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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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ACT IV. SCENE I. The same. Enter Othello, and Iago, conversing.

Iag.
Will you think so?14Q1514

Oth.
Think so, Iago?

Iag.
What,
To kiss in private?

Oth.
An unauthóriz'd kiss.

Iag.
Or to be naked with her friend in bed note,
An hour, or more, not meaning any harm?

-- 79 --

Oth.
Naked in bed note, Iago, and not mean harm?
It is hypocrisy against the devil:
They that mean virtuously, and yet do so,
The devil their virtue tempts, and they tempt heaven.

Iag.
So they note do nothing, 'tis a venial slip:
But if I give my wife a handkerchief,—

Oth.
What then?

Iag.
Why, then 'tis hers, my lord; and, being hers,
She may, I think, bestow't on any man.

Oth.
She is proprietress note of her honour too;
May she give that?

Iag.
Her honour is an essence that's not seen;
They have it very oft, that have it not:
But, for the handkerchief,—

Oth.
By heaven, I would most gladly have forgot it:—
Thou said'st,—O, it comes o'er my memory,
As doth the raven o'er the infectious note house,
Boding to all,—he had my handkerchief.

Iag.
Ay, what of that?

Oth.
That's not so good now.

Iag.
What if I had said, I had seen him do you wrong?
Or heard note him say,—As knaves be such abroad,
Who having, by their own importunate suit,
Or voluntary note dotage of some mistress,
Convinc'd note, or suppl'd note them, straight cannot choose
But they must blab:

Oth.
Hath he said any thing?

Iag.
He hath, my lord; but, be you well assur'd,
No more than he'll unswear.

Oth.

What hath he said?

Iag.

Why, that note he did,—I know not what he did.

Oth.

What? what? note

-- 80 --

Iag.

Lye—

Oth.

With her?

Iag.

With her, on her; what you will.

Oth.

Lye with her! lye on her!—We say, lie on her, when they bely her; Lye with her! that's note fulsome. Handkerchief, —confessions—handkerchief. note To confess, and note be hang'd for his labour. First, to be hang'd, and then to confess; I tremble at it. Nature would not14Q1515 invest herself in such shadowing passion, without some induction note. It is not words, that shakes me thus: Pish!—Noses, ears, and lips: Is't possible?—Confess,—Handkerchief,—O devil!

[falls, as in a Fit.

Iag.
Work on, my med'cine, work!—Thus note credulous fools are caught;
And many worthy and chast dames, even thus,
All guiltless meet reproach.—What, ho! my lord! Enter Cassio.
My lord, I say! Othello!—How now, Cassio?

Cas.
What's the matter?

Iag.
My lord is fall'n into an epilepsy;
This is his second fit, he had one yesterday.

Cas.
Rub him about the temples.

Iag.
No, forbear note;
The lethargy must have his note quiet course:
If not, he foams at mouth; and, by and by,
Breaks out to savage madness. Look, he stirs note:
Do you withdraw yourself a little while,
He will recover straight; when he is gone,
I would on great occasion speak note with you.— [Exit Cassio.
How is it, general? have you not hurt your head note?

Oth.
Dost mock note me?

-- 81 --

Iag.
I mock you! no, by heaven; note I mock you not.
'Would, you would bear your fortune note like note a man.

Oth.
A horned man's a monster, and a beast.

Iag.
There's many a beast then in a populous city,
And many a civil monster.

Oth.
Did he confess it note?

Iag.
Good sir, be a man;
Think, every bearded fellow, that's but yok'd,
May draw with you: there's millions now alive,
That nightly lye note in those unproper beds,
Which they dare swear peculiar; your case note is better.
O, 'tis note the spite of hell, the fiend's arch-mock,
To lip a wanton in a secure couch,
And to suppose her chast! No, let me know;
And, knowing what I am, I know what she shall be.

