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  Here wee see verified, All flesh is grasse;
And the glory thereof like flower of grasse;
The flower fadeth long before the grasse:
So worthiest Persons before other passe.


  Tho Death on them hath shew'd his vtmost power,
Heav'ns King hath crown'd them with th' Immortall flower. Gvilielmvs Iones.Capellanus mestissimus fecit invitâ Minervâ. Volume back matter END OF VOL. XX.

-- --

James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
To look up a word in a dictionary, select the word with your mouse and press 'd' on your keyboard.

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Volume 20 Volume front matter Title page THE PLAYS AND POEMS OF WILLIAM SHAKSPEARE, WITH THE CORRECTIONS AND ILLUSTRATIONS OF VARIOUS COMMENTATORS: COMPREHENDING A Life of the Poet, AND AN ENLARGED HISTORY OF THE STAGE, BY THE LATE EDMOND MALONE. WITH A NEW GLOSSARIAL INDEX. &grT;&grH;&grST; &grF;&grU;&grS;&grE;&grW;&grST; &grG;&grR;&grA;&grM;&grM;&grA;&grT;&grE;&grU;&grST; &grH;&grN;, &grT;&grO;&grN; &grK;&grA;&grL;&grA;&grM;&grO;&grN; &grA;&grP;&grO;&grB;&grR;&grE;&grX;&grW;&grN; &grE;&grI;&grST; &grN;&grO;&grU;&grN;. Vet. Auct. apud Suidam. VOL. XX. LONDON: PRINTED FOR F. C. AND J. RIVINGTON; T. EGERTON; J. CUTHELL; SCATCHERD AND LETTERMAN; LONGMAN, HURST, REES, ORME, AND BROWN; CADELL AND DAVIES; LACKINGTON AND CO.; J. BOOKER; BLACK AND CO.; J. BOOTH; J. RICHARDSON; J. M. RICHARDSON; J. MURRAY; J. HARDING; R. H. EVANS; J. MAWMAN; R. SCHOLEY; T. EARLE; J. BOHN; C. BROWN; GRAY AND SON; R. PHENEY; BALDWIN, CRADOCK, AND JOY; NEWMAN AND CO.; OGLES, DUNCAN, AND CO.; T. HAMILTON; W. WOOD; J. SHELDON; E. EDWARDS; WHITMORE AND FENN; W. MASON; G. AND W. B. WHITTAKER; SIMPKIN AND MARSHALL; R. SAUNDERS: J. DEIGHTON AND SONS, CAMBRIDGE: WILSON AND SON, YORK AND STIRLING AND SLADE, FAIRBAIRN AND ANDERSON, AND D. BROWN, EDINBURGH. 1821.

-- --

Contents
VENUS AND ADONIS. RAPE OF LUCRECE. SONNETS. LOVER'S COMPLAINT. PASSIONATE PILGRIM. MEMOIRS OF LORD SOUTHAMPTON.

-- 1 --

POEMS.

-- 3 --

It would, I apprehend, be unnecessary to assign any other reason for reprinting the following poems, than that the editor who undertakes to publish Shakspeare, is bound to present the reader with all his works. Mr. Steevens has, indeed, spoken of them with the utmost bitterness of contempt; but in the course of about forty years, the period which has elapsed since they were first described by that critick as entirely worthless, I will venture to assert that he has not made a convert of a single reader who had any pretensions to poetical taste. That these youthful performances might have been written without those splendid powers which were required for Othello and Macbeth may be readily admitted, but I question if they would suffer much in a comparison with his early dramatick essays, The Two Gentlemen of Verona, The Comedy of Errors, or Love's Labour's Lost. If they had no other claims to our applause, than that which belongs to their exquisite versification, they would, on that ground alone, be entitled to a high rank among the lighter productions of our poetry. The opinions of Mr. Malone and Mr. Steevens, on this subject, will be found as they originally appeared in various parts of the volume; and I have no doubt as to the decision of the public, who, I am satisfied, will gladly welcome an accurate republication of poems glowing with the “orient hues” of our great poet's youthful imagination. Boswell.

-- 5 --


Vilia miretur vulgus, mihi flavus Apollo
Pocula Castalia plena ministret aqua. Ovid.

-- 7 --

TO THE RIGHT HONOURABLE HENRY WRIOTHESLY, EARL OF SOUTHAMPTON, AND BARON OF TICHFIELD.

RIGHT HONOURABLE,
I KNOW not how I shall offend in dedicating my unpolished lines to your lordship, nor how the world will censure me for choosing so strong a prop to support so weak a burthen: only, if your honour seem but pleased, I account myself highly praised, and vow to take advantage of all idle hours, till I have honoured you with some graver labour. But if the first heir of my invention prove deformed, I shall be sorry it had so noble a godfather, and never after ear so barren a land1 note, for fear it yield me still so bad a harvest. I leave it to your honourable

-- 8 --

survey, and your honour2 note to your heart's content; which I wish may always answer your own wish, and the world's hopeful expectation3 note

.

Your Honour's in all duty, William Shakspeare.

-- 9 --

Volume 20: Venus and Adonis note






Even as the sun with purple-colour'd face
Had ta'en his last leave of the weeping morn,
Rose-cheek'd Adonis2 note






hied him to the chase;
Hunting he lov'd, but love he laugh'd to scorn:

-- 10 --


  Sick-thoughted Venus makes amain unto him,
  And like a bold-fac'd suitor 'gins to woo him.
Thrice fairer than myself, (thus she began,)
The field's chief flower3 note, sweet above compare,
Stain to all nymphs, more lovely than a man,
More white and red than doves or roses are;
  Nature that made thee, with herself at strife4 note


,
  Saith, that the world hath ending with thy life5 note
.

-- 11 --


Vouchsafe, thou wonder, to alight thy steed,
And rein his proud head to the saddle-bow;
If thou wilt deign this favour, for thy meed
A thousand honey secrets shalt thou know:
  Here come and sit, where never serpent hisses,
  And being set, I'll smother thee with kisses:

And yet not cloy thy lips with loath'd satiety,
But rather famish them amid their plenty6 note



,
Making them red and pale with fresh variety;
Ten kisses short as one, one long as twenty:
  A summer's day will seem an hour but short,
  Being wasted in such time-beguiling sport.

With this she seizeth on his sweating palm,
The precedent of pith and livelihood7 note




,
And, trembling in her passion, calls it balm,
Earth's sovereign salve to do a goddess good:
  Being so enrag'd, desire doth lend her force,
  Courageously to pluck him from his horse.

-- 12 --


Over one arm the lusty courser's rein,
Under her other8 note was the tender boy,
Who blush'd and pouted in a dull disdain,
With leaden appetite, unapt to toy;
  She red and hot, as coals of glowing fire,
  He red for shame, but frosty in desire.

The studded bridle on a ragged bough
Nimbly she fastens; (O, how quick is love!)
The steed is stalled up, and even now
To tie the rider she begins to prove:
  Backward she push'd him, as she would be thrust,
  And govern'd him in strength, though not in lust.

So soon was she along, as he was down,
Each leaning on their elbows and their hips:
Now doth she stroke his cheek, now doth he frown,
And 'gins to chide, but soon she stops his lips:
  And kissing speaks, with lustful language broken,
  If thou wilt chide, thy lips shall never open.

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs, and golden hairs,
To fan and blow them dry again she seeks9 note







:

-- 13 --


  He saith, she is immodest, blames her 'miss1 note



;
  What follows more, she murders with a kiss2 note



.
Even as an empty eagle, sharp by fast,
Tires with her beak on feathers, flesh, and bone3 note

,
Shaking her wings, devouring all in haste,
Till either gorge be stuff'd, or prey be gone;
  Even so she kiss'd his brow, his cheek, his chin,
  And where she ends, she doth anew begin4 note
.

-- 14 --


Forc'd to content5 note



, but never to obey,
Panting he lies, and breatheth in her face;
She feedeth on the steam, as on a prey,
And calls it heavenly moisture, air of grace;
  Wishing her cheeks were gardens full of flowers,
  So they were dew'd with such distilling showers6 note

.
Look how a bird lies tangled in a net,
So fasten'd in her arms Adonis lies;
Pure shame and aw'd resistance made him fret,
Which bred more beauty in his angry eyes7 note

:
  Rain added to a river that is rank8 note






,
  Perforce will force it overflow the bank.

-- 15 --


Still she entreats, and prettily entreats,
For to a pretty ear she tunes her tale;
Still is he sullen, still he low'rs and frets,
'Twixt crimson shame, and anger ashy-pale9 note


;
  Being red, she loves him best; and being white,
  Her best is better'd1 note with a more delight.
Look how he can, she cannot choose but love;
And by her fair immortal hand she swears,
From his soft bosom never to remove,
Till he take truce with her contending tears,
  Which long have rain'd, making her cheeks all wet;
  And one sweet kiss shall pay this countless debt2 note



.

Upon this promise did he raise his chin,
Like a dive-dapper peering through a wave,

-- 16 --


Who being look'd on, ducks as quickly in;
So offers he to give what she did crave;
  But when her lips were ready for his pay,
  He winks, and turns his lips another way.
Never did passenger in summer's heat,
More thirst for drink than she for this good turn.
Her help she sees, but help she cannot get;
She bathes in water, yet her fire must burn3 note:
  O, pity, 'gan she cry, flint-hearted boy;
  'Tis but a kiss I beg; why art thou coy?

I have been woo'd as I entreat thee now,
Even by the stern and direful god of war;
Whose sinewy neck in battle ne'er did bow,
Who conquers where he comes, in every jar;
  Yet hath he been my captive and my slave,
  And begg'd for that which thou unask'd shalt have.

Over my altars hath he hung his lance,
His batter'd shield, his uncontrolled crest,
And for my sake hath learn'd to sport and dance,
To toy, to wanton4 note, dally, smile, and jest;
  Scorning his churlish drum, and ensign red,
  Making my arms his field, his tent my bed.

Thus he that over-rul'd, I oversway'd,
Leading him prisoner in a red-rose chain5 note



:

-- 17 --


Strong-temper'd steel his stronger strength obey'd,
Yet was he servile to my coy disdain6 note
.
  O, be not proud, nor brag not of thy might,
  For mastering her that foil'd the god of fight.
Touch but my lips with those fair lips of thine,
(Though mine be not so fair, yet are they red,)
The kiss shall be thine own as well as mine;—
What see'st thou in the ground? hold up thy head;
  Look in mine eye-balls, there thy beauty lies:
  Then why not lips on lips, since eyes in eyes7 note?

Art thou asham'd to kiss? then wink again,
And I will wink; so shall the day seem night;
Love keeps his revels where there are but twain;
Be bold to play, our sport is not in sight8 note



:
  These blue-vein'd violets whereon we lean,
  Never can blab, nor know not we mean9 note.

-- 18 --


The tender spring upon thy tempting lip
Shews thee unripe; yet may'st thou well be tasted;
Make use of time, let not advantage slip;
Beauty within itself should not be wasted:
  Fair flowers that are not gather'd in their prime,
  Rot and consume themselves in little time.

Were I hard-favour'd, foul, or wrinkled-old,
Ill-nurtur'd, crooked, churlish, harsh in voice1 note

,
O'er-worn, despised, reumatick and cold,
Thick-sighted, barren, lean, and lacking juice2 note,
  Then might'st thou pause, for then I were not for thee;
  But having no defects, why dost abhor me?

Thou canst not see one wrinkle in my brow;
Mine eyes are grey3 note, and bright, and quick in turning;

-- 19 --


My beauty as the spring doth yearly grow,
My flesh is soft and plump, my marrow burning;
  My smooth moist hand, were it with thy hand felt,
  Would in thy palm dissolve, or seem to melt.
Bid me discourse, I will enchant thine ear,
Or, like a fairy, trip upon the green,
Or, like a nymph, with long dishevell'd hair,
Dance on the sands, and yet no footing seen4 note


:
  Love is a spirit all compact of fire,
  Not gross to sink, but light, and will aspire5 note

.

Witness this primrose bank whereon I lie;
These forceless flowers like sturdy trees support me;
Two strengthless doves will draw me through the sky,
From morn to night, even where I list to sport me:
  Is love so light, sweet boy, and may it be
  That thou should'st think it heavy unto thee?

Is thine own heart to thine own face affected?
Can thy right hand seize love upon thy left?
Then woo thyself, be of thyself rejected,
Steal thine own freedom, and complain on theft.
  Narcissus, so, himself himself forsook,
  And died to kiss his shadow in the brook.

-- 20 --


Torches are made to light, jewels to wear,
Dainties to taste, fresh beauty for the use;
Herbs for their smell, and sappy plants to bear;
Things growing to themselves are growth's abuse6 note








:
  Seeds spring from seeds, and beauty breedeth beauty;
  Thou wast begot7 note,—to get it is thy duty.
Upon the earth's increase8 note why should'st thou feed,
Unless the earth with thy increase be fed?
By law of nature thou art bound to breed,
That thine may live, when thou thyself art dead;
  And so, in spite of death, thou dost survive,
  In that thy likeness still is left alive.

By this, the love-sick queen began to sweat,
For, where they lay, the shadow had forsook them,

-- 21 --


And Titan, tired in the mid-day heat,
With burning eye9 note



did hotly overlook them;
  Wishing Adonis had his team to guide,
  So he were like him, and by Venus' side.

And now Adonis, with a lazy spright,
And with a heavy, dark, disliking eye,
His low'ring brows o'er-whelming his fair sight,
Like misty vapours, when they blot the sky,—
  Souring his cheeks1 note





, cries, Fie, no more of love;
  The sun doth burn my face; I must remove.

Ah me, (quoth Venus,) young, and so unkind2 note
?
What bare excuses mak'st thou3 note

to be gone!
I'll sigh celestial breath4 note

, whose gentle wind
Shall cool the heat of this descending sun;
  I'll make a shadow for thee of my hairs;
  If they burn too, I'll quench them with my tears.

The sun that shines from heaven, shines but warm5 note



,
And lo, I lie between that sun and thee;

-- 22 --


The heat I have from thence doth little harm,
Thine eye darts forth the fire that burneth me:
  And were I not immortal, life were done6 note
,
  Between this heavenly and earthly sun.
Art thou obdurate, flinty, hard as steel,
Nay more than flint, for stone at rain relenteth?
Art thou a woman's son, and canst not feel
What 'tis to love? how want of love tormenteth?
  O, had thy mother borne so hard a mind7 note




,
  She had not brought forth thee, but died unkind8 note.

What am I, that thou should'st contemn me this9 note

?
Or what great danger dwells upon my suit?

-- 23 --


What were thy lips the worse for one poor kiss?
Speak, fair; but speak fair words, or else be mute:
  Give me one kiss, I'll give it thee again,
  And one for interest, if thou wilt have twain.
Fie, lifeless picture, cold and senseless stone,
Well-painted idol, image, dull and dead,
Statue, contenting but the eye alone,
Thing like a man, but of no woman bred;
  Thou are no man, though of a man's complexion,
  For men will kiss even by their own direction.

This said, impatience chokes her pleading tongue,
And swelling passion doth provoke a pause;
Red cheeks and firy eyes blaze forth her wrong;
Being judge in love, she cannot right her cause:
  And now she weeps, and now she fain would speak,
  And now her sobs do her intendments1 note break.

Sometimes she shakes her head, and then his hand,
Now gazeth she on him, now on the ground;
Sometimes her arms infold him like a band;
She would, he will not in her arms be bound:
  And when from thence he struggles to be gone,
  She locks her lily fingers, one in one2 note





.

-- 24 --


Fondling, she saith, since I have hemm'd thee here,
Within the circuit of this ivory pale,
I'll be a park, and thou shalt be my deer3 note





;
Feed where thou wilt, on mountain or in dale:
  Graze on my lips4 note

; and, if those hills be dry,
  Stray lower, where the pleasant fountains lie5 note
.
Within this limit is relief enough,
Sweet bottom-grass, and high delightful plain,
Round rising hillocks, brakes obscure and rough,
To shelter thee from tempest and from rain;
  Then be my deer, since I am such a park;
  No dog shall rouze thee, though a thousand bark.

At this Adonis smiles, as in disdain,
That in each cheek appears a pretty dimple:
Love made those hollows, if himself were slain,
He might be buried in a tomb so simple;
  Fore-knowing well, if there he came to lie,
  Why there Love liv'd, and there he could not die.

-- 25 --


These lovely caves, these round enchanting pits,
Open'd their mouths to swallow Venus' liking:
Being mad before, how doth she now for wits?
Struck dead at first, what needs a second striking6 note

?
  Poor queen of love, in thine own law forlorn,
  To love a cheek that smiles at thee in scorn!

Now which way shall she turn? what shall she say?
Her words are done, her woes the more increasing;
The time is spent, her object will away,
And from her twining arms doth urge releasing:
  Pity,—(she crys) some favour,—some remorse7 note

;—
  Away he springs, and hasteth to his horse.

But lo, from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud,
Adonis' trampling courser doth espy,
And forth she rushes, snorts, and neighs aloud:
  The strong-neck'd steed, being tied unto a tree,
  Breaketh his rein, and to her straight goes he.

