Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
Charles Johnson [1723], Love in a Forest. A comedy. As it is Acted at the Theatre Royal in Drury-Lane, By His Majesty's Servants... By Mr. Johnson (Printed for W. Chetwood... and Tho. Edlin [etc.], London) [word count] [S37000].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Previous section

Scene 2 Scene continues. Rosalind and Cælia.

Cæ.
What have you there?
[Ros. takes the Paper Orlando had hung on the Tree.

Ros.
More Rhymes, Cosin.

Cæ.
Aye! read them, read them.


Ros. reads.
From the East to Western Inde
No Jewel is like Rosalind,
Her Worth being mounted on the Wind,
Thro' all the World bears Rosalind;
All the Pictures fairest lin'd,
Are but black to Rosalind;

-- 32 --


Let no Face be kept in Mind
But the Face of Rosalind.

Cæ.

Heyday; I'll Rhyme you so eight Years together, Dinners and Suppers, and Sleeping Times excepted: For a Taste,



If a Hart does lack a Hind,
Let him seek out Rosalind;
If the Cat will after Kind,
So be sure will Rosalind;
Winter Garments must be lin'd,
So must slender Rosalind;
They that reap must sheaf and bind,
Then to Cart with Rosalind;
Sweetest Meat hath sowrest Rind,
Such a Nut is Rosalind.

Ros.

This is the very false Gallop of Verse; why do you infect yourself with them?

Cæ.

But doest thou not wonder, Cosin, how thy Name shou'd be hang'd and carved upon these Trees?

Ros.

Look ye here, what I found on a Palm-Tree, I was never so Berhym'd since Pythagoras's Time, which I can hardly remember!

Cæ.

Tro you who hath done this?

Ros.

It is a Man.

Cæ.
With a Ribond, you once wore, about his Arm;
Change you Colour?

Ros.

I prithee who?

Cæ.

O Lord, Lord, it is a hard Matter for Friends to meet; but Mountains may be remov'd with Earthquakes, and so encounter.

Ros.

Nay, but who is it?

Cæ.

Is it possible?

Ros.

Nay, I prithee now, with most petitionary Vehemence, tell me who it is?

Cæ.

Oh wonderful! and most wonderfully wonderful! and yet again wonderful! and after that out of all hooping.

-- 33 --

Ros.

One Inch of Delay more, and I die before this Discovery. I prithee tell me, who is it? Quickly! and speak apace, is he of Heavens making? What Manner of Man? Is his Head worth a Hat? Or his Chin worth a Beard?

Cæ.

Nay, he hath but a little Beard.

Ros.

Why then I'll stay the Growth of his Beard, if thou delay me not the Knowledge of his Name.

Cæ.

It is then young Orlando, he who wounded yours and the Fencer's Heart, both in an Instant.

Ros.

Nay, but the Devil take mocking? Speak, speak.

Cæ.

I'faith, Cousin, 'tis he.

Ros.

Orlando!

Cæ.

Orlando.

Ros.

Alas the Day, what shall I do with these Breeches? What did he when thou sawest him? What said he? How looked he? Where went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee? And when shalt thou see him again? Answer me in one Word.

Cæ.

You must borrow me Garagantua's Mouth first; 'tis a Work too great for any Mouth of this Age's Size; to say at once aye and no together, to be general and particular at once, is beyond my Catechism.

Ros.

But does he know that I am in this Forest, and in Mans Apparel? Looks he freshly as he did the Day he fought with Charles the Fencer?

Cæ.

It is as easy to count Atoms, as to resolve the Propositions of a Lover; but take a Taste of my finding him, and relish it with good Observance:— I found him under an Oak, like a drop'd Acorn.

Ros.

It may well be called Jove's Tree, when it drops such Fruit.

Cæ.

Give me Audience, good Madam.

Ros.

Proceed.

-- 34 --

Cæ.

There lay he, stretch'd along, like a wounded Knight.

Ros.

Tho' it be pity to see such a Sight, it well becomes the Ground.

Cæ.

Cry Holla to thy Tongue, I prithee, it curvets unreasonably. He was furnish'd like a Hunter.

Ros.

Oh ominous! he comes to kill my Heart.

Cæ.

I would sing my Song without a Burthen, you put me out of Tune.

Ros.

Do you not know I am a Woman? What I think I must speak: Sweet, say on.

Enter Orlando and Jaques.

Cæ.

You put me out;—Soft; Comes he not here?

Ros.

'Tis he, let us steal by and note him.

Jaques.

I thank you for your Company, though, good Faith, I had as lieve been alone.

Orl.

And so had I, but yet for Fashion Sake, I thank you too for your Society.

Jaques.

