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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE VII. The Same. A Table set out. Enter Duke senior, Amiens, Lords, and others.

Duke S.
I think he be transform'd into a beast;
For I can no where find him like a man.

1 Lord.
My lord, he is but even now gone hence;
Here was he merry, hearing of a song.

Duke S.
If he, compact of jars4 note




, grow musical,
We shall have shortly discord in the spheres:—
Go, seek him; tell him, I would speak with him.

-- 401 --

Enter Jaques.

1 Lord.
He saves my labour by his own approach.

Duke S.
Why, how now, monsieur! what a life is this,
That your poor friends must woo your company?
What, you look merrily.

Jaq.
A fool, a fool!—I met a fool i' the forest,
A motley fool;—a miserable world5 note


!—
As I do live by food, I met a fool;
Who laid him down and bask'd him in the sun,
And rail'd on lady Fortune in good terms,
In good set terms,—and yet a motley fool.
Good-morrow, fool, quoth I: No, sir, quoth he,
Call me not fool, till heaven hath sent me fortune6 note







:

-- 402 --


And then he drew a dial from his poke;
And looking on it with lack-lustre eye,
Says, very wisely, It is ten o'clock:
Thus may we see, quoth he, how the world wags:
'Tis but an hour ago, since it was nine;
And after one hour more, 'twill be eleven;
And so, from hour to hour, we ripe and ripe,
And then, from hour to hour, we rot, and rot,
And thereby hangs a tale. When I did hear
The motley fool thus moral on the time,
My lungs began to crow like chanticleer,
That fools should be so deep contemplative;
And I did laugh, sans intermission,
An hour by his dial.—O noble fool!
A worthy fool! Motley's the only wear7 note




.

Duke S.
What fool is this?

Jaq.
O worthy fool!—One that hath been a courtier;
And says, if ladies be but young, and fair,
They have the gift to know it: and in his brain,—
Which is as dry as the remainder biscuit8 note


-- 403 --


After a voyage,—he hath strange places cramm'd
With observation, the which he vents
In mangled forms:—O, that I were a fool!
I am ambitious for a motley coat.

Duke S.
Thou shalt have one.

Jaq.
It is my only suit9 note

;
Provided, that you weed your better judgments
Of all opinion that grows rank in them,
That I am wise. I must have liberty
Withal, as large a charter as the wind1 note
,
To blow on whom I please; for so fools have:
And they that are most galled with my folly,
They most must laugh: And why, sir, must they so?
The why is plain as way to parish church:
He, that a fool doth very wisely hit,
Doth very foolishly, although he smart,
Not to seem senseless of the bob2 note




: if not,

-- 404 --


The wise man's folly is anatomiz'd
Even by the squandring glances of the fool2 note.
Invest me in my motley; give me leave
To speak my mind, and I will through and through
Cleanse the foul body of the infected world3 note
,
If they will patiently receive my medicine.

Duke S.
Fye on thee! I can tell what thou wouldst do.

Jaq.
What, for a counter4 note

, would I do, but good?

Duke S.
Most mischievous foul sin, in chiding sin:
For thou thyself hast been a libertine,
As sensual as the brutish sting5 note





itself;

-- 405 --


And all the embossed sores, and headed evils,
That thou with licence of free foot hast caught,
Wouldst thou disgorge into the general world.

Jaq.
Why, who cries out on pride,
That can therein tax any private party?
Doth it not flow as hugely as the sea,
Till that the very very means do ebb6 note?
What woman in the city do I name,
When that I say, The city-woman bears
The cost of princes on unworthy shoulders?
Who can come in, and say, that I mean her,
When such a one as she, such is her neighbour?
Or what is he of basest function,
That says, his bravery7 note
is not on my cost,
(Thinking that I mean him,) but therein suits
His folly to the mettle of my speech?
There then; How then? what then8 note



? Let me see wherein
My tongue hath wrong'd him: if it do him right,
Then he hath wrong'd himself; if he be free,
Why then, my taxing like a wild goose flies,
Unclaim'd of any man.—But who comes* note here? Enter Orlando, with his sword drawn.

Orl.
Forbear, and eat no more.

Jaq.
Why, I have eat none yet.

-- 406 --

Orl.
Nor shalt not, till necessity be serv'd.

Jaq.
Of what kind should this cock come of?

Duke S.
Art thou thus bolden'd, man, by thy distress;
Or else a rude despiser of good manners,
That in civility thou seem'st so empty?

Orl.
You touch'd my vein at first; the thorny point
Of bare distress hath ta'en from me the show
Of smooth civility9 note

: yet am I inland bred1 note,
And know some nurture2 note


: But forbear, I say;
He dies, that touches any of this fruit,
Till I and my affairs are answered.

