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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE VII. Belmont. A Room in Portia's House. Flourish of Cornets. Enter Portia, with the Prince of Morocco, and both their Trains.

Por.
Go, draw aside the curtains, and discover
The several caskets to this noble prince:—
Now make your choice.

Mor.
The first, of gold, who this inscription bears;
Who chooseth me, shall gain what many* note men desire.
The second, silver, which this promise carries;—
Who chooseth me, shall get as much as he deserves.
This third, dull lead, with warning all as blunt8 note;—
Who chooseth me, must give and hazard all he hath.
How shall I know if I do choose the right?

Por.
The one of them contains my picture, prince;
If you choose that, then I am yours withal.

Mor.
Some god direct my judgment! Let me see,
I will survey the inscriptions back again:
What says this leaden casket?
Who chooseth me, must give and hazard all he hath.
Must give—For what? for lead? hazard for lead?
This casket threatens: Men, that hazard all,
Do it in hope of fair advantages:

-- 61 --


A golden mind stoops not to shows of dross;
I'll then nor give, nor hazard, aught for lead.
What says the silver, with her virgin hue?
Who chooseth me, shall get as much as he deserves.
As much as he deserves?—Pause there, Morocco,
And weigh thy value with an even hand:
If thou be'st rated by thy estimation,
Thou dost deserve enough; and yet enough
May not extend so far as to the lady;
And yet to be afeard of my deserving,
Were but a weak disabling of myself.
As much as I deserve!—Why, that's the lady:
I do in birth deserve her, and in fortunes,
In graces, and in qualities of breeding;
But more than these, in love I do deserve.
What if I stray'd no further, but chose here?—
Let's see once more this saying grav'd in gold:
Who chooseth me, shall gain what many men desire.
Why, that's the lady; all the world desires her:
From the four corners of the earth they come,
To kiss this shrine, this mortal breathing saint.
The Hyrcanian deserts, and the vasty wilds
Of wide Arabia, are as through-fares now,
For princes to come view fair Portia:
The watry kingdom, whose ambitious head
Spits in the face of heaven, is no bar
To stop the foreign spirits; but they come,
As o'er a brook, to see fair Portia.
One of these three contains her heavenly picture.
Is't like, that lead contains her? 'Twere damnation,
To think so base a thought; it were too gross
To rib9 note

her cerecloth in the obscure grave.

-- 62 --


Or shall I think, in silver she's immur'd,
Being ten times undervalued to try'd gold1 note

?
O sinful thought! Never so rich a gem
Was set in worse than gold. They have in England
A coin, that bears the figure of an angel
Stamped* note in gold; but that's insculp'd upon2 note



;
But here an angel in a golden bed
Lies all within.—Deliver me the key;
Here do I choose, and thrive I as I may!

Por.
There, take it, prince, and if my form lie there,
Then I am yours.
[He unlocks the golden casket.

Mor.
O hell! what have we here?
A carrion death, within whose empty eye
There is a written scroll: I'll read the writing.

All that glisters is not gold,
Often have you heard that told:
Many a man his life hath sold,
But my outside to behold:
Gilded tombs do worms infold3 note







.

-- 63 --


Had you been as wise as bold,
Young in limbs, in judgement old,
Your answer had not been inscrol'd4 note

:
Fare you well; your suit is cold.
  Cold, indeed; and labour lost:
  Then, farewell, heat; and, welcome, frost.—
Portia, adieu! I have too griev'd a heart
To take a tedious leave: thus losers part. [Exit.

Por.
A gentle riddance:—Draw the curtains, go;—
Let all of his complexion choose me so5 note.
[Exeunt.

-- 64 --

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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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