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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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SCENE IV. York. A Room in the Archbishop's Palace. Enter the Archbishop of York; Thomas Mowbray, Earl Marshal; the Lords Hastings, and Bardolph.

Arch.
Thus have you heard our cause note, and know our means;
And, my most noble friends, I pray you all,

-- 20 --


Speak plainly your opinions of our hopes:—
And first, lord marshal, what say you to it?

Mow.
I well allow the occasion of our arms;
But gladly would be better satisfy'd,
How, in our means, we should advance ourselves
To look with forehead bold and big enough
Upon the power and puissance of the king.

Has.
Our present musters grow upon the file
To five and twenty thousand men of choice;
And our supplies live largely in the hope
Of great Northumberland, whose bosom burns
With an incensed fire of injuries.

Bar.
The question then, lord Hastings, standeth thus;—
Whether our present five and twenty thousand
May hold up head without Northumberland.

Has.
With him, we may.

Bar.
Ay, marry note, there's the point;
But if without him we be thought too feeble,
My judgment is, we should not step too far
'Till we had his assistance by the hand: note
For, in a theme so bloody-fac'd as this,
Conjecture, expectation, and surmise
Of aids uncertain, should not be admitted.

Arch.
'Tis very true, lord Bardolph; for, indeed,
It was young Hot-spur's case at Shrewsbury.

Bar.
It was, my lord; who lin'd himself with hope,
Eating the air on promise note of supply,
Flattering himself with project note of a power
Much smaller than the smallest of his thoughts:
And so, with great imagination,
Proper to madmen, led his powers to death,
And, winking, leap'd into destruction.

-- 21 --

Has.
But, by your leave, it never yet did hurt,
To lay down likelihoods, and forms of hope.

Bar.
Yes, if14Q0677 the present note quality of war note
Impede the present note action. A cause on foot
Lives so in hope, as in an early spring
We see the appearing buds; which, to prove fruit,
Hope gives not so much warrant, as despair,
That frosts will bite them. When we mean to build,
We first survey the plot, then draw the model;
And when we see the figure of the house,
Then must we rate the cost of the erection:
Which if we find outweighs ability,
What do we then, but draw anew the model
In fewer offices; or, at last note, desist
To build at all? Much more, in this great work,
(Which is, almost, to pluck a kingdom down,
And set another up) should we survey
The plot of situation, and the model;
Consent upon a sure foundation;
Question surveyors; know our own estate,—
How able such a work to undergo,
How weigh note against his opposite; or else,
We fortify in paper, and in figures,
Using the names of men instead of men:
Like one, that draws the model of a house note
Beyond his power to build it; who, half through,
Gives o'er, and leaves his part-created cost
A naked subject to the weeping clouds,
And waste for churlish winter's tyranny.

Has.
Grant, that our hopes (yet likely of fair birth)
Should be still-born, and that we now possess'd
The very utmost man of expectation;

-- 22 --


I think, we are a body note strong enough,
Even as we are, to equal with the king.

Bar.
What! is the king but five and twenty thousand?

Has.
To us, no more; nay, not so much, lord Bardolph.
For his divisions, as the times do brawl,
Are in note three heads: one power against the French,
And one against Glendower; perforce, a third
Must take up us: So is the unfirm king
In three divided; and his coffers sound
With hollow poverty and emptiness.

Arch.
That he should draw his several strengths together,
And come against us in full puissance,
Need not be note dreaded.

Has.
If he should do so,
To French,14Q0678 and Welsh, he leaves his back unarm'd, note
They baying him at the heels: never fear that.

Bar.
Who, is it like, should lead his forces hither?

Has.
The duke of Lancaster, and Westmoreland:
Against the Welsh, himself, and Harry Monmouth:
But who is substituted 'gainst note the French,
I have no certain notice.

Arch.
Let us on; note
And publish the occasion of our arms.
The commonwealth is sick of her note own choice,
Her note over-greedy love hath surfeited:—
An habitation giddy and unsure
Hath he, that buildeth on the vulgar heart.
O thou fond many, with what loud applause
Didst thou beat heaven with blessing Bolingbroke,
Before he was what thou would'st have him be?
And being now trim'd up in thine own desires,

-- 23 --


Thou, beastly feeder, art so full of him,
That thou provok'st thyself to cast him up.
So, so, thou common dog, didst thou disgorge
Thy glutton bosom of the royal Richard;
And now thou would'st eat thy dead vomit up,
And howl'st to find it. What trust is in these times?
They that, when Richard liv'd, would have him die,
Are now become enamour'd on his grave:
Thou, that threw'st dust upon his goodly head,
When through proud London he came sighing on
After the admired heels of Bolingbroke,
Cry'st now, O earth, yield us that king again,
And take thou this! O thoughts of men accurst!
Past, and to come, seem note best; things present, worst.

Mow.
Shall we go draw our numbers, and set on? note

Has.
We are time's subjects, and time bids—be gone.
[Exeunt.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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