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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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HAMLET.

-- 2 --

Introductory matter

Persons represented. Hamlet, Prince of Denmark: Claudius, King of Denmark, his Uncle. Polonius, a great Officer: Cornelius, Gentleman of the Court of Claudius. Voltimand [Voltemand], Gentleman of the Court of Claudius. Rosincrantz [Rosencrantz], Gentleman of the Court of Claudius. Guildenstern, Gentleman of the Court of Claudius. Laertes, Son to Polonius: Reynaldo, a Domestick. Horatio, Friend to Hamlet: Francisco, a Soldier; Bernardo, Officer. Marcellus, Officer. Osrick [Osric], a Courtier; another Courtier: Gentlemen [Gentleman], two; Clowns, two [Clown 1], [Clown 2], Grave-diggers; Priest [Priest 1], Player [Player 1], Sailor [Sailor 1], Servant to Horatio. Ghost of Hamlet's Father. Fortinbras, a Prince of Norway: a Captain: an Embassador [Ambassador]. Prologue; Presenter in the Interlude. Duke, Presenter in the Interlude. Dutchess, Presenter in the Interlude. their Nephew, Presenter in the Interlude. Gertrude, Hamlet's Mother, Queen to Claudius. Ophelia, Daughter of Polonius. Lords, Ladies, and divers other Attendants; Priests, Players, Sailors, Officers, and Soldiers. [Danes] Scene, Elsinour.

-- 3 --

HAMLET. ACT I. SCENE I. Elsinour. Platform of the Castle. Francisco upon his Post; Enter, to him, Bernardo.

Ber.
Who's there? note

Fra.
Nay, answer me; stand, and unfold
Yourself.

Ber.
Long live the king!

Fra.
Bernardo?

Ber.
He.

Fra.
You come most carefully upon your hour.

Ber.
'Tis now strook note twelve; get thee to bed, Francisco.

Fra.
For this relief, much thanks: 'tis bitter cold,
And I am sick at heart.

Ber.
Have you had quiet guard?

Fra.
Not a mouse stirring.

Ber.
Well, good night.
If you do meet Horatio and Marcellus,
The rivals of my watch, bid them make haste.
Enter Horatio, and Marcellus.

-- 4 --

Fra.
I think, I hear them:—Stand, ho! note who is there?

Hor.
Friends to this ground:

Mar.
And liegemen to the Dane.

Fra.
Give you good night.

Mar.
O, farewel, honest soldier: note
Who hath reliev'd you?

Fra.
Bernardo hath my note place:
Give you good night. [Exit Francisco.

Mar.
Hola! Bernardo!

Ber.
Say,
What, is Horatio there?

Hor.
A piece of him.

Ber.
Welcome, Horatio;—welcome, good Marcellus.

Hor.
What, note has14Q1413 this thing appear'd again to-night?

Ber.
I have seen nothing.

Mar.
Horatio says, 'tis but our fantasy; note
And will not let belief take hold of him,
Touching this dreaded sight, twice seen of us:
Therefore I have intreated him along,
With us to watch the minutes of this night;
That, if again this apparition come,
He may approve our eyes, and speak to it.

Hor.
Tush, tush, 'twill not appear.

Ber.
Sit down a while;
And let us once again assail your ears,
That are so fortify'd against our story,
What we have two nights note seen.

Hor.
Well, sit we down,
And let us hear Bernardo speak of this.

Ber.
Last night of all,
When yon' same star, that's westward from the pole,
Had made his course t'illume note note that part of heaven

-- 5 --


Where now it burns, Marcellus, and myself,
The bell then beating one,— Enter Ghost.

Mar.
Peace, break thee off; look, where it comes again!

Ber.
In the same figure, like the king that's dead.

Mar.
Thou art a scholar, speak to it, Horatio.

Ber.
Looks it not note like the king? mark it, Horatio.

Hor.
Most like: it harrows note me with fear, and wonder.

Ber.
It would be spoke to.

Mar.
Speak to it note, Horatio.

Hor.
What art thou, that usurp'st this time of night,
Together with that fair and warlike form
In which the majesty of bury'd Denmark
Did sometimes march? by heaven I charge thee, speak.

Mar.
It is offended.

Ber.
See, it stalks away.

Hor.
Stay; speak note; I charge thee, speak.
[Exit Ghost.

Mar.
'Tis gone, and will not answer.

Ber.
How now, Horatio? you tremble, and look pale:
Is not this something more than fantasy?
What think you on't? note

Hor.
Before my God, I might not this believe
Without the sensible and true avouch
Of mine own eyes.

Mar.
Is it not like the king?

Hor.
As thou art to thyself:
Such was the very note armour he had on,
When he note the ambitious Norway combated:
So frown'd he once, when, in an angry parle,
He smote note the sledded note Polack note on the ice.
'Tis strange.

-- 6 --

Mar.
Thus, twice before, and jump at note this dead hour, note
With martial stalk hath he gone by our watch.

Hor.
In what particular thought to work, I know not;
But, in the gross and scope of mine opinion, note
This bodes some strange eruption to our state.

Mar.
Good now sit down, and tell me, he that knows,
Why this same strict and most observant watch
So nightly toils the subject of the land;
And why such daily cast note of brazen cannon,
And foreign mart for implements of war;
Why such impress of ship-wrights, whose sore task
Does not divide the sunday from the week:
What might be toward, that this sweaty haste
Doth make the night joint-labourer with note the day;
Who is't, that can inform me?

Hor.
That can I;
At least, the whisper goes so. Our last king,
Whose image even but now appear'd to us,
Was, as you know, by Fortinbras of Norway,
Thereto prick'd on by a most emulate pride,
Dar'd to the combat; in which, our valiant Hamlet
(For so this side of our known world esteem'd him)
Did slay this Fortinbras: who, by a seal'd compact,
Well ratify'd by law, and heraldry14Q1414,
Did forfeit, with his life, all those note his lands,
Which he stood seiz'd of, note to the conqueror:
Against the which, a moiety competent
Was gaged by our king; which had return note
To the inheritance of Fortinbras,
Had he been vanquisher; note as, by the same comart note,
And carriage of the article note design'd note,
His fell to Hamlet: Now, sir, young Fortinbras,

-- 7 --


Of unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of lawless note resolutes,
For food and diet, to some enterprize
That hath a stomack in't; which is note no other,
(As it note doth well appear unto our state)
But to recover of us, by strong hand,
And terms compulsatory, note those foresaid lands
So by his father lost: And this, I take it,
Is the main motive of our preparations;
The source of this our watch, and the chief head
Of this post-haste and romage in the land.

Ber.
I think, it be no other, but even so: note
Well may it sort, that this portentous figure
Comes armed through our watch; so like the king
That was, and is the question of these wars.

Hor.
A mote note it is, to trouble the mind's eye.
In the most high and palmy state of Rome,
A little ere the mightiest Julius fell,
The graves stood tenantless, and the sheeted dead
Did squeak and gibber in the Roman streets;
Stars shone14Q1415 with trains of fire; dews of blood fell;
Disasters dim'd the note sun; and the moist star,
Upon whose influence Neptune's empire stands,
Was sick almost to dooms-day with eclipse.
And even the like precurse of fierce note events,—
As harbingers preceding still the fates,
And prologue to the omen note coming on,—
Have heaven and earth together demonstrated
Unto our climatures and countrymen. Re-enter Ghost.
But, soft; behold; lo, where it comes again!

-- 8 --


I'll cross it, though it blast me.—Stay, illusion;
If thou hast any sound, or use of voice,
Speak to me:
If there be any good thing to be done,
That may to thee do ease, and grace to me,
Speak to me:
If thou art privy to thy country's fate,
Which, hapily, foreknowing may avoid,
O, speak:
Or if thou hast uphoarded in thy life
Extorted treasure in the womb of earth,
For which, they say, you spirits note oft walk in death,
Speak of it; [Cock crows.] stay, and speak.—Stop it, Marcellus.

Mar.
Shall I strike at note it with my partizan?

Hor.
Do, if it will not stand.

Ber.
'Tis here.

Hor.
'Tis here.

Mar.
'Tis gone. [Exit Ghost.
We do it wrong, being so majestical,
To offer it the show note of violence;
For it is, as the air, invulnerable,
And our vain blows malicious mockery.

Ber.
It was about to speak, when the cock crew.

Hor.
And then it started, like a guilty thing
Upon a fearful summons. I have heard,
The cock, that is the trumpet to the morn, note
Doth with his lofty and shrill-sounding throat
Awake the god of day; and, at his warning,
Whether in sea or fire, in earth or air,
The extravagant and erring spirit hies
To his confine: and of the truth herein
This present object made probation.

-- 9 --

Mar.
It faded on the crowing of the cock.
Some say, note that ever 'gainst that season comes
Wherein our saviour's birth is celebrated,
This bird note of dawning singeth all night long:
And then note, they say, no spirit dares note stir abroad note;
The nights are wholesome; then no planets strike,
No fairy takes note, no witch hath power to charm,
So hallow'd and so gracious is the time. note

Hor.
So have I heard, and do in part believe it.
But, look, the morn, in russet mantle clad,
Walks o'er the dew of yon' high eastward note hill:
Break we our watch up; and, by my advice,
Let us impart what we have seen to-night
Unto young Hamlet; for, upon my life,
This spirit, dumb to us, will speak to him:
Do you consent we shall acquaint him with it,
As needful in our loves, fitting our duty?

Mar.
Let's do't, I pray; and I this morning know
Where we shall find him most convenient. note
[Exeunt. SCENE II. The same. A Room of State in the same. Enter King, Queen, and Hamlet; with Polonius, Laertes, Lords, &c. Voltimand, and Cornelius.

Kin.
Though yet of Hamlet our dear brother's death
The memory be green; and that it us befitted
To bear our hearts in grief, and our whole kingdom
To be contracted in one brow of woe;
Yet so far hath discretion fought with nature,
That we with wisest sorrow think on him,
Together with remembrance of ourselves.
Therefore our sometime note sister, now our queen,

-- 10 --


The imperial jointress of this note warlike state,
Have we, as 'twere, with a defeated joy,—
With one auspicious, and one dropping note eye;
With mirth in funeral, and with dirge in marriage;
In equal scale weighing delight and dole,—
Taken to wife: nor have we herein bar'd
Your better wisdoms, which have freely gone
With this affair along: For all, our thanks.
Now follows, that you know, young Fortinbras,—
Holding a weak supposal of our worth;
Or thinking, by our late dear brother's death,
Our state to be disjoint and out of frame,—
Co-leagued with this note dream of his advantage,
He hath not fail'd to pester us with message,
Importing the surrender of those lands
Lost by his father, with all bands note of law,
To our most valiant brother. So much for him.
Now for ourself, and for this time of meeting.
Thus much the business is: We have here † writ
To Norway, uncle of young Fortinbras,—
Who, impotent and bed-rid note, scarcely hears
Of this his nephew's purpose,—to suppress
His further gait herein; in that the levies,
The lists, and full proportions, are all made
Out of his subject: note—and we here dispatch
You, good Cornelius, and you, Voltimand, note
For bearers of note this greeting to old Norway;
Giving to you no further personal power
To business with the king, more than the scope
Of these &dagger2; dilated note articles allow.
Farewel; and let your haste commend your duty.

Cor. Vol.
In that, and all things, will we show note our duty.

-- 11 --

Kin.
We doubt it nothing; heartily farewel.— [Exeunt Voltimand, and Cornelius.
And now, Laertes, what's the news with you?
You told us of some suit; What is't, Laertes?
You cannot speak of reason to the Dane,
And lose note your voice: What would'st thou beg, Laertes,
That shall not be my offer, not thy asking?
The head is not14Q1416 more native to the heart,
The hand more instrumental to the mouth,
Than to the throne of Denmark is note thy father.
What would'st thou have, Laertes?

Lae.
My dread note lord,
Your leave and favour to return to France:
From whence though willingly I came to Denmark,
To show my duty in your coronation;
Yet now, I must confess, that duty done,
My thoughts and wishes bend again toward note France,
And bow them to your gracious leave and pardon.

Kin.
Have you your father's leave?—What says Polonius?

Pol.
He hath, my lord, wrung from me my slow leave note
By laboursome petition; and, at last,
Upon his will I seal'd my hard consent:
I do beseech you, give him leave to go.

Kin.
Take thy fair hour, Laertes; time be thine,
And thy best graces spend it at thy will.—
But now, my cousin Hamlet, and my son,—

&clquo;Ham.
&clquo;A little more than kin, and less than kind.&crquo;

Kin.
How is it that the clouds still hang on you?

Ham.
Not so, my lord, I am too much i' the sun. note

Que.
Good Hamlet, cast thy nighted note colour off,
And let thine eye look like a friend on Denmark.
Do not, for ever, with thy vailed note lids

-- 12 --


Seek for thy noble father in the dust:
Thou know'st, 'tis common; all, that live note, must die,
Passing through nature to eternity.

Ham.
Ay, madam, it is common.

Que.
If it be,
Why seems it so particular with thee?

Ham.
Seems, madam! nay, it is; I know not seems.
'Tis not alone my inky cloak, good mother note,
Nor customary suits of solemn black,
Nor windy suspiration of forc'd breath,
No, nor the fruitful river in the eye,
Nor the dejected 'haviour of the visage,
Together with all forms, modes, shapes of note grief,
That can denote note me truly: These, indeed, seem,
For they are actions that a man might play:
But I have that within, which passes note show;
These, but the trappings and the suits of woe.

Kin.
'Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
But, you must know, your father lost a father;
That father, lost, lost his; and the surviver bound,
In filial obligation, for some term
To do obsequious sorrow note: But to persever
In obstinate condolement, is a course
Of impious stubbornness; 'tis unmanly grief:
It shows a will most incorrect to heaven;
A heart unfortify'd, or mind note impatient;
An understanding simple and unschool'd:
For what, we know, must be, and is as common
As any the most vulgar thing to sense,
Why should we, in our peevish opposition,
Take it to heart? Fie! 'tis a fault to heaven,

-- 13 --


A fault against the dead, a fault to nature,
To reason most absurd; whose common theme
Is death of fathers; and who still hath cry'd,
From the first corse note 'till he that dy'd to-day,
This must be so. We pray you, throw to earth
This unprevailing woe; and think of us
As of a father: for, let the world take note,
You are the most immediate to our throne;
And, with no less14Q1417 nobility of love
Than that which dearest father bears his son,
Do I impart toward note you. For your intent
In going back to school in Wittenberg note,
It is most retrograde to our desire:
And, we beseech you, bend you to remain
Here, in the chear and comfort of our eye,
Our chiefest courtier, cousin, and our son.

Que.
Let not thy mother lose note her prayers, Hamlet;
I pray thee note, stay with us, go not to Wittenberg.

Ham.
I shall in all my best obey you, madam.

Kin.
Why, 'tis a loving and a fair reply;
Be as ourself note in Denmark.—Madam, come;
This gentle and unforc'd accord of Hamlet
Sits smiling to my heart: in grace whereof,
No jocond health, that Denmark drinks to-day,
But the great cannon note to the clouds shall tell;
And the king's rouze the heavens note shall bruit again,
Respeaking earthly thunder. Come, away.
[Exeunt King, Queen, Lords, &c. Pol. and Lae.

Ham.
O, that this too-too-solid note flesh would melt,
Thaw, and resolve itself into a dew!
Or that the everlasting had not fix'd
His canon 'gainst self-slaughter! O God, o God! note

-- 14 --


How weary, note stale, flat, and unprofitable
Seem note to me all the uses of this world!
Fie on't! ah, fie! 'tis note an unweeded garden,
That grows to seed; things rank, and gross in nature,
Possess it meerly. That it should come to this note!
But two months dead;—nay, not so much, not two:
So excellent a king; that was, to this,
Hyperion to a satyr: so loving to my mother,
That he might not let e'en the note note winds of heaven
Visit her face too roughly. Heaven and earth!
Must I remember? why, she would note hang on him,
As if encrease of appetite had grown
By what it fed on: And yet, within a month,—
Let me not think on't; Frailty, thy name is woman:—
A little month; or ere those shoes were old,
With which she follow'd my poor father's body,
Like Niobe, all tears; why she, even she, note
O heaven! a note beast, that wants discourse of reason,
Would have mourn'd longer,—marry'd with my uncle note,
My father's brother; but no more like my father,
Than I to Hercules: Within a month;
Ere yet the salt of most unrighteous tears
Had left the flushing in her note gauled eyes,
She marry'd:—O most wicked speed, to post
With such dexterity to incestuous sheets!
It is not, nor it cannot come to, good:
But break, my heart; for I must hold my tongue. Enter Horatio, Marcellus, and Bernardo.

Hor.
Hail to your lordship.

Ham.
I am glad to see you well:
Horatio,—or I do forget myself.

Hor.
The same, my lord, and your poor servant ever.

-- 15 --

Ham.
Sir, my good friend; I'll change that name with you.
And what make you from Wittenberg, Horatio?—
Marcellus?

Mar.
My good lord,—

Ham.
I am very glad to see you; good even, sir.—
But what, in faith, make you from Wittenberg?

Hor.
A truant disposition, good my lord.

Ham.
I would not hear your note enemy say so;
Nor shall you do my ear note that violence,
To make note it truster of your own report
Against yourself: I know, you are no truant.
But what is your affair in Elsinour?
We'll teach you to drink deep, ere note you depart.

Hor.
My lord, I came to see your father's funeral.

Ham.
I pray thee note, do not mock me, fellow student note;
I think, it was to see note my mother's wedding.

Hor.
Indeed, my lord, it follow'd note hard upon.

Ham.
Thrift, thrift, Horatio; the funeral bak'd meats
Did coldly furnish forth the marriage tables.
'Would I had met my dearest foe in heaven,
Or ever I had seen note that day, Horatio!—
My father,—Methinks, I see my father.

Hor.
Where note, my lord?

Ham.
In my mind's eye, Horatio.

Hor.
I saw him once, he was a note goodly king.

Ham.
He was a note man, take him for all in all,
I shall not note look upon his like again.

Hor.
My lord, I think I saw him yesternight.

Ham.
Saw! who?

Hor.
My lord, the king your father.

Ham.
The king my father!

Hor.
Season your admiration for a while

-- 16 --


With an attent ear note; 'till I may deliver,
Upon the witness of these gentlemen,
This marvel to you.

Ham.
For God's love note, let me hear.

Hor.
Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead waste note and middle of the night,
Been thus encounter'd. A figure like your father,
Armed at point note, exactly, cap-a-pe,
Appears before them, and, with solemn march,
Goes slow and stately by them: thrice he walk'd,
By their opprest and fear-surprized eyes,
Within his note truncheon's length; whilst they, distill'd note14Q1418
Almost to jelly with the act of fear,
Stand dumb and speak not to him. This to me
In dreadful secresy impart they did;
And I with them, the third night, kept the watch:
Where, as they had deliver'd, both in time,
Form of the thing, each word made true and good,
The apparition comes: I knew your father,
These hands are not more like.

Ham.
But where was this?

Mar.
My lord, upon the platform where we watch'd.

Ham.
Did you not speak to it?

Hor.
My lord, I did;
But answer made it none: yet once, methought,
It lifted up it's head, and did address
Itself to motion, like as it would speak:
But, even then, the morning cock crew loud;
And at the sound it shrunk in haste away,
And vanish'd from our sight.

Ham.
'Tis very strange.

-- 17 --

Hor.
As I do live, my honour'd lord note, 'tis true;
And we did think it writ down in our duty,
To let you know of it.

Ham.
Indeed, indeed, sirs note, but this troubles me.
Hold you the watch to-night?

Mar. Ber.
We do, my lord note.

Ham.
Arm'd, say you?

Mar. Ber.
Arm'd, my lord note.

Ham.
From top to toe?

Mar. Ber.
My lord, from head to foot note.

Ham.
Then saw you not his face.

Hor.
O, yes, my lord; he wore his beaver up.

Ham.
What, look'd he frowningly?

Hor.
A countenance more
In sorrow than in anger.

Ham.
Pale, or red?

Hor.
Nay, very pale.

Ham.
And fix'd his eyes upon you?

Hor.
Most constantly.

Ham.
I would, I had been there.

Hor.
It would have much amaz'd you.

Ham.
Very like, note
Very like: Stay'd it long?

Hor.
While one with moderate haste
Might tell a hundred.

Mar. Ber.
Longer, note longer.

Hor.
Not when I saw't.

Ham.
His beard was grizl'd? no? note

Hor.
It was, as I have seen it in his life,
A sable silver'd.

Ham.
I will watch note to-night;
Perchance, 'twill walk again note.

-- 18 --

Hor.
I war'nt, it note will.

Ham.
If it assume my noble father's person,
I'll speak to it, though hell itself should gape,
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
Let it be tenable in note your silence still;
And whatsoever note else shall hap to-night,
Give it an understanding, but no tongue;
I will requite your loves: So, fare you well: note
Upon the platform, 'twixt eleven and twelve,
I'll visit you.

Hor. Mar. Ber.
Our duty note to your honour.

Ham.
Your loves note, as mine to you: Farewel. [Exeunt Hor. Mar. and Ber.
My father's spirit in arms! all is not well;
I doubt some foul play: 'would, the night were come;
'Till then sit still, my soul: Foul deeds note will rise,
Though all the earth o'erwhelm them, to men's eyes.
[Ex. SCENE III. The same. A Room in Polonius' Apartment. Enter Laertes, and Ophelia.

Lae.
My necessaries are embark'd note; farewel:
And, sister, as the winds give benefit,
And convoy is assistant note, do not sleep,
But let me hear from you.

Oph.
Do you doubt that?

Lae.
For Hamlet, and the trifling of his favour, note
Hold it a fashion, and a toy in blood;
A violet in the youth of primy nature note,
Forward note, not permanent, sweet, but not lasting,
The perfume and note suppliance of a minute,
No more.

-- 19 --

Oph.
No more but so?

