Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Next section

Scene SCENE, a hall in Timon's house. Enter Poet, Painter, Jeweller, Merchant, and Mercer at several doors.* note

Poet.
Good day, Sir.

Pain.
I am glad y' are well.

Poet.
I have not seen you long; how goes the world?

Pain.
It wears, Sir, as it goes.

Poet.
Ay, that's well known.
But what particular rarity? what so strange,
Which manifold record not matches? see,
(Magick of bounty!) all these spirits thy power
Hath conjur'd to attend. I know the merchant.

Pain.
I know them both; th' other's a jeweller.

Mer.
O 'tis a worthy lord!

Jew.
Nay, that's most fixt.

Mer.
A most incomparable man, breath'd as it were
To an untirable and continuate goodness.

Jew.
I have a jewel here.

Mer.
O, pray, let's see't:
For the lord Timon, Sir?

Jew.
If he will touch the estimate: but for that—

-- 82 --

Poet.
When we for recompence have prais'd the vile,
It stains the glory in that happy verse
Which aptly sings the good.

Mer.
'Tis a good form.
[Looking on the jewel.

Jew.
And rich; here is a water, look ye.

Pain.
You're rapt, Sir, in some work; some dedication
To the great lord?

Poet.
A thing slipt idly from me.
Our poesie is as a gum, which issues
From whence 'tis nourished. The fire i th' flint
Shews not, 'till it be struck:
What have you there?

Pain.
A picture, Sir:—when comes your book forth?

Poet.
Upon the heels of my presentment, Sir.
Let's see your piece,

Pain.
'Tis a good piece.

Poet.
So 'tis,
This comes off well and excellent.

Pain.
Indiff'rent.

Poet.
Admirable! how this grace
Speaks his own standing? what a mental power
This eye shoots forth? how big imagination
Moves in this lip? to the dumbness of the gesture
One might interpret.

Pain.
It is a pretty mocking of the life:
Here is a touch—is't good?

Poet.
I'll say of it
It tutors nature; artificial strife
Lives in those touches, livelier than life.* note
Enter certain senators.

Pain.
How this lord is followed!

Poet.
The senators of Athens! happy man!

Pain.
Look, more!

-- 83 --

Poet.
You see this confluence, this great flood of visitors,
I have in this rough work, shap'd out a man,
Whom this beneath-world doth embrace and hug
With amplest entertainment. My free drift
Halts not particular, but moves itself
In a wide sea of wax.

Pain.
How shall I understand you?

Poet.
I'll unbolt to you.
You see how all conditions, how all minds,
As well of glib and slipp'ry creatures, as
Of grave and austere quality, tender down
Their service to lord Timon:
Yea, from the glass-fac'd flatterer
To Apemantus, that few things loves better,
Than to abhor himself; even he drops down
The knee before him, and returns in peace,
Most rich in Timon's nod.

Pain.
I saw them speak together.

Poet.
I have upon a high and pleasant hill,
Feign'd Fortune to be thron'd. The base o'th' mount
Is rank'd with all deserts, all kind of natures,
That labour on the bosom of this sphere,
To propagate their states; amongst them all,
Whose eyes are on this sov'reign lady fixt,
One do I personate of Timon's frame,
Whom Fortune with her iv'ry hand wafts to her.

Pain.
This throne, this fortune, and this hill, methinks,
With one man beckoned from the rest below,
Bowing his head against the steepy mount.
To climb his happiness; would be well exprest
In our condition.

Poet.
Nay, but hear me on:
All those which were his fellows but of late,
Make sacred even his stirrup; and through him
Drink the free air.

Pain.
Ay, marry, what of these?

-- 84 --

Poet.
When Fortune in her shift and change of mood,* note
Spurns down her late belov'd, all his dependants
Let him slip down,
Not one accompanying his declining foot.

Pain.
'Tis common;
A thousand moral paintings I can shew,
That shall demonstrate these quick blows of fortune,
More pregnantly than words.
Trumpets sound. Enter Timon, addressing himself courteously to every suitor.

Tim.
Imprison'd is he, say you?
[To a messenger.

Mes.
Ay, my good lord; five talents is his debt,
His means most short, his creditors most straight:
Your honourable letter he desires
To those have shut him up, which failing to him
Periods his comfort.

Tim.
Noble Ventidius! well—
I am not of that feather to shake off
My friend when he most needs me. I do know him
A gentleman that well deserves a help,
Which he shall have, I'll pay the debt and free him.

Mes.
Your lordship ever binds him.

Tim.
Commend me to him, I will send his ransom;
And, being enfranchiz'd, bid him come to me;
'Tis not enough to help the feeble up,
But to support him after. Fare you well.

Mes.
All happiness to your honour!
[Exit.† note
















































-- 85 --

Poet.
Vouchsafe my labour, and long live your lordship!

Tim.
I thank you, you shall hear from me, anon:
Go not away. What have you there, my friend?

Pain.
A piece of painting, which I do beseech
Your lordship to accept.

-- 86 --

Tim.
Painting is welcome.
The painting is almost the natural man:
For since dishonour trafficks with man's nature,
* noteHe is but out-side: pencil'd figures are
Ev'n such as they give out. I like your work;
And you shall find, I like it: wait attendance,
'Till you hear further from me.

Pain.
The gods preserve you!

Tim.
Well fare you, gentleman; give me your hand,
We must needs dine together: Sir, your jewel
Hath suffer'd under praise.

