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Oberon, King of the Fairies.Titania, Queen of the Fairies.Puck, or Robin-goodfellow, a Fairy. Peaseblossom, Fairy. Cobweb, Fairy. Moth, Fairy. Mustard-seed [Mustardseed], Fairy. Pyramus, Character in the Interlude perform'd by the Clowns. Thisbe [Thisby], Character in the Interlude perform'd by the Clowns. Wall, Character in the Interlude perform'd by the Clowns. Moonshine, Character in the Interlude perform'd by the Clowns. Lyon [Lion]. Character in the Interlude perform'd by the Clowns. Other Fairies attending on the King and Queen. [Fairy], [Fairy 1], [Fairy 2], [Fairy 3], [Fairy 4], [Prologue] SCENE, Athens; and a Wood not far from it.

-- 93 --

A Midsummer-Night's DREAM. ACT I. SCENE I. The Duke's Palace in Athens. Enter Theseus, Hippolita, Philostrate, with Attendants.

Theseus.
Now, fair Hippolita, our nuptial hour
Draws on apace; four happy days bring in
Another moon: but, oh, methinks, how slow
This old moon wanes! she lingers my desires,
Like to a step-dame, or a dowager,
1 noteLong wintering on a young man's revenue.

Hip.
Four days will quickly steep themselves in night;
Four nights will quickly dream away the time:
And then the moon, like to a silver bow,

-- 94 --


New bent in heaven, shall behold the night
Of our solemnities.

The.
Go, Philostrate,
Stir up th' Athenian youth to merriments;
Awake the pert and nimble spirit of mirth;
Turn melancholy forth to funerals,
The pale companion is not for our pomp. [Exit Phi.
Hippolita, I woo'd thee with my sword;
And won thy love, doing thee injuries:
But I will wed thee in another key,
With pomp, with triumph, and with revelling.
Enter Egeus, Hermia, Lysander, and Demetrius.

Ege.
Happy be Theseus, our renowned Duke!

The.
Thanks, good Egeus; what's the news with thee?

Ege.
Full of vexation, come I with complaint
Against my child, my daughter Hermia.
Stand forth, Demetrius.—My noble lord,
This man hath my consent to marry her.
Stand forth, Lysander.—And, my gracious Duke,
This man hath witch'd the bosom of my child:
Thou, thou, Lysander, thou hast giv'n her rhimes,
And interchang'd love-tokens with my child:
Thou hast by moon-light at her window sung,
With feigning voice, verses of feigning love;
And 2 notestoll'n th' impression of her fantasie,
With bracelets of thy hair, rings, gawds, conceits,
Knacks, trifles, nosegays, sweet-meats; (messengers
Of strong prevailment in unharden'd youth)
With cunning hast thou filch'd my daughter's heart,
Turn'd her obedience, which is due to me,
To stubborn harshness: And, my gracious Duke,
Be't so, she will not here before your Grace

-- 95 --


Consent to marry with Demetrius;
I beg the ancient privilege of Athens,
As she is mine, I may dispose of her:
Which shall be either to this gentleman,
3 noteOr to her death, according to our law,
Immediately provided in that case.

The.
What say you, Hermia? be advis'd, fair maid.
4 note




To you your father should be as a God,
One, that compos'd your beauties; yea, and one,
To whom you are but as a form in wax
By him imprinted; and within his power
To 'leve the figure, or disfigure it:
Demetrius is a worthy gentleman.

Her.
So is Lysander.

The.
In himself he is;
But in this kind, wanting your father's voice,
The other must be held the worthier.

Her.
I would, my father look'd but with my eyes.

The.
Rather your eyes must with his judgment look.

-- 96 --

Her.
I do intreat your Grace to pardon me:
5 noteI know not, by what pow'r I am made bold;
Nor how it may concern my modesty,
In such a presence here, to plead my thoughts:
But, I beseech your Grace, that I may know
The worst that may befal me in this case,
If I refuse to wed Demetrius.

The.
Either to die the death, or to abjure
For ever the society of men.
Therefore, fair Hermia, question your desires;
Know of your youth, examine well your blood,
Whether, if you yield not to your father's choice,
You can endure the livery of a nun;
For aye to be in shady cloister mew'd,
To live a barren sister all your life,
Chanting faint hymns to the cold, fruitless, moon?
Thrice blessed they, that master so their blood,
To undergo such maiden pilgrimage!
But earthlier happy is the rose distill'd,
Than that, which, withering on the virgin thorn,
Grows, lives, and dies, in single blessedness.

Her.
So will I grow, so live, so die, my lord,
Ere I will yield my virgin patent up
Unto his lordship, to whose unwish'd yoak
My soul consents not to give Sov'reignty.

The.
Take time to pause; and by the next new moon,
(The sealing day betwixt my love and me,
For everlasting bond of fellowship)
Upon that day either prepare to die,
For disobedience to your father's will;
Or else to wed Demetrius, as he would;

-- 97 --


Or on Diana's altar to protest,
For aye, austerity and single life.

Dem.
Relent, sweet Hermia; and, Lysander, yield
Thy crazed title to my certain right.

Lys.
You have her father's love, Demetrius;
Let me have Hermia's; do you marry him.

Ege.
Scornful Lysander! true, he hath my love;
And what is mine, my love shall render him.
And she is mine, and all my right of her
I do estate unto Demetrius.

Lys.
I am, my lord, as well deriv'd as he,
As well possest: my love is more than his:
My fortune's every way as fairly rank'd,
If not with vantage, as Demetrius:
And, which is more than all these boasts can be,
I am belov'd of beauteous Hermia.
Why should not I then prosecute my right?
Demetrius (I'll avouch it to his head)
Made love to Nedar's daughter, Helena;
And won her soul; and she, sweet lady, doats,
Devoutly doats, doats in Idolatry,
Upon this spotted and inconstant man.

The.
I must confess, that I have heard so much,
And with Demetrius thought t'have spoke thereof;
But, being over-full of self-affairs,
My mind did lose it. But, Demetrius, come;
And come, Egeus; you shall go with me;
I have some private schooling for you both.
For you, fair Hermia, look, you arm your self
To fit your fancies to your father's will;
Or else the law of Athens yields you up
(Which by no means we may extenuate)
To death, or to a vow of single life.
6 noteCome, my Hippolita; what cheer, my love?

-- 98 --


Demetrius, and Egeus, go along;
I must employ you in some business
Against our nuptials, and confer with you
Of something nearly that concerns your selves.

Ege.
With duty and desire we follow you.
[Exeunt. SCENE II. Manent Lysander and Hermia.

Lys.
How now, my love? why is your cheek so pale?
How chance, the roses there do fade so fast?

Her.
Belike, for want of rain; which I could well
7 noteBeteem them from the tempest of mine eyes.

Lys.
Hermia, for aught that ever I could read,
Could ever hear by tale or history,
The course of true love never did run smooth;
But, either it was different in blood—

Her.
O cross!—too high, to be enthrall'd to low!—(a) note

Lys.
Or else misgraffed, in respect of years—

Her.
O spight! too old, to be engag'd to young!

Lys.
Or else it stood upon the choice of friends—

Her.
O hell! to chuse love by another's eye!

Lys.
Or if there were a sympathy in choice,
War, death, or sickness did lay siege to it;
Making it momentary as a sound,
Swift as a shadow, short as any dream,

-- 99 --


&wlquo;8 note


Brief as the lightning in the 9 notecollied night,
&wlquo;That (in a spleen) unfolds both heav'n and earth;
&wlquo;And ere a man hath power to say, Behold!
&wlquo;The jaws of darkness do devour it up;&wrquo;
So quick bright things come to confusion.—

Her.
If then true lovers have been ever crost,
It stands as an edict in destiny:
Then, let us teach our tryal patience:
Because it is a customary cross,
As due to love, as thoughts and dreams, and sighs,
Wishes and tears, poor fancy's followers!

Lys.
A good persuasion; therefore hear me, Hermia.
I have a widow-aunt, a dowager
Of great revenue, and she hath no child;
From Athens is her house remov'd seven leagues,
And she respects me as her only son.
There, gentle Hermia, may I marry thee;
And to that place the sharp Athenian law
Cannot pursue us. 1 note











If thou lov'st me then,

-- 100 --


Steal forth thy father's house to morrow night;
And in the wood, a league without the town,
Where I did meet thee once with Helena
To do observance to the morn of May,
There will I stay for thee.

Her.
My good Lysander,—

Lys.
I swear to thee by Cupid's strongest bow,
By his best arrow with the golden head,
By the Simplicity of Venus' doves,
By that, which knitteth souls, and prospers loves;
And by that fire which burn'd the Carthage Queen,
When the false Trojan under sail was seen;
By all the vows that ever men have broke,
In number more than ever women spoke;—

Her.
In that same place thou hast appointed me,
To morrow truly will I meet with thee.

Lys.
Keep promise, love. Look, here comes Helena.

-- 101 --

SCENE III. Enter Helena.

Her.
God speed, fair Helena! whither away?

Hel.
Call you me fair? that fair again unsay;
Demetrius loves you, fair; O happy fair!
Your eyes are load-stars, and your tongue's sweet air
More tuneable than lark to shepherd's ear,
When wheat is green, when haw-thorn buds appear.
Sickness is catching: oh, were favour so!
(a) noteYour's would I catch, fair Hermia, ere I go;
My ear should catch your voice, my eye your eye;
My tongue should catch your tongue's sweet melody.
Were the world mine, Demetrius being 'bated,
The rest I'll give to be to you translated.
O teach me, how you look; and with what art
You sway the motion of Demetrius' heart.

Her.
I frown upon him, yet he loves me still.

Hel.
Oh, that your frowns would teach my smiles such skill!

Her.
I give him curses, yet he gives me love.

Hel.
Oh, that my pray'rs could such affection move!

Her.
The more I hate, the more he follows me.

Hel.
The more I love, the more he hateth me.

Her.
His Folly, Helena, is no fault of mine.

Hel.
None, but your beauty; would that fault were mine!

Her.
Take comfort; he no more shall see my face;
Lysander and my self will fly this place.
Before the time I did Lysander see,
Seem'd Athens like a Paradise to me.
O then, what graces in my love do dwell,
That he hath turn'd a heaven unto a hell?

Lys.
Helen, to you our minds we will unfold;
To morrow night, when Phœbe doth behold

-- 102 --


Her silver visage in the wat'ry glass,
Decking with liquid pearl the bladed grass;
(A time, that lovers flights doth still conceal)
Through Athens' gate have we devis'd to steal.

Her.
And in the wood, where often you and I
Upon faint primrose-beds were wont to lye,
Emptying our bosoms of their counsels swell'd;
There, my Lysander and my self shall meet;
And thence from Athens turn away our eyes,
To seek new Friends and strange Companions.
Farewel, sweet play-fellow; pray thou for us,
And good luck grant thee thy Demetrius!
Keep word, Lysander; we must starve our sight
From Lovers' food, till morrow deep midnight. [Exit Hermia.

Lys.
I will, my Hermia.—Helena, adieu;
As you on him, Demetrius doat on you! [Exit Lysand.

Hel.
How happy some, o'er other some, can be!
Through Athens I am thought as fair as she.
But what of that? Demetrius thinks not so:
He will not know; what all, but he, do know.
And as he errs, doating on Hermia's eyes,
So I, admiring of his qualities.
Things base and vile, holding no quantity,
Love can transpose to form and dignity:
Love looks not with the eyes, but with the mind;
And therefore is wing'd Cupid painted blind.
Nor hath love's mind of any judgment taste;
Wings and no eyes figure unheedy haste:
And therefore is Love said to be a child,
Because in choice he is so oft beguil'd.
As waggish boys themselves in game forswear,
So the boy Love is perjur'd every where.
For ere Demetrius look'd on Hermia's eyne,
He hail'd down oaths, that he was only mine;
And when this hail some heat from Hermia felt,
So he dissolv'd, and showers of oaths did melt.