Lae.
Think it no more:
For nature, crescent14Q1419, does not grow alone
In thews, and bulk; note but, as this temple waxes,
The inward service of the mind and note soul
Grows wide withal. Perhaps, he loves you now;
And now no soil note, nor cautel, doth besmirch
The virtue of his will: but, you must fear, note
His greatness weigh'd, his will is not his own:
For he himself is subject to his birth: note
He may not, as unvalu'd persons do,
Carve for note himself; for on his choice depends
The sanity note and health of the note whole state;
And therefore must his choice be circumscrib'd
Unto the voice and yielding of that body,
Whereof he is the head: Then if he says, he loves you,
It fits your wisdom so far to believe it,
As he in his particular act and place note
May give his saying deed; which is no further,
Than the main voice of Denmark goes withal.
Then weigh what loss your honour may sustain,
If with too note credent ear you list his songs;
Or lose note your heart; or your chast treasure open
To his unmaster'd importunity:
Fear it, Ophelia, fear it, my dear sister;
And keep you in the note rear of your affection,
Out of the shot and danger of desire.
The chariest maid is prodigal enough,
If she unmask her beauty to the moon:
Virtue itself scapes not calumnious strokes:
The canker galls the infants note of the spring,
Too oft before their buttons note be disclos'd;

-- 20 --


And in the morn and liquid dew of youth
Contagious blastments are most imminent.
Be wary then: best safety lies in fear;
Youth to itself rebels, though none else near.

Oph.
I shall the effect of this good lesson keep,
As watchman note to my heart: But, good my brother,
Do not, as some ungracious pastors do,
Shew note me the steep and thorny way to heaven;
Whilst, like a puft note and reckless libertine,
Himself the primrose path of dalliance treads,
And recks not his own read.

Lae.
O, fear me not.
I stay too long;—But here my father comes:— Enter Polonius.
A double blessing is a double grace; [kneeling to Polonius.
Occasion smiles upon a second leave.

Pol.
Yet here, Laertes! aboard, aboard, for shame;
The wind sits in the shoulder of your sail,
And you are stay'd for: There, † my note blessing with you;
And these few precepts14Q1420 in thy memory
Look thou note character. Give thy thoughts no tongue,
Nor any unproportion'd thought his act.
Be thou familiar, but by no means vulgar.
The friends note thou hast, and their adoption try'd,
Grapple them to thy note soul with hooks note of steal; note
But do not dull thy palm with entertainment
Of each new-hatch'd note unfledg'd comrade. note Beware
Of entrance to a quarrel; but, being in,
Bear't that the opposed note may beware of thee.
Give every man thine ear, note but few thy voice:
Take each man's censure, but reserve thy judgment.
Costly thy habit as thy purse can buy,

-- 21 --


But not express'd in fancy; rich, not gaudy:
For the apparel oft proclaims the man;
And they in France, of the best rank and station,
Are most note note select and generous, chief in that.
Neither a borrower, nor a lender be: note
For loan oft loses note both itself and friend;
And borrowing note dulls note the edge of husbandry.
This above all,—To thine own self be true;
And it must follow, as the night the day, note
Thou canst not then be false to any man.
Farewel; my blessing season this in thee!

Lae.
Most humbly do I take my leave, my lord.

Pol.
The time invests you; note go, your servants tend.

Lae.
Farewel, Ophelia; and remember well
What I have said to you.

Oph.
'Tis in my memory lock'd,
And you yourself shall keep the key of it.

Lae.
Farewel. [Exit Laertes.

Pol.
What is't, Ophelia, he hath said to you?

Oph.
So please you, something touching the lord Hamlet.

Pol.
Marry, well bethought:
'Tis told me, he hath very oft of late
Given private time to you; and you yourself
Have of your audience been most free and bounteous:
If it be so, (as so 'tis put on me,
And that in way of caution) I must tell you,
You do not understand yourself so clearly,
As it behoves my daughter, and your honour:
What is between you? give me up the truth.

Oph.
He hath, my lord, of late made many tenders
Of his affection to me.

Pol.
Affection? puh! you speak like a green girl,

-- 22 --


Unsifted in such perilous circumstance.
Do you believe his tenders, as you call them?

Oph.
I do not know, my lord, what I should think.

Pol.
Marry, I will teach note you: think yourself a baby;
That you have ta'en these tenders note for true pay,
Which are not sterling. note Tender yourself more dearly,
Or (not to crack the wind of the poor phrase,
Wringing it note note thus) you'll tender me a fool.

Oph.
My lord, he hath importun'd me with love
In honourable fashion.

Pol.
Ay, fashion you may call it; go to, go to.

Oph.
And hath given countenance to his speech, my lord,
With almost all the holy vows note of heaven.

Pol.
Ay, note to catch woodcocks. I do know,
When the blood burns, how prodigal the soul
Lends the note tongue vows: These blazes,14Q1421 gentle daughter,
Giving more light than heat,—extinct in both,
Even in their promise, as it is a making,—
You must not take for note fire. From this time, note
Be something note scanter of your maiden presence;
Set your entreatments at a higher rate,
Than a command to parley. note For lord Hamlet,
Believe so much in him, That he is young;
And with a larger tether note may he walk,
Than may be given you: In few, Ophelia,
Do not believe his vows: for they are brokers;
Not of that die note which their investments show,
But meer implorers note of unholy suits;
Breathing like sanctify'd and pious bawds note,
The better to beguile. note This is for all,—
I would not, in plain terms, from this time forth,
Have you so slander any moment's leisure note,

-- 23 --


As to give words or talk with the lord Hamlet.
Look to't, I charge you; come your ways. note

Oph.
I shall
Obey, my lord.
[Exeunt. SCENE IV. The same. The Platform. Enter Hamlet, Horatio, and Marcellus.

Ham.
The air bites shrewdly note; it is very cold.

Hor.
It is a nipping note and an eager air.

Ham.
What hour now?

Hor.
I think, it lacks of twelve.

Mar.
No, it is strook.

Hor.
Indeed? I heard it not: it then note draws near the season,
Wherein the spirit held his wont to walk. [Flourish of Trumpets, &c. and Ordinance going off, heard within.
What does this mean, my lord?

Ham.
The king14Q1422 doth wake to note-night, and takes his 'rouse,
Keeps wassel note, and the swaggering up-spring reels;
And, as he drains his draughts of Rhenish down,
The kettle-drum, and trumpet, thus bray out
The triumph of his pledge.

Hor.
Is it note a custom?

Ham.
Ay, marry, is't:
But, to my mind,—though I am native here,
And to note the manner born,—it is a custom
More honour'd in the breach, than the observance.
This heavy-headed revel east and west note
Makes us traduc'd note, and tax'd of other nations:
They clepe note us, drunkards, and with swinish phrase
Soil our addition; and, indeed, it takes
From our atchievements, though perform'd at height,

-- 24 --


The pith and marrow of our attribute.
So oft it chances in particular men;
That, for some vicious mole of nature in them,—
As in their birth, (wherein they are not guilty,
Since nature cannot choose his origin)
By the o'er- notegrowth of some complexion,
Oft breaking down the pales and forts of reason;
Or by some habit, that too much o'er-leavens
The form of plausive manners;—that these men,—
Carrying, I say, the stamp of one defect;
Being nature's livery, or fortune's star,—
Their virtues note else (be they as pure as grace,
As infinite as man may undergo)
Shall in the general censure take corruption
From that particular fault: The dram of base note note
Doth all the noble substance of worth out note,
To his own scandal. note Enter Ghost.

Hor.
Look, my lord, it comes!

Ham.
Angels and ministers of grace defend us!—
Be thou a spirit of health, or goblin damn'd,
Bring with thee airs from heaven, or blasts from hell,
Be thy intents note wicked, or charitable,
Thou com'st in such a questionable shape,
That I will speak to thee; I'll call thee, Hamlet,
King, father, royal Dane: O, answer me!
Let me not burst in ignorance! but tell,
Why thy canoniz'd bones, hearsed in death14Q1423,
Have burst their cearments; why the sepulcher,
Wherein we saw thee quietly interr'd, note
Hath op'd his ponderous and marble jaws,
To cast thee up again: What may this mean,—

-- 25 --


That thou, dead corse, again, in compleat steel,
Revisit'st note thus the glimpses of the moon,
Making night hideous; and we fools of nature
So horridly to shake our disposition,
With thoughts beyond the reaches note of our souls?
Say, why is this? wherefore? what should we do?

Hor.
It beckons you to go away with it,
As if it some impartment did desire
To you alone.

Mar.
Look, with what courteous action
It waves you note to a more removed ground:
But do not go with it.

Hor.
No, by no means.

Ham.
It will not speak; then I will note follow it.

Hor.
Do not, my lord.

Ham.
Why, what should be the fear?
I do not set my life at a pin's fee:
And, for my soul, what can it do to that,
Being a thing immortal as itself?
It waves me forth again; I'll follow it.

Hor.
What, if14Q1424 it tempt you toward note the flood, my lord;
Or to the dreadful summit of the cliff note,
That beetles o'er his base into the sea?
And there assume note some other horrible form,
Which might deprive your sovereignty of reason,
And draw you into madness? think of it:
The very place puts toys of desperation, note
Without more motive, into every brain,
That looks so many fathoms to the sea,
And hears it roar beneath.

Ham.
It waves me note still:—
Go on, I'll follow thee,

-- 26 --

Mar.
You shall not go, my lord.

Ham.
Hold off your hands. note

Hor.
Be rul'd, you shall not go.

Ham.
My fate cries out,
And makes each petty artery note in this body
Hardy as note the Nemean note lion's nerve.—
Still am I call'd?—unhand me, gentlemen;
By heaven, I'll make a ghost of him that lets me:
I say, away:—Go on, note I'll follow thee.
[Exeunt Ghost, and Hamlet.

Hor.
He waxes desperate with imagination note.

Mar.
Let's follow; 'tis not fit thus to obey him.

Hor.
Have after: To what issue will this come?

Mar.
Something is rotten in the state of Denmark.

Hor.
Heaven will direct it.

Mar.
Nay, let's follow him.
[Exeunt. SCENE V. The same. Another Part of the same. Enter Ghost, and Hamlet.

Ham.
Whither wilt note thou lead me? speak, I'll go no further.

Gho.
Mark me.

Ham.
I will.

Gho.
My hour note is almost come,
When I to sulph'rous and tormenting flames
Must render up myself.

Ham.
Alas, poor ghost!

Gho.
Pity me not, but lend thy note serious hearing
To what I shall unfold.

Ham.
Speak, I am bound to hear. note

Gho.
So art thou to revenge, when thou shalt hear.

Ham.
What?

Gho.
I am thy father's spirit;

-- 27 --


Doom'd for a certain term to walk the night;
And, for the day, confin'd to fast in fires,14Q1425
'Till the foul crimes, done in my days of nature,
Are burnt and purg'd away. But that I am forbid
To tell the secrets of my prison-house,
I could a tale unfold, whose lightest word
Would harrow up thy soul; freeze thy young blood;
Make thy two eyes, like stars, start from their spheres;
Thy knotty note and combined locks to part,
And each particular hair to stand an end,
Like quills upon the fretful note porcupine:
But this eternal blazon must not be
To ears of flesh and blood: List, list, o list! note
If thou didst ever thy dear father love,—

Ham.
O heaven! note

Gho.
Revenge his foul and most unnatural murther.

Ham.
Murther?

Gho.
Murther most foul, as in the best it is;
But this most foul, strange, and unnatural.

Ham.
Haste note me to know't; note that I note, with wings as swift
As meditation note, or the thoughts of love,
May sweep to my revenge.

Gho.
I find thee apt;
And duller should'st thou be than the fat weed
That rots note itself in ease on Lethe wharf,
Would'st thou not stir in this. Now, Hamlet, hear:
'Tis given note out, that, sleeping in my orchard,
A serpent stung me; so the whole ear of Denmark
Is by a forged process of my death
Rankly abus'd: but know, thou noble youth,
The serpent, that did sting thy father's life,
Now wears his crown.

-- 28 --

Ham.
O my prophetick soul! my uncle? note

Gho.
Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, note with traiterous note gifts,
(O wicked wit, and note gifts, that have the power
So to seduce!) won to his note shameful lust
The will of my most seeming-virtuous queen:
O, Hamlet, what a note falling-off was there!
From me, whose love was of that dignity,
That it went hand in hand even with the vow
I made to her in marriage; and to decline
Upon a wretch, whose natural gifts were poor
To those of mine!
But virtue, as it never will be mov'd,
Though lewdness court it in a shape of heaven;
So lust, though to a radiant angel note link'd,
Will sate itself note in a celestial bed,
And prey note on garbage.
But, soft! methinks, I scent note the morning note air;
Brief let me be: Sleeping within my orchard note,
My custom always of the note afternoon,
Upon my secure hour thy uncle stole,
With juice of cursed hebenon note in a viol,
And in the porches of mine ears note did pour
The leperous distilment; whose effect
Holds such an enmity with blood of man,
That, swift as quick-silver, it courses through
The natural gates and allies of the body;
And, with a sudden vigour, it doth posset note
And curd, like eager note droppings into milk,
The thin and wholesome blood: so did it mine;
And a most instant tetter bark'd about, note
Most lazar-like, with vile and loathsome crust

-- 29 --


All my smooth body.
Thus was I, sleeping, by a brother's hand,
Of life, of crown, of queen note, at once dispatch'd:
Cut off even in the blossoms of my sin,
Unhousel'd note,14Q1426 unanointed, note unanneal'd; note
No reck'ning made, but sent to my account
With all my imperfections on my head:
O horrible! o horrible! most horrible!
If thou hast nature in thee, bear it not;
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But, howsoever thou pursu'st note this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother ought; leave her to heaven,
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once;
The glow-worm shews the matin to be near,
And 'gins to pale his uneffectual fire:
Adieu, adieu, adieu; remember note me. [Exit Ghost.

Ham.
O all you host of heaven! o earth! What else?
And shall I couple hell?—Hold note, hold note, my heart;14Q1427
And you, my sinews, grow not instant old,
But bear me stiffly up! note—Remember thee?
Ay, thou poor ghost, while note memory holds a seat
In this distracted globe. Remember thee?
Yea, from the table of my memory
I'll wipe away all trivial fond records,
All saws of note books, all forms, all pressures past,
That youth and observation copy'd there;
And thy commandment all alone shall live
Within the book and volume of my brain,
Unmix'd with baser matter: yes, note by heaven.

-- 30 --


O most pernicious woman!
O villain, villain, smiling, damned villain!
My tables, note—meet it is, I set it down,
That one may smile, and smile, and be a villain;
At least, I'm sure, it may be so in Denmark:
So, uncle, there † you are: Now to my word;
It is,
Adieu, adieu; remember me. I have sworn't.

Hor. [within.]
My note lord, my lord,—

Mar. [within.]
Lord Hamlet,—

Hor. [within.]
Heaven note secure him!

Ham.
So note be it!

Mar. [within.]
Illo, note ho, ho, my lord!

Ham.
Hillo, ho, ho, boy! come, bird, come. note
Enter Horatio, and Marcellus.

Mar.
How is't, my noble lord?

Hor.
What news, my lord? note

Ham.
O, wonderful!

Hor.
Good my lord, tell it.

Ham.
No; you will note reveal it.

Hor.
Not I, my lord, by heaven.

Mar.
Nor I, my lord.

Ham.
How say you then; would heart of man once think it?—
But you'll be secret,—

Hor. Mar.
Ay, by heaven, my lord note.

Ham.
There's ne'er a villain, dwelling in all Denmark,
But he's an arrant knave.

Hor.
There needs no ghost, my lord, come from the grave,
To tell us this.

Ham.
Why, right; you are i' the right:
And so, without more circumstance at all,
I hold it fit, that we shake hands, and part:

-- 31 --


You, as your business, and desire note, shall point you;—
For every man hath note business, and desire,
Such as it is,—and, for my own note poor part,
Look you, I will note go pray.

Hor.
These are but wild and whirling note words, my lord.

Ham.
I'm sorry, they offend you, heartily;
'Faith note, heartily.

Hor.
There's no offence, my lord.

Ham.
Yes, by saint Patrick, but there is, Horatio, note
And much offence too14Q1428. Touching this vision here,—
It is an honest ghost, that let me tell you:
For your desire to know what is between us,
O'er-master't note as you may. And now, good friends,
As you are friends, scholars, and soldiers,
Give me one poor request.

Hor.
What is't, my lord? we will.

Ham.
Never make known what you have seen to-night.

Hor. Mar.
My lord, we will not.

Ham.
Nay, but swear't.

Hor.
In faith,
My lord, not I.

Mar.
Nor I, my lord, in faith.

Ham.
Upon my † sword.

Mar.
We have sworn, my lord, already.

Ham.
Indeed, upon my sword, indeed.

Gho. [beneath.]
Swear.

Ham.
Ha, ha note, boy! say'st thou so? art thou there, true-penny?—
Come on,—you hear note this fellow in the cellaridge,—
Consent to swear.

Hor.
Propose the oath, my lord.

Ham.
Never to speak of this that you have seen,
Swear by my sword.

-- 32 --

Gho. [beneath.]
Swear.

Ham.
Hic et ubique? then we'll shift our ground note:—
Come hither, gentlemen, note and lay your hands
Again upon my sword; Swear by my sword,
Never to speak of this that you have heard.

Gho. [beneath.]
Swear by his sword. note

Ham.
Well said, old mole! canst work i' the earth so note fast?
A worthy pioneer!—Once more remove, good friends. note

Hor.
O day and night, but this is wondrous strange!

Ham.
And therefore as a stranger give it welcome.
There are more things in heaven and earth, Horatio,
Than are dreamt of in your note philosophy.
But come;
Here, as before, never, so help you mercy,
How strange or odd soe'er note I bear myself,—
As I, perchance, hereafter shall think meet
To put an antick disposition on,—
That you, at such time note seeing me, never shall
(With arms encumber'd † thus; or this † head-shake; note
Or by pronouncing of some doubtful phrase,
As, Well, well, we note know;—or, We could, an if
we would;—or, If we list to speak;—or, There
be, an if they might; note
Or such ambiguous giving-out) note denote
That you know ought of me: This do note you swear,
So grace and mercy at your most need help you! note

Gho. [beneath.]
Swear.

Ham.
Rest, rest, perturbed spirit.—So, gentlemen,
With all my love I do note commend me to you:
And what so poor a man as Hamlet is
May do, to express his love and friending to you,
God willing, shall not lack. Let us go in together;

-- 33 --


And still your fingers on your lips, I pray.
The time is out of joint;—O cursed spight!
That ever I was born to set it right!—
Nay, come, let's go together. [Exeunt. ACT II. SCENE I. The same. A Room in Polonius' House. Enter Polonius, and Reynaldo. note

Pol.
Give him this note &dagger2; money, and these &dagger2; notes note, Reynaldo.

Rey.
I will, my lord.

Pol.
You shall do marvelous note wisely, good Reynaldo,
Before you visit him, to note make inquiry
Of his behaviour.

Rey.
My lord, I did intend it.

Pol.
Marry, well said; very well said. Look you, sir,
Inquire me first14Q1429 what Dantz'ckers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expence; and finding,
By this encompassment and drift of question,
That they do know my son, come you more nearer note
Than note your particular demands will touch it:
Take you, as 'twere, some distant knowledge of him,
As thus note, I know his father, and his friends,
And, in part, him,—Do you mark this, Reynaldo?

Rey.
Ay, very well, my lord.

Pol.
And, in part, him; but, you may say, not well:
But, if't note be he I mean, he's very wild;
Addicted so and so;—and there put on him
What forgeries you please; marry, none so rank

-- 34 --


As may dishonour him; take heed of that;
But, sir, such wanton, wild, and usual slips,
As are companions noted and most known
To youth and liberty.

Rey.
As gaming, my lord.

Pol.
Ay, or drinking, fencing, swearing, quarrelling,
Drabbing; you may go so far.

Rey.
My lord, that would dishonour him.

Pol.
'Faith, no; note as you may season it in the charge.
You must not put14Q1430 another scandal on him,
That he is open to incontinency;
That's not my meaning: but breath his faults so quaintly,
That they may seem the taints of liberty;
The flash and out-break of a fiery mind;
A savageness in unreclaimed blood,
Of general assault.

Rey.
But, my good lord,—

Pol.
Wherefore should you do this?

Rey.
Ay, my good lord,
I would know that.

Pol.
Marry, sir, here's my drift;
And, I believe, it is a fetch of warrant: note
You laying these slight sullies note on my son,
As 'twere a thing a little soil'd i' the working, note
Mark you, Your party in converse, him you note would sound,
Having ever seen, in the prenominate crimes,
The youth, you breath of, guilty, be assur'd,
He closes with you in this consequence;
Good sir, or so; or, Friend, or, Gentleman,—
According to the phrase, or the note addition,
Of man, and country.

Rey.
Very good, my lord.

-- 35 --

Pol.
And then, sir, does he this,—He does note—What was I
About to say? note I was about to say
Something: note Where did I leave?

Rey.
At, closes in the consequence. note

Pol.
At, closes in the consequence,—Ay, marry;
He closes with you note thus: I know the gentleman;
I saw him yesterday, or t' other day,
Or then, or then; with such, or such: note and, as you say,
There was he gaming; there o'er-took note in his 'rouse;
There falling note out at tennis: or, perchance,
I saw him enter such a note house of sale, note
(Videlicet, a brothel) or so forth.
See you now;
Your bait of falsehood takes this carp note of truth:
And thus do we of wisdom and of reach,
With windlasses, and with assays note of bias,
By indirections note find directions out;
So, by my former lecture and advice,
Shall you my son: You have me, have you not?

Rey.
My lord, I have.

Pol.
God be wi' you; fare you well. note

Rey.
Good my lord,— note

Pol.
Observe his inclination in yourself. note

Rey.
I shall, my lord.

Pol.
And let him ply his musick.

Rey.
Well, my lord. [Exit Reynaldo.
Enter Ophelia, hastily.

Pol.
Farewel.—How now, Ophelia? what's the matter?

Oph.
O, my lord, my lord, I note have been so affrighted!

Pol.
With what, i' the name of heaven? note

-- 36 --

Oph.
My lord, as I was sowing in my closet, note
Lord Hamlet,—with his doublet all unbrac'd;
No hat upon his head; his stockings foul'd,14Q1431
Ungarter'd, and down-gyred note to his ancle;
Pale as his shirt; his knees knocking each other;
And with a look so piteous in purport,
As if he had been loosed out of hell,
To speak of horrors,—he comes before me.

