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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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ACT III. SCENE I. Troy. A Room in Priam's Palace. Enter a Servant, and Pandarus.

Pan.

Friend, you! pray you, a word: Do not you follow the young lord Paris?

Ser.

Ay, sir, when he goes before me.

Pan.

You depend upon him, I mean?

Ser.

Sir, I do depend upon the lord.

Pan.

You depend upon a noble note gentleman; I must needs praise him.

Ser.

The lord be praised!

Pan.

You know me, do you not?

Ser.

'Faith, sir, superficially.

Pan.

Friend, know me better; I am the lord Pandarus.

Ser.

I hope, I shall know your honour better.

Pan.

I do desire it.

-- 50 --

Ser.

You are in the state of grace?

Pan.

Grace! not so, friend; honour and lordship are my titles: note [Musick within.] What musick is this?

Ser.

I do but partly know, sir; it is musick in parts.

Pan.

Know you the musicians?

Ser.

Wholly, sir.

Pan.

Who play they to?

Ser.

To the hearers, sir.

Pan.

At whose pleasure, friend?

Ser.

At mine, sir, and theirs that love musick,

Pan.

Command, I mean, friend?

Ser.

Who shall I command, sir?

Pan.

Friend, we understand not one another; I am too courtly, and thou art note too cunning: At whose request do these men play?

Ser.

That's to't indeed, sir: Marry, sir, at the request of Paris my lord, who's note there in person; with him, the mortal Venus, the heart-blood of beauty, love's visible note soul,—

Pan.

Who, my cousin Cressida?

Ser.

No, sir, Helen; Could you not note find out that by her attributes?

Pan.

It should seem, fellow, that thou hast not seen the lady Cressida. I come to speak with Paris from the prince Troilus: I will make a complimental assault upon him, for my business seeths.

Ser.

Sodden business! there's a note stew'd phrase, indeed!

Enter Paris and Helen, attended.

Pan.

Fair be to you, my lord, and to all this fair company; fair desires, in all fair measure, fairly guide them!—especially to you, fair queen! fair thoughts be

-- 51 --

your fair pillow!

Hel.

Dear lord, you are full of fair words.

Pan.

You speak your fair pleasure, sweet queen.— Fair prince, here is good broken musick.

Par.

You have broke it note, cousin: and, by my life, you shall make it whole again; you shall piece it out with a piece of your performance:—Nell, he is full of harmony.

Pan.

Truly, lady, no.

Hel.

O, sir,—

Pan.

Rude, in sooth; in good sooth, very rude.

Par.

Well said, my lord! well, you say so in fits.

Pan.

I have business to my lord, dear queen:—My lord, will you vouchsafe me a word?

Hel.

Nay, this shall not hedge us out; we'll hear you sing, certainly.

Pan.

Well, sweet queen, you are pleasant with me.—But (marry) thus, my lord,—My dear lord, and most esteemed friend, your brother Troilus

Hel.

My lord Pandarus; honey-sweet lord,—

Pan.

Go to, sweet queen, go to:—commends himself most affectionately to you;—

Hel.

You shall not bob us out of our melody; If you do, our melancholy upon your head!

Pan.

Sweet queen, sweet queen; that's a sweet queen, i'faith.

Par.

And note to make14Q1219 a sweet lady sad, is a sour offence.

Hel.

Nay note, that shall not serve your turn; that shall it not, in truth, la. Nay, I care not for such words; no, no.

Pan.

And, my lord, he desires you, that, if the king call for him at supper, you will make his note excuse.

-- 52 --

Hel.

My lord Pandarus,—

Pan.

What says my sweet queen; my very very sweet queen?

Par.

What exploit's in hand? where sups note he tonight?

Hel.

Nay, but my lord,—

Pan.

What says my sweet queen?—You must not know where he sups.

Par.

I'll lay my life, with note my disposer Cressida.

Pan.

No, no, no such matter, you are wide; come, your disposer is sick.

Par.

Well, I'll make note excuse.

Pan.

Ay, good my lord. Why should you say— Cressida? no, your poor note disposer's sick.

Par.

I spy—

Pan.

You spy! what do you spy?—Come, give me an instrument now, sweet queen.

Hel.

Why, this is kindly done.

Pan.

My niece is horribly note in love with a thing you have, sweet queen.

Hel.

She shall have it, my lord, if it be not my lord Paris.