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds8 note
,
Whose hollow womb resounds like heaven's thunder;

-- 26 --


  The iron bit he crusheth 'tween his teeth,
  Controlling what he was controlled with9 note
.
His ears up prick'd; his braided hanging mane
Upon his compass'd crest1 note

now stand on end2 note
;
His nostrils drink the air3 note




, and forth again,
As from a furnace, vapours doth he send4 note




:
  His eye, which scornfully glisters like fire,
  Shews his hot courage, and his high desire.
Sometime he trots, as if he told the steps,
With gentle majesty, and modest pride;
Anon he rears upright, curvets and leaps5 note,
As who should say, lo! thus my strength is try'd;

-- 27 --


  And this I do6 note, to captivate the eye
  Of the fair breeder that is standing by.
What recketh he his rider's angry stir,
His flattering holla7 note


, or his Stand, I say?
What cares he now for curb, or pricking spur?
For rich caparisons, or trapping gay?
  He sees his love, and nothing else he sees,
  For nothing else with his proud sight agrees.

Look, when a painter would surpass the life,
In limning out a well-proportion'd steed,
His art with nature's workmanship at strife8 note






,
As if the dead the living should exceed;
  So did this horse excell a common one,
  In shape, in courage, colour, pace, and bone.

-- 28 --


Round-hoof'd, short-jointed, fetlocks shag and long,
Broad breast, full eye9 note, small head, and nostril wide,
High crest, short ears, straight legs, and passing strong,
Thin mane, thick tail, broad buttock, tender hide:
  Look what a horse should have, he did not lack,
  Save a proud rider on so proud a back.

Sometime he scuds far off, and there he stares;
Anon he starts at stirring of a feather1 note
;
To bid the wind a base he now prepares2 note
,
And whe'r he run, or fly, they know not whether3 note




;
  For through his mane and tail the high wind sings,
  Fanning the hairs, who wave like feather'd wings.
He looks upon his love, and neighs unto her;
She answers him, as if she knew his mind:
Being proud, as females are, to see him woo her,
She puts on outward strangeness4 note



, seems unkind;

-- 29 --


  Spurns at his love, and scorns the heat he feels,
  Beating his kind embracements with her heels.
Then, like a melancholy malecontent,
He vails his tail5 note, that, like a falling plume
Cool shadow to his melting buttock lent6 note;
He stamps, and bites the poor flies in his fume:
  His love perceiving how he is enrag'd,
  Grew kinder, and his fury was assuag'd.

His testy master goeth about to take him;
When lo, the unback'd breeder, full of fear,
Jealous of catching, swiftly doth forsake him,
With her the horse, and left Adonis there:
  As they were mad, unto the wood they hie them,
  Out-stripping crows that strive to over-fly them.

All swoln with chasing, down Adonis sits,
Banning7 note
his boist'rous and unruly beast;
And now the happy season once more fits,
That love-sick Love by pleading may be blest;
  For lovers say, the heart hath treble wrong,
  When it is barr'd the aidance of the tongue8 note


.

-- 30 --


An oven that is stopp'd, or river stay'd,
Burneth more hotly, swelleth with more rage:
So of concealed sorrow may be said;
Free vent of words love's fire doth assuage9 note;
  But when the heart's attorney once is mute,
  The client breaks1 note



, as desperate in his suit.

He sees her coming, and begins to glow,
(Even as a dying coal revives with wind,)
And with his bonnet hides his angry brow;
Looks on the dull earth with disturbed mind2 note

;
  Taking no notice that she is so nigh,
  For all askaunce he holds her in his eye.

O, what a sight it was, wistly to view
How she came stealing to the wayward boy!
To note the fighting conflict of her hue!
How white and red each other did destroy3 note



!

-- 31 --


  But now, her cheek was pale, and by and by
  It flash'd forth fire, as lightning from the sky.
Now was she just before him as he sat,
And like a lowly lover down she kneels;
With one fair hand she heaveth up his hat,
Her other tender hand his fair cheek feels:
  His tend'rer cheek receives her soft hand's print,
  As apt as new-fall'n snow takes any dint.

O, what a war of looks was then between them!
Her eyes, petitioners, to his eyes suing;
His eyes saw her eyes as they had not seen them;
Her eyes woo'd still, his eyes disdain'd the wooing:
  And all this dumb play had his acts4 note


made plain
  With tears, which, chorus-like, her eyes did rain5 note
.

Full gently now she takes him by the hand,
A lily prison'd in a gaol of snow,
Or ivory in an alabaster band;
So white a friend engirts so white a foe:
  This beauteous combat, wilful and unwilling,
  Show'd like two silver doves that sit a billing.

Once more the engine of her thoughts began:
O fairest mover on this mortal round,
Would thou wert as I am, and I a man,
My heart all whole as thine, thy heart my wound6 note;

-- 32 --


  For one sweet look thy help I would assure thee,
  Though nothing but my body's bane would cure thee.
Give me my hand, saith he, why dost thou feel it?
Give me my heart, saith she, and thou shalt have it;
O give it me, lest thy hard heart do steel it7 note
,
And being steel'd, soft sighs can never grave it8 note:
  Then love's deep groans I never shall regard,
  Because Adonis' heart hath made mine hard.

For shame, he cries, let go, and let me go;
My day's delight is past, my horse is gone,
And 'tis your fault I am bereft him so;
I pray you hence, and leave me here alone;
  For all my mind, my thought, my busy care,
  Is how to get my palfrey from the mare.

Thus she replies: Thy palfrey, as he should,
Welcomes the warm approach of sweet desire.
Affection is a coal that must be cool'd;
Else, suffer'd, it will set the heart on fire:
  The sea hath bounds, but deep desire hath none9 note

;
  Therefore no marvel though thy horse be gone.

How like a jade he stood, tied to the tree1 note,
Servilely master'd with a leathern rein!

-- 33 --


But when he saw his love, his youth's fair fee,
He held such petty bondage in disdain;
  Throwing the base thong from his bending crest,
  Enfranchising his mouth, his back, his breast.
Who sees his true love in her naked bed,
Teaching the sheets a whiter hue than white6 note












,
But, when his glutton eye so full hath fed,
His other agents aim at like delight7 note

?
  Who is so faint, that dare not be so bold,
  To touch the fire, the weather being cold?

Let me excuse thy courser, gentle boy;
And learn of him, I heartily beseech thee,

-- 34 --


To take advantage on presented joy;
Though I were dumb, yet his proceedings teach thee:
  O learn to love; the lesson is but plain,
  And, once made perfect, never lost again.
I know not love, (quoth he,) nor will not know it,
Unless it be a boar, and then I chase it;
'Tis much to borrow, and I will not owe it;
My love to love is love but to disgrace it8 note;
  For I have heard it is a life in death,
  That laughs, and weeps, and all but with a breath9 note








.

Who wears a garment shapeless and unfinish'd?
Who plucks the bud before one leaf put forth1 note



?
If springing things be any jot diminish'd,
They wither in their prime, prove nothing worth:
  The colt that's back'd and burthen'd being young,
  Loseth his pride, and never waxeth strong.

-- 35 --


You hurt my hand with wringing; let us part2 note





,
And leave this idle theme, this bootless chat:
Remove your siege from my unyielding heart;
To love's alarm it will not ope the gate3 note



:
  Dismiss your vows, your feigned tears, your flattery;
  For where a heart is hard, they make no battery.
What! canst thou talk, (quoth she,) hast thou a tongue?
O, would thou had'st not, or I had no hearing!
Thy mermaid's voice4 note

hath done me double wrong;
I had my load before, now press'd with bearing:
  Melodious discord, heavenly tune harsh-sounding,
  Ear's deep-sweet musick5 note, and heart's deep-sore wounding.

-- 36 --


Had I no eyes, but ears, my ears would love
That inward beauty and invisible6 note






;
Or, were I deaf, thy outward parts would move
Each part in me that were but sensible:
  Though neither eyes nor ears, to hear nor see,
  Yet should I be in love, by touching thee.
Say, that the sense of feeling7 note were bereft me,
And that I could not see, nor hear, nor touch,
And nothing but the very smell were left me,
Yet would my love to thee be still as much;
  For from the still'tory of thy face excelling
  Comes breath perfum'd8 note



, that breedeth love by smelling.

-- 37 --


But O, what banquet wert thou to the taste,
Being nurse and feeder of the other four!
Would they not wish the feast might ever last9 note,
And bid Suspicion double lock the door1 note?
  Lest jealousy, that sour unwelcome guest2 note

,
  Should, by his stealing in, disturb the feast.

Once more the ruby-colour'd portal open'd3 note

,
Which to his speech did honey passage yield;
Like a red morn, that ever yet betoken'd
Wreck to the sea-man, tempest to the field,
  Sorrow to shepherds, woe unto the birds,
  Gusts and fowl flaws4 note to herdmen and to herds.

This ill presage advisedly she marketh:—
Even as the wind is hush'd before it raineth5 note


,
Or as the wolf doth grin before he barketh,
Or as the berry breaks before it staineth,

-- 38 --


  Or like the deadly bullet of a gun6 note

,
  His meaning struck her, ere his words begun7 note


.
And at his look she flatly falleth down,
For looks kill love, and love by looks reviveth:
A smile recures the wounding of a frown;
But blessed bankrupt, that by love so thriveth!
  The silly boy believing she is dead,
  Claps her pale cheek, till clapping makes it red;

And all-amaz'd8 note brake off his late intent,
For sharply he did think to reprehend her,
Which cunning love did wittily prevent:
Fair fall the wit, that can so well defend her9 note
!
  For on the grass she lies, as she were slain,
  Till his breath breatheth life in her again.

He wrings her nose, he strikes her on the cheeks,
He bends her fingers, holds her pulses hard;
He chafes her lips; a thousand ways he seeks
To mend the hurt that his unkindness marr'd;
  He kisses her; and she, by her good will,
  Will never rise, so he will kiss her still.

-- 39 --


The night of sorrow now is turn'd to day:
Her two blue windows1 note









faintly she up-heaveth,
Like the fair sun, when in his fresh array
He cheers the morn, and all the world relieveth:
  And as the bright sun glorifies the sky2 note
,
  So is her face illumin'd with her eye;
Whose beams upon his hairless face3 note
are fix'd,
As if from thence they borrow'd all their shine4 note


.
Were never four such lamps together mix'd,
Had not his clouded with his brows' repine;
  But hers, which through the crystal tears gave light,
  Shone like the moon, in water seen by night5 note




.

-- 40 --


O, where am I, quoth she? in earth or heaven,
Or in the ocean drench'd, or in the fire?
What hour is this? or morn or weary even?
Do: I delight to die, or life desire?
  But now I liv'd, and life was death's annoy;
  But now I died, and death was lively joy.

O, thou didst kill me;—kill me once again:
Thy eyes' shrewd tutor, that hard heart of thine,
Hath taught them scornful tricks, and such disdain,
That they have murder'd this poor heart of mine6 note




;
  And these mine eyes, true leaders to their queen,
  But for thy piteous lips no more had seen.
Long may they kiss each other, for this cure!
O, never let their crimson liveries wear!
And as they last, their verdure still endure,
To drive infection from the dangerous year7 note

!
  That the star-gazers, having writ on death,
  May say, the plague is banish'd by thy breath.

Pure lips, sweet seals in my soft lips imprinted8 note






,
What bargains may I make, still to be sealing?

-- 41 --


To sell myself I can be well contented,
So thou wilt buy, and pay, and use good dealing;
  Which purchase if thou make, for fear of slips9 note


  Set thy seal-manual on my wax-red lips.
A thousand kisses buys my heart from me1 note

;
And pay them at thy leisure, one by one.
What is ten hundred touches2 note unto thee?
Are they not quickly told, and quickly gone?
  Say, for non-payment that the debt should double3 note,
  Is twenty hundred kisses such a trouble?

Fair queen, quoth he, if any love you owe me,
Measure my strangeness with my unripe years4 note;
Before I know myself, seek not to know me;
No fisher but the ungrown fry forbears:

-- 42 --


  The mellow plumb doth fall, the green sticks fast,
  Or being early pluck'd, is sour to taste.
Look, the world's comforter5 note



, with weary gait,
His day's hot task hath ended in the west:
The owl, night's herald, shrieks6 note



, 'tis very late;
The sheep are gone to fold, birds to their nest;
  And coal-black clouds that shadow heaven's light,
  Do summon us to part, and bid good night.

Now let me say good night, and so say you;
If you will say so, you shall have a kiss.
Good night, quoth she; and, ere he says adieu,
The honey fee of parting tender'd is:
  Her arms do lend his neck a sweet embrace;
  Incorporate then they seem; face grows to face7 note






.

-- 43 --


Till, breathless, he disjoin'd, and backward drew
The heavenly moisture, that sweet coral mouth,
Whose precious taste her thirsty lips well knew,
Whereon they surfeit, yet complain on drought:
  He with her plenty press'd, she faint with dearth,
  (Their lips together glew'd,) fall to the earth.

Now quick Desire hath caught the yielding prey,
And glutton-like she feeds, yet never filleth8 note


;
Her lips are conquerors, his lips obey,
Paying what ransom the insulter willeth;
  Whose vulture thought doth pitch the price so high,
  That she will draw his lips' rich treasure dry.
And having felt the sweetness of the spoil,
With blind-fold fury she begins to forage;
Her face doth reek and smoke, her blood doth boil,
And careless lust stirs up a desperate courage;
  Planting oblivion, beating reason back,
  Forgetting shame's pure blush9 note, and honour's wreck.

Hot, faint, and weary, with her hard embracing,
Like a wild bird being tam'd with too much handling,
Or as the fleet-foot roe, that's tir'd with chasing,
Or like the froward infant, still'd with dandling,

-- 44 --


  He now obeys, and now no more resisteth,
  While she takes all she can, not all she listeth1 note
.
What wax so frozen but dissolves with temp'ring,
And yields at last to every light impression2 note

?
Things out of hope are compass'd oft with vent'ring,
Chiefly in love, whose leave3 note exceeds commission:
  Affection faints not like a pale-fac'd coward,
  But then woos best, when most his choice is froward.

When he did frown, O, had she then gave over4 note,
Such nectar from his lips she had not suck'd.
Foul words and frowns must not repel a lover;
What though the rose have prickles, yet 'tis pluck'd5 note


:
  Were beauty under twenty locks kept fast,
  Yet love breaks through, and picks them all at last.

-- 45 --


For pity now she can no more detain him;
The poor fool6 note
prays her that he may depart:
She is resolv'd no longer to restrain him;
Bids him farewell, and look well to her heart,
  The which, by Cupid's bow she doth protest7 note
,
  He carries thence incaged in his breast8 note






.
Sweet boy, she says, this night I'll waste in sorrow,
For my sick heart commands mine eyes to watch.
Tell me, Love's master9 note



, shall we meet to morrow?
Say, shall we? shall we? wilt thou make the match?
  He tells her, no; to-morrow he intends
  To hunt the boar with certain of his friends.

The boar! (quoth she) whereat a sudden pale,
Like lawn being spread upon the blushing rose1 note










,

-- 46 --


Usurps her cheek; she trembles at his tale,
And on his neck her yoking arms she throws:
  She sinketh down, still hanging by his neck2 note,
  He on her belly falls, she on her back.
Now is she in the very lists of love3 note

,
Her champion mounted for the hot encounter:
All is imaginary she doth prove,
He will not manage her, although he mount her;
  That worse than Tantalus' is her annoy.
  To clip Elysium, and to lack her joy4 note.

Even as poor birds, deceiv'd with painted grapes5 note



,
Do surfeit by the eye, and pine the maw,

-- 47 --


Even so she languisheth in her mishaps,
As those poor birds that helpless berries saw6 note



:
  The warm effects7 note



which she in him finds missing,
  She seeks to kindle with continual kissing8 note

:

But all in vain; good queen, it will not be:
She hath assay'd as much as may be prov'd;
Her pleading hath deserv'd a greater fee;
She's Love, she loves, and yet she is not lov'd.
  Fie, fie, he says, you crush me; let me go;
  You have no reason to withhold me so.

Thou had'st been gone, quoth she, sweet boy, ere this,
But that thou told'st me, thou would'st hunt the boar.
O, be advis'd: thou know'st not what it is
With javelin's point a churlish swine to gore,
  Whose tushes never-sheath'd he whetteth still,
  Like to a mortal butcher9 note
, bent to kill.

-- 48 --


On his bow-back he hath a battle set
Of bristly pikes, that ever threat his foes;
His eyes, like glow-worms, shine when he doth fret1 note






;
His snout digs sepulchres where'er he goes;
  Being mov'd, he strikes what e'er is in his way,
  And whom he strikes, his cruel tushes slay.

His brawny sides, with hairy bristles arm'd,
Are better proof than thy spear's point can enter;
His short thick neck cannot be easily harm'd;
Being ireful, on the lion he will venture:
  The thorny brambles and embracing bushes,
  As fearful of him, part; through whom he rushes2 note


.

Alas, he nought esteems that face of thine,
To which Love's eyes pay tributary gazes;
Nor thy soft hands, sweet lips, and crystal eyne,
Whose full perfection all the world amazes;
  But having thee at vantage, (wond'rous dread!)
  Would root these beauties as he roots the mead.

-- 49 --


O, let him keep his loathsome cabin still3 note;
Beauty hath nought to do with such foul fiends:
Come not within his danger4 note by thy will;
They that thrive well, take counsel of their friends:
  When thou didst name the boar, not to dissemble,
  I fear'd thy fortune, and my joints did tremble.

Didst thou not mark my face? Was it not white?
Saw'st thou not signs of fear lurk in mine eye?
Grew I not faint? And fell I not downright?
Within my bosom, whereon thou dost lie,
  My boding heart pants, beats, and takes no rest,
  But, like an earthquake, shakes thee on my breast.

