Boyet, Catherine, Rosalina, ^note and Maria.

Pri.
Was that the king, that spur'd his horse so hard
Against the steep uprising ^note of the hill?

Boy.
I know not ^note; but, I think, it was not he.

Pri.
Whoe'er he was, he show'd ^note a mounting mind.—
Well, lords, to-day we shall have our dispatch;
On saturday ^note we will return to France.—
Then, forester, my friend, where is the bush,
That we must stand and play the murtherer in?

For.
Here by, upon the edge of yonder coppice;
A stand, where you may make the fairest shoot.

Pri.
I thank my beauty; I am fair that shoot,
And thereupon thou speak'st, the fairest shoot.

For.
Pardon me, madam, for I meant not so.

Pri.
What, what; first praise me, and again ^note say, no?
O short-liv'd pride! Not fair? alack for woe!

For.
Yes, madam, fair,—

Pri.
Nay, never paint me now;
Where fair is not, praise cannot mend the brow.
Here, good my glass, take this &dagger2; for telling true;
Fair payment for foul words is more than due.

For.
Nothing but fair is that which you inherit.

Pri.
See, see, my beauty will be sav'd by merit.
O heresy in fair, fit for these days!
A giving hand, though foul, shall have fair praise.—
But come, the bow:—Now mercy goes to kill,
And shooting well is then accounted ill.
Thus will I save my credit in the shoot:
Not wounding, pity would not let me do't;
If wounding, then it was to shew my skill,
That more for praise, than purpose, meant to kill.

And, out of question, so it is sometimes;
Glory grows guilty of detested crimes;
When, for fame's sake,14Q0199 for praise ^note, an outward part,
We bend to that the working of the heart:
As I, for praise alone, now seek to spill
The poor deer's blood, that my heart means no ill.

Boy.
Do not curst wives hold that self sov'reignty
Only for praise' sake, when they strive to be
Lords o'er their lords?

Pri.
Only for praise: and praise we may afford
To any lady that subdues a lord. Enter Costard.

Boy.

Here comes a member of the common-wealth.

Cos.

God-dig-you-den all! Pray you, which is the head lady?

Pri.

Thou shalt know her, fellow, by the rest that have no heads.

Cos.
Which is the greatest lady, the highest?

Pri.
The thickest, and the tallest.

Cos.
The thickest, and the tallest! it is so; truth is truth.—
An your waste, mistress, were as slender as my wit,
One o' these maids' girdles for your waste should be fit.
Are not you the chief woman? you are the thickest here.

Pri.
What's your will, sir? what's your will?

Cos.
I have a ^note letter from monsieur Biron to one lady Rosaline.

Pri.
O, thy letter, thy letter; he's a good friend of mine:
Stand aside, good bearer.—Boyet, you can carve;
Break up this &dagger2; capon.

Boy.
I am bound to serve.—
This letter is mistook, it importeth none here;
It is writ to Jaquenetta.

Pri.
We will read it, I swear:
Break the neck of the wax, and every one give ear. Boy. [reads.]

By heaven, that thou art fair, is most infallible; true, that thou art beauteous; truth itself, that thou art lovely: More fairer than fair, beautiful than beauteous, truer than truth itself, have commiseration on thy heroical vassal! The magnanimous and most illustrate ^note king Cophetua set eye upon the pernicious and indubitate beggar Zenelophon; and he it was that might rightly say, veni, vidi, vici; which to anatomize ^note14Q0200 in the vulgar, (o base and obscure vulgar!) is, he came, saw, and ^note overcame: He came, one; saw, two ^note; overcame three: Who came? the king; Why did he come? to see; Why did he see? to overcome: To whom came he? to the beggar; What saw he? the beggar; Who overcame he? the beggar: The conclusion is victory; On whose side? the king's: ^note the captive ^note is enrich'd; On whose side? the beggar's: The catastrophe is a nuptial; On whose side? the king's;—no; on both in one, or one in both. I am the king; for so stands the comparison: thou the beggar; for so witnesseth thy lowliness. Shall I command thy love? I may: Shall I enforce thy love? I could: Shall I entreat thy love? I will. What shalt thou exchange for rags? robes; For tittles? titles; For thyself? me. Thus, expecting thy reply, I prophane my lips on thy foot, my eyes on thy picture, and my heart on thy every part.

