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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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ACT III. SCENE I. The same. Another Room in the same. Enter King, Queen, Polonius, Ophelia; Rosincrantz, and Guildenstern.

Kin.
And can you by no drift of conference note
Get from him, why he puts on this confusion;
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy?

Ros.
He does confess, he feels himself distracted;
But from what cause he will by no means speak.

Gui.
Nor do we find him forward to be sounded;
But, with a crafty madness, keeps aloof,
When we would bring him on to some confession
Of his true state.

Que.
Did he receive you well?

Ros.
Most like a gentleman.

Gui.
But with much forcing of his disposition.

Ros.
Niggard of question;14Q1443 but, of our demands note,
Most free in his reply.

Que.
Did you assay him
To any pastime?

Ros.
Madam, it so fell out, that certain players
We o'er-raught note on the way: of these we told him;
And there did seem in him a kind of joy

-- 58 --


To hear of it: They are about note the court;
And, as I think, they have already order
This night to play before him.

Pol.
'Tis most true:
And he beseech'd me to entreat your majesties,
To hear and see the matter.

Kin.
With all my heart;
And it doth much content me, to hear him so inclin'd.—
Good gentlemen, give him a further edge,
And drive his purpose on to note these delights.

Ros.
We shall, my lord.
[Exeunt Ros. and Gui.

Kin.
Sweet Gertrude, leave us too: note
For we have closely sent for Hamlet hither;
That he, as 'twere by accident, may here note
Affront Ophelia: Her father, and myself note,
Will so note bestow ourselves, that, seeing, unseen,
We may of their encounter frankly judge;
And gather by him, as he is behav'd,
If't be the affliction of his love, or no,
That thus he suffers for.

Que.
I shall obey you:—
And, for my note part, Ophelia, I do wish,
That your good beauties be the happy cause
Of Hamlet's wildness; so shall I hope, your virtues
Will bring him to his wonted way again,
To both your honours.

Oph.
Madam, I wish it may.
[Exit Queen.

Pol.
Ophelia, walk you here:—Gracious, so please you note,
We will bestow ourselves:—read on this &dagger2; book;
That show note of such an exercise may colour
Your loneliness. note—We are oft to blame note in this,—

-- 59 --


'Tis too much prov'd,—that, with devotion's visage,
And pious action, we do sugar o'er note
The devil himself.

&clquo;Kin.
&clquo;O, 'tis too note true! how smart&crquo;
&clquo;A lash that speech doth give my conscience!&crquo;
&clquo;The harlot's cheek, beauty'd with plast'ring art,&crquo;
&clquo;Is not more ugly to the thing that helps it,&crquo;
&clquo;Than is my deed to my most painted word:&crquo;
&clquo;O heavy burthen!&crquo;

Pol.
I hear him coming; let's note withdraw, my lord.
[Exeunt King, and Polonius. Enter Hamlet.

Ham.
To be, or, not to be, that is the question:
Whether 'tis nobler in the mind, to suffer
The slings and arrows of outragious fortune;
Or to take arms14Q1444 against a sea of troubles,
And, by opposing, end them. To die; to sleep;
No more? and, by a sleep, to say we end
The heart-ach, and the thousand natural shocks
That flesh is heir to, note—'tis a consummation,
Devoutly to be wish'd. To die; to sleep;—
To sleep! perchance, to dream; Ay, there's the rub;
For in that sleep of death what dreams may come,
When we have note shuffl'd off this mortal coil,
Must give us pause: There's the respect,
That makes calamity of so long life:
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's note contumely,
The pangs of despis'd love, the law's delay,
The insolence of office, and the note spurns
That patient merit of the unworthy takes,
When he note himself note might his quietus note make

-- 60 --


With a bare bodkin? who would fardels note bear,
To groan and note sweat under a weary life;
But that the dread of something after death—
The undiscover'd country, from whose bourn
No traveller returns—puzzles the will;
And makes us rather bear those ills we have,
Than fly to others that we know not of?
Thus conscience does make cowards of us all: note
And thus the native hue of resolution
Is sickly'd note o'er with the pale cast of thought;
And enterprizes of great pith note and moment,
With this regard, their currents turn away note,
And lose note the name of action. Soft you now;
The fair Ophelia:—Nymph, in thy orisons note
Be all my sins remember'd.

Oph.
Good my lord,
How does your honour for this many a day?

Ham.
I humbly thank you; well.

Oph.
My lord, I have remembrances of yours,
That I have longed long to redeliver;
I pray you now, receive † them.

Ham.
No, not I;
I never note gave you ought.

Oph.
My honour'd lord, you know note right well, you did;
And, with them, words of so sweet breath compos'd
As made the things note more rich: their perfume lost, note
Take these again; for to the noble mind
Rich gifts wax poor, when givers prove unkind.
There, † my lord.

Ham.
Ha, ha! are you honest?

Oph.
My lord?

-- 61 --

Ham.

Are you fair?

Oph.

What means your lordship?

Ham.

That, if you be honest, and fair, your honesty should note admit no discourse to your beauty.

Oph.

Could beauty, my lord, have better commerce than with honesty note?

Ham.

Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd, than the force of honesty can translate beauty into it's note likeness note: this was some time a paradox, but now the time gives it proof. I did love you once.

