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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene I. [Footnote: A room note in Polonius's house. Enter Polonius and Reynaldo. note

Pol.
Give him this note money and these note notes, Reynaldo note.

Rey.
I will, my lord.

Pol.
You shall do marvellous note wisely, note good Reynaldo note,
Before you visit him, to make inquire note
Of his behaviour.

Rey.
My lord, I did intend it.

Pol.
Marry note, well said, very well said. Look you, sir, note
Inquire me first what Danskers note are in Paris,
And how, and who, what means, and where they keep,
What company, at note what expense, and finding
By this encompassment and drift of question
That they do know my son, come you more nearer
Than note your particular demands will touch it:
Take you, as 'twere, some distant knowledge of him,

-- 45 --


As note thus, ‘I know his father and his friends,
And in part him:’ do you mark this, Reynaldo note?

Rey.
Ay, very well, my lord.

Pol.
‘And in part him; but,’ you may say, ‘not well:
But if't note be he I mean, he's very wild,
Addicted so and so;’ and there put on him
What forgeries you please; marry, none so rank
As may dishonour him; take heed of that;
But, sir, such wanton, wild and usual slips
As are companions noted and most known
To youth and liberty.

Rey.
As gaming, my lord.

Pol.
Ay, or drinking, fencing note, swearing, quarrelling,
Drabbing: you may go so far. note

Rey.
My lord, that would dishonour him.

Pol.
Faith, no note; as you may season it in the charge.
You must not put another note scandal on him,
That note he is open to incontinency;
That's not my meaning: but breathe his faults so quaintly
That they may seem the taints of liberty,
The flash and outbreak of a fiery mind,
A savageness in unreclaimed note blood,
Of general assault. note

Rey.
But, my good lord,— note

Pol.
Wherefore should you do this?

Rey.
Ay, my lord note,
I would know that. note

Pol.
Marry, sir, here's my drift,

-- 46 --


And I believe it is a fetch of warrant note:
You laying these slight sullies note on my son,
As 'twere a thing a little soil'd i' the note working,
Mark you, note
Your party in converse, him note you would note sound, note
Having ever seen in note the prenominate note crimes
The youth you breathe note of guilty, be assured
He closes with you in this consequence note;
‘Good sir,’ or so note, or note ‘friend,’ or ‘gentleman,’
According to the phrase or note the addition note
Of man and country.

Rey.
Very good, my lord.

Pol.

And then, sir, does he this—he does note—what was I about to say? By the mass note, I was about to say something note: where did I leave? note

Rey.

At ‘closes in the consequence,’ at ‘friend or so,’ and ‘gentleman.’ note note

Pol. note
At ‘closes in the consequence,’ ay, marry;
He closes with you thus note: ‘I know the gentleman;

-- 47 --


I saw him yesterday, or t'other note day,
Or then, or then note, with such, or such note, and, as you say,
There was a' note gaming, there note o'ertook note in's rouse,
There note falling out at tennis:’ or perchance,
‘I saw him enter such note a house of sale note,’
Videlicet, a brothel, or so forth.
See you now note;
Your bait of falsehood takes note this carp note of truth:
And thus do we of wisdom and of reach,
With windlasses and with assays note of bias,
By indirections note find directions out:
So, by my former lecture and advice note,
Shall you my son. You have me, have you not?

Rey.
My lord, I have.

Pol.
God be wi' ye note; fare ye note well.

Rey.
Good my lord! note

Pol.
Observe his inclination in note yourself.

Rey.
I shall, my lord.

Pol.
And let him ply his music.

Rey.
Well, my lord.
note

Pol.
Farewell! [Exit Reynaldo. note Enter Ophelia. note
How now, Ophelia! what's the matter?

-- 48 --

Oph.
O, my lord note, my lord, I have been so affrighted!

Pol.
With what, i' the note name of God note?

Oph.
My lord, as I was sewing note in my closet note,
Lord note Hamlet, with his doublet all unbraced,
No hat upon his head, his stockings foul'd note,
Ungarter'd and down-gyved note to his ancle;
Pale as his shirt, his knees knocking each other,
And with a look so piteous in purport
As if he had been loosed out of hell
To speak of horrors, he note comes before me.

Pol.
Mad for thy love?

Oph.
My lord, I do not know,
But truly I do fear it. note

Pol.
What said he?

Oph.
He took me by the wrist and held me hard note;
Then goes he to the length of all his arm,
And with his other hand thus o'er his brow,
He falls to such perusal of my face
As he note would draw it. Long note stay'd he so;
At last, a little shaking of mine note arm,
And thrice his head thus waving up and down,
He raised a sigh so piteous note and profound
As note it did seem to shatter all his bulk
And end his being: that done, note he lets me note go:

-- 49 --


And with his head over his shoulder note turn'd,
He seem'd to find his way without his eyes;
For out o' doors note he went without their helps note,
And to the last bended their light on me.

Pol.
Come note, go with me: I will go seek the king.
This is the very ecstasy of love;
Whose violent property fordoes note itself
And leads the will to desperate undertakings
As oft as any passion note under heaven
That does afflict our natures. I am sorry.
What, have you given him any hard words of late?

Oph.
No, my good lord, but, as you did command,
I did repel his letters and denied
His access to me.

Pol.
That hath made him mad.
I am note sorry that with better heed note and judgement
I had not quoted note him: I fear'd note he did but trifle note
And meant to wreck note thee; but beshrew note my jealousy!
By heaven, note it is as proper to our age
To cast beyond ourselves in our opinions
As it is common for the younger sort
To lack discretion. Come, go we note to the king:
This must be known; which note, being kept close, might move
More grief to hide than hate note to utter love.
Come. note
[Exeunt.

-- 50 --

note
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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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