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Irving, Washington, 1783-1859 [1819], The sketch book of Geoffrey Crayon, gent. [Pseud], volume 2 (C. S. Van Winkle, New York) [word count] [eaf214v2].
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Front matter Covers, Edges and Spine

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Preliminaries

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Title Page THE
SKETCH BOOK
OF
GEOFFREY CRAYON, Gent.

“I have no wife nor children, good or bad, to provide for. A mere spectator
of other men's fortunes and adventures, and how they play their parts; which
methinks are diversely presented unto me, as from a common theatre or scene.”

Burton.
NEW-YORK:
PRINTED BY C. S. VAN WINKLE,
101 Greenwich Street.

1819.

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Acknowledgment

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Southern District of New-York, ss.

BE IT REMEMBERED, that on the twenty-sixth day of July, in the
forty-third year of the Independence of the United States of America,
C. S. Van Winkle, of the said district, hath deposited in this office the
title of a book, the right whereof he claims as proprietor, in the words
and figures following, to wit:

“The Sketch Book of Geoffrey Crayon, Gent. No. II. `I have no
wife nor children, good or bad, to provide for. A mere spectator of other
men's fortunes and adventures, and how they play their parts; which
methinks are diversely presented unto me, as from a common theatre or
scene.'—Burton.”

In conformity to the act of Congress of the United States, entitled, “An
“act for the encouragement of learning, by securing the copies of maps,
“charts, and books, to the authors and proprietors of such copies, during
“the times therein mentioned;” and also, to an act, entitled, “An act
“supplementary to an act, entitled, an act for the encouragement of
“learning, by securing the copies of maps, charts, and books, to the
“authors and proprietors of such copies, during the times therein men
“tioned, and extending the benefits thereof to the arts of designing, engra
“ving, and etching historical and other prints.”

GILBERT LIVINGSTON THOMPSON,
Clerk of the Southern District of New-York.
Main text

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ENGLISH WRITERS ON AMERICA.

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“Methinks I see in my mind a noble and puissant nation, rousing
herself, like a strong man after sleep, and shaking her invincible
locks: methinks I see her as an eagle, mewing her mighty youth,
and kindling her endazzled eyes at the full mid-day beam.”

Milton on the Liberty of the Press.

It is with feelings of deep regret that I have
noticed the literary animosity daily growing up
between England and America. Great curiosity
has been awakened of late with respect to
the United States, and the London press has
teemed with volumes of travels through the republic;
but they seem intended to diffuse error
rather than knowledge; and so successful have
they been, that, notwithstanding the constant
intercourse between the nations, there is none

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concerning which the great mass of the British
people have less pure information, or more prejudices.

English travellers are the best and the worst
in the world. Where no motives of pride or
interest intervene, none can equal them for profound
and philosophical views of society, or
faithful and graphical descriptions of external
objects; but when the interests or reputation
of their own nation come in collision with
those of another, they go to the opposite extreme,
and forget their usual probity and candour,
in the indulgence of spleen, and an illiberal
spirit of ridicule.

Hence, their travels are more honest and accurate,
the more remote the country described.
I would place implicit confidence in an Englishman's
description of the regions beyond the cataracts
of the Nile; of unknown islands in the
Yellow Sea; of the interior of Africa; or of
any other tract which other travellers might be
apt to picture out with the illusions of their
fancies; but I would cautiously receive his

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account of his immediate neighbours, and of
those nations with which he is in habits of
most frequent intercourse. However I might
be disposed to trust his probity, I dare not
trust his prejudices.

But it has been the peculiar lot of our country,
to be visited by the worst kind of English
travellers. While men of philosophical spirit
and cultivated minds have been envoys from
England to ransack the poles, to penetrate the
deserts, and to study the manners and customs
of barbarous nations, with which she can have
no permanent intercourse of profit or pleasure;
it is left to the broken down tradesman,
the scheming adventurer, the wandering mechanic,
the Manchester and Birmingham agent,
to be her oracles respecting America—to treat
of a country in a singular state of moral and
physical development; where one of the greatest
political experiments in the history of the
world is now performing, and which presents
the most profound and momentous studies for
the statesman and the philosopher.

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That such men should give prejudiced accounts
of America is not a matter of surprise.
The themes it offers for contemplation are too
vast and elevated for their capacities. The national
character is yet in a state of fermentation:
it may have its frothiness and sediment,
but its ingredients are sound and wholesome;
it has already given proofs of powerful and generous
qualities, and the whole promises to settle
down into something substantially excellent.
But the causes that are operating to strengthen
and ennoble it, and its daily indications of admirable
properties, are all lost upon these purblind
observers, who are only affected by the
little asperities incident to its present situation.
They are capable of judging only of the surface
of things; of those matters which come in contact
with their private interests and gratifications.
They miss some of the snug conveniences
and petty comforts which belong to an
old, highly finished, and over-populous state of
society, where the ranks of useful labour are
crowded, and many make a painful and servile

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subsistence, by studying the very caprices of
appetite and self indulgence. These minor comforts,
however, are all-important in the estimation
of narrow minds; and they either do not
perceive, or will not acknowledge, that they are
more than counterbalanced among us, by great
and generally diffused blessings.

Or, perhaps, they have been disappointed in
some unreasonable expectation of sudden gain.
They may have pictured America to themselves
an El Dorado, where gold and silver abounded,
and the natives were lacking in sagacity.
Where they were to become strangely and suddenly
rich, in some unforeseen, but easy manner.
The same weakness of mind that indulges
absurd expectations, produces petulance in disappointment.
They become embittered against
the country on finding that there, as every where
else, a man must sow before he can reap; that
he must win wealth by industry and talent;
and must compete with the common difficulties
of nature, and the shrewdness of an intelligent
and enterprising people.

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Or, perhaps, through mistake, or ill-directed
hospitality, or the prompt disposition to cheer
and countenance the stranger, prevalent among
my countrymen, they may have been treated
with unwonted respect in America; and, accustomed
all their lives to consider themselves
many strata below the surface of society, and
brought up in a servile feeling of inferiority,
they become arrogant on the common boon of
civility; they attribute to the lowliness of others
their own elevation; and underrate a society
where there are no artificial distinctions, and
where, by any chance, such individuals as
themselves can rise to consequence.