Oth.
O, thou art wise; that's certain. note

Iag.
Stand you a while apart;
Confine yourself but in a patient list.
Whilst you were here o'er-whelmed with note your grief,
(A passion most unfitting note such a man)
Cassio came hither: I shifted note him away,
And lay'd good 'scuse note upon note your extasy;
Bad note him anon return, and here speak with me,
The which he promis'd: Do note but encave yourself,
And mark the fleers note, the gybes, and notable scorns,
That dwell in every region of his face;
For I will make him tell the tale anew,—
Where, how, how oft, how long ago, and when
He hath note, and is again to cope your wise;
I say, but mark his gesture Marry, patience;
Or I shall say, you are all in all a spleen note,
And nothing of a man.

-- 82 --

Oth.
Dost hear note, Iago?
I will be found most cunning in my patience;
But (dost thou hear?) most bloody.

Iag.
That's not amiss;
But yet note keep time in all. Will you withdraw? [Othello conceals himself.
Now will I question Cassio of Bianca,
A huswife, that, by selling her desires,
Buys herself bread and cloaths: note it is a creature note,
That dotes on Cassio,—as 'tis the strumpet's plague,
To beguile many, and be beguil'd by one;—
He, when he hears of her, cannot refrain note
From the excess of laughter:—Here he comes:— Enter Cassio, at a Distance.
As he shall smile, Othello shall go mad;
And his unbookish jealousy must construe note
Poor Cassio's smiles, gestures, and light behaviour note,
Quite in the wrong.—How do you now note, lieutenant?

Cas.
The worser note, that you give note me the addition,
Whose want even kills me.

Iag.
Ply Desdemona well, and you are sure on't:
Now, if this suit lay in Bianca's power note, [speaking low.
How quickly should you speed?

Cas.
Alas, poor caitiff!

&clquo;Oth.
&clquo;Look, how he laughs already!&crquo;

Iag.
I never knew a note woman love man so.

Cas.
Alas, poor rogue! I think, indeed, she note loves me.

&clquo;Oth.
&clquo;Now he denies it faintly, and laughs it out.&crquo;

Iag.
Do you hear, Cassio?

&clquo;Oth.
&clquo;Now he importunes him&crquo;
&clquo;To tell it o'er: note Go to; well said, well said note.&crquo;

Iag.
She gives it out, that you shall marry her;

-- 83 --


Do you intend it?

Cas.

Ha, ha, ha!

&clquo;Oth.

&clquo;Do you note triumph, Roman? do you triumph?14Q1516&crquo;

Cas.

I marry her? what, a customer! Pr'ythee note, bear some charity to my wit; do not think it so unwholsome. Ha, ha, ha!

&clquo;Oth.

&clquo;So, so, so, so: Laugh note, that wins.&crquo;

Iag.

Why, the note cry goes, that note you shall marry her.

Cas.

Pr'ythee, say true.

Iag.

I am a very villain else.

&clquo;Oth.

&clquo;Have you scor'd note me? Well.&crquo;

Cas.

This is the monkey's own giving out: she is persuaded, I will marry her, out of her own love and flattery, not out of my promise.

&clquo;Oth.

&clquo;Iago beckons me note; now he begins the story.&crquo;

Cas.

She was here even now; she haunts me in every place. I was, the other day, talking on the sea-bank with certain Venetians; and thither comes the bauble note, and falls me thus † about my neck:

&clquo;Oth.

&clquo;Crying, O dear Cassio! as it were: his gesture imports it.&crquo;

Cas.

So hangs, and lolls note, and weeps upon me; so hales, and pulls me: ha, ha, ha!

&clquo;Oth.

&clquo;Now he tells, how she pluck'd him to my chamber: O note, I see that nose of yours, but not that note dog I shall throw it to note.&crquo;

Cas.

Well, I must leave her company.

Iag. note

Before me! look, where she comes.

Enter Bianca.

Cas. note

'Tis such another fitchew! marry, a perfum'd one.—What do you mean by this haunting of me?

Bia.