Oph.

Indeed, my lord, you made me believe so.

Ham.

You should not have believ'd me: for virtue cannot so inoculate our note old stock, but we shall relish of it: I lov'd you not.

Oph.

I was the more deceived.

Ham.

Get thee to note a nunnery; Why would'st thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things, that it were better, my mother had not born me: I am very proud, revengeful, ambitious; with more offences at my beck, than I have thoughts to put them in, imagination to give them shape, or time to act them in: What should such fellows as I do crawling between earth and heaven? note We are arrant knaves, all; note believe none of us: Go thy ways to a nunnery. Where's your father?

Oph.

At home, my lord.

Ham.

Let the doors be shut upon him; that he may play the fool no where but note in's own house. Farewel.

Oph.

O, help him, you sweet heavens!

Ham.

If thou dost marry, I'll give thee this plague for thy dowry; Be thou as chast as ice, as pure as snow,

-- 62 --

thou shalt not escape calumny. Get thee to a nunnery: farewel note. Or, if thou wilt needs marry, marry a fool; for wise men know well enough, what monsters you make of them. To a nunnery, go; and quickly too: Farewel.

Oph.

Heavenly note powers, restore him!

Ham.

I have heard of your paintings note too note well enough; God hath given you one face, and you make yourselves note another: you jig note, you amble, note and you lisp, and nickname note God's creatures, and make your note wantonness your ignorance: Go to, I'll note no more note on't; it hath made me mad. I say, we will have no more marriages: those that are marry'd already, all but one, shall live; note the rest shall keep as they are. To a nunnery, go.

[Exit Hamlet.

Oph.
O, what a noble mind is here o'erthrown!
The courtier's, soldier's, scholar's, note eye, tongue, sword;
The expectancy and note rose of the fair state,
The glass of fashion, and the mold of form,
The observ'd of all observers, quite, quite down!
And I note, of ladies14Q1445 most deject and wretched,
That suck'd the honey of his musick note vows,
Now see that note noble and most sovereign reason,
Like sweet bells jangl'd, out of tune note and harsh;
That unmatch'd form and note feature note of blown youth,
Blasted with extasy: O, woe is me,
To have seen what I have seen, see what I see!
Re-enter King, and Polonius.

Kin.
Love! his affections do not that way tend;
Nor what note he spake, though it lack'd form a little,
Was not like madness. There's something in his soul,
O'er which his melancholy sits on brood;
And, I do doubt, the hatch, and the disclose,

-- 63 --


Will be some danger: Which for to note prevent,
I have, in quick determination,
Thus set it down; note He shall with speed to England,
For the demand of our neglected tribute:
Haply, the seas, and countries different,
With variable objects, shall expel
This something settl'd matter in his heart;
Whereon his brains still beating, puts him thus
From fashion of himself. What think you on't?

Pol.
It shall do well: But yet do I believe,
The origin and commencement of his note grief
Sprung from neglected love.—How now, Ophelia?
You need not tell us, what lord Hamlet said;
We heard it all.—My lord, do as you please;
But, if you hold it fit, after the play,
Let his queen mother all alone intreat him
To show his grief; note let her be round with him;
And I'll be plac'd, so please you, in the ear
Of all their conference: If she find him not,
To England send him; or confine him, where
Your wisdom best shall think.

Kin.
It shall be so:
Madness in great ones must not unwatch'd note go.
[Exeunt. SCENE II. The same. A Hall in the same, fitted as for a Play. Enter Hamlet, and some of the Players.

Ham.

Speak the speech, I pray you, as I pronounc'd it to you, trippingly on the tongue: but if you mouth it, as many of our note players do, I had as lieve the towncryer spoke note my lines. Nor do not saw the air too much with note your hand, thus; but use all gently: for in the very

-- 64 --

torrent, tempest, and, as I may say, whirlwind note of your note passion, you must acquire and beget a temperance, that may give it smoothness. O, it offends me to the soul, to hear a note robustious periwig-pated note fellow tear a passion to tatters note, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing, but inexplicable dumb shows, and noise: I would note have such a fellow whip'd for o'er-doing Termagant; it out-herods Herod: Pray you, avoid it.

1. P.

I warrant your honour.

Ham.

Be not too tame neither, but let your own discretion be your tutor: sute the note action to the word, the word to the action; with this special observance, that you o'er-step note not the modesty of nature: For any thing so o'er-done note is from the purpose of playing, Whose end, both at the first, note and now, was, and is, to hold, as 'twere, the mirrour up to nature; to shew virtue her feature, note scorn her own image, and the very age and body of the time his form and pressure: Now this, over-done, or come tardy off, though it makes note the unskillful laugh, cannot but make the judicious grieve; the censure of which note one must, in your allowance, o'er-weigh note a whole theatre of others. O, there be players, that I have seen play,—and heard others praise note, and that highly,—not to speak it prophanely, that, neither having the accent of christians, nor the gait of christian, pagan, nor man note, have so strutted, and bellow'd, that I have thought, some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.

1. P.

I hope, we have reform'd that indifferently with us. note

-- 65 --

Ham.