-- 103 --


I will go tell him of fair Hermia's flight:
Then to the wood will he, to-morrow night,
Pursue her; and for this intelligence
If I have thanks, it is a dear expence.
But herein mean I to enrich my pain,
To have this note sight thither, and back again. [Exit. SCENE IV. Changes to a Cottage. Enter Quince, Snug, Bottom, Flute, Snowt, and Starveling.

Quin.

Is all our company here?

Bot.

You were best to call them generally man by man, according to the scrip.

Quin.

Here is the scrowl of every man's name, which is thought fit, through all Athens, to play in our interlude before the Duke and Dutchess, on his wedding-day at night.

Bot.

First, good Peter Quince, say what the play treats on; then read the names of the actors; and so 2 notego on to a point.

Quin.

Marry, our play is the most lamentable comedy, and most cruel death of Pyramus and Thisby.

Bot.

A very good piece of work, I assure you, and a merry. Now, good Peter Quince, call forth your actors by the scrowl. Masters, spread yourselves.

Quin.

Answer, as I call you. Nick Bottom, the weaver.

Bot.

Ready: name what part I am for, and proceed.

Quin.

You, Nick Bottom, are set down for Pyramus.

Bot.

What is Pyramus, a lover, or a tyrant?

Quin.

A lover, that kills himself most gallantly for love.

-- 104 --

Bot.

That will ask some tears in the true performing of it; if I do it, let the audience look to their eyes; I will move storms; I will condole in some measure. To the rest;—yet, my chief humour is for a tyrant, 3 note


I could play Ercles rarely, or a part to tear a Cap in: To make all split—&wlquo;the raging rocks, and shivering shocks shall break the locks of prison-gates— and Phibbus' carr shall shine from far, and make and mar the foolish fates.&wrquo;—This was lofty. Now name the rest of the players. This is Ercles' vein, a tyrant's vein; a lover is more condoling.

Quin.

Francis Flute, the bellows-mender.

Flu.

Here, Peter Quince.

Quin.

You must take Thisby on you.

Flu.

What is Thisby, a wand'ring Knight?

Quin.

It is the lady, that Pyramus must love.

Flu.

Nay, faith, let not me play a woman; I have a beard coming.

Quin.

That's all one, you shall play it in a masque; and you may speak as small, as you will.

Bot.

An I may hide my face, let me play Thisby too; I'll speak in a monstrous little voice, Thisne, Thisne; ah Pyramus, my lover dear, thy Thisby dear, and lady dear.

Quin.

No, no, you must play Pyramus; and Flute, you, Thisby.

Bot.

Well, proceed.

Quin.

Robin Starveling, the taylor.

-- 105 --

Star.

Here, Peter Quince.

Quin.

Robin Starveling, you must play Thisby's mother.

Tom Snowt, the tinker.

Snow.

Here, Peter Quince.

Quin.

You, Pyramus's father; myself, Thisby's father; Snug, the joiner, you, the lion's part: I hope, there is a play fitted.

Snug.

Have you the lion's part written? pray you, if it be, give it me, for I am slow of study.

Quin.

You may do it extempore, for it is nothing but roaring.

Bot.

Let me play the lion too; I will roar, that I will do any man's heart good to hear me. I will roar, that I will make the Duke say, let him roar again, let him roar again.

Quin.

If you should do it too terribly, you would fright the Dutchess and the ladies, that they would shriek, and that were enough to hang us all.

All.

That would hang us every mother's son.

Bot.

I grant you, friends, if you should fright the ladies out of their wits, they would have no more discretion but to hang us; but I will aggravate my voice so, that I will roar you as gently as any sucking dove; I will roar you an 'twere any nightingale.

Quin.

You can play no part but Pyramus, for Pyramus is a sweet-fac'd man; a proper man, as one shall see in a summer's day; a most lovely gentleman-like man: therefore you must needs play Pyramus.

Bot.

Well, I will undertake it. What beard were I best to play it in?

Quin.

Why, what you will.

Bot.

I will discharge it in either your straw-colour'd beard, your orange-tawny beard, your purple-in-grain beard, or your French crown-colour'd beard; your perfect yellow.

-- 106 --

Quin.

Some of your French crowns have no hair at all, and then you will play bare-fac'd. But, masters, here are your parts; and I am to intreat you, request you, and desire you, to con them by to-morrow night; and meet me in the palace-wood, a mile without the town, by moon-light, there we will rehearse; for if we meet in the city, we shall be dog'd with company, and our devices known. In the mean time I will draw a bill of properties, such as our play wants. I pray you, fail me not.

Bot.

We will meet, and there we may rehearse more obscenely and courageously. Take pains, be perfect, adieu.

Quin.

4 noteAt the Duke's oak we meet.

Bot.

Enough; hold, or cut bow-strings.—

[Exeunt. ACT II. SCENE I.*** A WOOD. Enter a Fairy at one Door, and Puck (or Robin-goodfellow) at another.

Puck.
How now, spirit, whither wander you?

Fai.
Over hill, over dale,
Through bush, through briar,

-- 107 --


Over park, over pale,
Through flood, through fire,
I do wander every where,
Swifter than the moon's sphere;
And I serve the Fairy Queen,
To dew her orbs upon the green;
The cowslips tall her pensioners be,
In their gold coats spots you see,
Those be rubies, Fairy-favours:
In those freckles live their savours:
I must go seek some dew-drops here,
And hang a pearl in every cowslip's ear.
Farewel, thou lob of spirits, I'll be gone,
Our Queen and all her elves come here anon.

Puck.
The King doth keep his revels here to night,
Take heed, the Queen come not within his sight.
For Oberon is passing fell and wrath,
Because that she, as her attendant, hath
A lovely boy, stoll'n from an Indian King:
She never had so sweet a changeling;
And jealous Oberon would have the child
Knight of his train, to trace the forests wild;
But she per-force with-holds the loved boy,
Crowns him with flow'rs, and makes him all her joy.
And now they never meet in grove, or green,
By fountain clear, or spangled star-light sheen,
But they do 1 notesquare, that all their elves for fear
Creep into acorn cups, and hide them there.

Fai.
Or I mistake your shape and making quite,
Or else you are that shrewd, and knavish sprite,
Call'd Robin-goodfellow. Are you not he,
That fright the maidens of the villageree,
Skim milk, and sometimes labour in the quern,
And bootless make the breathless huswife chern:
And sometime make the drink to bear no barm,
Mis-lead night-wand'rers, laughing at their harm?

-- 108 --


Those that Hobgoblin call you, and sweet Puck,
You do their work, and they shall have good luck.
Are not you he?

Puck.
Thou speak'st aright;
I am that merry wand'rer of the night:
I jest to Oberon, and make him smile,
When I a fat and bean-fed horse beguile,
Neighing in likeness of a filly-foal;
And sometimes lurk I in a gossip's bowl,
In very likeness of a roasted crab,
And when she drinks, against her lips I bob,
And on her wither'd dewlap pour the ale.
The wisest aunt, telling the saddest tale,
Sometime for three-foot stool mistaketh me;
Then slip I from her bum, down topples she,
And (a) noterails or cries, and falls into a cough;
And then the whole quire hold their hips, and loffe,
And waxen in their mirth, and neeze, and swear,
A merrier hour was never wasted there.
But make room, Fairy, here comes Oberon.

Fai.
And here my mistress: would, that he were gone!
SCENE II.*** Enter Oberon King of Fairies at one door with his train, and the Queen at another with hers.

Ob.
Ill met at moon-light, proud Titania.

Queen.
What, jealous Oberon? Fairies, skip hence,
I have forsworn his bed and company.

Ob.
Tarry, rash Wanton; am not I thy lord?

Queen.
Then I must be thy lady; but I know,
When thou hast stoll'n away from fairy land,
And in the shape of Corin sate all day,
Playing on pipes of corn, and versing love

-- 109 --


To am'rous Phillida. Why art thou here,
Come from the farthest steep of India?
But that, forsooth, the bouncing Amazon,
Your buskin'd mistress and your warrior love,
To Theseus must be wedded; and you come
To give their bed joy and prosperity.

Ob.
How can'st thou thus for shame, Titania,
Glance at my credit with Hippolita;
Knowing, I know thy love to Theseus?
* note


Didst thou not lead him glimmering, through the night
From 2 notePeriguné, whom he ravished;
And make him with fair Ægle break his faith,
With Ariadne, and Antiopa?

Queen.
These are the forgeries of jealousie:
3 note









And never since 4 notethat middle summer's spring
Met we on hill, in dale, forest, or mead,
By paved fountain, or by rushy brook,
Or on the beached margent of the sea,

-- 110 --


To dance our ringlets to the whistling wind,
But with thy brawls thou hast disturb'd our sport.
Therefore the winds, piping to us in vain,
As in revenge, have suck'd up from the sea
Contagious fogs; which falling in the land,
Have every pelting river made so proud,
That they have over-borne their continents.
The ox hath therefore stretch'd his yoak in vain,
The ploughman lost his sweat; and the green corn
Hath rotted, ere its youth attain'd a beard.
The fold stands empty in the drowned field,
And crows are fatted with the murrain flock;
5 noteThe nine-mens morris is fill'd up with mud,
And the queint mazes in the wanton green,
For lack of tread, are undistinguishable.
6 note






The human mortals want their winter heried,

-- 111 --


No night is now with hymn or carol blest;
Therefore the moon, the governess of floods,
Pale in her anger, washes all the air;
That rheumatick diseases do abound.
And thorough this distemperature, we see
The seasons alter; hoary-headed frosts
Fall in the fresh lap of the crimson rose;
And on old Hyems' chin, and icy crown,
An od'rous chaplet of sweet summer-buds
Is, as in mockery, set. 7 note



The spring, the summer,
The 8 note



childing autumn, angry winter, change
Their wonted liveries; and th' amazed world,

-- 112 --


By their inchase, now knows not which is which;
And this same progeny of evil comes
From our debate, from our dissension;
We are their parents and original.

Ob.
Do you amend it then, it lyes in you.
Why should Titania cross her Oberon?
I do but beg a little changeling boy,
To be my 9 notehenchman.

Queen.
Set your heart at rest,
The fairy-land buys not the child of me.
His mother was a votress of my order,
And, in the spiced Indian air by night,
Full often she hath gossipt by my side;
And sat with me on Neptune's yellow sands,
Marking th' embarked traders on the flood,
When we have laught to see the sails conceive,
And grow big-bellied with the wanton wind:
1 note



Which she, with pretty and with swimming gate,
Follying (her womb then rich with my young squire)
Would imitate; and sail upon the land,
To fetch me trifles, and return again,
As from a voyage rich with merchandize.
But she, being mortal, of that boy did die;
And, for her sake, I do rear up her boy;

-- 113 --


And, for her sake, I will not part with him.

Ob.
How long within this wood intend you stay?

Queen.
Perchance, 'till after Theseus' wedding-day.
If you will patiently dance in our round,
And see our moon-light revels, go with us;
If not, shun me, and I will spare your haunts.

Ob.
Give me that boy, and I will go with thee.

Queen.
Not for thy fairy kingdom. Elves, away:
We shall chide down-right, if I longer stay.
[Exeunt Queen and her train.

Ob.
Well, go thy way; thou shalt not from this grove,
'Till I torment thee for this injury.—
My gentle Puck, come hither; 2 note











thou remember'st
Since once I sat upon a promontory,

-- 114 --


And heard a mermaid, on a dolphin's back,
Uttering such dulcet and harmonious breath,
That the rude sea grew civil at her song;
And certain stars shot madly from their spheres,
To hear the sea-maid's musick.

-- 115 --

Puck.
I remember.

Ob.
That very time I saw, but thou cou'dst not,
Flying between the cold moon and the earth,
3 note


Cupid alarm'd: a certain aim he took
At a fair 4 noteVestal, throned by the west,
And loos'd his love-shaft smartly from his bow,
As it should pierce a hundred thousand hearts;
But I might see young Cupid's fiery shaft
Quench'd in the chaste beams of the wat'ry moon,
And the Imperial Votress passed on,
In maiden meditation, fancy-free.
Yet mark'd I where the bolt of Cupid fell,
It fell upon a little western flower;
Before milk-white, now purple with love's wound;
5 noteAnd maidens call it Love in idleness.