For where love reigns, disturbing jealousy
Doth call himself affection's sentinel;
Gives false alarms, suggesteth mutiny,
And in a peaceful hour doth cry, kill, kill5 note

;
  Distemp'ring gentle love in his desire6 note,
  As air and water do abate the fire.

This sour informer, this bate-breeding7 note spy,
This canker, that eat's up love's tender spring8 note





,

-- 50 --


This carry-tale9 note
, dissensious jealousy,
That sometime true news, sometime false doth bring1 note
,
  Knocks at my heart, and whispers in mine ear,
  That if I love thee, I thy death should fear:
And more than so, presenteth to mine eye
The picture of an angry chafing boar,
Under whose sharp fangs on his back doth lie
An image like thyself, all stain'd with gore;
  Whose blood upon the fresh flowers being shed,
  Doth make them droop with grief2 note, and hang the head.

What should I do, seeing thee so indeed,
That tremble3 note at the imagination?

-- 51 --


The thought of it doth make my faint heart bleed,
And fear doth teach it divination4 note





:
  I prophesy thy death, my living sorrow,
  If thou encounter with the boar to-morrow.
But if thou needs wilt hunt, be rul'd by me:
Uncouple at the timorous flying hare5 note






,
Or at the fox, which lives by subtilty,
Or at the roe, which no encounter dare:
  Pursue these fearful creatures o'er the downs,
  And on thy well-breath'd horse keep with thy hounds.

And when thou hast on foot the purblind hare,
Mark the poor wretch, to overshut his troubles6 note

,
How he out-runs the wind, and with what care
He cranks7 note




and crosses with a thousand doubles:

-- 52 --


  The many musits through the which he goes8 note







,
  Are like a labyrinth to amaze his foes.

Sometime he runs among a flock of sheep,
To make the cunning hounds mistake their smell;
And sometime where earth-delving conies keep9 note,
To stop the loud pursuers in their yell;
  And sometime sorteth with a herd of deer1 note;
  Danger deviseth shifts; wit waits on fear:

For there his smell with others being mingled,
The hot scent-snuffing hounds are driven to doubt;
Ceasing their clamorous cry till they have singled
With much ado the cold fault cleanly out;
  Then do they spend their mouths: Echo replies,
  As if another chase were in the skies2 note


.

-- 53 --


By this, poor Wat, far off upon a hill,
Stands on his hinder legs with listening ear,
To hearken if his foes pursue him still;
Anon their loud alarums he doth hear;
  And now his grief may be compared well
  To one sore sick, that hears the passing bell3 note

.

Then shalt thou see the dew-bedabbled wretch
Turn, and return, indenting with the way;
Each envious briar his weary legs doth scratch4 note

,
Each shadow makes him stop, each murmur stay:
  For misery is trodden on by many,
  And being low, never reliev'd by any.

Lie quietly, and hear a little more;
Nay, do not struggle, for thou shalt not rise:
To make thee hate the hunting of the boar,
Unlike myself thou hear'st me moralize5 note

,
  Applying this to that, and so to so;
  For love can comment upon every woe.

-- 54 --


Where did I leave?—No matter where, quoth he;
Leave me, and then the story aptly ends:
The night is spent. Why, what of that, quoth she:
I am, quoth he, expected of my friends;
  And now 'tis dark, and going I shall fall;—
  In night, quoth she, desire sees best of all6 note




.
But if thou fall, O then imagine this,
The earth, in love with thee, thy footing trips,
And all is but to rob thee of a kiss7 note


.
Rich preys make true men thieves8 note

; so do thy lips
  Make modest Dian cloudy and forlorn,
  Lest she should steal a kiss, and die forsworn9 note.

Now, of this dark night I perceive the reason:
Cynthia for shame obscures her silver shine1 note,

-- 55 --


Till forging Nature be condemn'd of treason,
For stealing moulds from heaven that were divine;
  Wherein she fram'd thee, in high heaven's despite,
  To shame the sun by day, and her by night.
And therefore hath she brib'd the Destinies,
To cross the curious workmanship of nature;
To mingle beauty with infirmities,
And pure perfection with impure defeature2 note
;
  Making it subject to the tyranny
  Of mad mischances3 note

, and much misery;

As burning fevers, agues pale and faint,
Life-poisoning pestilence, and frenzies wood4 note

,
The marrow-eating sickness, whose attaint
Disorder breeds by heating of the blood:
  Surfeits, impostumes, grief, and damn'd despair,
  Swear nature's death for framing thee so fair.

And not the least of all these maladies
But in one minute's fight brings beauty under5 note:

-- 56 --


Both favour, savour, hue, and qualities,
Whereat the impartial gazer6 note late did wonder,
  Are on the sudden wasted, thaw'd, and done7 note


,
  As mountain-snow melts with the mid-day sun.

Therefore, despight of fruitless chastity,
Love-lacking vestals, and self-loving nuns,
That on the earth would breed a scarcity,
And barren dearth of daughters and of sons,
  Be prodigal: the lamp that burns by night8 note



,
  Dries up his oil, to lend the world his light.

What is thy body but a swallowing grave9 note





,
Seeming to bury that posterity1 note


-- 57 --


Which by the rights of time thou needs must have,
If thou destroy them not in dark obscurity2 note?
  If so, the world will hold thee in disdain,
  Sith in thy pride so fair a hope is slain.
So in thyself thyself art made away;
A mischief worse than civil home-bred strife,
Or theirs, whose desperate hands themselves do slay,
Or butcher-sire3 note, that reaves his son of life.
  Foul cankering rust the hidden treasure frets,
  But gold that's put to use, more gold begets4 note








.

-- 58 --


Nay then, quoth Adon, you will fall again
Into your idle over-handled theme;
The kiss I gave you is bestow'd in vain,
And all in vain you strive against the stream;
  For by this black-faced night, desire's foul nurse,
  Your treatise makes me like you worse and worse.

If love have lent you twenty thousand tongues,
And every tongue more moving than your own,
Bewitching like the wanton mermaid's songs,
Yet from mine ear the tempting tune is blown;
  For know, my heart stands armed in mine ear,
  And will not let a false sound enter there;

Lest the deceiving harmony should run
Into the quiet closure of my breast;
And then my little heart were quite undone,
In his bedchamber to be barr'd of rest.
  No, lady, no; my heart longs not to groan,
  But soundly sleeps, while now it sleeps alone.

What have you urg'd, that I cannot reprove?
The path is smooth that leadeth on to danger5 note;
I hate not love, but your device in love,
That lends embracements unto every stranger.
  You do it for increase, O strange excuse!
  When reason is the bawd to lust's abuse6 note
.

Call it not love, for Love to heaven is fled,
Since sweating Lust on earth usurp'd his name7 note


;

-- 59 --


Under whose simple semblance he hath fed
Upon fresh beauty, blotting it with blame;
  Which the hot tyrant stains, and soon bereaves,
  As caterpillars do the tender leaves.
Love comforteth, like sunshine after rain,
But lust's effect is tempest after sun;
Love's gentle spring doth always fresh remain,
Lust's winter comes ere summer half be done8 note


.
  Love surfeits not; lust like a glutton dies:
  Love is all truth; lust full of forged lies.

More I could tell, but more I dare not say;
The text is old, the orator too green.
Therefore in sadness, now I will away;
My face is full of shame, my heart of teen1 note:
  Mine ears, that to your wanton talk attended,
  Do burn themselves1 note


for having so offended.

With this he breaketh from the sweet embrace
Of those fair arms which bound him to her breast,

-- 60 --


And homeward through the dark lawnd9 note runs apace;
Leaves Love upon her back deeply distress'd.
  Look, how a bright star shooteth from the sky3 note






,
  So glides he in the night from Venus' eye;
Which after him she darts, as one on shore
Gazing upon a late-embarked friend4 note





,
Till the wild waves will have him seen no more,
Whose ridges5 note








with the meeting clouds contend:
  So did the merciless and pitchy night
  Fold in the object that did feed her sight.

-- 61 --


Whereat amaz'd, as one that unaware
Hath dropp'd a precious jewel in the flood,
Or 'stonish'd as night-wanderers often are6 note

,
Their light blown out in some mistrustful wood;
  Even so confounded in the dark she lay,
  Having lost the fair discovery of her way7 note




.
And now she beats her heart, whereat it groans,
That all the neighbour-caves, as seeming troubled,
Make verbal repetition of her moans;
Passion on passion deeply is redoubled:
  Ah me! she cries, and twenty times, woe, woe!
  And twenty echoes twenty times cry so.

She marking them, begins a wailing note,
And sings extemp'rally a woeful ditty;
How love makes young men thrall, and old men dote;
How love is wise in folly, foolish-witty:
  Her heavy anthem still concludes in woe,
  And still the choir of echoes answer so8 note.

-- 62 --


Her song was tedious, and outwore the night,
For lovers' hours are long, though seeming short9 note

:
If pleas'd themselves, others, they think, delight
In such like circumstance, with such like sport:
  Their copious stories, oftentimes begun,
  End without audience, and are never done.

For who hath she to spend the night withal,
But idle sounds resembling parasites;
Like shrill-tongu'd tapsters answering every call,
Soothing the humour of fantastick wits1 note


?
  She says, 'tis so: they answer all, 'tis so;
  And would say after her, if she said no.

-- 63 --


Lo! here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The Sun ariseth in his majesty;
  Who doth the world so gloriously behold,
  That cedar-tops and hills seem burnish'd gold2 note



.

Venus salutes him with this fair good-morrow:
O thou clear god3 note





, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
  There lives a son, that suck'd an earthly mother,
  May lend thee light5 note



, as thou dost lend to other.

This said, she hasteth to a myrtle grove,
Musing5 note the morning is so much o'er-worn;

-- 64 --


And yet she hears no tidings of her love:
She hearkens for his hounds, and for his horn:
  Anon she hears them chaunt it lustily,
  And all in haste she coasteth to the cry4 note

.
And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twin'd about her thigh to make her stay;
She wildly breaketh from their strict embrace,
  Like a milch doe, whose swelling dugs do ake,
  Hasting to feed her fawn7 note


hid in some brake.

By this she hears the hounds are at a bay,
Whereat she starts like one that spies an adder
Wreath'd up in fatal folds, just in his way,
The fear whereof doth make him shake and shudder;
  Even so the timorous yelping of the hounds
  Appals her senses, and her spright confounds.

For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
  Finding their enemy to be so curst,
  They all strain court'sy who shall cope him first.

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;

-- 65 --


Who, overcome by doubt and bloodless fear,
With cold-pale weakness8 note numbs each feeling part:
  Like soldiers, when their captain once doth yield,
  They basely fly, and dare not stay the field.
Thus stands she in a trembling ecstacy9 note


;
Till, cheering up her senses sore-dismay'd1 note,
She tells them, 'tis a causeless fantasy,
And childish errour that they are afraid;
  Bids them leave quaking, bids them fear no more;—
  And with that word she spy'd the hunted boar;
Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
  This way she runs, and now she will no further,
  But back retires to rate the boar for murther.

A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays2 note,
Like the proceedings of a drunken brain;

-- 66 --


  Full of respect3 note, yet nought at all respecting:
  In hand with all things, nought at all effecting4 note


.
Here kennel'd in a brake she finds a hound,
And asks the weary caitiff for his master;
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
  And here she meets another sadly scowling,
  To whom she speaks; and he replies with howling.

When he hath ceas'd5 note his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin vollies out his voice;
Another and another answer him;
  Clapping their proud tails to the ground below.
  Shaking their scratch'd ears, bleeding as they go.

Look, how the world's poor people are amaz'd
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gaz'd,
Infusing them with dreadful prophecies;
  So she at these sad sighs draws up her breath,
  And, sighing it again, exclaims on death.

-- 67 --


Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love, (thus chides she death,)
Grim-grinning ghost, earth's worm, what dost thou mean,
To stifle beauty, and to steal his breath,
  Who when he liv'd, his breath and beauty set
  Gloss on the rose, smell to the violet?

If he be dead,—O no, it cannot be,
Seeing his beauty, thou should'st strike at it;—
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
  Thy mark is feeble age; but thy false dart
  Mistakes that aim, and cleaves an infant's heart.

Hadst thou but bid beware, then he had spoke,
And hearing him, thy power had lost his power,
The destinies will curse thee for this stroke;
They bid thee6 note crop a weed, thou pluck'st a flower:
  Love's golden arrow at him should have fled,
  And not death's ebon dart, to strike him dead7 note




.

-- 68 --


Dost thou drink tears8 note





, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see9 note
?
  Now Nature cares not for thy mortal vigour1 note,
  Since her best work is ruin'd with thy rigour.
Here overcome, as one full of despair,
She vail'd her eye-lids2 note

, who, like sluices, stopp'd
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropp'd;
  But through the flood-gates breaks the silver rain3 note
,
  And with his strong course opens them again.

O how her eyes and tears did lend and borrow!
Her eyes seen in the tears4 note, tears in her eye;

-- 69 --


Both crystals, where they view'd each other's sorrow;
Sorrow, that friendly sighs sought still to dry;
  But like a stormy day, now wind, now rain5 note






,
  Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe,
As striving who6 note should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
  But none is best; then join they all together,
  Like many clouds consulting for foul weather.

By this, far off she hears some huntsman holla;
A nurse's song ne'er pleas'd her babe so well!
The dire imagination she did follow7 note
This sound of hope doth labour to expell;
  For now reviving joy bids her rejoice,
  And flatters her, it is Adonis' voice.

Whereat her tears began to turn their tide,
Being prison'd in her eye, like pearls in glass8 note
;

-- 70 --


Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
  To wash the foul face of the sluttish ground,
  Who is but drunken9 note


, when she seemeth drown'd.
O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
  The one doth flatter thee in thoughts unlikely,
  In likely thoughts1 note the other kills thee quickly.

Now she unweaves the web that she hath wrought;
Adonis lives, and death is not to blame;
It was not she that call'd him all to nought;
Now she adds honours2 note

to his hateful name;
  She clepes him king of graves, and grave for kings;
  Imperious supreme3 note


of all mortal things.

-- 71 --


No, no, (quoth she,) sweet Death, I did but jest;
Yet pardon me, I felt a kind of fear,
When as I met the boar4 note, that bloody beast,
Which knows no pity, but is still severe;
  Then, gentle shadow, (truth I must confess,)
  I rail'd on thee, fearing my love's decease.

'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander5 note


;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander6 note:
  Grief hath two tongues, and never woman yet
  Could rule them both, without ten women's wit.

Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate7 note
;
And that his beauty may the better thrive,
With death she humbly doth insinuate8 note
:
  Tells him of trophies, statues, tombs9 note


, and stories1 note



  His victories, his triumphs, and his glories.

-- 72 --


O Jove, quoth she, how much a fool was I,
To be of such a weak and silly mind,
To wail his death, who lives, and must not die,
Till mutual overthrow of mortal kind!
  For he being dead, with him is beauty slain2 note

,
  And, beauty dead, black chaos comes again3 note


.

Fie, fie, fond love, thou art so full of fear,
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves4 note




.

-- 73 --


  Even at this word she hears a merry horn,
  Whereat she leaps, that was but late forlorn.
As faulcon to the lure, away she flies;
The grass stoops not, she treads on it so light5 note

;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
  Which seen, her eyes, as murder'd with the view,
  Like stars asham'd of day, themselves withdrew6 note
.

Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain7 note



,
And there, all smother'd up in shade doth sit,
Long after fearing to creep forth again;
  So, at his bloody view, her eyes are fled
  Into the deep dark cabins of her head:
Where they resign their office and their light
To the disposing of her troubled brain;

-- 74 --


Who bids them still consort with ugly night8 note
,
And never wound the heart with looks again;
  Who, like a king perplexed in his throne,
  By their suggestion gives a deadly groan,
Whereat each tributary subject quakes9 note


;
As when the wind, imprison'd in the ground1 note





,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound2 note:
  This mutiny each part doth so surprise,
  That, from their dark beds, once more leap her eyes;

And, being open'd, threw unwilling light3 note
Upon the wide wound that the boar had trench'd4 note

-- 75 --


In his soft flank: whose wonted lily white
With purple tears, that his wound wept, was drench'd5 note:
  No flower was nigh, no grass, herb, leaf, or weed,
  But stole his blood, and seem'd with him to bleed.
This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, frantickly she doteth6 note

;
She thinks he could not die, he is not dead:
  Her voice is stopp'd, her joints forget to bow;
  Her eyes are mad, that they have wept till now.

Upon his hurt she looks so steadfastly,
That her sight dazzling7 note


makes the wound seem three;
And then she reprehends her mangling eye,
That makes more gashes where no breach should be:
  His face seems twain, each several limb is doubled;
  For oft the eye mistakes, the brain being troubled.

My tongue cannot express my grief for one,
And yet, quoth she, behold two Adons dead!
My sighs are blown away, my salt tears gone,
Mine eyes are turn'd to fire, my heart to lead:
  Heavy heart's lead, melt at mine eyes' red fire8 note!
  So shall I die by drops of hot desire.

-- 76 --


Alas, poor world, what treasure hast thou lost!
What face remains alive that's worth the viewing?
Whose tongue is musick now9 note
? what canst thou boast
Of things long since, or any thing ensuing?
  The flowers are sweet1 note, their colours fresh and trim;
  But true-sweet beauty liv'd and died with him2 note.

