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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene II. [Footnote: A room in the castle. note Enter Othello and Emilia.

Oth.
You have seen nothing, then? note

Emil.
Nor ever heard, nor ever did suspect.

Oth.
Yes, note you have seen note Cassio and she note together.

Emil.
But then I saw no harm, and then I heard
Each syllable that breath made up between them note.

Oth.
What, did they never whisper?

Emil.
Never, my lord.

Oth.
Nor note send you out o' the way?

Emil.
Never. note

Oth.
To fetch her fan, her gloves, her mask note, nor nothing? note

Emil.
Never, my lord.

Oth.
That's strange.

Emil.
I durst, my lord, to wager she is honest,
Lay down my soul at stake: if you think other,
Remove your thought; it doth abuse your bosom.
If any wretch have note put this in your head,
Let heaven note requite note it with the serpent's curse!
For if she be not honest, chaste and true,
There's no man happy; the purest of their wives note
Is foul as slander.

Oth.
Bid her come hither: go. [Exit note Emilia.
She says enough: yet she's a simple bawd
That cannot say as much. This is a subtle whore note,

-- 552 --


A closet note lock and key of villanous secrets:
And yet she'll kneel and pray; I have note seen her do't. Enter Desdemona with note Emilia. note

Des.
My lord, what is your will?

Oth.
Pray note, chuck, come hither.

Des.
What is your pleasure?

Oth.
Let me see your eyes;
Look in my face. note

Des.
What horrible fancy's this?

Oth. [To Emilia] note
Some of your function, mistress;
Leave procreants alone and shut the door;
Cough, or cry hem, if any body come:
Your mystery, your mystery: nay note, dispatch.
[Exit Emilia. note

Des.
Upon my knees note, what doth note your speech import?
I understand a fury in your words,
But not the words note.

Oth.
Why, what art thou?

Des.
Your wife, my lord; your true and loyal wife.

Oth.
Come, swear it, damn thyself; note
Lest note, being like one of heaven, the devils themselves
Should fear to seize note thee: therefore be double-damn'd;
Swear thou art honest. note

Des.
Heaven doth truly know it.

Oth.
Heaven truly knows that thou art false as hell. note

-- 553 --

Des.
To whom, my lord? with whom? how am I false? note

Oth.
O Desdemona note! Away! away! away!

Des.
Alas the heavy note day! Why do you weep?
Am I the motive note of these note tears, my lord?
If haply note you my father do suspect
An instrument of this your calling back,
Lay not your blame on me: if you have note lost him,
Why note, I have lost note him too.

Oth.
Had it pleased heaven note
To try me with affliction; had they note rain'd note
All kinds note of sores and shames on my bare head note,
Steep'd me in poverty to the very lips,
Given note to captivity me and my utmost note hopes,
I should have found in some place note of my soul
A drop note of patience: but, alas, to make me
A fixed figure for the time of scorn
To point his slow unmoving finger at! note
Yet could I bear that too; well, very well:
But there, where I have garner'd up my heart,
Where either I must live or bear no life,
The fountain note from the which my current runs,
Or else dries up; to be discarded thence!
Or keep it as a cistern note for foul toads note
To knot and gender in! Turn thy complexion there note,

-- 554 --


Patience, thou note young and rose-lipp'd cherubin,
Ay, there, note look grim as hell!

Des.
I hope note my noble note lord esteems me honest.

Oth.
O, ay; as summer flies note are in the shambles note,
That quicken even with blowing. O thou note weed,
Who note art so lovely fair and note smell'st so sweet
That the sense aches note at thee, would thou hadst ne'er note been born! note

Des.
Alas, what ignorant sin have I committed?

Oth.
Was this fair paper, this most goodly book,
Made to write ‘whore’ upon note? What note committed!
Committed O thou public commoner!
I should make very forges of my note cheeks,
That would to cinders burn up modesty,
Did note I but note speak thy deeds note. What note committed! note
Heaven stops the nose at it, and the moon winks;
The bawdy wind, that kisses all it meets,
Is hush'd within the hollow note mine of earth,
And will not hear it note. What committed! note

-- 555 --


Impudent strumpet! note

Des.
By heaven, you do me wrong.