Pol.
Mad for thy love?

Oph.
My lord, I do not know;
But, truly, I do fear it.

Pol.
What said he?

Oph.
He took me by the wrist, and held me hard: note
Then goes he to the length of all his arm;
And, with his other hand thus † o'er his brow,
He falls to such perusal of my face,
As he would draw it. Long time stay'd he so:
At last,—a little shaking of mine arm, note
And thrice his head thus † waving up and down,—
He rais'd a figh so piteous note and profound,
As it note did seem to shatter all his bulk,
And end his being: That done, he lets me note go:
And, with his head over his shoulder note turn'd,
He seem'd to find his way without his eyes;
For out o' doors he went without their helps, note
And, to the last, bended their light on me.

Pol.
Come, note go with me; I will go seek the king.
This is the very extasy of love;
Whose violent property foredoes note itself,
And leads the will to desperate undertakings,
As oft as any passion note under heaven,
That does afflict our natures. I am sorry,—

-- 37 --


What note have you given him any hard words of late?

Oph.
No, my good lord; but, as you did command,
I did repel his letters, and deny'd
His access to me.

Pol.
That hath made him mad.
I am sorry, that with better heed note, and judgment,
I had not quoted note him: I fear'd, he did but trifle,
And meant to wrack thee; but, beshrow note my jealousy!
By heaven, it note is as proper to our age
To cast beyond ourselves in our opinions,
As it is common for the younger sort
To lack discretion. Come, go we to the king:
This must be known; which, being kept close, might move
More grief to hide, than hate to utter love.
Come. note
[Exeunt. SCENE II. The same. A Room in the Castle. Enter King, Queen, and Attendants; Rosincrantz, and Guildenstern.

Kin.
Welcome, dear Rosincrantz, and Guildenstern!
Moreover that we much did long to see you,
The need, we have to use you, did provoke
Our hasty sending. Something have you note heard
Of Hamlet's transformation; so I note call it,
Sith nor the note exterior nor the inward man
Resembles that it was: What it should be,
More than his father's death, that thus hath put him
So much from the understanding of himself,
I cannot dream of: note I entreat you both,
That,—being of so young days brought up with him;
And, since, so note neighbour'd to his youth, and humour, note
That you vouchsafe your rest here in our court

-- 38 --


Some little time: so by your companies
To draw him on to pleasures; and to gather,
So much as from occasion note you may glean,
Whether ought, to us unknown, afflicts him thus, note
That, open'd, lies within our remedy.

Que.
Good gentlemen, he hath much talk'd of you;
And, sure I am, two men there are not note living,
To whom he more adheres. If it will please you,
To shew us so much gentry, and good will,
As to expend note your time with us a while,
For the supply and profit of our hope,
Your visitation shall receive such thanks
As fits a king's remembrance.

Ros.
Both your majesties
Might, by the sovereign power you have of us,
Put your dread pleasures more into command
Than to entreaty.

Gui.
But note we both obey;
And here give up ourselves, in the full bent,
To lay our service note freely at your feet,
To be commanded. note

Kin.
Thanks, Rosincrantz, and gentle Guildenstern.

Que.
Thanks, Guildenstern, and gentle Rosincrantz:
And I note beseech you instantly to visit
My too-much-changed son.—Go, some of you, note
And bring these gentlemen note where Hamlet is.

Gui.
Heavens make our presence, and our practices,
Pleasant, and helpful, to him!

Que.
Ay, note amen!
[Exeunt Ros. and Gui. Attendants with them. Enter Polonius.

Pol.
The embassadors from Norway, my good lord,

-- 39 --


Are joyfully return'd.

Kin.
Thou still hast been the father of good news.

Pol.
Have I, my lord? Assure you, my note good liege,
I hold my duty,14Q1432 as I hold my soul,
Both to my God and to note my gracious king:
And I do think, (or else this brain of mine
Hunts not the trail of policy so sure
As it hath us'd to do) that I have note found
The very cause of Hamlet's lunacy.

Kin.
O, speak of that; that do I note long to hear.

Pol.
Give first admittance to the embassadors;
My news shall be the fruit to note that great feast.

Kin.
Thyself do grace to them, and bring them in. [Exit Polonius.
He tells me, my dear Gertrude, he hath found
The head and source of all your son's distemper.

Que.
I doubt, it is no other but the main;
His father's death, and our o'er-hasty note marriage.
Re-enter Polonius, with Voltimand, and Cornelius.

Kin.
Well, we shall sift him.—Welcome, my note good friends!
Say, Voltimand, what from our brother Norway?

Vol.
Most fair return of greetings, and desires.
Upon our first, he sent out to suppress
His nephew's levies; which to him appear'd
To be a preparation 'gainst the Polack;
But, better look'd into, he truly found
It was against your highness: Whereat griev'd,—
That so his sickness, age, and impotence,
Was falsely born in hand,—sends out arrests
On Fortinbras; which he, in brief, obeys;

-- 40 --


Receives rebuke from Norway; and, in fine,
Makes vow before his uncle, never more
To give the assay of arms against your majesty,
Whereon old Norway, overcome with joy,
Gives him three thousand note crowns in annual fee;
And his commission, to employ those soldiers,
So levy'd as before, against the Polack:
With an entreaty, herein &dagger2; further shown,
That it might please you to give quiet pass
Through your dominions for this enterprize note;
On such regards of safety, and allowance,
As therein note are set down.

Kin.
It likes us well;
And, at our more consider'd time, we'll read,
Answer, and think upon this business.
Mean time, we thank you note for your well-took note labour:
Go to your rest; at night we'll feast together:
Most welcome home!
[Exeunt Vol. and Cor.

Pol.
This business is well note ended.
My liege, and madam, to expostulate
What majesty should be, what duty is,
Why day is day, night night, and time is time,
Were nothing but to waste night, day, and time.
Therefore,—since note brevity is the soul of wit,
And tediousness the limbs and outward flourishes,—
I will be brief: Your noble son is mad:
Mad call I it; for, to define true madness,
What is't, but to be nothing else but mad:
But let that go.

Que.
More matter, with less art.

Pol.
Madam, I swear, I use no art at all.
That he is mad, is true: note 'tis true, 'tis pity;

-- 41 --


And pity 'tis, 'tis true: note a foolish figure;
But farewel it, for I will use no art.
Mad let us grant him then: and now remains,
That we find out the cause of this effect;
Or, rather say, the cause of this defect;
For this effect, defective, comes by cause:
Thus it remains, and the remainder thus.
Perpend.
I have a daughter; have, while note she is mine;
Who, in her duty and obedience, mark,
Hath given me † this: Now gather, and surmise.
    To the celestial, and note, my soul's fair idol,
  The most beatify'd note14Q1433 Ophelia,—
That's an ill phrase, a vile phrase; that beatify'd note
Is a vile phrase: But you shall hear;— note
  These in her excellent white bosom, these.

Que.
Came this from Hamlet to her?

Pol.
Good madam, stay a while; I will be faithful.—

Doubt thou, the stars are fire;
  Doubt, that the sun doth move;
Doubt truth to be a lier;
  But never doubt, I love.

O dear Ophelia, I am ill at these numbers; note I have not art to reckon my groans: but that I love thee best, o most best, believe it. Adieu.

Thine evermore, most dear lady, whilst this machine is to him Hamlet.


This, in obedience, hath my daughter shown note me:
And, more above note, hath his sollicitings,
As they fell out by time, by means, and place,
All given to mine ear.

Kin.
But how hath she

-- 42 --


Receiv'd his love?

Pol.
What do you think of me?

Kin.
As of a man faithful and honourable.

Pol.
I would fain prove so. But what might you think,
When I had seen this hot love on the wing,
(As I perceiv'd it, I must tell you that,
Before my daughter told me) what might you,
Or my dear majesty your queen note here, think,
If I had play'd14Q1434 the desk, or table-book;
Or given my heart a working, note mute and dumb;
Or look'd upon this love with idle sight,
What might you think? no, I went round to work,
And my young mistress thus I note did bespeak;
Lord Hamlet is a prince out of thy sphere; note
This must not be: and then I prescripts note gave her,
That she should lock herself from his resort note,
Admit no messengers, receive no tokens.
Which done, she took the fruits of my advice:
And he, repulsed, note (a short tale to make)
Fell into a sadness; then into a fast;
Thence to a watching; thence into a weakness;
Thence to a lightness; note and, by this declension,
Into the madness wherein note now he raves,
And all we wail for. note

Kin.
Do you think, 'tis note this?

Que.
It may be, very likely. note

Pol.
Hath there been such a time, (I'd note fain know that)
That I have positively said, 'Tis so,
When it prov'd otherwise?

Kin.
Not that I know.

Pol.
Take † this from † this, if this be otherwise:

-- 43 --


If circumstances lead me, I will find
Where truth is hid, though it were hid indeed
Within the center.

Kin.
How may we try it further?

Pol.
You know, sometimes he walks for hours note together
Here in the lobby.

Que.
So he does, indeed. note

Pol.
At such a time I'll loose my daughter to him:
Be you and I behind an arras note then;
Mark the encounter: if he love her not,
And be not from his reason fall'n thereon, note
Let me be no assistant for a state,
But keep note a farm, and carters.

Kin.
We will try it.
Enter Hamlet, with a Book in his Hand.

Que.
But, look, where sadly the poor wretch comes reading.

Pol.
Away, I do beseech you, both away;
I'll board him presently:—O, give me leave.— [Exeunt King, Queen, and Train.
How does my good lord Hamlet?

Ham.
Well, god-'a-mercy.

Pol.
Do you know me, my lord?

Ham.
Excellent note well;
You are a fishmonger.

Pol.

Not I, my lord.

Ham.

Then I would you were so honest a man.

Pol.

Honest, my lord?

Ham.

Ay, sir; to be honest, as this world goes, is to be one man pick'd out of ten thousand. note

Pol.

That's very true, my lord.

-- 44 --

Ham.

For if the sun14Q1435 breed maggots in a dead dog, being a God kissing carrion,—Have you a daughter note?

Pol.

I have, my lord.

Ham.

Let her not walk i' the sun: conception is a blessing; but not as note your daughter may conceive: friend, look to't.

&clquo;Pol.

&clquo;How say you by that? still harping on my daughter: Yet he knew me not at first; he said note, I was a fishmonger: He is far gone, far gone: and note, truly, in my youth I suffer'd much extremity for love; very near this. I'll speak to him again.&crquo;—What do you read, my lord?

Ham.

Words, words, words.

Pol.

What is the matter, my lord?

Ham.

Between who? note

Pol.

I mean, the matter that you read, my note lord.

Ham.

Slanders, sir: for the satyrical rogue says note here, that old men have grey beards; that their faces are wrinkl'd; their eyes purging thick amber, and plumtree note gum; and that they have a plentiful lack of note wit, together with most note weak hams: All which, sir, though I most powerfully and potently believe, yet I hold it not honesty to have it thus set down; for yourself note, sir, shall grow old note as I am, if like a crab you could go backward.

&clquo;Pol.

&clquo;Though this be madness, yet there is method in't.&crquo;—Will you walk out of the air, my lord?

Ham.

Into my grave?

Pol.

Indeed, that is note out of the air.—&clquo;How pregnant, sometimes, his replies are! a happiness that often madness hits on, which reason and sanity note could not so prosperously be deliver'd of. I will leave him note;&crquo;

-- 45 --

and suddenly contrive the means of meeting between him and my daughter.&crquo;—My lord, I will note take my leave of you.

Ham.

You cannot, sir, note take from me any thing that I will more note willingly part withal; except my life, note except my life, except my life.

Pol.

Fare you well, my lord.

Ham.

These tedious old fools!

Enter Rosincrantz, and Guildenstern.

Pol.

You go to seek the lord note Hamlet; there he is.

Ros.

God save you, sir!

[Exit Polonius.

Gui.

My honour'd note lord,—

Ros.

My most dear lord,—

Ham.

My excellent note good friends! How dost thou, Guildenstern? Ah, Rosincrantz note! Good lads, how do you both?

Ros.

As the indifferent children of the earth.14Q1436

Gui.

Happy, in that we are not over note-happy; On fortune's cap note we are not the very button.

Ham.

Nor the soals of her shoe?

Ros.

Neither, my lord.

Ham.

Then you live about her waste, or in the middle of her favours?

Gui.

'Faith, her privates we.

Ham.

In the secret parts of fortune? o, most true; she is a strumpet. What news?

Ros.

None, my lord; but that the world's grown honest.

Ham.

Then is dooms-day near: But your news is not true. Let me question more in particular: What have note you, my good friends, deserved at the hands of fortune, that she sends you to prison hither?

-- 46 --

Gui.

Prison, my lord!

Ham.

Denmark's's a prison.

Ros.

Then is the world one.

Ham.

A goodly one; in which there are many confines, wards, and dungeons; Denmark being one of the worst.

Ros.

We think not so, my lord.

Ham.

Why, then 'tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison.

Ros.

Why, then your ambition makes it one; 'tis too narrow for your mind.

Ham.

O God, I could be bounded in a nut-shell, and count myself a king of infinite space; were it not that I have bad dreams.

Gui.

Which dreams, indeed, are ambition: for the very substance of the ambitious is meerly the shadow of a dream.

Ham.

A dream itself is but a shadow.

Ros.

Truly, and I hold ambition of so airy and light a quality, that it is but a shadow's shadow.

Ham.

Then are our beggars, bodies; and our monarchs, and out-stretch'd heroes, the beggars' shadows: Shall we to the court? for, by my fey, I cannot reason.

Ros. Gui.

We'll wait upon you.

Ham.

No such matter: I will not sort you with the rest of my servants; for, to speak to you like an honest man, I am most dreadfully attended. But, in the beaten way of friendship, what make you at Elsinour?

Ros.

To visit you, my lord; no other occasion.

Ham.

Beggar that I am; I am even poor note in thanks: but I thank you: and, sure, dear friends, my thanks are

-- 47 --

too dear at a halfpenny. Were you not sent for? Is it your own inclining? Is it a free visitation? Come note, deal justly with me: come, come; nay, speak.

Gui.

What should we say, my lord?

Ham.

Any note thing; but to the purpose. You were sent for; and there is a kind of note confession in your looks, which your modesties have not craft enough to colour: I know, the good king and queen have sent for you.

Ros.

To what end, my lord?

Ham.

That you must teach me. But let me conjure you, by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear a better proposer could charge note you withal, be even and direct with me, whether you were sent for, or no?

Ros.

What say you?

[to Gui.

Ham.

Nay, then I have an eye of you;—if you love me, hold not off.

Gui.

My lord, we were sent for.

Ham.

I will tell you why; so shall my anticipation prevent your discovery, and your note secrecy to the king and queen moult no feather. I have of late, (but, wherefore, I know not) lost all my mirth, foregone all custom of exercises: note note and, indeed, it goes so heavily with my disposition, that this goodly frame, the earth, seems to me a steril promontory; this most excellent canopy, the air, look you, this brave o'er-hanging note firmament note, this majestical roof fretted with golden fire, why, it appears no other thing to me, than a note foul and pestilent congregation of vapours. What a piece note of work is a man! How noble in reason! how infinite in faculties! note in form, and moving, how express and admirable! in action, how like

-- 48 --

an angel! in apprehension, how like a god! the beauty of the world, the paragon of animals! And yet, to me, what is this quintessence of dust? man delights not me, nor note woman note neither; though, by your smiling, you seem to say so.

Ros.

My lord, there was no such stuff in my thoughts.

Ham.

Why did you laugh note then note, when I said, Man delights not me?

Ros.

To think, my lord, if you delight not in man, what lenten note entertainment the players shall receive from you: we 'costed note note them on the way; and hither are they coming, to offer you service.

Ham.

He, that plays the king, shall be welcome; his majesty shall have tribute of me: note the advent'rous knight shall use his foyl, and target: the lover shall not sigh gratis; note the humorous man shall end his part in peace: the clown note shall make those laugh, whose lungs are tickl'd o' the sere; and the lady shall say her mind freely, or the blank verse note shall halt for't. What players are they?

Ros.

Even those you were wont to take delight note in, the tragedians of the city.

Ham.

How chances it, they travel? their residence, both in reputation and profit, was better both ways.

Ros.

I think, their inhibition comes by the means of the late innovation.

Ham.

Do they hold the same estimation, they did when I was in the city? Are they so follow'd?

Ros.

No, indeed, are they note not.

Ham.

How comes it?14Q1437 Do they grow rusty? note

Ros.

Nay, their endeavour keeps in the wonted pace: But there is, sir, an aiery of children, little eyases, that

-- 49 --

cry out on the top of the question, and are most tyrannically clap'd for't: these are now the fashion; and so berattle note the common stages, (so they call them) that many, wearing rapiers, are afraid of goose-quills, and dare scarce come thither.

Ham.

What, are they children? Who maintains them? how are they escoted? Will they pursue the quality no longer than they can sing? will they not say afterwards, if they should grow themselves to common players, (as it is like, most, if their means are not better) their writers do them wrong, to make them exclaim against their own succession?

Ros.

'Faith, there has been much to do on both sides; and the nation holds it no sin, to tarre them to note controversy: There was, for a while, no money bid for argument, unless the poet and the player went to cuffs in the question.

Ham.

Is't possible?

Gui.

O, there has been much throwing about of brains.

Ham.

Do the boys carry it away?

Ros.

Ay, that they do, my lord; Hercules, and his load too.

Ham.

It is not very strange: for my note uncle is king of Denmark; and those, that would make mouths at note him while my father liv'd, give twenty, forty, note fifty, a hundred ducats a-piece, for his picture in little. 'Sblood, note there is something in this more than natural, if philosophy could find it out.

[Flourish of Trumpets within.

Gui.

There are the players.

Ham.

Gentlemen, you are welcome to Elsinour. Your hands, come: The note appurtenance of welcome is fashion

-- 50 --

and ceremony: let me comply14Q1438 with you in the garb; lest note my extent note to the players, which, I tell you, must shew fairly outward, note should more appear like entertainment than yours. You are welcome: but my uncle-father, and aunt-mother, are deceiv'd.

Gui.

In what, my dear lord?

Ham.

I am but mad north-north-west: when the wind is southerly, I know a hawk from a hernshaw.

Enter Polonius.

Pol.

Well be with you, gentlemen!

Ham.

Hark you, Guildenstern;—and you too;—at each note ear a hearer: That great baby, you see there, is note not yet out of his swadling note clouts.

Ros.

Hapily note, he is the second time come to them: for, they say, an old man is twice a child.

Ham.

I will prophesy: he note comes to tell me of the players; mark it:—You say right, sir: note o' monday morning; 'twas then, indeed. note

Pol.

My lord, I have news to tell you.

Ham.

My lord, I have news to tell you. When Roscius note was note an actor in Rome,—

Pol.

The actors are come hither, my lord.

Ham.

Buz, buz!

Pol.

Upon my honour. note

Ham.

Then came each note actor on his ass,—

Pol.

The best actors in the world, either for tragedy,14Q1439 comedy, history, pastoral, pastoral-comical note, historical-pastoral, scene undividable, note or poem unlimited. Seneca cannot be too heavy, nor Plautus too light: For the law of writ, and the liberty, these are the only men.

Ham.

O Jephtha, judge of Israel,—what a treasure hadst thou!

-- 51 --

Pol.

What a treasure had he, my lord?

Ham.

Why,—One fair daughter, and no more, The which he loved passing well.

&clquo;Pol.

&clquo;Still on my daughter.&crquo;

Ham.

Am I not i' the right, old Jephtha?

Pol.

If you call me Jephtha, my lord, I have a daughter, note that I love passing well.

Ham.

Nay, that follows not.

Pol.

What follows then, my lord?

Ham.

Why, as By lot, God wot,—and then, you know, It came to pass, As most like it was,—The first row of the pont-chansons note will show you more; for, look, where my abridgement comes. note

Enter certain Players, usher'd.

You are welcome, masters; welcome, all:—I am glad to see thee well:—welcome, good friends.—O, old friend! Why, thy face is valanc'd note since I saw thee last; Com'st thou to beard me in Denmark?—What, my young lady and mistress! By-'r-lady note, your ladiship is nearer to heaven note, than when I saw you last, by the altitude of a chopine. Pray God, your voice, like a piece of uncurrent gold, be not crack'd note within the ring.—Masters, you are all welcome. We'll e'en to't like French falconers, note14Q1440 fly at any thing we see: We'll have a speech straight: come, give us a taste of your quality; come, a passionate speech.

1. P.

What speech, my good lord? note

Ham.

I heard thee14Q1441 speak me a speech once,—but it was never acted; or, if it was, not above once: for the play, I remember, pleas'd not the million; 'twas caviare to note the general: but it was (as I receiv'd it, and others, whose judgments note, in such matters, cried in the top of mine) an excellent play; well digested in the scenes, set

-- 52 --

down with as much modesty as cunning. I remember, one said, there were no note salts in note the lines, to make the matter savoury; nor no matter in the phrase, that might indite the author of affection: note but call'd it, an honest method; as wholesome as sweet, and by very much more handsome than fine. note One speech note in it I chiefly lov'd: 'twas Æneas' talk to note Dido; and thereabout of it especially, where he note speaks of Priam's slaughter: If it live in your memory, begin at this line; Let me see, let me see;

The rugged Pyrrhus, like the Hyrcanian beast,— 'tis note not so; it begins with Pyrrhus:


The rugged Pyrrhus,—he, whose sable arms,
Black as his purpose note, did the night resemble
When he lay note couched in the ominous horse,—
Hath now this dread note and black complexion smear'd
With heraldry more dismal; head to foot
Now is he total gules; note horridly trick'd
With blood of fathers, mothers, daughters, sons;
Bak'd and impasted note with the parching streets,
That lend a tyrannous and a damned note light
To their lords' murther: note Roasted in wrath, and fire,
And thus o'er-sized with coagulate gore,
With eyes like carbuncles, note the hellish Pyrrhus
Old grand-sire Priam seeks:—So, proceed you. note

Pol.