Bonnet nor veil3 note henceforth no creature wear!
Nor sun nor wind will ever strive to kiss you4 note



:
Having no fair to lose5 note



, you need not fear;
The sun doth scorn you, and the wind doth hiss you6 note



:

-- 77 --


  But when Adonis liv'd, sun and sharp air
  Lurk'd like two thieves, to rob him of his fair:
And therefore would he put his bonnet on,
Under whose brim the gaudy sun would peep,
The wind would blow it off, and, being gone,
Play with his locks7 note; then would Adonis weep:
  And straight in pity of his tender years,
  They both would strive who first should dry his tears.

To see his face, the lion walk'd along
Behind some hedge, because he would not fear him8 note
;
To recreate himself when he hath sung,
The tyger would be tame9 note

, and gently hear him;
  If he had spoke the wolf would leave his prey,
  And never fright the silly lamb that day.

When he beheld his shadow in the brook,
The fishes spread on it their golden gills;
When he was by, the birds such pleasure took,
That some would sing, some other in their bills
  Would bring him mulberries, and ripe-red cherries;
  He fed them with his sight, they him with berries.

But this foul, grim, and urchin-snouted boar1 note,
Whose downward eye still looketh for a grave,
Ne'er saw the beauteous livery that he wore;
Witness the entertainment that he gave:

-- 78 --


  If he did see his face, why then I know,
  He thought to kiss him, and hath kill'd him so2 note
















.

'Tis true, 'tis true; thus was Adonis slain;
He ran upon the boar with his sharp spear,
Who did not3 note whet his teeth at him again,
But by a kiss thought to persuade him there;
  And nuzzling in his flank, the loving swine
  Sheath'd, unaware, the tusk in his soft groin4 note








.

-- 79 --


Had I been tooth'd like him, I must confess,
With kissing him I should have kill'd him first;
But he is dead, and never did he bless
My youth with his5 note

, the more am I accurst.
  With this she falleth in the place she stood,
  And stains her face with his congealed blood.

She looks upon his lips, and they are pale;
She takes him by the hand, and that is cold;
She whispers in his ears a heavy tale,
As if they heard the woeful words she told:
  She lifts the coffer-lids that close his eyes,
  Where lo! two lamps, burnt out, in darkness lies6 note





:
Two glasses, where herself herself beheld
A thousand times, and now no more reflect;

-- 80 --


Their virtue lost, wherein they late excell'd,
And every beauty robb'd of his effect:
  Wonder of time, quoth she, this is my spite7 note,
  That, you being dead, the day should yet be light.
Since thou art dead, lo! here I prophesy,
Sorrow on love hereafter shall attend:
It shall be waited on with jealousy,
Find sweet beginning, but unsavoury end;
  Ne'er settled equally, but high or low8 note



;
  That all love's pleasure shall not match his woe.

It shall be fickle, false, and full of fraud;
Bud and be blasted9 note in a breathing-while;
The bottom poison, and the top o'er-straw'd1 note


With sweets, that shall the truest sight2 note beguile:
  The strongest body shall it make most weak;
  Strike the wise dumb, and teach the fool to speak3 note.

-- 81 --


It shall be sparing, and too full of riot,
Teaching decrepit age to tread the measures4 note;
The staring ruffian shall it keep in quiet,
Pluck down the rich, enrich the poor with treasures:
  It shall be raging-mad, and silly-mild,
  Make the young old, the old become a child.

It shall suspect, where is no cause of fear;
It shall not fear, where it should most mistrust;
It shall be merciful, and too severe,
And most deceiving, when it seems most just;
  Perverse it shall be, where it shews most toward5 note;
  Put fear to valour, courage to the coward,

It shall be cause of war6 note, and dire events,
And set dissention 'twixt the son and sire;
Subject and servile to all discontents,
As dry combustious matter is to fire;
  Sith in his prime death doth my love destroy,
  They that love best, their loves7 note shall not enjoy.

-- 82 --


By this the boy that by her side lay kill'd,
Was melted like a vapour8 note






from her sight,
And in his blood, that on the ground lay spill'd,
A purple flower sprung up, checquer'd with white;
  Resembling well his pale cheeks, and the blood
  Which in round drops upon their whiteness stood.
She bows her head, the new-sprung flower to smell,
Comparing it to her Adonis' breath;
And says, within her bosom it shall dwell,
Since he himself is reft from her by death:
  She crops the stalk, and in the breach appears
  Green dropping sap, which she compares to tears.

Poor flower, quoth she, this was thy father's guise,
(Sweet issue of a more sweet-smelling sire,)
For every little grief to wet his eyes:
To grow unto himself was his desire,
  And so 'tis thine; but know, it is as good
  To wither in my breast, as in his blood.

Here was thy father's bed, here in my breast9 note






;
Thou art the next of blood, and 'tis thy right:

-- 83 --


Lo! in this hollow cradle take thy rest,
My throbbing heart shall rock thee day and night:
  There shall not be one minute in an hour,
  Wherein I will not kiss my sweet love's flower.
Thus weary of the world, away she hies,
And yokes her silver doves; by whose swift aid,
Their mistress mounted through the empty skies
In her light chariot quickly is convey'd;
  Holding their course to Paphos, where their queen
  Means to immure herself and not be seen1.
note

-- 84 --






-- 85 --















-- 86 --

-- 87 --















-- 88 --












-- 89 --



































-- 90 --















































-- 91 --

















































-- 92 --
































-- 93 --

-- 95 --

TO THE RIGHT HONOURABLE HENRY WRIOTHESLY, EARL OF SOUTHAMPTON, AND BARON OF TICHFIELD.

THE love I dedicate to your lordship is without end; whereof this pamphlet, without beginning, is but a superfluous moiety1 note. The warrant I have of your honourable disposition, not the worth of my untutored lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours. Were my worth greater, my duty would shew greater; mean time, as it is, it is bound to your lordship, to whom I wish long life, still lengthened with happiness.

Your lordship's in all duty, William Shakspeare.

-- 97 --

note

Lucius Tarquinius (for his excessive pride surnamed Superbus) after he had caused his own father-in-law, Servius Tullius, to be cruelly murdered, and, contrary to the Roman laws and customs, not requiring or staying for the people's suffrages, had possessed himself of the kingdom; went, accompanied with his sons and other noblemen of Rome, to besiege Ardea. During which siege, the principal men of the army meeting one evening at the tent of Sextus Tarquinius, the king's son, in their discourses after supper every one commended the virtues of his own wife; among whom, Collatinus extolled the incomparable chastity of his wife Lucretia. In that pleasant humour they all posted to Rome; and intending, by their secret and sudden arrival, to make trial of that which every one had before avouched, only Collatinus finds his wife (though it were late in the night) spinning amongst her maids; the other ladies were all found dancing and revelling, or in several disports. Whereupon the noblemen yielded Collatinus the victory, and his wife the fame. At that time Sextus Tarquinius being inflamed with Lucrece' beauty, yet smothering

-- 98 --

his passions for the present, departed with the rest back to the camp; from whence he shortly after privily withdrew himself, and was (according to his estate) royally entertained and lodged by Lucrece at Collatium. The same night, he treacherously stealeth into her chamber, violently ravished her, and early in the morning speedeth away. Lucrece, in this lamentable plight, hastily dispatcheth messengers, one to Rome for her father, another to the camp for Collatine. They came, the one accompanied with Junius Brutus, the other with Publius Valerius; and finding Lucrece attired in mourning habit, demanded the cause of her sorrow. She, first taking an oath of them for her revenge, revealed the actor, and whole manner of his dealing, and withal suddenly stabbed herself. Which done, with one consent they all vowed to root out the whole hated family of the Tarquins; and bearing the dead body to Rome, Brutus acquainted the people with the doer and manner of the vile deed, with a bitter invective against the tyranny of the king: wherewith the people were so moved, that with one consent and a general acclamation the Tarquins were all exiled, and the state government changed from kings to consuls.

-- 99 --

Volume 20: The Rape of Lucrece note


From the besieg'd Ardea all in post2 note,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire,
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

-- 100 --


Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let3 note
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight;
  Where mortal stars4 note





, as bright as heaven's beauties,
  With pure aspécts did him peculiar duties.

-- 101 --


For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame5 note



.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done6 note


As is the morning's silver-melting dew7 note

Against the golden splendour of the sun!
An expir'd date, cancel'd ere well begun8 note










:

-- 102 --


  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.
Beauty itself doth of itself persuade
The eyes of men without an orator9 note





;
What needeth then apology be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own1 note


?

-- 103 --


Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king2 note





;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want.
But some untimely thought did instigate
His all-too-timeless speed, if none of those:
His honour, his affairs, his friends, his state,
Neglected all, with swift intent he goes
To quench the coal which in his liver glows3 note.
  O rash-false heat, wrapt in repentant cold4 note







,
  Thy hasty spring still blasts, and ne'er grows old5 note














!

-- 104 --


When at Collatium this false lord arriv'd,
Well was he welcom'd by the Roman dame,
Within whose face beauty and virtue striv'd
Which of them both should underprop her fame:
When virtue bragg'd, beauty would blush for shame;
  When beauty boasted blushes, in despite
  Virtue would stain that o'er with silver white6 note












.

-- 105 --


But beauty, in that white intituled7 note




,
From Venus' doves doth challenge that fair field;
Then virtue claims from beauty beauty's red,
Which virtue gave the golden age to gild
Their silver cheeks, and call'd it then their shield;
  Teaching them thus to use it in the fight,—
  When shame assail'd, the red should fence the white.
This heraldry in Lucrece' face was seen,
Argued by beauty's red, and virtue's white.
Of either's colour was the other queen,
Proving from world's minority their right:
Yet their ambition makes them still to fight;
  The sovereignty of either being so great,
  That oft they interchange each other's seat.

This silent war of lilies and of roses,
Which Tarquin view'd in her fair face's field8 note,

-- 106 --


In their pure ranks his traitor eye encloses9 note










;
Where, lest between them both it should be kill'd,
The coward captive vanquished doth yield
  To those two armies, that would let him go,
  Rather than triumph in so false a foe.

Now thinks he that her husband's shallow tongue
(The niggard prodigal that prais'd her so)
In that high task hath done her beauty wrong,
Which far exceeds his barren skill to show:
Therefore that praise which Collatine doth owe1 note,
  Enchanted Tarquin answers with surmise,
  In silent wonder of still-gazing eyes.

This earthly saint, adored by this devil,
Little suspecteth the false worshipper;

-- 107 --


For unstain'd thoughts do seldom dream on evil;
Birds never lim'd no secret bushes fear2 note

:
So guiltless she securely gives good cheer
  And reverend welcome to her princely guest,
  Whose inward ill no outward harm express'd:
For that he colour'd with his high estate,
Hiding base sin in plaits of majesty3 note



;
That nothing in him seem'd inordinate,
Save sometime too much wonder of his eye,
Which, having all, all could not satisfy;
  But, poorly rich, so wanteth in his store,
  That cloy'd with much, he pineth still for more.

But she, that never cop'd with stranger eyes4 note
,
Could pick no meaning from their parling looks5 note

,
Nor read the subtle-shining secrecies
Writ in the glassy margents of such books6 note




;
She touch'd no unknown baits, nor fear'd no hooks;

-- 108 --


  Nor could she moralize his wanton sight7 note,
  More than his eyes were open'd to the light.
He stories to her ears her husband's fame,
Won in the fields of fruitful Italy;
And decks with praises Collatine's high name,
Made glorious by his manly chivalry
With bruised arms and wreaths of victory8 note

;
  Her joy with heav'd-up hand she doth express,
  And wordless so, greets heaven for his success.

Far from the purpose of his coming thither,
He makes excuses for his being there.
No cloudy show of stormy blustering weather
Doth yet in his fair welkin once appear;
Till sable Night, mother of Dread and Fear,
  Upon the world dim darkness doth display,
  And in her vaulty prison stows the day9 note







.

-- 190 --


For then is Tarquin brought unto his bed,
Intending weariness with heavy spright1 note;
For, after supper, long he questioned
With modest Lucrece2 note


, and wore out the night;
Now leaden slumber3 note


with life's strength doth fight;
  And every one to rest himself betakes,
  Save thieves, and cares, and troubled minds, that wakes4 note





.
As one of which doth Tarquin lie revolving
The sundry dangers of his will's obtaining;
Yet ever to obtain his will resolving,

-- 110 --


Though weak-built hopes persuade him to abstaining:
Despair to gain, doth traffick oft for gaining;
  And when great treasure is the meed propos'd,
  Though death be adjunct5 note
, there's no death suppos'd.
Those that much covet, are with gain so fond,
That what they have not, that which they possess6 note











,
They scatter and unloose it from their bond,
And so, by hoping more, they have but less;
Or, gaining more, the profit of excess

-- 111 --


  Is but to surfeit, and such griefs sustain,
  That they prove bankrupt in this poor-rich gain.
The aim of all is but to nurse the life
With honour, wealth, and ease, in waining age;
And in this aim there is such thwarting strife,
That one for all, or all for one we gage;
As life for honour, in fell battles' rage;
  Honour for wealth; and oft that wealth doth cost
  The death of all, and all together lost.

So that in vent'ring ill7 note


, we leave to be
The things we are for that which we expect;
And this ambitious foul infirmity,
In having much, torments us with defect
Of that we have: so then we do neglect
  The thing we have; and, all for want of wit,
  Make something nothing, by augmenting it8 note

.

Such hazard now must doting Tarquin make,
Pawning his honour to obtain his lust;
And, for himself, himself he must forsake:
Then where is truth, if there be no self-trust?
When shall he think to find a stranger just,
  When he himself himself confounds9 note, betrays
  To slanderous tongues, and wretched hateful days1 note
?

-- 112 --


Now stole upon the time the dead of night2 note














,
When heavy sleep had clos'd up mortal eyes;
No comfortable star did lend his light,
No noise but owls' and wolves' death-boding cries:
Now serves the season that they may surprise
  The silly lambs; pure thoughts are dead and still,
  While lust and murder wake, to stain and kill.
And now this lustful lord leap'd from his bed,
Throwing his mantle rudely o'er his arm;
Is madly toss'd between desire and dread;
Th' one sweetly flatters, th' other feareth harm;
But honest Fear, bewitch'd with lust's foul charm,

-- 113 --


  Doth too too oft betake him to retire2 note,
  Beaten away by brain-sick rude Desire.
His falchion on a flint he softly smiteth,
That from the cold stone sparks of fire do fly;
Whereat a waxen torch forthwith he lighteth,
Which must be lode-star to his lustful eye3 note
;
And to the flame thus speaks advisedly:
  As from this cold flint I enforc'd this fire,
  So Lucrece must I force to my desire4 note


.

Here pale with fear he doth premeditate
The dangers of his loathsome enterprise,
And in his inward mind he doth debate
What following sorrow may on this arise:
Then looking scornfully, he doth despise
  His naked armour of still-slaughter'd lust5 note,
  And justly thus controls his thoughts unjust.

Fair torch, burn out thy light, and lend it not
To darken her whose light excelleth thine6 note


!
And die, unhallow'd thoughts, before you blot

-- 114 --


With your uncleanness that which is divine!
Offer pure incense to so pure a shrine:
  Let fair humanity abhor the deed
  That spots and stains love's modest snow-white weed7 note.
O shame to knighthood and to shining arms!
O foul dishonour to my houshold's grave!
O impious act, including all foul harms!
A martial man to be soft fancy's slave8 note
!
True valour still a true respect should have;
  Then my digression9 note



is so vile, so base,
  That it will live engraven in my face.

Yea, though I die, the scandal will survive,
And be an eye-sore in my golden coat;
Some loathsome dash the herald will contrive1 note



,

-- 115 --


To cipher me, how fondly I did dote;
That my posterity, sham'd with the note,
  Shall curse my bones, and hold it for no sin
  To wish that I their father had not been.
What win I, if I gain the thing I seek?
A dream, a breath, a froth of fleeting joy.
Who buys a minute's mirth, to wail a week2 note




?
Or sells eternity, to get a toy?
For one sweet grape who will the vine destroy?
  Or what fond beggar, but to touch the crown,
  Would with the sceptre straight be strucken down?

If Collatinus dream of my intent,
Will he not wake, and in a desperate rage
Post hither, this vile purpose to prevent?
This siege that hath engirt his marriage,
This blur to youth, this sorrow to the sage,
  This dying virtue, this surviving shame,
  Whose crime will bear an ever-during blame?

O, what excuse can my invention make,
When thou shalt charge me with so black a deed?
Will not my tongue be mute, my frail joints shake?
Mine eyes forego their light, my false heart bleed?
The guilt being great, the fear doth still exceed;

-- 116 --


  And extreme fear can neither fight nor fly,
  But coward-like with trembling terrour die.
Had Collatinus kill'd my son or sire,
Or lain in ambush to betray my life,
Or were he not my dear friend, this desire
Might have excuse to work upon his wife;
As in revenge or quittal of such strife:
  But as he is my kinsman, my dear friend3 note

,
  The shame and fault finds no excuse nor end.

Shameful it is;—ay, if the fact be known4 note


:
Hateful it is;—there is no hate in loving:
I'll beg her love;—but she is not her own:
The worst is but denial, and reproving:
My will is strong, past reason's weak removing:
  Who fears a sentence, or an old man's saw,
  Shall by a painted cloth be kept in awe5 note

.

