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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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SCENE III. The same. Another Room. Enter Cleopatra, Charmian, Iras, and Alexas.

Cle.
Where is he?

Cha.
I did not see him since.

Cle.
See where he is, who's with him, what he does;—
I did not send you;—if you find him sad,

-- 272 --


Say, I am dancing; if in mirth, report
noteThat I am sudden sick: quick, and return. [Exit Alexas.

Cha.
Madam, methinks, if you did love him dearly,
You do not hold the method to enforce
The like from him.

Cle.
What should I do, I do not?

Cha.
In each thing give him way, cross him in nothing.

Cle.
Thou teachest like a fool: 'the way to lose him.

Cha.
Tempt him not so too far: I wish, forbear;
In time we hate that which we often fear. Enter Antony.
But here comes Antony.

Cle.
I am sick, and sullen.

Ant.
I am sorry to give breathing to my purpose,—

Cle.
Help me away, dear Charmian, I shall fall;
It cannot be thus long, the sides of nature
Will not sustain it.

Ant.
Now, my dearest queen,—

Cle.
Pray you, stand farther from me.

Ant.
What's the matter?

Cle.
I know, by that same eve, there's some good news:
What says the marry'd woman? You may go;
Would, she had never given you leave to come!
Let her not say, 'tis I that keep you here,
I have no power upon you; hers you are.

Ant.
The gods best know,—

Cle.
O, never was there queen
So mightily betray'd! Yet, at the first,
I saw the treasons planted.

Ant.
Cleopatra,—

Cle.
Why should I think, you can be mine, and true,
Though you in swearing shake the throned gods,
Who have been false to Fulvia? Riotous madness,
To be entangl'd with those mouth-made vows,
Which break themselves in swearing!

Ant.
Most sweet queen,—

-- 273 --

Cle.
Nay, pray you, seek no colour for your going,
But bid farewel, and go: when you su'd staying,
Then was the time for words: no going then;
Eternity was in our lips, and eyes;
Bliss in our brows' bent; none our parts so poor,
But was a race of heaven: they are so still,
Or thou, the greatest soldier of the world,
Art turn'd the greatest liar.

Ant.
How now, lady!

Cle.
I would, I had thy inches; thou should'st know,
There were a heart in Egypt.

Ant.
Hear me, queen:
The strong necessity of time commands
Our services a while; but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords: Sextus Pompeius
Makes his approaches to the port of Rome:
Equality of two domestic powers
Breeds scrupulous faction: the hated, grown to strength,
Are newly grown to love: the condemn'd Pompey,
Rich in his father's honour, creeps apace
Into the hearts of such as have not thrived
Upon the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change: my more particular,
And that which most with you should safe my going,
Is Fulvia's death.

Cle.
Though age from folly could not give me freedom,
It does from childishness? can Fulvia die?

Ant.
She's dead, my queen:
Look here, and, at thy sovereign leisure, read
The garboils she awak'd; at the last, best:
See, when, and where she dy'd.

Cle.
O most false love!
Where be the sacred vials thou should'st fill
With sorrowful water? Now I see, I see,
In Fulvia's death, how mine shall be receiv'd† note.

-- 274 --

Ant.
Quarrel no more, but be prepar'd to know
The purposes I bear; which are, or cease,
As you shall give the advices: by the fire† note
That quickens Nilus' slime, I go from hence
Thy soldier, servant; making peace, or war,
As thou affect'st.

&blquo;Cle.
&blquo;Cut my lace, Charmian, come‡ note;—
&blquo;But let it be; I am quickly ill, and well,
&blquo;So Antony loves.

&blquo;Ant.
&blquo;My precious queen, forbear;
&blquo;And give true evidence to his love, which stands
&blquo;An honourable trial.

&blquo;Cle.
&blquo;So Fulvia told me.
&blquo;I pr'ythee, turn aside, and weep for her;
&blquo;Then bid adieu to me, and say, the tears
&blquo;Belong to Egypt: good now, play one scene
&blquo;Of excellent dissembling; and let it look
&blquo;Like perfect honour.

&blquo;Ant.
&blquo;You'll heat my blood; no more.

&blquo;Cle.
&blquo;You can do better yet; but this is meetly.

&blquo;Ant.
&blquo;Now, by my sword,—

&blquo;Cle.
&blquo;And target,—still he mends;
&blquo;But this is not the best:—look, pr'ythee, Charmian,
&blquo;How this Herculean Roman does become
&blquo;The carriage of his chafe.

&blquo;Ant.
&blquo;I'll leave you, lady.

&blquo;Cle.
&blquo;Courteous lord, one word.
&blquo;Sir, you and I must part,—but that's not it:
&blquo;Sir, you and I have lov'd,—but there's not it;
&blquo;That you know well: something it is I would,—
&blquo;O, my oblivion is a very Antony,
&blquo;And I am all-forgotten.

&blquo;Ant.
&blquo;But that your royalty
&blquo;Holds idleness your subject, I should take you
&blquo;For idleness itself.

&blquo;Cle.
&blquo;'Tis sweating labour,
&blquo;To bear such idleness so near the heart
&blquo;As Cleopatra this. But, sir, forgive me;

-- 275 --


&blquo;Since my becomings kill me, when they do not
&blquo;Eye well to you:&brquo; Your honour calls you hence;
Therefore be deaf to my unpity'd folly,
And all the gods go with you! Upon your sword
Sit laurel'd victory! and smooth success
Be strew'd before your feet!

Ant.
Let us go. Come;
Our separation so abides, and flies,
That thou, residing here, go'st yet with me,
And I, hence fleeting, here remain with thee.
Away.
[Exeunt.
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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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