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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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ACT V. SCENE I. The same. A State Room in Theseus's Palace. Enter Theseus, Hippolita, Philostrate, and Attendants.

Hippolita.
'Tis strange, my Theseus, that these lovers speak of.

The.
more strange than true. I never may believe
These antique fables, nor these fairy toys.
Lovers, and madmen, have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover, and the poet,
Are of imagination all compact:
One sees more devils than vast hell can hold;
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in a fine frenzy rowling,
Doth glance from heaven to earth, from earth to heaven;
And, as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation, and a name.
Such tricks hath strong imagination:
That, if it would but apprehend some joy,
It comprehends some bringer of that joy;

-- 191 --


Or, in the night, imagining some fear,
How easy is a bush suppos'd a bear* note?

Hip.
But all the story of the night told over,
And all their minds transfigur'd so together,
More witnesseth than fancy's images,
And grows to something of great constancy;
But, howsoever, strange, and admirable.
Enter Lysander, Demetrius, Hermia, and Helena.

The.
Here come the lovers, full of joy and mirth.—
Joy, gentle friends! joy, and fresh days of love,
Accompany your hearts!

Lys.
More than to us
Wait on your royal walks, your board, your bed!

The.
Come now, what masks, what dances shall we have,
To wear away this long age of three hours,
Between our after-supper, and bed-time?
Where is our usual manager of mirth?
What revels are in hand? Is there no play,
To ease the anguish of a torturing hour?
Call Philostrate.

Phi.
Here, mighty Theseus.

The.
Say, what abridgment have you for this evening?
What mask, what music? How shall we beguile
The lazy time, if not with some delight?

Phi.
There is a brief how many sports are ripe; [Presenting a Paper.
Make choice of which your highness will see first.

The.
The battle with the Centaurs, to be sung
  By an Athenian eunuch to the harp.
We'll none of that: that have I told my love,
In glory of my kinsman Hercules.
  The riot of the tipsy Bacchanals,
  Tearing the Thracian singer in their rage.

-- 192 --


That is an old device; and it was play'd
When I from Thebes came last a conqueror.
  The thrice three muses mourning for the death
  Of learning, late deceast in beggary.
That is some satire, keen, and critical,
Not sorting with a nuptial ceremony.
  A tedious brief scene of young Pyramus,
  And his love Thisbe; very tragical mirth.
Merry, and tragical? Tedious, and brief?
That is, hot ice; and wondrous strange black snow.—
How shall we find the concord of this discord?

Phi.
A play it is, my lord, some ten words long;
Which is as brief as I have known a play;
But by ten words, my lord, it is too long;
Which makes it tedious: for in all the play
There is not one word apt, one player fitted.
And tragical, my noble lord, it is:
For Pyramus therein doth kill himself.
Which, when I saw rehearst, I must confess,
Made mine eyes water; but more merry tears
The passion of loud laughter never shed.

The.
What are they, that do play it?

Phi.
Hard-handed men, that work in Athens here,
Which never labour'd in their minds 'till now;
And now have toil'd their unbreath'd memories
With this same play, against your nuptial.

The.
And we will hear it.

Phi.
No, my noble lord,
It is not for you: I have heard it over,
And it is nothing, nothing in the world;
Unless you can find sport in their intents,
Extreamly stretch'd, and con'd with cruel pain,
To do you service.

The.
I will hear that play:
For never any thing can be amiss,
When simpleness and duty tender it† note.
Go, bring them in;—and take your places, ladies.
[Exit Philostrate.

-- 193 --

Hip.
I love not to see wretchedness o'er-charg'd,
And duty in his service perishing.

The.
Why, gentle sweet, you shall see no such thing.

Hip.
He says, they can do nothing in this kind.

The.
The kinder we, to give them thanks for nothing.
Our sport shall be, to take what they mistake:
And what poor willing duty cannot do,
Noble respect takes it in might, not merit.
Where I have come, great clerks have purposed
To greet me with premeditated welcomes;
Where I have seen them shiver, and look pale,
Make periods in the midst of sentences,
Throttle their practis'd accent in their fears,
And, in conclusion, dumbly have broke off,
Not paying me a welcome: Trust me, sweet,
Out of this silence, yet, I pick'd a welcome;
And in the modesty of fearful duty
I read as much, as from the rattling tongue
Of saucy and audacious eloquence.
Love, therefore, and tongue-ty'd simplicity,
In least, speak most, to my capacity.
Re-enter Philostrate.

Phi.
So please your grace, the prologue is addrest.

The.
Let him approach.
[Trumpets. Pyramus and Thisbe. An Interlude. Enter Prologue.

