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Samuel Johnson [1778], The plays of William Shakspeare. In ten volumes. With the corrections and illustrations of various commentators; to which are added notes by Samuel Johnson and George Steevens. The second edition, Revised and Augmented (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10901].
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ACT II. SCENE I. The Street. Enter Antonio and Sebastian.

Ant.

Will you stay no longer? nor will you not, that I go with you?

Seb.

By your patience, no: my stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave, that I may bear my evils alone: It were a bad recompence for your love, to lay any of them on you.

Ant.

Let me yet know of you, whither you are bound.

Seb.

No, in sooth, sir; my determinate voyage is meer extravagancy. But I perceive in you so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather 8 noteto express myself: You must know of me then, Antonio, my name is Sebastian, which I call'd Rodorigo; my father was that Sebastian of Messaline9 note
, whom I know, you have

-- 184 --

heard of: he left behind him, myself, and a sister, both born in an hour; If the heavens had been pleas'd, would we had so ended! but you, sir, alter'd that; for, some hour before you took me from the breach of the sea, was my sister drown'd.

Ant.

Alas, the day!

Seb.

A lady, sir, though it was said she much resembled me, was yet of many accounted beautiful: but, though I could not, 1 note

note, in his hymn on the Nativity. Malone.

with such estimable wonder, over-far believe that, yet thus far I will boldly publish her, she bore a mind that envy could not but call fair: she is drown'd already, sir, with salt water, though I seem to drown her remembrance again with more.

Ant.

Pardon me, sir, your bad entertainment.

Seb.

O good Antonio, forgive me your trouble.

Ant.

If you will not murther me for my love, let me be your servant.

Seb.

If you will not undo what you have done, that is, kill him whom you have recover'd, desire it not. Fare ye well at once: my bosom is full of kindness; and I am yet so near the manners of my mother, that upon the least occasion more, mine eyes will tell tales of me. I am bound to the count Orsino's court: farewel.

[Exit.

-- 185 --

Ant.
The gentleness of all the gods go with thee!
I have many enemies in Orsino's court,
Else would I very shortly see thee there:
But, come what may, I do adore thee so,
That danger shall seem sport, and I will go.
[Exit. SCENE II. Enter Viola and Malvolio, at several doors.

Mal.

Were not you even now with the countess Olivia?

Vio.

Even now, sir; on a moderate pace I have since arrived but hither.

Mal.

She returns this ring to you, sir; you might have saved me my pains, to have taken it away yourself. She adds moreover, that you should put your lord into a desperate assurance she will none of him: And one thing more; that you be never so hardy to come again in his affairs, unless it be to report your lord's taking of this. Receive it so.

Vio.

She took the ring of me, I'll none of it.

Mal.

Come, sir, you peevishly threw it to her; and her will is, it should be so return'd; if it be worth stooping for, there it lies in your eye; if not, be it his that finds it.

[Exit.

Vio.
I left no ring with her: What means this lady?
Fortune forbid, my outside have not charm'd her!
She made good view of me; indeed so much,
That, sure2 note, methought 3 note


her eyes had lost her tongue,

-- 186 --


For she did speak in starts distractedly.
She loves me, sure; the cunning of her passion
Invites me in this churlish messenger.
None of my lord's ring! why, he sent her none.
I am the man;—If it be so, (as 'tis)
Poor lady, she were better love a dream.
Disguise, I see, thou art a wickedness,
Wherein 4 note

the pregnant enemy does much.
How easy is it, for the proper false5 note








-- 187 --


In women's waxen hearts to set their forms!
Alas, our frailty6 note is the cause, not we;
For, such as we are made, if such we be.
How will this fadge7 note








? My master loves her dearly;
And I, poor monster, fond as much on him;
And she, mistaken, seems to dote on me:
What will become of this? As I am man,
My state is desperate for my master's love;
As I am woman, now alas the day!
What thriftless sighs shall poor Olivia breathe?
O time, thou must untangle this, not I;
It is too hard a knot for me to untye. [Exit. SCENE III. Olivia's house. Enter Sir Toby, and Sir Andrew.