Good b'w'you, let's meet as little as we can.

Orl.

I do desire we may be better Strangers.

Jaques.

I pray ye mar no more Trees with writing Love-Songs in their Barks.

Orl.

I pray you mar no more of my Verses with reading 'em ill-favour'dly.

Jaques.

Rosalind is your Love's Name.

Orl.

Yes, just.

Jaques.

I do not like her Name.

Orl.

There was no Thought of pleasing you, when she was christen'd.

Jaques.

What Stature is she of?

Orl.

Just as high as my Heart: But why are you thus curious? You who are an obstinate Heretick in the Despight of Beauty, and the whole Female World.

-- 35 --

Jaques.

That a Woman conciev'd me I thank her: That she brought me up I likewise give her my most hearty Thanks; but that I will have a Recheate winded in my Forehead all Women shall pardon me: Because I will not do them the wrong to mistrust any, I will trust none.

Orl.

I shall see thee e're I die look pale with Love.

Jaques.

With Anger, with Sickness, or with Hunger, not with Love; prove that ever I loose more Blood with Love than I shall get again with a Bottle, pick out my Eyes with a Ballad-maker's Pen, and hang me up at the Door of a Brothel-house for the Sign of blind Cupid.

Orl.

If thou should'st fall from this Faith.

Jaques.

If I do, hang me in a Bottle like a Cat, and shoot at me, and he that hits me let him be clap'd on the Shoulder and call'd Adam.

Orl.

In Time the Savage Bull did bear the Yoak.

Jaques.

The Savage Bull may, but if ever the sensible Jaques does, pluck off the Bull's Horns and set them in my Forehead, and let me be vilely painted, and in such great Letters as they write, Here are Horses to be let; let them signify under my Sign, Here liveth Jaques the marry'd Man.

Orl.

If Cupid hath not spent all his Quiver, thou wou't quake for this shortly.

Jaques.

Hah! what have we here, a Wood Nymph and a Shepherd, these Animals are not of our Growth sure?

Orl.

By their Habits and Mien you need not blush to own them; Are you sure they are human?

Jaques.

Let us try and accost them, however, in human Terms.

Ros. to .

I will speak to him like a saucy Lacquey, and under that Habit play the Knave with him: Do you hear, Forester?

-- 36 --

[Jaques talks with Cælia, they walk in another Glade of the Forest, while the Scene continues between Rosalind and Orlando.

Orl.

Very well—What wou'd you?

Ros.

I pray you, what is it a Clock?

Orl.

You shou'd ask me what Time o'the Day, there is no Clock in the Forest.

Ros.

Then there is no true Lover in the Forest, Sighing else every Minute, and Groaning every Hour, wou'd detect the lazy Foot of Time as well as a Clock.

Orl.

Where dwell you, pretty Youth?

Ros.

With the Shepherdess you saw with me, my Sister, here in the Skirts of the Forest, like Fringe upon a Petticoat.

Orl.

Are you Native of this Place?

Ros.

As the Rabit, which you see dwells where she is kindled.

Orl.

Your Accent seems to be something finer than you cou'd purchase in so remoted a Dwelling.

Ros.

I have been told so of many, but indeed an old religious Uncle of mine taught me to speak, who was in his Youth an Inland Man, one that knew Courtship too well, for there he fell in Love. I have heard him read many Lectures against it: I thank Heaven I am not a Woman to be touch'd with so many giddy Offences as he hath generally tax'd the whole Sex withal.

Orl.

Can you remember any of the principal Evils that he laid to the Charge of Women?

Ros.

There were none principal, they were all like one another as Half-pence are; every Fault seeming monstrous, till the Fellow Fault appear'd to match it.

Orl.

I prithee, recount some of them.

Ros.

No, I will not cast away my Physick but on those that are sick. There is a Man haunts this Forest that abuses our young Plants with carving

-- 37 --

Rosalind on their Barks; hangs Odes upon Hawthorns; and Elegies on Brambles; all, forsooth, Deifying the Name of Rosalind. If I cou'd meet that Fancy-Monger, I wou'd give him good Counsel, for he seems to have the Quotidian of Love upon him.

Orl.

I am he so Love shaken; I pray you tell me your Remedy.

Ros.

There are none of my Uncle's Marks upon you, he taught me how to know a Man in Love; in which Cage of Rushes I am sure you are no Prisoner.

Orl.

What where his Marks?

Ros.

A lean Cheeck, which you have not; a blue Eye, and sunk, which you have not; a Beard neglected, which you have not; but I pardon you for that, for simply your having no Beard is a younger Brother's Revenue: Then your Hose shou'd be ungarter'd, your Bonnet unbanded, your Sleeve unbutton'd, your Shoe unbuckled, and every Thing about you demonstrating a careless Desolation: But you are no such Man, you are rather Point Device in your Accoutrements, as loving yourself, than seeming the Lover of any other.