One would suppose, however, that information
coming from such sources, on a subject
where the truth is so desirable, would be received
with caution by the censors of the press.
That the motives of these men, their veracity,
their opportunities of inquiry and observation,
and their capacities for judging correctly, would
be rigorously scrutinized, before their evidence
was admitted, in such sweeping extent, against

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a kindred nation. The very reverse, however,
is the case, and it furnishes a striking instance
of human inconsistency. Nothing can surpass
the vigilance with which English critics will
test the credibility of the traveller who publishes
an account of some distant, and comparatively
unimportant, country. How warily
will they compare the measurements of a pyramid,
or the descriptions of a ruin, and how
sternly will they censure any discrepancy in
these contributions of merely curious knowledge;
while they will receive, with eagerness
and unhesitating faith, the gross misrepresentations
of coarse and obscure writers, concerning
a country with which their own is placed
in the most important and delicate relations.
Nay, what is worse, they will make these apocryphal
volumes text books, on which to enlarge,
with a zeal and an ability worthy of a more
generous cause.

I shall not, however, dwell on this irksome
and hackneyed topic; nor should I have adverted
to it, but for the undue interest

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apparently taken in it by my countrymen, and certain
injurious effects which I apprehended it might
produce upon the national feeling. We attach
too much consequence to these-attacks. They
cannot do us any essential injury. The tissue
of misrepresentations attempted to be woven
round us, are like cobwebs wove round the
limbs of an infant giant. Our country continually
outgrows them. One falsehood after
another falls off of itself. We have but to live
on, and every day we live a whole volume of
refutation. All the writers of England, united,
cannot conceal our rapidly-growing importance
and matchless prosperity. They cannot conceal
that these are owing, not merely to physical
and local, but to moral causes. To the
political liberty, the general diffusion of knowledge,
the prevalence of sound moral and religious
principles, that give force and sustained
energy to the character of a people; and
which, in fact, have been the acknowledged
and wonderful supporters of their own national
power and glory.

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But why are we so exquisitely alive to the
aspersions of England? Why do we suffer
ourselves to be so affected by the contumely she
has endeavoured to cast upon us? It is not in
the opinion of England alone that honour lives,
and reputation has its being. The world at
large is the arbiter of a nation's fame: with its
thousand eyes it witnesses a nation's deeds, and
from their collective testimony is national glory
or disgrace established.

For ourselves, therefore, it is comparatively
of but little importance whether England do us
justice or not: it is, perhaps, of far more importance
to herself. She is instilling anger and
resentment into the bosom of a youthful nation,
to grow with its growth, and strengthen
with its strength. If in America, as some of
her writers are labouring to convince her, she is
hereafter to find an invidious rival, and a gigantic
foe, she may thank those very writers
for having provoked that rivalship, and irritated
that hostility. Every one knows the all-pervading
influence of literature at the present

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day, and how completely the opinions and passions
of mankind are under its control. The
mere contests of the sword are temporary; their
wounds are but in the flesh, and it is the pride
of the generous to forgive and forget them;
but the slanders of the pen pierce to the heart;
they rankle most sorely and permanently in the
noblest spirits; they dwell ever present in the
mind, and make it morbidly sensitive to the
most trifling collision. It is not so much any
one overt act that produces hostilities between
two nations; there exists, most commonly, a
previous jealousy and ill will, a predisposition
to take offence. Trace these to their cause,
and how often will they be found to originate
in the mischievous effusions of writers, who,
secure in their closets, and for ignominious
bread, concoct and circulate the venom that is
to inflame the generous and the brave.

I am not laying too much stress upon this
point; for it applies most emphatically to our
particular case. Over no nation does the press
hold a more absolute control than over the

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people of America; for the universal education of
the poorest classes makes every individual a
reader. There is nothing published in England
on the subject of our country, that does not circulate
through every part of it. There is not a
calumny dropt from an English pen, nor an unworthy
sarcasm uttered by an English statesman,
that does not go to blight good will, and
add to the mass of latent resentment. Possessing,
then, as England does, the fountain head
from whence the literature of the language flows,
how completely is it in her power, and how
truly is it her duty, to make it the medium of
amiable and magnanimous feeling—a stream
where the two nations might meet together, and
drink in peace and kindness. Should she, however,
persist in turning it to waters of bitterness,
the time may come when she may repent her
folly. The present friendship of America may
be of but little moment to her; but the future
destinies of that country do not admit of a doubt:
over those of England there lower some shadows
of uncertainty. Should, then, a day of gloom

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arrive; should those reverses overtake her, from
which the proudest empires have not been exempt,
she may look back with regret at her
infatuation, in repulsing from her side a nation
she might have grappled to her bosom, and thus
destroying her only chance for real friendship
beyond the boundaries of her own dominions.

There is a general impression in England,
that the people of the United States are inimical
to the parent country. It is one of the errors
that has been diligently propagated by designing
writers. There is, doubtless, considerable political
hostility, and a general soreness at the illiberality
of the English press; but, collectively
speaking, the prepossessions of the people are
strongly in favour of England. Indeed, at one
time they amounted, in many parts of the union,
to a degree of bigotry that was absurd. The
bare name of Englishman was a passport to
the confidence and hospitality of every family,
and too often gave a transient currency to the
worthless and the ungrateful. Throughout the
country there was something of enthusiasm

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connected with the idea of England. We looked
to it with a hallowed feeling of tenderness and
veneration, as the land of our forefathers—the
august repository of the monuments and antiquities
of our race—the birth-place and mausoleum
of the sages and heroes of our paternal
history. After our own country, there was none
in whose glory we more delighted—none whose
good opinion we were more anxious of possessing—
none toward whom our hearts yearned
with such throbbings of warm consanguinity.
Even during the late war, whenever there
was the least opportunity for kind feelings to
spring forth, it was the delight of the generous
spirits of the country to show that, in the midst
of hostilities, they still kept alive the sparks of
future friendship.

Is all this to be at an end? Is this golden
band of kindred sympathies, so rare between
nations, to be broken forever?—Perhaps it is
for the best—it may dispel an illusion which
might have kept us in mental vassalage, interfered
occasionally with our true interests, and

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prevented the growth of proper national pride.
But it is hard to give up the kindred tie! and
there are feelings dearer than interest—closer
to the heart than pride—that will still make us
cast back a look of regret, as we wander farther
and farther from the paternal roof, and
lament the waywardness of the parent, that
would not permit the affections of the child.