Sir To.

Approach, sir Andrew: not to be a-bed after midnight, is to be up betimes; and dilucuh surgere, thou know'st,—

-- 188 --

Sir And.

Nay, by my troth, I know not: but I know, to be up late, is to be up late.

Sir To.

A false conclusion; I hate it as an unfill'd can: To be up after midnight, and to go to bed then, is early; so that, to go to bed after midnight, is to go to bed betimes. Does not our life consist of the four elements?

Sir And.

'Faith, so they say; but, 8 noteI think, it rather consists of eating and drinking.

Sir To.

Thou art a scholar; let us therefore eat and drink.—Marian, I say!—a stoop9 note
of wine!

Enter Clown.

Sir And.

Here comes the fool, i'faith.

Clo.

How now, my hearts? Did you never see the picture of we three?

Sir To.

Welcome, ass. Now let's have a catch.

Sir And.

1 note













By my troth, the fool has an excellent

-- 189 --

breast. 9Q0429 I had rather than forty shillings I had such a leg; and so sweet a breath to sing, as the fool has. In sooth, thou wast in very gracious fooling last night, when thou spok'st of Pigrogromitus, of the Vapians passing the equinoctial of Queubus; 'twas very good, i'faith. I sent thee six-pence for thy leman; Had'st it2 note













?

-- 190 --

Clo.

3 note

I did impeticoat thy gratuity 9Q0430; for Malvolio's nose is no whip-stock: My lady has a white hand, and he Myrmidons are no bottle-ale houses.

Sir And.

Excellent! Why, this is the best fooling, when all is done. Now, a song.

Sir To.

Come on; there is six-pence for you: let's have a song.

Sir And.

There's a testril of me too: if one knight give a—

Clo.

Would you have a love-song, or a song of good life4 note?

-- 191 --

Sir To.

A love-song, a love-song.

Sir And.

Ay, ay; I care not for good life.


Clown sings.
O mistress mine, where are you roaming?
O, stay and hear; your true love's coming,
  That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers' meeting,
  Every wise man's son doth know.

Sir And.

Excellent good, i'faith!

Sir To.

Good, good.


Clo.
What is love? 'tis not hereafter;
Present mirth hath present laughter;
  What's to come, is still unsure:
5 note




In delay there lies no plenty;
6 note





Then come kiss me, sweet and twenty,
  Youth's a stuff will not endure.

-- 192 --

Sir And.

A mellifluous voice, as I am a true knight.

Sir To.

A contagious breath.

Sir And.

Very sweet and contagious, i'faith.

Sir To.

To hear by the nose, it is dulcet in contagion. But shall we 7 note



make the welkin dance indeed? Shall we rouze the night-owl in a catch, that will 8 note

draw three souls out of one weaver? shall we do
that?

-- 193 --

Sir And.

An you love me, let's do't: I am a dog at a catch.

Clo.

By'r lady, sir, and some dogs will catch well.

Sir And.

Most certain: let our catch be, Thou knave.

Clo.

Hold thy peace, thou knave, knight? I shall be constrain'd in't to call thee knave, knight.

Sir And.

'Tis not the first time I have constrain'd one to call me knave. Begin, fool; it begins, Hold thy peace.

Clo.

I shall never begin, if I hold my peace.

Sir And.

Good, i'faith! come, begin.

[They sing a catch9 note

[unresolved image link]

. Enter Maria.

Mar.

What a catterwauling do you keep here? If my lady have not call'd up her steward, Malvolio, and bid him turn you out of doors, never trust me.

-- 194 --

Sir To.

My lady's a Cataian1 note
, we are politicians;
Malvolio's a 2 note

[unresolved image link]





















Peg-a-Ramsey, and Three merry men be we.

-- 195 --

Am not I consanguineous? am I not of her blood? Tilly valley3 note







, lady! There dwelt a man in Babylon4 note
, lady
, lady!