Let the devil and his dam haunt you! What did

-- 84 --

you mean by that same handkerchief, you gave me even now? I was a fine fool to take it. I must take out the work?—A likely piece of work note; that you should find it in your chamber, and know not note who left it there. This is some minx's token, and I must take out the work? There, &dagger2; give it your hobby note horse: wheresoever you had it, I'll take out no work on't.

Cas.

How now, my sweet Bianca? how now? how now?

&clquo;Oth.

&clquo;By heaven, that should be my handkerchief?&crquo;

Bia.

An you'll note come to supper to-night, you may: an you will not, come when you are next prepar'd for.

[Exit Bianca.

Iag.

After her, after her.

Cas.

I must, she'll rail i'the street note else.

Iag.

Will note you sup there?

Cas.

Yes, I note intend so.

Iag.

Well, I may chance to see you; for I would very fain speak with you.

Cas.

Pr'ythee, come; Will you?

Iag.

Go to; say no more.

[Exit Cassio.

Oth.

How shall I murther him, Iago?

[coming hastily from his Concealment.

Iag.

Did you perceive how he laugh'd at his vice?

Oth.

O, Iago!

Iag.

And did you see the handkerchief?

Oth.

Was that mine?

Iag.

Yours, by this hand: and to see how he prizes note the foolish woman your wife! she gave it him, and he hath given it his whore.

Oth.

I would have him nine years a killing.—A fine woman! a fair woman! a sweet woman!

Iag.

Nay, you must forget that note.

-- 85 --

Oth.

Ay, let note her rot, and perish, and be damn'd tonight; for she shall not live: No, my heart is turn'd to stone note; I strike it, and it hurts my hand. O, the world hath note not a sweeter creature: she might lye by an emperor's side, and command him tasks.

Iag.

Nay, that's not your way.

Oth.

Hang her! I do but say note what she is: So delicate with her needle!—An admirable musician! O, she will sing the savageness out of a bear!—Of so high and plenteous note wit and invention!—

Iag.

She's the worse for all this.

Oth.

O, a thousand, a thousand note times:—And then, of so gentle a condition!—

Iag.

Ay, too gentle.

Oth.

Nay, that's note certain: But yet the pity of it, Iago! O, Iago, the pity of it, Iago note!

Iag.

If you be so note fond over her iniquity, give her patent to offend; for, if it touches note not you, it comes near nobody.

Oth.

I will chop her into messes: Cuckold me!

Iag.

O, 'tis foul in her.

Oth.

With mine officer!

Iag.

That's fouler.

Oth.

Get me some poison, Iago; this night:—I'll not expostulate with her, lest her body and beauty unprovide my mind again:—this night, Iago.

Iag.

Do it not with poison; strangle her in her bed, even the bed she hath contaminated.

Oth.

Good, good; the justice of it pleases; very good.

Iag.

And, for Cassio,—let me be his undertaker: You shall hear more by midnight.

[Trumpet heard.

Oth.

Excellent good. What trumpet is that same?

-- 86 --

Iag.
Something from Venice, note sure. 'Tis Lodovico, Enter Lodovico, and Attendants; Desdemona, and Others, with him.
Come from the duke: and, see, your wife is with him.

Lod.
Save you, worthy note general!

Oth.
With all my heart, sir.

Lod.
The duke and senators note of Venice greet you.
[giving him a Packet.

Oth.
I kiss the instrument of their good pleasures.
[opens, and peruses it.

Des.
And what's the news, good cousin Lodovico?

Iag.
I am glad to see you, signior; Welcome to Cyprus.

Lod.
I thank you, sir: How does lieutenant Cassio?

Iag.
Lives, sir.

Des.
Cousin, there's fall'n between him and my lord
An unkind breach: but you shall make all well.

Oth.
Are you sure of that?

Des.
My lord?

Oth.
This fail you not to do, as you will—

Lod.
He did not call; he's busy in the paper.
Is there division 'twixt note thy lord note and Cassio?

Des.
A most unhappy one; I would do much
To atone them, for the love I bear to Cassio.

Oth.
Fire and brimstone!

Des.
My lord?

Oth.
Are you wise?

