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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE III. Enter Touchstone and Audrey3 note; Jaques at a distance, observing them.

Touch.

Come apace, good Audrey; I will fetch up your goats, Audrey: And how, Audrey? am I the man yet? Doth my simple feature content you4 note








?

Aud.

Your features! Lord warrant us! what features?

Touch.

I am here with thee and thy goats, as

-- 444 --

the most capricious poet, honest Ovid, was among the Goths5 note

.

Jaq.

O knowledge ill-inhabited6 note

! worse than Jove in a thatch'd house!

[Aside.

Touch.

When a man's verses cannot be understood, nor a man's good wit seconded with the forward child, understanding, it strikes a man more dead than a great reckoning in a little room7 note:— Truly, I would the gods had made thee poetical.

-- 445 --

Aud.

I do not know what poetical is: Is it honest in deed, and word? Is it a true thing?

Touch.

No, truly; for the truest poetry is the most feigning; and lovers are given to poetry; and what they swear in poetry, may be said, as lovers, they do feign8 note

.

Aud.

Do you wish then, that the gods had made me poetical?

Touch.

I do, truly: for thou swear'st to me, thou art honest; now, if thou wert a poet, I might have some hope thou didst feign.

Aud.

Would you not have me honest?

Touch.

No truly, unless thou wert hard-favour'd: for honesty coupled to beauty, is to have honey a sauce to sugar.

Jaq.

A material fool9 note



!

[Aside.

Aud.

Well, I am not fair; and therefore I pray the gods make me honest!

Touch.

Truly, and to cast away honesty upon a foul slut, were to put good meat into an unclean dish.

Aud.

I am not a slut, though I thank the gods I am foul1 note








.

-- 446 --

Touch.

Well, praised be the gods for thy foulness! sluttishness may come hereafter. But be it as it may be, I will marry thee: and to that end, I have been with Sir Oliver Mar-text, the vicar of the next village; who hath promised to meet me in this place of the forest, and to couple us.

Jaq.

I would fain see this meeting.

[Aside.

Aud.

Well, the gods give us joy!

Touch.

Amen. A man may, if he were of a fearful heart, stagger in this attempt; for here we have no temple but the wood, no assembly but horn-beasts. But what though2 note? Courage! As

-- 447 --

horns are odious, they are necessary. It is said,— Many a man knows no end of his goods: right: many a man has good horns, and knows no end of them. Well, that is the dowry of his wife; 'tis none of his own getting. Horns? Even so:— Poor men alone?—No, no; the noblest deer hath them as huge as the rascal3 note. Is the single man therefore blessed? No: as a wall'd town is more worthier than a village, so is the forehead of a married man more honourable than the bare brow of a bachelor: and by how much defence4 note is better than no skill, by so much is a horn more precious than to want.

Enter Sir Oliver Mar-text.

Here comes sir Oliver5 note

:—Sir Oliver Mar-text, you

-- 448 --

are well met: Will you dispatch us here under this tree, or shall we go with you to your chapel?

Sir Oli.

Is there none here to give the woman?

Touch.

I will not take her on gift of any man.

Sir Oli.

Truly, she must be given, or the marriage is not lawful.

Jaq. [Discovering himself.]

Proceed, proceed; I'll give her.

Touch.

Good even, good master What ye call't: How do you, sir? You are very well met: God'ild you5 note


for your last company: I am very glad to see you:—Even a toy in hand here, sir:—Nay; pray, be cover'd.

Jaq.

Will you be married, motley?

Touch.

As the ox hath his bow6 note


, sir, the horse his curb, and the faulcon her bells, so man hath his desires; and as pigeons bill, so wedlock would be nibbling.

Jaq.

And will you, being a man of your breeding, be married under a bush, like a beggar? Get you to church, and have a good priest that can tell you what marriage is: this fellow will but join you together as they join wainscot; then one of you will prove a shrunk pannel, and, like green timber, warp, warp.

-- 449 --

Touch.

I am not in the mind, but I were better to be married of him than of another: for he is not like to marry me well: and not being well married, it will be a good excuse for me hereafter, to leave my wife.

[Aside.

Jaq.
Go thou with me, and let me counsel thee.

Touch.
Come, sweet Audrey:
We must be married, or we must live in bawdry,
Farewell, good master Oliver!



Not—O sweet Oliver,
    O brave Oliver7 note

















,
  Leave me not behind thee:
    But—Wind away,
    Begone, I say,
  I will not to wedding with thee. [Exeunt Jaques, Touchstone, and Audrey.

-- 450 --

Sir Oli.

'Tis no matter; ne'er a fantastical knave of them all shall flout me out of my calling.

[Exit.

-- 451 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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