Jew.
What, my lord? dispraise?

Tim.
A mere satiety of commendations:
If I should pay you for't, as 'tis extoll'd,
It would unclew† note me quite.

Jew.
My lord, 'tis rated
As those which sell would give:
Believ't, dear lord,
You mend the jewel by the wearing it.

Tim.
Well mock'd.

Mer.
No, my good lord, he speaks the common tongue,
Which all men speak with him.

Tim.
Look, who comes here. Enter Apemantus.
Will you be chid?

Jew.
We'll bear it with your lordship.

Mer.
He'll spare none.

Tim.
Good-morrow to thee, gentle Apemantus!

-- 87 --

Apem.
'Till I be gentle stay for thy good-morrow;
When thou art Timon's dog, and these knaves honest.

Tim.

Why dost thou call them knaves, thou know'st them not?

Apem.

Are they not Athenians?

Tim.

Yes.

Apem.

Then I repent not.

Jew.

You know me, Apemantus.

Apem.

Thou know'st I do, I call'd thee by thy name.

Tim.

Thou art proud, Apemantus.

Apem.

Of nothing so much, as that I am not like Timon.* note

Tim.

Whither art going?

Apem.

To knock out an honest Athenian's brains.

Tim.

That's a deed thou'lt die for.

Apem.

Right, if doing nothing be death by the law.

Tim.

How lik'st thou this picture, Apemantus?

Apem.

The best, for the innocence.

Tim.

Wrought he not well, that painted it?

Apem.

He wrought better, that made the painter: and yet he's but a filthy piece of work.

Pain.

Y'are a dog.

Apem.

Thy mother's of my generation: what's she, if I be a dog?

Tim.

Wilt dine with me, Apemantus?

Apem.

No, I eat no lords.

Tim.

How dost thou like this jewel, Apemantus?

Apem.

Not so well as plain-dealing, which will not cost a man a doit.† note

-- 88 --

Tim.

What dost thou think 'tis worth?

Apem.

Not worth my thinking—How now, poet?

Poet.

How now, philosopher?

Apem.

Thou liest.

Poet.

Art thou not one?

Apem.

Yes.

Poet.

Then I lie not.

Apem.

Art not a poet?

Poet.

Yes.

Apem.

Then thou liest: look in thy last work, where thou hast feign'd him a worthy fellow.

Poet.

That's not feign'd; he is so.

Apem.

Yes, he is worthy of thee, and to pay thee for thy labour. He, that loves to be flattered, is worthy o'th' flatterer. Heav'ns that I were a lord!

Tim.

What would'st do then, Apemantus?

Apem.

Ev'n as Apemantus does now, hate a lord with my heart.

Tim.

What, thyself?

Apem.

Ay.

Tim.

Wherefore?

Apem.

That I had so hungry a wit, to be a lord.— Art thou not a merchant?

Mer.
Ay, Apemantus.

Apem.

Traffick confound thee, if the gods will not!* note

Mer.

If traffick do it, the gods do it.

Apem.

Traffick's thy god, and thy god confound thee!

Trumpets sound. Enter Flaminius.

Tim.

What trumpet's that?

Flam.
'Tis Alcibiades. and some twenty horse,
All of companionship.

Tim.
Pray, entertain them, give them guide to us; [Exit Flaminius.
You must needs dine with me: go not you hence,

-- 89 --


'Till I have thank'd you; and when dinner's done,
Shew me this piece. I'm joyful of your sights. Enter Alcibiades with the rest.
Most welcome, Sir! [Bowing and embracing.

Apem.

So, so! aches contract and starve your supple joints! that there should be small love amongst these sweet knaves, and all this courtesie! the strain of man's bred out into baboon and monkey.

Alc.
You have sav'd my longing, and I feed
Most hungerly on your sight.

Tim.
Right welcome, Sir.
E're we do part, we'll share a bounteous time,
In different pleasures. Pray you, let us in.
[Exeunt. Manet Apemantus. Enter Lucius and Lucullus.

Luc.

What time a day is't, Apemantus?

Apem.

Time to be honest.

Luc.

That time serves still.

Apem.

The most accursed thou, that still omitt'st it.

Lucul.

Thou art going to lord Timon's feast.

Apem.

Ay, to see meat fill knaves, and wine heat fools.

Lucul.

Fare thee well, fare thee well.

Apem.

Thou art a fool to bid me farewel twice.

Lucul.

Why, Apemantus?

Apem.

Thou should'st have kept one to thyself, for I mean to give thee none.

Luc.

Hang thyself.

Apem.

No, I will do nothing at thy bidding: make thy requests to thy friend.

Lucul.

Away, unpeaceable dog, or—I'll spurn thee hence.

Apem.
I will fly, like a dog, the heels o'th' ass.

Luc.
He's opposite to humanity.
Come, shall we in, and taste lord Timon's bounty?
He, sure, outgoes the very heart of kindness.

Lucul.
He pours it out. Plutus, the god of gold,
Is but his steward, no meed but he repays,
Seven-fold above itself: no gift to him,
But breeds the giver a return exceeding
All use of quittance.

-- 90 --

Luc.
The noblest mind he carries,
That ever govern'd man.

Lucul.
Long may he live in fortunes! shall we in?

Luc.
I'll keep you company.
[Exeunt.

Next section


John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
Powered by PhiloLogic