-- 116 --


Fetch me that flow'r; the herb I shew'd thee once;
The juice of it, on sleeping eye-lids laid,
Will make or man, or woman, madly doat
Upon the next live creature that it sees.
Fetch me this herb, and be thou here again,
Ere the Leviathan can swim a league.

Puck.
I'll put a girdle round about the earth
In forty minutes.
[Exit.

Ob.
Having once this juice,
I'll watch Titania when she is asleep,
And drop the liquor of it in her eyes:
The next thing which she waking looks upon,
(Be it on lyon, bear, or wolf, or bull,
On medling monkey, or on busie ape)
She shall pursue it with the soul of love:
And ere I take this charm from off her sight,
(As I can take it with another herb)
I'll make her render up her page to me.
But who comes here? I am invisible;
And I will over-hear their conference.
SCENE III. Enter Demetrius, Helena following him.

Dem.
I love thee not, therefore pursue me not.
Where is Lysander, and fair Hermia?
The one I'll slay; the other (a) note slayeth me.
Thou told'st me, they were stoll'n into this wood;
And here am I, and 6 notewood within this wood;
Because I cannot meet my Hermia.
Hence, get thee gone, and follow me no more.

Hel.
You draw me, you hard-hearted adamant,
But yet you draw not iron; for my heart
Is true as steel. Leave you your pow'r to draw,
And I shall have no pow'r to follow you.

-- 117 --

Dem.
Do I entice you? do I speak you fair?
Or rather do I not in plainest truth
Tell you, I do not, nor I cannot, love you?

Hel.
And ev'n for that do I love thee the more;
I am your spaniel; and, Demetrius,
The more you beat me, I will fawn on you:
Use me but as your spaniel, spurn me, strike me,
Neglect me, lose me; only give me leave,
Unworthy as I am, to follow you.
What worser place can I beg in your love,
(And yet a place of high respect with me)
Than to be used, as you use your dog?

Dem.
Tempt not too much the hatred of my spirit;
For I am sick, when I do look on thee.

Hel.
And I am sick, when I look not on you.

Dem.
You do impeach your modesty too much,
To leave the city, and commit your self
Into the hands of one that loves you not;
To trust the opportunity of night,
And the ill counsel of a desart place,
With the rich worth of your virginity.

Hel.
Your virtue is my privilege; for that
It is not night when I do see your face,
Therefore, I think, I am not in the night.
Nor doth this wood lack worlds of company;
For you in my respect are all the world.
Then how can it be said, I am alone;
When all the world is here to look on me?

Dem.
I'll run from thee and hide me in the brakes,
And leave thee to the mercy of wild Beasts.

Hel.
The wildest hath not such a heart as you;
Run when you will, the story shall be chang'd:
Apollo flies, and Daphne holds the chase;
The dove pursues the griffin; the mild hind
Makes speed to catch the tyger. Bootless speed!
When cowardise pursues, and valour flies.

-- 118 --

Dem.
I will not stay thy questions; let me go:
Or if thou follow me, do not believe,
But I shall do thee mischief in the wood.

Hel.
Ay, in the temple, in the town, the field,
You do me mischief. Fie, Demetrius,
Your wrongs do set a scandal on my sex:
We cannot fight for love, as men may do;
We shou'd be woo'd, and were not made to woo.
I follow thee, and make a heav'n of hell;
To die upon the hand, I love so well.
[Exeunt. SCENE IV.

Ob.
Fare thee well, nymph; ere he doth leave this grove,
Thou shalt fly him, and he shall seek thy love.
Hast thou the flow'r there? welcome, wanderer.
Enter Puck.

Puck.
Ay, there it is.

Ob.
I pray thee, give it me;
I know a bank whereon the wild thyme blows,
Where ox-lip and the nodding violet grows,
O'er-canopy'd with luscious woodbine,
With sweet musk-roses, and with eglantine.
There sleeps Titania, some time of the night,
Lull'd in these flow'rs with dances and delight;
And there the snake throws her enammel'd skin,
Weed wide enough to wrap a fairy in:
And with the juice of this I'll streak her eyes,
And make her full of hateful fantasies.
Take thou some of it, and seek through this grove;
A sweet Athenian lady is in love
With a disdainful youth; anoint his eyes;
But do it, when the next thing he espies
May be the lady. Thou shalt know the Man,
By the Athenian garments he hath on.

-- 119 --


Effect it with some care, that he may prove
More fond of her, than she upon her love;
And, look, you meet me ere the first cock crow.

Puck.
Fear not, my lord, your servant shall do so.
[Exeunt. SCENE V. Enter Queen of Fairies, with her train.

Queen.
Come, now a roundel, and a Fairy song:
7 noteThen, for the third part of the midnight, hence;
Some to kill cankers in the musk-rose buds,
Some war with rear-mice for their leathern wings,
To make my small elves coats; and some keep back
The clamorous owl, that nightly hoots, and wonders
At 8 noteour queint sports. Sing me now asleep:
Then to your Offices, and let me rest.

Fairies sing.
You spotted snakes with double tongue,
  Thorny hedgehogs, be not seen;
Newts and blind worms, do no wrong;
  Come not near our fairy Queen.
  Philomel, with melody,
  Sing in your sweet lullaby;
  Lulla, lulla, lullaby; lulla, lulla, lullaby:
  Never harm, nor spell, nor charm,
  Come our lovely lady nigh;
  So good night with lullaby.

-- 120 --

2 Fairy.
  Weaving spiders come not here;
Hence, you long-leg'd spinners, hence:
  Beetles black, approach not near,
Worm, nor snail, do no offence,
  Philomel with melody, &c.

1 Fairy.
  Hence, away; now all is well:
  One, aloof, stand Centinel. [Exeunt Fairies. The Queen sleeps. Enter Oberon.

Ob.
What thou seest, when thou dost wake,
Do it for thy true love take:
Love and languish for his sake;
Be it ounce, or cat, or bear,
Pard, or boar with bristled hair,
In thy eye that shall appear,
When thou wak'st, it is thy dear;
Wake, when some vile thing is near. [Exit Oberon.
SCENE VI. Enter Lysander and Hermia.

Lys.
Fair love, you faint with wandring in the wood;
And, to speak troth, I have forgot our way:
We'll rest us, Hermia, if thou think it good,
And tarry for the comfort of the day.

Her.
Be't so, Lysander; find you out a bed,
For I upon this bank will rest my head.

Lys.
One turf shall serve as pillow for us both,
One heart, one bed, two bosoms, and one troth.

Her.
Nay, good Lysander; for my sake, my dear,
Lye further off yet, do not lye so near.

-- 121 --

Lys.
9 note



O take the sense, sweet, of my conference;
Love takes the meaning, in love's innocence;
I mean, that my heart unto yours is knit;
So that but one heart can you make of it:
Two bosoms, interchained with an oath;
So then two bosoms, and a single troth:
Then, by your side no bed-room me deny;
For lying so, Hermia, I do not lye.

Her.
Lysander riddles very prettily;
Now much beshrew my manners, and my pride,
If Hermia meant to say, Lysander ly'd.
But, gentle friend, for love and curtesie
Lye further off; in human modesty,
Such separation, as, may well be said,
Becomes a virtuous batchelor and a maid,
So far be distant; and good night, sweet friend;
Thy love ne'er alter, till thy sweet life end!

Lys.
Amen, amen, to that fair prayer, say I;
And then end life, when I end loyalty!
Here is my bed; sleep give thee all his rest!

Her.
With half that wish the wisher's eyes be prest!
[They sleep. Enter Puck.

Puck.
Through the forest have I gone,
But Athenian found I none,
On whose eyes I might approve
This flower's force in stirring love:

-- 122 --


Night and silence! who is here?
Weeds of Athens he doth wear;
This is he, my master said,
Despised the Athenian maid,
And here the maiden sleeping sound
On the dank and dirty ground.
Pretty soul! she durst not lye
Near to this lack-love kill-curtesie.
Churl, upon thy eyes I throw
All the pow'r this charm doth owe:
When thou wak'st, let love forbid
Sleep his seat on thy eye-lid;
So awake, when I am gone:
For I must now to Oberon. [Exit. SCENE VII. Enter Demetrius and Helena running.

Hel.
Stay, tho' thou kill me, sweet Demetrius!

Dem.
I charge thee, hence, and do not haunt me thus.

Hel.
O, wilt thou darkling leave me? do not so.

Dem.
Stay, on thy peril; I alone will go. [Exit Demetrius.

Hel.
O, I am out of breath in this fond chace;
The more my prayer, the lesser is my grace.
Happy is Hermia, wheresoe'er she lies;
For she hath blessed, and attractive, eyes.
How came her eyes so bright? not with salt tears;
If so, my eyes are oftner wash'd than hers:

-- 123 --


No, no, I am as ugly as a bear;
For beasts, that meet me, run away for fear.
Therefore no marvel, tho' Demetrius
Do (as a monster) fly my presence thus.
What wicked, and dissembling, glass of mine
Made me compare with Hermia's sphery eyne?
But who is here? Lysander on the ground:
Dead or asleep? I see no blood, no wound:
Lysander, if you live, good Sir, awake.

Lys.
And run thro' fire I will, for thy sweet sake. [Waking.
Transparent Helen, nature here shews art,
That through thy bosom makes me see thy heart.
Where is Demetrius? Oh, how fit a word
Is that vile name, to perish on my sword!

Hel.
Do not say so, Lysander, say not so;
What tho' he love your Hermia? lord, what tho'?
Yet Hermia still loves you; then be content.

Lys.
Content with Hermia? no: I do repent
The tedious minutes I with her have spent;
Not Hermia, but Helena I love:
Who will not change a raven for a dove?
The will of man is by his reason sway'd;
And reason says, you are the worthier maid.
Things, growing, are not ripe until their season;
So I, being young, 'till now ripe not to reason;
And, touching now the point of human skill,
Reason becomes the marshal to my will,
And leads me to your eyes; where I o'erlook
Love's stories, written in love's richest book.

Hel.
Wherefore was I to this keen mock'ry born?
When at your hands did I deserve this scorn?
Is't not enough, is't not enough, young man,
That I did never, no, nor never can,
Deserve a sweet look from Demetrius' eye,
But you must flout my insufficiency?

-- 124 --


Good troth, you do me wrong; good sooth, you do;
In such disdainful manner me to woo:
But fare you well. Perforce I must confess,
I thought you lord of more true gentleness:
Oh, that a lady, of one man refus'd,
Should of another therefore be abus'd! [Exit.

Lys.
She sees not Hermia; Hermia, sleep thou there;
And never may'st thou come Lysander near;
For as a surfeit of the sweetest things
The deepest loathing to the stomach brings;
Or as the heresies, that men do leave,
Are hated most of those they did deceive;
So thou, my surfeit and my heresie,
Of all be hated, but the most of me!
And all my pow'rs address your love and might
To honour Helen, and to be her Knight!
[Exit.

Her.
Help me, Lysander, help me! do thy best
To pluck this crawling serpent from my breast:
Ay me, for pity, what a dream was here?
Lysander, look, how I do quake with fear;
Me-thought, a serpent eat my heart away;
And you sat smiling at his cruel prey:
Lysander! what remov'd? Lysander, lord!
What, out of hearing gone? no sound, no word?
Alack, where are you? speak, and if you hear,
Speak, of all loves; (I swoon almost, with fear.)
No?—then I well perceive, you are not nigh;
Or death, or you, I'll find immediately.
[Exit.

-- 125 --

ACT III. SCENE I. The WOOD. Enter Quince, Snug, Bottom, Flute, Snout and Starveling. The Queen of Fairies lying asleep.

Bottom.

Are we all met?

Quin.

Pat, pat; and here's a marvellous convenient place for our rehearsal. This green plot shall be our stage, this hauthorn-brake our tyring house, and we will do it in action, as we will do it before the Duke.

Bot.

Peter Quince—

Quin.

