bottom of a cowslip: Here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock, and ta'en
The treasure of her honour. To note what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late:
The tale of Tereus; here the leaf's turn'd down,
Where Philomele gave up—I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night! that dawning
May bear note the raven's eye: I lodge in fear;

-- 34 --


Though this a heavenly angel, hell is here.
One, two, three,—[counting the Clock.] Time, time! [Shuts the Trunk upon himself. The Scene closes.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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