Des.
What, is he angry?

Lod.
May be, the letter mov'd him;
For, as I think, they do command him home,
Deputing Cassio in his government.

Des.
Trust me, I note am glad note on't.

Oth.
Indeed?

-- 87 --

Des.
My lord?

Oth.
I am glad to see you mad.

Des.
Why, sweet note Othello?

Oth.
Devil!
[striking her.

Des.
I have not deserv'd this.

Lod.
My lord, this would not be believ'd in Venice,
Though I should swear I saw't: 'Tis very much;
Make her amends, she weeps.

Oth.
O devil, devil!
If that the earth could teem with woman's note tears,
Each drop she falls would prove a crocodile:—
Out of my sight!

Des.
I will not stay to offend you.

Lod.
Truly, an note obedient lady:—
I do beseech your lordship, call her back.

Oth.
Mistress,—

Des.
My lord?

Oth.
What would you with her, sir?

Lod.
Who I, my lord?

Oth.
Ay, you did wish, that I would make her turn:
Sir, she can turn, and turn, and yet go on,
And turn again; and she can weep, sir, weep;
And she's obedient, as you say, obedient,
Very obedient;—Proceed you in your tears.—
Concerning this, sir,—O well-painted passion!—
I am commanded home: note—Get you away;
I'll send for you anon.—Sir, I obey the mandate,
And will return to Venice;—Hence, avant!— [Exit Des.
Cassio shall have my place. And, sir, to-night,
I do entreat, that we may sup together.
You're welcome, sir, to Cyprus.—Goats and monkies!
[Exit Oth.

-- 88 --

Lod.
Is this the noble Moor, whom our full senate
Call—all-in-all sufficient? This note the nature note
Whom passion could not shake? whose solid virtue
The shot of accident, nor dart of chance,
Could neither graze note, nor pierce?

Iag.
He is much chang'd.

Lod.
Are his wits safe? is he not light note of brain?

Iag.
He's that he is; I may not breath my censure.
What he might be,—if, what he note might, he is not,—
I would to heaven, he were.

Lod.
What, strike his wife!

Iag.
'Faith, that was not so well; Yet 'would I knew,
That stroke would prove the worst.

Lod.
Is it note his use?
Or did the letters work upon his blood,
And new-create this fault note?

Iag.
Alas, alas,
It is not honesty in me, to speak
What I have seen and known. You shall observe him note;
And his own courses will denote him so,
That I may save my speech: Do but go after,
And mark how he continues.

Lod.
I am sorry, that I am deceiv'd in him.
[Exeunt. SCENE II. The same. Enter Othello, and Emilia.

Oth.
You have seen nothing then?

Emi.
Nor ever heard; nor ever did suspect.

Oth.
Yes, you note have seen Cassio and she together note.

Emi.
But then I saw no harm; and then I heard
Each syllable, that breath made up between them.

Oth.
What, did they never whisper?

-- 89 --

Emi.
Never, my lord.

Oth.
Nor send you out o'the way?

Emi.
Never.

Oth.
To fetch her fan, her gloves note, her mask, nor nothing?

Emi.
Never, my lord.

Oth.
That's strange.

Emi.
I durst, my lord, to wager she is honest,
Lay down my soul at stake: if you think other,
Remove your thought; it doth abuse your bosom.
If any wretch hath put this in your head,
Let heaven note requite note it with the serpent's curse!
For, if she be not honest, chast, and true,
There's no man happy; the purest of their wives note
Is foul as slander.

Oth.
Bid her come hither; go.— [Exit Emi.
She says enough;—yet she's a simple bawd,
That cannot say as much. This is a subtle whore,
A closet lock and key of villanous secrets:
And yet she'll kneel, and pray; I have seen note her do't.
Re-enter Emilia, with Desdemona.

Des.
My lord, what is your will?

Oth.
Pray, chuck note, come hither.

Des.
What is your pleasure?

Oth.
Let me see your eyes;
Look in my face.

Des.
What horrible fancy's this?