What say'st thou, bully Bottom?

Bot.

There are things in this comedy of Pyramus and Thisby, that will never please. First, Pyramus must draw a sword to kill himself, which the ladies cannot abide. How answer you that?

Snout.

By'rlaken, a parlous fear.

Star.

I believe we must leave the killing out, when all is done.

Bot.

Not a whit, I have a device to make all well; write me a prologue, and let the prologue seem to say, we will do no harm with our swords, and that Pyramus is not kill'd indeed; and for more better assurance tell them, that I Pyramus am not Pyramus, but Bottom the weaver; this will put them out of fear.

Quin.

Well, we will have such a prologue, and it shall be written in eight and six.

Bot.

No, make it two more; let it be written in eight and eight.

-- 126 --

Snout.

Will not the ladies be afraid of the lion?

Star.

I fear it, I promise you.

Bot.

Masters, you ought to consider with your selves; to bring in, God shield us, a lion among ladies, is a most dreadful thing; for there is not a more fearful wild-fowl than your lion living; and we ought to look to it.

Snout.

Therefore another prologue must tell, he is not a lion.

Bot.

Nay you must name his name, and half his face must be seen through the lion's neck; and he himself must speak through, saying thus, or to the same defect; ladies, or fair ladies, I would wish you, or I would request you, or I would intreat you, not to fear, not to tremble; my life for yours; if you think, I come hither as a lion, it were pity of my life; no, I am no such thing, I am a man as other men are; and there indeed let him name his name, and tell them plainly he is Snug the joiner.

Quin.

Well, it shall be so; but there is two hard things, that is, to bring the moon-light into a chamber; for, you know, Pyramus and Thisby meet by moon-light.

Snug.

Doth the moon shine that night we play our play?

Bot.

A kalendar, a kalendar! look in the almanack; find out moon-shine, find out moon-shine.

Quin.

Yes, it doth shine that night.

Bot.

Why then may you leave a casement of the great chamber-window, where we play, open; and the moon may shine in at the casement.

Quin.

Ay, or else one must come in with a bush of thorns and a lanthorn, and say, he comes to disfigure, or to present, the person of moon-shine. Then there is another thing: we must have a wall in the great chamber, for Pyramus and Thisby (says the story) did talk through the chink of a wall.

-- 127 --

Snug.

You never can bring in a wall. What say you, Bottom?

Bot.

Some man or other must present Wall; and let him have some plaster, or some lome, or some rough-cast about him, to signify wall: Or let him hold his fingers thus; and through the cranny shall Pyramus and Thisby whisper.

Quin.

If that may be, then all is well. Come, sit down every mother's son, and rehearse your parts. Pyramus, you begin; when you have spoken your speech, enter into that brake; and so every one according to his cue.

SCENE II. Enter Puck behind.

Puck.
What hempen home-spuns have we swaggering here.
So near the cradle of the fairy Queen?
What, a play tow'rd? I'll be an auditor;
An Actor too, perhaps, if I see cause.

Quin.
Speak, Pyramus; Thisby, stand forth.

Pyr.
Thisby, the flower of odious savours sweet.

Quin.
Odours, odours.

Pyr.
Odours, savours sweet.
  So doth thy breath, my dearest Thisby, dear;
But hark, a voice! stay thou but here a whit;
  And, by and by, I will to thee appear, [Exit Pyr.

Puck.
A stranger Pyramus than e'er plaid here!
[Aside.

This.

Must I speak now?

Quin.

Ay, marry, must you; for you must understand, he goes but to see a noise that he heard, and is to come again.

This.
Most radiant Pyramus, most lilly-white of hue,
  Of colour like the red rose on triumphant bryer,
Most brisky Juvenile, and eke most lovely Jew,
  As true as truest horse, that yet would never tire,
I'll meet thee, Pyramus, at Ninny's tomb.

-- 128 --

Quin.

Ninus' tomb, man; why you must not speak that yet: that you answer to Pyramus; you speak all your part at once, cues and all. Pyramus, enter; your cue is past; it is, never tire.

Re-enter Bottom, with an Ass-head.

This.

O,—As true as truest horse, that yet would never tire.

Pyr.

If I were fair, Thisby, I were only thine.

Quin.

O monstrous! O strange! we are haunted; pray, masters; fly, masters; help!

[The Clowns exeunt.

Puck.
I'll follow you, I'll lead you about a round.
  Through bog, through bush, through brake, through bryer;
Sometimes a horse I'll be, sometimes a hound,
  A hog, a headless bear, sometime a fire,
And neigh, and bark, and grunt, and roar and burn,
Like horse, hound, hog, bear, fire, at every turn.
[Exit.

Bot.

Why do they run away? this is a knavery of them to make me afeard.

Enter Snout.

Snout.

O Bottom, thou art chang'd; what do I see on thee?

Bot.

What do you see? you see an ass-head of your own, do you?

Enter Quince.

Quin.

Bless thee, Bottom, bless thee; thou art translated.

Bot.

I see their knavery, this is to make an ass of me, to fright me if they could; but I will not stir from this place, do what they can; I will walk up and down here, and I will sing, that they shall hear I am not afraid.

[Sings.

-- 129 --



The Ousel cock, so black of hue,
  With orange-tawny bill,
The throstle with his note so true,
  The wren with little quill.

Queen.
What angel wakes me from my flow'ry bed?
[Waking.

Bot.



The finch, the sparrow, and the lark, [Sings.
  The plain-song cuckow gray,
Whose note full many a man doth mark,
  And dares not answer, nay.

For, indeed, who would set his Wit to so foolish a bird? who would give a bird the lye, tho' he cry cuckow never so?

Queen.
I pray thee, gentle mortal, sing again;
Mine ear is much enamour'd of thy note,
So is mine eye enthralled to thy shape;
And thy fair virtue's force (perforce) doth move me,
On the first view to say, to swear, I love thee.

Bot.

Methinks, mistress, you should have little reason for that: and yet, to say the truth, reason and love keep little company together now-a-days. The more the pity, that some honest neighbours will not make them friends. Nay, I can 1 notegleek upon occasion.

Queen.

Thou art as wise, as thou art beautiful.

Bot.

Not so neither: but if I had wit enough to get out of this wood, I have enough to serve mine own turn.

Queen.
Out of this wood do not desire to go,
Thou shalt remain here, whether thou wilt or no.
I am a spirit of no common rate;
The summer still doth tend upon my state,
And I do love thee; therefore, go with me,
I'll give thee fairies to attend on thee;

-- 130 --


And they shall fetch thee jewels from the deep,
And sing, while thou on pressed flowers dost sleep:
And I will purge thy mortal grossness so,
That thou shalt like an airy spirit go.
Peaseblossom! Cobweb! Moth! and Mustardseed! SCENE III. Enter four Fairies.

1 Fair.
Ready.

2 Fair.
And I.

3 Fair.
And I.

4 Fair.
And I: where shall we go?

Queen.
Be kind, and courteous to this gentleman;
Hop in his walks, and gambole in his eyes;
Feed him with apricocks and dewberries,
With purple grapes, green figs and mulberries,
The honey-bags steal from the humble bees,
And for night-tapers crop their waxen thighs,
And light them at the fiery glow-worm's eyes,
To have my love to bed, and to arise:
And pluck the wings from painted butterflies,
To fan the moon-beams from his sleeping Eyes;
Nod to him elves, and do him courtesies.

1 Fair.
Hail, mortal, hail!

2 Fair.
Hail!—

3 Fair.
Hail!—

Bot.

I cry your worship's mercy heartily; I beseech your worship's name.

Cob.

Cobweb.

Bot.

I shall desire of you more acquaintance, good master Cobweb; if I cut my finger, I shall make bold with you. Your name, honest gentleman.

Pease.

Peaseblossom.

Bot.

I pray you, commend me to mistress Squash your mother, and to master Peasecod your father.

-- 131 --

Good master Peaseblossom, I shall desire of you more acquaintance too. Your name, I beseech you, Sir.

Mus.

Mustardseed.

Bot.

Good master Mustardseed, I know your (a) note parentage well: that same cowardly giant-like Ox-beef hath devour'd many a gentleman of your house. I promise you, your kindred hath made my eyes water ere now. I desire more of your acquaintance, good master Mustardseed.

Queen.
Come, wait upon him, lead him to my bower.
  The moon, methinks, looks with a watry eye;
And when she weeps, weep ev'ry little flower,
  Lamenting some enforced chastity!
Tie up my love's tongue, bring him silently.
[Exeunt. SCENE IV. Enter King of Fairies.

Ob.
I wonder, if Titania be awak'd:
Then what it was that next came in her eye,
Which she must doat on in extremity. Enter Puck.
Here comes my messenger! how now, mad sprite,
What night-rule now about this haunted grove?

Puck.
My mistress with a monster is in love.
Near to her close and consecrated bower,
While she was in her dull and sleeping hour,
A crew of patches, rude mechanicals,
That work for bread upon Athenian stalls,
Were met together to rehearse a play,
Intended for great Theseus' nuptial day.
The shallow'st thick-skin of that barren sort,
Who Pyramus presented, in their sport

-- 132 --


Forsook his scene, and enter'd in a brake;
When I did him at this advantage take,
An Ass's nole I fixed on his head;
Anon, his Thisby must be answered,
And forth my minnock comes: when they him spy,
As wild geese, that the creeping fowler eye,
Or russet-pated choughs, many in sort,
Rising and cawing at the gun's report,
Sever themselves, and madly sweep the sky;
So at his sight, away his fellows fly;
And, at our stamp, here o'er and o'er one falls;
He murder cries, and help from Athens calls.
Their sense thus weak, lost with their fears thus strong,
Made senseless things begin to do them wrong.
For briars and thorns at their apparel snatch,
Some, sleeves; some, hats; from yielders all things catch.
I led them on in this distracted fear,
And left sweet Pyramus translated there:
When in that moment (so it came to pass)
Titania wak'd, and straitway lov'd an ass.

Ob.
This falls out better, than I could devise.
But hast thou yet latch'd the Athenian's eyes
With the love-juice, as I did bid thee do?

Puck.
I took him sleeping; that is finish'd too;
And the Athenian woman by his side,
That when he wakes, of force she must be ey'd.
SCENE V. Enter Demetrius and Hermia.

Ob.
Stand close, this is the same Athenian.

Puck.
This is the woman, but not this the man.

Dem.
O, why rebuke you him that loves you so?
Lay breath so bitter on your bitter foe.

Her.
Now I but chide, but I should use thee worse;
For thou, I fear, hast given me cause to curse:

-- 133 --


If thou hast slain Lysander in his sleep,
Being o'er shoes in blood, plunge in the deep,
And kill me too.
The sun was not so true unto the day,
As he to me. Would he have stoll'n away
From sleeping Hermia? I'll believe as soon,
This whole earth may be bor'd; and that the moon
May through the center creep, and so displease
2 note


Her brother's noon-tide i'th' Antipodes.
It cannot be, but thou hast murther'd him;
So should a murtherer look, so dread, so grim.

Dem.
So should the murther'd look; and so should I,
Pierc'd through the heart with your stern cruelty:
Yet you the murtherer look as bright, and clear,
As yonder Venus in her glimm'ring sphere.

Her.
What's this to my Lysander? where is he?
Ah, good Demetrius, wilt thou give him me?

Dem.
I'ad rather give his carcass to my hounds.

Her.
Out, dog! out, cur! thou driv'st me past the bounds
Of maiden's patience. Hast thou slain him then?
Henceforth be never number'd among men.
O! once tell true, and even for my sake,
Durst thou have look'd upon him, being awake?
And hast thou kill'd him sleeping? O brave touch!
Could not a worm, an adder do so much?
An adder did it, for with doubler tongue
Than thine, thou serpent, never adder stung.

Dem.
You spend your passion on a mispris'd mood;
I am not guilty of Lysander's blood,
Nor is he dead, for aught that I can tell.

Her.
I pray thee, tell me then that he is well.

-- 134 --

Dem.
And if I could, what should I get therefore?

