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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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ACT II. Scene SCENE, The Forest of Arden. Enter Duke Senior, Amiens, and two or three Lords. like Foresters.

Duke Senior.
Now, my co-mates, and brothers in exile,† note
Hath not old custom made this life more sweet,
Than that of painted pomp? Are not these woods
More free from peril, than the envious court?
Here feel we but the penalty of Adam,
The season's difference; as the icy phang,
And churlish chiding of the winter's wind;
Which when it bites, and blows upon my body,

-- 95 --


Even 'till I shrink with cold, I smile, and say,
This is no flattery: these are counsellors
That feelingly persuade me what I am.
Sweet are the uses of adversity,
Which, like the toad, ugly and venomous,
Wears yet a precious jewel in his head:
And this our life, exempt from public haunt,
Finds tongues in trees, books in the running brooks,
Sermons in stones, and good in every thing.

Ami.
I would not change it—Happy is your grace,
That can traslate the stubborness of fortune,
Into so quiet, and so sweet a style.

Duke Sen.
Come, shall we go and kill us venison?
And yet it irks me, the poor dappled fools,
Being native burghers of this desert city,
Should in their own confines, with forked heads,
Have their round hanches goar'd.

Jaques.* note
Indeed, my lord, I've often griev'd at that,
And in that kind, swear you do more usurp,
Than doth your brother, that hath banish'd you.
To day, my lord of Amiens and myself,
Did steal behind an oak,
Whose antique root peeps out
Upon the brook that brawls along this wood,
To the which place, a poor sequestered stag,
That from the hunter's aim had ta'en a hurt,
Did come to languish; and indeed, my lord,
The wretched animal heav'd forth such groans,
That their discharge did stretch his leathern coat,
Almost to bursting, and the big round tears
Cours'd one another down his innocent nose,
In piteous chase; and thus the hairy fool,
Stood on th' extemest verge of the swift brook,
Augmenting it with tears.

Duke Sen.
But what said you?
Did you not moralize this spectacle?

Jaques.
O yes, into a thousand similies.

-- 96 --


First, for his weeping in the needless stream;
Poor dear, said I, thou mak'st a testament,
As worldlings do, giving thy sum of more
To that which had too much. Then, being alone,
Left, and abandon'n of his velvet friends;
'Tis right, quoth I, thus misery doth part
The flux of company. Anon, a careless herd,
Full of the pasture, jumps along by him,
And never stays to greet him. Ay, said I,
Sweep on, ye fat and greasy citizens,
'Tis just the fashion; wherefore do you look
Upon that poor and broken bankrupt there.
Thus, most invectively did I pierce through
The body of the country, city, court,
Yea, and of this our life, swearing that we
Are mere usurpers, tyrants, murderers,
To fright the animals, and kill them up
In their assign'd and native dwelling-place.

Duke Sen.
Show me the place;
I love to cope you in these sullen sits,
For then you're full of matter.

Jaques.
I'll bring you to it straight.
[Exeunt. Scene The Palace. Enter Duke Frederick, with Lords.

Duke.
Can it be possible that no man saw them?

Lord.
My lord, the roynish clown, at whom so oft
Your grace was wont to laugh, is also missing.
Hisperia, the princess' gentlewoman,
Confesses that she secretly o'er-heard
Your daughter and her cousin much commend
The parts and graces of the wrestler,
That did but lately foil the sinewy Charles;
And she believes, wherever they are gone,
That youth is surely in their company.

Duke.
Send to his brother; fetch that gallant hither;

-- 97 --


And let not search and inquisition quail,
To bring again these foolish runaways. [Exeunt. Scene SCENE, Oliver's House. Enter Orlando and Adam.* note

Orla.
Who's there?

Adam.
What, my young master? Oh, my gentle master,
Oh, my sweet master, Oh, you memory
Of old Sir Rowland! Why, what make you here?
Why are you virtuous? Why do people love you?
And wherefore are you gentle, strong and valiant?
Why would you be so fond to overcome
The boney priser of the humouros duke?
Your praise is come too swiftly home before you.
Know you not, master, to some kind of men,
Their graces serve them but as enemies?
No more do yours; your virtues, gentle master,
Are sanctified and holy traitors to you.
Oh, what a world is this, when what is comely,
Envenoms him that bears it!

Orla.
Why, what's the matter?

Adam.
Oh, unhappy youth,
Come not within these doors; within this roof,
The enemy of all your graces lives:
Your brother hath heard your praises,
And this night he means
To burn the lodging where you use to lie,
And you within it; if he fail of that,
He will have other means to cut you off.
I overheard him, and his practices.
This is no place, this house is but a butchery;
Abhor it, fear it, do not enter it.

Orla.
Why, whither, Adam, wouldst thou have me go?