O, reform it altogether. And let those, that play your clowns, speak no more than is set down for them: For there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be consider'd: that's villanous; and shews a most pitiful ambition in the fool that uses it. Go make you ready.—

[Exeunt Players. Enter Polonius, Rosincrantz, and Guildenstern.

How now, my lord? will the king hear this piece of work?

Pol.

And the queen too, and that presently.

Ham.
Bid the players make haste.— [Exit Pol.
Will you two help to hasten them?

Ros.
Ay, my note lord.
[Exeunt Ros. and Gui.

Ham.
What, ho; Horatio note!
Enter Horatio.

Hor.
Here, sweet lord, at your service.

Ham.
Horatio, thou art e'en as just a man
As e'er my conversation cop'd withal.

Hor.
O, my dear lord,—

Ham.
Nay, do not think I flatter:
For what advancement may I hope from thee;
That no revenue hast, but thy good spirits,
To feed, and cloath thee? Why should the poor be flatter'd?
No, let the candy'd tongue lick note absurd pomp;
And crook the pregnant hinges of the knee,
Where thrift may follow fawning. note Dost thou hear?
Since my dear soul was mistress of her choice, note
And could of men distinguish, her election
Hath note seal'd thee for herself: for thou hast been

-- 66 --


As one, in suffering all, that suffers nothing;
A man, that fortune's buffets and rewards
Hast ta'en note with equal thanks: and blest are those,
Whose blood and judgment are so well comingl'd note,
That they are not a pipe for fortune's finger
To sound what stop she please: Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this.
There is a play to-night before the king;
One scene of it comes near the circumstance,
Which I have told thee, of my father's death.
I pr'ythee, when thou see'st that act a-foot,
Even with the very note comment of thy note soul
Observe my uncle: note if his occult guilt note
Do not itself unkennel in one speech,
It is a damned ghost that we have seen;
And my imaginations are as foul
As Vulcan's stithy: note Give him heedful note note:
For I mine eyes will rivet to his face;
And, after, we will both our judgments note join,
In censure note of his seeming.

Hor.
Well, my lord:
If he steal note ought, the whilst this play is playing,
And scape detecting note, I will pay the theft.

Ham.
They are coming to the play; I must be idle:
Get you a place.
Danish March. A Flourish. Enter King, Queen, Polonius, Ophelia; Rosincrantz, Guildenstern, and Others, attendant; Guard, carrying Torches, preceding.

Kin.

How fares our cousin Hamlet?

-- 67 --

Ham.

Excellent, i' faith; of the camelion's dish: I eat the air, promise-cram'd: You cannot feed capons so.

Kin.

I have nothing with this answer, Hamlet; these words are not mine.

[pass to their Seats.

Ham.

No, nor mine now, my lord.—You play'd once i' the university, you say?

Pol.

That did I note, my lord; and was accounted a good actor.

Ham.

And note what did you enact?

Pol.

I did enact Julius Cæsar: I was kill'd i' the capitol; Brutus kill'd me.

Ham.

It was a brute part of him, to kill so capital a calf there.—Be the players ready?

Ros.

Ay, my lord; they stay upon your patience.

Que.

Come hither, my dear Hamlet, note sit by me.

Ham.

No, good mother, here's metal more attractive.

[seating himself at Ophelia's Feet.

&clquo;Pol.

&clquo;O ho! do you mark that?&crquo;

[to the King.

Ham.

Lady, shall I lie in your lap?

Oph.

No, my lord.

Ham.

I mean, my head in your lap? note

Oph.

Ay, my lord.

Ham.

Do you think, I meant country matters?

Oph.

I think nothing, my lord.

Ham.

That's a fair thought to lie between maids' legs.

Oph.

What is, my lord?

Ham.

Nothing.

Oph.

You are merry, my lord.

Ham.

Who, I?

Oph.

Ay, my lord.

Ham.

O God, your only jig-maker. What should a

-- 68 --

man do, but be merry? for, look you, how cheerfully my mother looks, and my father dy'd within 's two hours.

Oph.

Nay, 'tis twice two months, my lord.

Ham.

So long? Nay, then let the devil wear black, for I'll have a sute of sables. O heavens! die two months ago, and not forgotten yet? Then there's hope, a great man's memory may out-live his life half a year: But, by-r-lady, he must build churches then: or else shall he suffer not thinking on, with the hobby-horse; whose epitaph is, For, o, for, o, the hobby-horse is forgot.14Q1446

Musick. Dumb Show. Enter a King,and a Queen, very lovingly; the Queen embracing him, and he her: she kneels, and makes shew of protestation unto him; he takes her up, and declines his head upon her neck: lays him down upon a bank of flowers; she, seeing him asleep, leaves him. Anon, comes in another man; takes off his crown, kisses it, pours poison in the sleeper's ears, and leaves him. The Queen returns; finds the King dead, and makes passionate action. The poisoner, with some three or four mutes, comes in again; seems to condole with her; the dead body is carry'd away. The poisoner woes the Queen with gifts; she seems harsh a while, but, in the end, accepts love. [Exeunt.

Oph.

What means this, my lord?

Ham.

Marry, this is note munching Malicho14Q1447; it means note mischief.

Oph.

Belike, this show imports the argument of the play.

Enter Prologue.

