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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene I. [Footnote: Venice. A street. note Enter note Roderigo and Iago.

Rod.
Tush, note never tell me; I take it much note unkindly
That thou note, Iago, note who hast note had note my purse
As if the strings were thine, shouldst know of this. note note

Iago.
'Sblood, note but you will note not hear me:
If ever I did dream of such a matter,
Abhor me. note note note

-- 438 --

Rod.
Thou told'st me thou didst hold him in thy hate. note

Iago.
Despise me note, if I do not note. Three great ones of the city,
In personal suit to make me his lieutenant,
Off-capp'd note to him: and, by the faith of man,
I know my price, I am note worth no worse note a place:
But he, as loving his own note pride and purposes note,
Evades them, with a bombast note circumstance
Horribly stuff'd with epithets note of war;
And, in conclusion, note note
Nonsuits my mediators; for note, ‘Certes,’ note says he,
‘I have already note chose note my officer.’
And what was he? note
Forsooth, a great arithmetician note,
One Michael Cassio, a Florentine,
A fellow almost damn'd note in a fair wife note note; note
That never set a squadron in the field,

-- 439 --


Nor the division of a battle knows
More than a spinster; note unless note the bookish note theoric,
Wherein the toged note consuls note can propose
As masterly as he note: mere prattle without practice
Is all note his soldiership. But he, sir, had note the election:
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus note and on other note grounds
Christian note and heathen, must be be-lee'd note and calm'd
By debitor note and creditor: this counter-caster, note
He, in good time, must his lieutenant be,
And I—God bless the mark!— note his Moorship's note ancient.

Rod.
By heaven, I rather would have been his hangman.

Iago.
Why note, there's no remedy; 'tis the curse of service, note note
Preferment goes by letter note and affection,
And not by old note gradation, where each second
Stood heir to the first. Now, sir, be judge yourself note
Whether note I in any just term am affined note
To love the Moor.

Rod.
I would not follow him then.

Iago.
O, sir, content you;
I follow him to serve my turn upon him:
We cannot all be masters, nor all masters

-- 440 --


Cannot be truly follow'd note. You shall mark
Many a duteous and knee-crooking knave,
That doting on his own obsequious bondage
Wears out his time, much like his master's ass,
For nought note but provender, and when note he's old, note note cashier'd: note
Whip me such honest knaves. Others there are
Who, trimm'd in forms and visages note of duty,
Keep yet their hearts attending on themselves,
And throwing but shows of service on their lords note
Do well note thrive by them note, and when they have note lined their coats
Do themselves homage: these note fellows note note have some soul, note
And such a one note do I profess myself.
For, sir, note
It is as sure as you are Roderigo,
Were I the Moor, I would not be Iago:
In following him, I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so, for my peculiar end: note
For when my outward action doth note demonstrate
The native act and figure of my heart
In compliment note extern, 'tis not long after
But I will wear my heart upon my sleeve

-- 441 --


For daws note to peck at: I am not what I am. note note

Rod.
What a full note fortune does the thick-lips note owe,
If he can carry't note thus!

Iago.
Call up her father,
Rouse him: note make after him, poison his delight,
Proclaim him in the streets note; incense her kinsmen,
And, though note he in a fertile climate dwell,
Plague him with flies: though that his joy be joy,
Yet throw such changes note of vexation on't note
As it may lose some colour.

Rod.
Here is her father's house; I'll call aloud.

Iago.
Do; with like timorous note accent and dire yell
As when, by night and negligence, the fire note
Is spied note in populous cities.

Rod.
What, ho, Brabantio! Signior Brabantio, ho!

Iago.
Awake! what, ho, Brabantio! thieves! thieves! thieves! note note
Look to your house, your daughter note and your note bags! note
Thieves! thieves!
Brabantio appears above, at a window.

Bra. note
What is the reason of this terrible summons?
What is the matter there? note

Rod.
Signior, is all your family within?

-- 442 --

Iago.
Are your note doors lock'd? note

Bra.
Why, wherefore ask you this?

Iago.
'Zounds note, sir, you're note robb'd; for shame, put on your gown;
Your heart is burst, you have lost half your soul; note
Even now, now note, very now, an old black ram
Is tupping your white ewe. Arise, arise;
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you:
Arise, I say note. note

Bra.
What, have you lost your wits?