Pan.

He! no, she'll none of him; they two are twain.—My cousin will fall out with you.14Q1220

Hel.

Falling in, after falling out, may make them three.

Pan.

Come, come, I'll hear no more of this; I'll sing you a song now.

Hel.

Ay, ay, pr'ythee now. By my troth, sweet lord note, thou hast a fine forehead.

Pan.

Ay, you may, you may.

Hel.

Let thy song be love: this love will undo us all. Oh, Cupid, Cupid, Cupid!

-- 53 --

Pan.

Love! ay, that it shall, i'faith.

Par.

Ay, good now, love, love, nothing but love.

Pan.

In good troth, it begins so. note


SONG.

1
Love, love, nothing but love, still more! note
  For, o, love's bow
  shoots buck note and doe:
  the shaft confounds note
  not that it wounds note,
but tickles still the sore.

2.
These lovers cry—Oh, oh, they die!
  yet that which seems the wound to kill,
doth turn oh oh to ha ha he;
  so dying love lives still:
oh oh a while, but ha ha ha;
oh oh groans out for ha ha ha;
    Hey ho!

Hel.

In love, i'faith, to the very tip of the nose.

Par.

He eats nothing but doves, love; and that breeds hot blood, and hot blood begets hot thoughts, and hot thoughts beget hot deeds, and hot deeds is love note.

Pan.

Is this the generation of love? hot blood, hot thoughts, and hot deeds,—why, they are vipers; Is love a generation of vipers? Sweet lord, who's a'field to-day?

Par.

Hector, Deiphobus, Helenus, Antenor, and all the gallantry of Troy: I would fain have arm'd to-day, but my Nell would not have it so. How chance my brother Troilus went not?

Hel.

He hangs the lip at something;—you know

-- 54 --

all, my lord Pandarus.

Pan.

Not I, honey-sweet queen.—I long to hear how they sped to-day.—You'll remember your brother's excuse?

Par.

To a hair.

Pan.

Farewel, sweet queen.

Hel.

Commend me to your niece.

Pan.

I will, sweet queen.

[Exit. Retreat sounded.

Par.
They're come note from field: let us to Priam's hall,
To greet the warriors. Sweet Helen, I must woo you
To help unarm our Hector: his stubborn buckles,
With these your note white enchanting fingers touch'd,
Shall more obey, than to the edge of steel,
Or force of Greekish sinews; you shall do more
Than all the island kings, disarm great Hector.

Hel.
'Twill make us proud to be his servant note, Paris:
Yea, what he shall receive of us in duty
Gives us more palm in beauty than we have;
Yea, over-shines ourself.

Par.
Sweet, above thought I love thee. note
[Exeunt. SCENE II. The same. Pandarus' Garden. Enter a Servant, and Pandarus, meeting.

Pan.
How now? where's thy master? at my cousin
Cressida's?

Ser.
No, sir; he note stays for you to conduct him thither.
Enter Troilus.

Pan.
O, here he comes.—How now, how now?

Tro.
Sirrah, walk off.
[Exit Servant.

Pan.
Have you seen my cousin?

Tro.
No, Pandarus: I stalk about her door,
Like a note strange soul upon the Stygian banks

-- 55 --


Staying for wastage. O, be thou my Charon,
And give me swift transportance to those fields,
Where I may wallow in the lilly beds
Propos'd for the deserver! O gentle Pandarus, note
From Cupid's shoulder pluck his painted wings,
And fly with me to Cressid!

Pan.
Walk here i'th'orchard, I'll bring her straight. [Exit Pandarus.

Tro.
I am giddy; expectation whirls me round.
The imaginary relish is so sweet,
That it enchants my sense note; What will it be,
When that the watry palate tasts note indeed
Love's thrice-reputed nectar? death, I fear me;
Swooning note destruction; or some joy too fine,
Too subtle-potent, note and too sharp note in sweetness,
For the capacity of my ruder powers note:
I fear it much; and I do fear besides,
That I shall lose distinction in my joys;
As doth a battle, when they charge on heaps
The enemy flying.
Re-enter Pandarus.

Pan.

She's making her ready, she'll come straight; you must be witty now. She does so blush, and fetches her wind so short, as if she were fray'd with a sprite: I'll fetch her. It is the prettiest villain,—she fetches her breath as short note as a new-ta'en sparrow.

[Exit Pandarus.