But however short-sighted and injudicious
may be the conduct of England in this system
of aspersion, recrimination on our part would
be equally ill-judged. I speak not of a prompt
and spirited vindication of our country, or the
keenest castigation of her slanderers—but I allude
to a disposition to retaliate in kind, to retort
sarcasm and inspire prejudice, which seems
to be spreading widely among our writers. Let
us guard particularly against such a temper, for
it would double the injury, instead of redressing
it. Nothing is so easy and inviting as the retort
of abuse and sarcasm; but it is a paltry and
unprofitable contest. It is the alternative of a
morbid mind, fretted into petulance, rather than

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warmed into indignation. If England is willing
to permit the mean jealousies of trade, or
the rancorous animosities of politics, to deprave
the integrity of her press, and poison the fountain
of public opinion, let us not follow her example.
She may deem it her interest to diffuse
error, and engender antipathy, for the purpose
of checking emigration; we have no purpose
of the kind to serve. Neither can we have any
spirit of national jealousy to gratify, for as yet,
in all our rivalships with England, we are the
rising and the gaining party. There can be no
end to answer, therefore, but the gratification of
resentment—a mere spirit of retaliation. But
even that is impotent. Our retorts are never
republished in England; and fall short, therefore,
of their aim; but they foster a querulous
and peevish temper among our writers; they
sour the sweet flow of our early literature, and
sow thorns and brambles among its blossoms;
but what is still worse, they circulate over our
own country, and, as far as they have effect,
produce virulent national prejudices. This last

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is the evil most especially to be deprecated.
Governed, as we are, entirely by public opinion,
the utmost care should be taken to preserve
the purity of the public mind. Knowledge
is power, and truth is knowledge; whoever,
therefore, knowingly propagates a prejudice,
wilfully saps the foundation of his country's
strength.

Republicans, above all other men, should be
characterized by candour and clearness of thinking.
They are, individually, portions of the sovereign
mind and sovereign will, and should be
enabled to come to all questions of national
concern with calm unbiassed judgments. From
the peculiar nature of our relations with England,
also, we must have more frequent questions
of a difficult and delicate character arising
between us than with any other nation; questions
that affect the most acute and excitable
feelings: and as these must ultimately be determined
by popular sentiment, we cannot be
too anxiously attentive to purify it from all latent
passion or prepossession.

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Opening too, as we do, an asylum for all nations
of the earth, we should receive them all-with
impartiality. It should be our pride to
exhibit an example of one nation at least, destitute
of national antipathies, and exercising, not
merely the overt acts of hospitality, but those
more rare and noble courtesies which spring
from liberality of opinion.

Indeed, what have we to do with national
prejudices? They are the inveterate diseases of
old countries, that have crept into their habits
of thinking in rude and ignorant ages, when nations
knew but little of each other, and looked
beyond their own boundaries with distrust and
hostility. But we have sprung into national
existence in an enlightened and philosophic
age, when the different parts of the habitable
world, and the various branches of the human
family, have been indefatigably studied and
made known to each other; and we discredit
the advantages of our birth, if we do not shake
off the national prejudices, as we would the local
superstitions, of the old world.

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But above all, let us not be influenced by any
angry feelings, so far as to shut our eyes to the
perception of what is really excellent and amiable
in the English character. We are a young
people, and an imitative one, and will form ourselves
upon the older nations of Europe. There
is no country so worthy of our study as England.
The spirit of her constitution is most
analogous to ours. The manners of her people—
their intellectual activity—their freedom
of opinion—their habits of thinking on all subjects
that concern the dearest interests and most
sacred charities of private life, are all most congenial
to the American character; and, in fact,
are most worthy in themselves: for it is in the
moral feeling of the people that the deep foundations
of British prosperity are laid; and however
the superstructure may be time-worn, or
overrun by abuses, there must be something solid
in its basis, and admirable in its materials, to uphold
it so long unshaken by the tempests of the
world.

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It should be the endeavour of our writers,
therefore, discarding all feelings of irritation,
and disdaining to be affected by the illiberality
of British authors, to speak of the nation dispassionately,
and with determined candour.
While they rebuke the indiscriminating bigotry
with which some of their countrymen admire
and imitate every thing English, merely because
it is English, they should point out what is really
worthy of approbation. We may thus place
England before us as a perpetual volume of reference,
wherein the sound deductions of ages
of experience are recorded; and while we avoid
the errors and absurdities which may have
crept into the page, we may draw from thence
golden maxims of practical wisdom, wherewith
to strengthen and embellish our national character.

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RURAL LIFE IN ENGLAND.

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Oh! friendly to the best pursuits of man,
Friendly to thought, to virtue, and to peace,
Domestic life in rural pleasure pass'd!”
Cowper.

The stranger who would form a correct opinion
of the English character, must not confine
his observations to the metropolis. He must
go forth into the country; he must sojourn in
villages and hamlets; he must visit castles,
villas, farm houses, cottages; he must wander
through parks and gardens; along hedges
and green lanes; he must loiter about country
churches; attend wakes and fairs, and other
rural festivals; and cope with the people in all
their conditions, and all their habits and humours.

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In some countries, the large cities absorb the
wealth and fashion of the nation; they are the
only fixed abodes of elegant and intelligent society,
and the country is inhabited almost entirely
by boorish peasantry. In England, on
the contrary, the metropolis is a mere gathering
place, or general rendezvous, of the polite circles,
where they devote a small portion of the
year to a hurry of gayety and dissipation, and
having passed this kind of carnival, return
again to the apparently more congenial habits
of rural life. The various strata of society,
therefore, are diffused over the whole surface of
the kingdom, and the most retired neighbourhoods
afford specimens of the different ranks.

The English, in fact, are strongly gifted with
the rural feeling. They possess a keen sensibility
to the beauties of nature, and a relish for
the pleasures and employments of the country.
This passion seems inherent with them. Even
the inhabitants of cities, born and brought up
among brick walls and bustling streets, enter
with facility into rural habits, and evince a tact

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for rural occupation. The merchant has his
snug retreat in the vicinity of the metropolis,
where he often displays as much pride and zeal
in the cultivation of his flower garden, and the
maturing of his fruits, as he does in the conduct
of his business, and the success of a commercial
operation. Even those less fortunate individuals,
who are doomed to pass their lives in
the midst of din and traffick, contrive to have
something that shall remind them of the green
aspect of nature. In the dark and dingy lanes
of the metropolis, every drawing room window
is like a bank of flowers; wherever, also, there
is a spot capable of vegetation, the grass plot
and flower bed are cultivated, and every square
has its mimic park, laid out with picturesque
taste, and gleaming with refreshing verdure.