Oth.
Are not you a strumpet?

Des.
No, as I am a Christian:
If to preserve this vessel for my lord
From any other note foul unlawful touch
Be not to be a strumpet, I am none.

Oth.
What, not a whore?

Des.
No, as I shall be saved.

Oth.
Is't possible?

Des.
O, heaven forgive us note!

Oth.
I cry you mercy then note:
I took you for that cunning whore of Venice note
That married with Othello. [Raising note his voice] You, mistress, note
That have the office opposite to Saint Peter,
And keep note the gate of note hell! Re-enter note Emilia.
You, you, ay, you! note
We have note done our course; there's money for your pains:
I pray you, turn the key, and keep our counsel.
[Exit.

Emil.
Alas, what does this gentleman conceive?
How do you, madam? how do you, my good lady?

Des.
Faith, half asleep.

Emil.
Good madam note, what's the matter with my lord?

-- 556 --

Des.
With who? note

Emil.
Why note, with my lord, madam.

Des.
Who is thy lord?

Emil.
He that is yours, sweet lady. note

Des.
I have note none: do not talk to me, Emilia;
I cannot weep, nor answer note have I none
But what should go by water. Prithee, note to-night
Lay on my bed my wedding note sheets: remember;
And call thy husband hither.

Emil.
Here's note a change indeed!
[Exit.

Des.
'Tis meet I should be used, so, very meet note.
How have I been behaved, that he might stick
The small'st note opinion on note my least misuse note?
Re-enter note Emilia with Iago. note

Iago.
What is your pleasure, madam? How is't with you? note

Des.
I cannot tell. Those that do teach young note babes
Do it with gentle means and easy tasks:
He might have note chid me so; for, in good faith,
I am a child to note chiding.

Iago.
What's note the matter, lady?

Emil.
Alas, Iago, my lord hath so bewhored her,
Thrown such despite and heavy terms upon her,

-- 557 --


As note true hearts cannot bear note.

Des.
Am I that name, Iago?

Iago.
What name, fair lady?

Des.
Such as she says note my lord did say I was.

Emil.
He call'd her whore: a beggar in his drink
Could not have laid note such note terms upon his callat.

Iago.
Why did he so?

Des.
I do not know; I am sure note I am none such.

Iago.
Do not weep, do not weep. Alas the day!

Emil.
Hath note she forsook so many noble matches,
Her father and her country and her friends note,
To be call'd whore? would it not make one weep?

Des.
It is my wretched fortune.

Iago.
Beshrew him for't note!
How comes this trick upon him? note

Des.
Nay, heaven doth know.

Emil.
I will be hang'd, if some eternal villain,
Some busy and insinuating rogue,
Some cogging, cozening slave, to get some office,
Have note not devised this slander; I'll note be hang'd else.

Iago.

Fie, there is no such man; it is impossible.

Des.
If any such there be note, heaven pardon him!

Emil.
A halter pardon him! and hell gnaw his bones!
Why should he call her whore? who keeps her company?
What place? what time? what form? what likelihood? note
The Moor's abused by some most villanous note knave,
Some base notorious knave, some scurvy fellow.
O heaven note, that such companions note thou'ldst note unfold,

-- 558 --


And put in every honest hand a whip
To lash the rascals note naked through the world
Even from the east to the west!

Iago.
Speak within door note.

Emil.
O, fie upon them note! Some such squire he was
That turn'd your wit the seamy side without,
And made you to suspect me with the Moor.

Iago.
You are a fool; go to.