Tro.
Even such a passion doth embrace my bosom:
My heart beats thicker than a fev'rous pulse;
And all my powers do their bestowing lose,
Like vassalage at unawares note encount'ring
The eye of majesty.

-- 56 --

Re-enter Pandarus, with Cressida.

Pan.

Come, come, what need you blush? shame's a baby.—Here she is now: swear the oaths now to her, that you have sworn to me.—What, are you gone again? you must be watch'd ere you be made tame, must you? Come your ways, come your ways; an you draw backward, we'll put you i'th' files note.— Why do you not speak to her?—Come, draw this curtain, and let's see your picture. Alas the day, how loth you are to offend day-light! an 'twere dark, you'd close sooner.—So, so; rub on, and kiss the mistress. How now, a kiss in fee-farm! build there, carpenter; the air is sweet. Nay, you shall fight your hearts out, ere I part you. The falcon as the tercel,14Q1221 for all the ducks i'th' river: go to, go to.

Tro.

You have bereft me of all words, lady.

Pan.

Words pay no debts, give her deeds: but she'll bereave you o'th'deeds too, if she call your activity in question. What, billing again? here's—In witness whereof the parties interchangeably—Come in, come in; I'll go get a fire.

[Exit Pandarus.

Cre.

Will you walk in, my lord?

Tro.

O Cressida note, how often have I wish'd me thus?

Cre.

Wish'd, my lord?—The gods grant!—O my lord,

Tro.

What should they grant? what makes this pretty abruption? What too curious dreg espies my sweet lady note in the fountain of our love?

Cre.

More dregs than water, if my fears note have eyes.

Tro.

Fears make devils of cherubims; they never see truly.

Cre.

Blind fear, that seeing reason leads, finds safer note footing than blind reason stumbling without fear: To

-- 57 --

fear the worst, oft cures the worst.

Tro.

O, let my lady apprehend no fear: in all Cupid's pageant there is presented no monster.

Cre.

Nor nothing monstrous neither?

Tro.

Nothing, but our undertakings note; when we vow to weep seas, live in fire, eat rocks, tame tigers; thinking it harder for our mistress to devise imposition enough, than for us to undergo any difficulty imposed. This is note the monstruosity in love, lady,—that the will is infinite, and the execution confin'd; that the desire is boundless, and the act a slave to limit.

Cre.

They say, all lovers swear more performance than they are able, and yet reserve an ability that they never perform; vowing more than the perfection of ten, and discharging less than the tenth part of one. They that have the voice of lions, and the act of hares, are they not monsters?

Tro.

Are there such? such are not we: Praise us as we are tasted, allow us as we prove; our head shall go bare, 'till merit crown it: no perfection in note reversion shall have a praise in present: we will not name desert, before his birth; and, being born, his addition shall be humble. Few words to fair faith: Troilus shall be such to Cressid, as what envy can say worst, shall be a mock for his truth; and what truth can speak truest, not truer than Troilus.

Cre.

Will you walk in, my lord?

Re-enter Pandarus.

Pan.

What, blushing still? have you not done talking yet?

Cre.

Well, uncle, what folly I commit, I dedicate to you.

-- 58 --

Pan.

I thank you for that; if my lord get a boy of you, you'll give him me: Be true to my lord; if he flinch, chide me for't.

Tro.

You know now your hostages; your uncle's word, and my firm faith.

Pan.

Nay, I'll give my word for her too: our kindred, though they be long ere they are wooed note, they are constant being won: they are burs, I can tell you; they'll stick where they are thrown.

Cre.
Boldness comes to me now, and brings me heart:—
Prince Troilus, I have lov'd you night and day,
For many weary months.

Tro.
Why was my Cressid then so hard to win?

Cre.
Hard to seem won; but I was won, my lord,
With the first glance that ever—Pardon me;
If I confess much; you will play the tyrant.
I love you now; but not, 'till now, so note much
But I might master it:—in faith, I lie;
My thoughts were like unbridl'd children, grown note
Too headstrong for their mother: See, we fools!
Why have I blab'd? who shall be true to us,
When we are so unsecret to ourselves?
But, though I lov'd you well, I woo'd you not;
And yet, good faith, I wish'd myself a man;
Or, that we women note had men's priviledge
Of speaking first. Sweet, bid me hold my tongue;
For, in this rapture, I shall surely speak
The thing I shall repent. See, see, your silence,
Cunning note in dumbness, from my weakness draws
My very soul of counsel note: Stop my mouth.