Those who see the Englishman only in
town, are apt to form an unfavourable opinion
of his social character. He is either absorbed
in business, or distracted by the thousand engagements
that dissipate time, thought, and
feeling, in this huge metropolis. He has,

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therefore, too commonly, a look of hurry and
abstraction. Wherever he happens to be, he is
on the point of going somewhere else; at the
moment he is talking on one subject, his mind
is wandering to another; and while paying a
friendly visit, is calculating how he shall economize
time so as to pay the other visits allotted
to the morning. A vast place, like London, is
calculated to make men selfish and uninteresting.
In their casual and transient meetings,
they can but deal briefly in commonplaces.
They present but the cold superficies of character—
its rich and genial qualities have no
time to be warmed into a flow.

But it is in the country that the Englishman
gives scope to his natural feelings. He breaks
loose gladly from the cold formalities and negative
civilities of town; throws off his habits
of shy reserve, and becomes joyous and freehearted.
He contrives to assemble around him
all the conveniences and elegancies of polite
life, and to banish its restraints. His country
seat abounds with every requisite, either for

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studious retirement, tasteful gratification, or rural
exercise. Books, paintings, music, horses,
dogs, and sporting implements of all kinds, are
at hand. He puts no constraint, either upon
his guests or himself, but in the true spirit of
hospitality, provides the means of enjoyment,
and leaves every one to partake according to
his inclination.

The taste of the English in the cultivation
of land, and in what is termed landscape gardening,
is unrivalled. They have studied nature
intently, and discover an exquisite sense of
her beautiful forms and harmonious combinations.
Those charms, which, in other countries,
she lavishes in wild solitudes, are here
assembled round the haunts of domestic life.
They seem to have caught her coy and furtive
graces, and spread them, like witchery, about
their rural abodes.

Nothing can be more imposing than the magnificence
of English park scenery. Vast lawns
that extend like sheets of vivid green, with here
and there clumps of gigantic trees, heaping up

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rich piles of foliage. The solemn pomp of
groves, and woodland glades, with the deer
trooping in silent herds across them; the hare,
bounding away to the covert; or the pheasant,
suddenly bursting upon the wing. The brook,
taught to wind in the most natural meanderings,
or expand into a glassy lake—the sequestered
pool, reflecting the quivering trees, with the
yellow leaf sleeping on its bosom, the trout
roaming fearlessly about its limpid waters;
while some rustic temple, or statue of nymph,
grown green and dank with age, gives an air
of classic sanctity to the seclusion.

These are but few of the features of park
scenery, which, indeed, is too well known to
need description. But what most delights me,
is the creative talent with which the English decorate
the unostentatious abodes of middle life.
The rudest habitation, the most unpromising
and scanty portion of land, in the hands of an
Englishman of taste, becomes a little paradise.
With a nicely discriminating eye, he seizes at
once upon its capabilities, and pictures in his

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mind the future landscape. The steril spot
grows into loveliness under his hand; and yet
the operations of art which produce the effect
are scarcely to be perceived. The cherishing
and training of some trees; the cautious pruning
of others; the delicate distribution of
flowers and plants of tender and graceful foliage;
the introduction of a green slope of velvet
turf; the partial opening to a peep of blue
distance, or silver gleam of water—all these
are managed with a nice tact, a pervading, yet
quiet assiduity, like the magic touchings with
which a painter finishes up a favourite picture.

The residence of people of fortune and refinement
in the country has diffused a degree
of taste and elegance in rural economy, that
descends to the lowest class. The very labourer,
with his thatched cottage and narrow
slip of ground, attends to their embellishment.
The trim hedge, the grass plot before the door,
the little flower bed bordered with snug box,
the woodbine trained up against the wall, and
hanging its blossoms about the lattice; the pot

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of flowers in the window; the holly providentially
planted about the house, to cheat winter
of its dreariness, and throw in a gleam of green
summer to cheer the fireside:—all these bespeak
the influence of taste, flowing down
from high sources, and pervading the lowest
levels of the public mind. If ever love, as
poets sing, delights to visit a cottage, it must
be the cottage of an English peasant.

The proneness to rural life among the higher
classes of the English, has had a great and salutary
effect upon the national character, I do
not know a finer race of men than the English
gentlemen. Instead of the softness and effeminacy
which characterize the men of rank in
some countries, they exhibit a union of elegance
and strength, a robustness of frame and
freshness of complexion, which I am inclined to
attribute to their living so much in the open air,
and pursuing so eagerly the invigorating recreations
of the country. These hardy exercises
also produce a healthful tone of mind and spirits,
and a manliness and simplicity of manners,
which not even the follies and

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dissipations of the town can easily pervert. In the
country, too, the different orders of society
seem to approach more freely, to be more disposed
to blend and operate favourably upon
each other. The distinctions between them do
not appear to be so strong and impassable as
in the cities. The manner in which property
has been distributed into small estates and
farms, has established a regular gradation from
the nobleman, through the classes of gentry,
small landed proprietors, substantial farmers,
down to the labouring peasantry; and while it
has thus banded the extremes of society together,
has implanted in each intermediate link
a spirit of independence. This, it must be
confessed, is not so universally the case at
present as it was formerly; the larger estates
having, in late years of distress, absorbed the
smaller, and, in some parts of the country,
almost annihilated the sturdy race of small
farmers. These, however, I believe, are but
casual breaks in the general system I have
mentioned.

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In rural occupation there is nothing mean
and debasing. It leads a man forth among
scenes of natural grandeur and beauty; it
leaves him to the workings of his own mind,
operated upon by the purest and most elevating
of external influences. Such a man may be
simple and rough, but he cannot be vulgar.
The man of refinement, therefore, finds nothing
revolting in an intercourse with the lower orders
in rural life, as he does in the lower orders
of cities. He lays aside his distance and reserve,
and is glad to doff the attributes of rank,
and enter into the honest heartfelt enjoyments
of common life. Indeed, the very amusements
of the country bring men more and more together;
and the sound of hound and horn blend
all feelings into harmony. I believe this is one
great reason why the nobility and gentry are
more popular among the inferior orders in England
than in any other country; and why the
latter have endured so many excessive pressures
and extremities, without repining more

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generally at the unequal distribution of fortune and
privilege.

