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Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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SCENE X. Changes to a Cottage in the Forest. Enter Rosalind and Celia.

Ros.

Never talk to me, I will weep.

Cel.

Do, I pr'ythee; but yet have the grace to consider, that tears do not become a man.

Ros.

But have I not cause to weep?

Cel.

As good cause as one would desire, therefore weep.

Ros.

His very hair is of the dissembling colour.

Cel.

Something browner than Judas's: marry his kisses are Judas's own children.

Ros.

I'faith, his hair is of a good colour.

Cel.

An excellent colour: your chesnut was ever the only colour.

Ros.

And his kissing is as full of sanctity, 4 noteas the touch of holy beard.

Cel.

He hath bought a pair of (a) note cast lips of Diana; 5 note





a nun of Winter's sisterhood kisses not more religiously; the very ice of chastity is in them.

-- 350 --

Ros.

But why did he swear he would come this morning, and comes not?

Cel.

Nay, certainly, there is no truth in him.

Ros.

Do you think so?

Cel.

Yes; I think he is not a pick-purse nor a horse-stealer; but for his verity in love, I do think him 6 noteas concave as a cover'd goblet, or a worm-eaten nut.

Ros.

Not true in love?

Cel.

Yes, when he is in; but, I think, he is not in.

Ros.

You have heard him swear downright, he was.

Cel.

Was, is not is; besides, the oath of a lover is no stronger than the word of a tapster; they are both the confirmers of false reckonings; he attends here in the Forest on the Duke your Father.

Ros.

I met the Duke yesterday, and had much question with him: he askt me, of what parentage I was; I told him, of as good as he; so he laugh'd,

-- 351 --

and let me go. But what talk we of fathers, when there is such a man as Orlando?

Cel.

O, that's a brave man! he writes brave verses, speaks brave words, swears brave oaths, and breaks them bravely, 7 note




quite travers, athwart the heart of his lover; as a puisny tilter, that spurs his horse but one side, breaks his staff like a noble goose; but all's brave that youth mounts, and folly guides: who comes here?

Enter Corin.

Cor.
Mistress and master, you have oft enquired
After the shepherd that complain'd of love;
Whom you saw sitting by me on the turf,
Praising the proud disdainful shepherdess
That was his mistress.

Cel.
Well, and what of him?

-- 352 --

Cor.
If you will see a pageant truly plaid,
Between the pale complexion of true love,
And the red glow of scorn and proud disdain;
Go hence a little, and I shall conduct you,
If you will mark it.

Ros.
O come, let us remove;
The sight of lovers feedeth those in love:
Bring us but to this sight, and you shall say
I'll prove a busy Actor in their Play.
[Exeunt.
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Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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