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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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SCENE IV. Pomfret. Dungeon of the Castle. Enter Richard.

Ric.
I have been studying14Q0602 how to compare note
This prison, where I live, unto the world:
And, for because the world is populous,
And here is not a creature but myself,
I cannot do it;—Yet I'll hammer 't out note.
My brain I'll prove the female to my soul;
My soul, the father: and these two beget
A generation of still-breeding thoughts,
And these same thoughts people this little world;
In humours, like the people of this world,
For no thought is contented. The better sort,—
As thoughts of things divine,—are intermixt
With scruples, and do set the word itself note

-- 91 --


Against the word: note
As thus,—Come, little ones; and then again,—
It is as hard to come, as for a camel
To thread the postern note of a needle's eye.
Thoughts tending to ambition, they do plot
Unlikely wonders: how these vain weak nails
May tear a passage through note the flinty ribs
Of this hard world, my ragged prison-walls;
And, for they cannot, die in their own pride.
Thoughts tending to content, flatter themselves,—
That they are not the first of fortune's slaves,
Nor shall not be the last; Like silly note beggars,
Who, sitting in the stocks, refuge note their shame,—
That many have, and others must sit note there:
And in this thought they find a kind of ease,
Bearing their own misfortune note on the back
Of such as have before endur'd the like.
Thus play I in one person note many people,
And none contented: Sometimes am I king note;
Then treason makes note me wish myself a beggar,
And so I am: Then crushing penury
Persuades me, I was better when a king;
Then am I king'd note again: and, by and by,
Think that I am unking'd by Bolingbroke,
And straight am nothing:—But, whate'er I am, note
Nor I, nor any man, that but man is,
With nothing shall be pleas'd, 'till he be eas'd
With being nothing. Musick do I hear? [distant Musick.
Ha, ha! keep time:—How sour sweet musick is,
When time is broke, and no proportion kept?
So is it in the musick of men's lives.

-- 92 --


And here have I the daintiness of ear note
To hear time note broke in a disorder'd string;
But, for the concord of my state and time,
Had not an ear to hear my true time broke.
I wasted time, and now doth time waste me.
For now hath time made me his numb'ring clock:
My thoughts are minutes; and, with sighs, they jar
Their watches to note mine eyes, the outward watch,
Whereto my finger, like a dial's point,
Is pointing still, in cleansing them from tears:
Now, sir, the sound, that tells what hour it is,
Are clamorous groans, that strike note upon my heart,
Which is the bell: So sighs, and tears, and groans, note
Shew minutes, times, and hours note:—but my time
Runs posting on in Bolingbroke's proud joy,
While I stand fooling here, his Jack-o'the-clock.
This musick mads me, let it sound no more;
For, though it have holp note madmen to their wits,
In me, it seems, it will make wise men mad.
Yet, blessing on his heart that gives it me!
For 'tis a sign of love; and love to Richard
Is a strange brooch in this all-hating world. Enter Groom.

Gro.
Hail, royal prince!

Ric.
Thanks, noble peer:
The cheapest of us is ten groats too dear.
What art thou? and how com'st thou hither, man?
Where no man ever note comes, but that sad dog
That brings me food, to make misfortune live?

Gro.
I was a poor groom of thy stable, king,
When thou wert king; who, travelling towards York,
With much ado, at length have gotten leave

-- 93 --


To look upon my sometime master's note face.
O, how it yern'd note my heart, when I beheld,
In London streets, that coronation day,
When Bolingbroke rode on roan Barbary!
That horse, that thou so often hast bestrid note;
That horse, that I so carefully have dress'd!

Ric.
Rode he on Barbary? Tell me, gentle friend,
How went he under him?

Gro.
So proudly, as if he disdain'd note the ground.

Ric.
So proud, that Bolingbroke was on his back!
That jade hath eat bread from my royal hand;
This hand hath made him proud with clapping him.
Would he not stumble? Would he not fall down,
(Since pride must have a fall) and break the neck
Of that proud man, that did usurp his back?
Forgiveness, horse! why do I rail on thee,
Since thou, created to be aw'd by man,
Wast born to bear? I was not made a horse;
And yet I bear a burthen like an ass,
Spur-gall'd note, and tir'd, by jauncing note Bolingbroke.
Enter Keeper, with a Dish.

Kee.
Fellow, give place; here is no longer stay.

Ric.
If thou love me, 'tis time thou wert away.

Gro.
What my tongue dares not, that my heart shall say.
[Exit Groom.

Kee.
The meat, my lord; Will't please you to fall to?

Ric.
Taste of it first, as thou wert note wont to do.

Kee.
My lord, I dare not; for sir Pierce note of Exton,
Who late note came from the king, commands the contrary.

Ric.
The devil take Henry of Lancaster note, and thee! [beating him.
Patience is stale, and I am weary of it.

-- 94 --

Kee.
Help, help, help!
Enter Exton, and Servants, arm'd.

Ric.
How now? what means death in this rude assault?
Villain, thy own note hand yields thy death's instrument.— [snatching an Axe, and killing him.
Go thou, [killing a second Servant.] and fill another room in hell.—
That hand shall burn in never-quenching fire, [receiving a Blow from behind.
That staggers thus my person.—Thy fierce hand [to Exton.
Hath with the king's blood stain'd the king's own land.
Mount, mount, my soul; thy seat is up on high;
Whilst my gross flesh sinks downward, here to die.
[falls, and dies.

Ext.
As full of valour, as of royal blood:
Both have I spilt note; O, would the deed were good!
For now the devil, that told me—I did well,
Says, that this deed is chronicl'd in hell.
This dead king to the living king I'll bear;—
Take hence the rest, and give them burial here.
[Exeunt, bearing out the Bodies.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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