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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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ACT II. SCENE I. The Capital of Cyprus. A Plat-form. Enter Montano note, and two Gentlemen.

Mon.
What from the cape can you discern at sea?

1. G.
Nothing at all: it is a high-wrought flood;
I cannot, 'twixt the heaven note and the main,
Descry a sail.

Mon.
Methinks, the wind hath spoke note aloud at land note;
A fuller blast ne'er shook our battlements:
If it hath ruffian'd so upon the sea,
What ribs of oak, when mountains melt note on them,

-- 28 --


Can hold the mortice? What shall we hear of this?

2. G.
A segregation of the Turkish fleet:
For do but stand upon the foaming shore note,
The chiding note billow seems note to pelt the clouds;
The wind-shak'd surge, with high and monstrous main,
Seems to cast water on the burning bear,
And quench the guards14Q1497 of the ever-fixed note pole:
I never did like molestation view
On the enchafed flood.

Mon.
If that the Turkish fleet
Be not inshelter'd, and embay'd, they are drown'd;
It is impossible they bear note it out.
Enter a third Gentleman.

3. G.
News, lads! note our note wars are done;
The desperate tempest hath so bang'd the Turks note,
That their designment halts: A noble ship note of Venice
Hath seen a grievous wreck and sufferance
On most part of their fleet note.

Mon.
How! is this true?

3. G.
The ship is here put in,
A Veronese note; Michael Cassio,
Lieutenant to the warlike Moor, Othello,
Is come on shore note: the Moor himself's at sea,
And is in full commission here for Cyprus.

Mon.
I am glad on't; 'tis a worthy governor.

3. G.
But this same Cassio,—though he speak of comfort,
Touching the Turkish loss,—yet he looks sadly,
And prays note the Moor be safe; for they were parted
With foul and violent tempest.

Mon.
Pray heaven note he be;
For I have serv'd him, and the man commands

-- 29 --


Like a full soldier. Let's to the sea-side, ho!
As well to see the vessel that's come in,
As to throw out our eyes for brave Othello;
Even 'till we make the main, and th' aerial blue, note
An indistinct regard.

3. G.
Come, let's do so;
For every minute is expectancy
Of more arrivance note.
[going. Enter Cassio: the Others run and salute him.

Cas.
Thanks to the note valiant of this warlike isle,
That so approve the Moor; O, let note the heavens
Give him defence against the elements note,
For I have lost him on a dangerous sea!

Mon.
Is he well ship'd?

Cas.
His bark is stoutly timber'd, and his pilot note
Of very expert and approv'd allowance;
Therefore my hopes, not surfeited to death,
Stand in bold cure.
Enter another Gentleman.

4. G.
A sail! note a sail! a sail!

Cas.
What news? note

4. G.
The town is empty; on the brow o' the sea
Stand note ranks of people, and they cry—a sail.

Cas.
My hopes do shape him for the governor. note
[Guns heard.

2. G.
They do discharge their shot note of courtesy;
Our friends note, at least.

Cas.
I pray you ,sir, go forth,
And give us truth who 'tis that is arriv'd.

2. G.
I shall.
[Exit.

Mon.
But, good lieutenant, is your general wiv'd?

-- 30 --

Cas.
Most fortunately: he hath atchiev'd a maid,
That paragons description, and wild fame;
One that excels the quirks of note blazoning pens,
And, in the essential vesture of creation,
Does tire the inventer. note14Q1498—Now? note who has put in?
Re-enter second Gentleman.

2. G.
'Tis one Iago, ancient to the general.

Cas. note
He has note had most fav'rable note and happy speed:
Tempest themselves, high seas note, and howling winds,
The guttur'd note rocks, and congregated sands,—
Traitors ensteep'd note, to enclog note the guiltless keel,—
As having sense of beauty, do omit
Their mortal natures note, letting safe go by note
The divine Desdemona.

Mon.
What is she?

Cas.
She that I spake note of, our great captain's captain,
Left in the conduct of the bold Iago;
Whose footing here anticipates our thoughts,
A se'n-night's speed.—Great Jove, Othello guard,
And swell his sail with thine own powerful breath;
That he may bless this bay with his tall ship,
Makes love's quick pants in Desdemona's arms note,
Give renew'd fire to our extincted note spirits,
And bring all Cyprus comfort note!—O, behold, Enter Desdemona, Emilia, Iago, Roderigo, and Others; Attendants, and People following.
The riches of the ship is come on shore note!—
You men note of Cyprus, let her have your knees:—
Hail to thee, lady; and the grace of heaven,
Before, behind thee, and on every hand,
Enwheel thee round!