To this mingling of cultivated and rustic
society, also, may be attributed the rural feeling
that runs through British literature; the frequent
use of illustrations from rural life; those
incomparable descriptions of nature, that abound
in the British poets—that have continued down
from “the flower and the leaf” of Chaucer,
and have brought into our closets all the freshness
and fragrance of the dewy landscape.
The pastoral writers of other countries appear
as if they had paid nature an occasional
visit, and become acquainted with her general
charms; but the British poets have lived and
revelled with her—they have wooed her in her
most secret haunts—they have watched her
minutest characteristics. A spray could not
tremble in the breeze—a leaf could not rustle to
the ground—a diamond drop could not patter in
the stream—a fragrance could not exhale from
the humble violet, nor a daisy unfold its crimson
tints to the morning, but it has been noticed

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by these impassioned and delicate observers, and
wrought up into some beautiful morality.

The effect of this devotion of elegant minds
to rural occupations has been wonderful on the
face of the country. A great part of the island
is level, and would be monotonous, were it not
for the charms of culture; but it is studded and
gemmed, as it were, with castles and palaces,
and embroidered with parks and gardens. It
does not abound in grand and sublime prospects,
but rather in little home scenes of rural repose
and sheltered quiet. Every antique farm house
and moss-grown cottage is a picture; and as
the roads are continually winding, and the view
shut in by groves and hedges, the eye is delighted
by a continual succession of small landscapes
of captivating loveliness.

The great charm, however, of English scenery
is the moral feeling that seems to pervade it.
It is associated in the mind with ideas of order,
of quiet, of calm and settled principles, of hoary
usage and reverend custom. Every thing seems
to be the growth of ages of regular and

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peaceful existence. The old church of remote architecture,
with its low massive portal; its gothic
tower; its windows rich with tracery and
painted glass in scrupulous preservation; its
stately monuments of warriors and worthies of
the olden time, ancestors of the present lords
of the soil; its tombstones, recording successive
generations of sturdy yeomanry, whose
progeny still plough the same fields, and kneel
at the same altar. The parsonage, a quaint
irregular pile, partly antiquated, but repaired
and altered in the tastes of various ages and
occupants. The stile and footpath leading
from the churchyard, across pleasant fields,
and along shady hedge-rows, according to an
immemorial right of way. The neighbouring
village, with its venerable cottages, its public
green, sheltered by trees, under which the forefathers
of the present race have sported. The
antique family mansion, standing apart in some
little rural domain, but looking down with a protecting
air on the surrounding scene.—All these
common features of English landscape, evince

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a calm and settled security, an hereditary transmission
of home-bred virtues, and local attachments,
that speak deeply and touchingly for the
moral character of the nation.

It is a pleasing sight of a Sunday morning,
when the bell is sending its sober melody across
the quiet fields, to behold the peasantry in their
best finery, with ruddy faces, and modest cheerfulness,
thronging tranquilly along the green
lanes to church; but it is still more pleasing to
see them in the evenings, gathering about their
cottage doors, and appearing to exult in the
humble comforts and embellishments which
their own hands have spread around them.

It is this sweet home feeling, this settled repose
of affection in the domestic scene, that is,
after all, the parent of the steadiest virtues and
purest enjoyments; and I cannot close these desultory
remarks better, than by quoting the
words of a modern English poet, who has depicted
it with remarkable felicity:



Through each gradation, from the castled hall,
The city dome, the villa crown'd with shade,

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But chief from modest mansions numberless,
In town or hamlet, shelt'ring middle life,
Down to the cottag'd vale, and straw-roof'd shed,
This western isle hath long been famed for scenes
Where bliss domestic finds a dwelling place:
Domestic bliss, that, like a harmless dove,
(Honour and sweet endearment keeping guard,)
Can centre in a little quiet nest
All that desire would fly for through the earth;
That can, the world eluding, be itself
A world enjoy'd; that wants no witnesses
But its own sharers, and approving heaven.
That, like a flower deep hid in rocky cleft,
Smiles, though 'tis looking only at the sky.[1]
eaf214v2.n1

[1] From a Poem on the death of the Princess Charlotte, by the Reverend
Rann Kennedy, A. M.

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THE BROKEN HEART.

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I never heard
Of any true affection but 'twas nipt
With care, that, like the caterpillar, eats
The leaves of the spring's sweetest book, the rose.
Middleton.

It is a common thing to laugh at all love
stories, and to treat the tales of romantic passion
as mere fictions of poets and novelists,
that never existed in real life. My observations
on human nature have convinced me of
the contrary, and have satisfied me, that however
the surface of the character may be chilled
and frozen by the cares of the world, and
the pleasures of society, still there is a warm
current of affection running through the depths

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of the coldest heart, that prevents its being utterly
congealed. Indeed, I am a true believer
in the blind deity, and go to the full extent of
his doctrines. Shall I confess it?—I believe
in broken hearts, and the possibility of dying
of disappointed love! I do not, however, consider
it a malady often fatal to my own sex;
but I firmly believe that it withers down many
a lovely woman into an early grave.

Man is the creature of interest and ambition.
His nature leads him forth into the struggle and
bustle of the world. Love is but the embellishment
of his early life, or a song piped in the
intervals of the acts. He seeks for fame, for
fortune, for space in the world's thought, and
dominion over his fellow men. But a woman's
whole life is a history of the affections. The
heart is her world; it is there her ambition
strives for empire; it is there her avarice seeks
for hidden treasures. She sends forth her sympathies
on adventure; she embarks her whole
soul in the traffick of affection; and if

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shipwrecked, her case is hopeless—for it is a bank-ruptcy
of the heart.

To a man the disappointment of love may
occasion some bitter pangs: it wounds some
feelings of tenderness—it blasts some prospects
of felicity; but he is an active being—he can
dissipate his thoughts in the whirl of varied occupation,
or plunge into the tide of pleasure;
or, if the scene of disappointment be too full of
painful associations, he can shift his abode at
will, and taking, as it were, the wings of the
morning, can fly to the uttermost parts of the
earth, and be at rest.

But woman's is comparatively a fixed, a secluded,
and a meditative life. She is more the
companion of her own thoughts and feelings;
and if they are turned to ministers of sorrow,
where shall she look for consolation! Her lot
is to be wooed and won; and if unhappy in her
love, her heart is like some fortress that has
been captured, and sacked, and abandoned, and
left desolate.