Jaq.
An you will not be answered with reason,
I must die.

Duke S.
What would you have? Your gentleness shall force,
More than your force move us to gentleness.

Orl.
I almost die for food, and let me have it.

Duke S.
Sit down and feed, and welcome to our table.

Orl.
Speak you so gently? Pardon me, I pray you:

-- 407 --


I thought, that all things had been savage here;
And therefore put I on the countenance
Of stern commandment: But whate'er you are,
That in this desert inaccessible3 note,
Under the shade of melancholy boughs,
Lose and neglect the creeping hours of time;
If ever you have look'd on better days;
If ever been where bells have knoll'd to church;
If ever sat at any good man's feast;
If ever from your eye-lids wip'd a tear,
And know what 'tis to pity, and be pitied;
Let gentleness my strong enforcement be:
In the which hope, I blush, and hide my sword.

Duke S.
True is it that we have seen better days;
And have with holy bell been knoll'd to church;
And sat at good men's feasts; and wip'd our eyes
Of drops that sacred pity hath engender'd:
And therefore sit you down in gentleness,
And take upon command what help we have4 note,
That to your wanting may be ministred.

Orl.
Then, but forbear your food a little while,
Whiles, like a doe, I go to find my fawn,
And give it food5 note


. There is an old poor man,
Who after me hath many a weary step
Limp'd in pure love; till he be first suffic'd,—
Oppress'd with two weak evils, age and hunger,—
I will not touch a bit.

Duke S.
Go find him out,
And we will nothing waste till you return.

-- 408 --

Orl.
I thank ye; and be bless'd for your good comfort!
[Exit.

Duke S.
Thou seest, we are not all alone unhappy:
This wide and universal theatre
Presents more woeful pageants than the scene
Wherein we play in6 note








.

Jaq.
All the world's a stage7 note







,
And all the men and women merely players:
They have their exits and their entrances;

-- 409 --


And one man in his time plays many parts,
His acts being seven ages8 note. At first, the infant,
Mewling and puking in the nurse's arms;
Then9 note, the whining school-boy, with his satchel,
And shining morning face, creeping like snail
Unwillingly to school: And then, the lover;
Sighing like furnace1 note, with a woeful ballad
Made to his mistress' eye-brow: Then, a soldier;
Full of strange oaths, and bearded like the pard2 note

,
Jealous in honour, sudden and quick3 note

in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth: And then, the justice;
In fair round belly, with good capon lin'd,
With eyes severe, and beard of formal cut,
Full of wise saws and modern instances4 note


,

-- 410 --


And so he plays his part: The sixth age shifts
Into the lean and slipper'd pantaloon5 note

;
With spectacles on nose6 note
, and pouch on side;
His youthful hose well sav'd, a world too wide

-- 411 --


For his shrunk shank; and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound: Last scene of all,
That ends this strange eventful history,
Is second childishness, and mere oblivion;
Sans teeth, sans eyes, sans taste, sans every thing. Re-enter Orlando, with Adam.

Duke S.
Welcome: Set down your venerable burden7 note





,
And let him feed.

Orl.
I thank you most for him.

Adam.
So had you need;
I scarce can speak to thank you for myself.

Duke S.
Welcome, fall to: I will not trouble you
As yet, to question you about your fortunes:—
Give us some musick; and, good cousin, sing.

Amiens sings. SONG.

I.
Blow, blow, thou winter wind,
Thou art not so unkind
  As man's ingratitude8 note

;

-- 412 --


Thy tooth is not so keen,
Because thou art not seen9 note











,
  Although thy breath be rude.

-- 413 --


Heigh, ho! sing, heigh, ho! unto the green holly:
Most friendship is feigning, most loving mere folly:
  Then, heigh, ho, the holly!
    This life is most jolly.

II.
Freeze, freeze, thou bitter sky,
That dost not bite so nigh
  As benefits forgot:
Though thou the waters warp1 note






,

-- 414 --


Thy sting is not so sharp
  As friend remember'd not2 note
.
Heigh, ho! sing, heigh, ho! &c.

Duke S.
If that you were the good sir Rowland's son,—
As you have whisper'd faithfully, you were;
And as mine eye doth his effigies witness
Most truly limn'd, and living in your face,—
Be truly welcome hither: I am the duke,

-- 415 --


That lov'd your father: The residue of your fortune,
Go to my cave and tell me.—Good old man,
Thou art right welcome as thy master is3 note:
Support him by the arm.—Give me your hand,
And let me all your fortunes understand. [Exeunt.
Previous section


James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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