Thus, graceless, holds he disputation
'Tween frozen conscience and hot burning will,
And with good thoughts makes dispensation,
Urging the worser sense for vantage still;
Which in a moment doth confound and kill

-- 117 --


  All pure effects6 note






, and doth so far proceed,
  That what is vile shows like a virtuous deed.

Quoth he, she took me kindly by the hand,
And gaz'd for tidings in my eager eyes;
Fearing some hard news7 note


from the warlike band,
Where her beloved Collatinus lies.
O, how her fear did make her colour rise!
  First red as roses that on lawn we lay8 note

,
  Then white as lawn, the roses took away9 note.

And how her hand, in my hand being lock'd1 note
,
Forc'd it to tremble with her loyal fear?
Which struck her sad, and then it faster rock'd,
Until her husband's welfare she did hear;
Whereat she smiled with so sweet a cheer,

-- 118 --


  That had Narcissus seen her as she stood,
  Self-love had never drown'd him in the flood.
Why hunt I then for colour or excuses?
All orators are dumb when beauty pleadeth;
Poor wretches have remorse in poor abuses;
Love thrives not in the heart that shadows dreadeth:
Affection is my captain, and he leadeth;
  And when his gawdy banner is display'd2 note,
  The coward fights, and will not be dismay'd.

Then childish fear, avaunt! debating, die!
Respect and reason, wait on wrinkled age3 note






!
My heart shall never countermand mine eye:
Sad pause and deep regard beseem the sage4 note
;
My part is youth, and beats these from the stage5 note

:
  Desire my pilot is, beauty my prize;
  Then who fears sinking, where such treasure lies?

-- 119 --


As corn o'er-grown by weeds, so heedful fear
Is almost chok'd by unresisted lust6 note






.
Away he steals with open listening ear,
Full of foul hope, and full of fond mistrust;
Both which, as servitors to the unjust,
  So cross him with their opposite persuasion,
  That now he vows a league, and now invasion.
Within his thought her heavenly image sits,
And in the self-same seat sits Collatine:
That eye which looks on her, confounds his wits;
That eye which him beholds, as more divine,
Unto a view so false will not incline;
  But with a pure appeal seeks to the heart,
  Which once corrupted, takes the worser part;

And therein heartens up his servile powers,
Who, flatter'd by their leader's jocund show,
Stuff up his lust, as minutes fill up hours7 note

;
And as their captain, so their pride doth grow,
Paying more slavish tribute than they owe.
  By reprobate desire thus madly led,
  The Roman lord marcheth to Lucrece' bed8 note.

-- 120 --


The locks between her chamber and his will,
Each one by him enforc'd, retires his ward9 note



;
But as they open, they all rate his ill,
Which drives the creeping thief to some regard1 note



:
The threshold grates the door to have him heard2 note;
  Night-wandering weesels3 note




shriek, to see him there;
  They fright him, yet he still pursues his fear.
As each unwilling portal yields him way,
Through little vents and crannies of the place
The wind wars with his torch, to make him stay,
And blows the smoke of it into his face,
Extinguishing his conduct in this case4 note
;

-- 121 --


  But his hot heart, which fond desire doth scorch,
  Puffs forth another wind that fires the torch:
And being lighted, by the light he spies
Lucretia's glove, wherein her needle sticks;
He takes it from the rushes where it lies5 note

;
And griping it, the neeld his finger pricks6 note




:
As who should say, this glove to wanton tricks
  Is not inur'd; return again in haste;
  Thou seest our mistress' ornaments are chaste.

But all these poor forbiddings could not stay him;
He in the worst sense construes their denial:
The doors, the wind, the glove, that did delay him,
He takes for accidental things of trial;
Or as those bars which stop the hourly dial;
  Who with a ling'ring stay his course doth let7 note
,
  Till every minute pays the hour his debt.

-- 122 --


So, so, quoth he, these lets attend the time,
Like little frosts that sometime threat the spring,
To add a more rejoicing to the prime8 note


,
And give the sneaped birds more cause to sing9 note.
Pain pays the income of each precious thing;
  Huge rocks, high winds, strong pirates, shelves and sands,
  The merchant fears, ere rich at home he lands.
Now is he come unto the chamber-door,
That shuts him from the heaven of his thought1 note

,
Which with a yielding latch, and with no more,
Hath barr'd him from the blessed thing he sought.
So from himself impiety hath wrought,
  That for his prey to pray he doth begin2 note


,
  As if the heavens should countenance his sin.

But in the midst of his unfruitful prayer,
Having solicited the eternal power
That his foul thoughts might compass his fair fair3 note,

-- 123 --


And they would stand auspicious to the hour4 note







,
Even there he starts:—quoth he, I must deflower;
  The powers to whom I pray, abhor this fact,
  How can they then assist me in the act?

Then Love and Fortune be my gods, my guide!
My will is back'd with resolution:
Thoughts are but dreams till their effects be tried,
The blackest sin is clear'd with absolution5 note


;
Against love's fire fear's frost hath dissolution.
  The eye of heaven is out6 note



, and misty night
  Covers the shame that follows sweet delight.

This said, his guilty hand pluck'd up the latch,
And with his knee the door he opens wide:
The dove sleeps fast that this night-owl will catch:
Thus treason works ere traitors be espy'd.
Who sees the lurking serpent, steps aside;

-- 124 --


  But she, sound sleeping, fearing no such thing,
  Lies at the mercy of his mortal sting.
Into the chamber wickedly he stalks7 note









,
And gazeth on her yet-unstained bed.
The curtains being close, about he walks,
Rolling his greedy eye-balls in his head:
By their high treason is his heart misled;
  Which gives the watch-word to his hand full soon8 note,
  To draw the cloud that hides the silver moon.

Look, as the fair and firy-pointed sun9 note


,
Rushing from forth a cloud, bereaves our sight;
Even so, the curtain drawn, his eyes begun
To wink, being blinded with a greater light:
Whether it is, that she reflects so bright,

-- 125 --


  That dazzleth them, or else some shame supposed;
  But blind they are, and keep themselves enclosed.
O, had they in that darksome prison died,
Then had they seen the period of their ill!
Then Collatine again, by Lucrece's side,
In his clear bed might have reposed still:
But they must ope, this blessed league to kill;
  And holy-thoughted Lucrece to their sight
  Must sell her joy, her life, her world's delight.

Her lily hand her rosy cheek lies under1 note,
Cozening the pillow of a lawful kiss2; note



























Who, therefore angry, seems to part in sunder,

-- 126 --


Swelling on either side, to want his bliss;
Between whose hills her head intombed is:
  Where, like a virtuous monument, she lies4 note




,
  To be admir'd of lewd unhallow'd eyes.

-- 127 --


Without the bed her other fair hand was,
On the green coverlet: whose perfect white
Show'd like an April daisy on the grass,
With pearly sweat, resembling dew of night5 note
.
Her eyes, like marigolds, had sheath'd their light;
  And, canopied in darkness, sweetly lay6 note




,
  Till they might open to adorn the day.

Her hair, like golden threads, play'd with her breath;
O modest wantons! wanton modesty!
Showing life's triumph7 note in the map of death8 note
,
And death's dim look in life's mortality:
Each in her sleep themselves so beautify,
  As if between them twain there were no strife9 note





,
  But that life liv'd in death, and death in life.
Her breasts, like ivory globes circled with blue,
A pair of maiden worlds unconquered1 note,
Save of their lord, no bearing yoke they knew2 note

,

-- 128 --


And him by oath they truly honoured3 note


.
These worlds in Tarquin new ambition bred;
  Who, like a foul usurper, went about
  From this fair throne to heave the owner out4 note



.

What could he see, but mightily he noted?
What did he note, but strongly he desir'd?
What he beheld, on that he firmly doted,
And in his will his wilful eye he tir'd5 note.
With more than admiration he admir'd
  Her azure veins, her alabaster skin,
  Her coral lips, her snow-white dimpled chin.

As the grim lion fawneth o'er his prey,
Sharp hunger by the conquest satisfied,
So o'er this sleeping soul doth Tarquin stay
His rage of lust, by gazing qualified6 note




;
Slack'd, not suppress'd; for standing by her side,

-- 129 --


  His eye, which late this mutiny restrains,
  Unto a greater uproar tempts his veins:
And they, like straggling slaves for pillage fighting,
Obdurate vassals, fell exploits effecting7 note




,
In bloody death and ravishment delighting,
Nor children's tears, nor mothers' groans respecting,
Swell in their pride, the onset still expecting:
  Anon his beating heart, alarum striking,
  Gives the hot charge8 note

, and bids them do their liking.

His drumming heart chears up his burning eye,
His eye commends the leading to his hand9 note




;
His hand, as proud of such a dignity,

-- 130 --


Smoking with pride, march'd on to make his stand
On her bare breast, the heart of all her land1 note




;
  Whose ranks of blue veins, as his hand did scale,
  Left their round turrets destitute and pale.

They mustering to the quiet cabinet
Where their dear governess and lady lies,
Do tell her she is dreadfully beset,
And fright her with confusion of their cries:
She, much amaz'd, breaks ope her lock'd-up eyes,
  Who, peeping forth this tumult to behold,
  Are by his flaming torch dimm'd and controll'd.

Imagine her as one in dead of night
From forth dull sleep by dreadful fancy waking,
That thinks she hath beheld some gastly sprite,
Whose grim aspéct sets every joint a shaking;
What terrour 'tis! but she, in worser taking,
  From sleep disturbed, heedfully doth view
  The sight which makes supposed terror true2 note
.

Wrapp'd and confounded in a thousand fears,
Like to a new-kill'd bird she trembling lies3 note




;
She dares not look; yet, winking, there appears

-- 131 --


Quick-shifting anticks, ugly in her eyes;
Such shadows are the weak brain's forgeries4 note





;
  Who, angry that the eyes fly from their lights5 note
,
  In darkness daunts them with more dreadful sights.

His hand, that yet remains upon her breast,
(Rude ram, to batter such an ivory wall!)
May feel her heart (poor citizen!) distress'd,
Wounding itself to death, rise up and fall,
Beating her bulk, that his hand shakes withal6 note



.
  This moves in him more rage, and lesser pity,
  To make the breach, and enter this sweet city7 note



.

First, like a trumpet, doth his tongue begin
To sound a parley to his heartless foe;
Who, o'er the white sheet peers her whiter chin8 note





,

-- 132 --


The reason of this rash alarm to know,
Which he by dumb demeanour seeks to show;
  But she with vehement prayers urgeth still,
  Under what colour he commits this ill.
Thus he replies: The colour in thy face9 note



(That even for anger makes the lily pale,
And the red rose blush at her own disgrace1 note


,)
Shall plead for me, and tell my loving tale:
Under that colour am I come to scale
  Thy never-conquer'd fort1 note







; the fault is thine,
  For those thine eyes betray thee unto mine.

Thus I forestall thee, if thou mean to chide:
Thy beauty hath ensnar'd thee to this night,
Where thou with patience must my will abide;

-- 133 --


My will that marks thee for my earth's delight2 note
,
Which I to conquer sought with all my might;
  But as reproof and reason beat it dead,
  By thy bright beauty was it newly bred.
I see what crosses my attempt will bring;
I know what thorns the growing rose defends;
I think the honey guarded with a sting3 note;
All this, beforehand, counsel comprehends:
But will is deaf, and hears no heedful friends;
  Only he hath an eye to gaze on beauty,
  And dotes on what he looks4 note, 'gainst law or duty.

I have debated5 note






, even in my soul,
What wrong, what shame, what sorrow I shall breed;
But nothing can affection's course control,
Or stop the headlong fury of his speed.
I know repentant tears ensue the deed;
  Reproach, disdain, and deadly enmity;
  Yet strive I to embrace mine infamy.

-- 134 --


This said, he shakes aloft his Roman blade,
Which, like a faulcon towering in the skies,
Coucheth the fowl below6 note




with his wings' shade,
Whose crooked beak threats, if he mount he dies:
So under his insulting falchion lies
  Harmless Lucretia, marking what he tells,
  With trembling fear, as fowl hear faulcon's bells7 note

.

Lucrece, quoth he, this night I must enjoy thee:
If thou deny, then force must work my way,
For in thy bed I purpose to destroy thee;
That done, some worthless slave of thine I'll slay,
To kill thine honour with thy life's decay;
And in thy dead arms do I mean to place him,
  Swearing I slew him, seeing thee embrace him.

So thy surviving husband shall remain
The scornful mark of every open eye8 note
;
Thy kinsmen hang their heads at this disdain,
Thy issue blurr'd with nameless bastardy9 note:
And thou, the author of their obloquy,

-- 135 --


  Shalt have thy trespass cited up in rhymes1 note



,
  And sung by children in succeeding times2 note












.

But if thou yield, I rest thy secret friend:
The fault unknown is as a thought unacted;
A little harm, done to a great good end,
For lawful policy remains enacted.
The poisonous simple sometimes is compacted
  In a pure compound3 note




; being so applied,
  His venom in effect is purified.

-- 136 --


Then for thy husband and thy children's sake,
Tender my suit3 note
: bequeath not to their lot
The shame that from them no device can take,
The blemish that will never be forgot;
Worse than a slavish wipe4 note, or birth-hour's blot5 note











:
  For marks descried in men's nativity
  Are nature's faults, not their own infamy6 note


.
Here with a cockatrice' dead-killing eye7 note
,
He rouseth up himself, and makes a pause;
While she, the picture of pure piety,

-- 137 --


Like a white hind under the grype's sharp claws8 note









,
Pleads in a wilderness, where are no laws,
  To the rough beast that knows no gentle right,
  Nor aught obeys but his foul appetite.

Look, when a black-fac'd cloud the world doth threat9 note







,
In his dim mist the aspiring mountains hiding,
From earth's dark womb some gentle gust doth get,

-- 138 --


Which blows these pitchy vapours from their biding,
Hindering their present fall by this dividing:
  So his unhallow'd haste her words delays,
  And moody Pluto winks while Orpheus plays.
Yet, foul night-waking cat, he doth but dally,
While in his hold-fast foot the weak mouse panteth:
Her sad behaviour feeds his vulture folly1 note
,
A swallowing gulf that even in plenty wanteth:
His ear her prayers admits, but his heart granteth
  No penetrable entrance to her plaining:
  Tears harden lust, though marble wear with raining.

Her pity-pleading eyes are sadly fix'd
In the remorseless wrinkles of his face2 note;
Her modest eloquence with sighs is mix'd,
Which to her oratory adds more grace.
She puts the period often from his place;
  And 'midst the sentence so her accent breaks,
  That twice she doth begin, ere once she speaks3 note




.

She cónjures him by high almighty Jove,
By knighthood, gentry, and sweet friendship's oath,
By her untimely tears, her husband's love,
By holy human law, and common troth,
By heaven and earth, and all the power of both,

-- 139 --


  That to his borrow'd bed he make retire,
  And stoop to honour, not to foul desire.
Quoth she, reward not hospitality4 note


With such black payment as thou hast pretended5 note

;
Mud not the fountain that gave drink to thee;
Mar not the thing that cannot be amended;
End thy ill aim, before thy shoot be ended6 note






;
  He is no wood-man that doth bend his bow
  To strike a poor unseasonable doe.

-- 140 --


My husband is thy friend, for his sake spare me;
Thyself art mighty, for thine own sake leave me;
Myself a weakling, do not then ensnare me:
Thou look'st not like deceit; do not deceive me:
My sighs, like whirlwinds, labour hence to heave thee.
  If ever man were mov'd with woman's moans,
  Be moved with my tears, my sighs, my groans;

All which together, like a troubled ocean,
Beat at thy rocky and wreck-threat'ning heart,
To soften it with their continual motion;
For stones dissolv'd to water do convert.
O, if no harder than a stone thou art,
  Melt at my tears and be compassionate!
  Soft pity enters at an iron gate7 note.

In Tarquin's likeness I did entertain thee:
Hast thou put on his shape to do him shame?
To all the host of heaven I complain me,
Thou wrong'st his honour, wound'st his princely name.
Thou art not what thou seem'st; and if the same,
  Thou seem'st not what thou art, a god, a king;
  For kings like gods should govern every thing.

How will thy shame be seeded in thine age,
When thus thy vices bud before thy spring8 note





?
If in thy hope thou dar'st do such outráge,

-- 141 --


What dar'st thou not, when once thou art a king9 note


?
O, be remember'd1 note

, no outrageous thing
  From vassal actors can be wip'd away;
  Then kings' misdeeds cannot be hid in clay2 note




.
This deed will make thee only lov'd for fear,
But happy monarchs still are fear'd for love:
With foul offenders thou perforce must bear,
When they in thee the like offences prove:
If but for fear of this, thy will remove;
  For princes are the glass, the school, the book,
  Where subjects' eyes do learn, do read, do look3 note



.

And wilt thou be the school where Lust shall learn?
Must he in thee read lectures of such shame?
Wilt thou be glass, wherein it shall discern
Authority for sin, warrant for blame,
To privilege dishonour in thy name?

-- 142 --


  Thou back'st reproach against long-lived laud,
  And mak'st fair reputation but a bawd.
Hast thou command? by him that gave it thee,
From a pure heart command thy rebel will:
Draw not thy sword to guard iniquity,
For it was lent thee all that brood to kill.
Thy princely office how canst thou fulfil,
  When, pattern'd by thy fault4 note
, foul Sin may say,
  He learn'd to sin, and thou didst teach the way?

Think but how vile a spectacle it were,
To view thy present trespass in another.
Men's faults do seldom to themselves appear;
Their own transgressions partially they smother:
This guilt would seem death-worthy in thy brother.
  O, how are they wrapp'd in with infamies,
  That from their own misdeeds askaunce their eyes!