Her.
A privilege never to see me more;
And from thy hated presence part I so:
See me no more, whether he's dead or no.
[Exit.

Dem.
There is no following her in this fierce vein,
Here, therefore, for a while I will remain:
So sorrow's heaviness doth heavier grow,
For debt, that bankrupt sleep doth sorrow owe;
Which now in some slight measure it will pay,
If for his Tender here I make some stay.
[Lies down.

Ob.
What hast thou done? thou hast mistaken quite,
And laid thy love-juice on some true love's sight:
Of thy misprision must perforce ensue
Some true love turn'd, and not a false turn'd true.

Puck.
Then fate o'er-rules, that, one man holding troth,
A million fail, confounding oath on oath.

Ob.
About the wood go swifter than the wind,
And Helena of Athens, see, thou find.
All fancy-sick she is, and pale of cheer;
With sighs of love, that cost the fresh blood dear;
By some illusion, see, thou bring her here;
I'll charm his eyes, against she doth appear.

Puck.
I go, I go; look, how I go;
Swifter than arrow from the Tartar's bow.
[Exit.

Ob.
Flower of this purple dye,
Hit with Cupid's archery,
Sink in apple of his eye!
When his love he doth espy,
Let her shine as gloriously
As the Venus of the sky.
When thou wak'st, if she be by,
Beg of her for remedy.
Enter Puck.

Puck.
Captain of our fairy band,
Helena is here at hand,

-- 135 --


And the youth, mistook by me,
Pleading for a lover's fee.
Shall we their fond pageant see?
Lord, what fools these mortals be!

Ob.
Stand aside: the noise, they make,
Will cause Demetrius to awake.

Puck.
Then will two at once woo one;
That must needs be sport alone.
And those things do best please me,
That befal prepost'rously.
SCENE VI. Enter Lysander and Helena.

Lys.
Why should you think, that I should woo in scorn;
  Scorn and derision never come in tears.
Look, when I vow, I weep; and vows so born,
  In their nativity all truth appears:
How can these things in me seem scorn to you,
Bearing the badge of faith, to prove them true?

Hel.
You do advance your cunning more and more;
  When truth kills truth, O devilish, holy, fray!
These vows are Hermia's: will you give her o'er?
  Weigh oath with oath, and you will nothing weigh;
Your vows to her and me, put in two scales,
Will even weigh, and both as light as tales.

Lys.
I had no judgment when to her I swore.

Her.
Nor none, in my mind, now you give her o'er.

Lys.
Demetrius loves her, and he loves not you.

Dem. [awaking.]
O Helen, goddess, nymph, perfect, divine,
To what, my love, shall I compare thine eyne?
Crystal is muddy; O how ripe in show
Thy lips, those kissing cherries, tempting grow!
That pure congealed white, high Taurus' snow,
Fann'd with the eastern wind, turns to a crow

-- 136 --


When thou hold'st up thy hand. O let me kiss
(a) noteThis Pureness of pure white, this feal of bliss.

Hel.
O spight, O hell! I see you all are bent
To set against me, for your merriment:
If you were civil, and knew courtesie,
You would not do me thus much injury.
3 note



Can you not hate me, as I know you do,
But must join insolents to mock me too?
If you are men, as men you are in show,
You would not use a gentle lady so:
To vow and swear, and super-praise my parts;
When I am sure, you hate me with your hearts.
You both are rivals, and love Hermia,
And now both rivals to mock Helena.
A trim exploit, a manly enterprize,
To conjure tears up in a poor maid's eyes
With your derision! none of nobler sort
Would so offend a virgin, and extort
A poor soul's patience, all to make you sport.

Lys.
You are unkind, Demetrius; be not so;
For you love Hermia; this, you know, I know.
And here with all good will, with all my heart,
In Hermia's love I yield you up my part;
And yours of Helena to me bequeath,
Whom I do love, and will do to my death.

Hel.
Never did mockers waste more idle breath.

Dem.
Lysander, keep thy Hermia, I will none;
If e'er I lov'd her, all that love is gone.

-- 137 --


My heart to her but, as guest-wise, sojourn'd;
And now to Helen it is home return'd,
There ever to remain.

Lys.
It is not so.

Dem.
Disparage not the faith, thou dost not know,
Lest to thy peril thou abide it dear.
Look, where thy love comes, yonder is thy dear.
SCENE VII. Enter Hermia.

Her.
Dark night, that from the eye his function takes,
The ear more quick of apprehension makes:
Wherein it doth impair the seeing sense,
It pays the hearing double recompence.
Thou art not by mine eye, Lysander, found;
Mine ear, I thank it, brought me to thy sound.
But why unkindly didst thou leave me so?

Lys.
Why should he stay, whom love doth press to go?

Her.
What love could press Lysander from my side?

Lys.
Lysander's love, that would not let him 'bide,
Fair Helena; who more engilds the night,
Than all yon fiery O's and eyes of light.
Why seek'st thou me? could not this make thee know,
The hate, I bear thee, made me leave thee so?

Her.
You speak not, as you think; it cannot be.

Hel.
Lo, she is one of this confed'racy;
Now, I perceive, they have conjoin'd all three,
To fashion this false sport in spight of me.
Injurious Hermia, most ungrateful maid,
Have you conspir'd, have you with these contriv'd
To bait me with this foul derision?
Is all the counsel that we two have shar'd,
The sisters vows, the hours that we have spent,
When we have chid the hasty-footed time
For parting us; O! and is all forgot?
All school-days friendship, childhood innocence?

-- 138 --


We, Hermia, like two artificial gods,
Created with our needles both one flower,
Both on one sampler, sitting on one cushion;
Both warbling of one song, both in one key;
As if our hands, our sides, voices, and minds
Had been incorp'rate. So we grew together,
Like to a double cherry, seeming parted,
But yet an union in partition;
Two lovely berries molded on one stem,
So with two seeming bodies, but one heart;
Two of the first, (a) note like coats in heraldry,
Due but to one, and crowned with one crest.
And will you rend our ancient love asunder,
To join with men in scorning your poor friend?
It is not friendly, 'tis not maidenly;
Our sex, as well as I, may chide you for it;
Though I alone do feel the injury.

Her.
I am amazed at your passionate words:
I scorn you not; it seems, that you scorn me.

Hel.
Have you not set Lysander, as in scorn,
To follow me, and praise my eyes and face?
And made your other love, Demetrius,
(Who, even but now, did spurn me with his foot)
To call me goddess, nymph, divine, and rare,
Precious, celestial? wherefore speaks he this
To her he hates? and wherefore doth Lysander
Deny your love, so rich within his soul,
And tender me, forsooth, affection;
But by your setting on, by your consent?
What though I be not so in grace as you,
So hung upon with love, so fortunate;
But miserable most, to love unlov'd?
This you should pity, rather than despise.

Her.
I understand not what you mean by this.

Hel.
Ay, do, persever, counterfeit sad looks,

-- 139 --


Make mouths upon me, when I turn my back;
Wink each at other, hold the sweet jest up:
This sport, well carried, shall be chronicled.
If you have any pity, grace, or manners,
You would not make me such an argument:
But fare ye well, 'tis partly mine own fault,
Which death or absence soon shall remedy.

Lys.
Stay, gentle Helena; hear my excuse;
My love, my life, my soul, fair Helena!

Hel.
O excellent!

Her.
Sweet, do not scorn her so.

Dem.
If she cannot entreat, I can compel.

Lys.
Thou canst compel, no more than she entreat:
Thy threats have no more strength, than her weak Prayers.
Helen, I love thee; by my life, I do;
I swear, by that which I will lose for thee,
To prove him false, that says, I love thee not.

Dem.
I say, I love thee more than he can do.

Lys.
If thou say so, withdraw and prove it too.

Dem.
Quick, come—

Her.
Lysander, whereto tends all this?

Lys.
Away, you Ethiope!

Dem.
No, no, he'll seem
To break away; take on as he would follow,
But yet come not; you are a tame man, go.

Lys.
Hang off, thou cat, thou burr; vile thing, let loose;
Or I will shake thee from me, like a serpent.

Her.
Why are you grown so rude? what change is this?
Sweet love!

Lys.
Thy love? out, tawny Tartar, out;
Out, loathed medicine: hated poison, hence.

Her.
Do you not jest?

Hel.
Yes, sooth, and so do you.

Lys.
Demetrius, I will keep my word with thee.

-- 140 --

Dem.
I would, I had your bond; for, I perceive,
A weak bond holds you; I'll not trust your word.

Lys.
What, should I hurt her, strike her, kill her dead?
Although I hate her, I'll not harm her so.

Her.
What, can you do me greater harm, than hate?
Hate me! wherefore? O me! what news, my love?
Am not I Hermia? are not you Lysander?
I am as fair now, as I was ere-while.
Since night, you lov'd me; yet, since night, you left me;
Why then you left me—(O the gods forbid it!)
In earnest, shall I say?

Lys.
Ay, by my life;
And never did desire to see thee more.
Therefore be out of hope, of question, doubt;
Be certain, nothing truer; 'tis no jest;
That I do hate thee, and love Helena.

Her.
O me, you jugler; oh, you canker-blossom,
You thief of love; what, have you come by night,
And stoll'n my love's heart from him?

Hel.
Fine, i'faith!
Have you no modesty, no maiden shame,
No touch of bashfulness? what, will you tear
Impatient answers from my gentle tongue?
Fie, fie, you counterfeit; you puppet, you.

Her.
Puppet! why, so: ay, that way goes the game.
Now, I perceive, that she hath made compare
Between our statures; she hath urg'd her height;
And with her personage, her tall personage,
Her height, forsooth, she hath prevail'd with him.
And are you grown so high in his esteem,
Because I am so dwarfish and so low?
How low am I, thou painted maypole? speak,
How low am I? I am not yet so low,
But that my nails can reach unto thine eyes.

Hel.
I pray you, though you mock me, gentlemen,
Let her not hurt me: I was never curst;

-- 141 --


I have no gift at all in shrewishness;
I am a right maid, for my cowardice:
Let her not strike me. You, perhaps, may think,
Because she's something lower than myself,
That I can match her.

Her.
Lower! hark, again.—

Hel.
Good Hermia, do not be so bitter with me;
I evermore did love you, Hermia,
Did ever keep your counsels, never wrong'd you;
Save that, in love unto Demetrius,
I told him of your stealth unto this wood:
He follow'd you, for love I follow'd him,
But he hath chid me hence, and threaten'd me
To strike me, spurn me, nay, to kill me too;
And now, so you will let me quiet go,
To Athens will I bear my folly back,
And follow you no further. Let me go.
You see, how simple and how fond I am.

Her.
Why, get you gone: who is't that hinders you?

Hel.
A foolish heart, that I leave here behind.

Her.
What, with Lysander?

Hel.
With Demetrius.

Lys.
Be not afraid, she shall not harm thee, Helena.

Dem.
No, Sir, she shall not, though you take her part.

Hel.
O, when she's angry, she is keen and shrewd;
She was a vixen, when she went to school;
And though she be but little, she is fierce.

Her.
Little, again? nothing but low, and little?
Why will you suffer her to flout me thus;
Let me come to her.

Lys.
Get you gone, you dwarf,
You Minimus, of hind'ring knot-grass made;
You bead, you acorn.

Dem.
You are too officious,
In her behalf that scorns your services.
Let her alone, speak not of Helena,

-- 142 --


Take not her part: for if thou dost intend
Never so little shew of love to her,
Thou shalt aby it.

Lys.
Now she holds me not;
Now follow, if thou dar'st; to try whose right,
Or thine, or mine, is most in Helena.

Dem.
Follow? nay, I'll go with thee cheek by jowl.
[Exeunt Lysander and Demetrius.

Her.
You, mistress, all this coyl is long of you:
Nay, go not back.

Hel.
I will not trust you, I;
Nor longer stay in your curst company.
Your hands, than mine, are quicker for a fray;
My legs are longer, though, to run away.
[Exeunt: Hermia pursuing Helena. SCENE VIII. Enter Oberon and Puck.