Ham.

We shall know by this fellow: note the players cannot keep counsel; note they'll tell all.

-- 69 --

Oph.

Will he tell note us what this show meant?

Ham.

Ay, or any show that you'll show him: Be not you asham'd to show, he'll not shame to tell you what it means.

Oph.

You are naught, you are naught; I'll mark the note play.


&cast;Pro.
&cast;For us, and for our tragedy,
&cast;Here stooping to your clemency,
&cast;We beg your hearing patiently.

Ham.
Is this a prologue, or the posy note of a ring?

Oph.
'Tis brief, my lord.

Ham.
As woman's love.
Enter a Duke, and a Dutchess.

&cast;Duk.
&cast;Full thirty times14Q1448 hath Phœbus' cart gone round
&cast;Neptune's salt wash, and Tellus' orbed ground; note
&cast;And thirty dozen moons, with borrow'd sheen,
&cast;About the world have times note twelve thirties been;
&cast;Since love our hearts, and Hymen did our hands,
&cast;Unite co-mutual in most sacred bands.

&cast;Dut.
&cast;So many journies may the sun and moon
&cast;Make us again count o'er, ere love be done!
&cast;But, woe is me, you are so sick of late,
&cast;So far from cheer, and from your note former state, note
&cast;That I distrust you. Yet, though I distrust,
&cast;Discomfort you, my lord, it nothing must: note
&cast;For women's fear and love hold note quantity;
&cast;In neither ought, or in note extremity:
&cast;Now, what my love is note, proof hath made you know;
&cast;And as my love is siz'd, note my fear is so.
&cast;Where love is great, the littl'st doubts are fear; note
&cast;Where little fears grow great, great love grows there.

&cast;Duk.
&cast;'Faith, I must leave thee, love, and shortly too;

-- 70 --


&cast;My operant powers their functions note leave to do:
&cast;And thou shalt live in this fair world behind,
&cast;Honour'd, belov'd; and, haply, one as kind
&cast;For husband shalt thou—

&cast;Dut.
&cast;O, confound the rest!
&cast;Such love must needs be treason in my breast:
&cast;In second husband let me be accurst!
&cast;None wed the second, but who kill'd the first.

&clquo;Ham.
&clquo;That's wormwood. note&crquo;

&cast;Dut.
&cast;The instances, that second marriage move,
&cast;Are base respects of thrift, but none of love:
&cast;A second time I kill my husband dead,
&cast;When second husband kisses me in bed.

&cast;Duk.
&cast;I do believe, you think what now you speak:
&cast;But, what we do determine, oft we break.
&cast;Purpose is but the slave to memory;
&cast;Of violent birth, but poor validity:
&cast;Which now, like fruit note unripe, sticks on the tree;
&cast;But fall, unshaken, when they mellow be.
&cast;Most necessary 'tis, that we forget
&cast;To pay ourselves what to ourselves is debt:
&cast;What to ourselves in passion we propose,
&cast;The passion ending, doth the purpose lose.
&cast;The violence of either note grief or joy
&cast;Their own enactures note with themselves destroy:
&cast;Where joy most revels, grief doth most lament;
&cast;Grief joys, joy grieves, note on slender accident.
&cast;This world is not for aye; nor 'tis not strange,
&cast;That even our loves should with our fortunes change;
&cast;For 'tis a question left us yet to prove,
&cast;Whether love lead fortune, or else fortune love.
&cast;The great man down, you mark, his favourite note flies:

-- 71 --


&cast;The poor advanc'd makes friends of enemies.
&cast;And hitherto doth love on fortune tend:
&cast;For who not needs, shall never lack a friend;
&cast;And who in want a hollow friend doth try,
&cast;Directly seasons him his enemy.
&cast;But, orderly to end where I begun,—
&cast;Our wills, and fates, do so contrary run,
&cast;That our devices still are overthrown;
&cast;Our thoughts are ours, their ends none of our own:
&cast;So think thou wilt no second husband wed;
&cast;But die thy thoughts, when thy first lord is dead.

&cast;Dut.
&cast;Nor, earth, o, give note me note food; nor, heaven, light!
&cast;Sport, and repose, lock from me, day, and night!
&cast;To desperation note turn my trust and hope!
&cast;An anchor's note cheer in prison be my scope!
&cast;Each opposite, that blanks the face of joy,
&cast;Meet what I would have well, and it destroy!
&cast;Both here, and hence, pursue me lasting strife,
&cast;If, once a widow, ever I be wife! note

Ham.
If she should break it now,—
to Oph.

&cast;Duk.
&cast;'Tis deeply sworn. Sweet, leave me here a while;
&cast;My spirits grow dull, and fain I would beguile
&cast;The tedious day with sleep.
[lays him down.

&cast;Dut.
&cast;Sleep rock thy brain;
&cast;And never come mischance betwixt note us twain!
[Exit Dutchess. Duke sleeps.

Ham.
Madam, how like you this play? note

Que.
The lady protests note too much, methinks.

Ham.
O, but she'll keep her word.

Kin.

Have you heard the argument? is there no offence in't?

-- 72 --

Ham.

No, no, they do but jest, poison in jest; no offence i' the world.

Kin.

What do you call the play?

Ham.

