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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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Scene I. [Footnote: Verona. A public place. note Enter Sampson and Gregory, of the house of Capulet, with swords and bucklers. note

Sam.

Gregory, on note my word, we'll not carry coals.

Gre.

No, for then we should be colliers.

Sam.

I mean, an note we be in choler, we'll draw.

Gre.

Ay, while you live, draw your neck out o' the note collar. note

Sam.

I strike quickly, being moved.

Gre.

But thou art not quickly moved to strike.

Sam.

A dog of the house of Montague moves me.

note

Gre.

To move is to stir, and to be valiant is to stand: therefore, if thou art moved, thou runn'st away.

Sam.

A dog of that house shall move me to stand: note I will take the wall of any man or maid of Montague's note.

Gre.

That shows thee a weak slave note; for the weakest goes to the wall.

Sam.

'Tis true note; and therefore women, being the weaker vessels note, are ever thrust to the wall: therefore I will push

-- 5 --

Montague's men from the wall and thrust his maids to the wall.

Gre.

The quarrel is between our masters and us note their men.

Sam.

'Tis all one, I will show myself a tyrant: when I have fought with the men, I will be cruel note with the maids; I will cut note off their heads.

Gre.

The heads of the maids? note

Sam.

Ay, the heads of the maids, or their note maidenheads; take it in what sense thou wilt.

Gre.

They must take it in note sense that feel it.

Sam.

Me they shall feel while I am able to stand: and 'tis known I am a pretty piece of flesh note.

Gre.

'Tis well thou art not fish; if thou hadst, thou hadst been poor John. Draw thy tool; here comes two of note the house of note Montagues.

Enter note Abraham and Balthasar.

Sam.

My naked weapon is out: quarrel; I will back thee.

Gre.

How! turn thy back and run? note

Sam.

Fear me not.

Gre.

No, marry; I fear thee! note

Sam.

Let us take the law of our sides; let them begin.

Gre.

I will frown as I pass by, and let them take it as they list.

Sam.

Nay, as they dare. I will bite my thumb at them; which is a note disgrace to them, if they bear it.

Abr.

Do you bite your thumb at us, sir?

-- 6 --

Sam.

I do bite my thumb, sir.

Abr.

Do you bite your thumb at us, sir?

Sam. [Aside note to Gre.]

Is the law of note our side, if I say ay?

Gre.

No.

Sam.

No, sir, I do not bite my thumb at you, sir; but I bite my thumb, sir.

Gre.

Do you quarrel, sir?

Abr.

Quarrel, sir! no, note sir.

Sam.

But if note you do, sir, I am for you: I serve as good a man as you.

Abr.

No better. note

Sam.

Well, sir.

Enter note Benvolio.

Gre. [Aside note to Sam.]

Say ‘better’: here comes one of my master's kinsmen.

Sam.

Yes, better, sir note.

Abr.

You lie.

Sam.

Draw, if you be men. Gregory, remember thy swashing note blow.

[They fight.

Ben.

Part, fools!

[Beating down their weapons. note

Put up your swords; you know not what you do. note

Enter Tybalt.

Tyb.
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio, look upon thy death. note

Ben.
I do but keep the peace: put up thy sword,

-- 7 --


Or manage it to part these men with me.

Tyb.
What, drawn note, and talk of peace! I hate the word,
As I hate hell, all Montagues, and thee:
Have at thee note, coward!
[They fight. note Enter note several of both houses, who join the fray; then enter Citizens and Peace-officers, with clubs.

First Off. note
Clubs, bills, and partisans! strike! beat them down!
Down note with the Capulets! down with the Montagues!
Enter old Capulet in his gown, and Lady Capulet. note

Cap.
What noise is this? Give me my long sword, ho!

La. Cap. note
A crutch note, a crutch! why call you for a sword?

Cap.
My sword note, I say! Old Montague is come,
And flourishes his blade in spite of me.
Enter old Montague and Lady Montague. note

Mon.
Thou villain Capulet!—Hold note me not, let me go note.

La. Mon. note
Thou shalt not stir one note foot to seek a foe.
Enter Prince Escalus, note with his train.

Prin.
Rebellious subjects, enemies to peace,
Profaners of this neighbour-stained steel,— note

-- 8 --


Will they not hear? What, ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins,
On pain of torture, from those note bloody hands note
Throw your mistemper'd note weapons to the ground,
And hear the sentence of your moved prince.
Three civil brawls note, bred of an airy note word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the quiet of our streets,
And made note Verona's note ancient citizens
Cast by their grave beseeming note ornaments note,
To wield old partisans, in hands as old,
Canker'd with peace, to part your note canker'd hate note note:
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time, all the rest depart away:
You, Capulet, shall go along with me;
And, Montague, come you this afternoon,
To know our farther note pleasure in this case,
To old Free-town, our common judgement-place.
Once more, on pain of death, all men depart. [Exeunt note all but Montague, Lady Montague, and Benvolio. note

Mon. note
Who set this ancient quarrel new abroach?
Speak, nephew, were you by when it began?

Ben.
Here were the servants of your adversary
And yours close fighting ere I did approach:

-- 9 --


I drew to part them: in the instant came
The fiery Tybalt, with his sword prepared;
Which, as he breathed defiance to my ears,
He swung note about his head, and cut the winds,
Who, nothing hurt withal, hiss'd note him in scorn note:
While we were interchanging thrusts note and blows,
Came more and more, and fought on part and part,
Till the prince came, who parted either part note.

La. Mon. note
O, where is Romeo? saw you him to-day? note
Right glad I am note he was not at this fray.