Orl.

Fair Youth, I wou'd I cou'd make thee believe I love.

Ros.

Me believe it? You may as soon make her that you love believe it, which I warrant she is apter to do, than to confess she does; that is one of the Points in which Women still give the Lie to their Consciences. But in good sooth, are you he that hangs the Verses on the Trees, wherein Rosalind is so much admired?

Orl.

I swear to thee, Youth, by the white Hand of Rosalind, I am he, that unfortunate he.

Ros.

But are you so much in Love, as your Rhymes speak;

-- 38 --

Orl.

Neither Rhyme, nor Reason can express how much.

Ros.

Love is meerly a Madness, and I tell you, deserves as well a dark House, and a Whip, as mad Men do: And the Reason why they are not so punished and cured is, that the Lunacy is so general, that the Whippers are in love too: Yet I profess curing it by Counsel.

Orl.

Did you ever cure any so?

Ros.

Yes, one, and in this Manner: He was to imagine me his Love, his Mistress; and I set him every Day to woo me. At which Time wou'd I, being but a Moonish Youth, grieve, be Effeminate, changeable, longing and liking, proud, fantastical, apish, shallow, inconstant, full of Tears, full of Smiles, for every Passion something, and for no Passion truly any thing, as Boys and Women are for the most Part Birds of this Colour: Wou'd now like him, now loath him, then entertain him, then forswear him; now weep for him, then spit at him; till I drove this Suitor from his mad Humour of Love to a living Humour of Madness; which was to forswear the full Stream of the World, and to live in a Nook meerly Monastical: And thus I cured him, and this Way will I take upon me to wash your Liver as clear as a sound Sheep's Heart; that there shall not be one Spot of Love in it.

Orl.

I wou'd not be cured, Youth.

Ros.

I wou'd cure you if you wou'd but call me Rosalind, and come every Day to my Cave and woo me.

Orl.

Now by the Faith of my Love I will, tell me where it is.

Ros.

Go with me, and I will show it you; and by the Way you shall tell me where in the Forest you live.—Will you go?

Orl.

With all my Heart, good Youth.

Ros.

Nay, nay, you must call me Rosalind.

[Exeunt Orlando and Rosalind.

-- 39 --

Jaques and Cælia coming forward.

Cæ.

A Philosopher! what Sort of a Play-thing is that?

Jaques.

A Thing that very oft sets up for Probity and Wisdom without one Ounce of either; it is generally Self-sufficient, seldom just, and always sower, more abounding in Ill-nature than Knowledge.

Cæ.

Oh, Knowledge ill inhabited, worse than Jove in a thatch'd House.

Jaques.

Are you honest?

Cæ.

If I had any Neighbours you might ask them.

Jaques.

I hope you are not.

Cæ.

Why so, wou'd you not have me honest?

Jaques.

No truly, unless thou wer't hard favour'd, for Honesty coupled with Beauty is to make Honey Sauce for Sugar.

Cæ.

Then you allow me handsome?

Jaques.

Destructively handsome! I fancy too you have Understanding; but peradventure my Head takes Instructions from my Heart, for that, I feel by its Palpitation, gallops away in your Praise most dangerously.

Cæ.

You'll be in Love if you do not take good Heed, Signior Philosopher,—You have some Symptoms, have you not?

Jaques.

I doubt so—Yet I hope not—When I lean'd my Shoulder against yours to read Orlando's Verses, I caught a Tingling; aye,—here it is still; and creeps every Moment more and more into my Blood.—

Cæ.

Well,—be a faithful Servant, and I will use you kindly.

-- 40 --

Jaques.

What a Bound has that given my Spirits! Hark ye, will you,—tell Nobody of it tho'— will you marry me?

Cæ.

Oh, you begin where you shou'd end, my true Knight; two Years hence, after many Services and various Adventures, it will be Time enough, sure, to ask that solemn Question.

Jaques.

Two Years! What? How? Must I then, must I work in the Galleys two whole Years?

Cæ.

In the Galleys, heyday—You wicked Thing; you're a Suitor indeed, Ha, ha,—

Jaques.

Well, then I will flatter thee like thy Glass.

Cæ.

Truth, good sound Truth, is Food substantial enough for my Pride.

Jaques.

Thou shalt be as humourous as thy sick Dog, thy Passions shall have no other Masters than thy Desires; thy—

Cæ.

Hold, hold, you are Railing on me, while you intend to praise me; indeed you do not make Love, but suffer it, it seems, to be in Spight of your Will.