The mouse-trap: Marry, how? Tropically. This play is the image of a murther done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: But what of that? your majesty, and we that have note free souls, it touches us not: Let the gall'd jade winch, our withers are unwrung. note

Enter Nephew, with a Vial.

This is one Lucianus, nephew to the duke note.

Oph.

You are as good as a chorus, note my lord.

Ham.

I could interpret between you and your love, if I could see the puppets dallying.

Oph.

You are keen, my lord, you are keen.

Ham.

It would cost you a groaning, to take off my edge. note

Oph.

Still better, and worse.14Q1449

Ham.

So you mis-take husbands note.—Begin, murtherer; leave note thy damnable faces, and begin: Come, The croaking raven doth bellow for revenge.

&cast;Nep.
&cast;Thoughts black, hands apt, drugs fit, and time agreeing;
&cast;Confederate note season, else no creature seeing;
&cast;Thou mixture † rank, of midnight weeds collected,
&cast;With Hecat's ban thrice blasted, thrice infected, note
&cast;Thy natural magick, and dire property,
&cast;On wholesome life usurps note immediately.
[pouring it in the Sleeper's Ear.

Ham.

He poisons note him i' the garden for his estate note; his name's Gonzago: the story is extant, and written in very

-- 73 --

choice note Italian: You shall see anon, how the murtherer gets the love of Gonzago's wife.

Oph.

The king rises.

Ham.

What, frighted with false fire! note

Que.

How fares my lord?

Pol.

Give o'er the play.

Kin.

Give me some light: away.

Pol.

Lights, note lights, lights!

[Exeunt All but Hamlet, and Horatio.

Ham.



Why, let the strooken note deer go weep,
  The heart ungalled play:
For some must watch, while note some must sleep;
  So runs note the world away.—

Would not this, sir, and a forest of feathers, (if the rest of my fortunes turn Turk with me) with two note Provencial roses on my ray'd note note shoes, get me a fellowship in a cry of note players, note, sir? note

Hor.

Half a share.


Ham.
A whole one, I.
For thou dost know, o Damon dear,
  This realm dismantl'd was
Of Jove himself; and now reigns here
  A very, very—peacock note.14Q1450

Hor.

You might have rhim'd.

Ham.

O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive?

Hor.

Very well, my lord.

Ham.

Upon the talk of the poisoning,—

Hor.

I did very well note him.

Enter Rosincrantz, and Guildenstern.

Ham.

Ha, ha! note—Come, some musick; come, the recorders.—

-- 74 --



For if the king like not the comedy,
Why then, belike, he likes it not, perdy.—
Come, some musick.

Gui.

Good my lord, vouchsafe me a word with you.

Ham.

Sir, a whole history.

Gui.

The king, sir,—

Ham.

Ay, sir, what of him?

Gui.

Is, in his retirement, marvelous distemper'd.

Ham.

With drink, sir?

Gui.

No, my lord, with note choler.

Ham.

Your wisdom should shew itself more richer note, to signify this to the doctor; note for, for me note to put him to his purgation, would, perhaps, plunge him into more note choler.

Gui.

Good my lord, put your discourse into some frame, and start not note so wildly from my affair.

Ham.

I am tame, sir; pronounce.

Gui.

The queen, your mother, in most great affliction of spirit, hath sent me to you:

Ham.

You are welcome.

[with great Ceremony.

Gui.

Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon, and my return, shall be the end of business note.

Ham.

Sir, I cannot.

Ros.

What note, my lord?14Q1451

Ham.

Make you a wholesome answer; my wit's diseas'd: But, sir, such answer note as note I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter; My mother, you say,—

Ros.

Then thus she says; Your behaviour hath strook

-- 75 --

her into amazement and admiration.

Ham.

O wonderful son, that can so 'stonish note a mother!— But is there no sequel at the heels of this mother's admiration? impart. note

Ros.

She desires to speak with you in her closet, ere you go to bed.

Ham.

We shall obey, were she ten times our mother. Have you any further trade with us?

Ros.

My lord, you once did love me.

Ham.

And do note still, by these pickers and stealers.

Ros.

Good my lord, what is your cause of distemper? you do, surely, bar note the door upon your note own liberty, if you deny your griefs to your friend.

Ham.

Sir, I lack advancement.

Ros.

How can that be, when you have the voice of the king himself for your succession in Denmark?

Enter the Players, with Recorders.

Ham.

Ay, sir; note but, While the grass grows,—the proverb is something musty.—O, the recorders: note—let me see &dagger2; one.—&clquo;To withdraw with you:&crquo;—Why do you go about to recover the wind of me, as if you would drive me into a toil?

Gui.

O, my lord, if my duty be too bold, my love is too unmannerly.

Ham.

I do not well understand that. Will you play upon this † pipe?

Gui.

My lord, I cannot.

Ham.

I pray you.

Gui.

Believe me, I cannot.

Ham.

I beseech note you.

Gui.

I know no touch of it, my lord.

Ham.

'Tis as easy as lying: govern these ventages note

-- 76 --

with your fingers and the umber, note give it breath with your mouth, and it will discourse most eloquent note musick: Look you, these are the stops.

Gui.

But these cannot I command to any utterance of harmony; I have not the skill.