How many bright eyes grow dim—how many

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soft cheeks grow pale—how many lovely forms
fade away into the tomb, and none can tell the
cause that blighted their loveliness. As the
dove will clasp its wings to its side, and cover
and conceal the arrow that is preying on its vitals,
so it is the nature of woman, to hide from
the world the pangs of wounded affection.
The love of a delicate female is always shy and
silent. Even when fortunate, she scarcely
breathes it to herself; but when otherwise, she
buries it in the recesses of her bosom, and there
lets it cower and brood among the ruins of her
peace. With her the desire of the heart has
failed. The great charm of existence is at an
end. She neglects all the cheerful exercises that
gladden the spirits, quicken the pulses, and send
the tide of life in healthful currents through the
veins. Her rest is broken—the sweet refreshment
of sleep is poisoned by melancholy dreams—
“dry sorrow drinks her blood,” until her enfeebled
frame sinks under the least external
assailment. Look for her, after a little while,
and you find friendship weeping over her

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untimely grave, and wondering that one, who but
lately glowed with all the radiance of health
and beauty, should now be brought down to
“darkness and the worm.” You will be told
of some wintry chill, some slight indisposition,
that laid her low—but no one knows the mental
malady that previously sapped her strength,
and made her so easy a prey to the spoiler.

She is like some tender tree, the pride and
beauty of the grove: graceful in its form,
bright in its foliage, but with the worm preying
at its core. We find it suddenly withering,
when it should be most fresh and luxuriant.
We see it drooping its branches to the earth,
and shedding leaf by leaf; until, wasted and
perished away, it falls even in the stillness of
the forest; and as we muse over the beautiful
ruin, we strive in vain to recollect the blast or
thunderbolt that could have smitten it with
decay.

I have seen many instance of women running
to waste and self neglect, and disappearing
gradually from the earth, almost as if they

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had been exhaled to heaven; and have repeatedly
fancied, that I could trace their deaths
through the various declensions of consumption,
cold, debility, languor, melancholy, until
I reached the first symptom of disappointed
love. But an instance of the kind was lately
told to me; the circumstances are well known
in the country where they happened, and I
shall but give them in the manner they were
related.

Every one must recollect the tragical story
of young E—, the Irish patriot, for it was
too touching to be soon forgotten. During the
troubles in Ireland he was tried, condemned,
and executed, on a charge of treason. His
fate made a deep impression on public sympathy.
He was so young—so intelligent—so
generous—so brave—so every thing that we
are apt to like in a young man. His conduct
under trial, too, was so lofty and intrepid.
The noble indignation with which he repelled
the charge of treason against his country—the
eloquent vindication of his name—and his

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pathetic appeal to posterity, in the hopeless hour
of condemnation—all these entered deeply into
every generous bosom, and even his enemies
lamented the stern policy that dictated his execution.

But there was one heart, whose anguish it
would be in vain to describe. In happier days
and fairer fortunes, he had won the affections
of a beautiful and interesting girl, the daughter
of a late celebrated Irish barrister. She loved
him with the disinterested fervour of a woman's
first and early love. When every worldly
maxim arrayed itself against him; when
blasted in fortune, and disgrace and danger
darkened around his name, she loved him the
more ardently for his very sufferings. If, then,
his fate could awaken the sympathy, even of
his foes, what must have been the agony of her
whose whole soul was occupied by his image!
Let those tell who have had the portals of the
tomb suddenly closed between them and the
being they most loved on earth—who have sat
at its threshold, as one shut out in a cold and

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lonely world, from whence all that was most
lovely and loving had departed.

But then the horrors of such a grave! so
frightful, so dishonoured! There was nothing
for memory to dwell on that could sooth the
pang of separation—none of those tender,
though melancholy circumstances, that endear
the parting scene—nothing to melt sorrow into
those blessed tears, sent, like the dews of heaven,
to revive the heart in the parching hour of
anguish.

To render her widowed situation more desolate,
she had incurred her father's displeasure
by her unfortunate attachment, and was an
exile from the paternal roof. But could the
sympathy and kind offices of friends have
reached a spirit so shocked and driven in by
horror, she would have experienced no want of
consolation, for the Irish are a people of quick
and generous sensibilities. The most delicate
and cherishing attentions were paid her by families
of wealth and distinction. She was led
into society, and they tried by all kinds of

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occupation and amusement to dissipate her grief,
and wean her from the tragical story of her
loves. But it was all in vain. There are some
strokes of calamity that scathe and scorch the
soul—that penetrate to the vital seat of hapiness—
and blast it, never again to put forth
bud or blossom. She never objected to frequent
the haunts of pleasure, but she was as
much alone there, as in the depths of solitude.
She walked about in a sad reverie, apparently
unconscious of the world around her. She
carried with her an inward wo that mocked
at all the blandishments of friendship, and
“heeded not the song of the charmer, charm
he never so wisely.”

The person who told me her story, had seen
her at a masquerade. There can be no exhibition
of far-gone wretchedness more striking
and painful than to meet it in such a scene.
To find it wandering like a spectre, lonely and
joyless, where all around is gay—to see it dressed
out in the trappings of mirth, and looking
so wan and wo-begone, as if it had tried in

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vain to cheat the poor heart into a momentary
forgetfulness of sorrow. After strolling
through the splendid rooms and giddy crowd
with an air of utter abstraction, she sat herself
down on the steps of an orchestra, and looking
about for some time with a vacant air, that
showed her insensibility to the garish scene,
she began, with the capriciousness of a sickly
heart, to warble a little plaintive air. She had
an exquisite voice; but on this occasion it was
so simple, so touching, it breathed forth such a
soul of wretchedness, that she drew a crowd,
mute and silent, around her, and melted every
one into tears.

The story of one so true and tender, could
not but excite great interest in a country remarkable
for enthusiasm. It completely won
the heart of a brave officer, who paid his addresses
to her, and thought that one so true to
the dead, could not but prove affectionate to the
living. She declined his attentions, for her
thoughts were irrevocably engrossed by the
memory of her former lover. He, however,

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persisted in his suit. He solicited not her tenderness,
but her esteem. He was assisted by
her conviction of his worth, and her sense of
her own desitute and dependent situation, for
she was existing on the kindness of friends.
In a word, he at length succeeded in gaining
her hand, though with the solemn assurance,
that her heart was unalterably another's.

He took her with him to Sicily, hoping that
a change of scene might wear out the remembrance
of early woes. She was an amiable
and exemplary wife, and made an effort to be
a happy one; but nothing could cure the silent
and devouring melancholy that had entered
into her very soul. She wasted away in a
slow, but hopeless decline, and at length sunk
into the grave, the vicitm of a broken heart.

It was on her that Moore, the Irish poet,
composed the following lines:



She is far from the land where her young hero sleeps,
And lovers around her are sighing;
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

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She sings the wild song of her dear native plains,
Every note which she lov'd awaking—
Ah! little they think, who delight in her strains,
How the heart of the minstrel is breaking!
He had liv'd for his love—for his conntry he died,
They were all that to life had entwin'd him—
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him!
Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They'll shine o'er her sleep, like a smile from the west,
From her own lov'd island of sorrow!