Pro.
If we offend, it is with our good will.
  That you should think, we come not to offend,
But with good will. To shew our simple skill,
  That is the true beginning of our end.
Consider then, we come but in despight.
  We do not come, as minding to content you,
Our true intent is. All for your delight,
  We are not here. That you should here repent you,

-- 194 --


The actors are at hand; and, by their show,
You shall know all, that you are like to know‡ note.

The.

This fellow doth not stand upon points.

Lys.

He hath rid his prologue, like a rough colt; he knows not the stop. A good moral, my lord: it is not enough to speak, but to speak true.

Hip.

Indeed he hath played on this prologue, like a child on a recorder; a sound, but not in government.

The.

His speech was like a tangl'd chain; nothing impair'd, but all disorder'd. Who is next?

Enter Pyramus, and Thisbe, Wall, Moon-shine, and Lion, as in dumb Show.

Pro.
Gentles, perchance, you wonder at this show:
  But wonder on, 'till truth make all things plain.
This man is Pyramus, if you would know;
  This beauteous lady Thisby, is certáin.
This man, with lime and rough-cast, doth present
  Wall, that vile wall which did these lovers sunder:
And through wall's chink, poor souls, they are content
  To whisper; at the which let no man wonder.
This man, with lanthorn, dog, and bush of thorn,
  Presenteth Moon-shine: for, if you will know,
By moon-shine did these lovers think no scorn
  To meet at Ninus' tomb, there, there to woo.
This grizly beast, which by name Lion hight,
The trusty Thisby, coming first by night,
Did scare away, or rather did affright;
And, as she fled, her mantle she did fall;
  Which lion vile with bloody mouth did stain:
Anon comes Pyramus, sweet youth, and tall,
  And finds his trusty Thisby's mantle slain:
Whereat, with blade, with bloody blameful blade,
  He bravely broach'd his boiling bloody breast;
And Thisby, tarrying in mulberry shade,
  His dagger drew, and dy'd. For all the rest,

-- 195 --


Let Lion, Moon-shine, Wall, and lovers twain,
At large discourse, while here they do remain. [Exeunt Prologue, Thisbe, Lion, and Moon-shine.

The.

I wonder, if the lion be to speak.

Dem.

No wonder, my lord: one lion may, when many [illeg.]sses do.

Wall.
In this same interlude, it doth befal,
That I, one Snout by name, present a wall:
And such a wall, as I would have you think,
That had in it a crany'd hole, or chink,
Through which the lovers, Pyramus and Thisby,
Did whisper often very secretly.
This lome, this rough-cast, and this stone doth show
That I am that same wall; the truth is so;
And this the crany is, right and sinister,
Through which the fearful lovers are to whisper.

The.

Would you desire lime and hair to speak better?

Dem.

It is the wittiest partition, that ever I heard discourse, my lord.

The.

Pyramus draws near the wall: silence.

Pyr.
O grim-look'd night, O night with hue so black,
  O night, which ever art, when day is not;
O night, O night, alack, alack, alack,
  I fear my Thisby's promise is forgot.—
And thou, O wall, O sweet, O lovely wall,
  That stand'st between her father's ground and mine,
Thou wall, O wall, O sweet and lovely wall,
  Show me thy chink, to blink through with mine eyen. [Wall holds up his Fingers.
Thanks, courteous wall: Jove shield thee well for this!
  But what see I? No Thisby do I see.
O wicked wall, through whom I see no bliss,
  Curs'd be thy stones for thus deceiving me!

The.

The wall, methinks, being sensible, should curse again.

Bot.

No, in truth, Sir, he should not. Deceiving me, is Thisby's cue; she is to enter now, and I am to spy her through the wall. You shall see, it will fall pat as I told you: yonder she comes.

-- 196 --

Enter Thisbe.

Thi.
O wall, full often hast thou heard my moans,
  For parting my fair Pyramus and me:
My cherry lips have often kiss'd thy stones;
  Thy stones with lime and hair knit up in thee.

Pyr.
I see a voice: now will I to the chink,
  To spy an I can hear my Thisby's face.
Thisby!

Thi.
My love: thou art my love, I think.

Pyr.
Think what thou wilt, I am thy lover's grace:
And like Limander am I trusty still.

Thi.
And I like Helen, 'till the fates me kill.

Pyr.
Not Shafalus to Procrus was so true.

Thi.
As Shafalus to Procrus, I to you.

Pyr.
O, kiss me through the hole of this vile wall.

Thi.
I kiss the wall's hole, not your lips at all.

Pyr.
Wilt thou at Ninny's tomb meet me straitway?