Ham.

Why, look you now, how unworthy a thing you make of me? You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me, from my lowest note to the top of note my compass: and there is much musick, excellent voice, in this little organ; yet cannot you make it speak. note 'S blood, do you think, I note am easier to be play'd on than a pipe? Call me what instrument you will, though you can fret me, you note cannot note play upon Enter Polonius. me.—God bless you, sir!

Pol.

My lord, the queen would speak with you, and presently.

Ham.

Do you see yonder cloud, note that's almost in shape of a note weazel?14Q1452

Pol.

By the note mass, note and 'tis like a weazel, indeed.

Ham.

Methinks, it is like a camel.

Pol.

It is back'd like note a camel.

Ham.

Or like a whale.

Pol.

Very like a whale.

Ham.

Then will I note come to my mother by and by.— They fool me [to Hor.] to the top of my bent.—I will come by and by note.

Pol.

I will say so.

[Exit Polonius.

Ham.
By and by is easily said.—Leave me, friends. [Exeunt Ros. and Gui. Horatio, and the Players, withdraw.

-- 77 --


'Tis now the very witching time of night;
When church-yards yawn, and hell itself breaths note out
Contagion to this world: note Now could I drink hot blood;
And do such bitter business, as the day note
Would quake to look on. Soft, now to my mother.
O, heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom:
Let me be cruel, not unnatural:
I will speak daggers note to her, but use none;
My tongue and soul in this be hypocrites:
How in my words soever note she be shent,
To give them seals never, my soul, consent. [Exeunt. SCENE III. The same. A Room in the same. Enter King, Rosincrantz, and Guildenstern.

Kin.
I like him not; nor stands it safe with us,
To let his madness range. Therefore, prepare you;
I your commission will forthwith dispatch,
And he to England shall along with you:
The terms of our estate may not endure
Hazard so near us, as note doth hourly grow
Out of his lunes note. note

Gui.
We will ourselves provide: note
Most holy and religious fear it is,
To keep those many many bodies note safe,
That live, and feed, upon your majesty.

Ros.
The single and peculiar life is bound,
With all the strength and armour of the mind,
To keep itself from 'noyance: but much more
That spirit, upon whose weal depend note and rest note
The lives of many. The cease of note majesty
Dies not alone; but, like a gulf, doth draw

-- 78 --


What's near it, with it: It is note a massy wheel,
Fixt on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortif'd and adjoin'd; which, when it falls,
Each small annexment, petty consequence,
Attends the boistrous ruin. note Never alone
Did the king sigh, but with a note general groan. note

Kin.
Arm you, I pray you, to this speedy voyage;
For we will fetters put upon this note fear,
Which now goes too free-footed.

Ros.
We note will haste note us.
[Exeunt Ros. and Gui. Enter Polonius.

Pol.
My lord, he's going to his mother's closet;
Behind the arras I'll convey myself,
To hear the process; note I'll warrant note, she'll tax him home:
And, as you said, and wisely was it said,
'Tis meet, that some more audience than a mother,
Since nature makes them partial, should o'er-hear
The speech, of vantage. Fare you well, my liege:
I'll call upon you ere you go to bed,
And tell you what I know. note

Kin.
Thanks, dear my lord. [Exit Polonius.
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther!—Pray can I not, note
Though inclination14Q1453be as sharp as will;
My stronger guilt defeats my strong intent;
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood?
Is there not rain enough in the sweet heavens,

-- 79 --


To wash it white as snow? Whereto serves mercy,
But to confront the visage of offence?
And what's in prayer, but this two-fold force,—
To be fore-stalled, ere we come to fall;
Or pardon'd note, being down? Then I'll look up;
My fault note is past. But, o, what form of prayer
Can serve my turn? Forgive me my foul murther!—
That cannot be; since I am still possest
Of those effects note for which I did the murther,
My crown, mine own ambition, and my queen.
May one be pardon'd, and retain the offence?
In the corrupted currents of this world,
Offence's gilded note hand may shove by note justice;
And oft 'tis seen, the wicked prize itself
Buys out the law: But 'tis not so above:
There is no shuffling, there the action lies
In his true nature; and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? what rests?
Try what14Q1454 repentance can: What can it not?
Yet what can it, when one can not repent? note
O wretched state! O bosom, black as death!
O limed soul; that, struggling to be free,
Art more engag'd! Help, angels note, make assay!
Bow, stubborn † knees! and, heart note, with strings of steel,
Be soft as sinews of the new-born babe;
All may be well! [remains in Action of Prayer. Enter Hamlet, at a Distance.

Ham.
Now might I do it, pat, now he is praying; note
And now I'll do't; [drawing.] And so he goes note to heaven:
And so am I reveng'd? That would be scan'd:
A villain kills my father; and, for that,

-- 80 --


I, his sole son, note do this same villain send
To heaven.
Why, this note is hire and salary, note not revenge.
He took my father grosly, full of bread;
With all his crimes broad blown, as flush as note May;
And, how his audit stands, who knows, save heaven?
But, in our circumstance and course of thought,
'Tis heavy with him: And am I then reveng'd,
To take him in the purging of his soul,
When he is fit and season'd for his passage?
No.
Up, † sword; and know thou a more horrid hint note:
When he is drunk, asleep, or in his rage;
Or in the incestuous pleasures of his bed;
At gaming, swearing; note or about some act
That has no relish of salvation in't:
Then trip him, that his heels may kick at heaven;
And that his soul may be as damn'd, and black,
As hell, whereto it goes. My mother stays:
This physick but prolongs thy sickly days. [Exit.