-- 31 --

Des.
I thank you, valiant Cassio.
What tidings can you tell me of my lord?

Cas.
He is not yet note arriv'd; nor know I aught,
But that he's well, and will be shortly here.

Des.
O, but I fear;—How lost you company?

Cas.
The great contention of the sea note and skies
Parted our fellowship: But, hark! a sail.
[Cry within, of—A sail! a sail: afterwards, Guns.

2. G.
They give their greeting to the citadel;
This likewise is a friend.

Cas.
See for the news.— note [Exit Gentleman.
Good ancient, you are welcome;—Welcome, mistress:— [to Emilia.
Let it not gall your patience, good Iago,
That I extend my manners; 'tis my breeding,
That gives me this bold shew of courtesy.
[saluting her.

Iag.
Sir, would she give you so much of her lips,
As of her tongue she oft bestows note on me note,
You'd note have enough.

Des.
Alas, she has no speech.

Iag.
In faith, too note much;
I find it still, when note I have list to note sleep:
Marry, before your ladyship, I grant,
She puts her tongue a little in her heart,
And chides with thinking.

Emi.
You have little cause to say so.

Iag.
Come on, come on; you are pictures out o'doors note,
Bells in your parlors, wild-cats in your kitchens,
Saints in your injuries, devils being offended,
Players in your huswifry, and huswives in your bells.

Des. note
O, fie upon thee, slanderer!

Iag.
Nay, it is true, or else I am a Turk;

-- 32 --


You rise to play, and go to bed to work.

Emi.
You shall not write my praise.

Iag.
No, let me not.

Des.
What wouldst thou write note of me, if thou shouldst praise me?

Iag.
O gentle lady, do not put me to't;
For I am nothing, if not critical.

Des.
Come on, assay: There's one gone to the harbour?

Iag.
Ay, madam.

Des.
I am not merry; but I do beguile
The thing I am, by seeming otherwise.—
Come, how wouldst thou praise me?

Iag.
I am about it; but, indeed note, my invention
Comes from my pate, as bird-lime does from freeze,
It plucks out brains note and all: But my muse labours,
And thus she is deliver'd.
  If she be fair, and wise,—fairness, and wit,
The one's for use, the other useth it note.

Des.
Well prais'd: How if she be black and witty?

Iag.
If she be black, and thereto have a wit,
She'll find a white that shall her blackness fit note.

Des.
Worse and worse.

Emi.
How, if fair and foolish?

Iag.
She never yet was foolish, that was fair;
For even her folly help'd her to an heir note.

Des.

These are old fond paradoxes, to make fools laugh i' the ale-house. What miserable praise hast thou for her that's foul and foolish?

Iag.
There's none so foul, and foolish thereunto,
But does foul pranks which fair and wise ones do.

Des.

O heavy ignorance!—thou praisest the note worst best. But what praise couldst thou bestow on a deserving woman indeed? one, that, in the authority of her

-- 33 --

merit note, did justly put on the vouch14Q1499 of very malice itself?

Iag.
She that was ever fair, and never proud;
Had tongue at will, and yet was never loud;
Never lack'd gold, and yet went never gay;
Fled from her wish, and yet said—Now I may;
She that, being anger'd, her revenge being nigh,
Bad her wrong stay, and her displeasure fly;
She that in wisdom never was so frail,
To change the cod's head for the salmon's tail;
She that could think, and ne'er note disclose her mind,
See suitors following, and not look behind; note
She was a wight note,—if ever such wight were,—

Des.

To do what?

Iag.
To suckle fools, and chronicle small beer.

Des.

O most lame and impotent conclusion!—Do not learn of him, Emilia, though he be thy husband.— How say you, Cassio? is he not a most prophane and liberal censurer note?

Cas.

He speaks home, madam; you may relish him more in the soldier, than in the scholar note.

[they converse apart.

&clquo;Iag.