Oth.
Some of your function, mistress, [to Emilia.
Leave procreants alone, and shut the door;
Cough, or cry—hem, if any body come:
Your mystery, your mystery; nay note, dispatch.
[Exit Emilia.

Des.
Upon my † knees note, what doth your speech import?

-- 90 --


I understand a fury in your words,
But not the words note.

Oth.
Why, what art thou?

Des.
Your wife, my lord;
Your true and loyal wife.

Oth.
Come, swear it, damn thyself;
Lest note, being like one of heaven, the devils themselves
Should fear to seize thee: therefore be double-damn'd,
Swear.—thou art honest.

Des.
Heaven doth truly know it.

Oth.
Heaven truly knows, that thou art false as hell.

Des.
To whom, my lord? With whom? How am I false?

Oth.
O Desdemona note!—away! away! away!

Des.
Alas, the heavy note day!—Why do you weep?
Am I the motive of these note tears, my lord?
If, haply, you my father do suspect,
An instrument of this your calling back,
Lay not your blame on me; if you have lost note him,
Why note, I have lost note him too.

Oth.
Had it pleas'd heaven,
To try me with affliction; had he rain'd note
All kind note of sores, and shames, on my bare head;
Steep'd me in poverty to the very lips;
Given to note captivity me and my utmost note hopes;
I should have found in some part of note my soul
A drop of patience: but (alas!) to make me
A fixed note figure,14Q1517 for the hand of note scorn
To point his slow unmoving note finger at,—
O! o! note
Yet could I bear that too; well, very well:
But there, where I have garner'd up my heart;
Where either I must live, or bear no life;

-- 91 --


The fountain note from the which my current runs,
Or else dries up; to be discarded thence!
Or keep it as a cistern, for foul toads
To knot and gender in!—turn thy complexion there,
Patience, thou young note and rose-lip'd cherubin,
Ay, there note, look grim as hell.

Des.
I hope, my noble note lord esteems me honest.

Oth.
O, ay; as summer note-flies are in the shambles,
That quicken even with blowing. O thou weed note,
Who art note so lovely fair, and smell'st note so sweet,
That the sense akes note at thee,—'Would, thou hadst ne'er been born!

Des.
Alas, what ignorant sin have I committed?

Oth.
Was this fair paper, this most goodly book,
Made to write whore upon note? What, what, committed!
Committed! O thou publick commoner, note
I should make very forges of my cheeks,
That would to cinders burn up modesty,
Should I note but speak thy deeds; What, what, committed!
Heaven stops the nose at it, and the moon winks;
The bawdy wind, that kisses all it meets,
Is hush'd within the hollow mine of earth,
And will not hear't: Committed! what, committed!
Impudent strumpet! note

Des.
By heaven, you do me wrong.

Oth.
Are not you a strumpet?

Des.
No, as I am a christian:
If to preserve this vessel for my lord,
From any other foul note unlawful touch,
Be—not to be a strumpet, I am none.

Oth.
What, not a whore?

Des.
No, as I shall be sav'd.

Oth.
Is't possible?

-- 92 --

Des.
O, heaven forgive note us!

Oth.
I cry you mercy, then note;
I took you for that cunning note whore of Venice,
That marry'd with Othello.—You, mistress, there! Re-enter Emilia.
That have the office opposite to saint Peter,
And keep the gate of hell note; You, you; ay, you! note
We have done our course; there's money for your pains;
I pray you, turn the key, and keep our counsel.
[Exit Othello.

Emi.
Alas, what does this gentleman conceive?—
How do you, madam? how do you, my good lady?

Des.
'Faith, half asleep.

Emi.
Good madam, what's the matter with my lord?

Des.
With who? note

Emi.
With note my lord, madam?

Des.
Who is thy lord? note

Emi.
He that is yours, sweet lady.

Des.
I have none: Do not talk to me, Emilia;
I cannot weep; nor answer note have I none,
But what should go by water. Pr'ythee, to-night
Lay on my bed my wedding note sheets, remember;
And call thy husband hither.