-- 98 --

Adam.
No matter whither, so you come not here.

Orla.
What, wouldst thou have me go and beg my food,
Or with a base and boisterous sword, enforce
A thievish living on the common road?
This I must do, or know not what to do:
Yet this I will not do, do how I can;
I rather will subject me to the malice
Of a diverted blood, and bloody brother.

Adam.
But do not so; I have five hundred crowns,
The thrifty hire I sav'd under your father,
Which I did store, to be my foster-nurse,
When service should in my old limbs lie lame,
And unregarded age in corners thrown;
Take that, and he that doth the ravens feed,
Yea, providently caters for the sparrow,
Be comfort to my age. Here is the gold,
All this I give you. Let me be your servant;
Tho' I look old, yet I am strong and lusty,
For in my youth, I never did apply
Hot and rebellious liquors in my blood,
Nor did I with unbashful forehead woo
The means of weakness and debility:
Therefore, my age is as a lusty winter,
Frosty, but kindly. Let me go with you,
I'll do the service of a younger man,
In all your business and necessities.* note

Orla.
Oh, good old man, how well in thee appears
The constant service of the antique world;
When service sweat for duty, not for meed!† note
Thou art not for the fashion of these times,
Where none will sweat, but for promotion,
And having that, do choak their service up,
Even with the hazing. It is not so with thee:
But, poor old man, thou prun'st a rotten tree,

-- 99 --


That cannot so much as a blossom yield,
In lieu of all thy pains and husbandry.
But, come thy ways, we'll go along together,
And ere we have thy youthful wages spent,
We'll light upon some settled low content.

Adam.
Master go on, and I will follow thee,
To the last gasp, with truth and loyalty.* note
From seventeen years, till now almost fourscore,
Here lived I, but now live here no more.
At seventeen years, many their fortunes seek,
But at fourscore, it is too late a week;
Yet fortune cannot recompence me better,
Than to die well, and not my master's debtor.
[Exeunt. Scene SCENE, the Forest of Arden. Enter Rosalind in Boy's Clothes for Ganimed, Celia drest like a Shepherdess for Aliena, and Touchstone.

Ros.

O Jupiter, how weary are my spirits!

Touch.

I care not for my spirits, if my legs were not weary.

Ros.

I could find in my heart to disgrace my man's apparel, and cry like a woman; but I must comfort the weaker vessel, as doublet and hose ought to shew itself courageous to petticoat; therefore, courage, good Aliena.

Cel.

I pray you bear with me, I can go no farther.

Touch.

For my part, I had rather bear with you, than bear you; yet I should bear no cross, if I did bear you, for I think you have no money in your purse.

Ros.

Well, this is the forest of Arden.

Touch.

Ay, now am I in Arden; the more fool I. When I was at home, I was in a better place; but travellers must be content.

-- 100 --

Ros.

Ay, be so, good Touchstone. Look you who comes here, a young man and an old, in solemn talk.

Enter Corin and Silvius.

Cor.
That is the way to make her scorn you still.

Sil.
O Corin, that thou knew'st how I do love her!

Cor.
I partly guess, for I have lov'd ere now.

Sil.
No, Corin, being old, thou canst not guess,
Tho' in thy youth thou wast as true a lover,
As ever sigh'd upon a midnight pillow;
But if thy love were ever like to mine,
(As sure I think never man did love so)
How many actions most ridiculous,
Hast thou been drawn to, by thy fantasie?

Cor.
Into a thousand that I have forgotten.

Sil.
O thou didst then ne'er love so heartily;† note
If thou remember'st not the slightest folly
That ever love did make thee run into,
Thou hast not lov'd.
Or if thou hast not fate, as I do now,
Wearying thy hearer in thy mistress' praise
Thou hast not lov'd.
Or if thou hast not broke from company,
Abruptly, as my passion now makes me,
Thou hast not lov'd.
O Phebe, Phebe, Phebe! [Exit Sil.

Ros.
Alas, poor shepherd! searching of thy wound,
I have, by hard adventure, found my own.

Touch.

And I mine. I remember when I was in love, I broke my sword upon a stone, and bid him take that, for coming a-nights to Jane Smile; and I remember the kissing of her batlet,* note and the cows dugs that her pretty chopt hands had milk'd; and I remember the wooing of a peascod instead of her, from whom I

-- 101 --

took two cods, and giving her them again, said, with weeping tears, Wear these for my sake. We that are true lovers, run into strange capers; but all is mortal in nature, so is all nature in love, mortal in folly.

Ros.

Thou speak'st wiser than thou art aware of.

Touch.

Nay, I shall ne'er be ware of my own wit, till I break my shins against it.

Cel.
I pray you, one of you question yon man,
If he for gold will give us any food;
I faint almost to death.

