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OF WORDS, EITHER OBSOLETE, VARYING FROM THEIR COMMON ACCEPTATION, OR REQUIRING EXPLANATION. Bedlam beggars.”—“Before the civil warres I remember Tom a Bedlams went about begging. They had been such as had been in Bedlam and come to some degree of soberness.”— Aubrey's MSS. “He swears he hath been in Bedlam, and will talk frantickly of purpose, you see pinnes stuck in sundry places of his naked flesh, especially in his armes, which paine he gladly puts himselfe to, only to make you believe he is out

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of his wits. He calls himselfe by the name of poore Tom, and, coming near anybody, cries out Poore Tom is a-cold.”— Dekker's Bellman of London, 1640. Bewray his practise.”—That is, reveal and undo his contrivances. Blank of thine eye.”—The blank is the mark at which aim is taken. Bless thy five wits.”—
“Forsoth, syr, herynge, seynge, and smellynge,
The remenaunte tastynge, and felynge,
These ben the v wittes bodely.”—
The Worlde and the Childe.
Cadent.”—Falling. Camelot.”—In Somersetshire, near Camelot, are large moors where great quantities of geese are bred. Century.”—Company of a hundred. Coxcomb.”—A fool's cap, with the crest shaped like a cock's comb. Cruel garters.”—A quibble on crewell, that is, worsted. Exhibition.”—Show only. Flaws.”—Anciently signified fragments as well as mere cracks. Fleshment.”—A soldier is said to flesh his maiden sword when he first uses it in combat. Frontlet.”—A covering for the brow—a sort of demi-veil. Gasted.”—Frightened. Hysterica passio.”—An illness; also called the “mother,” which in Shakespeare's time was not thought peculiar to women. Interess'd.”—United, coalesced (a Gallicism). Knives under his pillow,” &c.—This, with the names of the spirits, is taken from Harsnet's Declaration of Popish Impostures, 1603. Lend less than thou owest.”—To owe is to possess. Lipsbury pinfold.”—A saying of the time—pinfold is a pound for strayed animals. Meiny.”—Retinue, from the French, meinie. My poor fool is hang'd.”—Fool was a term of endearment in the poet's time as well as the name of a jester—in this instance Lear most probably alludes to his daughter's death. Nether-stocks.”—The old word for stockings. Pawn.”—Common soldier at chess. Pillicock sat on Pillicock Hill.”— See Gammer Gurton's Garland.
“Pillycock, Pillycock sat on a hill,
If he's not gone, he sits there still.”
Poise.”—Weight or balance. Rats and mice and such small deer.”—From the old metrical romance of Sir Bevis.
“Rattes and myce and such smal dere
Was his meate that seven yeare.”
Remotion.”—Retirement. Renege.”—To equivocate. Sea Monster.”—The Hippopotamus; the hieroglyphical symbol of impiety and ingratitude. Setta.”—Cease, be quiet. Slaves your ordinance.”—To make it subservient, instead of obeying it.

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Sound trumpet.”—“The appellant and his procurator first come to the gate. The constable and marshall demand by voice of herald, what he is and why he comes so arrayed.”—Seldon's Duello. Subscribed his power.”—Given up. Tender hefted.”—More delicate in make, and in use. Three suited”—“One trunk-inheriting”—“worsted stocking knave”—“barber-monger”—“neat slave.”—Epithets of reproach and contempt current in the days of Shakespeare; their peculiar application cannot be determined with precision now.— See the Variorum Shakespeare, 1793, vol. 14. To the warm sun.”—
“In your running from him to me, ye runne
Out of God's blessing into the warme sun.”—
Heywood's Dialogues.
Treachers.”—Traitors. Upon the gad.”—With thoughtless speed; like the gadfly, which lights at carpice, and departs quickly. Validity.”—Value.

William Macready [1857], King Lear. A Tragedy, in five acts, by William Shakespeare (Thomas Hailes Lacy [etc.], London) [word count] [S41000].
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Introductory matter

Castlist Covent Garden, January 25, 1838.

Lords—Messrs. Partridge, Boulanger, Morgan, Jenkins, Jackson, Wallis, &c.

Knights—Messrs. C. J. Smith, Herbert, Willis, Beckett, Paulo, Thorne, Kirke, Brady, &c.

Duke of Cornwall's Attendants—Messrs. Payne, Butler, Gough and Jones.

[Gentleman], [Messenger]

Ladies—Mesdames Corder, Payne, Mew, Vallanduke, Hunt, Mathews, &c.