[Singing.

-- 196 --

Clo.

Beshrew me, the knight's in admirable fooling.

Sir And.

Ay, he does well enough, if he be dispos'd, and so do I too; he does it with a better grace, but I do it more natural.

Sir To.

O, the twelfth day of December,—

[Singing.

Mar.

For the love o'God, peace.

Enter Malvolio.

Mal.

My masters, are you mad? or what are you? Have you no wit, manners, nor honesty, but to gabble

-- 197 --

like tinkers at this time of night? Do ye make an ale-house of my lady's house, that ye squeak out your 5 note



coziers' catches without any mitigation or remorse of voice? Is there no respect of place, persons, nor time in you?

Sir To.

We did keep time, sir, in our catches. Sneck up6 note







!

Mal.

Sir Toby, I must be round with you. My lady bade me tell you, that, though she harbours you as her kinsman, she's nothing ally'd to your disorders. If you can separate yourself and your misdemeanors,

-- 198 --

you are welcome to the house; if not, an it would please you to take leave of her, she is very willing to bid you farewel.


Sir To.

7 noteFarewel, dear heart, since I must needs be gone.

Mal.

Nay, good sir Toby.


Clo.
His eyes do shew his days are almost done.

Mal.

Is't even so?


Sir To.
But I will never die.

Clo.

Sir Toby, there you lie.

Mal.

This is much credit to you.


Sir To.
Shall I bid him go? [Singing. Clo.
What an if you do? Sir To.
Shall I bid him go, and spare not? Clo.
O no, no, no, no, you dare not.

Sir To.

Out o'tune, sir, ye lie.—Art any more than a steward? 8 noteDost thou think, because thou art virtuous, there shall be no more cakes and ale?

Clo.

Yes, by Saint Anne; and ginger shall be hot i'the mouth too.

Sir To.

Thou'rt i'the right.—Go, sir, rub your chain with crums9 note







:—A stoop of wine, Maria!—

-- 199 --

Mal.

Mistress Mary, if you priz'd my lady's favour at any thing more than contempt, you would not give means for this uncivil rule1 note






; she shall know of it, by this hand.

[Exit.

Mar.

Go shake your ears.

Sir And.

'Twere as good a deed, as to drink when a man's a hungry, to challenge him to the field; and

-- 200 --

then to break promise with him, and make a fool of him.

Sir To.

Do't, knight; I'll write thee a challenge; or I'll deliver thy indignation to him by word of mouth.

Mar.

Sweet sir Toby, be patient for to night; since the youth of the count's was to-day with my lady, she is much out of quiet. For monsieur Malvolio, let me alone with him: if I do not gull him into a nayword2 note, and make him a common recreation, do not think I have wit enough to lie straight in my bed: I know, I can do it.

Sir To.

Possess us3 note, possess us; tell us something of him.

Mar.

Marry, sir, sometimes he is a kind of puritan.

Sir And.

O, if I thought that, I'd beat him like a dog.

Sir To.

What, for being a puritan? thy exquisite reason, dear knight?

Sir And.

I have no exquisite reason for't, but I have reason good enough.

Mar.

The devil a puritan that he is, or any thing constantly but a time-pleaser; 4 note

an affection'd ass, that cons state without book, and utters it by great swarths: the best persuaded of himself, so cram'd, as he thinks, with excellencies, that it is his ground of faith, that all, that look on him, love him; and on that vice in him will my revenge find notable cause to work.

-- 201 --

Sir To.

What wilt thou do?

Mar.

I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated: I can write very like my lady, your niece; on a forgotten matter we can hardly make distinction of our hands.

Sir To.

Excellent! I smell a device.

Sir And.

I have't in my nose too.

Sir To.

He shall think, by the letters that thou wilt drop, that they come from my niece, and that she is in love with him.

Mar.

My purpose is, indeed, a horse of that colour.

Sir And.

And your horse now would make him an ass5 note.

Mar.

Ass, I doubt not.