Touch.
Holla; you, clown.

Ros.
Peace, fool; he's not thy kinsman.

Cor.
Who calls?

Touch.
Your betters, sir.

Cor.
Else they are very wretched.

Ros.
Peace, I say. Good, even to you, friend.

Cor.
And to you, gentle sir; and to you all.

Ros.
I pr'ythee, shepherd, if that love or gold
Can in this desert place buy entertainment,
Bring us where we may rest ourselves, and feed.
Here's a young maid with travel much oppress'd,
And faints for succour.

Cor.
Fair sir, I pity her,
And wish, for her sake more than for mine own,
My fortunes were more able to relieve her;
But I am shepherd to another man,
And do not sheer the fleeces that I graze:
My master is of churlish disposition,
And little wreaks to find the way to heav'n,
By doing deeds of hospitality.
Besides, his cot, his flocks, and bounds of feed,
Are now on sale, and at our sheep-cote now;
By reason of his absence, there is nothing
That you will feed on. But what is, come see,
And in my voice most welcome shall you be.

Ros.
What is he that shall buy his flock and pasture?

Cor.
That young swain that you saw here, but ere while,
That little cares for buying any thing.

Ros.
I pray thee, if it stand with honesty,
Buy thou the cottage, pasture, and the flock,
And thou shalt have to pay for it of us.

-- 102 --

Cel.
And we will mend thy wages.
I like this place, and willingly could waste
My time in it.

Cor.
Assuredly the thing is to be sold.
Go with me: if you like upon report,
The foil, the profit, and this kind of life,
I will your very faithful feeder be,
And buy it with your gold right suddenly.
[Exeunt. Enter Amiens and Jaques.

Jaq.

More, more, I pr'ythee, more.

Ami.

It will make you melancholy, monsieur Jaques.

Jaq.

I thank it; more, I pr'ythee, more; I can suck melancholy out of a song, as a weasel sucks eggs. Come, warble, warble.


SONG.
Under the green wood tree,
Who loves to lie with me,
And tune his merry note,
Unto the sweet bird's throat;
Come hither, come hither, come hither:
  Here shall he see
  No enemy,
But winter, and rough weather.

Jaq.

I'll go to sleep, if I can; if I cannot, I'll rail against all the first born of Egypt.

Ami.

And I'll go seek the duke; his banquet is prepar'd.

[Exeunt. Scene SCENE another Part in the Forest. Enter Orlando and Adam.

Adam.

Dear master, I can go no further. O, I die for food! Here I lie down, and measure out my grave. Farewell, kind master.

Orlan.

Why, how now, Adam! no greater heart in thee? Live a little, comfort a little, cheer thyself a

-- 103 --

little. If this uncouth forest yield any thing savage, I will either be food for it, or bring it for food to thee. Thy conceit is nearer death, than thy powers. For my sake be comfortable. Well said, thou look'st cheerly; and I'll be with thee quickly; yet thou liest in the bleak air. Come, I will bear thee to some shelter, and thou shalt not die for lack of a dinner, if there live any thing in this desert. Cheery, good Adam.

[Exeunt. Scene Scene, the Forest of Arden. Enter Duke Sen. and Lords. [A Table set out.

Duke Sen.
I think he is transform'd into a beast,
For I can no where find him like a man.

Lord.
My lord, he is but even now gone hence,
Here was he merry, hearing of a song.

Duke Sen.
If he, compact of jars, grow musical,
We shall have shortly discord in the spheres:
Go seek him; tell him I would speak with him.
Enter Jaques.

Lord.
He saves my labour by his own approach.

Duke Sen.
Why, how now, monsieur, what a life is this,
That your poor friends must woo your company?
What, you look merrily.

Jaq.
A fool, a fool; I met a fool i'th' forest,* note
A motley fool; a miserable world!
As I do live by food I met a fool,
Who laid him down and bask'd him in the sun,
And rail'd on lady fortune in good terms,
In good set terms, and yet a motley fool.
Good morrow, fool, quoth I: No, sir, quoth he,
Call me not fool, 'till heaven hath sent me fortune:
And then he drew a dial from his poak,
And looking on it with lack-lustre eye,
Says, very wisely, It is ten o'clock:
Thus may we see, quoth he, how the world wags;

-- 104 --


'Tis but an hour ago since it was nine,
And after one hour more 'twill be eleven,
And so from hour to hour we ripe and ripe;
And then from hour to hour we rot and rot;
And thereby hangs a tale. When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deep contemplative:
And I did laugh, sans intermission,
An hour by his dial. O noble fool,
A worthy fool! motley's the only wear.
Who comes here?* note





















































-- 105 --

Enter Orlando.

Orla.
Forbear, and eat no more.