To thee, to thee, my heav'd-up hands appeal,
Not to seducing lust, thy rash relier5 note
;
I sue for exil'd majesty's repeal6 note

;
Let him return, and flattering thoughts retire:
His true respect will 'prison false desire,
  And wipe the dim mist from thy doting eyne,
  That thou shalt see thy state, and pity mine.

-- 143 --


Have done, quoth he; my uncontrolled tide
Turns not, but swells the higher by this let.
Small lights are soon blown out, huge fires abide7 note
,
And with the wind in greater fury fret8 note
:
The petty streams that pay a daily debt
  To their salt sovereign, with their fresh falls' haste,
  Add to his flow, but alter not his taste9 note


.

Thou art, quoth she, a sea, a sovereign king!
And lo, there falls into thy boundless flood
Black lust, dishonour, shame, misgoverning,
Who seek to stain the ocean of thy blood.
If all these petty ills shall change thy good,
  Thy sea within a puddle's womb is hers'd9 note






,
  And not the puddle in thy sea dispers'd.

So shall these slaves be king, and thou their slave2 note


;
Thou nobly base, they basely dignified;
Thou their fair life, and they thy fouler grave:

-- 144 --


Thou loathed in their shame, they in thy pride:
The lesser thing should not the greater hide;
  The cedar stoops not to the base shrub's foot,
  But low shrubs wither at the cedar's root.
So let thy thoughts, low vassals to thy state—
No more, quoth he, by heaven, I will not hear thee;
Yield to my love; if not, enforced hate,
Instead of love's coy touch3 note, shall rudely tear thee;
That done, despitefully I mean to bear thee
  Unto the base bed of some rascal groom,
  To be thy partner in this shameful doom.

This said, he sets his foot upon the light,
For light and lust are deadly enemies:
Shame folded up in blind concealing night,
When most unseen, then most doth tyrannize.
The wolf hath seiz'd his prey, the poor lamb cries4 note


;
  Till with her own white fleece her voice controll'd
  Entombs her outcry in her lips' sweet fold:

For with the nightly linen that she wears5 note
,
He pens her piteous clamours in her head;
Cooling his hot face in the chastest tears

-- 145 --


That ever modest eyes with sorrow shed.
O, that prone lust should stain so pure a bed5 note



!
  The spots whereof could weeping purify,
  Her tears should drop on them perpetually.

But she hath lost a dearer thing than life6 note

,
And he hath won what he would lose again;
This forced league doth force a further strife;
This momentary joy breeds months of pain;
This hot desire converts to cold disdain:
  Pure chastity is rifled of her store,
  And lust, the thief, far poorer than before.

Look, as the full-fed hound or gorged hawk,
Unapt for tender smell or speedy flight,
Make slow pursuit, or altogether balk
The prey wherein by nature they delight;
So surfeit-taking Tarquin fares this night:
  His taste delicious, in digestion souring,
  Devours his will, that liv'd by foul devouring.

O deeper sin than bottomless conceit
Can comprehend in still imagination!
Drunken Desire must vomit his receipt7 note
,

-- 146 --


Ere he can see his own abomination.
While lust is in his pride, no exclamation
  Can curb his heat, or rein his rash desire,
  Till, like a jade, self-will himself doth tire8 note


.
And then with lank and lean discolour'd cheek,
With heavy eye, knit brow, and strengthless pace,
Feeble Desire, all recreant, poor, and meek,
Like to a bankrupt beggar wails his case:
The flesh being proud, Desire doth fight with grace,
  For there it revels; and when that decays,
  The guilty rebel for remission prays.

So fares it with this faultful lord of Rome,
Who this accomplishment so hotly chas'd;
For now against himself he sounds this doom,—
That through the length of times he stands disgrac'd:
Besides, his soul's fair temple is defac'd9 note


;
  To whose weak ruins muster troops of cares,
  To ask the spotted princess how she fares.

She says, her subjects with foul insurrection
Have batter'd down her consecrated wall,
And by their mortal fault brought in subjection
Her immortality, and made her thrall
To living death, and pain perpetual:
  Which in her prescience she controlled still,
  But her fore-sight could not fore-stall their will.

-- 147 --


Even in this thought, through the dark night he stealeth,
A captive victor, that hath lost in gain1 note
;
Bearing away the wound that nothing healeth,
The scar that will, despite of cure, remain;
Leaving his spoil2 note


perplex'd in greater pain.
  She bears the load of lust he left behind,
  And he the burthen of a guilty mind.

He, like a thievish dog, creeps sadly thence,
She like a wearied lamb lies panting there;
He scouls, and hates himself for his offence,
She desperate, with her nails her flesh doth tear;
He faintly flies, sweating with guilty fear;
  She stays, exclaiming on the direful night;
  He runs, and chides his vanish'd, loath'd, delight.

He thence departs a heavy convertite3 note

,
She there remains a hopeless cast-away4 note
:
He in his speed looks for the morning light,
She prays she never may behold the day:
For day, quoth she, night's scapes doth open lay5 note


;

-- 148 --


  And my true eyes have never practis'd how
  To cloke offences with a cunning brow.
They think not but that every eye can see
The same disgrace which they themselves behold;
And therefore would they still in darkness be6 note
,
To have their unseen sin remain untold;
For they their guilt with weeping will unfold,
  And grave, like water that doth eat in steel,
  Upon my cheeks what helpless shame I feel.

Here she exclaims against repose and rest,
And bids her eyes hereafter still be blind7 note

.
She wakes her heart by beating on her breast,
And bids it leap from thence, where it may find
Some purer chest, to close so pure a mind8 note



.
  Frantick with grief thus breathes she forth her spite
  Against the unseen secrecy of night.

-- 149 --


O, comfort-killing night, image of hell9 note
!
Dim register and notary of shame!
Black stage for tragedies and murders fell1 note!
Vast sin-concealing chaos! nurse of blame!
Blind muffled bawd! dark harbour for defame!
  Grim cave of death, whispering conspirator
  With close-tongu'd treason and the ravisher!

O, hateful, vaporous, and foggy night,
Since thou art guilty of my cureless crime,
Muster thy mists to meet the eastern light,
Make war against proportion'd course of time!
Or if thou wilt permit the sun to climb
  His wonted height, yet ere he go to bed,
  Knit poisonous clouds about his golden head.

With rotten damps ravish the morning air;
Let their exhal'd unwholesome breaths make sick
The life of purity, the supreme fair2 note


,
Ere he arrive his weary noon-tide prick3 note




;
And let thy misty vapours march so thick4 note




,

-- 150 --


  That in their smoky ranks his smother'd light
  May set at noon, and make perpetual night.
Were Tarquin night, (as he is but night's child5 note,)
The silver-shining queen he would distain6 note



;
Her twinkling handmaids7 note

too, by him defil'd,
Through night's black bosom should not peep again8 note

:
So should I have copartners in my pain:
  And fellowship in woe doth woe assuage9 note







,
  As palmers' chat makes short their pilgrimage1 note









.

-- 151 --


Where now2 note I have no one to blush with me,
To cross their arms, and hang their heads with mine,
To mask their brows3 note


, and hide their infamy;
But I alone, alone must sit and pine,
Seasoning the earth with showers of silver brine4 note



;
  Mingling my talk with tears, my grief with groans,
  Poor wasting monuments of lasting moans.
O night, thou furnace of foul-reeking smoke,
Let not the jealous day behold that face
Which underneath thy black all-hiding cloak
Immodestly lies martyr'd with disgrace!
Keep still possession of thy gloomy place,
  That all the faults which in thy reign are made,
  May likewise be sepúlcher'd in thy shade5 note

!

-- 152 --


Make me not object to the tell-tale day!
The light will shew, charácter'd in my brow5 note


,
The story of sweet chastity's decay,
The impious breach of holy wedlock vow:
Yea, the illiterate that know not how
  To 'cipher what is writ in learned books,
  Will quote6 note

my loathsome trespass in my looks.
The nurse, to still her child, will tell my story,
And fright her crying babe with Tarquin's name7 note



;
The orator, to deck his oratory,
Will couple my reproach to Tarquin's shame:
Feast-finding minstrels8 note, tuning my defame,
  Will tie the hearers to attend each line,
  How Tarquin wronged me, I Collatine.

-- 153 --


Let my good name, that senseless reputation,
For Collatine's dear love be kept unspotted:
If that be made a theme for disputation,
The branches of another root are rotted;
And undeserv'd reproach to him allotted,
  That is as clear from this attaint of mine,
  As I, ere this, was pure to Collatine.

O unseen shame! invisible disgrace!
O unfelt sore! crest-wounding, private scar!
Reproach is stamp'd in Collatinus' face,
And Tarquin's eye may read the mot afar9 note



,
How he in peace is wounded, not in war.
  Alas, how many bear such shameful blows,
  Which not themselves, but he that gives them, knows!
If, Collatine, thine honour lay in me,
From me by strong assault it is bereft.
My honey lost, and I, a drone-like bee,
Have no perfection of my summer left,
But robb'd and ransack'd by injurious theft:
  In thy weak hive a wandering wasp hath crept,
  And suck'd the honey which thy chaste bee kept.

Yet am I guiltless of thy honour's wreck1 note





;
Yet for thy honour did I entertain him;
Coming from thee, I could not put him back,

-- 154 --


For it had been dishonour to disdain him:
Besides of weariness he did complain him,
  And talk'd of virtue:—O, unlook'd for evil,
  When virtue is prophan'd in such a devil!
Why should the worm intrude the maiden bud2 note

?
Or hateful cuckoos hatch in sparrows' nests?
Or toads infect fair founts with venom mud?
Or tyrant folly lurk in gentle breasts2 note?
Or kings be breakers of their own behests?
  But no perfection is so absolute4 note





,
  That some impurity doth not pollute.

-- 155 --


The aged man that coffers up his gold,
Is plagu'd with cramps, and gouts, and painful fits;
And scarce hath eyes his treasure to behold,
But like still-pining Tantalus he sits,
And useless barns the harvest of his wits5 note


;
  Having no other pleasure of his gain,
  But torment that it cannot cure his pain.
So then he hath it, when he cannot use it,
And leaves it to be master'd by his young6 note







;
Who in their pride do presently abuse it:
Their father was too weak, and they too strong,
To hold their cursed-blessed fortune long.
  The sweets we wish for turn to loathed sours,
  Even in the moment that we call them ours.

Unruly blasts wait on the tender spring;
Unwholesome weeds take root with precious flowers;
The adder hisses where the sweet birds sing;

-- 156 --


What virtue breeds, iniquity devours:
We have no good that we can say is ours,
  But ill annexed opportunity
  Or kills his life, or else his quality.
O, Opportunity! thy guilt is great:
'Tis thou that execut'st the traitor's treason;
Thou set'st the wolf where he the lamb may get;
Whoever plots the sin, thou 'point'st the season;
'Tis thou that spurn'st at right, at law, at reason;
  And in thy shady cell, where none may spy him,
  Sits Sin, to seize the souls that wander by him,

Thou mak'st the vestal violate her oath7 note


:
Thou blow'st the fire when temperance is thaw'd;
Thou smother'st honesty, thou murder'st troth;
Thou foul abettor! thou notorious bawd!
Thou plantest scandal, and displacest laud:
  Thou ravisher, thou traitor, thou false thief,
  Thy honey turns to gall, thy joy to grief!

Thy secret pleasure turns to open shame,
Thy private feasting to a publick fast;
Thy smoothing titles to a ragged name8 note







;

-- 157 --


Thy sugar'd tongue to bitter wormwood taste9 note:
Thy violent vanities can never last1 note



.
  How comes it then, vile Opportunity,
  Being so bad, such numbers seek for thee?

When wilt thou be the humble suppliant's friend,
And bring him where his suit may be obtain'd?
When wilt thou sort an hour2 note




great strifes to end?
Or free that soul which wretchedness hath chain'd?
Give physick to the sick, ease to the pain'd?
  The poor, lame, blind, halt, creep, cry out for thee;
  But they ne'er meet with Opportunity.

The patient dies while the physician sleeps;
The orphan pines while the oppressor feeds;
Justice is feasting while the widow weeps;
Advice is sporting while infection breeds3 note



;
Thou grant'st no time for charitable deeds:

-- 158 --


  Wrath, envy, treason, rape, and murder's rages,
  Thy heinous hours wait on them as their pages.
When Truth and Virtue have to do with thee,
A thousand crosses keep them from thy aid;
They buy thy help: but Sin ne'er gives a fee,
He gratis comes; and thou art well appay'd4 note
As well to hear as grant what he hath said.
  My Collatine would else have come to me
  When Tarquin did, but he was stay'd by thee.

Guilty thou art of murder and of theft;
Guilty of perjury and subornation;
Guilty of treason, forgery, and shift;
Guilty of incest, that abomination:
An accessary by thine inclination
  To all sins past, and all that are to come,
  From the creation to the general doom.

Mis-shapen Time, copesmate5 note
of ugly night,
Swift subtle post, carrier of grisly care;
Eater of youth, false slave to false delight,
Base watch of woes, sin's pack-horse, virtue's snare;
Thou nursest all, and murderest all that are.
  O hear me then, injurious, shifting Time!
  Be guilty of my death, since of my crime.

-- 159 --


Why hath thy servant, Opportunity,
Betray'd the hours thou gav'st me to repose?
Cancel'd my fortunes, and enchained me
To endless date of never-ending woes?
Time's office is, to fine the hate of foes6 note





;
  To eat up errors by opinion bred,7 note

  Not spend the dowry of a lawful bed.

Time's glory is to calm contending kings,
To unmask falsehood, and bring truth to light,
To stamp the seal of time in aged things,
To wake the morn, and sentinel the night,
To wrong the wronger till he render right8 note


;

-- 160 --


  To ruinate proud buildings with thy hours9 note








,
  And smear with dust their glittering golden towers:

To fill with worm-holes stately monuments1 note

,
To feed oblivion with decay of things,
To blot old books, and alter their contents2 note,
To pluck the quills from ancient ravens' wings,
To dry the old oak's sap, and cherish springs3 note













;

-- 161 --


  To spoil antiquities of hammer'd steel4 note,
  And turn the giddy round of fortune's wheel:

-- 162 --


To shew the beldame daughters of her daughter,
To make the child a man, the man a child,
To slay the tyger that doth live by slaughter,
To tame the unicorn and lion wild;
To mock the subtle, in themselves beguil'd;
  To cheer the ploughman with increaseful crops,
  And waste huge stones with little water-drops,

Why work'st thou mischief in thy pilgrimage,
Unless thou could'st return to make amends?
One poor retiring minute in age5 note
Would purchase thee a thousand thousand friends,
Lending him wit, that to bad debtors lends:
  O, this dread night, would'st thou one hour come back,
  I could prevent this storm, and shun thy wrack!

Thou ceaseless lackey to eternity,
With some mischance cross Tarquin in his flight:
Devise extremes beyond extremity6 note

,

-- 163 --


To make him curse this cursed crimeful night:
Let ghastly shadows his lewd eyes affright;
  And the dire thought of his committed evil
  Shape every bush a hideous shapeless devil7 note



.

Disturb his hours of rest with restless trances8 note
,
Afflict him in his bed with bedrid groans;
Let there bechance him pitiful mischances,
To make him moan; but pity not his moans;
Stone him with harden'd hearts, harder than stones9 note







;
  And let mild women to him lose their mildness,
  Wilder to him than tygers in their wildness.

Let him have time to tear his curled hair1 note



,
Let him have time against himself to rave,
Let him have time of Time's help to despair,

-- 164 --


Let him have time to live a loathed slave,
Let him have time a beggar's orts to crave;
  And time to see one that by alms doth live,
  Disdain to him disdained scraps to give.
Let him have time to see his friends his foes,
And merry fools to mock at him resort:
Let him have time to mark how slow time goes
In time of sorrow, and how swift and short
His time of folly, and his time of sport:
  And ever let his unrecalling crime2 note


  Have time to wail the abusing of his time.

O Time, thou tutor both to good and bad,
Teach me to curse him that thou taught'st this ill!
At his own shadow let the thief run mad,
Himself, himself seek every hour to kill!
Such wretched hands such wretched blood should spill:
  For who so base would such an office have
  As slanderous death's-man to so base a slave3 note

?

-- 165 --


The baser is he, coming from a king,
To shame his hope with deeds degenerate.
The mightier man, the mightier is the thing
That makes him honour'd, or begets him hate;
For greatest scandal waits on greatest state.
  The moon being clouded presently is miss'd,
  But little stars may hide them when they list.

The crow may bathe his coal-black wings in mire,
And unperceiv'd fly with the filth away;
But if the like the snow-white swan desire,
The stain upon his silver down will stay.
Poor grooms are sightless night4 note

, kings glorious day.
  Gnats are unnoted wheresoe'er they fly,
  But eagles gaz'd upon with every eye.

Out, idle words5 note, servants to shallow fools!
Unprofitable sounds, weak arbitrators!
Busy yourselves in skill-contending schools;
Debate where leisure serves with dull debaters;
To trembling clients be you mediators:
  For me, I force not argument a straw6 note




,
  Since that my case is past the help of law.

-- 166 --


In vain I rail at opportunity,
At time, at Tarquin, and uncheerful night7 note;
In vain I cavil with mine infamy,
In vain I spurn at my confirm'd despite:
This helpless smoke of words8 note
doth me no right.
  The remedy indeed to do me good,
  Is to let forth my foul, defiled, blood.