&clquo;He takes her by the palm: [observing them.] Ay, well said, whisper; with note as little a web as this, will I note ensnare as great a fly as Cassio. Ay, smile upon her, do; I will gyve thee in thine own note courtship. You say true; 'tis so, indeed: if such tricks as these strip you out of your lieutenantry, it had been better you had not kiss'd your three fingers so oft, which now again you are most apt to play the sir in. Very note good; well kiss'd, and excellent note courtesy: 'tis so note, indeed. Yet again your fingers to your note lips? would,

-- 34 --

they were clyster-pipes for your sake!&crquo;—

[Trumpet heard.
The Moor,—I know his trumpet.

Cas.

'Tis truly so.

Des.

Let's meet him, and receive him.

Cas.

Lo, where he comes.

Enter Othello, and Attendants.

Oth.
O my fair warrior!

Des.
My dear Othello!
[embracing.

Oth.
It gives me wonder great as my content,
To see you here before me. O my soul's joy!
If after every tempest come note such calms note,
May the winds blow 'till they have waken'd death!
And let the lab'ring bark climb hills of seas,
Olympus high; and duck again as low,
As hell's from heaven! If it were now to die,
'Twere now to be most happy; for, I fear,
My soul hath her content so absolute,
That not another comfort like to this
Succeeds in unknown fate.

Des.
The heavens forbid,
But that our loves and comforts should encrease,
Even as our days do grow!

Oth.
Amen to that, sweet powers note!—
I cannot speak enough of this content,
It stops me here; it is too much of joy:
And this, and this, [kissing] the greatest discords be,
That e'er our hearts shall make!

&clquo;Iag.
&clquo;O, you are well-tun'd now!&crquo;
&clquo;But I'll let note down the pegs that make note this musick,&crquo;
&clquo;As honest as I am.&crquo;

Oth.
Come, let's to the castle.—

-- 35 --


News, friends; our wars are done, the Turks are drown'd.
How does my old note acquaintance of this isle note?— [to Montano.
Honey, you shall be well desir'd in Cyprus,
I have found great love amongst them. O my sweet,
I prattle out of fashion, and I doat
In mine own comforts.—I pr'ythee, good Iago,
Go to the bay, and disembark my coffers note:
Bring thou the master to the citadel;
He is a good one, and his worthiness
Does challenge much respect.—Come, Desdemona,
Once more well met at Cyprus. [Exeunt Oth. Des. Emi. Mon. Gen. and Att.

Iag.

Do you note meet me presently at the harbour. Come hither note; [calling him back.] If thou be'st valiant,—as (they say) base men, being in love, have then a nobility in their natures more than is native to them,—list me. The lieutenant to-night watches on the court of guard:—First, I must tell note thee this,—Desdemona is directly in love with him.

Rod.

With him! why, 'tis not possible.

Iag.

Lay thy finger † thus, and let thy soul be instructed. Mark me with what violence she first note lov'd the Moor, but for bragging, and telling her fantastical lies: note To love him still for prating! let not thy discreet heart think it. note Her eye must be fed; And what delight shall she have to look on the devil? When the blood is made dull with the act of sport, there should be,—again to note enflame it, and to give note satiety a fresh appetite,—loveliness in favour; sympathy in years, manners, and beauties; all which the Moor is defective in: Now, for want of these requir'd conveniences, her delicate tenderness

-- 36 --

will find itself abus'd, begin to heave the gorge, disrelish and abhor the Moor; very nature will instruct her in it note, and compel her to some second choice. Now, sir, this granted, (as it is a most pregnant and unforc'd position) who stands so eminently note in the degree of this fortune, as Cassio does? a knave very voluble; no further note conscionable, than in putting on the meer form of civil and humane note seeming, for the better compassing note of his salt and most hidden note loose note affection note? why, none; why, none: A slippery and subtle knave note; a finder-out of note occasions; that has an note eye can stamp and counterfeit advantages, though true advantage never present itself: A devilish knave note: besides, the knave is handsome, young; and hath all those requisites in him, that folly and green minds look after: A pestilent compleat knave; and the woman hath found him already.

Rod.

I cannot believe that in her; she is full of most blest condition. note

Iag.

Blest fig's end! the wine she drinks note is made of grapes: if she had been blest, she would never have lov'd the Moor; Blest pudding! note Didst thou not see her paddle with the palm of his hand? didst not mark that? note

Rod.