Tro.
And shall, albeit sweet musick issues thence.

Pan.
Pretty, i'faith.

-- 59 --

Cre.
My lord, I do beseech you, pardon me;
'Twas not my purpose, thus to beg a kiss:
I am asham'd;—O heavens, what have I done!—
For this time will I take my leave, my lord.

Tro.
Your leave, fair Cressid? note

Pan.
Leave! an you take leave 'till to-morrow morning,—

Cre.
Pray you, content you.
[to Pan.

Tro.
What offends you, lady?

Cre.
Sir, mine own company.

Tro.
You cannot shun yourself.

Cre.
Let me go try note:
I have a kind of self resides with you:
But an unkind self; that itself will leave,
To be another's fool. I would be gone:—
Where is my wit? note I know not what I speak.

Tro.
Well know they what they speak, that speak so wisely.

Cre.
Perchance, my lord, I show note more craft than love;
And fell so roundly to a large confession,
To angle for your thoughts: But you are wise;14Q1222
And then you note love not; For to be wise, and love,
Exceeds man's might; that dwells with gods above.

Tro.
O, that I thought it could be in a woman,
(As, if note it can, I will presume in you)
To feed for aye her note lamp and flames of love;
To keep her constancy in plight and youth,
Out-living beauty's outward, with a mind
That doth renew swifter than blood decays!
Or, that persuasion could but thus convince me,—
That my integrity and truth to you
Might be affronted with the match and weight
Of such a winnow'd purity in love;

-- 60 --


How were I then uplifted! but, alas,
I am as true as truth's simplicity,
And simpler than the infancy of truth.

Cre.
In that I'll war with you.

Tro.
O virtuous fight,
When right with right wars who shall be most right!
True swains in love shall, in the world to come,
Approve their truths by note Troilus: when their rimes,14Q1223
Full of protest, of oath, and big compare,
Want note similies note, truth tir'd with iteration,—
As true as steel, as plantage to the moon,
As sun to day, as turtle to her mate,
As iron to adamant, as earth to the center,—
Yet note, after all comparisons of truth,
As truth's authentic author to be cited,
As true as Troilus shall crown up the note verse,
And sanctify the numbers.

Cre.
Prophet may you be!
If I be false, or swerve a hair from truth,
When time is old and hath note forgot itself,
When water-drops have worn the stones of Troy,
And blind oblivion swallow'd cities up,
And mighty states characterless are grated
To dusty nothing; yet let memory,
From false to false, among false maids in love,
Upbraid my falsehood! when they've said—as false
As air, as water, wind, or sandy note earth,
As fox to lamb, as wolf to heifer's calf,
Pard to the hind, or step-dame to her son;
Yea, let them say, to stick the heart of falsehood,
As false as Cressid.

Pan.

Go to, a bargain made: seal it, seal it; I'll

-- 61 --

be the witness. Here I hold your hand; here, my cousin's; If ever you prove false one to another, since I have taken such pains to note bring you together, let all pitiful goers-between be call'd to the world's end after my name, call them all—Pandars; let all inconstant men be Troilus's, all false women Cressids, and all brokers-between Pandars! say, amen.

Tro.

Amen.

Cre.

Amen.

Pan.

Amen. Whereupon I will shew you a chamber, and a bed; which bed, because it shall not speak of your pretty encounters, press it to death: away.

[Exeunt Tro. and Cre.

And Cupid grant all tongue-ty'd maidens here Bed, chamber, Pandar note to provide this geer!

[Exit. SCENE III. The Grecian Camp. Enter Agamemnon, Menelaus, Ulysses, Nestor, Diomed, Ajax, and Calchas.

Cal.
Now, princes,14Q1224 for the service I have done you note,
The advantage of the time prompts me aloud
To call for recompence. Appear it to your note mind,
That, through the sight I bear in things to come, note
I have abandon'd Troy, left my possessions,
Incurr'd a traitor's name; expos'd myself,
From certain and possest conveniences,
To doubtful fortunes; sequest'ring from me all
That time, acquaintance, custom, and condition,
Made tame and most familiar to my nature;
And here, to do you service, am become
As new unto note the world, strange, unacquainted:
I do beseech you, as in way of taste,

-- 62 --


To give me now a little benefit,
Out of those many register'd in promise,
Which, you say, live to come in my behalf.