Sir And.

O, 'twill be admirable.

Mar.

Sport royal, I warrant you: I know, my physick will work with him. I will plant you two, and let the fool make a third, where he shall find the letter; observe his construction of it. For this night, to bed, and dream on the event. Farewel.

[Exit.

Sir To.

Good night, Penthesilea6 note.

Sir And.

Before me, she's a good wench.

Sir To.

She's a beagle, true-bred, and one that adores me; What o'that?

Sir And.

I was ador'd once too.

Sir To.

Let's to-bed, knight.—Thou had'st need send for more money.

-- 202 --

Sir And.

If I cannot recover your niece, I am a foul way out.

Sir To.

Send for money, knight; if thou hast her not i'the end, call me Cut7 note


.

Sir And.

If I do not, never trust me, take it how you will.

Sir To.

Come, come; I'll go burn some sack, 'tis too late to go to bed now: come, knight; come knight.

[Exeunt. SCENE IV. The Duke's Palace. Enter Duke, Viola, Curio, and others.

Duke.
Give me some music:—Now, good morrow, friends:—
Now, good Cesario, but that piece of song,
That old and antique song we heard last night:
Methought, it did relieve my passion much;
More than light airs, and recollected8 note

terms,

-- 203 --


Of these most brisk and giddy-paced times:—
Come, but one verse.

Cur.

He is not here, so please your lordship, that should sing it.

Duke.

Who was it?

Cur.

Feste, the jester, my lord; a fool, that the lady Olivia's father took much delight in: he is about the house.

Duke.
Seek him out, and play the tune the while. [Exit Curio. [Musick.
Come hither, boy; If ever thou shalt love,
In the sweet pangs of it, remember me:
For, such as I am, all true lovers are;
Unstaid and skittish in all motions else,
Save, in the constant image of the creature
That is belov'd.—How dost thou like this tune?

Vio.
It gives a very echo to the seat
Where love is thron'd.

Duke.
Thou dost speak masterly:
My life upon't, young though thou art, thine eye
Hath stay'd upon some favour that it loves;
Hath it not, boy?

Vio.
A little, by your favour9 note.

Duke.
What kind of woman is't?

Vio.
Of your complexion.

Duke.
She is not worth thee then. What years, i'faith?

Vio.
About your years, my lord.

Duke.
Too old, by heaven; Let still the woman take
An elder than herself; so wears she to him,
So sways she level in her husband's heart.
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,

-- 204 --


More longing, wavering, sooner lost and worn1 note,
Than women's are.

Vio.
I think it well, my lord.

Duke.
Then let thy love be younger than thyself,
Or thy affection cannot hold the bent:
For women are as roses; whose fair flower,
Being once display'd, doth fall that very hour.

Vio.
And so they are: alas, that they are so;
To die, even when they to perfection grow!
Re-enter Curio, and Clown.

Duke.
O fellow, come, the song we had last night:—
Mark it, Cesario; it is old, and plain:
The spinsters and the knitters in the sun,
And the free2 note maids that weave their thread with bones,
Do use to chaunt it; it is silly sooth3 note,
And dallies with the innocence of love4 note



,
Like the old age5 note.

Clo.

Are you ready, sir?

Duke.

Ay; pr'ythee, sing.

[Musick.

-- 205 --


SONG.
  Come away, come away, death,
And in sad cypress let me be laid;
  Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shrowd of white, stuck all with yew,
    O, prepare it;
My part of death no one so true
    Did share it6 note
.

  Not a flower, not a flower sweet,
On my black coffin let there be strown;
  Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
    Lay me, O! where
Sad true-love never find my grave,
    To weep there.

Duke.

There's for thy pains.

Clo.

No pains, sir; I take pleasure in singing, sir.

Duke.

I'll pay thy pleasure then.

Clo.

Truly, sir, and pleasure will be paid, one time or other.

Duke.

Give me now leave to leave thee.

Clo.