Jaq.
Why, I have eat none yet.

Orla.
Nor shalt thou, 'till necessity be serv'd.

Jaq.
Of what kind should this cock come of?

Duke Sen.
Art thou thus bolden'd, man, by thy distress?
Or else a rude despiser of good manners,
That in civility thou seem'st so empty?

Orla.
You touch'd my vein, at first, the thorny point
Of bare distress hath ta'en from me the shew
Of smooth civility; yet am I inland bred,
And know some nurture. But forbear, I say:
He dies that touches any of this fruit,
'Till I and my affairs are answered.

Duke Sen.
What would you have? Your gentleness shall force,
More than your force move us to gentleness.

-- 106 --

Orla.
I almost die for food, and let me have it.

Duke Sen.
Sit down and feed, and welcome to our table.

Orla.
Speak you so gently? Pardon me, I pray you;
I thought that all things had been savage here,
And therefore put I on the countenance
Of stern commandment. But whate'er you are
That in this desert inaccessible,* note
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time;
If ever you have look'd on better days;
If ever been where bells have knoll'd to church;
If ever sat at any good man's feast;
If ever from your eye-lids wip'd a tear,
And know what 'tis to pity, and be pitied;
Let gentleness my strong enforcement be,
In the which hope I blush, and hide my sword.

Duke Sen.
True is it that we have seen better days,
And have with holy bell been knoll'd to church,
And sat at good men's feasts, and wip'd our eyes
Of drops, that sacred pity hath engender'd:
And therefore sit you down in gentleness,
And take upon command what help we have,
That to your wanting may be ministred.

Orla.
Then but forbear your food, a little while,
Whiles, like a doe, I go to find my fawn,
And give it food. There is an old, poor man,
Who after me hath many a weary step
Limp'd in pure love; 'till he be first suffic'd,
Opress'd with two weak evils, age and hunger,
I will not touch a bit.

Duke Sen.
Go find him out,
And we will nothing waste 'till you return.

-- 107 --

Orla.
I thank ye, and be bless'd for your good comfort.‡ note
[Exit.

Duke Sen.
Thou seest we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play.

Jaq.
All the world's a stage,
And all the men and women merely players;† note
They have their exits and their entrances,
And one man in his time plays many parts:
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms:
And then, the whining school-boy with his satchel,
And shining morning-face, creeping like snail
Unwillingly to school. And then, the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eye-brow. Then, a soldier,
Full of strange oaths, and bearded like the pard,
Jealous in honour, sudden and quick in quarrel,
Seeking the bubble reputation,
Even in the cannon's mouth. And then, the justice,
In fair round belly, with good capon lin'd,
With eyes severe, and beard of formal cut,
Full of wise saws,* note and modern instances,
And so he plays his part. The sixth age shifts
Into the lean and slipper'd pantaloon,
With spectacles on nose, and pouch on side;
His youthful hose well sav'd, a world too wide
For his shrunk shank, and his big manly voice
Turning again toward childish treble pipes,
And whistles in his sound. Last scene of all,
That ends this strange eventful history,

-- 108 --


Is second childishness, and mere oblivion,
Sans teeth, sans eyes, sans taste, sans every thing.* note Enter Orlando with Adam.

Duke Sen.
Welcome: set down your venerable burden,
And let him feed.

Orla.
I thank you most for him.

Adam.
So had you need,
I scarce can speak to thank you for myself.

Duke Sen.
Welcome, fall too: I will not trouble you,
As yet to question you about your fortunes.
Give us some musick, and, good cousin, sing.

SONG.† note
Blow, blow, thou winter wind,
Thou art not so unkind,
  As man's ingratitude;
Thy tooth is not so keen,
Because thou art not seen,
  Altho' thy breath be rude.

Freeze, freeze, thou bitter sky,
That dost not bite so nigh,
  As benefits forgot:
Tho' thou the waters warp,
Thy sting is not so sharp,
  As friend remembred not.

Duke Sen.
If that you were the good Sir Rowland's son,
As you have whisper'd faithfully you were,
And as mine eye doth his effigies witness,
Most truly limb'd, and living in your face,
Be truly welcome hither. I'm the duke
That lov'd your father. The residue of your fortune,

-- 109 --


Go to my cave and tell me. Good old man,
Thou art welcome, as thy master is.
Support him by the arm; give me your hand,
And let me all your fortunes understand.* note [Exeunt. End of the Second Act.
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John Bell [1774], Bell's Edition of Shakespeare's Plays, As they are now performed at the Theatres Royal in London; Regulated from the Prompt Books of each House By Permission; with Notes Critical and Illustrative; By the Authors of the Dramatic Censor (Printed for John Bell... and C. Etherington [etc.], York) [word count] [S10401].
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