Jaques.

Wou'd it were in Spight of my Heart too; but that is a Renegade, and has left its Master.

Cæ.

Well said, sigh a little; you'll soon trot easy in your Harness.

Jaques.

But as I said before—will you—'tis a hard Word, but will you marry me?

Cæ.

Two Years hence, if my Brother Ganymede consents, for without his Consent I am sworn not to convey myself away; if your Inclinations are the same, and mine alter,—why then we will talk this Matter over once again.

Jaques.

I will ask your Brother's Consent.

Cæ.

That you may, and have an Answer, depend upon it; but now you have put me in Mind that I have miss'd him too long, that Way I think he went—Adieu.

[Exit Cælia.

-- 41 --

Jaques.

Fare you well, Lady—I am a Turk, an errant Miscreant, if I am not in Love, horribly, strangely in Love! what! to have my Spirits caught at last by a Pair of bugle Eyeballs, and a Cheek of Cream—I shall be the Jest of the World, I shall have Quirk and Witticisms broke on me innumerable, —Because I have railed on Marriage:— Why—Appetites alter, and one may love in his Age, I hope, what he cou'd not endure in his Youth. And yet if a Man were of a fearful Heart, he might stagger a little in this Attempt; and wou'd my Mistress marry me, which bears a Question likewise, we have here no Temple but the Wood, no Assembly but horned Beasts,—Horns,—Aye, they may be a Wife's Dowry, 'tis plain they can not be a Man's own getting;—And yet the noblest married Man hath them as huge as the Rascal;—Is a Batchelor, therefore, more honourable than a Husband? —No, as a walled Town is worthier than a Village, by so much is the armed Forehead of a married Man more honourable than the bare Brow of a Batchelor.—Surely this Wound is not very dangerous that I can tickle myself thus with scratching it:—I do not know how it is,—I am in a silly Way,—Well—Well—We are all Babies, and cry ourselves sick for Play-things that we throw away the Moment after we have them.

[Exit Jaques. Re-enter Cælia and Rosalind.

Ros.

I met the Duke Yesterday, and had much Question with him, he asked me of what Parentage I was, I told him of as good as he, so he laugh'd and let me go: But what talk we of Fathers when there is such a Man as Orlando.

-- 42 --

Cæ.

But as I was saying, Coz, this Bluntness of Jaques becomes him, it is so unaffected; I think my Heart does incline a little to the Philosopher.

Ros.

Then Orlando's Hair; aye, his Hair is of the dissembling Colour.

Cæ.

Then Jaques's Love looks a little awkward; it does not sit so easy on him; but his Words are full of Sincerity.

Ros.

No faith, his Hair is of a good Colour.

Cæ.

I think he has got an Inch or two into my Heart,

Ros.

Ah me! I am fifty Fathom deep in Love, I shall never recover it.

Cæ.

Lord, you can think of nothing but Orlando; but now I beg, I petition for a Word or two in Behalf of my Servant Senior Jaques.

Ros.

Orlando swore he wou'd come again presently, is he not a true Lover, think you?

Cæ.

As hollow as a cover'd Goblet, or a Worm-eaten Nut.

Ros.

Yet he swore he was true.

Cæ.

Aye, so they do all, but they tell us, Cousin, and I tremble to think of it, that the Oath of a Lover is not to be depended on; but our Lovers are Courtiers too, and attend here on the Duke your Father, in this Forest: Now as Courtiers they have a certain Right to Promise-breaking.

Ros.

No Matter, Orlando is not, can not, will not, shall not be false.

Cæ.

Oh he is a brave Man, writes brave Verses, speaks brave Words, swears brave Oaths, and notwithstanding your Resolution, Madamoiselle, he may break them as bravely. But what say you to Senior Jaques, once again? Will he make a good Husband?

Ros.

Aye, a good Workyday Husband; you must have another for Sundays, but indeed your wife Fools make the best Lovers, 'tis your—impenetrable

-- 43 --

Block only, that is ungovernable; thro' the Head of a wise Man there is a beaten Path to his Heart, that every Woman knows.

Cæ.

But your Advice, your Advice.

Ros.

Alas, thou knowest I am sick of thy Distemper, and I must find a Cure for my own Malady before I presume to prescribe to thine.

[Exeunt. The End of the Third ACT.

-- 44 --

Previous section


Charles Johnson [1723], Love in a Forest. A comedy. As it is Acted at the Theatre Royal in Drury-Lane, By His Majesty's Servants... By Mr. Johnson (Printed for W. Chetwood... and Tho. Edlin [etc.], London) [word count] [S37000].
Powered by PhiloLogic