Ob.
This is thy negligence: still thou mistak'st,
Or else committ'st thy knaveries willingly.

Puck.
Believe me, King of shadows, I mistook.
Did not you tell me, I should know the man
By the Athenian garments he had on?
And so far blameless proves my enterprize,
That I have 'nointed an Athenian's eyes;
And so far am I glad it did so sort,
As this their jangling I esteem a sport.

Ob.
Thou seest, these lovers seek a place to fight;
Hie therefore, Robin, overcast the night;
The starry welkin cover thou anon
With drooping fogs, as black as Acheron;
And lead these testy rivals so astray,
As one come not within another's way.
Like to Lysander, sometime, frame thy tongue,
Then stir Demetrius up with bitter wrong;
And sometime rail thou, like Demetrius;

-- 143 --


And from each other, look, thou lead them thus;
'Till o'er their brows death-counterfeiting sleep
With leaden legs and batty wings doth creep;
Then crush this herb into Lysander's eye,
Whose liquor hath this virtuous property,
To take from thence all error with its might;
And make his eye-balls roll with wonted sight.
When they next wake, all this derision
Shall seem a dream, and fruitless vision;
And back to Athens shall the lovers wend
With league, whose date 'till death shall never end.
Whiles I in this affair do thee employ,
I'll to my Queen, and beg her Indian boy;
And then I will her charmed eye release
From monster's view, and all things shall be peace.

Puck.
My fairy lord, this must be done with haste,
For night's swift dragons cut the clouds full fast,
And yonder shines Aurora's harbinger;
At whose approach, ghosts wandring here and there
Troop home to church-yards; damned spirits all,
That in cross-ways and floods have burial,
Already to their wormy beds are gone;
For fear lest day should look their shames upon,
They wilfully exile themselves from light;
And must for aye consort with black-brow'd night.

Ob.
But we are spirits of another sort;
I with the morning-light have oft made sport;
And, like a forester, the groves may tread,
4 note




Ev'n 'till the eastern gate, all fiery-red,
Opening on Neptune with far-blessing beams,
Turns into yellow gold his salt-green streams.

-- 144 --


But, notwithstanding, haste; make no delay;
We may effect this business yet ere day. [Exit Ob.

Puck.
Up and down, up and down,
I will lead them up and down:
I am fear'd in field and town.
Goblin, lead them up and down.
Here comes one.
Enter Lysander.

Lys.
Where art thou, proud Demetrius? speak thou now.

Puck.
Here, villain, drawn and ready. Where art thou?

Lys.
I will be with thee straight.

Puck.
Follow me then.
To plainer ground.
[Lys. goes out, as following Dem. Enter Demetrius.

Dem.
Lysander, speak again;
Thou run-away, thou coward, art thou fled?
Speak in some bush: where dost thou hide thy head?

Puck.
Thou coward, art thou bragging to the stars,
Telling the bushes that thou look'st for wars,
And wilt not come? come, recreant; come, thou child,
I'll whip thee with a rod; he is defil'd,
That draws a sword on thee.

Dem.
Yea, art thou there?

Puck.
Follow my voice, we'll try no manhood here.
[Exeunt. Lysander comes back.

Lys.
He goes before me, and still dares me on;

-- 145 --


When I come where he calls me, then he's gone.
The villain is much lighter-heel'd, than I:
I follow'd fast, but faster he did fly;
That fall'n am I in dark uneven way,
And here will rest me. Come, thou gentle day: [Lyes down.
For if but once thou shew me thy gray light,
I'll find Demetrius, and revenge this spight. Enter Puck and Demetrius.

Puck.
Ho, ho, ho, coward, why com'st thou not?

Dem.
Abide me, if thou dar'st: for well I wot,
Thou runn'st before me, shifting every place;
And dar'st not stand, nor look me in the face.
Where art thou?

Puck.
Come thou hither, I am here.

Dem.
Nay, then thou mock'st me; thou shalt buy this dear,
If ever I thy face by day-light see.
Now, go thy way; faintness constraineth me
To measure out my length on this cold bed.
By day's approach look to be visited.
[Lyes down. SCENE X. Enter Helena.

Hel.
O weary night, O long and tedious night,
  Abate thy hours; shine, comforts, from the East;
That I may back to Athens by day-light,
  From these, that my poor company detest;
And sleep, that sometimes shuts up sorrow's eye,
Steal me a while from mine own company.
[Sleeps.

Puck.
Yet but three? come one more,
Two of both kinds make up four.
Here she comes, curst and sad:
Cupid is a knavish lad,
Thus to make poor females mad.

-- 146 --

Enter Hermia.

Her.
Never so weary, never so in woe,
  Bedabbled with the dew, and torn with briars,
I can no further crawl, no further go;
  My legs can keep no pace with my desires:
Here will I rest me, 'till the break of day.
Heav'ns shield Lysander, if they mean a fray!
[Lyes down.

Puck.



  On the ground
  Sleep sound,
  I'll apply
  To your eye,
Gentle lover, remedy. [Squeezing the juice on Lysander's eye.
  When thou wak'st,
  Thou tak'st
  True delight
  In the sight
Of thy former lady's eye;
And the country proverb known,
That every man should take his own,
In your waking shall be shown.
Jack shall have Jill, naught shall go ill,
The man shall have his mare again, and all be well. [Exit Puck. [They sleep.

-- 147 --

ACT IV. SCENE I. Continued, The WOOD. Enter Queen of Fairies, Bottom, Fairies attending, and the King behind them.

Queen.
Come, sit thee down upon this flow'ry bed,
While I thy amiable cheeks do coy,
And stick musk-roses in thy sleek, smooth'd head;
And kiss thy fair large ears, my gentle joy.

Bot.

Where's Peaseblossom?

Pease.

Ready.

Bot.

Scratch my head, Peaseblossom. Where's monsieur Cobweb?

Cob.

Ready.

Bot.

Monsieur Cobweb, good monsieur, get your weapons in your hand, and kill me a red-hipt humble-bee on the top of a thistle; and, good monsieur, bring me the honey-bag. Do not fret your self too much in the action, monsieur; and, good monsieur, have a care, the honey-bag break not; I should be loth to have you over-flown with a honey-bag, signior. Where's monsieur Mustardseed?

Must.

Ready.

Bot.

Give me thy 1 noteneafe, monsieur Mustardseed; pray you, leave your curtesie, good monsieur.

Must.

What's your will?

Bot.

Nothing, good monsieur, but to help Cavalero Cobweb to scratch. I must to the barber's, monsieur; for, methinks, I am marvellous hairy about the face. And I am such a tender ass, if my hair doth but tickle me, I must scratch.

-- 148 --

Queen.

What, wilt thou hear some musick, my sweet love?

Bot.

I have a reasonable good ear in musick; let us have the tongs and the bones.

Rural Musick, Tongs, &c.

Queen.

Or say, sweet love, what thou desir'st to eat.

Bot.

Truly, a peck of provender; I could munch your good dry oats. Methinks, I have a great desire to a bottle of hay: good hay, sweet hay hath no fellow.

Queen.
I have a venturous Fairy that shall seek
The squirrel's hoard, and fetch thee thence new nuts.

Bot.

I had rather have a handful or two of dried pease. But, I pray you, let none of your people stir me; I have an exposition of sleep come upon me.

Queen.
Sleep thou, and I will wind thee in my arms;
Fairies, be gone, and be all ways away:
2 note




So doth the woodbine, the sweet honey-suckle,
Gently entwist the Maple; Ivy so
Enrings the barky fingers of the Elm.
O, how I love thee! how I doat on thee!

-- 149 --

Enter Puck.

Ob.
Welcome, good Robin; Seest thou this sweet sight?
Her dotage now I do begin to pity;
For, meeting her of late behind the wood,
Seeking sweet savours for this hateful fool,
I did upbraid her, and fall out with her;
For she his hairy temples then had rounded
With coronet of fresh and fragrant flowers;
And that same dew, which sometime on the buds
Was wont to swell, like round and orient pearls;
Stood now within the pretty flouriet's eyes,
Like tears that did their own disgrace bewail.
When I had at my pleasure taunted her,
And she in mild terms begg'd my patience,
I then did ask of her her changeling child,
Which strait she gave me, and her Fairy sent
To bear him to my bower in Fairy-land.
And now I have the boy, I will undo
This hateful imperfection of her eyes:
And, gentle Puck, take this transformed scalp
From off the head of this Athenian swain;
That he, awaking, when the others do,
May all to Athens back again repair;
And think no more of this night's accidents,
But as the fierce vexation of a dream.
But, first, I will release the Fairy Queen;

Be, as thou wast wont to be;
See, as thou wast wont to see:
Dian's bud (a) note o'er Cupid's flower
Hath such force and blessed power.
Now, my Titania, wake you, my sweet Queen.

Queen.
My Oberon! what visions have I seen!
Methought, I was enamour'd of an ass.

-- 150 --

Ob.
There lies your love.

Queen.
How came these things to pass?
Oh, how mine eyes do loath this visage now!

Ob.
Silence, a while; Robin, take off his head;
Titania, musick call; and strike more dead
Than common sleep of all these (a) note five the sense.

Queen.
Musick, ho! musick; such as charmeth sleep.
Still Musick.

Puck.
When thou awak'st, with thine own fool's eyes peep.

Ob.
Sound, musick; come, my Queen, take hand with me,
And rock the ground whereon these sleepers be.
Now thou and I are new in amity;
And will to-morrow midnight solemnly
3 note


Dance in Duke Theseus' house triumphantly,
And bless it to all far posterity:
There shall these pairs of faithful lovers be
Wedded, with Theseus, all in jollity.

Puck.
Fairy King, attend and mark;
I do hear the morning lark.

Ob.
4 note
Then, my Queen, in silence sad;
Trip we after the night's shade;

-- 151 --


We the globe can compass soon,
Swifter than the wand'ring moon.

Queen.
Come, my lord, and in our flight
Tell me how it came this night,
That I sleeping here was found, [Sleepers lie still.
With these mortals on the ground.
[Exeunt. [Wind horns within. SCENE II. Enter Theseus, Egeus, Hippolita, and all his Train.

The.
Go one of you, find out the forester,
For now our observation is perform'd,
And since we have the vaward of the day,
My love shall hear the musick of my hounds.
Uncouple in the western valley, go,—
Dispatch, I say, and find the forester.
We will, fair Queen, up to the mountain's top,
And mark the musical confusion
Of hounds and echo in conjunction.

Hip.
I was with Hercules and Cadmus once,
When in a wood of Creet they bay'd the bear
With hounds of Sparta; never did I hear
Such gallant chiding. For besides the groves,
5 noteThe skies, the fountains, ev'ry region near
Seem'd all one mutual cry. I never heard
So musical a discord, such sweet thunder.

Thes.
My hounds are bred out of the Spartan kind,
So flew'd, so sanded, and their heads are hung
With ears that sweep away the morning dew;
Crook-knee'd, and dew-lap'd, like Thessalian bulls;
Slow in pursuit, but match'd in mouth like bells,
Each under each. A cry more tuneable
Was never hallo'd to, nor cheer'd with horn,
In Creet, in Sparta, nor in Thessaly:

-- 152 --


Judge, when you hear. But soft, what nymphs are these?

Ege.
My lord, this is my daughter here asleep,
And this Lysander, this Demetrius is,
This Helena, old Nedar's Helena;
I wonder at their being here together.

Thes.
No doubt, they rose up early to observe
The Rite of May; and, hearing our intent,
Came here in grace of our Solemnity.
But speak, Egeus, is not this the day,
That Hermia should give answer of her choice?

Ege.
It is, my lord.

Thes.
Go bid the huntsmen wake them with their horns.
Horns, and Shout within; Demetrius, Lysander, Hermia, and Helena, wake and start up.

Thes.
Good morrow, friends; Saint Valentine is past:
Begin these wood-birds but to couple now?

Lys.
Pardon, my lord.

Thes.
I pray you all, stand up:
I know, you two are rival enemies.
How comes this gentle concord in the world,
That hatred is so far from jealousie,
To sleep by hate, and fear no enmity?

