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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene I. [Footnote: Alexandria. A room in Cleopatra's palace. note Enter Demetrius and Philo.

Phi.
'Nay, but this dotage of our general's note
O'erflows note the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn, note
The office and devotion of their view
Upon a tawny front: his captain's note heart,
Which in the scuffles of great fights note hath burst
The buckles on his breast, reneges note all temper,
And is become the bellows and the fan
To cool note a gipsy's lust. Flourish. note Enter Antony, Cleopatra, her Ladies, the Train, with Eunuchs fanning her. note
Look, where they come: note

-- 4 --


Take but good note, and you shall see in him
The triple pillar of the world note transform'd
Into a strumpet's fool note: behold and see.

Cleo.
If it be love indeed, tell me how much.

Ant.
There's beggary in the love that can be reckon'd.

Cleo.
I'll set a bourn how far to be beloved.

Ant.
Then must thou needs find out new heaven, new earth.
Enter an Attendant. note

Att. note
News, my good lord, from Rome. note

Ant.
Grates me: note the sum. note

Cleo.
Nay, hear them, note Antony:
Fulvia perchance is angry; or, who knows
If the scarce-bearded Cæsar have not sent
His powerful mandate to you, ‘Do note this, or this;
Take in that kingdom, and enfranchise that;
Perform't, or else we damn note thee.’

Ant.
How, my love!

Cleo.
Perchance! nay, and most like:
You must not stay here longer, your dismission
Is come from Cæsar; therefore hear it, Antony.
Where's Fulvia's process? Cæsar's I would say? both? note note
Call in the messengers. As I am note Egypt's queen,
Thou blushest, Antony, and that blood of thine
Is Cæsar's homager: else note so thy cheek pays note shame

-- 5 --


When shrill-tongued Fulvia scolds. The messengers! note

Ant.
Let Rome in Tiber melt, and the wide arch
Of the ranged note empire fall! Here is my space.
Kingdoms are clay: our dungy earth alike
Feeds beast as man: the nobleness of life
Is to do thus; when such a mutual pair [Embracing. note
And such a twain can do't, in which I bind,
On note pain of punishment, the world to weet
We stand up peerless.

Cleo. note
Excellent note falsehood!
Why did he marry Fulvia, and not love her?
I'll note seem the fool I am not; Antony
Will be himself. note

Ant.
But stirr'd by Cleopatra.
Now, note for the love of Love and her note soft hours,
Let's not confound the time with conference harsh:
There's not a minute of our lives should stretch
Without some pleasure now. What note sport to-night?

Cleo.
Hear the ambassadors.

Ant.
Fie, wrangling queen!
Whom every thing becomes, to chide, to laugh,
To weep; whose note every passion fully note strives
To make itself, in thee, fair and admired!
No messenger but thine; note and all alone
To-night note we'll wander through the streets and note
The qualities of people. Come, my queen;

-- 6 --


Last night you did desire it. Speak not to us. [Exeunt note Ant. and Cleo. with their train.

Dem.
Is Cæsar with Antonius prized so slight note?

Phi.
Sir, sometimes, when he is not Antony,
He comes too short of that great property
Which still should go with Antony.

Dem.
I am full sorry note
That he approves the common liar, who
Thus speaks of him note at Rome: but I will hope
Of better deeds to-morrow. Rest you happy! note
[Exeunt. note
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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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