Aga.
What would'st thou of us, Trojan? make demand.

Cal.
You have a Trojan prisoner, call'd Antenor,
Yesterday took; Troy holds him very dear.
Oft have you (often have you thanks therefóre)
Desir'd my Cressid in right great exchange,
Whom Troy hath still deny'd: But this Antenor,
I know, is such a wrest in their affairs,
That their negotiations all must slack,
Wanting his manage; and they will almost
Give us a prince of blood, a son of Priam,
In change of him: let him be sent, great princes,
And he shall buy my daughter; and her presence
Shall quite strike off all service I have done,
In most accepted pay. note

Aga.
Let Diomedes bear him,
And bring us Cressid hither; Calchas shall have
What he requests of us.—Good Diomed,
Furnish you fairly for this enterchange:
Withal, bring word—if Hector will to-morrow
Be answer'd in his challenge; Ajax is ready.

Dio.
This shall I undertake; and 'tis a burthen
Which I am proud to bear.
[Exeunt Dio. and Cal. Enter, before their Tent, Achilles, and Patroclus.

Uly.
Achilles stands i'the entrance of his tent:—
Please it our general to note pass strangely by him,
As if he were forgot;—and, princes all,
Lay negligent and loose regard upon him:—
I will come last: 'Tis like, he'll question me,

-- 63 --


Why such unplausive note eyes are bent, why turn'd on him:
If so, I have decision note med'cinable,
To use between your strangeness and his pride,
Which his own will shall have desire to drink;
It may do good: Pride hath no other glass
To show itself, but pride; for supple knees
Feed arrogance, and are the proud man's fees.

Aga.
We'll execute your purpose, and put on
A form of strangeness as we pass along;—
So do each lord; and either greet him not,
Or else disdainfully, which shall shake him more
Than if not look'd on. I will lead the way.
[they pass forward.

Ach.
What, comes the general to speak with me?
You know my mind, I'll fight no more 'gainst Troy.

Aga.
What says Achilles? would he ought with us?

Nes.
Would you, my lord, ought with the general?

Ach.
No.

Nes.
Nothing, my lord.

Aga.
The better.
[Exeunt Aga. and Nes.

Ach.
Good day, good day.

Men.
How do you? how do you? [Exit Men.

Ach.
What, does the cuckold scorn me?

Aja.
How now, Patroclus?

Ach.
Good morrow, Ajax.

Aja.
Ha?

Ach.
Good morrow.

Aja.
Ay, and good next day too. [Exit Ajax.

Ach.
What mean these fellows? know they not Achilles?

Pat.
They pass by note strangely: they were us'd to bend,
To send their smiles before them to Achilles;

-- 64 --


To come as humbly, as they us'd to creep
To holy altars.

Ach.
What, am I poor of late?
'Tis certain, Greatness, once fall'n out with fortune,
Must fall out with men too: What the declin'd is,
He shall as soon read in the eyes of others,
As feel in his own fall: for men, like butterflies,
Shew not their mealy wings, but to the summer;
And not a man, for being simply note man,
Hath any honour; but's honour'd for note those note honours
That are without him, as place, riches, favour note,
Prizes of accident as oft as merit:
Which when they fall, as being slippery standers,
The love that lean'd on them as slippery too,
Do one note pluck note down another, and together
Die in the fall. But 'tis not so with me:
Fortune and I are friends; I do enjoy
At ample point all that I did possess,
Save these men's looks; who do, methinks, find out
Something not worth in me such rich beholding
As they have often given. Here is Ulysses:
I'll interrupt his reading.—
How now, Ulysses?

Uly.
Now, great Thetis' son?

Ach.
What are you reading?

Uly.
A strange fellow here
Writes me, That man—how dearly ever parted;
How much in having, or without, or in,—
Cannot make boast to have that which he hath,
Nor feels not what he owes, but by reflection;
As when his virtues shining upon note others
Heat them, and they retort that heat again

-- 65 --


To the first giver. note

Ach.
This is not strange, Ulysses.
The beauty that is born here in the face,
The bearer knows not, but commends note itself
To others' eyes: nor doth the eye itself, note
(That most pure spirit of sense) behold itself,
Not going from itself; but eye to eye oppos'd
Salutes note each other with each other's form.
For speculation turns not to itself,
'Till it hath travel'd, and is marry'd there
Where it may see itself: this is not strange at all.