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THE ART OF BOOK MAKING.

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“If that severe doom of Synesius be true—`It is a greater offence
to steal dead men's labours, than their clothes,' what shall become of
most writers?”

Burton's Anat. Melancholy.

I have often wondered at the extreme fecundity
of the press, and how it came to pass that
so many heads, on which nature seemed to have
inflicted the curse of barrenness, yet teemed
with voluminous productions. As a man, however,
jogs on in life, his objects of wonder daily
diminish, and he is continually finding out some
very simple cause for some great matter of marvel.
Thus it has been my hap, in my peregrinations
about this great metropolis, to blunder
upon a scene which unfolded to me some of the

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mysteries of the book making craft, and at once
put my astonishment on this head at an end.

I was one summer's day loitering through the
great saloons of the British Museum, with that
listlessness with which one is apt to saunter
about a museum in warm weather; sometimes
lolling over the glass cases of minerals, sometimes
studying the hieroglyphics on an Egyptian
mummy, and sometimes trying, with about
equal success, to comprehend the allegorical
paintings on the lofty ceilings. While I was
gazing about in this idle way, my attention was
attracted to a distant door, at the end of a suite
of apartments. It was closed, but every now
and then it would open, and some strange-favoured
being, generally clothed in black, would
steal forth, and glide through the rooms, without
noticing any of the surrounding objects.
There was an air of mystery about this that
piqued my languid curiosity, and I determined
to attempt the passage of that straight, and to
explore the unknown regions that lay beyond.
The door yielded to my hand, with all that

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facility with which the portals of enchanted castles
yield to the adventurous knight errant. I
found myself in a spacious chamber, surrounded
with great cases of venerable books. Above
the cases, and just under the cornice, were arranged
a great number of quaint black looking
portraits of ancient authors. Long tables, with
stands for reading and writing, were placed
about, at which sat many pale, cadaverous personages,
poring intently over dusty volumes,
rummaging among mouldy manuscripts, and
taking copious notes of their contents. The
most hushed stillness reigned through this mysterious
apartment, excepting that you might
hear the racing of pens over sheets of paper,
or, occasionally, the deep sigh of one of these
sages, as he shifted his position to turn over the
page of an old folio; doubtless arising from that
hollowness and flatulency incident to learned
research.

Now and then one of these personages would
write something on a small slip of paper, and
ring a bell, whereupon a familiar would appear,

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take the paper in profound silence, glide out of
the room, and return shortly loaded with ponderous
tomes, upon which the other would fall,
tooth and nail, with famished voracity. I had
no longer a doubt that I had happened upon a
body of magi, deeply engaged in the study of
occult sciences. The scene called to mind an
eastern tale I had read, of a philosopher who
was shut up in an enchanted library, in the bosom
of a mountain, that only opened once a
year; where he made the spirits of the place
obedient to his commands, to bring him books
of all kinds of dark knowledge, so that at the
end of the year, when the magic portal once
more swung open on its hinges, he issued forth
so versed in forbidden lore, as to be able to soar
above the heads of the multitude, and control
the powers of nature.

My curiosity being now fully aroused, I
whispered to one of the familiars, as he was
about to leave the room, and begged an interpretation
of the strange scene before me. A
few words were sufficient for the purpose. I

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found that these mysterious personages, whom
I had mistaken for magi, were principally authors,
and were in the very act of manufacturing
books. I was, in fact, in the reading room
of the great British Library, an immense collection
of volumes of all ages and languages,
many of which are now forgotten, and most of
which are seldom read. To these sequestered
pools of obsolete literature, therefore, do many
modern authors repair, and draw buckets full
of classic lore, or “pure English, undefiled,”
wherewith to swell their own scanty rills of
thought.

Being now in possession of the secret, I sat
down in a corner, and watched the process of
this book manufactory. I noticed one lean,
bilious looking wight, who sought none but
the most worm-eaten volumes, printed in black
letter. He was evidently constructing some
work of profound erudition, that would be purchased
by every man who wished to be thought
learned, placed upon a conspicuous shelf of his
library, or laid open upon his table; but never

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read. I observed him, now and then, draw a
large fragment of biscuit out of his pocket, and
gnaw; whether it was his dinner, or whether
he was endeavouring to keep off that exhaustion
of the stomach, produced by much pondering
over dry works, I leave to harder students than
myself to determine.

There was one old gentleman in bright coloured
clothes, with a chirping, gossipping, expression
of countenance, who had all the appearance
of an author on good terms with his
bookseller. After considering him attentively,
I recognised in him a diligent getter up of miscellaneous
works, that bustled off well with the
trade. I was curious to see how he manufactured
his wares. He made more stir and show
of business than any of the others; dipping into
various books, fluttering over the leaves of manuscripts,
taking a morsel out of one, a morsel
out of another, “line upon line, precept upon
precept, here a little and there a little.” The
contents of his book seemed to be as heterogeneous
as those of the witches' cauldron in

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Macbeth. It was here a finger and there a
thumb, toe of frog and blind worm's sting,
with his own gossip poured in like “baboon's
blood,” to make the medley “slab and good.”

After all, thought I, may not this pilfering
disposition be implanted in authors for wise
purposes; may it not be the way in which providence
has taken care that the seeds of knowledge
and wisdom shall be preserved from age
to age, in spite of the inevitable decay of the
works in which they were first produced. We
see that nature has wisely, though whimsically,
provided for the conveyance of seeds
from clime to clime, in the maws of certain
birds; so that animals, which, in themselves,
are little better than carrion, and apparently the
lawless plunderers of the orchard and the corn
field, are, in fact, nature's carriers to disperse
and perpetuate her blessings. In like manner,
the beauties and fine thoughts of ancient and
obsolete writers, are caught up by these flights
of predatory authors, and cast forth, again to
flourish and bear fruit in a remote and distant

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tract of time. Many of their works, also, undergo
a kind of metempsychosis, and spring up
under new forms. What was formerly a ponderous
history, revives in the shape of a romance—
an old legend changes into a modern
play—and a sober philosophical treatise furnishes
the body for a whole series of bouncing
and sparkling essays. Thus it is in the clearing
of our American woodlands; where we
burn down a forest of stately pines, a progeny
of dwarf oaks start up in their place; and we
never see the prostrate trunk of a tree, mouldering
into soil, but it gives birth to a whole
tribe of fungi.