Kin.
My words fly up, [rises.] my thoughts remain below:
Words, without thoughts, never to heaven go.
[Exit. SCENE IV. The same. Another Room in the same. Enter Queen, and Polonius.

Pol.
He will note come straight. Look, you lay home to him:
Tell him, his pranks have been too broad to bear with;
And that your grace hath screen'd and stood between
Much heat and him. I'll silence me14Q1455 even † here.
Pray you, be round note

-- 81 --

Que.
I'll warrant you; note fear me not.
Withdraw, I hear him coming.
[Pol. hides himself. Enter Hamlet, abruptly.

Ham.
Now, mother; what's the matter?

Que.
Hamlet, thou hast thy father much offended.

Ham.
Mother, you have my father much offended.

Que.
Come, come, you answer with an idle tongue. note

Ham.
Go, go, you question with a wicked tongue.

Que.
Why, how now, Hamlet?

Ham.
What's the matter now?

Que.
Have you forgot me?

Ham.
No, by the rood note, not so:
You are the queen, your husband's brother's wife;
And, 'would it were note not so, you are my mother.

Que.
Nay, then I'll set those to you that can speak.

Ham.
Come, come, and sit you down; you shall not budge;
You go not, 'till I set you up note a glass,
Where you may see the inmost note part of you.

Que.
What wilt thou do? thou wilt not murther me?
Help, help, ho! note

Pol. [behind.]
What, ho! help! note

Ham.
How now! a rat?
Dead, for a ducat, dead.
[making a Pass at the Arras.

Pol. [behind.]
O, I am slain.
[falls forward, and dies.

Que.
O me, what hast thou done?

Ham.
Nay, I know not:
Is it the king?
[lifts up the Arras, and draws forth Polonius.

Que.
O, what a rash and bloody deed is this!

Ham.
A bloody deed;—almost as bad, good mother,
As kill a king, and marry with his brother.

-- 82 --

Que.
As kill a note king?

Ham.
Ay, lady, 'twas note my word—
Thou wretched, rash, intruding fool, farewel!
I took thee for thy better; note take thy fortune:
Thou find'st, to be too busy, is some danger.—
Leave wringing of your hands: Peace, sit you down;
And let me wring your heart: for so I shall,
If it be made of penetrable stuff;
If damned custom have not braz'd note it so,
That it be proof note and bulwark against sense.

Que.
What have I done, that thou dar'st wag thy tongue
In noise so rude against me?

Ham.
Such an act,
That blurs the grace and blush of modesty;
Calls virtue, hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a note blister there; makes marriage vows
As false as dicers' oaths: o, such a deed,14Q1456
As from the body of contraction plucks
The very soul; and sweet religion makes
A rhapsody of words: Heaven's face doth glow note;
Yea, this note solidity and compound mass,
With tristful visage note, as against the doom,
Is thought-sick at the act.

Que.
Ay me, what act, note
That roars so loud, and thunders in the index note?

Ham.
Look here note, upon this † picture, and on † this;
The counterfeit presentment of two brothers.
See, what a grace was note seated on this note † brow:
Hyperion's curls; the front of Jove himself;
An eye like Mars, to threaten and command note;

-- 83 --


A station like the herald Mercury,
New note-lighted on a heaven-kissing hill;
A combination, and a form, indeed,
Where every god did seem to set his seal,
To give the world assurance of a man:
This was your husband. Look you now, what follows:
Here † is your husband; like a mildew'd ear note,
Blasting his wholesome brother. Have note you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha, have you eyes?
You cannot call it, love: for, at your age,
The hey-day in the blood is tame; it's humble,
And waits upon the judgment; And what judgment
Would step from this to this? Sense, sure, you have; note14Q1457
Else, could you not have motion: But, sure, that sense
Is apoplex'd: for madness would not err;
Nor sense to exstasy was ne'er so thral'd,
But it reserv'd some quantity of choice,
To serve in such a difference. What devil was't,
That thus hath cozen'd you at hoodman-blind?
Eyes without feeling, feeling without sight, note
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.
O shame! where is thy blush? Rebellious hell, note
If thou canst mutine note in a matron's bones,
To flaming youth let virtue be as wax,
And melt in her own fire: proclaim no shame,
When the compulsive ardor gives the charge;
Since frost itself as actively doth burn,
And reason note panders note will.

Que.
O Hamlet, speak no more:

-- 84 --


Thou turn'st mine eyes into my very soul; note
And there I see such black and grained spots note,
As will not leave their note tinct.

Ham.
Nay, but to live
In the rank sweat of an incestuous note bed;
Stew'd in corruption; honying, and making love,
Over the nasty sty;—

Que.
O, speak to me no more;
These words like daggers enter in my ears; note
No more, sweet Hamlet.