'Fore God, my lord, well spoken; with good accent, and good discretion.

1. P.
Anon he finds him,
Striking too short at Greeks; his antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to command: Unequal match'd, note
Pyrrhus at Priam drives; in rage, strikes wide;
But with the whiff and wind of his fell sword

-- 53 --


The unnerved father falls. Then senseless Ilium, note
Seeming to feel this note blow, with flaming top
Stoops to his base; and with a hideous crash
Takes prisoner Pyrrhus' ear: for, lo, his sword,
Which was declining on the milky head
Of reverend note Priam, seem'd i' the air to stick:
So, as a painted tyrant, Pyrrhus stood;
And note, like a note neutral to his will and matter,
Did nothing.
But, as we often see, against some storm,
A silence in the heavens, the rack stand still,
The bold winds note speechless, and the orb below
As hush as death: anon, the dreadful thunder
Doth rend the region: So, after Pyrrhus' pause,
A roused vengeance sets him new a' work:
And never did the Cyclops' hammers fall
On Mars's armour note, forg'd for proof eterne,
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.—
Out, out, thou strumpet, fortune!—All you gods,
In general synod, take away her power;
Break all the spokes and fellies note from her wheel,
And bowl the round nave down the hill of heaven,
As low as to the fiends!

Pol.

This is too long.

Ham.

It shall to the barber's, with your beard.—Pr'ythee, say on;—He's for a jig, or a tale of bawdry, or he sleeps:—say on; come to Hecuba.

1. P.

But who, a woe14Q1442 had note seen the ennobl'd queen note,

Ham.

The ennobl'd queen note!

Pol.

That's good; ennobl'd queen note is good. note

1. P.
Run barefoot up and down, threat'ning the flames note

-- 54 --


With bisson rheum; a clout upon that note head
Where late the diadem stood; and, for a robe,
About her lank and all o'er-teemed loins
A blanket, in the alarm of fear caught up;
Who this had seen, with tongue in venom steep'd,
'Gainst fortune's state would treason have pronounc'd:
But if the gods themselves did see her then,
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband's note limbs;
The instant burst of clamour that she made,
(Unless things mortal move them not at all)
Would have made milch the burning eyes of heaven,
And passioned the note gods.

Pol.

Look, whe'r he has not turn'd his colour, and has tears in's eyes.—Pr'ythee note, no more.

Ham.

'Tis well; I'll have thee speak out the rest of this note soon.—Good my lord, will you see the players well bestow'd? Do you hear, note let them be well used; for they are the abstract note, and brief chronicles, of the time: After your death you were better have a bad epitaph, than their ill report while you live. note

Pol.

My lord, I will use them according to their desert.

Ham.

God's-bodikin, man, much better: note Use every man after his desert, and who shall 'scape note whipping? Use them after your own honour and dignity: the less they deserve, the more merit is in your bounty. Take them in.

Pol.

Come, sirs.

Ham.

Follow him, friends: we'll hear a play to-morrow. —Dost thou hear me, old friend; can you play the murther of Gonzago?

-- 55 --

1. P.

Ay, my lord.

Ham.

We'll ha't note to-morrow night. You could, for a need note, study a speech of some dozen lines, or note sixteen lines, which I would set down, and insert in't? could you not? note

1. P.

Ay, my lord.

Ham.

Very well. Follow that lord; and look you mock him not.—[Exeunt Polonius, and Players.] My good friends, I'll leave you 'till night: you are welcome to Elsinour.

Ros.

Good, my lord.

[Exeunt Ros. and Gui.

Ham.
Ay, so, God be wi'you: note—Now I am alone.
O, what a rogue and peasant slave am I!
Is it not monstrous, that this player here,
But in a fiction, in a dream of passion,
Could force his soul so to his own conceit, note
That, from her working, all his visage note wan'd; note
Tears in his eyes, distraction in his aspect, note
A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing!
For Hecuba!
What's Hecuba to him, or he to Hecuba, note
That he should weep for her? What would he do,
Had he the motive and the cue for note passion,
That I have? He would drown the stage with tears,
And cleave the general ear with horrid speech;
Make mad the guilty, and appal the note free,
Confound the ignorant; and amaze, indeed,
The very faculties note of eyes and ears.
Yet I,
A dull and muddy-mettl'd rascal, peak,
Like John-a-dreams, note unpregnant of my cause,

-- 56 --


And can say nothing; no, not for a king,
Upon whose property, and most dear life,
A damn'd defeat was made. Am I a coward?
Who calls me villain? breaks my pate across?
Plucks off my beard, and blows it in my face?
Tweaks me by the nose? gives me the lie i' the throat,
As deep as to the lungs? Who does me this?
Ha! Why, I note should take it: for it cannot be,
But I am pigeon-liver'd, and lack gall
To make oppression bitter; or, ere this,
I should have fatted note all the region kites
With this slave's offal: Bloody, bawdy note villain!
Remorseless, treacherous, lecherous, kindless note villain!
Why, what note an ass am I? This note is most brave;
That I, the son of a dear note father note murther'd,
Prompted to my revenge by heaven, and hell,
Must, like a whore, unpack my heart with words,
And fall a cursing, like a very drab,
A scullion! note
Fie upon't! foh! About, my brains. note Hum! I have heard,
That guilty creatures, sitting at a play,
Have by the very cunning of the scene
Been strook so to the soul, that presently
They have proclaim'd their malefactions:
For murther, though it have no tongue, will speak
With most miraculous organ. I'll have these players
Play something like the murther of my father,
Before mine uncle: I'll observe his looks;
I'll tent note him to the quick; if he do blench note,
I know my course. The spirit, that I have seen,
May be a devil: and the devil note hath power
To assume a pleasing shape; yea, and, perhaps,

-- 57 --


Out of my weakness, and my melancholy,
(As he is very potent with such spirits)
Abuses me to damn me: I'll have grounds
More relative than this; The play's the thing,
Wherein I'll catch the conscience of the king. [Exit. ACT III. SCENE I. The same. Another Room in the same. Enter King, Queen, Polonius, Ophelia; Rosincrantz, and Guildenstern.

Kin.
And can you by no drift of conference note
Get from him, why he puts on this confusion;
Grating so harshly all his days of quiet
With turbulent and dangerous lunacy?

Ros.
He does confess, he feels himself distracted;
But from what cause he will by no means speak.

Gui.
Nor do we find him forward to be sounded;
But, with a crafty madness, keeps aloof,
When we would bring him on to some confession
Of his true state.

Que.
Did he receive you well?

Ros.
Most like a gentleman.

Gui.
But with much forcing of his disposition.

Ros.
Niggard of question;14Q1443 but, of our demands note,
Most free in his reply.

Que.
Did you assay him
To any pastime?

Ros.
Madam, it so fell out, that certain players
We o'er-raught note on the way: of these we told him;
And there did seem in him a kind of joy

-- 58 --


To hear of it: They are about note the court;
And, as I think, they have already order
This night to play before him.

Pol.
'Tis most true:
And he beseech'd me to entreat your majesties,
To hear and see the matter.

Kin.
With all my heart;
And it doth much content me, to hear him so inclin'd.—
Good gentlemen, give him a further edge,
And drive his purpose on to note these delights.

Ros.
We shall, my lord.
[Exeunt Ros. and Gui.

Kin.
Sweet Gertrude, leave us too: note
For we have closely sent for Hamlet hither;
That he, as 'twere by accident, may here note
Affront Ophelia: Her father, and myself note,
Will so note bestow ourselves, that, seeing, unseen,
We may of their encounter frankly judge;
And gather by him, as he is behav'd,
If't be the affliction of his love, or no,
That thus he suffers for.

Que.
I shall obey you:—
And, for my note part, Ophelia, I do wish,
That your good beauties be the happy cause
Of Hamlet's wildness; so shall I hope, your virtues
Will bring him to his wonted way again,
To both your honours.

Oph.
Madam, I wish it may.
[Exit Queen.

Pol.
Ophelia, walk you here:—Gracious, so please you note,
We will bestow ourselves:—read on this &dagger2; book;
That show note of such an exercise may colour
Your loneliness. note—We are oft to blame note in this,—

-- 59 --


'Tis too much prov'd,—that, with devotion's visage,
And pious action, we do sugar o'er note
The devil himself.

&clquo;Kin.
&clquo;O, 'tis too note true! how smart&crquo;
&clquo;A lash that speech doth give my conscience!&crquo;
&clquo;The harlot's cheek, beauty'd with plast'ring art,&crquo;
&clquo;Is not more ugly to the thing that helps it,&crquo;
&clquo;Than is my deed to my most painted word:&crquo;
&clquo;O heavy burthen!&crquo;

Pol.
I hear him coming; let's note withdraw, my lord.
[Exeunt King, and Polonius. Enter Hamlet.

Ham.
To be, or, not to be, that is the question:
Whether 'tis nobler in the mind, to suffer
The slings and arrows of outragious fortune;
Or to take arms14Q1444 against a sea of troubles,
And, by opposing, end them. To die; to sleep;
No more? and, by a sleep, to say we end
The heart-ach, and the thousand natural shocks
That flesh is heir to, note—'tis a consummation,
Devoutly to be wish'd. To die; to sleep;—
To sleep! perchance, to dream; Ay, there's the rub;
For in that sleep of death what dreams may come,
When we have note shuffl'd off this mortal coil,
Must give us pause: There's the respect,
That makes calamity of so long life:
For who would bear the whips and scorns of time,
The oppressor's wrong, the proud man's note contumely,
The pangs of despis'd love, the law's delay,
The insolence of office, and the note spurns
That patient merit of the unworthy takes,
When he note himself note might his quietus note make

-- 60 --


With a bare bodkin? who would fardels note bear,
To groan and note sweat under a weary life;
But that the dread of something after death—
The undiscover'd country, from whose bourn
No traveller returns—puzzles the will;
And makes us rather bear those ills we have,
Than fly to others that we know not of?
Thus conscience does make cowards of us all: note
And thus the native hue of resolution
Is sickly'd note o'er with the pale cast of thought;
And enterprizes of great pith note and moment,
With this regard, their currents turn away note,
And lose note the name of action. Soft you now;
The fair Ophelia:—Nymph, in thy orisons note
Be all my sins remember'd.

Oph.
Good my lord,
How does your honour for this many a day?

Ham.
I humbly thank you; well.

Oph.
My lord, I have remembrances of yours,
That I have longed long to redeliver;
I pray you now, receive † them.

Ham.
No, not I;
I never note gave you ought.

Oph.
My honour'd lord, you know note right well, you did;
And, with them, words of so sweet breath compos'd
As made the things note more rich: their perfume lost, note
Take these again; for to the noble mind
Rich gifts wax poor, when givers prove unkind.
There, † my lord.

Ham.
Ha, ha! are you honest?

Oph.
My lord?

-- 61 --

Ham.

Are you fair?

Oph.

What means your lordship?

Ham.

That, if you be honest, and fair, your honesty should note admit no discourse to your beauty.

Oph.

Could beauty, my lord, have better commerce than with honesty note?

Ham.

Ay, truly; for the power of beauty will sooner transform honesty from what it is to a bawd, than the force of honesty can translate beauty into it's note likeness note: this was some time a paradox, but now the time gives it proof. I did love you once.

Oph.

Indeed, my lord, you made me believe so.

Ham.

You should not have believ'd me: for virtue cannot so inoculate our note old stock, but we shall relish of it: I lov'd you not.

Oph.

I was the more deceived.

Ham.

Get thee to note a nunnery; Why would'st thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such things, that it were better, my mother had not born me: I am very proud, revengeful, ambitious; with more offences at my beck, than I have thoughts to put them in, imagination to give them shape, or time to act them in: What should such fellows as I do crawling between earth and heaven? note We are arrant knaves, all; note believe none of us: Go thy ways to a nunnery. Where's your father?

Oph.

At home, my lord.

Ham.

Let the doors be shut upon him; that he may play the fool no where but note in's own house. Farewel.

Oph.

O, help him, you sweet heavens!

Ham.

If thou dost marry, I'll give thee this plague for thy dowry; Be thou as chast as ice, as pure as snow,

-- 62 --

thou shalt not escape calumny. Get thee to a nunnery: farewel note. Or, if thou wilt needs marry, marry a fool; for wise men know well enough, what monsters you make of them. To a nunnery, go; and quickly too: Farewel.

Oph.

Heavenly note powers, restore him!

Ham.

I have heard of your paintings note too note well enough; God hath given you one face, and you make yourselves note another: you jig note, you amble, note and you lisp, and nickname note God's creatures, and make your note wantonness your ignorance: Go to, I'll note no more note on't; it hath made me mad. I say, we will have no more marriages: those that are marry'd already, all but one, shall live; note the rest shall keep as they are. To a nunnery, go.

[Exit Hamlet.

Oph.
O, what a noble mind is here o'erthrown!
The courtier's, soldier's, scholar's, note eye, tongue, sword;
The expectancy and note rose of the fair state,
The glass of fashion, and the mold of form,
The observ'd of all observers, quite, quite down!
And I note, of ladies14Q1445 most deject and wretched,
That suck'd the honey of his musick note vows,
Now see that note noble and most sovereign reason,
Like sweet bells jangl'd, out of tune note and harsh;
That unmatch'd form and note feature note of blown youth,
Blasted with extasy: O, woe is me,
To have seen what I have seen, see what I see!
Re-enter King, and Polonius.

Kin.
Love! his affections do not that way tend;
Nor what note he spake, though it lack'd form a little,
Was not like madness. There's something in his soul,
O'er which his melancholy sits on brood;
And, I do doubt, the hatch, and the disclose,

-- 63 --


Will be some danger: Which for to note prevent,
I have, in quick determination,
Thus set it down; note He shall with speed to England,
For the demand of our neglected tribute:
Haply, the seas, and countries different,
With variable objects, shall expel
This something settl'd matter in his heart;
Whereon his brains still beating, puts him thus
From fashion of himself. What think you on't?

Pol.
It shall do well: But yet do I believe,
The origin and commencement of his note grief
Sprung from neglected love.—How now, Ophelia?
You need not tell us, what lord Hamlet said;
We heard it all.—My lord, do as you please;
But, if you hold it fit, after the play,
Let his queen mother all alone intreat him
To show his grief; note let her be round with him;
And I'll be plac'd, so please you, in the ear
Of all their conference: If she find him not,
To England send him; or confine him, where
Your wisdom best shall think.

Kin.
It shall be so:
Madness in great ones must not unwatch'd note go.
[Exeunt. SCENE II. The same. A Hall in the same, fitted as for a Play. Enter Hamlet, and some of the Players.

Ham.

Speak the speech, I pray you, as I pronounc'd it to you, trippingly on the tongue: but if you mouth it, as many of our note players do, I had as lieve the towncryer spoke note my lines. Nor do not saw the air too much with note your hand, thus; but use all gently: for in the very

-- 64 --

torrent, tempest, and, as I may say, whirlwind note of your note passion, you must acquire and beget a temperance, that may give it smoothness. O, it offends me to the soul, to hear a note robustious periwig-pated note fellow tear a passion to tatters note, to very rags, to split the ears of the groundlings; who, for the most part, are capable of nothing, but inexplicable dumb shows, and noise: I would note have such a fellow whip'd for o'er-doing Termagant; it out-herods Herod: Pray you, avoid it.

1. P.

I warrant your honour.

Ham.

Be not too tame neither, but let your own discretion be your tutor: sute the note action to the word, the word to the action; with this special observance, that you o'er-step note not the modesty of nature: For any thing so o'er-done note is from the purpose of playing, Whose end, both at the first, note and now, was, and is, to hold, as 'twere, the mirrour up to nature; to shew virtue her feature, note scorn her own image, and the very age and body of the time his form and pressure: Now this, over-done, or come tardy off, though it makes note the unskillful laugh, cannot but make the judicious grieve; the censure of which note one must, in your allowance, o'er-weigh note a whole theatre of others. O, there be players, that I have seen play,—and heard others praise note, and that highly,—not to speak it prophanely, that, neither having the accent of christians, nor the gait of christian, pagan, nor man note, have so strutted, and bellow'd, that I have thought, some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.

1. P.

I hope, we have reform'd that indifferently with us. note

-- 65 --

Ham.

O, reform it altogether. And let those, that play your clowns, speak no more than is set down for them: For there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the play be then to be consider'd: that's villanous; and shews a most pitiful ambition in the fool that uses it. Go make you ready.—

[Exeunt Players. Enter Polonius, Rosincrantz, and Guildenstern.

How now, my lord? will the king hear this piece of work?

Pol.

And the queen too, and that presently.

Ham.
Bid the players make haste.— [Exit Pol.
Will you two help to hasten them?

Ros.
Ay, my note lord.
[Exeunt Ros. and Gui.

Ham.
What, ho; Horatio note!
Enter Horatio.

Hor.
Here, sweet lord, at your service.

Ham.
Horatio, thou art e'en as just a man
As e'er my conversation cop'd withal.

Hor.
O, my dear lord,—

Ham.
Nay, do not think I flatter:
For what advancement may I hope from thee;
That no revenue hast, but thy good spirits,
To feed, and cloath thee? Why should the poor be flatter'd?
No, let the candy'd tongue lick note absurd pomp;
And crook the pregnant hinges of the knee,
Where thrift may follow fawning. note Dost thou hear?
Since my dear soul was mistress of her choice, note
And could of men distinguish, her election
Hath note seal'd thee for herself: for thou hast been

-- 66 --


As one, in suffering all, that suffers nothing;
A man, that fortune's buffets and rewards
Hast ta'en note with equal thanks: and blest are those,
Whose blood and judgment are so well comingl'd note,
That they are not a pipe for fortune's finger
To sound what stop she please: Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this.
There is a play to-night before the king;
One scene of it comes near the circumstance,
Which I have told thee, of my father's death.
I pr'ythee, when thou see'st that act a-foot,
Even with the very note comment of thy note soul
Observe my uncle: note if his occult guilt note
Do not itself unkennel in one speech,
It is a damned ghost that we have seen;
And my imaginations are as foul
As Vulcan's stithy: note Give him heedful note note:
For I mine eyes will rivet to his face;
And, after, we will both our judgments note join,
In censure note of his seeming.

Hor.
Well, my lord:
If he steal note ought, the whilst this play is playing,
And scape detecting note, I will pay the theft.

Ham.
They are coming to the play; I must be idle:
Get you a place.
Danish March. A Flourish. Enter King, Queen, Polonius, Ophelia; Rosincrantz, Guildenstern, and Others, attendant; Guard, carrying Torches, preceding.

Kin.

How fares our cousin Hamlet?

-- 67 --

Ham.

Excellent, i' faith; of the camelion's dish: I eat the air, promise-cram'd: You cannot feed capons so.

Kin.

I have nothing with this answer, Hamlet; these words are not mine.

[pass to their Seats.

Ham.

No, nor mine now, my lord.—You play'd once i' the university, you say?

Pol.

That did I note, my lord; and was accounted a good actor.

Ham.

And note what did you enact?

Pol.

I did enact Julius Cæsar: I was kill'd i' the capitol; Brutus kill'd me.

Ham.

It was a brute part of him, to kill so capital a calf there.—Be the players ready?

Ros.

Ay, my lord; they stay upon your patience.

Que.

Come hither, my dear Hamlet, note sit by me.

Ham.

No, good mother, here's metal more attractive.

[seating himself at Ophelia's Feet.

&clquo;Pol.

&clquo;O ho! do you mark that?&crquo;

[to the King.

Ham.

Lady, shall I lie in your lap?

Oph.

No, my lord.

Ham.

I mean, my head in your lap? note

Oph.

Ay, my lord.

Ham.

Do you think, I meant country matters?

Oph.

I think nothing, my lord.

Ham.

That's a fair thought to lie between maids' legs.

Oph.

What is, my lord?

Ham.

Nothing.

Oph.

You are merry, my lord.

Ham.

Who, I?

Oph.

Ay, my lord.

Ham.

O God, your only jig-maker. What should a

-- 68 --

man do, but be merry? for, look you, how cheerfully my mother looks, and my father dy'd within 's two hours.

Oph.

Nay, 'tis twice two months, my lord.

Ham.

So long? Nay, then let the devil wear black, for I'll have a sute of sables. O heavens! die two months ago, and not forgotten yet? Then there's hope, a great man's memory may out-live his life half a year: But, by-r-lady, he must build churches then: or else shall he suffer not thinking on, with the hobby-horse; whose epitaph is, For, o, for, o, the hobby-horse is forgot.14Q1446

Musick. Dumb Show. Enter a King,and a Queen, very lovingly; the Queen embracing him, and he her: she kneels, and makes shew of protestation unto him; he takes her up, and declines his head upon her neck: lays him down upon a bank of flowers; she, seeing him asleep, leaves him. Anon, comes in another man; takes off his crown, kisses it, pours poison in the sleeper's ears, and leaves him. The Queen returns; finds the King dead, and makes passionate action. The poisoner, with some three or four mutes, comes in again; seems to condole with her; the dead body is carry'd away. The poisoner woes the Queen with gifts; she seems harsh a while, but, in the end, accepts love. [Exeunt.

Oph.

What means this, my lord?

Ham.

Marry, this is note munching Malicho14Q1447; it means note mischief.

Oph.

Belike, this show imports the argument of the play.

Enter Prologue.

Ham.

We shall know by this fellow: note the players cannot keep counsel; note they'll tell all.

-- 69 --

Oph.

Will he tell note us what this show meant?

Ham.

Ay, or any show that you'll show him: Be not you asham'd to show, he'll not shame to tell you what it means.

Oph.

You are naught, you are naught; I'll mark the note play.


&cast;Pro.
&cast;For us, and for our tragedy,
&cast;Here stooping to your clemency,
&cast;We beg your hearing patiently.

Ham.
Is this a prologue, or the posy note of a ring?

Oph.
'Tis brief, my lord.

Ham.
As woman's love.
Enter a Duke, and a Dutchess.

&cast;Duk.
&cast;Full thirty times14Q1448 hath Phœbus' cart gone round
&cast;Neptune's salt wash, and Tellus' orbed ground; note
&cast;And thirty dozen moons, with borrow'd sheen,
&cast;About the world have times note twelve thirties been;
&cast;Since love our hearts, and Hymen did our hands,
&cast;Unite co-mutual in most sacred bands.