Characters.
KING LEAR Mr. Macready.
KING OF FRANCE Mr. Howe.
DUKE OF ALBANY Mr. Diddear.
DUKE OF CORNWALL Mr. Serle.
DUKE OF BURGUNDY Mr. Bender.
EARL OF KENT Mr. Bartley.
EARL OF GLOSTER [Earl of Gloucester] Mr. G. Bennett.
EDGAR Mr. Elton.
EDMUND Mr. Anderson.
LOCRINE Mr. Roberts.
CURAN Mr. Pritchard.
PHYSICIAN [Doctor] Mr. Yarnold.
OSWALD (the Steward) Mr. Vining.
HERALD Mr. Holmes.
OLD MAN Mr. Ayliffe.
OFFICER [Captain] Mr. Collett.
THE FOOL Miss P. Horton.
GONERIL Mrs. W. Clifford.
REGAN Mrs. Warner.
CORDELIA Miss Helen Faucit.

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Costumes.
Lear.—Long shirt of yellow stuff or merino, with wide sleeves, reaching to the feet, and trimmed with dark fur, circular mantle of crimson stuff, fastened at the throat with a jewelled brooch, a gold and jewelled coronet crown over a caul cap of crimson stuff, a long gilt staff, buskins, white hair and beard. Second Dress: The same without the robe. Third Dress: Plain dark shirt to the feet, with wide sleeves. France.—Long crimson shirt, purple circular mantle, long hair, buskins, and coronet crown of gold. Albany.—Plaid shirt of green and blue squares, buskins with thongs of leather nearly to the knee, flesh legs, open breastplate of cross pieces of brass, brazen winged helmet, and sword. Second Dress: Purple mantle trimmed with white fur, and coronet of gold. Third Dress: Helmet, coat of mail formed of brass plates, leather shield with bosses of brass, fair hair, moustache, and beard. Cornwall.—Loose hood and neck covering of tanned leather, shirt of mail formed of steel plates, leather gauntlets, buskins with leather thongs, flesh legs, circlet of twisted bullion, long hair and beard, and a sword. Second Dress: Coronet crown, and crimson robe, fastened on throat with gold brooch. Gloster.—Long black cloth shirt with hood, reaching to the middle of the leg, buskins, fleshings, neck and shoulder piece of steel plates, narrow cord of gold round the head, belt of leather round the waist and sword, dark hair and long beard, bald crown. Second Dress: The same without sword or armour. Edgar.—Short full parti-coloured shirt, buskins, belt and sword, small moustache and long hair, confined by a fillet. Second Dress: A dark mantle. Third Dress: Suit of fleshings, shirt and wrapper of blankets, tied with cord, hair dishevelled, beard and moustaches grown, a straw coronet, cow's horn, old wallet of dark leather, and staff. Fourth Dress: Gray shirt, leather leggings, pointed felt hat, and mantle. Fifth Dress: Coat of mail of steel plates sewed on leather, gauntlets of same, and conical steel helmet with nasal guard. Kent.—Parti-coloured shirt, with full sleeves, mantle of green stuff fastened at throat, buskins; gold circlet for the head. Second Dress: Leather shirt, dark cloth neck covering with hood; fleshings, sandals. Third: Shirt of mail and helmet. Edmund.—Dark blue merino shirt, with full sleeves, fleshings and buskins, waist belt and sword. Second Dress: Parti-coloured shirt, gold circlet for the head. Third Dress: Coat of mail of brass plates, and conical brass helmet. Curan and Nobles.—Shirts of various colours, &c. Oswald.—Light blue shirt, sandals, conical cap, waist belt, side pouch of leather, sword, long light hair, and beard.

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Physician.—Long dark gown, with hood, and wide sleeves. Herald.—White shirt, with wide sleeves, white fillet for the hair, and white wand. Fool.—A shirt (rather long) with close sleeves of red and yellow stuff, half the front and back of each colour, a cap of the same, with large red comb made like the comb of a cock, fleshings, and leather leggings fastened with red and yellow gaiters. Officers.—Some with helmets and half mail, swords, spears, and shields. Captain.—Tanned leather helmet and cuirass, with iron bosses. Soldiers.—Conical caps of leather, some with leather shirts, some with iron plates over the shoulders and across the breasts, long hair and hanging moustaches, spears and shields, slings, bows and arrows. Cordelia.—White merino double dress, gold fillet, and hair flowing down the back. Second Dress: Crimson mantle fastened at throat with jewel, small coronet crown. Third: Plain white dress, white face, and livid mark round the throat. Regan. Scarlet tunic over white skirt and sleeves, gold coronet, hair hanging down the back. Goneril.—Purple tunic over yellow skirt and sleeves, gold coronet, and long hair worn flowing behind, large dark veil may be worn after her second scene.

The dresses specified will perhaps be found the most desirable that can readily be adopted; it is impossible to present the characters in the aspect they would have assumed at the time “King Leir” is supposed to have reigned, (800 years before Christ) therefore, a compromise between reality and necessity is unavoidable.

The German coloured Costumes for King Lear (which may be had of the publisher) will be useful and suggestive.—Frank Howard's Spirits of Shakespeare's Plays is also excellent for the appointments and grouping.

T. H. L.

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William Macready [1857], King Lear. A Tragedy, in five acts, by William Shakespeare (Thomas Hailes Lacy [etc.], London) [word count] [S41000].
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