Now, the melancholy god protect thee; and the taylor make thy doublet of changeable taffata, for thy mind is a very opal7 note






!—I would have men of such

-- 206 --

constancy put to sea, 8 note

that their business might be every thing, and their intent every where; for that's it, that always makes a good voyage of nothing.— Farewel.

[Exit.

Duke.
Let all the rest give place.— [Exeunt.
Once more, Cesario,
Get thee to yon same sovereign cruelty:
Tell her, my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow'd upon her,
Tell her, I hold as giddily as fortune;
9 note



But 'tis that miracle, and queen of gems,
That nature pranks her in, attracts my soul.

-- 207 --

Vio.
But, if she cannot love you, sir?—

Duke.
I cannot be so answer'd1 note.

Vio.
'Sooth, but you must.
Say, that some lady, as, perhaps, there is,
Hath for your love as great a pang of heart
As you have for Olivia: you cannot love her;
You tell her so; Must she not then be answer'd?

Duke.
There is no woman's sides,
Can bide the beating of so strong a passion,
As love doth give my heart: no woman's heart
So big, to hold so much; they lack retention.
Alas, their love may be call'd appetite,—
No motion of the liver, but the palate,—
That suffer surfeit, cloyment, and revolt;
But mine is all as hungry as the sea,
And can digest as much: make no compare
Between that love a woman can bear me,
And that I owe Olivia.

Vio.
Ay, but I know,—

Duke.
What dost thou know?

Vio.
Too well what love women to men may owe:
In faith, they are as true of heart as we.
My father had a daughter lov'd a man,
As it might be, perhaps, were I a woman,
I should your lordship.

Duke.
And what's her history?

Vio.
A blank, my lord: She never told her love,

-- 208 --


But let concealment, like a worm i'the bud2 note

,
Feed on her damask cheek: she pin'd in thought;
And, with a green and yellow melancholy,
3 note











She sat like patience on a monument,
Smiling at grief. Was not this love, indeed?

-- 209 --


We men may say more, swear more: but, indeed,
Our shows are more than will; for still we prove
Much in our vows, but little in our love.

Duke.
But dy'd thy sister of her love, my boy?

Vio.
I am all the daughters of my father's house4 note



,

-- 210 --


And all the brothers too;—and yet I know not:—
Sir, shall I to this lady?

Duke.
Ay, that's the theme.
To her in haste; give her this jewel; say,
My love can give no place, bide no denay5 note

.
[Exeunt. SCENE V. Olivia's garden. Enter Sir Toby, Sir Andrew, and Fabian.

Sir To.

Come thy ways, signior Fabian.

Fab.

Nay, I'll come; if I lose a scruple of this sport, let me be boil'd to death with melancholy.

Sir To.

Would'st thou not be glad to have the niggardly rascally sheep-biter come by some notable shame?

Fab.

I would exult, man: you know, he brought me out of favour with my lady, about a bear-baiting here.

Sir To.

To anger him, we'll have the bear again; and we will fool him black and blue: Shall we not, sir Andrew?

Sir And.

An we do not, it is pity of our lives.

Enter Maria.

Sir To.

Here comes the little villain:—How now, my nettle of India6 note

?

-- 211 --

Mar.

Get ye all three into the box-tree: Malvolio's coming down this walk; he has been yonder i'the sun, practising behaviour to his own shadow, this half hour: observe him, for the love of mockery; for, I know, this letter will make a contemplative ideot of him. Close, in the name of jesting! Lie thou there; for here comes the trout that must be caught with tickling.

[They hide themselves. Maria throws down a letter, and Exit. Enter Malvolio.

Mal.

'Tis but fortune; all is fortune. Maria once told me, she did affect me; and I have heard herself come thus near, that, should she fancy, it should be one of my complexion. Besides, she uses me with a more exalted respect, than any one else that follows her. What should I think on't?

Sir To.

Here's an over-weening rogue!

Fab.

O, peace! Contemplation makes a rare turkey-cock

-- 212 --

of him; how he jets7 note




under his advanc'd plumes!