&cast;Dut.
&cast;So many journies may the sun and moon
&cast;Make us again count o'er, ere love be done!
&cast;But, woe is me, you are so sick of late,
&cast;So far from cheer, and from your note former state, note
&cast;That I distrust you. Yet, though I distrust,
&cast;Discomfort you, my lord, it nothing must: note
&cast;For women's fear and love hold note quantity;
&cast;In neither ought, or in note extremity:
&cast;Now, what my love is note, proof hath made you know;
&cast;And as my love is siz'd, note my fear is so.
&cast;Where love is great, the littl'st doubts are fear; note
&cast;Where little fears grow great, great love grows there.

&cast;Duk.
&cast;'Faith, I must leave thee, love, and shortly too;

-- 70 --


&cast;My operant powers their functions note leave to do:
&cast;And thou shalt live in this fair world behind,
&cast;Honour'd, belov'd; and, haply, one as kind
&cast;For husband shalt thou—

&cast;Dut.
&cast;O, confound the rest!
&cast;Such love must needs be treason in my breast:
&cast;In second husband let me be accurst!
&cast;None wed the second, but who kill'd the first.

&clquo;Ham.
&clquo;That's wormwood. note&crquo;

&cast;Dut.
&cast;The instances, that second marriage move,
&cast;Are base respects of thrift, but none of love:
&cast;A second time I kill my husband dead,
&cast;When second husband kisses me in bed.

&cast;Duk.
&cast;I do believe, you think what now you speak:
&cast;But, what we do determine, oft we break.
&cast;Purpose is but the slave to memory;
&cast;Of violent birth, but poor validity:
&cast;Which now, like fruit note unripe, sticks on the tree;
&cast;But fall, unshaken, when they mellow be.
&cast;Most necessary 'tis, that we forget
&cast;To pay ourselves what to ourselves is debt:
&cast;What to ourselves in passion we propose,
&cast;The passion ending, doth the purpose lose.
&cast;The violence of either note grief or joy
&cast;Their own enactures note with themselves destroy:
&cast;Where joy most revels, grief doth most lament;
&cast;Grief joys, joy grieves, note on slender accident.
&cast;This world is not for aye; nor 'tis not strange,
&cast;That even our loves should with our fortunes change;
&cast;For 'tis a question left us yet to prove,
&cast;Whether love lead fortune, or else fortune love.
&cast;The great man down, you mark, his favourite note flies:

-- 71 --


&cast;The poor advanc'd makes friends of enemies.
&cast;And hitherto doth love on fortune tend:
&cast;For who not needs, shall never lack a friend;
&cast;And who in want a hollow friend doth try,
&cast;Directly seasons him his enemy.
&cast;But, orderly to end where I begun,—
&cast;Our wills, and fates, do so contrary run,
&cast;That our devices still are overthrown;
&cast;Our thoughts are ours, their ends none of our own:
&cast;So think thou wilt no second husband wed;
&cast;But die thy thoughts, when thy first lord is dead.

&cast;Dut.
&cast;Nor, earth, o, give note me note food; nor, heaven, light!
&cast;Sport, and repose, lock from me, day, and night!
&cast;To desperation note turn my trust and hope!
&cast;An anchor's note cheer in prison be my scope!
&cast;Each opposite, that blanks the face of joy,
&cast;Meet what I would have well, and it destroy!
&cast;Both here, and hence, pursue me lasting strife,
&cast;If, once a widow, ever I be wife! note

Ham.
If she should break it now,—
to Oph.

&cast;Duk.
&cast;'Tis deeply sworn. Sweet, leave me here a while;
&cast;My spirits grow dull, and fain I would beguile
&cast;The tedious day with sleep.
[lays him down.

&cast;Dut.
&cast;Sleep rock thy brain;
&cast;And never come mischance betwixt note us twain!
[Exit Dutchess. Duke sleeps.

Ham.
Madam, how like you this play? note

Que.
The lady protests note too much, methinks.

Ham.
O, but she'll keep her word.

Kin.

Have you heard the argument? is there no offence in't?

-- 72 --

Ham.

No, no, they do but jest, poison in jest; no offence i' the world.

Kin.

What do you call the play?

Ham.

The mouse-trap: Marry, how? Tropically. This play is the image of a murther done in Vienna: Gonzago is the duke's name; his wife, Baptista: you shall see anon; 'tis a knavish piece of work: But what of that? your majesty, and we that have note free souls, it touches us not: Let the gall'd jade winch, our withers are unwrung. note

Enter Nephew, with a Vial.

This is one Lucianus, nephew to the duke note.

Oph.

You are as good as a chorus, note my lord.

Ham.

I could interpret between you and your love, if I could see the puppets dallying.

Oph.

You are keen, my lord, you are keen.

Ham.

It would cost you a groaning, to take off my edge. note

Oph.

Still better, and worse.14Q1449

Ham.

So you mis-take husbands note.—Begin, murtherer; leave note thy damnable faces, and begin: Come, The croaking raven doth bellow for revenge.

&cast;Nep.
&cast;Thoughts black, hands apt, drugs fit, and time agreeing;
&cast;Confederate note season, else no creature seeing;
&cast;Thou mixture † rank, of midnight weeds collected,
&cast;With Hecat's ban thrice blasted, thrice infected, note
&cast;Thy natural magick, and dire property,
&cast;On wholesome life usurps note immediately.
[pouring it in the Sleeper's Ear.

Ham.

He poisons note him i' the garden for his estate note; his name's Gonzago: the story is extant, and written in very

-- 73 --

choice note Italian: You shall see anon, how the murtherer gets the love of Gonzago's wife.

Oph.

The king rises.

Ham.

What, frighted with false fire! note

Que.

How fares my lord?

Pol.

Give o'er the play.

Kin.

Give me some light: away.

Pol.

Lights, note lights, lights!

[Exeunt All but Hamlet, and Horatio.

Ham.



Why, let the strooken note deer go weep,
  The heart ungalled play:
For some must watch, while note some must sleep;
  So runs note the world away.—

Would not this, sir, and a forest of feathers, (if the rest of my fortunes turn Turk with me) with two note Provencial roses on my ray'd note note shoes, get me a fellowship in a cry of note players, note, sir? note

Hor.

Half a share.


Ham.
A whole one, I.
For thou dost know, o Damon dear,
  This realm dismantl'd was
Of Jove himself; and now reigns here
  A very, very—peacock note.14Q1450

Hor.

You might have rhim'd.

Ham.

O good Horatio, I'll take the ghost's word for a thousand pound. Didst perceive?

Hor.

Very well, my lord.

Ham.

Upon the talk of the poisoning,—

Hor.

I did very well note him.

Enter Rosincrantz, and Guildenstern.

Ham.

Ha, ha! note—Come, some musick; come, the recorders.—

-- 74 --



For if the king like not the comedy,
Why then, belike, he likes it not, perdy.—
Come, some musick.

Gui.

Good my lord, vouchsafe me a word with you.

Ham.

Sir, a whole history.

Gui.

The king, sir,—

Ham.

Ay, sir, what of him?

Gui.

Is, in his retirement, marvelous distemper'd.

Ham.

With drink, sir?

Gui.

No, my lord, with note choler.

Ham.

Your wisdom should shew itself more richer note, to signify this to the doctor; note for, for me note to put him to his purgation, would, perhaps, plunge him into more note choler.

Gui.

Good my lord, put your discourse into some frame, and start not note so wildly from my affair.

Ham.

I am tame, sir; pronounce.

Gui.

The queen, your mother, in most great affliction of spirit, hath sent me to you:

Ham.

You are welcome.

[with great Ceremony.

Gui.

Nay, good my lord, this courtesy is not of the right breed. If it shall please you to make me a wholesome answer, I will do your mother's commandment: if not, your pardon, and my return, shall be the end of business note.

Ham.

Sir, I cannot.

Ros.

What note, my lord?14Q1451

Ham.

Make you a wholesome answer; my wit's diseas'd: But, sir, such answer note as note I can make, you shall command; or, rather, as you say, my mother: therefore no more, but to the matter; My mother, you say,—

Ros.

Then thus she says; Your behaviour hath strook

-- 75 --

her into amazement and admiration.

Ham.

O wonderful son, that can so 'stonish note a mother!— But is there no sequel at the heels of this mother's admiration? impart. note

Ros.

She desires to speak with you in her closet, ere you go to bed.

Ham.

We shall obey, were she ten times our mother. Have you any further trade with us?

Ros.

My lord, you once did love me.

Ham.

And do note still, by these pickers and stealers.

Ros.

Good my lord, what is your cause of distemper? you do, surely, bar note the door upon your note own liberty, if you deny your griefs to your friend.

Ham.

Sir, I lack advancement.

Ros.

How can that be, when you have the voice of the king himself for your succession in Denmark?

Enter the Players, with Recorders.

Ham.

Ay, sir; note but, While the grass grows,—the proverb is something musty.—O, the recorders: note—let me see &dagger2; one.—&clquo;To withdraw with you:&crquo;—Why do you go about to recover the wind of me, as if you would drive me into a toil?

Gui.

O, my lord, if my duty be too bold, my love is too unmannerly.

Ham.

I do not well understand that. Will you play upon this † pipe?

Gui.

My lord, I cannot.

Ham.

I pray you.

Gui.

Believe me, I cannot.

Ham.

I beseech note you.

Gui.

I know no touch of it, my lord.

Ham.

'Tis as easy as lying: govern these ventages note

-- 76 --

with your fingers and the umber, note give it breath with your mouth, and it will discourse most eloquent note musick: Look you, these are the stops.

Gui.

But these cannot I command to any utterance of harmony; I have not the skill.

Ham.

Why, look you now, how unworthy a thing you make of me? You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me, from my lowest note to the top of note my compass: and there is much musick, excellent voice, in this little organ; yet cannot you make it speak. note 'S blood, do you think, I note am easier to be play'd on than a pipe? Call me what instrument you will, though you can fret me, you note cannot note play upon Enter Polonius. me.—God bless you, sir!

Pol.

My lord, the queen would speak with you, and presently.

Ham.

Do you see yonder cloud, note that's almost in shape of a note weazel?14Q1452

Pol.

By the note mass, note and 'tis like a weazel, indeed.

Ham.

Methinks, it is like a camel.

Pol.

It is back'd like note a camel.

Ham.

Or like a whale.

Pol.

Very like a whale.

Ham.

Then will I note come to my mother by and by.— They fool me [to Hor.] to the top of my bent.—I will come by and by note.

Pol.

I will say so.

[Exit Polonius.

Ham.
By and by is easily said.—Leave me, friends. [Exeunt Ros. and Gui. Horatio, and the Players, withdraw.

-- 77 --


'Tis now the very witching time of night;
When church-yards yawn, and hell itself breaths note out
Contagion to this world: note Now could I drink hot blood;
And do such bitter business, as the day note
Would quake to look on. Soft, now to my mother.
O, heart, lose not thy nature; let not ever
The soul of Nero enter this firm bosom:
Let me be cruel, not unnatural:
I will speak daggers note to her, but use none;
My tongue and soul in this be hypocrites:
How in my words soever note she be shent,
To give them seals never, my soul, consent. [Exeunt. SCENE III. The same. A Room in the same. Enter King, Rosincrantz, and Guildenstern.

Kin.
I like him not; nor stands it safe with us,
To let his madness range. Therefore, prepare you;
I your commission will forthwith dispatch,
And he to England shall along with you:
The terms of our estate may not endure
Hazard so near us, as note doth hourly grow
Out of his lunes note. note

Gui.
We will ourselves provide: note
Most holy and religious fear it is,
To keep those many many bodies note safe,
That live, and feed, upon your majesty.

Ros.
The single and peculiar life is bound,
With all the strength and armour of the mind,
To keep itself from 'noyance: but much more
That spirit, upon whose weal depend note and rest note
The lives of many. The cease of note majesty
Dies not alone; but, like a gulf, doth draw

-- 78 --


What's near it, with it: It is note a massy wheel,
Fixt on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortif'd and adjoin'd; which, when it falls,
Each small annexment, petty consequence,
Attends the boistrous ruin. note Never alone
Did the king sigh, but with a note general groan. note

Kin.
Arm you, I pray you, to this speedy voyage;
For we will fetters put upon this note fear,
Which now goes too free-footed.

Ros.
We note will haste note us.
[Exeunt Ros. and Gui. Enter Polonius.

Pol.
My lord, he's going to his mother's closet;
Behind the arras I'll convey myself,
To hear the process; note I'll warrant note, she'll tax him home:
And, as you said, and wisely was it said,
'Tis meet, that some more audience than a mother,
Since nature makes them partial, should o'er-hear
The speech, of vantage. Fare you well, my liege:
I'll call upon you ere you go to bed,
And tell you what I know. note

Kin.
Thanks, dear my lord. [Exit Polonius.
O, my offence is rank, it smells to heaven;
It hath the primal eldest curse upon't,
A brother's murther!—Pray can I not, note
Though inclination14Q1453be as sharp as will;
My stronger guilt defeats my strong intent;
And, like a man to double business bound,
I stand in pause where I shall first begin,
And both neglect. What if this cursed hand
Were thicker than itself with brother's blood?
Is there not rain enough in the sweet heavens,

-- 79 --


To wash it white as snow? Whereto serves mercy,
But to confront the visage of offence?
And what's in prayer, but this two-fold force,—
To be fore-stalled, ere we come to fall;
Or pardon'd note, being down? Then I'll look up;
My fault note is past. But, o, what form of prayer
Can serve my turn? Forgive me my foul murther!—
That cannot be; since I am still possest
Of those effects note for which I did the murther,
My crown, mine own ambition, and my queen.
May one be pardon'd, and retain the offence?
In the corrupted currents of this world,
Offence's gilded note hand may shove by note justice;
And oft 'tis seen, the wicked prize itself
Buys out the law: But 'tis not so above:
There is no shuffling, there the action lies
In his true nature; and we ourselves compell'd,
Even to the teeth and forehead of our faults,
To give in evidence. What then? what rests?
Try what14Q1454 repentance can: What can it not?
Yet what can it, when one can not repent? note
O wretched state! O bosom, black as death!
O limed soul; that, struggling to be free,
Art more engag'd! Help, angels note, make assay!
Bow, stubborn † knees! and, heart note, with strings of steel,
Be soft as sinews of the new-born babe;
All may be well! [remains in Action of Prayer. Enter Hamlet, at a Distance.

Ham.
Now might I do it, pat, now he is praying; note
And now I'll do't; [drawing.] And so he goes note to heaven:
And so am I reveng'd? That would be scan'd:
A villain kills my father; and, for that,

-- 80 --


I, his sole son, note do this same villain send
To heaven.
Why, this note is hire and salary, note not revenge.
He took my father grosly, full of bread;
With all his crimes broad blown, as flush as note May;
And, how his audit stands, who knows, save heaven?
But, in our circumstance and course of thought,
'Tis heavy with him: And am I then reveng'd,
To take him in the purging of his soul,
When he is fit and season'd for his passage?
No.
Up, † sword; and know thou a more horrid hint note:
When he is drunk, asleep, or in his rage;
Or in the incestuous pleasures of his bed;
At gaming, swearing; note or about some act
That has no relish of salvation in't:
Then trip him, that his heels may kick at heaven;
And that his soul may be as damn'd, and black,
As hell, whereto it goes. My mother stays:
This physick but prolongs thy sickly days. [Exit.

Kin.
My words fly up, [rises.] my thoughts remain below:
Words, without thoughts, never to heaven go.
[Exit. SCENE IV. The same. Another Room in the same. Enter Queen, and Polonius.

Pol.
He will note come straight. Look, you lay home to him:
Tell him, his pranks have been too broad to bear with;
And that your grace hath screen'd and stood between
Much heat and him. I'll silence me14Q1455 even † here.
Pray you, be round note

-- 81 --

Que.
I'll warrant you; note fear me not.
Withdraw, I hear him coming.
[Pol. hides himself. Enter Hamlet, abruptly.

Ham.
Now, mother; what's the matter?

Que.
Hamlet, thou hast thy father much offended.

Ham.
Mother, you have my father much offended.

Que.
Come, come, you answer with an idle tongue. note

Ham.
Go, go, you question with a wicked tongue.

Que.
Why, how now, Hamlet?

Ham.
What's the matter now?

Que.
Have you forgot me?

Ham.
No, by the rood note, not so:
You are the queen, your husband's brother's wife;
And, 'would it were note not so, you are my mother.

Que.
Nay, then I'll set those to you that can speak.

Ham.
Come, come, and sit you down; you shall not budge;
You go not, 'till I set you up note a glass,
Where you may see the inmost note part of you.

Que.
What wilt thou do? thou wilt not murther me?
Help, help, ho! note

Pol. [behind.]
What, ho! help! note

Ham.
How now! a rat?
Dead, for a ducat, dead.
[making a Pass at the Arras.

Pol. [behind.]
O, I am slain.
[falls forward, and dies.

Que.
O me, what hast thou done?

Ham.
Nay, I know not:
Is it the king?
[lifts up the Arras, and draws forth Polonius.

Que.
O, what a rash and bloody deed is this!

Ham.
A bloody deed;—almost as bad, good mother,
As kill a king, and marry with his brother.

-- 82 --

Que.
As kill a note king?

Ham.
Ay, lady, 'twas note my word—
Thou wretched, rash, intruding fool, farewel!
I took thee for thy better; note take thy fortune:
Thou find'st, to be too busy, is some danger.—
Leave wringing of your hands: Peace, sit you down;
And let me wring your heart: for so I shall,
If it be made of penetrable stuff;
If damned custom have not braz'd note it so,
That it be proof note and bulwark against sense.

Que.
What have I done, that thou dar'st wag thy tongue
In noise so rude against me?

Ham.
Such an act,
That blurs the grace and blush of modesty;
Calls virtue, hypocrite; takes off the rose
From the fair forehead of an innocent love,
And sets a note blister there; makes marriage vows
As false as dicers' oaths: o, such a deed,14Q1456
As from the body of contraction plucks
The very soul; and sweet religion makes
A rhapsody of words: Heaven's face doth glow note;
Yea, this note solidity and compound mass,
With tristful visage note, as against the doom,
Is thought-sick at the act.

Que.
Ay me, what act, note
That roars so loud, and thunders in the index note?

Ham.
Look here note, upon this † picture, and on † this;
The counterfeit presentment of two brothers.
See, what a grace was note seated on this note † brow:
Hyperion's curls; the front of Jove himself;
An eye like Mars, to threaten and command note;

-- 83 --


A station like the herald Mercury,
New note-lighted on a heaven-kissing hill;
A combination, and a form, indeed,
Where every god did seem to set his seal,
To give the world assurance of a man:
This was your husband. Look you now, what follows:
Here † is your husband; like a mildew'd ear note,
Blasting his wholesome brother. Have note you eyes?
Could you on this fair mountain leave to feed,
And batten on this moor? Ha, have you eyes?
You cannot call it, love: for, at your age,
The hey-day in the blood is tame; it's humble,
And waits upon the judgment; And what judgment
Would step from this to this? Sense, sure, you have; note14Q1457
Else, could you not have motion: But, sure, that sense
Is apoplex'd: for madness would not err;
Nor sense to exstasy was ne'er so thral'd,
But it reserv'd some quantity of choice,
To serve in such a difference. What devil was't,
That thus hath cozen'd you at hoodman-blind?
Eyes without feeling, feeling without sight, note
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.
O shame! where is thy blush? Rebellious hell, note
If thou canst mutine note in a matron's bones,
To flaming youth let virtue be as wax,
And melt in her own fire: proclaim no shame,
When the compulsive ardor gives the charge;
Since frost itself as actively doth burn,
And reason note panders note will.

Que.
O Hamlet, speak no more:

-- 84 --


Thou turn'st mine eyes into my very soul; note
And there I see such black and grained spots note,
As will not leave their note tinct.

Ham.
Nay, but to live
In the rank sweat of an incestuous note bed;
Stew'd in corruption; honying, and making love,
Over the nasty sty;—

Que.
O, speak to me no more;
These words like daggers enter in my ears; note
No more, sweet Hamlet.

Ham.
A murtherer, and a villain:
A slave, that is not twentieth part the tythe
Of your precedent lord: a vice of kings:14Q1458
A cutpurse of the empire and the rule;
That from a shelf the precious diadem stole,
And put it in his pocket.

Que.
No more. note
Enter Ghost.

Ham.
A king of shreds and patches:—
Save me, and hover o'er me with your wings,
You heavenly guards!—What would your gracious note figure?

Que.
Alas, he's mad.

Ham.
Do you not come your tardy son to chide,
That, laps'd in time and passion, let's note go by
The important acting of your dread command?
O, say.

Gho.
Do not forget: This visitation
Is but to whet thy almost blunted purpose.
But, look, amazement on thy mother sits:
O, step between her and her fighting note soul;
Conceit in weakest bodies strongest works;
Speak to her, Hamlet.

-- 85 --

Ham.
How is it with you, lady?

Que.
Alas, how is't with you?
That thus you bend note your eye on vacancy,
And with the incorporal note air do hold discourse?
Forth at your eyes your spirits wildly peep;
And, as the sleeping soldiers in the alarm,
Your bedded note hair, like life in excrements,
Starts up, and stands note an end. O gentle son,
Upon the heat and flame of thy distemper
Sprinkle cool patience. Whereon do you look?

Ham.
On him! on him! look you, how pale he glares!
His form and cause conjoin'd, preaching to stones,
Would make them capable.—Do not look upon me;
Lest, with this piteous action, you convert
My stern effects: then what I have to do
Will want true colour; tears, perchance, for blood.

Que.
To whom note do you speak this?

Ham.
Do you see nothing † there?

Que.
Nothing at all; yet all, that is, I note see.

Ham.
Nor did you nothing hear?

Que.
No, nothing, but ourselves.

Ham.
Why, look you † there; look, how it steals away;
My father, in his habit as he liv'd, note
Look, where he goes, even now, out at the portal!
[Exit Ghost.