Yes; but note that was but courtesy.

Iag.

Letchery, by this hand; an index, and obscure note prologue, to the history of lust and foul thoughts: they met so near with their lips, that their breaths embrac'd together. Villanous thoughts, Roderigo! note when these mutualities note so marshal the way, hard at hand note comes the master and note main exercise, the incorporate note conclusion: Pish! note But, sir, be you rul'd by me; I have brought you from Venice. Watch you to-night; for the command note, I'll lay't upon you: Cassio knows you not;—I'll not be far

-- 37 --

from you;—do you find some occasion to anger Cassio, either by speaking too loud, or tainting note his discipline; or from what other course note you please, which the time shall more favourably minister.

Rod.

Well.

Iag.

Sir, he is note rash, and very sudden in choler; and, haply note, may strike at you: Provoke him, that he may: for, even out of that, will I cause these of Cyprus to mutiny; whose qualification shall come into no true taste note again note, but by the displanting note of Cassio. So shall you have a shorter journey to your desires, by the means I shall then have to prefer them; and the impediment most profitably removed, without the note which there were no expectation of our prosperity.

Rod.

I will do this, if I can note bring it to any opportunity.

Iag.

I warrant thee. Meet me by and by at the citadel: I must fetch his necessaries ashore. Farewel.

Rod.

Adieu.

[Exit.

Iag.
That Cassio loves her, I do well believe't note;
That she loves him, 'tis apt, and of great credit:
The Moor—howbeit that I endure him not,—
Is of a constant, loving, noble note nature;
And, I dare think, he'll prove to Desdemona
A most dear husband. Now I do love her too;
Not out of absolute lust, (though, peradventure,
I stand accountant for as great a sin)
But partly led to diet my revenge,
For that I do suspect the lusty note Moor
Hath lept into my seat: the thought whereof
Doth, like a pois'nous mineral, gnaw my inwards;
And nothing can or note shall content my soul,

-- 38 --


'Till I am even'd note with him, wife for wife;
Or, failing so, yet that I put the Moor
At least into a jealousy so strong
That judgment cannot cure. Which thing to do14Q1500,—
If this poor trash note of Venice, whom I trace
For his quick hunting, stand the putting on,
I'll have our Michael Cassio on the hip;
Abuse him to the Moor in the rank garb note,—
For I fear Cassio with my night-cap too;
Make the Moor thank me, love me, and reward me,
For making him egregiously an ass,
And practising upon his peace and quiet
Even to madness. 'Tis † here, but yet confus'd;
Knavery's plain face is never seen, 'till us'd. [Exit. SCENE II. The same. A Street; People moving in it. Trumpets. Enter a Herald, attended.

Her.

It is Othello's pleasure, our noble and valiant general, that, upon certain tidings now arrived, importing the meer perdition of the Turkish fleet, every note man put himself into triumph; some to dance, some to make note bonfires, each man to what sport and revels his addiction note leads him note; for, besides these beneficial news, it is the celebration of his nuptials note: So much was his pleasure should be proclaimed. All offices are open; and there is full liberty of feasting note, from this present hour of five, 'till the bell hath told note eleven. Bless note the isle of Cyprus, and our noble general Othello!

[Shouts, and Exeunt. SCENE III. The same. Hall of the Castle.

-- 39 --

Enter Othello, Cassio, Desdemona, and Attendants.

Oth.
Good Michael, look you to the guard to-night:
Let's teach ourselves that honourable note stop,
Not to out-sport discretion.

Cas.
Iago hath direction note what to do;
But, notwithstanding, with my personal eye
Will I look to't.

Oth.
Iago is most honest.
Michael, good night: To-morrow, with your earliest,
Let me have speech with you.—Come, my dear love;
The purchase made, the fruits are to ensue;
That profit's yet to come 'twixt note me and you.—
Good night.
[Exeunt Oth. Des. and Att. Enter Iago.

Cas.

Welcome, Iago; we must to the watch.

Iag.

Not this hour, lieutenant; 'tis not yet ten o' clock: Our general cast us thus early, for the love of his Desdemona: whom let note us not therefore blame, he hath not yet made wanton the night with her; and she is sport for Jove.

Cas.

She's a most exquisite lady.