Poor hand, why quiver'st thou at this decree?
Honour thyself to rid me of this shame;
For if I die, my honour lives in thee,
But if I live, thou liv'st in my defame;
Since thou could'st not defend thy loyal dame,
  And wast afear'd to scratch her wicked foe,
  Kill both thyself and her for yielding so.

This said, from her be-tumbled couch she starteth,
To find some desperate instrument of death:
But this no slaughter-house no tool imparteth,
To make more vent for passage of her breath;
Which, thronging through her lips, so vanisheth
  As smoke from Ætna, that in air consumes,
  Or that which from discharged cannon fumes.

In vain, quoth she, I live, and seek in vain
Some happy mean to end a hapless life.
I fear'd by Tarquin's falchion to be slain,
Yet for the self-same purpose seek a knife:
But when I fear'd, I was a loyal wife;
  So am I now:—O no, that cannot be;
  Of that true type hath Tarquin rifled me.

-- 167 --


O! that is gone, for which I sought to live,
And therefore now I need not fear to die.
To clear this spot by death, at least I give
A badge of fame to slander's livery9 note;
A dying life to living infamy:
  Poor helpless help, the treasure stol'n away,
  To burn the guiltless casket where it lay!

Well, well, dear Collatine, thou shalt not know
The stained taste of violated troth;
I will not wrong thy true affection so,
To flatter thee with an infringed oath;
This bastard graff shall never come to growth1 note

:
  He shall not boast, who did thy stock pollute,
  That thou art doting father of his fruit.
Nor shall he smile at thee in secret thought,
Nor laugh with his companions at thy state;
But thou shalt know thy interest was not bought
Basely with gold, but stolen from forth thy gate.
For me, I am the mistress of my fate;
  And with my trespass never will dispense,
  Till life to death acquit my forc'd offence.

I will not poison thee with my attaint,
Nor fold my fault in cleanly-coin'd excuses;
My sable ground of sin I will not paint,

-- 168 --


To hide the truth of this false night's abuses:
My tongue shall utter all; mine eyes, like sluices,
  As from a mountain-spring that feeds a dale,
  Shall gush pure streams to purge my impure tale.
By this, lamenting Philomel had ended
The well-tun'd warble of her nightly sorrow,
And solemn night with slow-sad gait descended
To ugly hell; when lo, the blushing morrow
Lends light to all fair eyes that light will borrow:
  But cloudy Lucrece shames herself to see,
  And therefore still in night would cloister'd be.

Revealing day through every cranny spies,
And seems to point her out where she sits weeping;
To whom she sobbing speaks: O eye of eyes,
Why pry'st thou through my window? leave thy peeping;
Mock with thy tickling beams eyes that are sleeping:
  Brand not my forehead with thy piercing light,
  For day hath nought to do what's done by night,

Thus cavils she with every thing she sees:
True grief is fond and testy as a child2 note,
Who wayward once, his mood with nought agrees.
Old woes, not infant sorrows, bear them mild;
Continuance tames the one; the other wild,
  Like an unpractis'd swimmer plunging still,
  With too much labour drowns for want of skill.

So she, deep-drenched in a sea of care,
Holds disputation with each thing she views,
And to herself all sorrow doth compare;
No object but her passion's strength renews;
And as one shifts, another straight ensues:

-- 169 --


  Sometime her grief is dumb, and hath no words;
  Sometime 'tis mad, and too much talk affords3 note



.
The little birds that tune their morning's joy,
Make her moans mad with their sweet melody4 note




:
For mirth doth search the bottom of annoy;
Sad souls are slain in merry company5 note
;
Grief best is pleas'd with grief's society:
  True sorrow then is feelingly suffic'd,
  When with like semblance it is sympathiz'd.

'Tis double death to drown in ken of shore;
He ten times pines, that pines beholding food;
To see the salve doth make the wound ake more;
Great grief grieves most at that would do it good:
Deep woes roll forward like a gentle flood,
  Who, being stopp'd, the bounding banks o'erflows;
  Grief dallied with nor law nor limit knows.

-- 170 --


You mocking birds, quoth she, your tunes entomb
Within your hollow-swelling feather'd breasts!
And in my hearing be you mute and dumb5 note











!
(My restless discord loves no stops6 note

nor rests;
A woeful hostess brooks not merry guests7 note
:)
  Relish your nimble notes to pleasing ears8 note





;
  Distress likes dumps9 note

when time is kept with tears.

-- 171 --


Come, Philomel, that sing'st of ravishment,
Make thy sad grove in my dishevel'd hair.
As the dank earth weeps at thy languishment,
So I at each sad strain will strain a tear,
And with deep groans the diapason bear:
  For burthen-wise I'll hum on Tarquin still,
  While thou on Tereus descant'st, better skill1 note





.
And whiles against a thorn thou bear'st thy part,
To keep thy sharp woes waking, wretched I,
To imitate thee well, against my heart
Will fix a sharp knife, to affright mine eye:
Who, if it wink2 note, shall thereon fall and die.
  These means, as frets upon an instrument,
  Shall tune our heart-strings to true languishment.

-- 172 --


And for, poor bird, thou sing'st not in the day3 note


,
As shaming any eye should thee behold,
Some dark deep desert, seated from the way,
That knows not parching heat nor freezing cold,
Will we find out4 note




; and there we will unfold
  To creatures stern sad tunes, to change their kinds;
  Since men prove beasts, let beasts bear gentle minds.

As the poor frighted deer, that stands at gaze,
Wildly determining which way to fly,
Or one encompass'd with a winding maze,
That cannot tread the way out readily;
So with herself is she in mutiny,
  To live or die which of the twain were better5 note
,
  When life is sham'd, and death reproaches debtor6 note



.

-- 173 --


To kill myself, quoth she, alack! what were it,
But with my body my poor soul's pollution?
They that lose half, with greater patience bear it,
Than they whose whole is swallow'd in confusion.
That mother tries a merciless conclusion7 note

,
  Who having two sweet babes, when death takes one,
  Will slay the other, and be nurse to none.

My body or my soul, which was the dearer?
When the one pure, the other made divine.
Whose love of either to myself was nearer?
When both were kept for heaven and Collatine.
Ah me! the bark peel'd from the lofty pine,
  His leaves will wither, and his sap decay;
  So must my soul, her bark being peel'd away.

Her house is sack'd8 note

, her quiet interrupted,
Her mansion batter'd by the enemy;
Her sacred table spotted, spoil'd, corrupted,
Grossly engirt with daring infamy:
Then let it not be call'd impiety,
  If in this blemish'd fort I make some hole9 note

,
  Through which I may convey this troubled soul.

-- 174 --


Yet die I will not, till my Collatine
Have heard the cause of my untimely death;
That he may vow, in that sad hour of mine,
Revenge on him that made me stop my breath1 note

.
My stained blood to Tarquin I'll bequeath,
  Which by him tainted, shall for him be spent2 note


,
  And as his due, writ in my testament.
My honour I'll bequeath unto the knife
That wounds my body so dishonoured.
'Tis honour to deprive dishonour'd life;
The one will live, the other being dead:
So of shame's ashes shall my fame be bred;
  For in my death I murder shameful scorn:
  My shame so dead, mine honour is new-born.

Dear lord of that dear jewel I have lost,
What legacy shall I bequeath to thee?
My resolution, love, shall be thy boast,
By whose example thou reveng'd may'st be.
How Tarquin must be us'd, read it in me:
  Myself, thy friend, will kill myself, thy foe,
  And, for my sake, serve thou false Tarquin so.

This brief abridgment of my will I make:
My soul and body to the skies and ground;
My resolution, husband, do thou take;

-- 175 --


Mine honour be the knife's, that makes my wound;
My shame be his that did my fame confound;
  And all my fame that lives, disbursed be
  To those that live, and think no shame of me.
Thou, Collatine, shalt oversee this Will3 note


;
How was I overseen that thou shalt see it!
My blood shall wash the slander of mine ill;
My life's foul deed, my life's fair end shall free it.
Faint not, faint heart, but stoutly say, so be it.
  Yield to my hand; my hand shall conquer thee;
  Thou dead, both die, and both shall victors be.

This plot of death when sadly she had laid,
And wip'd the brinish pearl from her bright eyes,
With untun'd tongue she hoarsely call'd her maid,
Whose swift obedience to her mistress hies;
For fleet-wing'd duty with thought's feathers flies4 note

.
  Poor Lucrece' cheeks unto her maid seem so
  As winter meads, when sun doth melt their snow.

-- 176 --


Her mistress she doth give demure good-morrow,
With soft-slow tongue, true mark of modesty5 note





;
And sorts a sad look to her lady's sorrow6 note
,
(For why? her face wore sorrow's livery:)
But durst not ask of her audaciously
  Why her two suns were cloud-eclipsed so,
  Nor why her fair cheeks over-wash'd with woe.
But as the earth doth weep, the sun being set7 note
,
Each flower moisten'd like a melting eye8 note

;
Even so the maid with swelling drops 'gan wet
Her circled eyne, enforc'd by sympathy
Of those fair suns, set in her mistress sky,
  Who in a salt-wav'd ocean quench their light,
  Which makes the maid weep like the dewy night9 note
.

-- 177 --


A pretty while1 note these pretty creatures stand,
Like ivory conduits coral cisterns filling2 note




:
One justly weeps; the other takes in hand
No cause, but company, of her drops spilling:
Their gentle sex to weep are often willing;
  Grieving themselves to guess at others' smarts,
  And then they drown their eyes, or break their hearts:
For men have marble, women waxen, minds,
And therefore are they form'd as marble will3 note;
The weak oppress'd, the impression of strange kinds
Is form'd in them by force, by fraud, or skill:
Then call them not the authors of their ill,
  No more than wax shall be accounted evil,
  Wherein is stamp'd the semblance of a devil4 note









.

-- 178 --


Their smoothness, like a goodly champaign plain,
Lays open all the little worms that creep;
In men, as in a rough-grown grove, remain
Cave-keeping evils that obscurely sleep:
Through crystal walls each little mote will peep:
  Though men can cover crimes with bold stern looks,
  Poor women's faces are their own faults' books5 note







.
No man inveigh against the wither'd flower6 note
,
But chide rough winter that the flower hath kill'd!
Not that devour'd, but that which doth devour,
Is worthy blame. O, let it not be hild7 note
Poor women's faults, that they are so fulfill'd
  With men's abuses8 note


: those proud lords, to blame,
  Make weak-made women tenants to their shame.

-- 179 --


The precedent whereof in Lucrece view,
Assail'd by night, with circumstances strong
Of present death, and shame that might ensue
By that her death, to do her husband wrong;
Such danger to resistance did belong,
  That dying fear through all her body spread;
  And who cannot abuse a body dead9 note

?

By this, mild patience bid fair Lucrece speak
To the poor counterfeit of her complaining1 note
;
My girl, quoth she, on what occasion break
Those tears from thee, that down thy cheeks are raining?
If thou dost weep for grief of my sustaining,
  Know, gentle wench, it small avails my mood:
  If tears could help, mine own would do me good.

But tell me, girl, when went—(and there she stay'd
Till after a deep groan) Tarquin from hence;
Madam, ere I was up, reply'd the maid,
The more to blame my sluggard negligence:
Yet with the fault I thus far can dispense;
  Myself was stirring ere the break of day,
  And, ere I rose, was Tarquin gone away.

But lady, if your maid may be so bold,
She would request to know your heaviness.
O peace! quoth Lucrece; if it should be told,

-- 180 --


The repetition cannot make it less;
For more it is than I can well express:
  And that deep torture may be call'd a hell,
  When more is felt than one hath power to tell.
Go, get me hither paper, ink, and pen,—
Yet save that labour, for I have them here.
What should I say?—One of my husband's men
Bid thou be ready, by and by, to bear
A letter to my lord, my love, my dear;
  Bid him with speed prepare to carry it:
  The cause craves haste, and it will soon be writ.

Her maid is gone, and she prepares to write,
First hovering o'er the paper with her quill:
Conceit and grief an eager combat fight;
What wit sets down, is blotted straight with will;
This is too curious-good, this blunt and ill:
  Much like a press of people at a door,
  Throng her inventions, which shall go before2 note







.
At last she thus begins: “Thou worthy lord
Of that unworthy wife that greeteth thee,
Health to thy person! next vouchsafe t' afford
(If ever, love, thy Lucrece thou wilt see,)
Some present speed, to come and visit me:
  So I commend me from our house in grief3 note

;
  My woes are tedious, though my words are brief.”

-- 181 --


Here folds she up the tenour of her woe,
Her certain sorrow writ uncertainly.
By this short schedule Collatine may know
Her grief, but not her grief's true quality:
She dares not thereof make discovery,
  Lest he should hold it her own gross abuse,
  Ere she with blood had stain'd her stain'd excuse.

Besides, the life and feeling of her passion
She hoards, to spend when he is by to hear her;
When sighs and groans and tears may grace the fashion
Of her disgrace, the better so to clear her
From that suspicion which the world might bear her.
  To shun this blot, she would not blot the letter
  With words, till action might become them better.

To see sad sights moves more than hear them told4 note

;
For then the eye interprets to the ear
The heavy motion that it doth behold5 note


,
When every part a part of woe doth bear,
'Tis but a part of sorrow that we hear:

-- 182 --


  Deep sounds make lesser noise than shallow fords6 note



,
  And sorrow ebbs, being blown with wind of words.
Her letter now is seal'd, and on it writ,
At Ardea to my lord, with more than haste7 note
:

The post attends, and she delivers it,

-- 183 --


Charging the sour-fac'd groom to hie as fast
As lagging fowls before the northern blast8 note

.
  Speed more than speed but dull and slow she deems:
  Extremity still urgeth such extremes.

The homely villein9 note court'sies to her low;
And blushing on her, with a stedfast eye
Receives the scroll, without or yea or no,
And forth with bashful innocence doth hie.
But they whose guilt within their bosoms lie,
  Imagine every eye beholds their blame;
  For Lucrece thought he blush'd to see her shame.

When, silly groom! God wot, it was defect
Of spirit, life, and bold audacity.
Such harmless creatures have a true respect
To talk in deeds1 note





, while others saucily
Promise more speed, but do it leisurely:
  Even so, this pattern of the worn-out age2 note






  Pawn'd honest looks, but lay'd no words to gage.

-- 184 --


His kindled duty kindled her mistrust,
That two red fires in both their faces blaz'd;
She thought he blush'd, as knowing Tarquin's lust,
And, blushing with him, wistly on him gaz'd;
Her earnest eye did make him more amaz'd:
  The more she saw the blood his cheeks replenish,
  The more she thought he spy'd in her some blemish.

But long she thinks till he return again,
And yet the duteous vassal scarce is gone.
The weary time she cannot entertain,
For now 'tis stale to sigh, to weep, and groan:
So woe hath wearied woe, moan tired moan,
  That she her plaints a little while doth stay,
  Pausing for means to mourn some newer way.

At last she calls to mind where hangs a piece
Of skilful painting, made for Priam's Troy;
Before the which is drawn3 note


the power of Greece,
For Helen's rape4 note the city to destroy,
Threatening cloud-kissing Ilion with annoy5 note





;

-- 185 --


  Which the conceited painter drew so proud6 note,
  As heaven (it seem'd) to kiss the turrets bow'd.
A thousand lamentable objects there,
In scorn of nature, art gave lifeless life:
Many a dry drop seem'd a weeping tear7 note


,
Shed for the slaughter'd husband by the wife:
The red blood reek'd, to show the painter's strife;
  And dying eyes gleam'd forth their ashy lights8 note





,
  Like dying coals burnt out in tedious nights9.
There might you see the labouring pioneer
Begrim'd with sweat, and smeared all with dust;
And from the towers of Troy there would appear

-- 186 --


The very eyes of men through loop-holes thrust,
Gazing upon the Greeks with little lust:
  Such sweet observance in this work was had,
  That one might see those far-off eyes look sad.
In great commanders grace and majesty
You might behold, triúmphing in their faces;
In youth, quick bearing and dexterity;
And here and there the painter interlaces
Pale cowards, marching on with trembling paces;
  Which heartless peasants did so well resemble,
  That one would swear he saw them quake and tremble.

In Ajax and Ulysses, O, what art
Of physiognomy might one behold!
The face of either 'cipher'd either's heart;
Their face their manners most expressly told:
In Ajax' eyes blunt rage and rigour roll'd;
  But the mild glance that sly Ulysses lent,
  Show'd deep regard and smiling government1 note.

There pleading might you see grave Nestor stand,
As 'twere encouraging the Greeks to fight;
Making such sober action with his hand,
That it beguil'd attention, charm'd the sight:
In speech, it seem'd, his beard, all silver white,
  Wagg'd up and down, and from his lips did fly
  Thin winding breath, which purl'd up to the sky2 note











.

-- 187 --


About him were a press of gaping faces3 note,
Which seem'd to swallow up his sound advice4 note
;
All jointly listening, but with several graces,
As if some mermaid5 note did their ears entice;
Some high, some low; the painter was so nice,
  The scalps of many almost hid behind,
  To jump up higher seem'd, to mock the mind.