Que.
This is the very coinage of your brain:
This bodiless creation exstasy
Is very cunning in.

Ham.
What exstasy? note
My pulse, as yours, doth temperately note keep time,
And makes as healthful musick: It is not madness,

-- 86 --


That I have utter'd: bring me to the test,
And I the note matter will re-word; which madness
Would gambol from. Mother, for love of grace,
Lay not that flattering note unction to your soul,
That not your trespass, but my madness, speaks:
It will but skin and film the ulcerous place;
Whiles note rank corruption, mining all within,
Infects unseen. Confess yourself to heaven;
Repent what's past; avoid what is to come;
And do not spread the compost on the note weeds,
To make them ranker. note Forgive me this my virtue:
For, in the fatness of these pursy note times,
Virtue itself of vice must pardon beg;
Yea, courb note, and woo, for leave to do him good.

Que.
O, Hamlet, thou hast cleft my heart in twain.

Ham.
O, throw away the worser part of it,
And live note the purer with the other half.
Good night: but go not to my uncle's note bed;
Assume a virtue, if you have it not.
That monster, custom14Q1459, who all sense doth eat note
Of habits evil, note is angel yet in this;
That to the use of actions fair and good
He likewise gives a frock, or livery,
That aptly is put on: Refrain note to-night;
And that shall lend a kind of easiness
To the next abstinence: the next, more easy: note
For use almost can change the stamp of nature,
And master even the note devil, or throw him out
With wondrous potency. Once more, good night:
And, when you are desirous to be blest,
I'll blessing beg of you. For this † same lord,
I do repent; But heaven hath pleas'd it so,—

-- 87 --


To punish me with this, and this with me,—
That I must be their scourge and minister:
I will bestow him, and will answer well
The death I gave him. So, again good-night.—
I must be cruel, only to be kind:
Thus bad note begins, and worse remains behind.—
Hark, one word more, good lady. note

Que.
What shall I do!

Ham.
Not this, by no means, that I bid you do:
Let the bloat king note tempt you again to bed;
Pinch wanton on your cheek; call you, his mouse;
And let him, for a pair of reechy kisses,
Or padling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good, you let him know:
For who, that's but a queen, fair, sober, wise,
Would from a paddock, from a bat, a gib,
Such dear concernings note hide? who would do so?
No, in despight of sense, and secresy,
Unpeg the basket on the house's top,
Let the birds fly; and, like the famous ape,
To try conclusions, in the basket creep,
And break your own neck down.

Que.
Be thou assur'd, if words be made of breath,
And breath of life, I have no life to breath
What thou hast said to me.

Ham.
I must to England; you know that?

Que.
Alack,
I had forgot; 'tis so concluded on.

Ham.
There's letters seal'd: and my two school-fellows,— note
Whom I will trust, as I will adders fang'd,—

-- 88 --


They bear the mandate; they must sweep my way,
And marshal me to knavery: Let it work;
For 'tis the sport, to have the engineer
Hoist with his own petar: and't shall go hard,
But I will delve one yard below their mines,
And blow them at the moon: O, 'tis most sweet,
When in one line two crafts directly meet.—
This man shall set me packing.
I'll lug the guts into the neighbour room:—
Mother, good night.—Indeed, this counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish note prating knave.
Come, sir, to † draw toward an end with you:—
Good night, mother. [Exeunt, severally; Hamlet tugging in Polonius. ACT IV. SCENE I. The same. Enter King, Queen, Rosincrantz, and Guildenstern.

Kin.
There's matter note in these sighs, these profound heaves;
You must translate; 'tis fit, we understand them:
Where is your son?

Que.
Bestow this place on us a little while.— note [Exeunt Ros. and Gui.
Ah, my good lord, note what have I seen to-night?

Kin.
What, Gertrude? How does Hamlet?

Que.
Mad as the sea, note and wind, when both contend
Which is the mightier: In his lawless fit,

-- 89 --


Behind the arras hearing something stir,
Whips out his rapier, cries note, A rat, a rat;
And, in this note brainish apprehension, kills
The unseen good old man.

Kin.
O heavy deed!
It had been so with us, had we been there:
His liberty is full of threats to all;
To you yourself, to us, to every one.
Alas, how shall this bloody deed be answer'd?
It will be lay'd to us; whose providence
Should have kept short, restrain'd, and out of haunt,
This mad young man: but, so much was our love,
We would not understand what was most fit;
But, like the owner of a foul disease,
To keep it from divulging, let it note feed
Even on the pith of life. Where is he gone?

Que.
To draw apart the body he hath kill'd:
O'er whom his very madness, like some ore
Among a mineral of metals note base,
Shows itself pure; he weeps for what is done.

Kin.
O, note Gertrude, come away!
The sun no sooner shall the mountains touch,
But we will ship him hence: and this vile deed
We must, with all our majesty and skill,
Both countenance and excuse.—Ho, Guildenstern! Enter Rosincrantz, and Guildenstern.
Friends both, go join you with some further aid:
Hamlet in madness hath Polonius slain,
And from his mother's closet note hath he drag'd him:
Go, seek him out; speak fair, and bring the body
Into the chapel. I pray you, haste in this.— [Exeunt Ros. and Gui.

-- 90 --


Come, Gertrude, we'll call up our wisest friends;
And let note them know, both what we mean to do,
And what's untimely done: so, haply, slander,— note14Q1460
Whose whisper o'er the world's diameter,
As level as the cannon to his blank,
Transports his poison'd shot,—may miss our name,
And hit the woundless air. O, come away;
My soul is full of discord, and dismay. [Exeunt. SCENE II. The same. Another Room in the same. Enter Hamlet.

Ham.
&lblank; Safely stow'd. But, soft; note

Ros. &c. [within.]
Hamlet! lord Hamlet! note

Ham.
What noise? who calls on Hamlet? O, here they come.
Enter Rosincrantz, and Guildenstern.

Ros.
What have you done, my lord, with the dead body?

Ham.
Compounded note it with dust, whereto 'tis kin.

Ros.
Tell us where 'tis; that we may take it thence,
And bear it to the chapel.

Ham.

Do not believe it.

Ros.

Believe what?

Ham.

That I can keep your counsel, and not mine own. Besides, to be demanded of a spunge,—what replication should be made by the son of a king?

Ros.

Take you me for a spunge, my lord?

Ham.

Ay, sir; that soaks up the king's countenance, his rewards, his authorities But such officers do the king best service in the end: He keeps them, like an ape,14Q1461 in note the corner of his jaw; first mouth'd, to be last swallow'd: when he needs what you have glean'd, it is but squeezing

-- 91 --

you, and, spunge, you shall be dry again.

Ros.

I understand you not, my lord.

Ham.

I am glad of it: A knavish speech sleeps in a foolish ear.

Ros.

My lord, you must tell us where the body is, and go with us to the king.

Ham.

The body is with the king, but the king is not with the body. The king is a thing—

Gui.

A thing, my lord?

Ham.

Of nothing: bring me to him. Hide, fox note, and all after.

[Exeunt. SCENE III. The same. Another Room in the same. Enter King, attended.

Kin.
I have sent to seek him, and to find the body.
How dangerous is it, that this man goes loose?
Yet must not we put the strong law on him:
He's lov'd of the distracted multitude,
Who like not in their judgment, but their eyes;
And, where 'tis so, the offender's scourge is weigh'd,
But never note the offence. To bear all smooth and even,
This sudden sending him away must seem
Deliberate pause: Diseases, desperate grown,
By desperate appliance are reliev'd, Enter Rosincrantz.
Or not at all.—How now? what hath befall'n?

Ros.
Where the dead body is bestow'd, my lord,
We cannot get from him.

Kin.
But where is he?

Ros.
Without, my lord; guarded, to know your pleasure.

Kin.
Bring him before us.

-- 92 --

Ros.
Ho! bring in the lord. note
Enter Hamlet, and Guildenstern.

Kin.

Now, Hamlet, where's Polonius?

Ham.

At supper.

Kin.

At supper? Where?

Ham.

Not where he eats, but where he is eaten: a certain convocation of politick note worms are e'en at him. Your worm is your only emperor for diet: we fat all creatures else, to fat us; and we fat ourselves note for maggots: Your fat king, and your lean beggar, is but variable service; two dishes, note but to one table; that's the end.

Kin.

Alas, alas! note

Ham.

A man may fish with the worm that hath eat of a king; and eat of the fish that hath fed of that worm.

Kin.

What dost thou mean by this?

Ham.

Nothing, but to shew you how a king may go a progress through the guts note of a beggar.

Kin.

Where is Polonius?

Ham.

In heaven; send thither to see: if your messenger find him not there, seek him in the other place yourself. But, indeed note, if you find him not this note month, you shall nose him as you go up the stairs into the lobby.

Kin.

Go seek him there.

[to some Attendants.

Ham.

He will stay till you come. note

[Exeunt Attendants.

Kin.
Hamlet, this deed, for thine note especial safety,—
Which we do tender; as we dearly grieve
For that which thou hast done,—must send thee hence
With fiery quickness: note Therefore, prepare thyself;
The bark is ready, and the wind at help,
The associates tend, and every thing is bent note
For England.

-- 93 --

Ham.

For England?

Kin.

Ay, Hamlet.

Ham.

Good.

Kin.

So is it, if thou knew'st our purposes.

Ham.

I see a cherub, that sees them. note—But, come; for England:—Farewel, dear mother.

Kin.

Thy loving father, Hamlet.

Ham.

My mother: Father and mother is man and wife; man and wife is one flesh: so note, my mother.—Come, for England.

[Exit Hamlet.

Kin.
Follow him at foot; tempt him with speed aboard;
Delay it not, I'll have him hence to-night:
Away; for every thing is seal'd and done,
That else leans on the affair: Pray you, make haste. [Exeunt Ros. and Gui.
And, England, if my love thou hold'st at ought,
(As my great power thereof may give thee sense;
Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe
Pays homage to us) thou may'st not coldly set by
Our sovereign process; which imports at full,
By letters congruing note to that effect,
The present death of Hamlet. Do it, England;
For like the hectick in my blood he rages,
And thou must cure me: 'Till I know 'tis done,
Howe'er my haps, my joys will ne'er begin. note
[Exit. SCENE IV. A Plain in Denmark. Enter Fortinbras, and Forces, marching.

For.
Go, captain, from me greet the note Danish king;
Tell him, that, by his licence, Fortinbras

-- 94 --


Claims the note conveyance of a promis'd march
Over his kingdom. You know the rendezvous.
If that his majesty would ought with us,
We shall express our duty in his eye,
And let him know so.

Cap.
I will do't, my lord.

For.
Go softly note on.
[Exeunt For. and Forces. Enter Hamlet, Rosincrantz, &c. note

Ham.
Good sir, whose powers are these?

Cap.
They are of Norway, sir.

Ham.
How purpos'd note, sir, I pray you?

Cap.
Sir, against
Some part of Poland.

Ham.
Who commands them, sir?

Cap.
The nephew to old note Norway, Fortinbras.

Ham.
Goes it against the main of Poland, sir,
Or for some frontier?

Cap.
Truly to speak, sir, and with no addition,
We go to gain a little patch of ground,
That hath in it no profit but the name.
To pay five ducats, five, I would not farm it;
Nor will it yield to Norway, or the Pole,
A ranker rate, should it be sold in fee.

Ham.
Why, then the Polack never will defend it.

Cap.
O, yes, it is note already garrison'd.

Ham.
Two thousand souls, and twenty thousand ducats,
Will not debate the question of this straw:
This is the imposthume of much wealth, and peace;
That inward breaks, and shows no cause without
Why the man dies—I humbly thank you, sir.

Cap.
God be wi' you, sir.
[Exit Captain.

-- 95 --

Ros.
Will't please you go, my lord?

Ham.
I will be with you straight,
Go a little before.— [Exeunt Ros. and the rest.
How all occasions do inform against me,
And spur my dull revenge! What is a man,
If his chief good, and market of his time,
Be but to sleep, and feed? a beast, no more.
Sure, he, that made us with such large discourse,
Looking before, and after, gave us not
That capability and godlike reason
To fust note in us unus'd. Now, whether it be
Bestial oblivion, or some craven scruple
Of thinking too precisely on the event,—
A thought, which, quarter'd, hath but one part wisdom;
And, ever, three parts coward,—I do not know
Why yet I live to say, This thing's to do;
Sith I have cause, and will, and strength, and means
To do't. Examples, gross as earth, exhort me:
Witness, this army, of such mass, and charge,
Led by a delicate and tender prince;
Whose spirit, with divine ambition puft,
Makes mouths at the invisible event;
Exposing what is mortal, and unsure,
To all that fortune, death, and danger, dare,
Even for an egg-shell. Rightly, to be great
Is not,14Q1462 not to stir without great argument;
But greatly to find quarrel in a straw,
When honour's at the stake. How stand I then,
That have a father kill'd, a mother stain'd,
Excitements of my reason, and my blood,
And let all sleep? while, to my shame, I see
The imminent death of twenty thousand men,

-- 96 --


That, for a fantasy, and trick of same,
Go to their graves like beds; fight for a plot,
Whereon the numbers cannot try the cause,
Which is not tomb enough, and continent,
To hide the slain? O, then, from this time forth,
My thoughts be bloody, or be nothing worth! [Exit. SCENE V. Elsinour. A Room in the Castle. Enter Queen,14Q1463 attended; Horatio, and a Gentleman.

Que.
&lblank; I will not speak with her.

Gen.
She is note importunate; indeed, distract;
Her mood will needs be pity'd.

Que.
What would she have?

Gen.
She speaks note much of her father; says, she hears,
There's tricks i' the world; and hems, and beats her hearts;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at note it,
And botch the words up fit to their own thoughts;
Which, as her winks note, and nods, and gestures yield them,
Indeed would make one think, there might be note thought,
Though nothing sure, yet much unhappily.

Hor.
'Twere good note, she were spoken with; for she may strew
Dangerous conjectures in ill-breeding minds:
Let her come in.
[Exit Gen.

&clquo;Que. note
&clquo;To my sick soul, as sin's true nature is,&crquo;
&clquo;Each toy seems prologue to some great amiss:&crquo;
&clquo;So full of artless jealousy is guilt,&crquo;
&clquo;It spills itself, in fearing to be spilt.&crquo;

-- 97 --

Enter Ophelia, wildly.

Oph.
Where is the beauteous majesty of Denmark?

Que.
How now, Ophelia?

Oph.
How should I14Q1464 your true-love know [sings.
  from another one?
By his cockle hat, and staff,
  and his note sandal shoon.

Que.
Alas, sweet lady, what imports this song?

Oph.
Say you? nay, pray you, mark.

He is dead and gone, lady, [sings.
  he is dead and gone;
at his head a grass-green turf,
  at his heels a stone.
O, o!

Que.

Nay, but Ophelia,—

Oph.

Pray you, mark.



White his shrowd as the mountain snow, [sings. Enter King.

Que.

Alas, look here, my lord.


Oph.
  Larded all note with sweet flowers;
which bewept to the ground did note go note,
  with true-love showers.

Kin.

How do you note, pretty lady?

Oph.

Well, God 'ild note you. They say, the owl was a baker's daughter. Lord, we know what we are, but know not what we may be. God be at your table!

Kin.

Conceit upon her father.

Oph.

Pray, let's note have no words of this; but when they ask you, what it means, say you this:



To-morrow is St. Valentine's day, [sings.
  all in the morn betime note,
and I a maid at your window,
  to be your Valentine:

-- 98 --


  Then up he rose,
  and d'on'd his cloaths, note
and d'op'd the chamber door;
  let in the maid,
  that out a maid note
never departed more.

Kin.

Pretty Ophelia!

Oph.

Indeed, without note an oath, I'll make an end on't.

[sings.

  By Gis, and by
  St. Charity,
alack, and fie for shame!
  young men will do't,
  if they come to't;
by cock, they are to blame.
  Before, quoth she note,
  you tumbl'd me,
you promis'd me to wed:

He answers, note


  So would I note ha' done,
  by yonder sun,
an thou hadst not come to my bed.

Kin.

How long hath she been thus? note

Oph.

I hope, all will be well. We must be patient: but I cannot choose but weep, to think, they would note lay him i' the cold ground: My brother shall know of it, and so I thank you for your good counsel.—Come, my coach!—Good night note, ladies; good night, sweet ladies; good night, good night.

[Exit Ophelia.

Kin.
Follow her close; give her good watch, I pray you [Exeunt Hor. and Att.
O! This is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude note,
When sorrows come, they come note not single spies,

-- 99 --


But in battalions. note First, her father slain:
Next, your son gone; and he most violent author
Of his own just remove: The people muddy'd,
Thick and unwholsome in their note thoughts, and whispers,
For good Polonius' death; and we have done14Q1465
But greenly to interr him: Poor Ophelia
Divided from herself, and her fair judgment;
Without the which we are note pictures, or meer beasts.
Last, and as much containing as all these,
Her brother is in secret come from France:
Feeds on his wonder, keeps himself in note clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father's death;
Wherein necessity, of matter beggar'd,
Will nothing stick our persons note to arraign
In ear and ear. O my dear Gertrude, this,
Like to a murthering piece, in many places
Gives me superfluous death. [Noise within.

Que.
Alack, what noise is this? note

Kin.
Where note are my note Switzers? let them guard the door:— Enter a Gentleman, hastily.
What is the matter?

Gen.
Save yourself, my lord;
The ocean, overpeering of his list,
Eats not the flats with more impetuous haste,
Than young Laertes, in a riotous head,
O'er-bears your officers! The rabble call him, lord:
And, as the world were now but to begin,
Antiquity forgot, custom not known,
The ratifiers and props of every work, note
They cry note, Choose we; Laertes shall be king:14Q1466

-- 100 --


Caps, hands, and tongues, applaud it to the clouds,
Laertes shall be king, Laertes king! [Noise again, and Shouts: Door assaulted.

Que.
How cheerfully on the false trail they cry!
O, this is counter, you false Danish dogs.

Kin.
The doors are broke.
Enter Laertes, arm'd; Danes following.

Lae.
Where is this king? note—Sirs, stand you all without.

Dan.
No, let's come in.

Lae.
I pray you, give me leave.

Dan.
We will, we will.
[retiring without the Door.

Lae.
I thank you; keep the door.—O thou vile king,
Give me my father.

Que.
Calmly, good Laertes.

Lae.
That drop of blood, that's calm note, proclaims me bastard;
Cries, cuckold, to my father; brands the harlot
Even here, between the chast unsmirched note brow
Of my true mother.

Kin.
What is the cause, Laertes,
That thy rebellion looks so giant-like?—
Let him go, Gertrude; do not fear our person;
There's such divinity doth hedge a king,
That treason can but peep note to what it would
Acts little of his will.—Tell me, Laertes,
Why thou art thus incens'd;—Let him go, Gertrude;—
Speak, man.

Lae.
Where is note my father?

Kin.
Dead, Laertes.

Que.
But not by him.

Kin.
Let him demand his fill.

Lae.
How came he dead? I'll not be juggl'd with:

-- 101 --


To hell, allegiance! vows, to the blackest devil!
Conscience, and grace, to the profoundest pit!
I dare damnation: To this point I stand,—
That both the worlds I give to negligence,
Let come what comes; only I'll be reveng'd
Most throughly for my father.

Kin.
Who shall stay you?

Lae.
My will, not all the world's: note
And, for my means, I'll husband them so well,
They shall go far with little.

Kin.
Good Laertes,
If you desire to know the certainty
Of your dear father's death, is't note writ note in your revenge,
That, sweep-stake, note14Q1467 you will draw both friend and foe,
Winner and loser?

Lae.
None but his enemies.

Kin.
Will you know them then?

Lae.
To his good friends thus wide I'll ope note my arms;
And, like the kind life-rend'ring pelican, note
Repast them with my blood.

Kin.
Why, now you speak note
Like a good child, and a true gentleman.
That I am guiltless of your father's death,
And am most sensibly note in grief for it,
It shall as level to your judgment pierce note
As day does to your eye.
[Noise within.

Dan. [within.]
Let her come in. note

Lae.
How now! what noise is that? Enter Ophelia, fantastically drest up with Flowers, &c.
O heat, dry up my brains! tears, seven times salt,
Burn out the sense and virtue of mine eye!—

-- 102 --


By heaven, thy madness shall be pay'd by weight note,
'Till note our scale turn the beam. O rose of May,
Dear maid, kind sister, sweet Ophelia!—
O heavens! is't possible, a young maid's wits
Should be as mortal as an old man's note life?
Nature is fine in love14Q1468: and, where 'tis fine, note
It sends some precious instance of itself
After the thing it loves.


Oph.
They bore him bare-fac'd note on the bier, [sings.
and on his grave rains note many a tear;—
Fare you well, my dove.

Lae.
Hadst thou thy wits, and didst persuade revenge,
It could not move thus.

Oph.

You must sing, Down, a-down note, an you call him a-down-a. O, how the wheel becomes note it! It is the false steward, that stole his master's daughter.

Lae.

This nothing's more than matter.

Oph.

There's &dagger2; rosemary,14Q1469 that's for remembrance; pray you, love note, remember: and there is note &dagger2; pansies, that's for thoughts.

Lae.

A document in madness; thoughts and remembrance fitted.

Oph.

There's &dagger2; fennel for you, and columbines:— There's &dagger2; rue for you;—and here's some for me: we may call it, herb of grace, o'sundays:—you may wear note your rue with a difference.—There's &dagger2; a daisy:—I would give you some violets; but they wither'd all, when my father dy'd: They say, he made note a good end,—



For bonny sweet Robin is all my joy,— [sings.

Lae.
Thought note, and affliction, note passion, hell itself,
She turns to favour and to prettiness.

Oph.

[1.]
And will note he not come again? [sings.

-- 103 --


and will note he not come again?
  No, no, he is dead,
  go to thy death-bed,
he never will come again.

2.
His beard was note as white as snow,
all note flaxen was his pole:
  he is gone, he is gone,
  and we cast away moan;
Gramercy note on his soul!
And of all note christian note souls, I pray God. note God be wi' you! [Exit Ophelia.