Ben.
Madam, an hour before the worshipp'd sun
Peer'd forth the golden window of the east,
A troubled mind drave note me to walk abroad note;
Where, underneath the grove of sycamore note
That westward rooteth from the city's note side,
So early walking did I see your son:
Towards him I made; but he was ware of me,
And stole into the covert of the wood:
I, measuring his affections by my own,
Which then most sought where most might not be found note,
Being one too many by my weary self note,
Pursued my humour note, not pursuing his note,
And gladly shunn'd note who note gladly fled from me.

Mon.
Many a morning hath he there been seen,

-- 10 --


With tears augmenting the fresh morning's note dew,
Adding to clouds more clouds with his deep sighs note:
But all so soon as the all-cheering sun
Should note in the farthest east begin to draw
The shady curtains from Aurora's bed,
Away from light steals home my heavy son,
And private in his chamber pens himself,
Shuts up his windows, locks fair daylight out
And makes himself an artificial night:
Black and portentous note must this humour prove,
Unless good counsel may the cause remove.

Ben.
My noble uncle, do you know the cause?

Mon.
I neither know it nor can learn note of him.

Ben.
Have you importuned him by any means?

Mon.
Both by myself and many other note friends:
But he, his note own affections' counsellor,
Is to himself—I will not say how true—
But to himself so secret and so close,
So far from sounding and discovery, note
As is the bud bit with an envious worm,
Ere he can spread his sweet leaves to the air,
Or dedicate his beauty to the sun note.
Could we but learn from whence his sorrows grow,
We would as willingly give cure as know.
Enter Romeo. note

Ben.
See, where he comes: so please you, step aside;
I'll know his grievance, or be much denied.

Mon.
I would thou wert so happy by thy stay,
To hear true shrift. Come, madam, let's away.
[Exeunt note Montague and Lady.

-- 11 --

Ben.
Good morrow, cousin.

Rom.
Is the day so young?

Ben.
But new struck note nine.

Rom.
Ay note me! sad hours seem long.
Was that my father that went hence note so fast?

Ben.
It was. What sadness lengthens Romeo's hours?

Rom.
Not having that which, having, makes them short.

Ben.
In love? note

Rom.
Out— note

Ben.
Of love? note

Rom.
Out of her favour, where I am in love.

Ben.
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!

Rom.
Alas, that love, whose view is muffled still,
Should without eyes see pathways to his will note note!
Where shall we dine? O me! What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love:
Why, then, O brawling love! O loving hate!
O any thing, of nothing first create note!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming note forms!
Feather of lead, bright smoke, cold fire, sick health note!
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?

Ben.
No, coz, I rather weep.

Rom.
Good heart, at what?

Ben.
At thy good heart's oppression.

Rom.
Why, such is note love's transgression note.

-- 12 --


Griefs of mine note own lie heavy in my breast;
Which thou wilt propagate, to have it note prest
With more of thine: this love that thou hast shown
Doth add more grief to too note much of mine own.
Love is a smoke raised note with the fume of sighs;
Being purged note, a fire sparkling note in lovers' eyes; note note
Being vex'd, a sea nourish'd with lovers' note tears:
What is it else? a madness most discreet note,
A choking gall and a preserving sweet.
Farewell, my coz note.

Ben.
Soft! I will note go along:
An note if you leave me so, you do me wrong.

Rom.
Tut note, I have lost myself; I am not here;
This is not Romeo, he's some other where.

Ben.
Tell me in sadness, who is that note you love.

Rom.
What, shall I groan and tell thee?

Ben.
Groan! why, no;
But sadly tell me who note note.

Rom.
Bid a sick man in sadness make note his will:
Ah, word note ill urged to one that is so ill!
In sadness, cousin, I do love a woman.

Ben.
I aim'd so near when I supposed you loved.

-- 13 --

Rom.
A right good mark-man note! And she's fair I love.

Ben.
A right fair mark, fair coz, is soonest hit.

Rom.
Well note, in that hit you miss: she'll not be hit
With Cupid's arrow; she hath Dian's wit,
And in strong proof of chastity well arm'd,
From love's weak childish bow she lives unharm'd note note.
She will not stay the siege of loving terms,
Nor bide note the encounter of assailing eyes,
Nor ope note her lap to saint-seducing note gold:
O, she is rich in beauty, only poor
That, when she note dies, with beauty dies her store note.

Ben.
Then she hath sworn that she will still live chaste?

Rom.
She hath, and in that sparing makes note huge waste;
For beauty, starved note with her severity,
Cuts beauty off from all posterity.
She is too note fair, too wise, wisely too note fair,
To merit bliss by making me despair:
She hath forsworn to love; and in that vow
Do I live dead, that live to tell it now.

Ben.
Be ruled by me, forget to think of her.

Rom.
O, teach me how I should forget to think.

Ben. note
By giving liberty unto thine eyes;
Examine other beauties.

Rom.
'Tis the way
To call hers, exquisite, in question note more note:
These note happy masks that kiss fair ladies' brows,
Being black, put note us in mind they hide the fair;

-- 14 --


He that is strucken note blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What note doth her beauty serve but as note a note
Where I may read who pass'd that passing fair? note
Farewell: thou canst not teach me to forget.

Ben.
I'll pay that doctrine, or else die in debt.
[Exeunt. note
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William Aldis Wright [1863–1866], The works of William Shakespeare edited by William George Clark... and John Glover [and William Aldis Wright] (Macmillan and Co., London) [word count] [S10701].
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