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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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SCENE I. The same. Before the Castle.

-- 52 --

Enter Cassio, and some Musicians.

Cas.
Masters, play here, I will content your pains,
Something that's brief; and bid—good morrow, general.
[Musick. Enter Clown.

Clo.

Why, masters, have your instruments been at Naples note, that they play i'th' note nose thus?

1. M.

How, sir, how!

Clo.

Are these, I pray you, wind note instruments?

1. M.

Ay, marry, are they, sir.

Clo.

O, thereby hangs a tale note.

1. M.

Whereby hangs a tale note, sir?

Clo.

Marry, sir, by many a wind instrument that I know. But, masters, here's note &dagger2; money for you: and the general so likes your musick, that he desires you, for love's sake, to note make no more noise note with it.

1. M.

Well, sir, we will not.

Clo.

If you have any musick that may not be heard, to't again: but, as they say, to hear musick, the general does not greatly care.

1. M.

We have none such, sir.

Clo.

Then put up your note pipes in your bag, for I'll away: Go; vanish into air note; away.

[Exeunt Musicians.

Cas.

Dost thou hear, my honest note friend?

Clo.

No, I hear not your honest friend; I hear you.

Cas.

Pr'ythee, keep up thy quillets. There's a poor piece of gold &dagger2; for thee: if the gentlewoman that attends the general's wife, be note stirring, tell her, there's one Cassio entreats her a little favour of speech: Wilt thou do this?

Clo.

She is stirring, sir; if she will stir hither, I shall seem to notify unto her.

[Exit.

-- 53 --

Enter Iago.

Cas.
Do, my good friend. note—In happy time, Iago.

Iag.
You have not been a-bed then?

Cas.
Why, no; the day had broke
Before we parted. I have made bold, Iago,
To send in to your wife: My suit to her
Is, that she will to virtuous Desdemona
Procure me some access.

Iag.
I'll send her to you presently:
And I'll devise a mean to draw the Moor
Out of the way, that your converse and business
May be more free.

Cas.
I humbly thank you for't note.— [Exit Iago.
I never knew a man14Q1504 more kind, and honest.
Enter Emilia.

Emi.
Good morrow, good lieutenant: I am sorry
For your displeasure; but all will soon be note well.
The general, and his wife, are talking of it;
And she speaks for you stoutly: The Moor replies,
That he, you hurt, is of great fame in Cyprus,
And great affinity; and that, in wholsome wisdom,
He might not but refuse: but note, he protests, he loves you;
And needs no other suitor, but his likings,
To take the saf'st occasion by the front, note
To bring you in again.

Cas.
Yet, I beseech you,—
If you think fit, or that it may be done,—
Give me advantage of some brief discourse
With Desdemona note alone.

Emi.
Pray you, come in;
I will bestow you note where you shall have time
To speak your bosom freely.

-- 54 --

Cas.
I am much bound to you. note
[Exeunt.

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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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