Iag.

And, I'll warrant her, full of game.

Cas.

Indeed, she's a most fresh and delicate creature.

Iag.

What an eye she has! methinks, it sounds a parley of provocation note.

Cas.

An inviting eye; and yet, methinks, right modest.

Iag.

And, when she speaks, is it not an alarum note to love?

Cas.

She is note, indeed, perfection.

Iag.

Well, happiness to their sheets! Come, lieutenant,

-- 40 --

I have a stoop of wine; and here without are a brace of Cyprus' gallants, that would fain have a measure to the health of black note Othello.

Cas.

Not to-night, good Iago; I have very poor and unhappy brains for drinking: I could well wish courtesy would invent some other custom of entertainment.

Iag.

O, they are our friends; but one cup: I'll drink for you.

Cas.

I have drunk but one cup to-night, and that was craftily qualify'd too, and, behold, what innovation it makes here: I am unfortunate note in the infirmity, and dare not task my weakness with any more.

Iag.

What, man! 'tis a night of revels; the gallants desire it.

Cas.

Where are they?

Iag.

Here at the door; I pray you, call them in.

Cas.

I'll do't; but it dislikes me.

[Exit.

Iag.
If I can fasten but one cup upon him,
With that which he hath drunk to-night already,
He'll be as full of quarrel and offence
As my young mistress' dog. Now, my sick fool, Roderigo,
Whom love hath turn'd note almost the wrong side out note,
To Desdemona hath to-night carous'd
Potations pottle deep; and he's to watch:
Three else of note Cyprus,—noble swelling spirits,
That hold their honours note in a wary distance,
The very elements of this warlike isle,—
Have I to-night fluster'd with flowing cups,
And they watch too. Now, 'mongst note this flock of drunkards,
Am I to put our Cassio in some note action
That may offend the isle;—But here they come: Re-enter Cassio; Montano, and Others, with him.

-- 41 --


If consequence do but approve my deem, note
My boat sails freely, both with wind and stream. [meeting them.

Cas.
'Fore God, note they have given me a rouze already.

Mon.
Good faith, a little one; not past a pint,
As I'm a soldier.

Iag.
Some wine, ho!— [sings.

And let me the canakin clink, clink, clink;
  and let me the canakin clink:
    a soldier's a man;
    a life's but note a span;
  why then, let a soldier drink.
Some wine, boys!
[Wine brought in.

Cas.

'Fore God, note an excellent song.

Iag.

I learn'd it in England, where (indeed) they are most potent in potting: your Dane, your German, and your swag-belly'd Hollander,—Drink, ho!—are nothing to your English.

[drinks, and puts it about.

Cas.

Is your Englishman note so expert in note his drinking?

Iag.

Why, he drinks you, with facility, your Dane dead drunk; he sweats note not to overthrow your Almain; he gives your Hollander a vomit, ere the next pottle can be fill'd.

Cas.

To the health of our general.

[fills.

Mon.

I am for it, lieutenant; and I'll do you justice.

[filling too; and they drink.

Iag.
O sweet England! [sings.

1.
King Stephen was a note worthy peer14Q1501,
  his breeches cost him but a crown;
he held them six-pence all too dear,
  with that he call'd the taylor—lown.

-- 42 --

2.
He was a wight of high renown,
  and thou art but of low degree:
'tis pride that pulls the country down,
  then take thine note auld note cloke about thee.
Some wine, ho!

Cas.

Why, this note is a more exquisite song than the other.

Iag.

Will you hear't again?

Cas.

No; for I hold him to be note unworthy of his place, that does those things.—Well, God's above note all; and there be souls must be saved, and there be souls must not be saved note.

Iag.

It's note true, good lieutenant.

Cas.

For mine own part,—no offence to the general, nor any man of quality,—I hope to be saved.

Iag.

And so do I too note, lieutenant.

Cas.

Ay, but (by your leave) not before me; the lieutenant is to be saved before the ancient. Let's have no more of this; let's to our affairs.—Forgive note us our sins!—Gentlemen, let's look to our business. Do not think, gentlemen, I am drunk; this is my ancient; this is my right hand, and this is my left hand: I am note not drunk now; I can stand well enough, and speak note well enough.

all.

Excellent well.

Cas.