Sir And.

'Slight, I could so beat the rogue:—

Sir To.

Peace, I say.

Mal.

To be count Malvolio;—

Sir To.

Ah, rogue!

Sir And.

Pistol him, pistol him.

Sir To.

Peace, peace!

Mal.

There is example for't; 8 note

the lady of the strachy married the yeoman of the wardrobe.

-- 213 --

Sir And.

Fie on him, Jezebel!

Fab.

O, peace! now he's deeply in; look, how imagination blows him9 note

.

Mal.

Having been three months married to her, sitting in my state,—

Sir To.

1 note




O for a stone-bow, to hit him in the eye!

Mal.

Calling my officers about me, in my branch'd velvet gown; having come from a day-bed2 note



, where
I have left Olivia sleeping.

Sir To.

Fire and brimstone!

-- 214 --

Fab.

O, peace, peace!

Mal.

And then to have the humour of state: and after a demure travel of regard,—telling them, I know my place, as I would they should do theirs,—to ask for my kinsman Toby:—

Sir To.

Bolts and shackles!

Fab.

O, peace, peace, peace! now, now.

Mal.

Seven of my people, with an obedient start, make out for him: I frown the while; and, perchance, wind up my watch3 note







, or play with some rich jewel. 9Q0433 Toby approaches; curtsies there to me:

Sir To.

Shall this fellow live?

Fab.

Though our silence be drawn from us with cars, yet peace4 note


.

-- 215 --

Mal.

I extend my hand to him thus, quenching my familiar smile with an austere regard of controul:

Sir To.

And does not Toby take you a blow o'the lips then?

Mal.

Saying, Cousin Toby, my fortunes having cast me on your niece, give me this prerogative of speech;—

Sir To.

What, what?

Mal.

You must amend your drunkenness.

Sir To.

Out, scab!

Fab.

Nay, patience, or we break the sinews of our plot.

Mal.

Besides, you waste the treasure of your time with a foolish knight;

Sir And.

That's me, I warrant you.

Mal.

One Sir Andrew;—

Sir And.

I knew, 'twas I; for many do call me fool.

Mal.

What employment have we here5 note


?

[Taking up the letter.

Fab.

Now is the woodcock near the gin.

Sir To.

Oh peace! and the spirit of humours intimate reading aloud to him!

Mal.

By my life, this is my lady's hand: these be her very C's, her U's, and her T's; and thus makes she her great P's6 note

. It is, in contempt of question, her hand.

-- 216 --

Sir And.

Her C's, her U's, and her T's: Why that?

Mal.

To the unknown belov'd, this, and my good wishes: her very phrases!—By your leave, wax.— Soft! and the impressure her Lucrece, with which she uses to seal: 'tis my lady: To whom should this be?

Fab.

This wins him, liver and all.

Mal.

Jove knows, I love:
  But who?
Lips do not move,
No man must know.

No man must know.—What follows? the numbers alter'd—No man must know:—if this should be thee, Malvolio?

Sir To.

Marry, hang thee, brock7 note!


Mal.
I may command, where I adore:
  But silence, like a Lucrece knife,
With bloodless stroke my heart doth gore;
  M. O. A. I. doth sway my life.

Fab.

A fustian riddle!

Sir To.

Excellent wench, say I.

Mal.

M. O. A. I. doth sway my life.—Nay, but first, let me see,—let me see,—let me see.

Fab.

What a dish of poison has she dress'd him!

Sir To.

And with what wing the 8 note

stannyel checks at it!

-- 217 --

Mal.

I may command where I adore. Why, she may command me; I serve her, she is my lady. Why, this is evident to any 9 note



formal capacity. There is no obstruction in this;—And the end;—What should that alphabetical position portend? if I could make that resemble something in me,—Softly;—M. O. A. I.

Sir To.

O, ay! make up that: he is now at a cold scent.

Fab.

Sowter1 note


will cry upon't, for all this, though it be as rank as a fox2 note.

Mal.