Thine, in the dearest design of industry,

Don Adriano ^note de Armado ^note.

  And he from forage will incline to play:
But if thou strive, poor soul, what art thou then?
Food for his rage, repasture for his den.

Pri.
What plume of feathers ^note is he, that indited this letter?
What vane? ^{note note} what weather-cock? Did you ever hear better?

Boy.
I am much deceived, ^note but I remember the stile.

Pri.
Else your memory is bad, going o'er it erewhile.

Boy.
This Armado is a Spaniard, that keeps here in court;
A phantasme ^note, a monarcho; ^note and one that makes sport
To the prince, and his book-mates.

Pri.
Thou, fellow, a word:
Who gave thee this letter?

Cos.
I told you; my lord.

Pri.
To whom should'st thou give it?

Cos.
From my lord to my lady.

Pri.
From which lord, to which lady?

Cos.
From my lord Biron, a good master of mine,
To a lady of France, that he call'd Rosaline.

Pri.
Thou hast ^note mistaken his letter.—Come, lords, away.—
Here, sweet, [to Ros.] put up &dagger2; this; 'twill be thine another day. [Exeunt Princess, and Train.

Boy.
Who is the shooter? who is the ^note shooter?

Ros.
Shall I teach you to know?

Boy.
Ay, my continent of beauty.

Ros.
Why, she that bears the bow.
Finely put off!

Boy.
My lady goes to kill horns; but, if thou marry,
Hang me by the neck, if horns that year miscarry.
Finely put on!

Ros.
Well then, I am the shooter.

Boy.
And who is your dear?

Ros.
If we choose by the ^note horns, yourself; come not near.
Finely put on, indeed!

Mar.

You still wrangle with her, Boyet, and she strikes at the brow.

Boy.

But she herself is hit lower: Have I hit her now?

Ros.

Shall I come upon thee with an old saying, that was a man when king Pippin of France was a little boy, as touching the hit it.

Boy.

So I may answer thee with one as old, that was a woman when queen Guinover of Britain was a little wench, as touching the hit it.

Ros.
Thou can'st not hit it, hit it, hit it,
  Thou can'st not hit it, my good man. Boy.
An ^note I cannot, cannot, cannot,
  An I cannot, another can. [Exeunt Ros. and Cat.

Cos.
By my troth, most pleasant! how both did fit it!

Mar.
A mark marvelous well shot; for they both did hit it.

Boy.
A mark!—O, mark but that mark; A mark, says my lady!
Let the mark have a prick in't, to mete at, if it may be.

Mar.
Wide o' the bow hand! I' faith, your hand is out.

Cos.
Indeed, a' must shoot nearer, or he'll ne'er hit the clout.

Boy.
An' if my hand be out, then, belike your hand is in ^note.

Cos.
Then will she get the upshot by cleaving the pin.

Mar.
Come, come, you talk greasily, your lips grow foul.

Cos.
She's too hard for you at pricks, sir; challenge her to bowl.

Boy.
I fear too much rubbing: Good night, my good owl. [Exeunt Boy. and Mar.

Cos.
By my soul, a swain! a most simple clown!
Lord, lord! how the ladies and I have put him down!
O' my troth, most sweet jests! most incony vulgar wit!
When it comes so smoothly off, so obscenely, as it were, so fit.
Armatho o' t' one side,—O, a most dainty man!
To see him walk before a lady, and to bear her fan!
To see him kiss his hand! and how most sweetly a' will swear!—
And his page o't'other side, that handful of wit!
Ah heavens, it is a ^note most pathetical nit! [Shout within.
Sola! sola! [Exit, running.

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