Ham.
A murtherer, and a villain:
A slave, that is not twentieth part the tythe
Of your precedent lord: a vice of kings:14Q1458
A cutpurse of the empire and the rule;
That from a shelf the precious diadem stole,
And put it in his pocket.

Que.
No more. note
Enter Ghost.

Ham.
A king of shreds and patches:—
Save me, and hover o'er me with your wings,
You heavenly guards!—What would your gracious note figure?

Que.
Alas, he's mad.

Ham.
Do you not come your tardy son to chide,
That, laps'd in time and passion, let's note go by
The important acting of your dread command?
O, say.

Gho.
Do not forget: This visitation
Is but to whet thy almost blunted purpose.
But, look, amazement on thy mother sits:
O, step between her and her fighting note soul;
Conceit in weakest bodies strongest works;
Speak to her, Hamlet.

-- 85 --

Ham.
How is it with you, lady?

Que.
Alas, how is't with you?
That thus you bend note your eye on vacancy,
And with the incorporal note air do hold discourse?
Forth at your eyes your spirits wildly peep;
And, as the sleeping soldiers in the alarm,
Your bedded note hair, like life in excrements,
Starts up, and stands note an end. O gentle son,
Upon the heat and flame of thy distemper
Sprinkle cool patience. Whereon do you look?

Ham.
On him! on him! look you, how pale he glares!
His form and cause conjoin'd, preaching to stones,
Would make them capable.—Do not look upon me;
Lest, with this piteous action, you convert
My stern effects: then what I have to do
Will want true colour; tears, perchance, for blood.

Que.
To whom note do you speak this?

Ham.
Do you see nothing † there?

Que.
Nothing at all; yet all, that is, I note see.

Ham.
Nor did you nothing hear?

Que.
No, nothing, but ourselves.

Ham.
Why, look you † there; look, how it steals away;
My father, in his habit as he liv'd, note
Look, where he goes, even now, out at the portal!
[Exit Ghost.

Que.
This is the very coinage of your brain:
This bodiless creation exstasy
Is very cunning in.

Ham.
What exstasy? note
My pulse, as yours, doth temperately note keep time,
And makes as healthful musick: It is not madness,

-- 86 --


That I have utter'd: bring me to the test,
And I the note matter will re-word; which madness
Would gambol from. Mother, for love of grace,
Lay not that flattering note unction to your soul,
That not your trespass, but my madness, speaks:
It will but skin and film the ulcerous place;
Whiles note rank corruption, mining all within,
Infects unseen. Confess yourself to heaven;
Repent what's past; avoid what is to come;
And do not spread the compost on the note weeds,
To make them ranker. note Forgive me this my virtue:
For, in the fatness of these pursy note times,
Virtue itself of vice must pardon beg;
Yea, courb note, and woo, for leave to do him good.

Que.
O, Hamlet, thou hast cleft my heart in twain.

Ham.
O, throw away the worser part of it,
And live note the purer with the other half.
Good night: but go not to my uncle's note bed;
Assume a virtue, if you have it not.
That monster, custom14Q1459, who all sense doth eat note
Of habits evil, note is angel yet in this;
That to the use of actions fair and good
He likewise gives a frock, or livery,
That aptly is put on: Refrain note to-night;
And that shall lend a kind of easiness
To the next abstinence: the next, more easy: note
For use almost can change the stamp of nature,
And master even the note devil, or throw him out
With wondrous potency. Once more, good night:
And, when you are desirous to be blest,
I'll blessing beg of you. For this † same lord,
I do repent; But heaven hath pleas'd it so,—

-- 87 --


To punish me with this, and this with me,—
That I must be their scourge and minister:
I will bestow him, and will answer well
The death I gave him. So, again good-night.—
I must be cruel, only to be kind:
Thus bad note begins, and worse remains behind.—
Hark, one word more, good lady. note

Que.
What shall I do!

Ham.
Not this, by no means, that I bid you do:
Let the bloat king note tempt you again to bed;
Pinch wanton on your cheek; call you, his mouse;
And let him, for a pair of reechy kisses,
Or padling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good, you let him know:
For who, that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib,
Such dear concernings note hide? who would do so?
No, in despight of sense, and secresy,
Unpeg the basket on the house's top,
Let the birds fly; and, like the famous ape,
To try conclusions, in the basket creep,
And break your own neck down.

Que.
Be thou assur'd, if words be made of breath,
And breath of life, I have no life to breath
What thou hast said to me.

Ham.
I must to England; you know that?

Que.
Alack,
I had forgot; 'tis so concluded on.

Ham.
There's letters seal'd: and my two school-fellows,— note
Whom I will trust, as I will adders fang'd,—

-- 88 --


They bear the mandate; they must sweep my way,
And marshal me to knavery: Let it work;
For 'tis the sport, to have the engineer
Hoist with his own petar: and't shall go hard,
But I will delve one yard below their mines,
And blow them at the moon: O, 'tis most sweet,
When in one line two crafts directly meet.—
This man shall set me packing.
I'll lug the guts into the neighbour room:—
Mother, good night.—Indeed, this counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish note prating knave.
Come, sir, to † draw toward an end with you:—
Good night, mother. [Exeunt, severally; Hamlet tugging in Polonius.
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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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