Let us not, then, lament over the decay and
oblivion into which ancient writers descend;
they do but submit to the great law of nature,
which declares that all sublunary shapes of
matter shall be limited in their duration, but
which decrees also, that their elements shall
never perish. Generation after generation,
both in animal and vegetable life, passes away,
but the vital principle is transmitted to their

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posterity, and the species continues to flourish.
Thus, also, do authors beget authors, and having
produced a numerous progeny, in a good
old age they sleep with their fathers, that is to
say, with the authors who preceded them—and
from whom they had stolen.

While I was indulging in these rambling fancies,
I had leaned my head against a pile of
reverend folios. Whether it was owing to the
soporific emanations from these works; or to
the profound quiet of the room; or to the lassitude
arising from much wandering; or to an
unlucky habit of napping at improper times
and places, with which I am grievously afflicted,
so it was, that I fell into a doze. Still,
however, my imagination continued busy, and
indeed the same scene remained before my
mind's eye, only a little changed in some of
the details. I dreamt that the chamber was
still decorated with the portraits of ancient authors,
but that the number was increased. The
long tables had disappeared, and in place of
the sage magi, I beheld a ragged, thread-bare

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throng, such as may be seen plying about that
great repository of cast-off clothes, Monmouth
Street. Whenever they seized upon a book, by
one of those incongruities common to dreams,
methought it turned into a garment of foreign
or antique fashion, with which they proceeded
to equip themselves. I noticed, however, that
no one pretended to clothe himself from any
particular suit, but took a sleeve from one, a
cape from another, a skirt from a third, thus
decking himself out piece-meal, while some of
his original rags would peep out from among
his borrowed finery.

There was a dapper, rosy, well-fed parson,
who I observed ogling several mouldy polemical
writers through an eyeglass. He soon contrived
to slip on the voluminous mantle of one
of the old fathers, and having purloined the
gray beard of another, endeavoured to look exceeding
wise. But the smirking commonplace
of his countenance set at nought all the trappings
of wisdom. One sickly looking gentleman
was busied embroidering a very flimsy

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garment with gold thread drawn out of several
old court dresses of the reign of Queen Elizabeth.
Another had trimmed himself magnificently
from an illuminated manuscript, had
stuck a nosegay in his bosom, culled from
“The Paradise of dainty Devices,” and having
put Sir Philip Sidney's hat on one side of his
head, strutted off with an exquisite air of vulgar
elegance. A third, who was but of puny
dimensions, had bolstered himself out bravely
with the spoils from several obscure tracts of
philosophy, so that he had a very imposing
front, but he was lamentably tattered in rear,
and I perceived that he had patched his small
clothes with leaves from a Latin author.

There were some well-dressed gentlemen,
it is true, who only helped themselves to a gem
or so, which sparkled among their own ornaments,
without eclipsing them. Some, too,
only seemed to contemplate the costumes of
the old writers, to imbibe their principles of
taste, and catch their air and spirit; but I
grieve to say, that too many were apt to array

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themselves, from top to toe, in the patchwork
manner I have mentioned. I should not omit
to speak of one genius, of an arrant cockney
demeanour, who had a violent propensity to
the pastoral, but whose rural wanderings had
been confined to the classic haunts of Primrose
Hill, and the solitudes of the Regent's Park.
He had decked himself in wreaths and ribbands
from all the old pastoral poets, and hanging
his head on one side, went about with a
fantastical, lack-a-daisical air, “babbling about
green fields.” But the personage that most
struck my attention, was a pragmatical old gentleman,
in clerical robes, with a remarkably
large and square, but bald head. He entered
the room wheezing and puffing, elbowed his
way through the throng, with a look of sturdy
self-confidence, and having laid hands upon
a thick Greek quarto, clapped it upon his
head, and swept stately away in a formidable
frizzled wig.

In the height of this literary masquerade, a
cry suddenly resounded from every side, of

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“thieves! thieves!” I looked, and lo! the
portraits about the walls became animated!
The old authors thrust out first a head, then
a shoulder, from the canvass, looked down curiously,
for an instant, upon the motley throng,
and then descended, with fury in their eyes, to
claim their rifled property. The scene of scampering
and hubbub that ensued, baffles all description.
The unhappy culprits endeavoured in vain
to escape with their plunder. On one side might
be seen half a dozen old monks, stripping a
modern professor; on another, there was sad devastation
carried into the ranks of modern dramatic
writers. Beaumont and Fletcher, side
by side, raged round the field like Castor and
Pollux, and sturdy Ben Jonson enacted more
wonders than when a volunteer with the army
in Flanders. As to the gossipping compiler of
farragos, mentioned some time since, he had
arrayed himself in as many patches and colours
as Harlequin, and there was as fierce a contention
of claimants about him, as about the dead
body of Patroclus. I was grieved to see many

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men, to whom I had been accustomed to look
up with awe and reverence, fain to steal off
with scarce a rage to cover their nakedness.
Just then my eye was caught by the pragmatical
old gentleman in the Greek grizzled wig,
who was scrambling away in sore affright with
half a score of authors in full cry after him.
They were close upon his haunches; in a
twinkling off went his wig; at every turn some
strip of raiment was peeled off of him, until
in a few moments, from his domineering pomp,
he shrunk into a little, pursy, “chopp'd bald
shot,” and made his exit with only a few tags
and rags fluttering at his back.

There was something so ludicrous in the catastrophe
of this learned Theban, that I burst
into an immoderate fit of laughter, which broke
the whole illusion. The tumult and the scuffle
were at an end. The chamber resumed its
usual appearance. The old authors shrunk
back into their picture frames, and hung in
shadowy solemnity along the walls. In short,
I found myself wide awake in my corner, with

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the whole assemblage of bookworms gazing
at me with astonishment. Nothing of my
dream had been real but my burst of laughter,
a sound never before heard in that grave sanctuary,
and so abhorrent to the ears of wisdom,
as to electrify the fraternity.

The librarian now stepped up to me, and demanded
whether I had a card of admission.
At first I did not comprehend him, but I soon
found that the library was a kind of literary
“preserve,” subject to game laws, and that no
one must presume to hunt there without special
license and permission. In a word, I stood
convicted of being an arrant poacher, and was
glad to make a precipitate retreat, lest I should
have a whole pack of authors let loose upon
me.

Back matter

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Irving, Washington, 1783-1859 [1819], The sketch book of Geoffrey Crayon, gent. [Pseud], volume 2 (C. S. Van Winkle, New York) [word count] [eaf214v2].
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