Why, note very well then: you must not think then that note I am drunk.

[Exit.

Mon.
To the plat-form, masters; come, let's set the watch.

Iag.
You see this fellow, that is gone before;—
He is note a soldier, fit to stand by Cæsar
And give direction; and do but see his vice;

-- 43 --


'Tis to his virtue a just equinox,
The one as long as the other: 'tis pity of him.
I fear, the trust Othello puts note in him, note
On some odd time of his infirmity,
Will shake this island.

Mon.
But is he often thus?

Iag.
'Tis evermore the prologue note to his sleep:
He'll watch the horologue a double set,
If drink rock not his cradle.

Mon.
It were note well,
The general were put in mind of it.
Perhaps, he sees it not; or his good nature
Prizes note the virtue that appears in Cassio,
And looks note not on his evils; Is not this true?
Roderigo shows himself.

&clquo;Iag.
&clquo;How now, Roderigo?&crquo;
&clquo;I pray you, after the lieutenant; go.&crquo;
[pushing him out.

Mon.
And 'tis great pity, that the noble Moor
Should hazard such a place, as his own second,
With one of an note ingraft infirmity:
It were an honest action, to say so
Unto the Moor.

Iag.
Not I, for this fair island:
I do love Cassio well; and would do much,
To cure him of this evil. But hark! what noise?
Cry, within,—Help, help!—Re-enter Cassio, driving in Roderigo.

Cas.
You rogue! you note rascal!

Mon.
What's the matter, lieutenant?

Cas.
A knave,—teach me my duty!
I'll note beat the knave into a wicker bottle note.

-- 44 --

Rod.
Beat me!

Cas.
Dost thou prate, rogue?
[beats Roderigo.

Mon.
Nay note, good lieutenant; [staying him.
I pray you, sir, hold your hand.

Cas.
Let me go, sir,
Or I'll knock you note o'er the note mazzard.

Mon.
Come, come, you're drunk.

Cas.
Drunk?
[draws upon Mon. and they fight.

&clquo;Iag.
&clquo;Away, I say! go out, and cry—a mutiny.&crquo; [to Roderigo, who goes out.
Nay, good lieutenant,—alas, gentlemen note,—
Help, ho!—Lieutenant,—sir,—Montano,—sir; note
Help, masters note!—Here's a goodly watch, indeed!— [Bell rung.
Who's that that rings note the bell?—Diablo, ho!
The town will rise:—God's-will, lieutenant note, hold note;
You will note be sham'd for ever.
[taking him off. Enter Othello, and Gentlemen, with Weapons.

Oth.
What is the matter here?

Mon.
I bleed still, I note am hurt to the death; note;—he dies.
[assailing Cassio again.

Oth.
Hold, for your lives.

Iag.
Hold, ho!—Lieutenant note,—sir,—Montano,—gentlemen,—
Have you forgot all sense of place note and duty?
Hold, hold! the general speaks to you; hold, for shame!

Oth.
Why, how now, ho! from whence ariseth note this?
Are we turn'd Turks; and to ourselves do that,
Which heaven hath forbid the Ottomites?
For christian shame, put by this barbarous brawl:
He that stirs next to carve for his note own rage,
Holds his soul light; he dies upon his motion.— [they are parted.

-- 45 --


Silence that dreadful bell, it frights the isle
From her propriety.—What is note the matter, masters?—
Honest Iago, that look'st note dead with grieving,
Speak, who began this? on thy love, I charge thee.

Iag.
I do not know; friends all but now, even now,
In quarter and in terms like bride and groom
Divesting them to bed: and then note, but now,—
As if some planet had unwitted men,—
Swords out, and tilting one at other's breast note,
In opposition bloody. I cannot speak
Any beginning to this peevish odds;
And 'would in action glorious I had lost
These note legs, that brought me to a part of it.

Oth.
How comes it, Michael, you are note thus forgot?

Cas.
I pray you, pardon me, I cannot speak.

Oth.
Worthy Montano, you were wont be note civil;
The gravity and stillness of your youth
The world hath noted, and your name is great
In mouths of note wisest censure; What's the matter,
That you unlace your reputation thus,
And spend your rich opinion for the name
Of a night-brawler? give me answer to't note.