Emi.
Here is a change, indeed!
[Exit.

Des.
'Tis meet I should be us'd so, very meet note
How have I been behav'd, that he might stick
The small'st opinion on my least misuse note?
Re-enter Emilia, with Iago.

Iag.
What is your pleasure, madam? How is't with you?

Des.
I cannot tell. Those, that do teach young babes note,
Do it with gentle means, and easy tasks:
He might have chid me so; for, in good faith,

-- 93 --


I am a child to chiding note.

Iag.
What is the matter, lady?

Emi.
Alas, Iago, my lord hath so bewhor'd her,
Thrown such despite and heavy terms upon her,
As true hearts cannot bear. note

Des.
Am I that name, Iago?

Iag.
What name, fair lady?

Des.
Such as, she says, my note lord did say I was.

Emi.
He call'd her, whore; a beggar, in his drink,
Could not have lay'd such terms note upon his callet.

Iag.
Why did he so?

Des.
I do not know; I am sure, I am none such.

Iag.
Do not weep, do not weep; Alas, the day!

Emi.
Has note she forsook so many noble matches,
Her father, and her country, and her note friends,
To be call'd—whore? would it not make one weep?

Des.
It is my wretched fortune.

Iag.
Beshrew him for't note!
How comes this trick upon him?

Des.
Nay, heaven doth know.

Emi.
I will be hang'd, if some eternal villain,
Some busy and insinuating rogue,
Some cogging coz'ning slave, to get some office,
Has not note devis'd this slander; I'll note be hang'd else.

Iag.
Fie! there is no such man; it is impossible.

Des.
If any such there be note, heaven pardon him!

Emi.
A halter pardon him! and hell gnaw his bones!
Why should he call her, whore? who keeps her company?
What place? what time? what form? what likelihood?
The Moor's abus'd by some most villanous note knave,
Some base notorious knave, some scurvy fellow:—
O, heaven note, that such companion note thou'dst unfold note;

-- 94 --


And put in every honest hand a whip,
To lash the rascal naked through the world,
Even from the east to the west!

Iag.
Speak within door note.

Emi.
O, fie upon him note! some such squire he was,
That turn'd your wit the seamy side without,
And made you to suspect me with the Moor.

Iag.
You are a fool; go to.

Des.
Alas, Iago note,
What shall I do to win my lord again?
Good friend, go to him; for, by this light of heaven,
I know not how I lost him. Here I † kneel: note
If e'er my will did trespass 'gainst his love,
Either in discourse of thought, or actual deed;
Or that mine eyes, mine ears, or any sense,
Delighted them in any other form;
Or that I do not yet, and ever did,
And ever will,—though he do shake me off
To beggarly divorcement,—love him dearly,
Comfort forswear me! Unkindness may do much;
And his unkindness may defeat my life,
But never taint my love. I can't say, whore;
It does abhor me, now I speak the word;
To do the act that might the addition earn,
Not the world's mass of vanity could make me.

Iag.
I pray you, be content; 'tis but his humour;
The business of the state does him offence,
And he does chide with you. note

Des.
If 'twere no other,—

Iag.
It is note but so, I warrant. [Trumpets.
Hark, how these instruments summon to note supper!
The messenger of Venice stays note the meat:

-- 95 --


Go in, and weep not; all things shall be well. [Exeunt Des. and Emi. Enter Roderigo.
How now, Roderigo?

Rod.

I do not find, that thou deal'st justly with me.

Iag.

What in the contrary?

Rod.

Every day thou doft'st note note me with some devise, Iago; and rather (as it seems to me now) keepest note from me all conveniency, than suppliest me with the least advantage of hope. I will, indeed, no longer endure it: Nor am I yet persuaded, to put up in peace what already I have foolishly suffer'd.

Iag.

Will you hear me, Roderigo?

Rod.

Sir, I note have heard too much; and your note words, and performances note, are no kin together.

Iag.

You charge me most unjustly.

Rod.