Lae.
Do you see note this, o God! note

Kin.
Laertes, I must commune note with your grief,
Or you deny note me right. Go but apart,
Make choice of whom your wisest friends you will,
And they shall hear and judge 'twixt you and me:
If by direct or by collateral hand
They find us touch'd, we will our kingdom give,
Our crown, our life, and all that we call ours,
To you in satisfaction; but, if not,
Be you content to lend your patience to us,
And we shall jointly labour with your soul
To give it due content.

Lae.
Let this be so;
His means of death, his obscure burial, note
No trophee sword, nor hatchment o'er his bones,
No noble rite, nor note formal ostentation,—
Cry to be heard, as 'twere from heaven to earth,
That I must call't in note question.

Kin.
So you shall;
And, where the offence is, let the great axe fall.

-- 104 --


I pray you, go with me. [Exeunt. SCENE VI. The same. Another Room in the same. Enter Horatio, and a Servant.

Hor.
What are they, that would speak with me?

Ser.
Sailors, sir; note
They say, they have letters for you.

Hor.
Let them come in.— [Exit Servant.
I do not know from what part of the world
I should be greeted, if not from lord Hamlet.
Enter Sailors.

1. S.

God bless you, sir.

Hor.

Let him bless thee too.

1. S.

He shall note, sir, an't please him. There's &dagger2; a letter for you, sir: it comes note from th' embassador note, that was bound for England; if your name be Horatio, as I am let to know it is.

Hor. [reads.]

Horatio, when thou shalt have over-look'd this, give these fellows some means to the king; they have letters for him. Ere we were two days old at sea, a pirate of very warlike appointment gave us chace: Finding ourselves too slow of sail, we put on a compell'd valour: in note the grapple, I boarded them: on the instant, they got clear of our ship; so I alone became their prisoner: They have dealt with me like thieves of mercy: but they knew what they did; I am to do a turn note for them. Let the king have the letters I have sent; and repair thou to me, with as much speed as note thou would'st fly death: I have words to speak in thine ear, note will make thee dumb; yet are they much too light for the bore of note the matter: these good fellows will bring thee where I am. Rosincrantz, and Guildenstern, hold their course for England: of them I have

-- 105 --

much to tell thee. Farewel. He that note thou knowest thine,

Hamlet.


Come, I will give you way for these your letters;
And do't the speedier, that you may direct me
To him from whom you brought them. [Exeunt. SCENE VII. The same. Another Room in the same. Enter King, and Laertes.

Kin.
Now must your conscience my acquittance seal,
And you must put me in your heart for friend;
Sith you have heard, and with a knowing ear,
That he, which hath your noble father slain,
Pursu'd my life.

Lae.
It well appears: But tell me
Why you proceeded note not against these feats,
So crimeful and note so capital note in nature,
As by your safety, wisdom, note all things note else,
You mainly were stir'd up.

Kin.
O, for two special reasons;
Which may to you, perhaps, seem much unsinew'd,
But yet note to me they are strong. The queen, his mother,
Lives almost by his looks; and for myself,
(My virtue, or my plague, be it either which)
She is so conjunctive note to my life and soul,
That, as the star moves not but in his sphere,
I could not but by her. The other motive,
Why to a publick count I might not go,
Is, the great love the general gender bear him:
Who, dipping all his faults in their affection,
Would, like note the spring that turneth wood to stone,
Convert his gyves to graces; so that my arrows,
Too slightly timber'd for so loud a wind, note

-- 106 --


Would have reverted to my bow again,
And not note where I had aim'd them.

Lae.
And so have I a noble father lost;
A sister driven into desperate terms;
Whose note worth, if praises may go back again,
Stood challenger on mount of all the age
For her perfections: But my revenge will come.

Kin.
Break not your sleeps for that: you must not think,
That we are made of stuff so flat and dull,
That we can let our beard note be shook with danger, note
And think it pastime. note You shortly shall hear more:
I lov'd your father, and we love ourself; note
And that, I hope, will teach you to imagine,— Enter a Gentleman.
How now? what news? note

Gen.
Letters, my lord, from Hamlet: note
These &dagger2; to your note majesty; this † to the queen.

Kin.
From Hamlet! Who brought them?

Gen.
Sailors, my lord, they say: I saw them not;
They were given me by Claudio, he receiv'd them
Of him that brought them note.

Kin.
Laertes, you shall hear note them:—
Leave us. [Exit Gentleman.

High and mighty, [reads.] You shall know, I am set naked on your kingdom. To-morrow shall I beg leave to see your kingly eyes: when I shall, first asking your pardon note thereunto, recount the occasion note of my sudden return note.

Hamlet.


What should this mean? Are all the rest come back?
Or is it some abuse, and no note such thing?

Lae.
Know you the hand?

-- 107 --

Kin.
'Tis Hamlet's character. Naked!
And in a postscript here he says, alone:
Can you advise note me?

Lae.
I am lost in it, my lord. But let him come;
It warms the very sickness in my heart,
That I shall live note and tell him to his teeth,
Thus diddest thou.

Kin.
If it be so, Laertes,
As how should it be so? how otherwise?
Will you be rul'd by me?

Lae.
I will note, my lord;
So you will not o'er-rule me to a peace.

Kin.
To thine own peace. If he be now return'd,—
As checking at note his voyage, and that he means
No more to undertake it,—I will work him
To an exploit, now ripe in my devise,
Under the which he shall not choose but fall:
And for his death no wind of blame shall breath;
But even his mother shall uncharge the practise,
And call it, accident.

Lae.
My lord, I will be rul'd; note
The rather, if you could devise it so
That I might be the organ.

Kin.
It falls right.
You have been talk'd of since your travel much,
And that in Hamlet's hearing, for a quality
Wherein, they say, you shine: your sum of parts
Did not together pluck such envy from him,
As did that one; and that, in my regard,
Of the unworthiest siege.14Q1470

Lae.
What part is that, my lord?

Kin.
A very riband note in the cap of youth,

-- 108 --


Yet needful too; for youth no less becomes
The light and careless livery that it wears,
Than settl'd age his sables, and his weeds,
Importing health, and graveness. Two months since note
Here was a gentleman of Normandy,—
I have seen myself, and serv'd against, the French,
And they can note well on horse-back: but this gallant
Had witchcraft in't; he grew unto note his seat;
And to such wondrous doing brought his horse,
As he had note been incorps'd and demy-natur'd
With the brave beast: so far he top'd my note thought, note
That I, in forgery of shapes and tricks,
Come note short of what he did.

Lae.
A Norman was't?

Kin.
A Norman.

Lae.
Upon my life, Lamord. note

Kin.
The very same.

Lae.
I know him well; he is the brooch, indeed,
And jem of all the nation. note

Kin.
He made confession of you:
And gave you such a masterly report,
For art and exercise in your defence,
And for your rapier most especial, note
That he cry'd out, 'Twould be a sight indeed,
If one could match you; the scrimers of their nation, note
He swore, had neither motion, guard, nor eye,
If you oppos'd them: Sir, this report of his
Did Hamlet so envenom with his envy,
That he could nothing do, but wish and beg
Your sudden coming o'er note, to play with you. note
Now, out of this,—

Lae.
What out note of this, my lord?

-- 109 --

Kin.
Laertes, was your father dear to you?
Or are you like the painting of a sorrow,
A face without a heart?

Lae.
Why ask you this?

Kin.
Not that I think, you did not love your father;
But that I know, love is begun by time;
And that I see, in passages of proof,
Time qualifies the spark and fire of it.
There lives within the very flame of love note
A kind of wick, or snuff, that will abate it;
And nothing is at a like goodness still;
For goodness, growing to a plurisy,
Dies in his own too much: That we would do,
We should do when we would: for this would changes,
And hath abatements and delays as many,
As there are tongues, are hands, are accidents;
And then this should14Q1471 is like a spend-thrift's note sigh,
That hurts by easing. But, to the quick o' the ulcer:
Hamlet comes note back; What would you undertake,
To show yourself indeed your father's son note
More than in words?

Lae.
To cut his throat i' the church.

Kin.
No place, indeed, should murther sanctuarize;
Revenge should have no bounds. But, good Laertes,
Will you do this; keep close within your chamber?
Hamlet, return'd, shall know you are come home:
We'll put on those shall praise your excellence,
And set a double varnish on the fame
The Frenchman gave you; bring you, in fine, together,
And wager o'er your note heads: he, being remiss,
Most generous, and free from all contriving,
Will not peruse the foils; so that, with ease,

-- 110 --


Or with a little shuffling, you may choose
A sword unbated note, and, in a pass of practice,
Requite note him for your father.

Lae.
I will do't:
And, for the purpose note, I'll anoint my sword.
I bought an unction of a mountebank;
So mortal, that, but dip note a knife in it,
Where it draws blood, no cataplasm so rare,
Collected from all simples that have virtue
Under the moon, can save the thing from death,
That is but scratch'd withal: I'll touch my point
With this contagion; that, if I gall him slightly,
It may be death.

Kin.
Let's further think of this;
Weigh what convenience note, both of time and means,
May fit us to our shape: If this should fail,
And that our drift look through our bad performance,
'Twere better not assay'd; therefore, this project
Should have a back, or second, that might hold,
If this did blast note in proof. Soft; let me see:
We'll make a solemn wager on your cunnings, note
I ha't: note
When in your motion you are hot and dry,
(As make your bouts more violent to that end) note
And that he calls for drink, I'll have prefer'd note him
A chalice for the nonce; note whereon but sipping,
If he by chance escape your venom'd stuck, note
Our purpose may hold there. But stay, what noise? noteEnter Queen.
How now, sweet queen? note

Que.
One woe doth tread upon another's heel,
So fast they follow: note

-- 111 --


Your sister's drown'd, Laertes.

Lae.
Drown'd! o, where?

Que.
There is a willow14Q1472 grows ascant the brook, note
That shews his hoar note leaves in the glassy stream;
Therewith note fantastick garlands did she make, note
Of crow-flowers, nettles, daisies, and long purples,
That liberal shepherds give a grosser name,
But our cold note maids do dead men's fingers call them:
Then on note the pendant boughs her coronet note weeds
Clamb'ring to hang, an envious sliver note broke;
When down her weedy note trophies, and herself,
Fell in the weeping brook. Her cloaths spread wide;
And, mermaid-like, a while they bore her up:
Which time, she chaunted snatches of old tunes; note
As one incapable of her own distress,
Or like a creature native and indu'd note
Unto that element: but long it could not be,
'Till that her garments, heavy with their drink note,
Pull'd the poor wretch note from her melodious lay note
To muddy death.

Lae.
Alas, then, she is note drown'd?

Que.
Drown'd, drown'd.

Lae.
Too much of water hast thou, poor Ophelia,
And therefore I forbid my tears: But yet
It is our trick; nature her custom holds,
Let shame say what it will: when these are gone,
The woman will be out.—Adieu, my lord:
I have a speech of fire note; that fain would blaze,
But that this folly drowns it. note
[Exit.

Kin.
Let's follow, Gertrude:
How much I had to do to calm his rage!
Now fear I, this will give it start again;

-- 112 --


Therefore, let's follow. [Exeunt. ACT V. SCENE I. The same. A Church-yard. Enter two Clowns, with Spades, &c.

1. C.

Is she to be bury'd in christian burial, that wilfully note seeks her own salvation?

2. C.

I tell thee, she is; therefore note, make her grave straight: the crowner hath sat on her, and finds it christian burial.

1. C.

How can that be, unless she note drown'd herself in her own defence?

2. C.

Why, 'tis found so.

1. C.

It must be se offendendo note; it cannot be else. For here lies the point: If I drown myself wittingly, it argues an act: and an act note hath three branches;14Q1473 it is, to act, to do, and to perform: argal, she note drown'd herself wittingly.

2. C.

Nay, but hear you, goodman delver:

1. C.

Give me leave. Here † lies the water; good: here † stands the man; good: If the man go to this water, and drown himself, it is, will he, nill he, he goes; mark you that: but if the water come to him, and drown him, he drowns not himself: Argal, he, that is not guilty of his own death, shortens not his own life.

2. C.

But is this law?

1. C.

Ay, marry, is't; crowner's-quest law.

2. C.

Will you ha' the truth on't? note if this had not been a gentlewoman, she should have been bury'd out note of christian burial.

-- 113 --

1. C.

Why, there thou say'st: And the more pity; that great folk should have countenance in this world to drown or hang themselves, more than their even christen. note Come, my spade. [strips, and falls to digging.] There is no ancient gentlemen, but gardiners, ditchers, and grave-makers; they hold up Adam's profession.

2. C.

Was he a gentleman?

1. C.

He was note the first that ever bore arms.

2. C.

Why, he had none. note

1. C.

What, art a heathen? note How dost thou understand the scripture? The scripture says, Adam dig'd; Could he dig without arms? I'll put another question to thee: if thou answer'st me not to the purpose, confess thyself—

2. C.

Go to.

1. C.

What is he, that builds stronger than either the mason, the ship-wright, or the carpenter?

2. C.

The gallows-maker; for that frame note outlives a thousand tenants.

1. C.

I like thy wit well, in good faith; the gallows does well: But how does it well? it does well to those that do ill: now thou dost ill, to say, the gallows is built stronger than the church; argal, the gallows may do well to thee. To't again; come.

2. C.

Who builds stronger than a mason, a ship-wright, or a carpenter?

1. C.

Ay, tell me that, and unyoke.

2. C.

Marry, now I can tell.

1. C.

To't.

2. C.

Mass, I cannot tell.

Enter Hamlet, and Horatio, at a Distance.

1. C.

Cudgel thy brains no more about it; for your

-- 114 --

dull ass will not mend his pace with beating: and, when you are ask'd this question next, say, a grave-maker; the houses, that he note makes, last 'till dooms-day. Go, get thee to Yaughan note, and note fetch me a stoop of liquor.

[Exit second Clown.

In youth when I did love, did love, [sings.
  methought, it was very sweet,
to contract, o, the time, note for, ah, my behove;
  o, methought, there was nothing so meet note. note

Ham.

Has this fellow no feeling of his business? he sings note in grave-making.

Hor.

Custom hath made it in him a property of easiness.

Ham.

'Tis e'en so: the hand of little employment hath the daintier sense.


1. C.
But age, with his stealing steps, [sings.
  hath claw'd me note in his clutch,
and shipped note me into note the land,
  as if I had never been such.
[throws up a Scull.

Ham.

That scull had a tongue in't, and could sing once; How the knave jowls it to the ground, as if it were note Cain's jaw-bone, that did the first murther! This might be the pate of a politician, which this ass now o'er-reaches; note one that would note circumvent God, might it not?

Hor.

It might, my lord.

Ham.

Or of a courtier; which could say, Good morrow, sweet lord! note How dost thou, sweet lord? note This might be my lord such a one, that prais'd my lord such a one's horse, when note he meant to beg it; might it not?

Hor.
Ay, my lord.

-- 115 --

Ham.

Why, e'en so: and now my lady worm's; chapless, note and knockt about the mazzard with a sexton's spade: Here's fine revolution, and we note had the trick to see't. Did these bones cost no more the breeding, but to play at loggats with them? mine ake to think on't.


1. C.
A pickaxe, and a spade, a spade, [sings.
  for—and a shrowding sheet:
o, a pit of clay for to be made
  for such a guest is meet.
[throws up another Scull.

Ham.

There's another: Why may not note that be the scull of a lawyer? Where be his quiddities note now, his quillities, note his cases, his tenures, and his tricks? why does he suffer this rude knave note now to knock him about the sconce with a dirty shovel, and will not tell him of his action note of battery? Hum! This fellow might be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries: Is this the note fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers note vouch him no more of his purchases, and double ones too, than the note length and breadth of a pair of indentures? the very conveyances of his lands note will hardly lye in this box; and must the inheritor himself have no more? ha?

Hor.

Not a jot more, my lord.

Ham.

Is not parchment made of sheep-skins?

Hor.

Ay, my lord, and of calves-skins too.

Ham.

They are sheep, and calves, which seek note out assurance in that. I will speak to this fellow:—Whose grave's this, sirrah? note

1. C.

Mine, sir.—



O, a note pit of clay for to be made note[sings.

-- 116 --

Ham.

I think, it be thine note, indeed; for thou ly'st in't.

1. C.

You lie out on't, sir; and, therefore, it is not yours: for my part, I do not lie in't, yet note it is mine.

Ham.

Thou dost lie in't, to be in't, and say, it is thine: 'tis for the dead, not for the quick; therefore, thou ly'st.

1. C.

'Tis a quick lie, sir; 'twill away note again, from me to you.

Ham.

What man dost thou dig it for?

1. C.

For no man, sir.

Ham.

What woman then?

1. C.

For none neither.

Ham.

Who is to be bury'd in't?

1. C.

One, that was a woman, sir; but, rest her soul, she's dead.

Ham.

How absolute the knave is! we must speak by the card, or equivocation will undo us. note By the lord, Horatio, these three years14Q1474 I have taken note note of it; the age is grown so picked, that the note toe of the peasant comes so near the heel note of the courtier note, he galls his kybe.—How long hast thou been a grave-maker?

1. C.

Of all the note days i' the year, I came to't that day that our last king Hamlet overcame note Fortinbras.

Ham.

How long is that since?

1. C.

Cannot you tell that? every fool can tell that: It was that very note day that young Hamlet was born; he that is mad, note and sent into England.

Ham.

Ay, marry, why was he sent into England?

1. C.

Why, because he was mad: he shall note recover his wits there; or, if he do not, 'tis note no great matter there.

Ham.

Why?

1. C.

'Twill not be seen in him there; there the men note are as mad as he.

-- 117 --

Ham.

How came he mad?

1. C.

Very strangely, they say.

Ham.

How strangely?

1. C.

'Faith, e'en with losing his wits.

Ham.

Upon what ground?

1. C.

Why, here in Denmark: I have been sexton here, note man, and boy, thirty years.

Ham.

How long will a man lie i' the earth ere he rot?

1. C.

'Faith, note if he be not rotten before he die, (as we have many pocky coarses now-a-days, note that will scarce hold the laying in) he will note last you some eight year, or nine year: a tanner will last you nine year. note

Ham.

Why he more than another?

1. C.

Why, sir, his hide is so tan'd with his trade, that he will keep out water a great while; and your water is a sore decayer of your whorson dead body. Here's † a scull now hath lain you i' the earth twenty three years. note

Ham.

Whose was it?

1. C.

A whorson mad fellow's it was; Whose do you think it was?

Ham.

Nay, I know not.

1. C.

A pestilence on him for a mad rogue! he pour'd a flagon of rhenish on my head once: This same scull, sir, note was sir Yorick's note scull, the king's jester.

Ham.

This?

[takes the Scull.

1. C.

E'en that.

Ham.

Alas note, poor Yorick!—I knew him, Horatio; a fellow of infinite jest, of most excellent fancy: he hath born me note on his back a thousand times; and now note, how abhorr'd in my imagination it note is! my gorge rises at it. Here hung those lips, that I have kiss'd I know not how

-- 118 --

oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar? not one note now, to mock your own grinning? note quite chap-faln? Now get you to my lady's chamber, note and tell her, Let her paint an inch thick, to this favour she must come; make her laugh note at that.— Pr'ythee, Horatio, tell me one thing.

Hor.

What's that, my lord?

Ham.

Dost thou think, Alexander look'd o' this fashion i' the earth?

Hor.

E'en so.

Ham.

And smelt so? pah!

[throws it down.

Hor.

E'en so, my lord.

Ham.

To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander, 'till he find it stopping a bung-hole?

Hor.

'Twere to consider too curiously, to consider so.

Ham.

No, 'faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it: As thus, noteAlexander dy'd, Alexander was bury'd, Alexander returneth note to dust; the dust is earth; of earth we make lome; And why of that lome, whereto he was converted, might they not stop a beer-barrel?


  Imperial note Cæsar, dead, and turn'd to clay,
  Might stop a hole to keep the wind away:
  O, that that earth, which kept the world in awe,
  Should patch a wall to expel note the winter's note flaw!
But, soft, but soft, aside; note here comes the king, Enter Priests, &c. in solemn Procession, a Coffin following: Laertes, and Mourners, after it; King, Queen, their Trains, &c.
The queen, the courtiers; Who is this they note follow?

-- 119 --


And with such maimed rites! note This doth betoken,
The coarse, they follow, did with desperate hand
Fore-do it's own note life: 'Twas of note some estate:
Couch we a while, and mark. [retiring with Horatio.

Lae.
What ceremony else?
[to the Priests.

Ham.
That is Laertes, [to Horatio.
A very noble youth: Mark. note

Lae.
What ceremony else?

1. P.
Her note obsequies have been as far enlarg'd
As we have warranty: note Her death was doubtful;
And, but that great command o'er-sways the order,
She should in ground unsanctify'd have lodg'd note,
'Till the last trumpet; for charitable prayers, note
Shards, note flints, and pebbles, should be thrown on her:
Yet here14Q1475 she is allow'd her virgin rites, note
Her maiden strewments, and the bringing home
Of bell and burial.

Lae.
Must there no more be done?

1. P.
No note more be done;
We should prophane the service of the dead,
To sing a requiem note and such rest to her
As to peace-parted souls.

Lae.
Lay her i' the earth:— [Coffin lay'd in.
And from her fair and unpolluted flesh
May violets spring!—I tell thee, churlish priest,
A ministring angel shall my sister be,
When thou ly'st howling.

Ham.
What, the fair Ophelia!

Que.
Sweets to the sweet: [strewing Flowers.] Farewell!
I hop'd, thou should'st have been my Hamlet's wife;
I thought, thy bride-bed to have deck'd, sweet maid,

-- 120 --


And not have note strew'd thy grave.

Lae.
O, treble woe note
Fall ten times treble on note that cursed head,
Whose wicked deed thy most ingenious sense
Depriv'd thee of!—Hold off the earth a while,
'Till I have caught her once more in mine arms: [leaps into the Grave.
Now pile your dust upon the quick and dead;
'Till of this flat a mountain you have made,
To o'er-top old Pelion, or the skyish head
Of blue Olympus.