Thi.
'Tide life, 'tide death, I come without delay.

Wall.
Thus have I, Wall, my part discharged so;
And, being done, thus Wall away doth go. [Exeunt Wall, Pyramus, and Thisbe.

The.

Now is the mural down between the two neighbours.

Dem.

No remedy, my lord, when walls are so wilful to rear without warning.

Hip.

This is the silliest stuff that ever I heard.

The.

The best in this kind are but shadows: and the worst are no worse, if imagination amend them.

Hip.

It must be your imagination then, and not theirs.

The.

If we imagine no worse of them, than they of themselves, they may pass for excellent men. Here comes two noble beasts in, a man, and a lion.

Enter Lion, and Moon-shine.

Lio.
You, ladies, you, whose gentle hearts do fear
  The smallest monstrous mouse that creeps on floor,
May now, perchance, both quake and tremble here,
  When lion rough in wildest rage doth roar.
Then know, that I one Snug the joiner am;
No lion fell, nor else no lion's dam:
For if I should as lion come in strife
Into this place, 'twere pity on my life.

-- 197 --

The.

A very gentle beast, and of a good conscience.

Dem.

The very best at a beast, my lord, that e'er I saw.

Lys.

This lion is a very fox for his valour.

The.

True; and a goose for his discretion.

Dem.

Not so, my lord: for his valour cannot carry his discretion; and the fox carries the goose.

The.

His discretion, I am sure, cannot carry his valour; for the goose carries not the fox.—It is well: leave it to his discretion, and let us listen to the moon.

Moon.

This lanthorn doth the horned moon present.

Dem.

He should have worn the horns on his head.

The.

He is no crescent, and his horns are invisible within the circumference.

Moon.
This lanthorn doth the horned moon present;
  Myself the man i' the moon do seem to be.

The.

This is the greatest error of all the rest: the man should be put into the lanthorn; how is it else the man i' the moon?

Dem.

He dares not come there for the candle: for, you see, it is already in snuff.

Hip.

I am aweary of this moon: 'Would, he would change!

The.

It appears, by his small light of discretion, that he is in the wane: but yet, in courtesy, in all reason, we must stay the time.

Lys.

Proceed, Moon.

Moon.

All that I have to say, is, to tell you, that the lanthorn is the moon; I, the man i' the moon; this thorn-bush, my thorn-bush; and this dog, my dog.

Dem.

Why, all these should be in the lanthorn; for they are in the moon. But, silence; here comes Thisbe.

Enter Thisbe.

Thi.

This is old Ninny's tomb: where is my love?

Lion.

Oh.—

[Roars. Thisbe runs off.

Dem.

Well roar'd, lion.

The.

Well run, Thisbe.

Hip.

Well shone, moon.—Truly, the moon shines with a good grace.

The.

Well mous'd, lion.

[Lion shakes Thisbe's Mantle, and Exit.

-- 198 --

Dem.

And then came Pyramus.

Lys.

And so the lion vanish'd.

Enter Pyramus.

Pyr.
Sweet Moon, I thank thee for thy sunny beams;
  I thank thee, Moon, for shining now so bright:
For, by thy gracious, golden, glittering streams,
  I trust to taste of truest Thisby's sight.



      But stay!—O spight!—
      But mark;—Poor knight,
    What dreadful dole is here?
      Eyes, do you see?
      How can it be?
    O dainty duck! O dear!
      Thy mantle good,
      What, stain'd with blood?
    Approach, ye furies fell!
      O fates, come, come;
      Cut thread and thrum;
    Quail, crush, conclude, and quell!

The.

This passion, and the death of a dear friend would go near to make a man look sad.

Hip.

Beshrew my heart, but I pity the man.

Pyr.
O, wherefore, Nature, didst thou lions frame?
  Since lion vile hath here deflour'd my dear:
Which is—no, no—which was the fairest dame,
  That liv'd, that lov'd, that lik'd, that look'd, with cheer.



      Come, tears, confound
      Out, sword, and wound
    The pap of Pyramus:
      Ay, that left pap,
      Where heart doth hop:—
    Thus die I, thus, thus, thus.
      Now am I dead,
      Now am I fled;
    My soul is in the sky;
      Tongue, lose thy light!
      Moon, take thy flight!
    Now die, die, die, die, die* note. [Dies. Exit Moon-shine.

-- 199 --

Dem.

No die, but an ace, for him; for he is but one.

Lys.

Less than an ace, man; for he is dead; he is nothing.

The.

With the help of a surgeon, he might yet recover, and prove an ass.

Hip.

How chance Moon-shine is gone, before Thisbe comes back and finds her lover?

