Welcome to PhiloLogic  
   home |  the ARTFL project |  download |  documentation |  sample databases |   
John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

Next section

Introductory matter
[unresolved image link]

-- 149 --

Title page OTHELLO, A TRAGEDY, by SHAKESPEARE, AS PERFORMED AT THE THEATRE-ROYAL, DRURY-LANE. Regulated from the PROMPT-BOOK, With PERMISSION of the MANAGERS, By Mr. HOPKINS, Prompter. An INTRODUCTION, and NOTES Critical and Illustrative, ARE ADDED BY THE AUTHORS of the DRAMATIC CENSOR. LONDON: Printed for JOHN BELL, near Exeter-Exchange, in the Strand; and C. ETHERINGTON, at York. MDCCLXXIII.

-- 151 --

INTRODUCTION.

OTHELLO. THE exposition of those passions which most prejudice human nature, which, when in full possession of the heart, precipitate us into the most violent and irreparable acts, is noble employment for a dramatic Author's pen. Where then could Shakespeare find a fitter theme, than jealousy? which Dr. Young, in his bold imitation of this play, emphatically calls, the “Hydra of calamities, the seven-fold death.” A most striking picture of caution is here held up to view: that, in matters of such deep concern, we should not give way to appearances, however plausible and corroborative; nor trust friendly possessions, when they have a fatal tendency. Every intelligent person will easily perceive with what a vast power of idea he has treated his subject; with what unspurred speed his Pegasus maintains a daring flight; with what irresistible force his muse takes possession of our hearts, and to what sublime pleasure he leads us, through the paths of pain. In this edition, tho' the unities are still intruded upon, the play may be esteemed regular, we had almost said perfect, save some laughs, which Rodorigo occasions: These we do not like.

-- 152 --

DRAMATIS PERSONÆ.

[Senator 1], [Senator 2], [Officer], [Messenger 1], [Messenger 2], [Gentleman]

Drury-Lane. Covent-Garden.
Othello, Mr. Barry. Mr. Ross.
Iago, Mr. Reddish. Mr. Bensley.
Roderigo, Mr. Dodd. Mr. Dyer.
Cassio, Mr. Palmer. Mr. Clarke.
Brabantio, Mr. Hurst. Mr. Gardner.
Duke [Duke of Venice], Mr. Bransby. Mr. Morris.
Lodovico. Mr. Packer. Mr. Owenson.
Montano, Mr. J. Aickin. Mr. Perry.
Gratiano, Mr. Wrighten. Mr. Redman.
Messenger, Mr. Wheeler. Mr. Holtom.
Desdemona, Mrs. Barry. Miss Miller.
Æmilia [Emilia], Mrs. Hopkins. Mrs. Green.
Officers, Gentlemen, Messengers, Musicians, Sailors, and Attendants.
SCENE, for the First Act, in Venice: during the rest of the Play, in Cyprus.

-- 153 --

Main text

Next section


John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
Powered by PhiloLogic