Ham.
What is he, [advancing.] whose grief note
Bears such an emphasis? whose phrase of sorrow
Conjures note the wandring stars, and makes them stand
Like wonder-wounded hearers? this is I note,
Hamlet the Dane.
[leaps too in the Grave.

Lae.
The devil take thy soul!
[grappling with him.

Ham.
Thou pray'st not well.
I pr'ythee, take thy fingers from my throat;
For, though note I am not splenitive and note rash,
Yet have I in me something note dangerous,
Which let thy wisdom fear: Hold off thy note hand.

Kin.
Pluck them asunder.

Que.
Hamlet, Hamlet!

Att.
Gentlemen, note
[the Attendants part them.

Hor.
Good my note lord, be quiet.
[to Hamlet. [they come out of the Grave.

Ham.
Why, I will fight with him upon this theme,
Until my eye-lids will no longer wag.

Que.
O my son, what theme?

Ham.
I lov'd Ophelia; forty thousand brothers
Could not with all their quantity note of love

-- 121 --


Make up my sum.—What wilt thou do for her?

Kin.
O, he is mad, Laertes.

Que.
For love of God, forbear him.

Ham.
—'Zounds, show note me what thou't do:
Wou't weep? wou't fight? wou't fast? note wou't tear thyself?
Wou't drink up Elsil? note note14Q1476 eat a crocodile?
I'll do't. Dost thou come note here to note whine?
To out-face me with leaping in her grave?
Be bury'd quick with her; and so will I:
And, if thou prate of mountains, let them throw
Millions of acres on us; 'till our ground,
Sindging his pate against the burning zone,
Make Ossa like a wart: Nay, an thou'lt mouth,
I'll rant as well as thou.

Que.
This is note meer madness:
And thus a note while the fit will work on him;
Anon14Q1477, as patient as the female dove, note
When that her golden couplets note are disclos'd,
His silence will sit drooping.

Ham.
Hear you, sir;
What is the reason that you use me thus?
I lov'd you ever: But note it is no matter;
Let Hercules himself do what he may,
The cat will mew, and dog note will have his day.
[Exit Hamlet.

Kin.
I pray thee, good note Horatio, wait upon him— [Exit Horatio.
Strengthen your patience in our last night's speech;
We'll put the matter to the present push.—
Good Gertrude, set some watch over your son.— [Exit Queen, &c.
This grave shall have a living monument:

-- 122 --


An hour of quiet thereby shall note we see;
'Till then in patience our proceeding be. [Exeunt. SCENE II. The same. A Hall in the Castle. Enter Hamlet, and Horatio.

Ham.
So much for this, sir: now shall you see note the other;—
You do remember all the circumstance?

Hor.
Remember it, my lord!

Ham.
Sir, in my heart there was a kind of fighting,
That would not let me sleep; methought note, I lay
Worse than the mutines in the bilboes. note Rashness note
(And prais'd note be rashness for it!) lets us know,
Our indiscretion sometime note serves us note well,
When our deep plots do fail: note note and that should teach us note,
There's a divinity that shapes our ends,
Rough-hew them how we will.

Hor.
That is most certain.

Ham.
Up from my cabin,
My sea-gown scarft about me, in the dark
Grop'd I to find out them: had my desire;
Finger'd their packet; and, in fine, withdrew
To mine own room again: making so bold,
My fears note forgetting manners, to unseal note
Their grand commission; where I found, Horatio,
A royal note knavery; an exact command,—
Larded with many several sorts of reasons, note
Importing Denmark's health, and England's too,
With, ho, such bugs and goblins in my life,—
That, on the supervize, no leisure bated,
No, not to stay the grinding of the axe,
My head should be strook off.

-- 123 --

Hor.
Is't possible?

Ham.
Here's the &dagger2; commission; read it at more leisure.
But wilt thou hear now how note I did proceed?

Hor.
Ay, 'beseech you.

Ham.
Being thus benetted14Q1478 round with villanies, note
Or I could make a prologue to my brains,
They had begun the play;—I sat note me down;
Devis'd a new commission; wrote it fair:
I once did hold it, as our statists do,
A baseness to write fair, and labour'd much
How to forget that learning; but, sir, now
It did me yeoman's service: Wilt thou know
The effect note of what I wrote?

Hor.
Ay, good my lord.

Ham.
An earnest conjuration from the king,—
As England was his faithful tributary;
As love between them like the palm might flourish note;
As peace should still her wheaten garland wear,
And stand a commere note14Q1479 'tween their amities;
And many such like as's of note great charge,—
That, on the view and knowing of note these contents,
Without debatement further, more, or less,
He should the bearers note put to sudden death,
Not shriving time allow'd.

Hor.
How was this seal'd?

Ham.
Why, even in that was heaven ordinant; note
I had my father's signet in my purse,
Which was the model of that Danish seal:
I folded the writ up in form note of the other;
Subscrib'd note it; gav't the note impression; plac'd it safely,
The changeling never known: Now, the next day

-- 124 --


Was our sea-fight; and what to this was sequent note
Thou know'st already.

Hor.
So Guildenstern and Rosincrantz go to't.

Ham.
Why, man, they did make love to this employment; note
They are not near my conscience; their defeat note
Does note by their own insinuation grow:
'Tis dangerous, when the note baser nature comes
Between the pass and fell incensed points
Of mighty opposites.

Hor.
Why, what a king is this!

Ham.
Does it not, think thee, note stand me now upon?
He that hath kill'd my king, and whor'd my mother;
Popt in between the election and my hopes;
Thrown out his angle for my proper life,
And with such cous'nage; is't not perfect conscience,
To quit him with this arm? and is't not to be damn'd, note
To let this canker of our nature come
In further evil.

Hor.
It must be shortly known to him from England,
What is the issue of the business there.

Ham.
It will be short: the interim is mine;
And a man's life's no more than to say, one.
But I am very sorry, good Horatio,
That to Laertes I forgot myself;
For by the image of my cause I see
The portraiture of his: I'll court note his favours:
But, sure, the bravery of his grief did put me
Into a towering passion.

Hor.
Peace; who comes here?
Enter Osrick, a Courtier.

Osr.
Your lordship is right welcome back to Denmark.

-- 125 --

Ham.
I humbly thank you, sir.—&clquo;Dost know this water-fly?&crquo;

&clquo;Hor.
&clquo;No, my good lord.&crquo;

&clquo;Ham.

&clquo;Thy state is the more gracious; for 'tis a vice, to know him: He hath much land, and fertil: let a beast be lord of beasts, and his crib shall stand at the king's mess: 'tis a cough; note but, as I say, spacious note in the possession of dirt&crquo;

Osr.

Sweet lord, if your lordship note were at leisure, I should impart a thing to you from his majesty.

Ham.

I will receive it, sir, note with all diligence of spirit: Your note bonnet to his right use; 'tis for the head.

Osr.

I thank your lordship, 'tis very hot.

Ham.

No, believe me, 'tis very cold; the wind is northerly.

Osr.

It is indifferent cold, my lord, indeed.

Ham.

But yet, methinks note, it is very sultry and hot; or my complexion—14Q1480

Osr.

Exceedingly, my lord; it is very sultry, as't were; I cannot tell how. My note lord, his majesty bad me signify to you, note that he has lay'd a great wager on your head: Sir, this is the matter;—

Ham.

I beseech you, remember.

Osr.

Nay, good my lord; for my ease note, in good faith. Sir, note here is newly come to court, Laertes: believe me, an absolute gentleman, full of most excellent differences, of very soft society, and great showing: Indeed, to speak feelingly note of him, he is the very card or kalendar of gentry; for you shall find in him the continent of what part a gentleman would see.

Ham.

Sir, his definement suffers no perdition in you;— though, I know, to divide him inventorially, would dizzy

-- 126 --

the arithmetick of memory;—and yet but raw neither, in respect of his quick sail. But, in the verity of extolment, I take him to be a soul of great note article; and his infusion of such dearth and rareness, as, to make true diction of him, his semblable is his mirror; and, who else would trace him, his umbrage, nothing more.

Osr.

Your lordship speaks most infallibly of him.

Ham.

The concernancy, sir? why do we wrap the gentleman in our more rawer breath?

Osr.

Sir?

&clquo;Hor.

&clquo;Is't not possible to understand in another tongue?—You will do't, sir, rarely. note&crquo;

[to Hamlet.

Ham.

What imports the nomination of this gentleman?

Osr.

Of Laertes?

&clquo;Hor.

&clquo;His purse is empty already; all's golden words note are spent.&crquo;

Ham.

Of him, sir?

Osr.

I know, you are not ignorant—

Ham.

I would, you did, sir;—yet, in faith, if you did, it would not much approve me:—Well, sir.

Osr.

—You are not ignorant note of what excellence Laertes is:

Ham.

I dare not confess that, lest I should compare with him in excellence; for, to note know a man well, were to know himself.

Osr.

I mean, sir,14Q1481 for his note weapon; but in the imputation lay'd on him by them: in this meed note he's unfellow'd.

Ham.

What's his weapon?

Osr.

Rapier and dagger.

Ham.

That's two of his weapons: but, well.

-- 127 --

Osr.

The king, sir note, has wager'd with him six Barbary horses: against the which he has note impon'd note, as I take it, six French rapiers and poniards, with their assigns, as girdle, hanger, and so; note three of the carriages, in faith, are very dear to fancy, very responsive to the hilts, most delicate carriages, and of very liberal conceit.

Ham.

What call you the carriages?

&clquo;Hor.

&clquo;I knew, you must be edify'd by the margent, note ere you had done.&crquo;

[to Hamlet.

Osr.

The carriages note, sir, are the hangers.

Ham.

The phrase would be more germane note to the matter, if we could carry a note cannon by our sides; I would, it might be note hangers 'till then. But, on: Six Barbary horses, against six French swords, their assigns, and three liberal-conceited carriages; that's the French bet note against the Danish; Why is this impon'd, as you note call it?

Osr.

The king, sir, hath lay'd, that note, in a dozen passes between yourself and note him, he shall not exceed you three hits: he hath lay'd on twelve for nine; and it would note come to immediate trial, if your lordship would vouchsafe the answer.

Ham.

How if I answer, no?

Osr.

I mean, my lord, the opposition of your person in trial.

Ham.

Sir, I will walk here in the hall; if it please his majesty, it is the breathing time of day with me, let the foils be brought: the gentleman willing, and the king holding his purpose, I will win for him, an I note can; if not, I will note gain nothing but my shame, and the odd hits.

Osr.

Shall I deliver you so? note

Ham.

To that effect, sir; after what flourish your nature will.

-- 128 --

Osr.

I commend my duty to your lordship.

Ham.

Yours note, yours.—[Exit Osrick.] He does well, to commend it himself; there are no tongues note else for's note turn.

Hor.

This lapwing runs away with the shell on his head.

Ham.

He did compliment note14Q1482 with his dug, before he note suck'd it. Thus has he note (and many more note of the same breed, note that, I know, the drossy age dotes on) only got the tune of the time, an outward note habit note of encounter; a kind of yesty note collection, that carries them through and through the most fan'd note and note winnow'd note opinions; and, do but blow them to their trial note, the bubbles are out.

Enter another Courtier. note

Cou.

My lord, his majesty commended him to you by young Osrick, who brings back to him, that you attend him in the hall: he sends to know, if your pleasure hold to play with Laertes, or that you will take longer time.

Ham.

I am constant to my purposes, they follow the king's pleasure: if his fitness speaks, mine is ready; now, or whensoever, provided I be so able as now.

Cou.

The king, and queen, and all are coming down.

Ham.

In happy time.

Cou.

The queen desires you, to use some gentle entertainment to Laertes, before you fall to note play.

Ham.

She well instructs me.

[Exit Courtier.

Hor.

You will lose this wager note, my lord.

Ham.

I do not think so; since he went into France, I have been in continual practice; I shall win at the odds. note Thou would'st not think, how ill all's here note about my heart: but it is no matter.

-- 129 --

Hor.

Nay, good my lord,—

Ham.

It is but foolery; but it is such a kind of 'gain-giving note, as would, perhaps, trouble a woman.

Hor.

If your mind dislike any thing, obey it: I note will forestal note their repair hither, and say, you are not fit.

Ham.

Not a whit, we defy augury; there is special note providence in the fall of a sparrow. If it be now, note 'tis not to come; if it be not to come, it will be now; if it be not now, yet it will come: the readiness is all: Since no man, of ought he leaves, knows, what is't note to leave betimes? Let be note.

Enter King, Queen, Laertes, Lords, Osrick, and Others; Attendants with Foils, &c.

Kin.
Come, Hamlet, come, and take this † hand from me.

Ham.
Give me your pardon, sir: I have done you wrong;
But pardon 't, as you are a gentleman.
This presence knows,
And you must needs have heard, how I am punish'd
With sore note distraction: What I have done,
That might your nature note, honour, and exception,
Roughly awake, I here proclaim was madness.
Was't Hamlet wrong'd Laertes? Never Hamlet:
If Hamlet from himself be ta'en away,
And, when he's not himself, does wrong Laertes,
Then Hamlet does it not, Hamlet denies it.
Who does it then? His madness: If't be so,
Hamlet is of the faction that is wrong'd;
His madness is poor Hamlet's enemy. note
Let my disclaiming from a purpos'd evil
Free me so far in your most generous thoughts,

-- 130 --


That I have shot my arrow note o'er the house,
And hurt my brother. note

Lae.
I am satisfy'd in nature,
Whose motive, in this case, should stir me most
To my revenge: but in my terms of honour
I stand aloof; and will no reconcilement,
'Till by some elder masters, of known honour,
I have a voice and precedent note of peace,
To keep my note name ungor'd: But, 'till that note time,
I do receive your offer'd love like love,
And will not wrong it.

Ham.
I embrace note it freely;
And will this brother's wager frankly play.—
Give us the foils; come on. note

Lae.
Come, one for me.

Ham.
I'll be your foil, Laertes; in mine ignorance
Your skill shall, like a star i' the darkest note night,
Stick fiery off indeed.

Lae.
You mock me, sir.

Ham.
No, by this † hand.

Kin.
Give them note the foils, young Osrick note.—Cousin Hamlet,
You know the wager?

Ham.
Very well, my lord: note
Your grace hath note lay'd the odds o' the weaker side.

Kin.
I do not fear it; I have seen you both:—
But since he is better'd, note you have note therefore odds.14Q1483
[they prepare to play.

Lae.
This is too heavy, let me see another.

Ham.
This likes me well: These foils have all a length?

Osr.
Ay, my good lord.
Enter Attendants, with Wine.

-- 131 --

Kin.
Set me the stoops of wine upon that table: note
If Hamlet give the first, or second, hit,
Or quit in answer of the third exchange,
Let all the battlements their ord'nance fire;
The king shall drink to Hamlet's better breath;
And in the cup an union shall note he throw,
Richer than that which four successive kings
In Denmark's crown have worn: Give me the cups;
And let the kettle to the trumpet note speak,
The trumpet to the cannoneer without,
The cannons to the heavens note, the heaven to earth,
Now the king drinks to Hamlet.—Come, begin;—
And you, the judges, bear a wary eye.

Ham.
Come on, sir.

Lae.
Come, my lord. note
[A Flourish. They play.

Ham.
One.

Lae.
No.

Ham.
Judgment?

Osr.
A hit, a very palpable hit.

Lae.
Well, again.

Kin.
Stay, give me drink:—Hamlet, this † pearl is thine;
Here's to thy health.— [drinks, and puts Poison in the Cup.
Give him the cup.
[Flourish. Ordinance within.

Ham.
I'll play this bout first, set it by note a while.—
Come. [play.] Another hit; What say you?

Lae.
I do confess't. note

Kin.
Our son shall win.

Que.
He's fat, and scant of breath.—
Here, Hamlet, take my napkin, note rub thy brows:
The queen carowses to thy fortune, Hamlet.

Ham.
Thank you, good madam.

-- 132 --

Kin.
Gertrude, do not drink.

Que.
I will, my lord; I pray you, pardon me.
[drinks, and tenders the Cup to Hamlet.

&clquo;Kin.
&clquo;It is the poison'd cup; it is too late.&crquo;

Ham.
I dare not drink yet, madam; by and by.

Que.
Come, let me wipe thy face.

Lae.
My lord, I'll hit him now.

Kin.
I do not think't.

&clquo;Lae.
&clquo;And yet it is almost against note my conscience.&crquo;

Ham.
Come, for the third:—Laertes, you but note dally;
I pray you, pass with your best violence;
I am afeard, you note make a wanton of me.

Lae.
Say you so? come on.
[they play.

Osr.
Nothing neither way.

Lae.
Have at you now.
[play again. Laertes wounds Hamlet: a Scuffle ensues; they change Rapiers, and Hamlet wounds Laertes.

Kin.
Part them, they are incens'd.

Ham.
Nay, come again.
[Queen falls.

Osr.
Look to the queen there, ho!

Hor.
They bleed on both sides:—
How is't, my lord?

Osr.
How is't, Laertes?

Lae.
Why, as a woodcock to my own note sprindge, Osrick;
I am justly kill'd with mine own treachery.

Ham.
How does the queen?

Kin.
She swoons note to see them bleed.

Que.
No, no, the drink, the drink,—O my dear Hamlet!—
The drink, the drink; I am poison'd!
[dies.

Ham.
O villany!—Ho note! let the door be lock'd:
Treachery! seek it out.
[Laertes falls.

-- 133 --

Lae.
It is here, Hamlet: Hamlet, thou note art slain;
No med'cine note in the world can do thee good,
In thee there is not half an hour's life; note
The treacherous instrument is in note thy hand,
Unbated, and envenom'd: the foul practice
Hath turn'd itself on me; lo, here I lye,
Never to rise again: Thy mother's poison'd;
I can no note more; the king, the king's to blame.

Ham.
The point envenom'd too!—
Then, venom, to thy work.
[stabs the King.

Att.
Treason! treason!

Kin.
O, yet defend me, friends, I am but hurt.

Ham.
Here note, thou incestuous, murd'rous note, damned Dane,
Drink off this † potion:14Q1484 Is the union here? note
Follow my mother.
[King dies.

Lae.
He is justly serv'd;
It is a poison temper'd by himself.—
Exchange forgiveness with me, noble Hamlet:
Mine and my father's death come not upon thee;
Nor thine on me!
[Laertes dies.

Ham.
Heaven make thee free of it! I follow thee.—
I am dead, Horatio:—Wretched queen, adieu!—
You that look pale and tremble at this chance,
That are but mutes or audience to this note act,
Had I but time, (as this fell serjeant, death,
Is strict in his arrest) o, I could tell you,—
But let it be:—Horatio, I am dead;
Thou liv'st; report me and my cause aright note
To the unsatisfy'd.

Hor.
Never believe it;
I am more an antique Roman than a Dane,
Here's yet some liquor left.

-- 134 --

Ham.
As thou'rt a man,—
Give me the cup; let go; by heaven, I'll ha't. note
O God!—Horatio note,14Q1485, what a wounded name,
Things standing thus unknown, shall live note behind me?
If thou didst ever hold me in thy heart,
Absent thee from felicity a while, [Firings within.
And in this harsh world draw thy breath in pain,
To tell my story.—What warlike noise is this?

Osr.
Young Fortinbras, with conquest come from Poland,
To note the embassadors of England gives
This warlike volly.

Ham.
O, I die, Horatio;
The potent poison quite o'er-crows note my spirit.
I cannot live to hear the news from England:
But I do prophesy, the election lights
On Fortinbras; he has my dying voice;
So tell him, with the occurrents, more and less,
Which have sollicited,—The rest is silence. note
[sinks, and dies.

Hor.
Now cracks note a noble heart:—Good night, sweet prince;
And flights note of angels sing thee to thy rest!—
Why does the drum come hither?
[March within. Enter Fortinbras, the Embassadors, and Others.

For.
Where is this sight?

Hor.
What is it, you would note see?
If ought of woe, or wonder, cease your search.

For.
This note quarry cries on havock:14Q1486—O proud death,
What feast is toward in thine eternal note cell,
That thou so many princes, at a shot, note
So bloodily hast strook?

-- 135 --

1. E.
The sight is dismal;
And our affairs from England come too late:
The ears are senseless, that should give us hearing,
To tell him, his commandment is fulfil'd,
That Rosincrantz and Guildenstern note are dead:
Where should we have our thanks?

Hor.
Not from his † mouth,
Had it the ability of life to thank you;
He never gave commandment for their death.
But since, so jump upon this bloody question,
You from the Polack note wars, and you from England
Are here arriv'd, give order, that these bodies
High on a stage be placed to the view;
And let me speak, to the yet note unknowing world,
How these things came about: So shall you hear
Of cruel, bloody, and unnatural acts;
Of accidental judgments, casual slaughters;
Of deaths put on by cunning, and forc'd cause note;
And, in this up-shot, purposes mistook
Fall'n on the inventors' heads: all this can I
Truly deliver.

For.
Let us haste to hear it,
And call the noblesse note note to the audience.
For me, with sorrow I embrace my fortune;
I have some rights note of memory in this kingdom,
Which now to note claim my vantage doth invite me.

Hor.
Of that I shall have also cause note to speak,
And from his mouth whose voice will draw on more note:
But let this same be presently perform'd,
Even while note men's minds are wild; lest more mischance,
On plots, and errors, happen.

For.
Let four captains

-- 136 --


Bear Hamlet, like a soldier, to the stage;
For he was likely, had he been put on,
To have prov'd most royally: note and, for his passage,
The soldiers' musick, and the right note of war,
Speak loudly for him.—
Take up the bodies: note—Such a sight as this
Becomes the field, but here shows note much amiss.
Go, bid the soldiers shoot. [A dead March. Exeunt solemnly, bearing off the Bodies; after which, a Peal of Ordinance is shot off.

-- 1 --

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Edward Capell [1767], Mr William Shakespeare his comedies, histories, and tragedies, set out by himself in quarto, or by the Players his Fellows in folio, and now faithfully republish'd from those Editions in ten Volumes octavo; with an introduction: Whereunto will be added, in some other Volumes, notes, critical and explanatory, and a Body of Various Readings entire (Printed by Dryden Leach, for J. and R. Tonson [etc.], London) [word count] [S10601].
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