Lys.
My lord, I shall reply amazedly,
Half sleep, half waking. But as yet, I swear,
I cannot truly say how I came here:
But as I think, (for truly would I speak,)
And now I do bethink me, so it is;
I came with Hermia hither. Our intent
Was to be gone from Athens, where we might be
Without the peril of th' Athenian law.

Ege.
Enough, enough; my lord, you have enough;
I beg the law, the law upon his head:
They would have stoll'n away, they would, Demetrius,
Thereby to have defeated you and me;

-- 153 --


You, of your wife; and me, of my consent;
Of my consent, that she should be your wife.

Dem.
My lord, fair Helen told me of their stealth,
Of this their purpose hither to this wood;
And I in fury hither follow'd them;
Fair Helena in fancy following me,
But, my good lord, I wot not by what power,
But by some power it is, my love to Hermia
Is melted as the snow; seems to me now
As the remembrance of an idle 6 notegaude,
Which in my childhood I did doat upon:
And all the faith, the virtue of my heart,
The object and the pleasure of mine eye,
Is only Helena. To her, my lord,
Was I betrothed ere I Hermia saw;
But like a sickness did I loath this food;
But, as in health, come to my natural taste,
Now do I wish it, love it, long for it;
And will for ever more be true to it.

Thes.
Fair lovers, you are fortunately met:
Of this discourse we shall hear more anon.
Egeus, I will over-bear your will;
For in the temple, by and by with us,
These couples shall eternally be knit;
And for the morning now is something worn,
Our purpos'd hunting shall be set aside.
Away, with us to Athens; three and three,
We'll hold a feast in great solemnity.
Come, Hippolita.
[Exeunt Duke, Hippol. and Train.

Dem.
These things seem small and undistinguishable,
Like far-off mountains turned into clouds.

Her.
Methinks, I see these things with parted Eye;
When every thing seems double.

Hel.
So, methinks;

-- 154 --


7 note



And I have found Demetrius like a Gemell,
Mine own, and not mine own.

Dem.
It seems to me,
That yet we sleep, we dream. Do not you think,
The Duke was here, and bid us follow him?

Her.
Yea, and my father.

Hel.
And Hippolita.

Lys.
And he did bid us follow to the temple.

Dem.
Why then, we are awake; let's follow him;
And, by the way, let us recount our dreams.
[Exeunt. SCENE III. As they go out, Bottom wakes.

Bot.

When my cue comes, call me, and I will answer. My next is, Most fair Pyramus—hey, ho,— Peter Quince, Flute the bellows-mender! Snout the tinker! Starveling! god's my life! stoll'n hence, and left me asleep? I have had a most rare vision. I had a dream, past the wit of man to say what dream it was:

-- 155 --

man is but an ass, if he go about to expound this dream. Methought I was, there is no man can tell what. Methought I was, and methought I had,— But man is but a patch'd fool, if he will offer to say what methought I had. The eye of man hath not heard, the ear of man hath not seen; man's hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream; it shall be call'd Bottom's Dream, because it hath no bottom; and I will sing it in the latter end of a play before the Duke; peradventure, to make it the more gracious, I shall sing it (a) note after Death.

[Exit. SCENE IV. Changes to the Town. Enter Quince, Flute, Snout, and Starveling.

Quin.

Have you sent to Bottom's house? is he come home yet?

Star.

He cannot be heard of. Out of doubt, he is transported.

Flu.

If he come not, then the play is marr'd. It goes not forward, doth it?

Quin.

It is not possible; you have not a man, in all Athens, able to discharge Pyramus, but he.

Flu.

No, he hath simply the best wit of any handy-craft man in Athens.

Quin.

Yea, and the best person too; and he is a very paramour for a sweet voice.

Flu.

You must say, paragon; a paramour is (God bless us!) a thing of naught.

Enter Snug.

Snug.

Masters, the Duke is coming from the temple, and there is two or three lords and ladies more

-- 156 --

married; if our sport had gone forward, we had all been made men.

Flu.

O sweet bully Bottom! thus hath he lost six-pence a-day during his life; he could not have 'scap'd six-pence a-day; an the Duke had not given him six-pence a-day for playing Pyramus, I'll be hang'd: he would have deserv'd it. Six-pence a-day, in Pyramus, or nothing.

Enter Bottom.

Bot.

Where are these lads? where are these hearts?

Quin.

Bottom!—O most courageous day! O most happy hour!

Bot.

Masters, I am to discourse wonders, but ask me not what; for if I tell you, I am no true Athenian. I will tell you every thing as it fell out.

Quin.

Let us hear, sweet Bottom.

Bot.

Not a word of me; all I will tell you is, that the Duke hath dined. Get your apparel together, good strings to your beards, new ribbons to your pumps; meet presently at the palace, every man look o'er his part; for the short and the long is, our play is preferr'd: in any case, let Thisby have clean linnen; and let not him, that plays the lion, pare his nails, for they shall hang out for the lion's claws; and, most dear actors! eat no onions, nor garlick, for we are to utter sweet breath; and I do not doubt to hear them say, it is a most sweet comedy. No more words; away; go away.

[Exeunt.

-- 157 --

ACT V. SCENE I. The PALACE. Enter Theseus, Hippolita, Egeus, and his Lords.

Hippolita.
'Tis strange, my Theseus, what these lovers speak of.

Thes.
More strange than true. I never may believe
These antick fables, nor these fairy toys;
Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
&wlquo;The lunatick, the lover, and the poet,
&wlquo;Are of imagination all compact:
&wlquo;One sees more devils than vast hell can hold;
&wlquo;The madman. While the lover, all as frantick,
&wlquo;Sees Helen's beauty in a brow of Egypt.
&wlquo;The poet's eye, in a fine frenzy rowling,
&wlquo;Doth glance from heav'n to earth, from earth to heav'n;
&wlquo;And, as imagination bodies forth
&wlquo;The forms of things unknown, the poet's pen
&wlquo;Turns them to shape, and gives to aiery nothing
&wlquo;A local habitation and a name.
&wlquo;Such tricks hath strong imagination,
&wlquo;1 noteThat if it would but apprehend some joy,
&wlquo;It comprehends some bringer of that joy;&wrquo;
Or in the night imagining some fear,
How easy is a bush suppos'd a bear?

Hip.
But all the story of the night told over,

-- 158 --


And all their minds transfigur'd so together,
More witnesseth than fancy's images,
And grows to something of great constancy;
But, howsoever, strange and admirable. Enter Lysander, Demetrius, Hermia and Helena.

Thes.
Here come the lovers, full of joy and mirth.
Joy, gentle friends; joy and fresh days of love
Accompany your hearts.

Lys.
More than to us,
Wait on your royal walks, your board, your bed.

Thes.
Come now, what masks, what dances shall we have,
To wear away this long age of three hours,
Between our after-supper and bed-time?
Where is our usual manager of mirth?
What revels are in hand? is there no play,
To ease the anguish of a torturing hour?
Call Philostrate.
Enter Philostrate.

Philost.
Here, mighty Theseus.

Thes.
Say, what abridgment have you for this evening?
What masque? what musick? how shall we beguile
The lazy time, if not with some delight?

Philost.
There is a brief, how many sports are ripe:
Make choice of which your Highness will see first.
[Giving a Paper.

Thes. [reads.]
The battle with the Centaurs, to be sung
By an Athenian eunuch to the harp.
We'll none of that. That I have told my love,
In glory of my kinsman Hercules.
The riot of the tipsie Bacchanals,
Tearing the Thracian singer in their rage.
That is an old device; and it was plaid,
When I from Thebes came last a conqueror.

-- 159 --


2 note






The thrice three Muses mourning for the death
Of learning, late deceas'd in beggary.
That is some satyr, keen and critical;
Not sorting with a nuptial ceremony.
A tedious brief scene of young Pyramus,
And his love Thisbe; very tragical mirth.
3 note

Merry and tragical? tedious and brief?
That is hot Ice, a wondrous strange Shew.
How shall we find the concord of this discord?

Philost.
A play there is, my lord, some ten words long;
Which is as brief, as I have known a play;
But by ten words, my lord, it is too long;
Which makes it tedious: for in all the play
There is not one word apt, one player fitted.
And tragical, my noble lord, it is:
For Pyramus therein doth kill himself.
Which, when I saw rehears'd, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed.

Thes.
What are they, that do play it?

Philost.
Hard-handed men, that work in Athens here,
Which never labour'd in their minds 'till now;

-- 160 --


And now have toil'd their unbreath'd memories
With this same play against your nuptials.

Thes.
And we will hear it.

Philost.
No, my noble lord,
It is not for you. I have heard it over,
And it is nothing, nothing in the world;
Unless you can find sport in their intents,
Extremely stretch'd and conn'd with cruel pain,
To do you service.

Thes.
I will hear that play:
&wlquo;For never any thing can be amiss,
&wlquo;When simpleness and duty tender it.&wrquo;
Go, bring them in, and take your places, ladies.
[Exit Phil.

Hip.
I love not to see wretchedness o'ercharg'd,
And duty in his service perishing.

Thes.
Why, gentle sweet, you shall see no such thing.

Hip.
He says, they can do nothing in this kind.

Thes.
The kinder we, to give them thanks for nothing.
Our sport shall be, to take what they mistake;
And what poor (willing) duty cannot do,
Noble respect takes it in might, not merit.
&wlquo;Where I have come, great clerks have purposed
&wlquo;To greet me with premeditated welcomes;
&wlquo;Where I have seen them shiver and look pale,
&wlquo;Make periods in the midst of sentences,
&wlquo;Throttle their practis'd accent in their fears,
&wlquo;And, in conclusion, dumbly have broke off,
&wlquo;Not paying me a welcome. Trust me, sweet,
&wlquo;Out of this silence yet I pick'd a welcome:
&wlquo;And in the modesty of fearful duty
&wlquo;I read as much, as from the rattling tongue
&wlquo;Of sawcy and audacious eloquence.&wrquo;
Love therefore, and tongue-ty'd simplicity,
In least speak most, to my capacity.

-- 161 --

Enter Philostrate.

Phil.
So please your Grace, the prologue is addrest.

Thes.
Let him approach.
[Flor. Trum. SCENE II. Enter Quince, for the prologue.

Pro.
If we offend, it is with our good will.
  That you should think, we come not to offend,
But with good will. To shew our simple skill,
  That is the true beginning of our end.
Consider then, we come but in despight.
  We do not come, as minding to content you,
Our true intent is.—all for your delight,
  We are not here.—that you should here repent you,
The actors are at hand;—and by their show,
You shall know all, that you are like to know.

Thes.

This fellow doth not stand upon points.

Lys.

He hath rid his prologue, like a rough colt; he knows not the stop. A good moral, my lord. It is not enough to speak, but to speak true.

Hip.

Indeed he hath play'd on his prologue, like a child on the recorder; a sound, but not in government.

Thes.

His speech was like a tangled chain; nothing impair'd, but all disorder'd. Who is the next?

Enter Pyramus, and Thisbe, Wall, Moonshine, and Lion, as in dumb shew.

Pro.
Gentles, perchance, you wonder at this show,
  But wonder on, till truth make all things plain.
This man is Pyramus, if you would know;
  This beauteous lady Thisbe is, certain.
This man, with lime and rough-cast, doth present

-- 162 --


  Wall, the vile wall, which did these lovers sunder:
And through wall's chink, poor souls, they are content
  To whisper, at the which let no man wonder.
This man, with lanthorn, dog, and bush of thorn,
  Presenteth moon-shine: For, if you will know,
By moon-shine did these lovers think no scorn
  To meet at Ninus' tomb, there, there to woo.
This grisly beast, which by name Lion hight,
The trusty Thisbe, coming first by night,
Did scare away, or rather did affright:
And as she fled, her mantle she let fall;
  Which Lion vile with bloody mouth did stain.
Anon comes Pyramus, sweet youth and tall,
  And finds his trusty Thisbe's mantle slain;
Whereat, with blade, with bloody blameful blade
  He bravely broach'd his boiling bloody breast.
And Thisbe, tarrying in the mulberry shade,
  His dagger drew, and died. For all the rest,
Let Lion, Moon-shine, Wall, and lovers twain,
At large discourse, while here they do remain. [Exeunt all but Wall.

