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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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SCENE II. The same. A Room in the Palace. Enter Thurio, Protheus, and Julia.

Thu.
Sir Protheus, what says Silvia to my suit?

Pro.
O, sir, I find her milder than she was;
But yet she takes exceptions at your person.

&blquo;Thu.
&blquo;What, that my leg's too long?

&blquo;Pro.
&blquo;No; that it is too little.

&blquo;Thu.
&blquo;I'll wear a boot, to make it somewhat rounder.

&blquo;Pro.
&blquo;But love will not be spur'd to what it loaths.

&blquo;Thu.
&blquo;What says she to my face?

&blquo;Pro.
&blquo;She says, it is a fair one.

&blquo;Thu.
&blquo;Nay, then the wanton lies; my face is black.

&blquo;Pro.
&blquo;But pearls are fair; and the old saying is,
&blquo;Black men are pearls in beauteous ladies' eyes.

&blquo;Jul.
&blquo;'Tis true, such pearls as put out ladies' eyes;
&blquo;For I had rather wink, than look on them.
[Aside.

&blquo;Thu.
&blquo;How likes she my discourse?

&blquo;Pro.
&blquo;Ill, when you talk of war.

&blquo;Thu.
&blquo;But well, when I discourse of love, and peace?

&blquo;Jul.
&blquo;But better, indeed, when you do hold your peace.

&blquo;Thu.
&blquo;What says she to my valour?

&blquo;Pro.
&blquo;O, sir, she makes
&blquo;No doubt of that.

&blquo;Jul.
&blquo;She needs not, when she knows it cowardice.

Thu.
What says she to my birth?

Pro.
That you are well deriv'd.

Jul.
True; from a gentleman, to a fool.

Thu.
Considers she my possessions?

Pro.
O, ay; and pities them.

Thu.
Wherefore?

Jul.
That such an ass should owe them.

Pro.
That they are out by lease.

Jul.
Here comes the duke.
Enter Duke.

Duke.
How now, Sir Protheus? how now, Thurio?
Which of you saw Sir Eglamour of late?

Thu.
Not I.

Pro.
Nor I.

-- 62 --

Duke.
Saw you my daughter?

Pro.
Neither.

Duke.
Why, then she's fled unto the peasant Valentine;
And Eglamour is in her company.
&blquo;'Tis true; for friar Laurence met them both,
&blquo;As he in penance wander'd through the forest:
&blquo;Him he knew well; and guess'd, that it was she;
&blquo;But, being mask'd, he was not sure of it:
&blquo;Besides, she did intend confession
&blquo;At Patrick's cell this even; and there she was not:
&blquo;These likelihoods confirm her flight from hence.
&blquo;Therefore, I pray you, stand not to discourse,
&blquo;But mount you presently; and&brquo; meet with me
Upon the rising of the mountain foot
That leads toward Mantua, whither they are fled:
Dispatch, sweet gentlemen, and follow me.
[Exit.

Thu.
Why, this it is to be a peevish girl,
That flies her fortune when it follows her:
I'll after; more to be reveng'd on Eglamour,
Than for the love of reckless Silvia.
[Exit.

Pro.
And I will follow, more for Silvia's love,
Than hate of Eglamour that goes with her.
[Exit.

Jul.
And I will follow, more to cross that love,
Than hate for Silvia that is gone for love.
[Exit.
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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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