M,—Malvolio;—M,—why, that begins my name.

Fab.

Did not I say, he would work it out? the cur is excellent at faults.

Mal.

M,—But then there is no consonancy in the sequel; that suffers under probation: A should follow, but O does.

Fab.

And O shall end, I hope3 note






.

-- 218 --

Sir To.

Ay, or I'll cudgel him, and make him cry, O.

Mal.

And then I comes behind.

Fab.

Ay, an you had an eye behind you, you might see more detraction at your heels, than fortunes before you.

Mal.

M. O. A. I.—This simulation is not as the former:—and yet, to crush this a little, it would bow to me, for every one of these letters is in my name. Soft; here follows prose.—If this fall into thy hand, revolve. In my stars I am above thee; but be not afraid of greatness: Some are born great* note, some atchieve greatness, and some have greatness thrust upon them. Thy fates open their hands; let thy blood and spirit embrace them. And, to inure thyself to what thou art like to be, cast thy humble slough, and appear fresh. Be opposite with a kinsman, surly with servants: let thy tongue tang arguments of state; put thyself into the trick of singularity: She thus advises thee, that sighs for thee. Remember who commended thy yellow stockings4 note






; and wish'd to see thee

-- 219 --

ever cross-garter'd5 note










: I say, remember. Go to; thou art made, if thou desirest to be so; if not, let me see thee a steward still, the fellow of servants, and not worthy to touch fortune's fingers. Farewel. She, that would alter services with thee, The fortunate-unhappy. Day-light and

-- 220 --

champian discovers not more6 note

: this is open. I will
be proud, I will read politic authors, I will baffle sir Toby, I will wash off gross acquaintance, I will be point-de-vice, the very man7 note







. I do not now fool
myself to let imagination jade me; for every reason excites to this, that my lady loves me. She did commend my yellow stockings of late, she did praise my leg being cross-garter'd; and in this she manifests herself to my love, and, with a kind of injunction, drives me to these habits of her liking. I thank my stars, I am happy. I will be strange, stout, in yellow stockings, and cross-garter'd, even with the swiftness of putting on. Jove, and my stars be praised!— Here is yet a postscript. Thou canst not chuse but know who I am. If thou entertainest my love, let it appear in thy smiling; thy smiles become thee well: therefore in my presence still smile, dear my sweet, I pr'ythee.—Jove, I thank thee.—I will smile; I will do every thing that thou wilt have me.

[Exit.

-- 221 --

Fab.

I will not give my part of this sport for a pension of thousands to be paid from the Sophy.

Sir To.

I could marry this wench for this device:

Sir And.

So could I too.

Sir To.

And ask no other dowry with her, but such another jest.

Enter Maria.

Sir And.

Nor I neither.

Fab.

Here comes my noble gull-catcher.

Sir To.

Wilt thou set thy foot o'my neck?

Sir And.

Or o'mine either?

Sir To.

Shall I play my freedom at tray-trip8 note














, and become thy bond-slave?

-- 222 --

Sir And.

I'faith, or I either?

Sir To.

Why, thou hast put him in such a dream, that, when the image of it leaves him, he must run mad.

Mar.

Nay, but say true, does it work upon him?

Sir To.

Like aqua-vitæ with a midwife9 note.

Mar.

If you will then see the fruits of the sport, mark his first approach before my lady: he will come to her in yellow stockings, and 'tis a colour she abhors; and cross-garter'd, a fashion she detests1 note; and he will smile upon her, which will now be so unsuitable to her disposition, being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt: if you will see it, follow me.

Sir To.

To the gates of Tartar, thou most excellent devil of wit!

Sir And.

I'll make one too.

[Exeunt.

-- 223 --

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Samuel Johnson [1778], The plays of William Shakspeare. In ten volumes. With the corrections and illustrations of various commentators; to which are added notes by Samuel Johnson and George Steevens. The second edition, Revised and Augmented (Printed for C. Bathurst [and] W. Strahan [etc.], London) [word count] [S10901].
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