Thes.
I wonder, if the Lion be to speak.

Dem.

No wonder, my lord; one Lion may, when many asses do.

Wall.
In this same Interlude, it doth befall,
That I, one Snout by name, present a wall:
And such a wall, as I would have you think,
That had in it a crannied hole or chink;
Through which the lovers, Pyr'mus and Thisbe,
Did whisper often very secretly.
This loam, this rough-cast, and this stone doth shew,
That I am that same wall; the truth is so.
And this the cranny is, right and sinister,
Through which the fearful lovers are to whisper.

Thes.
Would you desire lime and hair to speak better?

Dem.

It is the wittiest partition, that ever I heard discourse, my lord.

-- 163 --

Thes.
Pyramus draws near the wall: silence!
Enter Pyramus.

Pyr.
O grim-look'd night! O night with hue so black!
  O night which ever art, when day is not!
O night, O night, alack, alack, alack,
  I fear my Thisbe's promise is forgot.
And thou, O wall, O sweet and lovely wall,
  That stands between her father's ground and mine;
Thou wall, O wall, O sweet and lovely wall,
  Shew me thy chink, to blink through with mine eyne.
Thanks, courteous wall; Jove shield thee well for this!
  But what see I? no Thisbe do I see.
O wicked wall, through whom I see no bliss;
  Curst be thy stones for thus deceiving me!

Thes.

The wall, methinks, being sensible, should curse again.

Pyr.

No, in truth, Sir, he should not. Deceiving me, is Thisbe's cue; she is to enter, and I am to spy her through the wall. You shall see, it will fall pat as I told you. Yonder she comes.

Enter Thisbe.

This.
O wall, full often hast thou heard my moans,
  For parting my fair Pyramus and me.
My cherry lips have often kiss'd thy stones:
  Thy stones with lime and hair knit up in thee.

Pyr.
I see a voice; now will I to the chink;
  To spy, an I can hear my Thisbe's face.
Thisbe!

This.
My love! thou art, my love, I think.

Pyr.
Think what thou wilt, I am thy lover's grace.
And like Limander am I trusty still.

This.
And I like Helen, till the fates me kill.

Pyr.
Not Shafalus to Procrus was so true.

This.
As Shafalus to Procrus, I to you.

-- 164 --

Pyr.
O kiss me through the hole of this vile wall.

This.
I kiss the wall's hole, not your lips at all.

Pyr.
Wilt thou at Ninny's tomb meet me straightway?

This.
Tide life, tide death, I come without delay.

Wall.
Thus have I Wall my part discharged so:
And, being done, thus Wall away doth go.
[Exit.

Thes.

4 note
Now is the Mural down between the two
neighbours.

Dem.

No remedy, my lord, when walls are so wilful to rear without warning.

Hip.

This is the silliest stuff that e'er I heard.

Thes.

The best in this kind are but shadows; and the worst are no worse, if imagination amend them.

Hip.

It must be your imagination then, and not theirs.

Thes.

If we imagine no worse of them than they of themselves, they may pass for excellent men. Here come two noble beasts in a man and a lion.

Enter Lion and Moonshine.

Lion.
You, ladies, you, whose gentle hearts do fear
  The smallest monstrous mouse that creeps on floor,
May now, perchance, both quake and tremble here,
  When Lion rough in wildest rage doth roar.
Then know that I, one Snug the joiner, am
No Lion fell, nor else no Lion's dam:
For if I should as Lion come in strife
Into this place, 'twere pity of my life.

Thes.

A very gentle beast, and of a good conscience.

Dem.

The very best at a beast, my lord, that e'er I saw.

-- 165 --

Lys.

This Lion is a very fox for his valour.

Thes.

True; and a goose for his discretion.

Dem.

Not so, my lord; for his valour cannot carry his discretion, and the fox carries the goose.

Thes.

His discretion, I am sure, cannot carry his valour; for the goose carries not the fox. It is well; leave it to his discretion, and let us hearken to the moon.

Moon.

This lanthorn doth the horned moon present.

Dem.

He should have worn the horns on his head.

Thes.

He is no crescent, and his horns are invisible within the circumference.

Moon.
This lanthorn doth the horned moon present:
My self the man i'th' moon doth seem to be.

Thes.

This is the greatest error of all the rest; the man should be put into the lanthorn: how is it else the man i'th' moon?

Dem.

He dares not come there for the candle; for you see, it is already in snuff.

Hip.

I am weary of this moon; 'would, he would change!

Thes.

It appears by his small light of discretion, that he is in the wane; but yet in courtesie, in all reason, we must stay the time.

Lys.

Proceed, Moon.

Moon.

All that I have to say, is to tell you that the lanthorn is the moon; I, the man in the moon; this thorn-bush, my thorn-bush; and this dog, my dog.

Dem.

Why, all these should be in the lanthorn; for they are in the moon. But, silence; here comes Thisbe.

Enter Thisbe.

This.
This is old Ninny's tomb; where is my love?

Lion.
Oh.—
[The Lion roars, Thisbe runs off.

Dem.
Well roar'd, Lion.

-- 166 --

Thes.
Well run, Thisbe.

Hip.
Well shone, Moon.
Truly, the Moon shines with a good grace.

Thes.
Well mouz'd, Lion.

Dem.
And then came Pyramus.

Lys.
And so the Lion vanish'd.
Enter Pyramus.

Pyr.
Sweet Moon, I thank thee for thy sunny beams;
  I thank thee, Moon, for shining now so bright;
For by thy gracious, golden, glittering streams,
  I trust to taste of truest Thisbe's sight.
But stay: O spight!
But mark, poor Knight,
  What dreadful dole is here?
Eyes, do you see!
How can it be!
  O dainty duck! O deer!
Thy mantle good,
What, stain'd with blood!
  Approach, you furies fell:
O fates! come, come:
Cut thread and thrum;
  Quail, crush, conclude, and quell.

Thes.
This passion, and the death of a dear friend
Would go near to make a man look sad.

Hip.
Beshrew my heart, but I pity the man.

Pyr.
O wherefore, nature, didst thou Lions frame?
  Since Lion vile hath here deflour'd my dear:
Which is—no, no—which was the fairest dame,
  That liv'd, that lov'd, that lik'd, that look'd with cheer.
Come tears, confound: out sword, and wound
  The pap of Pyramus.
Ay, that left pap, where heart doth hop:
  Thus die I, thus, thus, thus.
Now am I dead, now am I fled, my soul is in the sky;

-- 167 --


Tongue, lose thy light: moon, take thy flight;
Now die, die, die, die, die. [Dies.

Dem.

No die, but an ace, for him; for he is but one.

Lys.

Less than an ace, man; for he is dead; he is nothing.

Thes.

With the help of a Surgeon he might yet recover, and prove an ass.

Hip.

How chance the Moonshine is gone, before Thisbe comes back and finds her lover?

Enter Thisbe.

Thes.
She will find him by star-light.
Here she comes; and her passion ends the Play.

Hip.

Methinks, she should not use a long one for such a Pyramus: I hope, she will be brief.

Dem.

A moth will turn the ballance, which Pyramus, which Thisbe, is the better.

Lys.

She hath spy'd him already with those sweet eyes.

Dem.

And thus she (a) note moans, videlicet.—

Thes.
Asleep, my love?
What dead, my dove?
O Pyramus, arise:
Speak, speak. Quite dumb?
Dead, dead? a tomb
Must cover thy sweet eyes.
These lilly brows,
This cherry nose,
These yellow cowslip cheeks,
Are gone, are gone:
Lovers, make moan!
His eyes were green as leeks.
O sisters three,
Come, come to me,
With hands as pale as milk;
Lave them in gore,

-- 168 --


Since you have shore
With shears his thread of silk.
Tongue, not a word:
Come, trusty sword;
Come, blade, my breast imbrue:
And farewel, friends,
Thus Thisbe ends;
Adieu, adieu, adieu. [Dies.

Thes.

Moonshine and Lion are left to bury the dead.

Dem.

Ay, and Wall too.

Bot.

No, I assure you, the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a bergomask dance, between two of our company?

Thes.

No epilogue, I pray you; for your play needs no excuse. Never excuse; for when the players are all dead, there need none to be blam'd. Marry, if he, that writ it, had play'd Pyramus, and hung himself in Thisbe's garter it would have been a fine tragedy: and so it is, truly, and very notably discharg'd. But come, your bergomask; let your Epilogue alone.

[Here a dance of clowns.
The iron tongue of midnight hath told twelve.
Lovers, to bed; 'tis almost Fairy time.
I fear, we shall out-sleep the coming morn,
As much as we this night have over-watch'd.
This palpable gross Play hath well beguil'd
The heavy gate of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revel and new jollity. [Exeunt.

-- 169 --

SCENE III. Enter Puck.

Puck.
5 note



&wlquo;Now the hungry lion roars,
  &wlquo;And the wolf behowls the moon:
&wlquo;Whilst the heavy plowman snoars,
  &wlquo;All with weary task fore-done.
&wlquo;Now the wasted brands do glow,
  &wlquo;Whilst the scritch-owl, scritching loud,
&wlquo;Puts the wretch, that lies in woe,
  &wlquo;In remembrance of a shroud.
&wlquo;Now it is the time of night,
  &wlquo;That the graves, all gaping wide,
&wlquo;Every one lets forth his spright,
  &wlquo;In the church-way paths to glide;
&wlquo;And we Fairies, that do run
  &wlquo;By the triple Hecate's team,
&wlquo;From the presence of the sun,
  &wlquo;Following darkness like a dream,&wrquo;
Now are frolick; not a mouse
Shall disturb this hallow'd house:
I am sent with broom before,
To sweep the dust behind the door.

-- 170 --

Enter King and Queen of Fairies, with their train.

Ob.
Through this house give glimmering light,
  By the dead and drowsie fire,
Every elf, and fairy sprite,
  Hop as light as bird from brier;
And this ditty after me
Sing, and dance it trippingly.

Queen.
First rehearse this song by roat,
To each word a warbling note.
Hand in hand, with fairy grace,
Will we sing and bless this place.

The SONG.
Now until the break of day,
Through this house each Fairy stray.
To the best bride-bed will we,
Which by us shall blessed be:
And the issue, there create,
Ever shall be fortunate;
So shall all the couples three
Ever true in loving be:
And the blots of nature's hand
Shall not in their issue stand;
Never mole, hair-lip, nor scar,
Nor mark prodigious, such as are
Despised in nativity,
Shall upon their children be.
With this field-dew consecrate,
Every Fairy take his gate,
And each several chamber bless,
Through this palace, with sweet peace.
Ever shall it safely rest,
And the owner of it blest.
Trip away, make no stay;
Meet me all by break of day.

-- 171 --

Puck.
If we shadows have offended,
Think but this, and all is mended;
That you have but slumbred here,
While these visions did appear.
And this weak and idle theam
No more yielding but a dream,
Gentles, do not reprehend;
If you pardon, we will mend.
And as I am honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long:
Else the Puck a liar call:
So, good night unto you all.
Give me your hands, if we be friends;
And Robin shall restore amends.
[Exeunt omnes.

-- 173 --

Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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A MIDSUMMER-NIGHT'S DREAM.

-- 92 --

Introductory matter

Dramatis Personæ. THESEUS, Duke of Athens. Egeus, an Athenian Lord. Lysander, in love with Hermia. Demetrius, in love with Hermia. Philostrate, Master of the Sports to the Duke. Quince, the Carpenter. Snug, the Joiner. Bottom, the Weaver. Flute, the Bellows-mender. Snowt [Snout], the Tinker. Starveling, the Tailor. Hippolita [Hippolyta], Princess of the Amazons, betroth'd to Theseus. Hermia, Daughter to Egeus, in love with Lysander. Helena, in love with Demetrius.

Attendants.
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Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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