The.

She will find him by star-light. Here she comes; Enter Thisbe. and her passion ends the play.

Hip.

Methinks she should not use a long one, for such a Pyramus: I hope, she will be brief.

Dem.

A moth will turn the balance, which Pyramus, which Thisbe, is the better.

Lys.

She hath spyed him already, with those sweet eyes.

Dem.

And thus she moans, videlicet.

Thi.



      Asleep, my love?
      What, dead, my dove?
    O Pyramus, arise,
    Speak, speak. Quite dumb?
    Dead, dead? A tomb
    Must cover thy sweet eyes.
      These lilly lips,
      This cherry nose,
    These yellow cowslip cheeks,
      Are gone, are gone:
      Lovers, make moan!
    His eyes were green as leeks.
      O sisters three,
      Come, come, to me.
    With hands as pale as milk:
      Lay them in gore,
      Since you have shore
    With sheers his thread of silk.
      Tongue, not a word:—
      Come, trusty sword;

-- 200 --


    Come, blade, my breast imbrue:
      And farewel, friends:—
      Thus Thisby ends:
    Adieu, adieu, adieu† note. [Dies.

The.

Moon-shine and Lion are left to bury the dead.

Dem.

Ay, and Wall too.

Bot.

No, I assure you; [starting up.] the wall is down that parted their fathers. Will it please you to see the epilogue, or to hear a bergomask dance between two of our company?

The.

No epilogue, I pray you; for your play needs no excuse. Never excuse; for when the players are all dead, there need none to be blamed. Marry, if he that writ it had play'd Pyramus, and hang'd himself in Thisbe's garter, it would have been a fine tragedy: and so it is, truly; and very notably discharg'd. But, come, your bergomask: let your epilogue alone.

[Dance: and Exeunt Clowns.
The iron tongue of midnight hath told twelve:—
Lovers, to bed; 'tis almost fairy time.
I fear, we shall out-sleep the coming morn,
As much as we this night have over-watch'd.
This palpable-gross play hath well beguil'd
The heavy gait of night. Sweet friends, to bed.
A fortnight hold we this solemnity,
In nightly revels, and new jollity* note. [Exeunt. SCENE II. The same. Enter Puck.


Puc.
Now the hungry lion roars,
  And the wolf behowls the moon;
Whilst the heavy ploughman snores,
  All with weary task fore-done.

-- 201 --


Now the wasted brands do glow,
  Whilst the scritch-owl, scritching loud,
Puts the wretch that lies in woe,
  In remembrance of a shroud.
Now it is the time of night,
  That the graves all gaping wide,
Every one lets forth his spright,
  In the church-way paths to glide:
And we fairies that do run
  By the triple Hecate's team
From the presence of the sun,
  Following darkness like a dream,
Now are frolick; not a mouse
Shall disturb this hallow'd house:
I am sent, with broom, before,
To sweep the dust behind the door. Enter King and Queen of Fairies, with their Train.

Obe.
Through the house give glimmering light,
  By the dead and drowzy fire:
Every elf, and fairy spright,
  Hop as light as bird from brier;
And this ditty, after me,
Sing, and dance it trippingly.

Tit.
First, rehearse your song by rote:
To each word a warbling note,
Hand in hand, with fairy grace,
Will we sing, and bless this place.


SONG and DANCE. Obe.
Now, until the break of day,
Through this house each fairy stray.
To the best bride-bed will we,
Which by us shall blessed be;
And the issue there create,
Ever shall be fortunate.
So shall all the couples three
Ever true in loving be:
And the blots of nature's hand
Shall not in their issue stand;
Never mole, hare-lip, nor scar,
Nor mark prodigious, such as are

-- 202 --


Despised in nativity,
Shall upon their children be.—
With this field-dew consecrate,
Every fairy take his gate;
And each several chamber bless,
Through this palace with sweet peace:
Ever shall it safely rest,
And the owner of it blest.
  Trip away;
  Make no stay:
Meet me all by break of day. [Exeunt King, Queen, and Train.
Puck advancing.
If we shadows have offended,
Think but this (and all is mended)
That you have but slumber'd here,
While these visions did appear.
And this weak and idle theme,
No more yielding but a dream,
Gentles, do not reprehend;
If you pardon, we will mend.
And, as I'm an honest Puck,
If we have unearned luck
Now to 'scape the serpent's tongue,
We will make amends ere long:
Else the Puck a liar call.
So, good night unto you all.
Give me your hands, if we be friends,
And Robin shall restore amends* note.
[Exit. The End of A Midsummer Night's Dream.

-- --

note
Previous section


John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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