Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
Edmond Malone [1780], Supplement to the edition of Shakspeare's plays published in 1778 By Samuel Johnson and George Steevens. In two volumes. Containing additional observations by several of the former commentators: to which are subjoined the genuine poems of the same author, and seven plays that have been ascribed to him; with notes By the editor and others (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10911].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Next section

SCENE II. Enter Strumbo above, in a gown, with ink and paper in his hand.

Strum.

Either the four elements, the seven planets, and all the particular stars of the pole antastick, are adversative against me, or else I was begotten

-- 201 --

and born in the wane of the moon, when every thing, as Lactantius in his fourth book of Constultations2 note doth say, goeth arseward. Ay, masters, ay, you may laugh, but I must weep; you may joy, but I must sorrow; shedding salt tears from the watry fountains of my most dainty-fair eyes along my comely and smooth cheeks, in as great plenty as the water runneth from the bucking-tubs, or red wine out of the hogs-heads. For trust me, gentlemen and my very good friends, and so forth, the little god, nay the desperate god, Cuprit, with one of his vengible bird-bolts3 note, hath shot me into the heel: so not only, but also, (oh fine phrase!) I burn, I burn, and I burn-a; in love, in love, and in love-a* note. Ah! Strumbo, what hast thou seen? not Dina with the ass Tom4 note

? Yea, with these eyes thou hast seen her; and therefore pull them out, for they will work thy bale5 note. Ah! Strumbo, what hast thou heard† note? not the voice of the nightingale, but a voice sweeter than hers; yea, with these ears hast thou heard it, and therefore cut them off, for they have caus'd thy sorrow.

-- 202 --

Nay Strumbo, kill thyself, drown thyself, hang thyself, starve thyself. Oh, but then I shall leave my sweetheart. Oh my heart! Now, pate, for thy master6 note! I will 'dite an aliquant love-pistle to her, and then she hearing the grand verbosity of my scripture, will love me presently.

[Writes.

My pen is naught; gentlemen, lend me a knife7 note

; I
think the more haste the worst speed.

[Writes again, and then reads.

So it is, mistress Dorothy, and the sole essence of my soul, that the little sparkles of affection kindled in me towards your sweet self, hath now increas'd to a great flame, and will, ere it be long, consume my poor heart, except you with the pleasant water of your secret fountain quench the furious heat of the same. Alas, I am a gentleman of good fame and name, in person majestical, in 'parel comely, in gait portly8 note. Let not therefore your gentle heart be so hard as to despise a proper tall young man of a handsome life; and by despising him, not only but also, to kill him. Thus expecting time and tide, I bid you farewell.

Your servant,

Signior Strumbo.

-- 203 --

O wit! O pate! O memory! O hand! O ink! O paper! Well, now I will send it away. Trompart, Trompart. What a villain is this? Why sirrah, come when your master calls you. Trompart.

Enter Trompart.

Trom.

Anon, sir.

Strum.

Thou knowest, my pretty boy, what a good master I have been to thee ever since I took thee into my service9 note.

Trom.

Ay, sir.

Strum.

And how I have cherished thee always, as if thou hadst been the fruit of my loins, flesh of my flesh, and bone of my bone.

Trom.

Ay, sir.

Strum.

Then shew thyself herein a trusty servant; and carry this letter to mistress Dorothy, and tell her—

[Whispers him. Exit Trompart.

Strum.

Nay, masters, you shall see a marriage by and by. But here she comes. Now must I frame my amorous passions.

Enter Dorothy and Trompart.

Dor.

Signior Strumbo, well met. I receiv'd your letters by your man here, who told me a pitiful story of your anguish; and so understanding your passions were so great, I came hither speedily.

Strum.

Oh, my sweet and pigsney, the fecundity of my ingeny is not so great that may declare unto you the sorrowful sobs and broken sleeps that I suffer'd for you sake; and therefore I desire you to receive me into your familiarity:

-- 204 --



For your love doth lie
As near and as nigh
  Unto my heart within,
As mine eye to my nose,
My leg unto my hose,
  And my flesh unto my skin.

Dor.

Truly, Master Strumbo, you speak too learnedly for me to understand the drift of your mind; and therefore tell your tale in plain terms, and leave off your dark riddles.

Strum.

Alas, mistress Dorothy, this is my luck, that when I most would, I cannot be understood; so that my great learning is an inconvenience unto me. But to speak in plain terms, I love you, mistress Dorothy, if you like to accept me into your familiarity.

Dor.

If this be all, I am content.

Strum.

Say'st thou so, sweet wench, let me lick thy toes. Farewel, mistress. If any of you be in love, [Turning to the audience] provide ye a cap-case full of new-coin'd words, and then shall you soon have the succado de labres1 note, and something else.

[Exeunt.
Previous section

Next section


Edmond Malone [1780], Supplement to the edition of Shakspeare's plays published in 1778 By Samuel Johnson and George Steevens. In two volumes. Containing additional observations by several of the former commentators: to which are subjoined the genuine poems of the same author, and seven plays that have been ascribed to him; with notes By the editor and others (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10911].
Powered by PhiloLogic