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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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SCENE III. The Same. A Street. Enter Launce, leading a dog.

Launce.

Nay, 'twill be this hour ere I have done weeping; all the kind of the Launces have this very fault: I have received my proportion, like the prodigious son, and am going with sir Proteus to the imperial's court. I think, Crab my dog be the sourest-natured dog that lives: my mother weeping, my father wailing, my sister crying, our maid howling, our cat wringing her hands, and all our house in a great perplexity, yet did not this cruel-hearted cur shed one tear: he is a stone, a very pebble-stone, and has no more pity in him than a dog: a Jew would have wept to have seen our parting; why, my grandam having no eyes, look you, wept herself blind at my parting. Nay, I'll show you the manner of it: This shoe is my father;— no, this left shoe2 note

is my father;—no, no, this left
shoe is my mother;—nay, that cannot be so, neither;—yes, it is so, it is so; it hath the worser sole: This shoe, with the hole in it, is my mother, and this my father; A vengeance on't! there 'tis:

-- 42 --

now, sir, this staff is my sister; for, look you, she is as white as a lilly, and as small as a wand: this hat is Nan, our maid; I am the dog3 note

:—no, the dog is himself, and I am the dog,—oh, the dog is me, and I am myself; ay, so, so. Now come I to my father; Father, your blessing; now should not the shoe speak a word for weeping; now should I kiss my father; well, he weeps on: now come I to my mother, (O, that she could speak now!) like a wood woman4 note

;—well, I kiss her; why there 'tis;

-- 43 --

here's my mother's breath up and down: now come I to my sister; mark the moan she makes: now the dog all this while sheds not a tear, nor speaks a word; but see how I lay the dust with my tears.

Enter Panthino.

Pant.

Launce, away, away, aboard; thy master is shipped, and thou art to post after with oars. What's the matter? why weep'st thou, man? Away, ass; you'll lose the tide, if you tarry any longer.

Launce.

It is no matter if the ty'd were lost5 note




;
for it is the unkindest ty'd that ever any man ty'd.

Pant.

What's the unkindest tide?

-- 44 --

Launce.

Why, he that's ty'd here; Crab, my dog.

Pant.

Tut, man, I mean thou't lose the flood; and, in losing the flood, lose thy voyage; and, in losing thy voyage, lose thy master; and, in losing thy master, lose thy service; and, in losing thy service,—Why dost thou stop my mouth?

Launce.

For fear thou should'st lose thy tongue.

Pant.

Where should I lose my tongue?

Launce.

In thy tale.

Pant.

In thy tail?

Launce.

Lose the tide, and the voyage, and the master, and the service:—And the tide6 note

. Why, man, if the river were dry, I am able to fill it with my tears; if the wind were down, I could drive the boat with my sighs.

Pant.

Come, come, away man; I was sent to call thee.

Launce.

Sir, call me what thou dar'st.

Pant.

Wilt thou go?

Launce.

Well, I will go.

[Exeunt.
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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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