Uly.
I do not strain at note the position,
It is familiar; but at the author's drift:
Who, in his circumstance, expresly proves—
That no man is note the lord of any thing,
(Though in and of him there is much note consisting)
'Till he communicate his parts to others:
Nor doth he of himself know them for ought,
'Till he behold them form'd in the applause
Where they're extended; which, like note an arch, reverberates note
The voice again; or like a gate of steel
Fronting the sun, receives and renders back
His figure and his heat. I was much rapt in this;
And apprehended here immediately
The unknown Ajax.
Heavens, what a man is there! a very horse;
That has he knows not what. Nature, what things there are,
Most abject note in regard, and dear in use!
What things again most dear in the esteem,
And poor in worth! Now shall we see to-morrow
An act that very chance doth throw upon him,
Ajax renown'd. O heavens, what some men do,

-- 66 --


While some men leave to do!
How some men creep in skittish fortune's hall,
While others play the ideots in her eyes!
How one man eats into another's pride,
While pride is fasting note in his wantonness!
To see these Grecian lords!—why, even already
They clap the lubber Ajax on the shoulder;
As if his foot were on brave note Hector's breast,
And great Troy shrinking note.

Ach.
I do believe it: for they pass'd by me,
As misers do by beggars; neither gave to me
Good word, nor look note: What are my deeds forgot?

Uly.
Time hath, my lord,14Q1225 a wallet at his back,
Wherein he puts alms for oblivion,
A great-siz'd monster of ingratitudes:
Those scraps are good deeds past; which are devour'd
As fast as they are made, forgot as soon
As done: Perseverance keeps honour bright:
To have done, is to hang quite out of fashion,
Like rusty note mail in monumental mockery.
Then, dear my lord, take you the instant way:
For honour travels in a streight so narrow,
Where one but note goes abreast: keep then the path:
For emulation hath a thousand sons,
That one by one pursue; If you give way,
Or turn aside note from the direct forthright,
Like to an enter'd tide, they all rush by,
And leave you hindermost; and there you lye, note
Like to a gallant horse fall'n in first rank,
For pavement to the abject rear note, o'er-run
And trampl'd on. Then what they do in present,
Though less than yours in past note, must o'er-top yours:

-- 67 --


For time is like a fashionable host;
That slightly shakes his parting guest by the hand;
And with note his arms out-stretch'd, as he would fly,
Grasps-in the comer: Welcome note ever smiles,
And farewel note goes out sighing. O note, let not virtue seek
Remuneration for the thing it was;
For beauty, wit, high birth, desert in service,
Love, friendship, charity, are subjects all
To envious and calumniating time.
One touch of nature makes the whole world kin,—
That all, with one consent, praise new-born gawds,
Though they are made and molded of things past;
And give to note dust, that is a little gilt,
More laud than they will give to gold o'er-dusted note.
The present eye praises the present object:
Then marvel not, thou great and compleat man,
That all the Greeks begin to worship Ajax;
Since things in motion sooner catch note the eye,
Than what not stirs note. The cry went once on note thee,
And still it might, and yet it may again,
If thou would'st not entomb thyself alive,
And case thy reputation in thy tent;
Whose glorious deeds, but in these fields of late,
Made emulous missions 'mongst the gods themselves,
And drave great Mars to faction.

Ach.
Of this my privacy
I have strong reasons.

Uly.
But 'gainst your privacy
The reasons are more potent and heroical:
'Tis known, Achilles, that you are in love
With one of Priam's daughters.

Ach.
Ha! known?

-- 68 --

Uly.
Is that a wonder?
The providence that's in a watchful state,
Knows almost every grain note of Pluto's gold;
Finds bottom in the uncomprehensive deeps; note
Keeps pace note with thought; and almost, like the gods,
Does note even those thoughts unveil in their dumb cradles.
There is a mystery (with whom note relation
Durst never meddle) in the soul of state;
Which hath an operation more divine,
Than breath, or pen, can give expressure to:
All the commérce that you have had with Troy,
As perfectly is ours, as yours, my lord;
And better would it fit Achilles much,
To throw down Hector, than Polixena:
But it must grieve young Pyrrhus now at home,
When fame shall in our islands note sound her trump;
And all the Greekish girls shall tripping sing,—
Great Hector's sister did Achilles win;
But our great Ajax bravely beat down him note.
Farewel, my lord: I as your lover speak;
The fool slides o'er the ice that you should break. [Exit Ulysses.