With nought but truth note. I have note wasted myself out of means note. The jewels you have had from me, to deliver to Desdemona note, would half have corrupted a votarist: You have told me—she hath receiv'd them, and return'd me expectations note and comforts of sudden respect and acquittance note; but I find none.

Iag.

Well; go to; very well note.

Rod.

Very well? go to? I can not go to, man; nor 'tis note not very well: Nay, I note think it is scurvy; and begin to find myself fob'd note in it.

Iag.

Very well.

Rod.

I tell you, 'tis note not very well. I will make myself known to Desdemona: if she will return me my jewels, I will give over my suit, and repent my unlawful solicitation; if not, assure yourself, I will note; seek satisfaction of you.

-- 96 --

Iag.

You have said note now.

Rod.

Ay, and said nothing, but what I protest intendment of doing.

Iag.

Why, now I see there's mettle in thee; and, even from this instant, do note build on thee a better opinion than ever before. Give me thy hand, Roderigo: Thou hast taken against me a most just exception note; but yet, I protest, I have dealt most directly in thy affair note.

Rod.

It hath not appear'd.

Iag.

I grant, indeed, it hath not appear'd; and your suspicion is not without wit and judgment. But, Roderigo, if thou hast that within thee note indeed, which I have greater reason to believe now than ever,—I mean, purpose, courage, and valour,—this night shew it: if thou the next night following enjoy note not Desdemona, take me from this world with treachery, and devise engines for my life.

Rod.

Well, what is it note? is it within reason, and compass?

Iag.

Sir, there is especial commission come note from Venice, to depute Cassio in Othello's place.

Rod.

Is that true? why, then Othello and Desdemona return again to Venice.

Iag.

O, no; he goes into Mauritania, and taketh note away with him the fair Desdemona, unless his abode be linger'd here by some accident; wherein note none can be so determinate, as the removing of Cassio.

Rod.

How do you mean—removing him note?

Iag.

Why, by making note him uncapable of Othello's place; knocking out his brains.

Rod.

And that you would have me to do.

Iag.

Ay; if note you dare do yourself a profit, and a right.

-- 97 --

He sups to-night with a harlotry note, and thither will I go to him;—he knows not yet of his honourable fortune: if you will watch his going thence, which I will fashion to fall out between twelve and one, you may take him at your pleasure; I will be near to second your attempt, and he shall fall between us. Come, stand not amaz'd at it, but go along with me; I will shew you such a necessity in his death, that you shall think yourself bound to put it on him. It is now high supper-time, and the night grows to waste: about it.

Rod.

I will hear further reason for this.

Iag.

And you shall be satisfy'd.

[Exeunt. SCENE III. A Room in the Castle. Enter Othello, Lodovico, Desdemona, Emilia, and Attendants.

Lod.
'Beseech note you, sir, trouble yourself no further.

Oth.
O, pardon me; 'twill note do me good to walk.

Lod.
Madam, good night; I humbly thank your ladyship.

Des.
Your honour is most welcome.

Oth.
Will you walk, sir?—
O,—Desdemona,—
[stepping back.

Des.

My lord?

Oth.

Get you to bed o' the note instant, I will be return'd forthwith: dismiss your note attendant there; look, it be done.

Des.

I will, my lord.

[Exeunt Oth. Lod. and Att.

Emi.
How goes it now? he looks gentler than he did.

Des.
He says, he will return incontinent:
He hath note commanded me to go to bed,
And bad note me to dismiss you.

Emi.
Dismiss me!

-- 98 --

Des.
It was his bidding; therefore, good Emilia,
Give me my nightly wearing, and adieu:
We must not now displease him.

Emi.
I would, you had never seen him.

Des.
So would not I; my love doth so approve him,
That even his stubbornness, his checks, and frowns note,—
Pr'ythee, unpin me,—have grace and favour in them note.
[beginning to undress.

Emi.
I have lay'd those note sheets you bad me on the bed.

Des.
All's one:—Good father, note how foolish are our minds!—
If I do die before thee note, pr'ythee, shrowd me
In one of those note same sheets.