Mon.
Worthy Othello, I am hurt to danger;
Your officer, Iago, can inform you—
While I spare speech, which something now offends me note,—
Of all that I do know: nor know I aught,
By me that's said or done amiss this night;
Unless self-charity be sometime note a vice;
And to defend ourselves it be a sin,
When violence assails us.

Oth.
Now, by heaven,
My blood begins my safer guides to rule;

-- 46 --


And passion, having my best judgment quell'd, note note
Assays to lead the way:14Q1502 if I once stir note,
Or do but lift this arm, the best of you
Shall sink in my rebuke. Give me to know
How this foul rout began, who set it on;
And he that is approv'd in this offence,
Though he had twin'd with me, both at a birth,
Shall loosen note me. What! in a town of war,
Yet wild, the people's hearts brimfull of fear,
To manage private and domestick quarrel note,
In night, and on the court of guard note and safety!
'Tis monsterous.—Iago, who began't? note

Mon.
If partially note affin'd, or leagu'd note in office,
Thou dost deliver more or less than truth,
Thou art no soldier.

Iag.
Touch me not so near:
I had rather have this tongue cut note from my mouth,
Than it should do offence to Michael Cassio;
Yet, I persuade myself, to speak the note truth
Shall nothing wrong him.—Thus note it is, general.
Montano and myself being in speech,
There comes a fellow, crying out for help;
And Cassio following him with determin'd sword,
To execute upon him: Sir, this † gentleman
Steps in to note Cassio, and entreats his pause;
Myself the crying fellow did pursue,
Lest, by his clamour, (as it so fell out)
The town might fall in fright: he, swift of foot,
Out-ran my purpose; and I return'd the rather note
For that I heard the clink and fall of swords,
And Cassio high in oath note, which, 'till to-night,
I ne'er might say before note: When I came back,

-- 47 --


(For this was brief) I found them close together,
At blow, and thrust; even as again they were,
When you yourself did part them.
More of this matter can I not note report:—
But men are men; the best sometimes forget:
Though Cassio did some little wrong to him,—
As men in rage strike those that wish them best,—
Yet, surely, Cassio, I believe, receiv'd,
From him that fled, some strange indignity,
Which patience could not pass.

Oth.
I know, Iago,
Thy honesty and love doth mince this matter,
Making it light to Cassio:—Cassio, I love thee;
But never more be officer of mine.— Enter Desdemona, attended.
Look, if my gentle love be not rais'd up;—
I'll make thee an example.

Des.
What is the matter, dear note?

Oth.
All's well now note, sweeting:
Come, let's away to bed.—Sir, [to Mon.] for your hurts,
Myself will be your surgeon:—lead him off.— [Exeunt Some with Montano.
Iago, look with care about the town;
And silence those whom this vile brawl distracted.—
Come, Desdemona; 'tis the soldiers' life,
To have their balmy slumbers wak'd with strife.
[Exit; with Des. Gen. &c.

Iag.

What, are you hurt, lieutenant?

Cas.

Ay, past all surgery.

Iag.

Marry, heaven forbid note!

Cas.

Reputation, reputation, I note have lost my reputation; I have lost the immortal part of note myself, and what

-- 48 --

remains is bestial.—My reputation, Iago, my reputation.

Iag.

As I am an honest man, I thought you had note receiv'd some bodily wound; there is more sense in note that, than in reputation. Reputation is an idle and most false imposition; oft got without merit, and lost without deserving: You have lost no reputation at all, unless you repute yourself such a loser. What, man! there are ways note to recover the general again: You are but now cast in his mood, a punishment more in policy than in malice; even so as one would beat his offenceless dog, to affright an imperious lion: sue to him again, and he's yours.

Cas.

I will rather sue to be despis'd, than to deceive so good a commander, with so slight note, so drunken, and so indiscreet note an officer. Drunk? and speak parrat? and note squabble? swagger? swear? and discourse fustian with one's own shadow?—O thou invisible spirit of wine, if note thou hast no name to be known by, let us call thee— devil.

Iag.

What was he that you follow'd with your sword? What had he done to you?

Cas.

I know not.

Iag.

Is't possible?

Cas.

I remember a mass of things, but nothing distinctly; a quarrel, but nothing wherefore.—O, that note men should put an enemy in their mouths, to steal away their brains! that we should, with joy, revel, pleasure, note and applause, transform ourselves into beasts!

