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  Why, from the throne where beauty sits supreme
    and countless emanations deals below,
  infus'd and fix'd in Woman's shining frame,
    doth so large portion of his wonder flow?
    why, but to rule the tread of human woe,
  and point our erring feet where joys abide:
  But (ah, the pity!) to a traitor flame,
  weak, wavering, wild, the heav'n-born ray is ty'd,
and man, confiding man, from bliss estranged wide.

  Daughters of Britain, scorn the garish fire,
    exile the meteor to it's Pharian grave;
  sincerer flames from Virtue's heights aspire,
    that brighten beauty, and from sorrow save:
    High o'er the rest, see, what fair hand doth wave
  a deathless torch; and calls you to the shrine,
  where only beauty only bliss entire!
  follow the branch of much-lov'd * *'s line,
and from those altars mend, with her, the ray divine.
Oct. 3d 1757.Ignoto.

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Edward Capell [1758], Antony and Cleopatra; an historical Play, written by William Shakespeare: fitted for the Stage by abridging only; and now acted, at the Theatre-Royal in Drury-Lane, by his Majesty's Servants (Printed for J. and R. Tonson [etc.], London) [word count] [S30100].
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To the right honourable, and worthy of all Titles, the Countess of [secondary verse]
To the right honourable, and worthy of all Titles, the Countess of * *.
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Edward Capell [1758], Antony and Cleopatra; an historical Play, written by William Shakespeare: fitted for the Stage by abridging only; and now acted, at the Theatre-Royal in Drury-Lane, by his Majesty's Servants (Printed for J. and R. Tonson [etc.], London) [word count] [S30100].
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