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Poe, Edgar Allan, 1809-1849 [1840], Tales of the grotesque and arabesque, volume 1 (Lea & Blanchard, Philadelphia) [word count] [eaf320v1].
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Front matter Covers, Edges and Spine

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Preliminaries

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Lillian Gary Taylor; Robert C. Taylor; Eveline V. Maydell, N. York 1923. [figure description] Bookplate: silhouette of seated man on right side and seated woman on left side. The man is seated in a adjustable, reclining armchair, smoking a pipe and reading a book held in his lap. A number of books are on the floor next to or beneath the man's chair. The woman is seated in an armchair and appears to be knitting. An occasional table (or end table) with visible drawer handles stands in the middle of the image, between the seated man and woman, with a vase of flowers and other items on it. Handwritten captions appear below these images.[end figure description]

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Title Page [figure description] Title Page.[end figure description]

TALES
OF THE
GROTESQUE AND ARABESQUE.

Seltsamen tochter Jovis
Seinem schosskinde
Der Phantasie
Goethe
PHILADELPHIA:
LEA AND BLANCHARD.
1840.

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[figure description] Publisher's Imprint.[end figure description]

Entered according to act of Congress, in the year 1839, by
Edgar A. Poe, in the clerk's office for the eastern district of Pennsylvania.
Printed by
Haswell, Barrington, and Haswell.

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Dedication

[figure description] Dedication.[end figure description]

These Volumes are Inscribed
TO
COLONEL WILLIAM DRAYTON,
OF PHILADELPHIA,
WITH EVERY SENTIMENT OF RESPECT, GRATITUDE,
AND ESTEEM,
BY HIS OBLIGED FRIEND AND SERVANT,

THE AUTHOR.

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PREFACE.

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The epithets “Grotesque” and “Arabesque” will be
found to indicate with sufficient precision the prevalent
tenor of the tales here published. But from the fact
that, during a period of some two or three years, I
have written five-and-twenty short stories whose
general character may be so briefly defined, it cannot
be fairly inferred—at all events it is not truly
inferred—that I have, for this species of writing,
any inordinate, or indeed any peculiar taste or prepossession.
I may have written with an eye to this
republication in volume form, and may, therefore,
have desired to preserve, as far as a certain point, a
certain unity of design. This is, indeed, the fact;
and it may even happen that, in this manner, I shall
never compose anything again. I speak of these
things here, because I am led to think it is this prevalence
of the “Arabesque” in my serious tales,
which has induced one or two critics to tax me, in
all friendliness, with what they have been pleased to
term “Germanism” and gloom. The charge is in
bad taste, and the grounds of the accusation have
not been sufficiently considered. Let us admit, for
the moment, that the “phantasy-pieces” now given

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are Germanic, or what not. Then Germanism is “the
vein” for the time being. To morrow I may be anything
but German, as yesterday I was everything else.
These many pieces are yet one book. My friends
would be quite as wise in taxing an astronomer with
too much astronomy, or an ethical author with treating
too largely of morals. But the truth is that, with
a single exception, there is no one of these stories in
which the scholar should recognise the distinctive
features of that species of pseudo-horror which we are
taught to call Germanic, for no better reason than
that some of the secondary names of German literature
have become identified with its folly. If in many
of my productions terror has been the thesis, I maintain
that terror is not of Germany, but of the soul,—
that I have deduced this terror only from its
legitimate sources, and urged it only to its legitimate
results.

There are one or two of the articles here, (conceived
and executed in the purest spirit of extravaganza,)
to which I expect no serious attention, and
of which I shall speak no farther. But for the rest I
cannot conscientiously claim indulgence on the score
of hasty effort. I think it best becomes me to say,
therefore, that if I have sinned, I have deliberately
sinned. These brief compositions are, in chief part,
the results of matured purpose and very careful
elaboration.

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CONTENTS OF VOL. I.

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MORELLA...9

LIONIZING...19

WILLIAM WILSON...27

THE MAN THAT WAS USED UP...59

THE FALL OF THE HOUSE OF USHER...75

THE DUC DE L'OMELETTE...105

MS. FOUND IN A BOTTLE...111

BON-BON...127

SHADOW...153

THE DEVIL IN THE BELFRY...157

LIGEIA...171

KING PEST...193

THE SIGNORA ZENOBIA...213

THE SCYTHE OF TIME...229

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Poe, Edgar Allan, 1809-1849 [1840], Tales of the grotesque and arabesque, volume 1 (Lea & Blanchard, Philadelphia) [word count] [eaf320v1].
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