Iag.

Why, but you are now well enough; How came you thus recover'd?

Cas.

It hath pleas'd the devil, drunkenness, to give place to the devil, wrath: one unperfectness shews me another, to make me frankly despise myself.

-- 49 --

Iag.

Come, you are too severe a moraler: As the time, the place, and note the condition of this country stands. I could heartily with this had not befall'n note; but, since it is as it is, mend it for your own good.

Cas.

I will ask him for my place again; he shall tell me, I am a drunkard: had I as many mouths as Hydra, such an answer would stop them all. To be now a sensible man, by and by a fool note, and presently a beast! o strange! note Every inordinate note cup is unblest, and the ingredience note is a devil.

Iag.

Come, come, good wine is a good familiar creature, if it be well us'd; exclaim no more against it. And, good lieutenant, I think, you think I love you:

Cas.

I have well approved it, sir.—I drunk!

Iag.

You, or any man living, may be drunk at some time note, man note. I'll tell you what you shall do: Our general's wife is now the general;—I may say so in this respect, for that he hath devoted note and given up himself to the contemplation, mark, and denotement note, of her parts and graces:—confess yourself freely to her, impórtune her help to note put you in your place again; she is of so note free, so kind, so apt, so blessed a disposition, that she holds it a vice in her goodness, not to do more than she is requested: This broken joint, between note you and her husband, entreat her to splinter; and, my fortunes against any lay worth naming, this crack of your love shall grow stronger than it was before.

Cas.

You advise me well.

Iag.

I protest, in the sincerity of love, and honest kindness.

Cas.

I think it freely; and, betimes in the morning, I will note beseech the virtuous Desdemona to undertake for

-- 50 --

me: I am desperate of my fortunes, if they check me here note.

Iag.

You are in the right. Good night, lieutenant; I must to the watch.

Cas.

Good night, honest Iago.

[Exit Cassio.

Iag.
And what's he then,14Q1503 that says—I play the villain?
When this advice is free I give, and honest,
Probable note to thinking, and (indeed) the course
To win the Moor again? For 'tis most easy,
The inclining Desdemona to subdue
In any honest suit; she's fram'd as fruitful
As the free elements: And then for her
To win the Moor,—were't to note renounce his baptism,
All seals and symbols of redeemed sin,—
His soul is so enfetter'd to her love,
That she may make, unmake, do what she list,
Even as her appetite shall play the god
With his weak function. How am I then a villain,
To counsel Cassio to this parallel course,
Directly to his good? Divinity of hell!
When devils will the blackest note sins put on,
They do suggest at first with heavenly shews,
As I do now: For, while note this honest fool
Plies Desdemona to repair his fortunes note,
And she for him pleads strongly to the Moor,
I'll pour this pestilence into his ear,—
That she repeals him for her body's lust;
And, by how much she strives to do him good,
She shall undo her credit with the Moor.
So will I turn her virtue into pitch;
And out of her own goodness make the net,

-- 51 --


That shall enmesh note them all.—How now, Roderigo? Enter Roderigo.

Rod.

I do follow here in the chace, not like a hound that hunts, but one that fills up the cry. My money is almost spent; I have been to-night exceedingly well cudgel'd; and note, I think, the issue will be—I shall have so much experience for my pains: and so, with no money at all, and a little more wit note, return again note to Venice.

Iag.
How poor are they, that have not patience!—
What wound did ever heal, but by degrees?
Thou know'st, we work by wit, and not by witchcraft;
And wit depends on dilatory time.
Does't not go well? Cassio hath note beaten thee,
And thou, by that small hurt, hast note cashier'd Cassio:
Though other things grow fair against the sun,
Yet fruits note, that blossom first, will first be ripe:
Content thyself a while.—By th' mass, 'tis note morning;
Pleasure, and action, make the hours seem short—
Retire thee, go where thou art billeted:
Away, I say; thou shalt know more hereafter:
Nay, get thee gone.— [Exit Roderigo.
Two things note are to be done,—
My wife must move for Cassio to her mistress,
I'll set her on;
Myself, the while, note to draw the Moor apart,
And bring him jump when he may Cassio find
Soliciting his wife: Ay, that's the way;
Dull not device by coldness and delay.
[Exit.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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