Pat.
To this effect, Achilles, have I mov'd you:
A woman impudent and mannish grown
Is not more loath'd, than an effeminate man
In time of action. I stand condemn'd for this;
They think, my little stomack to the war,
And your great love to me, restrains you thus:
Sweet, rouze yourself; and the weak wanton Cupid
Shall from your neck unloose his amorous fold,
And, like a note dew-drop from the lion's mane,
Be shook to air. note

-- 69 --

Ach.
Shall Ajax fight with Hector?

Pat.
Ay; and, perhaps, receive much honour by him.

Ach.
I see, my reputation is at stake,
My fame is shrewdly note gor'd.

Pat.
O, then beware;
Those wounds heal ill, that men do give themselves:
Omission to do what is necessary
Seals a commission to a blank of danger;
And danger, like an ague, subtly taints
Even then when we sit idly in the sun.

Ach.
Go call Thersites hither, sweet Patroclus:
I'll send the fool to Ajax; and desire him,
To invite the Trojan lords after the combat
To see us here unarm'd: I have a woman's longing,
An appetite that I am sick withal,
To see great Hector in his weeds note of peace;
To talk with him, and to behold his visage
Even to my full of view. A labour sav'd!
Enter Thersites.

The.

A wonder!

Ach.

What?

The.

Ajax goes up and down the field, asking for himself.

Ach.

How so?

The.

He must fight singly to-morrow with Hector; and is so prophetically proud of an heroical cudgelling, that he raves in saying nothing.

Ach.

How can that be?

The.

Why, he stalks note up and down like a peacock, a stride, and a stand: ruminates, like an hostess, that hath no arithmetick but her brain to set down her reck'ning: bites his lip with a politick regard, as who should say—there were wit in this note head, an 'twould

-- 70 --

out; And so there is; but it lies as coldly in him, as fire in a flint, which will not shew without knocking. The man's undone for ever; for if Hector break not his neck i'th'combat, he'll break't himself in vain-glory. He knows not me: I said, Good morrow, Ajax; and he replies, Thanks, Agamemnon: What think you of this man, that takes me for the general? He's grown a very land-fish, languageless, a monster. A plague of opinion! a man may wear it on both sides, like a leather jerkin.

Ach.

Thou must be my embassador to him note, Thersites.

The.

Who, I? why, he'll answer no body; he professes not answering; speaking is for beggars; he wears his tongue in's arms: I will put on his presence; let Patroclus make demands note to me, you shall see the pageant of Ajax.

Ach.

To him, Patroclus; Tell him,—I humbly desire the valiant Ajax, to invite the most note valorous Hector to come unarm'd to my tent; and to procure safe-conduct for his person, of the magnanimous note, and most illustrious, six-or-seven-times-honour'd captain-general of the Grecian note army, Agamemnon: Do this. note

Pat.

Jove bless great Ajax!

The.

Hum!

Pat.

I come from the worthy Achilles:

The.

Ha!

Pat.

Who most humbly desires you, to invite Hector to his tent;

The.

Hum!

Pat.

And to procure safe-conduct from Agamemnon.

The.

Agamemnon?

Pat.

Ay, my lord.

-- 71 --

The.

Ha!

Pat.

What say you to't?

The.

God be wi' you, with all my heart.

Pat.

Your answer, sir.

The.

If to-morrow be a fair day, by eleven o'clock note it will go one way or other; howsoever, he shall pay for me ere he has me,

Pat.

Your answer, sir.

The.

Fare you well note, with all my heart.

Ach.

Why, but he is not in this tune, is he?

The.

No, but he's note out o'tune thus. What musick will be in him note when Hector has knock'd out his brains, I know not: But, I am sure, none; unless the fidler Apollo get his sinews to make catlings on.

Ach.

Come, thou shalt bear a letter to him straight.

The.

Let me bear another note to his horse; for that's the more capable creature.

Ach.
My mind is troubl'd, like a fountain stir'd;
And I myself see not the bottom of it.
[Exeunt Ach. and Pat.

The.

'Would the fountain of your mind were clear again, that I might water an ass at it! I had rather be a tick in a sheep, than such a valiant ignorance.

[Exit.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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