Emi.
Come, come, you talk.

Des.
My mother had a maid14Q1518, call'd—Barbara note;
She was in love; and he, she lov'd, prov'd bad note,
And did forsake her: she had a note song of—willow,
An old thing 'twas, but it express'd her fortune,
And she dy'd singing it: That song, to-night,
Will not go from my mind; I have much to do, note
Not to note go hang my head all o' one side,
And sing it like poor Barbara note. Pr'ythee, dispatch.

Emi.
Shall I fetch note your night-gown?

Des.
No, unpin me here.
This Lodovico is a proper man.

Emi.
A very handsome man.

Des.
And he speaks well.

Emi.
I know a lady in Venice, would have walk'd
Bare-foot note to Palestine for a note touch of his nether lip.
[going on with her undressing.

Des.



The poor soul sat sighing note by a sycamore tree,
  sing all a green willow; [singing.

-- 99 --


her hand on her bosom, her head on her knee,
  sing willow, willow, willow:
The fresh streams ran by her, and murmur'd her moans;
  sing willow, willow, willow;
the salt note tears fell from her, and soften'd note the stones,—
Lay by &dagger2; these.— giving her her Jewels.



  sing willow, willow, willow;—

Pr'ythee, hie thee; he'll come anon.—



sing all a green willow must be my garlánd.

2.
Let no body blame him, his scorn I approve,—
Nay, that's not next.—Hark! hark! who is't that knocks?

Emi.
It's note the wind.

Des.


2
I call'd my love, false love; But what said he then? note
  sing willow, willow, willow;
If I court mo women, you'll couch with mo men.
So, get note thee gone; good night. Mine eyes do itch;
Does note that bode weeping?

Emi.
'Tis neither here nor there.

Des.
I have heard it said so.—O, these men, these men!— note
Dost thou in conscience think,—tell me, Emilia,—
That there be women do abuse their husbands
In such gross kind note?

Emi.
There be some such, no question.

Des.
Would'st thou do such a thing for note all the world?

Emi.
Why, would not you?

Des.
No, by this heavenly light!

Emi.
No, nor I neither, by this heavenly light;
I might do't as well i'the note dark.

Des.
Wouldst thou do such a deed for note all the world?

Emi.
The world is note a huge thing: 'Tis a great price

-- 100 --


For a small vice.

Des.
In troth note, I think thou wouldst not.

Emi.

In troth note, I think I should; and undo't, when I had done. Marry, I would not do such a thing for a joint-ring; nor for note measures of lawn; nor for gowns, petticoats note, nor caps, nor any petty exhibition note: but, for the note whole world,—Why, who would not make her husband a cuckold, to make him a monarch? I should venture purgatory for't note.

Des.

Beshrew me, if I would do such a wrong For the whole world.

Emi.

Why, the wrong is but a wrong i' th' world; and, having the world for your labour, 'tis a wrong in your own world, and you might quickly make it right.

Des.
I do not think, there is any such woman.

Emi.
Yes, a dozen; and as many to the vantage note, as
Would store the world they play'd for.
But, I do think, it is their husbands' faults, note
If wives do fall: Say, that they slack their duties,
And pour our treasures into foreign laps;
Or else break out in peevish jealousies,
Throwing restraint upon us; or, say, they strike us,
Or scant our former having in despite;
Why, we have galls; and, though we have some grace,
Yet have we some revenge. Let husbands know,
Their wives have sense like them; they see, and smell,
And have their palates both for sweet and sour
As husbands have. What is it that they do,
When they change us for others? Is it sport?
I think, it is; And doth affection breed it?
I think, it doth; Is't frailty, that thus errs?
It is so too: And have not we affections?

-- 101 --


Desires for sport? and frailty, as men have?
Then, let them use us well: else, let them know,
The ills we do, their ills instruct us to. note

Des.
Good night, good night: Heaven me note such usage note send,
Not to pick bad from bad; but, by, bad, mend!
[Exeunt.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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