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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene V. [Footnote: Juliet's chamber. note Enter Nurse. note

Nurse.
Mistress! what, mistress! Juliet! fast, I warrant her, she note:
Why, lamb! why, lady! fie, you slug-a-bed!
Why, love, I say! madam! sweet-heart! why, bride!
What, not a word? you take your pennyworths note now;
Sleep for a week; for the next night, I warrant,
The County Paris hath set up his rest
That you shall note rest but little. God forgive me, note

-- 111 --


Marry, and amen, how sound is she asleep! note
I needs must note wake her. Madam, madam, madam!
Ay, let the county take you in your bed;
He'll fright note you up, i' faith. Will it not be? [Undraws the curtains. note
What, dress'd! and in your clothes! and down again! note
I must needs wake note you. Lady! lady! lady!
Alas, alas! Help, help! my lady's dead!
O, well-a-day note, that ever I was born!
Some aqua-vitæ, ho! My lord! my lady! Enter Lady Capulet. note

La. Cap.
What noise is here?

Nurse.
O lamentable day!

La. Cap.
What is the matter?

Nurse.
Look, look note! O heavy day!

La. Cap.
O me, O me! My child, my only life,
Revive, look up, or I will die with thee.
Help, help! call help.
Enter Capulet. note

Cap.
For shame, bring Juliet forth; her lord is come.

Nurse.
She's dead, deceased, she's dead; alack the day!

La. Cap.
Alack the day, she's dead, she's dead, she's dead! note

Cap.
Ha! let me see her. Out, alas! she's cold;
Her blood is settled and her joints are stiff;
Life and these lips have long been separated.
Death lies on her like an untimely frost

-- 112 --


Upon the sweetest flower of all note the field. note

Nurse.
O lamentable day!

La. Cap.
O woeful time!

Cap.
Death, that hath ta'en her hence to make me wail,
Ties up my tongue and will not let me speak. note
Enter note Friar Laurence and Paris, with Musicians.

Fri. L. note
Come, is the bride ready to go to church?

Cap.
Ready to go, but never to return.
O son, the night before thy note wedding-day
Hath death lain with thy wife note: see note, there she lies,
Flower as she was, deflowered note by him.
Death is my son-in-law, death is my heir;
My daughter he hath wedded: I will die,
And leave him all; life, living, note all is Death's note.

Par.
Have I thought long note to see this morning's face,
And doth it give me such a sight as this?

La. Cap.
Accurst, unhappy, wretched, hateful day!
Most miserable hour that e'er time note saw
In lasting labour of his pilgrimage!
But one, poor one, one poor and note loving note child,
But one thing to rejoice and solace in,
And cruel death hath catch'd note it from my sight!

Nurse.
O woe! O woeful, woeful, woeful day!
Most lamentable day, most woeful day,

-- 113 --


That ever, ever, I did yet behold note!
O day! O day! O day! O hateful day!
Never was seen so black a day as this:
O woeful day, O woeful day!

Par.
Beguiled, divorced, wronged, spited, slain!
Most detestable death, by thee beguiled,
By cruel cruel thee quite overthrown!
O love! O life! not life, but love in death!

Cap.
Despised, distressed, hated, martyr'd, kill'd!
Uncomfortable time, why camest thou now
To murder, murder our solemnity?
O child! O child! my soul, and not my child!
Dead art thou! note Alack, my child is dead;
And with my child my joys are buried note!

Fri. L.
12Q0612Peace, ho, for shame! confusion's cure note lives note not
In these confusions. Heaven and yourself
Had part in this fair maid; now heaven hath all,
And all the better is it for the maid:
Your part in her you could not keep from death;
But heaven keeps his part in eternal life.
The most you sought was her promotion,
For 'twas your heaven she note should be advanced:
And weep ye now, seeing she is advanced
Above the clouds, as high as heaven itself note?
O, in this love, you love your child so ill,
That you run mad, seeing that she is well:
She's not well married that lives married long,
But she's best married that dies married note young note.
Dry up your tears, and stick your rosemary
On this fair corse, and, as the custom is,
In all note her best array bear her to church:

-- 114 --


For though fond note nature bids us all note lament,
Yet nature's tears are reason's merriment.

Cap.
All things that we ordained note festival,
Turn from their office to black funeral:
Our instruments to melancholy bells;
Our wedding cheer to a sad burial note feast;
Our solemn hymns to sullen dirges change;
Our bridal flowers serve for a buried corse,
And all things change them to the contrary.

Fri. L.
Sir, go you in; and, madam, go with him;
And go, Sir Paris; every one prepare
To follow this fair corse unto her grave:
The heavens do lour upon you for some ill;
Move them no more by crossing their high will. note
[Exeunt note Capulet, Lady Capulet, Paris, and Friar. note

First Mus. note
Faith, we may put up our pipes, and be gone.

Nurse.
Honest good fellows, ah, put up, put up;
For, well you know, this is a pitiful note case.
[Exit. note

First Mus. note
Ay, by my note troth, the case may be amended.
noteEnter Peter. note

Pet. note

Musicians, O, musicians, ‘Heart's ease, Heart's note ease:’ O, an you note will have me live, play note ‘Heart's note ease. note

-- 115 --

First Mus. note

Why ‘Heart's ease’?

Pet.

O, musicians, because my heart itself plays ‘My heart is full of woe note:’ O, play me some merry dump, to comfort me. note

First Mus. note

Not a dump we; 'tis no time to play now.

Pet.

You will not then?

First Mus. note

No.

Pet.

I will then give it you soundly.

First Mus.

What will you give us?

Pet.

No money, on my faith, but the gleek; I will give you the minstrel note. note

First Mus.

Then will I give you the serving-creature.

Pet.

Then will I lay note the serving-creature's dagger on your pate. I will carry no crotchets: note I'll re you, I'll fa you; do you note me? note

First Mus.

An note you re us and fa us, you note us.

Sec. Mus.

Pray you, put up your dagger, and put out your wit. note

Pet.

Then have at you with my wit! note I will dry-beat you with an iron wit note, and put up my iron dagger. note Answer me like men:



  ‘When griping grief note the heart doth wound
  And doleful dumps the mind oppress, note

-- 116 --


  Then music with her silver sound’— note

why ‘silver sound’? why ‘music with her silver sound’?— What say you, Simon Catling?

First Mus. note

Marry, sir, because silver hath a sweet sound.

Pet.

Pretty! note What say you, Hugh Rebeck note?

Sec. Mus.

I say, ‘silver sound,’ because musicians sound for silver.

Pet.

Pretty too! note What say you, James Soundpost note?

Third Mus.

Faith, I know not what to say.

Pet.

O, I cry you mercy; you are the singer: I will say for you. It is ‘music with her silver sound,’ because musicians note have no gold note for sounding: note



  ‘Then music with her silver sound
  With speedy help doth lend redress. note[Exit. note

First Mus. note

What a pestilent knave is this same!

Sec. Mus.

Hang him, Jack! note Come, we'll in here; tarry for the mourners, and stay dinner.

[Exeunt. note

-- 117 --

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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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