Des.
O good Iago note,
What shall I do to win my lord again?
Good friend, go to him; for note, by this light of heaven, note
I know not how I lost him. Here I kneel: note
If e'er my will did trespass 'gainst his love
Either note in discourse of thought note noteor actual deed,
Or that mine eyes, mine ears, or any sense,
Delighted them in note any other form,
Or that I do not yet, and ever did,
And ever will, though he do shake me off
To beggarly divorcement, love him dearly,
Comfort forswear me! Unkindness note may do much;
And his unkindness may defeat my life,
But never taint my love. I cannot note say ‘whore’:
It doth note abhor me now I speak the word;
To do the act that might the addition earn
Not the world'st mass of vanity could make me. note

Iago.
I pray you, be content; 'tis but his humour:
The business of the state does him offence,
And he does chide with you. note

-- 559 --

Des.
If 'twere no other,— note

Iago.
'Tis note but so, I warrant note. [Trumpets within. note
Hark, how these instruments summon note to supper!
The messengers of Venice stay the meat note:
Go in, and weep not; all things shall be well note. [Exeunt note Desdemona and Emilia. noteEnter Roderigo.
How now, Roderigo!

Rod.

I do not find that thou dealest justly with me. note

Iago.

What in the contrary?

Rod.

Every day thou daffest note me with some device note, Iago; and rather, as it seems to me now, note keepest from me all conveniency than note suppliest me with the least advantage of hope note. I will indeed no longer endure it; nor am I yet persuaded to put up in peace what already I have foolishly suffered. note

Iago.

Will you hear me, Roderigo?

Rod. note

Faith note, I have heard too much; for note your words and performances note are no kin together.

Iago.

You charge me most unjustly.

-- 560 --

Rod.

With nought but truth. note I have wasted myself out of my note means. The jewels you have had from me to deliver to note Desdemona would half have corrupted a votarist: you have told me she hath note received them note and returned me expectations note and comforts note of sudden respect and acquaintance note; but I find none.

Iago.

Well; go to; very well note.

Rod.

Very well! go to! I cannot go to, man; nor 'tis note not very well: by this hand, I say 'tis very scurvy note, and begin to find myself fopped note in it.

Iago.

Very well.

Rod.

I tell you 'tis note not very well. I will make myself known to Desdemona: if she will return me my jewels, I will give over my suit and repent my unlawful solicitation; if not, assure yourself I will note seek satisfaction of you.

Iago.

You have said now. note

Rod.

Ay, and said note nothing but what I protest intendment note of doing.

Iago.

Why, now I see there's mettle in thee; and even from this instant note do build note on thee a better opinion than ever before. Give me thy hand, Roderigo: thou hast taken against me a most just exception note; but yet note, I protest, I have dealt most directly in thy affair note.

Rod.

It hath not appeared.

Iago.

I grant indeed it hath not appeared, and your suspicion is not without wit and judgement. But, Roderigo,

-- 561 --

if thou hast that in thee note indeed, which I have greater reason to believe now than ever, I mean purpose, courage and valour, this night show it: if thou the next night following enjoy note not Desdemona, take me from this world with treachery and devise engines for my life.

Rod.

Well, what is it? note is it within reason and compass?

Iago.

Sir, there is especial note commission note come from Venice to depute Cassio in Othello's place.

Rod.

Is that true? why then Othello and Desdemona return again to Venice.

Iago.

O, no; he goes into Mauritania, and takes note away with him the fair Desdemona, unless his abode be lingered here by some accident: wherein note none can be so determinate as the removing of Cassio.

Rod.

How do you mean, removing of note him?

Iago.

Why, by making note him uncapable note of Othello's place; knocking out his brains. note

Rod.

And that you would have me to do? note

Iago.

Ay, if note you dare do yourself a profit and a right note. He sups to-night with a harlotry note, and thither will I go to him: he knows not yet of his honourable fortune. If you will watch his going thence, which I will fashion to fall out between twelve and one, you may take him at your pleasure: I will be near to second your attempt, and he shall fall between us. Come, stand not amazed at it, but go along with me; I will show you such a necessity in his death that you shall think yourself bound to put it on him. It is now high note supper-time, and the night grows to waste note: about it.

-- 562 --

Rod.

I will hear further reason for this.

Iago.

And you shall be satisfied.

[Exeunt. note note
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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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