Rod.
Most reverend signior, do you know my voice?

Bra.
Not I: what are you?

Rod.
My name is Roderigo.

Bra.
The worser note welcome:
I have note charged thee not to haunt about my doors:
In honest plainness thou hast heard me say
My daughter is note not for thee; and now, in madness,
Being full of supper and distempering draughts,
Upon malicious bravery note, dost thou come
To start my quiet. note

Rod.
Sir, sir, sir,— note

Bra.
But thou must needs be sure
My spirit note and my place have in them note power
To make this bitter to thee.

Rod.
Patience, good note sir.

Bra.
What tell'st note thou me of robbing? this is Venice;

-- 443 --


My house is not a grange. note

Rod.
Most grave Brabantio,
In simple and pure soul I come to you.

Iago.

'Zounds note, sir, you are none of those that will not serve God, if the devil bid you. Because we come to do you service and you note think we are ruffians, you'll have your daughter covered with a Barbary horse; you'll have your nephews neigh to you; you'll have coursers for cousins, and gennets for germans note.

Bra.

What profane wretch art thou?

Iago.

I am one, sir, that comes note to tell you your daughter and the Moor are now note making the beast with two backs.

Bra.
Thou art a villain.

Iago.
You are—a note senator.

Bra.
This thou shalt answer; note I know thee, Roderigo.

Rod.
Sir, I will answer any thing. But, I beseech note you,
If't be your pleasure and most wise consent,
As partly I find it is, that your fair daughter,
At note this odd-even note note and dull watch o' the night,
Transported note with no worse nor note better guard
But with a knave of common note hire, a gondolier note,
To the gross clasps of a lascivious Moor,—
If this be known to you, and your note allowance,
We then have done you bold and saucy wrongs; note
But if you know not this, my manners tell me

-- 444 --


We have your wrong rebuke. Do not believe
That, from the sense of all civility,
I thus would play and trifle with your reverence:
Your daughter, if you have not given her leave,
I say again, hath made a gross revolt,
Tying her duty, beauty, wit and fortunes,
In note an extravagant and wheeling note note stranger
Of here and note every where. Straight satisfy yourself:
If she be in her note chamber or your house,
Let loose on me the justice of the state
For thus deluding you note.

Bra.
Strike on the tinder, ho!
Give me a taper! call up all my people!
This accident is not unlike my dream:
Belief of it oppresses me already.
Light, I say! light!
[Exit above. note

Iago.
Farewell; for I must leave you:
It seems not meet, nor wholesome to my place note,
To be produced note—as, if I stay, I shall—
Against the Moor: for I do know, the state,
However note this may gall him with some check,
Cannot with safety cast him; for he's note embark'd
With such loud reason to the Cyprus note wars note,
Which even now stand note in act, that, for their souls,
Another of his fathom note they have none note
To lead their business note: in which regard,

-- 445 --


Though I do hate him as I do hell-pains note,
Yet for necessity of present life,
I must show out a flag and sign of love,
Which is indeed but sign. That note you shall surely find note him,
Lead to the Sagittary note the raised search;
And there will I be with him. So farewell. [Exit. noteEnter note, below, Brabantio, in his night-gown, and Servants with torches.

Bra.
It is too true an evil: gone she is;
And what's to come of my despised note time
Is note nought note but bitterness. Now note, Roderigo,
Where didst thou see her? O unhappy girl!
With the Moor, say'st note thou? Who would be a father!
How didst thou know 'twas she? O, she deceives note me
Past thought! What said she to you? Get more note tapers.
Raise all my kindred note. Are they married, think you?

Rod.
Truly, I think they are note.

Bra.
O heaven! How got note she out? O treason of the blood note! note
Fathers, from hence trust not your daughters' minds
By what you see them act. Is note there not charms

-- 446 --


By which the property of youth and maidhood note
May be abused? Have you not read, Roderigo,
Of some such thing? note

Rod.
Yes, sir, I have indeed. note

Bra.
Call up my brother note. O, would note you had had her!
Some one way, some another. Do you know
Where we may apprehend her and the Moor?

Rod.
I think I can discover him, if you please
To get good guard and go along with me.

Bra.
Pray you, lead note on. At every house I'll call;
I may command at most. Get weapons, ho!
And raise some special officers of night note.
On, good Roderigo; I'll note deserve your pains.
[Exeunt. note
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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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