Here one man's hand lean'd on another's head,
His nose being shadow'd by his neighbour's ear;
Here one, being throng'd, bears back, all boll'n and red6 note








;

-- 188 --


Another, smother'd, seems to pelt and swear7 note;
And in their rage such signs of rage they bear,
  As, but for loss of Nestor's golden words,
  It seem'd they would debate with angry swords8 note




.
For much imaginary work was there;
Conceit deceitful, so compact, so kind9 note,
That for Achilles' image stood his spear,

-- 189 --


Grip'd in an armed hand; himself, behind,
Was left unseen, save to the eye of mind1 note

:
  A hand, a foot, a face, a leg, a head,
  Stood for the whole to be imagined.
And from the walls of strong-besieged Troy
When their brave hope, bold Hector, march'd to field,
Stood many Trojan mothers, sharing joy
To see their youthful sons bright weapons wield;
And to their hope they such odd action yield,
  That, through their light joy, seemed to appear
  (Like bright things stain'd) a kind of heavy fear.

And, from the strond of Dardan where they fought,
To Simois' reedy banks the red blood ran,
Whose waves to imitate the battle sought
With swelling ridges; and their ranks began
To break upon the galled shore, and than2 note


















-- 190 --


  Retire again, till meeting greater ranks
  They join, and shoot their foam at Simois' banks.
To this well-painted piece is Lucrece come,
To find a face where all distress is stêl'd3 note






.
Many she sees, where cares have carved some,
But none where all distress and dolour dwell'd,
Till she despairing Hecuba beheld,
  Staring on Priam's wounds with her old eyes,
  Which bleeding under Pyrrhus' proud foot lies4 note.

-- 191 --


In her the painter had anatomiz'd
Time's ruin, beauty's wreck, and grim care's reign;
Her cheeks with chaps and wrinkles were disguis'd;
Of what she was, no semblance did remain:
Her blue blood chang'd to black in every vein,
  Wanting the spring that those shrunk pipes had fed,
  Show'd life imprison'd in a body dead.

On this sad shadow Lucrece spends her eyes5 note,
And shapes her sorrow to the beldame's woes,
Who nothing wants to answer her but cries,
And bitter words, to ban her cruel foes:
The painter was no God to lend her those;
  And therefore Lucrece swears he did her wrong,
  To give her so much grief, and not a tongue.

Poor instrument, quoth she, without a sound,
I'll tune thy woes with my lamenting tongue:
And drop sweet balm in Priam's painted wound,
And rail on Pyrrhus that hath done him wrong,
And with my tears quench Troy, that burns so long;
  And with my knife scratch out the angry eyes
  Of all the Greeks that are thine enemies.

Show me the strumpet that began this stir,
That with my nails her beauty I may tear.
Thy heat of lust, fond Paris, did incur
This load of wrath that burning Troy doth bear;
Thy eye kindled the fire that burneth here:
  And here in Troy, for trespass of thine eye,
  The sire, the son, the dame, and daughter, die.

-- 192 --


Why should the private pleasure of some one
Become the publick plague of many mo6 note?
Let sin, alone committed, light alone
Upon his head that hath transgressed so;
Let guiltless souls be freed from guilty woe:
  For one's offence why should so many fall,
  To plague a private sin in general?

Lo, here weeps Hecuba, here Priam dies,
Here manly Hector faints, here Troilus swounds7 note




;
Here friend by friend in bloody channel lies,
And friend to friend gives unadvised wounds8 note,
And one man's lust these many lives confounds9 note


:
  Had doting Priam check'd his son's desire,
  Troy had been bright with fame, and not with fire.
Here feelingly she weeps Troy's painted woes:
For sorrow, like a heavy-hanging bell,
Once set on ringing, with his own weight goes;

-- 193 --


Then little strength rings out the doleful knell;
So Lucrece set a-work, sad tales doth tell
  To pencil'd pensiveness and colour'd sorrow;
  She lends them words, and she their looks doth borrow.
She throws her eyes about the painting, round9 note,
And whom she finds forlorn, she doth lament:
At last she sees a wretched image bound,
That piteous looks to Phrygian shepherds lent;
His face, though full of cares, yet show'd content.
  Onward to Troy with the blunt swains he goes,
  So mild, that Patience seem'd to scorn his woes1 note






.

In him the painter labour'd with his skill
To hide deceit, and give the harmless show2 note
An humble gait, calm looks, eyes wailing still,
A brow unbent, that seem'd to welcome woe;
Cheeks, neither red nor pale, but mingled so
  That blushing red no guilty instance3 note gave,
  Nor ashy pale the fear that false hearts have.

-- 194 --


But, like a constant and confirmed devil,
He entertain'd a show so seeming just,
And therein so ensconc'd his secret evil3 note,
That jealousy itself could not mistrust,
False-creeping craft and perjury should thrust
  Into so bright a day such black-fac'd storms,
  Or blot with hell-born sin such saint-like forms.

The well-skill'd workman this mild image drew
For perjur'd Sinon, whose enchanting story
The credulous old Priam after slew;
Whose words, like wild-fire, burnt the shining glory
Of rich-built Ilion, that the skies were sorry,
  And little stars shot from their fixed places,
  When their glass fell, wherein they view'd their faces4 note








.
This picture she advisedly perus'd5 note,
And chid the painter for his wond'rous skill;
Saying, some shape in Sinon's was abus'd,
So fair a form lodg'd not a mind so ill;
And still on him she gaz'd; and gazing still,

-- 195 --


  Such signs of truth in his plain face she spy'd,
  That she concludes the picture was bely'd.
It cannot be, quoth she, that so much guile—
(She would have said) can lurk in such a look;
But Tarquin's shape came in her mind the while,
And from her tongue, can lurk from cannot took;
It cannot be she in that sense forsook,
  And turn'd it thus: “It cannot be, I find,
  But such a face should bear a wicked mind:

For even as subtle Sinon here is painted,
So sober-sad, so weary, and so mild,
(As if with grief or travail he had fainted,)
To me came Tarquin armed; so beguil'd
With outward honesty6 note









, but yet defil'd
  With inward vice: as Priam him did cherish,
  So did I Tarquin; so my Troy did perish.

Look, look, how listening Priam wets his eyes,
To see those borrow'd tears that Sinon sheds.
Priam, why art thou old, and yet not wise?
For every tear he falls7 note






, a Trojan bleeds;
His eye drops fire, no water thence proceeds:

-- 196 --


  Those round clear pearls of his, that move thy pity,
  Are balls of quenchless fire to burn thy city.
Such devils steal effects from lightless hell;
For Sinon in his fire doth quake with cold,
And in that cold, hot-burning fire doth dwell;
These contraries such unity do hold,
Only to flatter fools, and make them bold:
  So Priam's trust false Sinon's tears doth flatter,
  That he finds means to burn his Troy with water.

Here, all enrag'd, such passion her assails,
That patience is quite beaten from her breast.
She tears the senseless Sinon with her nails,
Comparing him to that unhappy guest
Whose deed hath made herself, herself detest:
  At last she smilingly with this gives o'er;
  Fool! fool! quoth she, his wounds will not be sore.

Thus ebbs and flows the current of her sorrow,
And time doth weary time with her complaining.
She looks for night, and then she longs for morrow,
And both she thinks too long with her remaining:
Short time seems long in sorrow's sharp sustaining.
  Though woe be heavy, yet it seldom sleeps;
  And they that watch, see time how slow it creeps.

Which all this time hath overslipp'd her thought,
That she with painted images hath spent;
Being from the feeling of her own grief brought

-- 197 --


By deep surmise of other's detriment;
Losing her woes in shows of discontent.
  It easeth some, though none it ever cur'd,
  To think their dolour others have endur'd.
But now the mindful messenger, come back,
Brings home his lord and other company;
Who finds his Lucrece clad in mourning black:
And round about her tear-distained eye
Blue circles stream'd, like rainbows in the sky;
  These water-galls in her dim element8 note
  Foretell new storms to those already spent.

Which when her sad-beholding husband saw,
Amazedly in her sad face he stares:
Her eyes, though sod in tears, look'd red and raw9 note
.
Her lively colour kill'd with deadly cares.
He hath no power to ask her how she fares;
  But stood, like old acquaintance in a trance,
  Met far from home, wondering each other's chance.

At last he takes her by the bloodless hand,
And thus begins: What uncouth ill event
Hath thee befal'n, that thou dost trembling stand?
Sweet love, what spite hath thy fair colour spent?
Why art thou thus attir'd in discontent1 note

?
Unmask, dear dear, this moody heaviness,
  And tell thy grief, that we may give redress.

-- 198 --


Three times with sighs she gives her sorrow fire,
Ere once she can discharge one word of woe:
At length address'd to answer his desire2 note
,
She modestly prepares to let them know
Her honour is ta'en prisoner by the foe;
  While Collatine and his consorted lords
  With sad attention long to hear her words.

And now this pale swan in her watery nest
Begins the sad dirge of her certain ending:
Few words, quoth she, shall fit the trespass best,
Where no excuse can give the fault amending:
In me more woes than words are now depending;
  And my laments would be drawn out too long,
  To tell them all with one poor tired tongue.

Then be this all the task it hath to say:
Dear husband, in the interest of thy bed
A stranger came, and on that pillow lay
Where thou wast wont to rest thy weary head3 note

;
And what wrong else may be imagined
  By foul enforcement might be done to me,
  From that, alas! thy Lucrece is not free.

-- 199 --


For in the dreadful dead of dark midnight,
With shining falchion in my chamber came
A creeping creature, with a flaming light,
And softly cry'd, Awake, thou Roman dame,
And entertain my love; else lasting shame
  On thee and thine this night I will inflict,
  If thou my love's desire do contradict.

For some hard-favour'd groom of thine, quoth he,
Unless thou yoke thy liking to my will,
I'll murder straight, and then I'll slaughter thee,
And swear I found you where you did fulfil
The loathsome act of lust, and so did kill
  The lechers in their deed: this act will be
  My fame, and thy perpetual infamy.

With this I did begin to start and cry,
And then against my heart he set his sword;
Swearing, unless I took all patiently,
I should not live to speak another word:
So should my shame still rest upon record;
  And never be forgot in mighty Rome
  The adulterate death of Lucrece and her groom.

Mine enemy was strong, my poor self weak,
And far the weaker with so strong a fear:
My bloody judge forbade my tongue to speak;
No rightful plea might plead for justice there:
His scarlet lust came evidence to swear
  That my poor beauty had purloin'd his eyes,
  And when the judge is rob'd, the prisoner dies.

O, teach me how to make mine own excuse!
Or, at the least, this refuge let me find;
Though my gross blood be stain'd with this abuse,
Immaculate and spotless is my mind;
That was not forc'd; that never was inclin'd

-- 200 --


  To accessary yieldings, but still pure
  Doth in her poison'd closet yet endure.
Lo here, the hopeless merchant of this loss,
With head declin'd, and voice damm'd up with woe,
With sad-set eyes, and wretched arms across,
From lips new-waxen pale begins to blow
The grief away, that stops his answer so:
  But wretched as he is, he strives in vain;
  What he breathes out, his breath drinks up again.

As through an arch the violent roaring tide
Out-runs the eye that doth behold his haste4 note


,
Yet in the eddy boundeth in his pride
Back to the strait that forc'd him on so fast;
In rage sent out, recall'd in rage, being past5 note
:
  Even so his sighs, his sorrows, make a saw,
  To push grief on, and back the same grief draw.

Which speechless woe of his, poor she attendeth,
And his untimely frenzy thus awaketh:
Dear lord, thy sorrow to my sorrow lendeth
Another power; no flood by raining slaketh.
My woe too sensible thy passion maketh
  More feeling-painful: let it then suffice
  To drown one woe, one pair of weeping eyes6 note



.

-- 201 --


And for my sake, when I might charm thee so,
For she that was thy Lucrece,—now attend me;
Be suddenly revenged on my foe,
Thine, mine, his own; suppose thou dost defend me
From what is past; the help that thou shalt lend me
  Comes all too late, yet let the traitor die:
  For sparing justice feeds iniquity7 note
.

But ere I name him, you fair lords, quoth she,
(Speaking to those that came with Collatine,)
Shall plight your honourable faiths to me,
With swift pursuit to venge this wrong of mine;
For 'tis a meritorious fair design,
  To chase injustice with revengeful arms:
  Knights, by their oaths, should right poor ladies' harms8 note.

At this request, with noble disposition
Each present lord began to promise aid,
As bound in knighthood to her imposition,
Longing to hear the hateful foe bewray'd.
But she, that yet her sad task hath not said,
  The protestation stops. O speak, quoth she,
  How may this forced stain be wip'd from me?

What is the quality of mine offence,
Being constrain'd with dreadful circumstance?
May my pure mind with the foul act dispense,

-- 202 --


My low-declined honour to advance?
May any terms acquit me from this chance?
  The poison'd fountain clears itself again;
  And why not I from this compelled stain9 note





























































?

-- 203 --


With this, they all at once began to say,
Her body's stain her mind untainted clears;
While with a joyless smile she turns away

-- 204 --


The face, that map which deep impression bears
Of hard misfortune, carv'd in it with tears.
  No, no, quoth she, no dame, hereafter living,
  By my excuse shall claim excuse's giving1 note
.
Here with a sigh, as if her heart would break,
She throws forth Tarquin's name: He, he, she says,
But more than he her poor tongue could not speak;
Till after many accents and delays,
Untimely breathings, sick and short assays,
  She utters this: He, he, fair lords, 'tis he,
  That guides this hand to give this wound to me.

-- 205 --


Even here she sheathed in her harmless breast
A harmful knife, that thence her soul unsheath'd:
That blow did bail it from the deep unrest
Of that polluted prison where it breath'd:
Her contrite sighs unto the clouds bequeath'd
  Her winged sprite, and through her wounds doth fly
  Life's lasting date from cancel'd destiny.

Stone-still, astonish'd with this deadly deed,
Stood Collatine and all his lordly crew;
Till Lucrece' father that beholds her bleed,
Himself on her self-slaughter'd body threw;
And from the purple fountain Brutus drew
  The murderous knife, and as it left the place,
  Her blood, in poor revenge, held it in chase;

And bubbling from her breast, it doth divide
In two slow rivers, that the crimson blood
Circles her body in on every side,
Who like a late-sack'd island vastly stood2 note
,
Bare and unpeopled, in this fearful flood.
  Some of her blood still pure and red remain'd,
  And some look'd black, and that false Tarquin stain'd.

About the mourning, and congealed face
Of that black blood, a watery rigol goes3 note




,
Which seems to weep upon the tainted place:

-- 206 --


And ever since, as pitying Lucrece' woes,
Corrupted blood some watery token shows;
  And blood untainted still doth red abide,
  Blushing at that which is so putrify'd.
Daughter, dear daughter, old Lucretius cries,
That life was mine, which thou hast here depriv'd.
If in the child the father's image lies,
Where shall I live, now Lucrece is unliv'd4 note







?
Thou wast not to this end from me deriv'd.
  If children pre-decease progenitors5 note

,
  We are their offspring, and they none of ours.
Poor broken glass, I often did behold
In thy sweet semblance my old age new-born;
But now that fair fresh mirror, dim and old6 note

,

-- 207 --


Shows me a bare-bon'd death by time out-worn7 note











;
O, from thy cheeks my image thou hast torn8 note


!
  And shiver'd all the beauty of my glass,
  That I no more can see what once I was.

-- 208 --


O time, cease thou thy course, and last no longer9 note


,
If they surcease to be, that should survive.
Shall rotten death make conquest of the stronger,
And leave the faltering feeble souls alive?
The old bees die, the young possess their hive:
  Then live sweet Lucrece, live again, and see
  Thy father die, and not thy father thee!
By this starts Collatine as from a dream,
And bids Lucretius give his sorrow place1 note
;
And then in key-cold Lucrece' bleeding stream2 note

He falls, and bathes the pale fear in his face3 note
,
And counterfeits to die with her a space;
  Till manly shame bids him possess his breath,
  And live to be revenged on her death.

The deep vexation of his inward soul
Hath serv'd a dumb arrest upon his tongue;
Who mad that sorrow should his use control,
Or keep him from heart-easing words so long,
Begins to talk; but through his lips do throng
  Weak words, so thick come, in his poor heart's aid,
  That no man could distinguish what he said.

-- 209 --


Yet sometime Tarquin was pronounced plain,
But through his teeth, as if the name he tore.
This windy tempest, till it blow up rain,
Held back his sorrow's tide, to make it more;
At last it rains, and busy winds give o'er3 note








:
  Then son and father weep with equal strife,
  Who should weep most for daughter or for wife.
The one doth call her his, the other his,
Yet neither may possess the claim they lay.
The father says, she's mine: O, mine she is,
Replies her husband: Do not take away
My sorrow's interest; let no mourner say
  He weeps for her, for she was only mine,
  And only must be wail'd by Collatine.

O, quoth Lucretius, I did give that life,
Which she too early and too late hath spill'd4 note





.
Woe, woe, quoth Collatine, she was my wife,

-- 210 --


I ow'd her, and 'tis mine that she hath kill'd,
My daughter and my wife with clamours fill'd
  The dispers'd air, who holding Lucrece' life,
  Answer'd their cries, my daughter and my wife.
Brutus, who pluck'd the knife from Lucrece' side,
Seeing such emulation in their woe,
Began to clothe his wit in state and pride,
Burying in Lucrece' wound his folly's show.
He with the Romans was esteemed so
  As silly-jeering ideots are with kings,
  For sportive words, and uttering foolish things:

But now he throws that shallow habit by,
Wherein deep policy did him disguise;
And arm'd his long-hid wits advisedly,
To check the tears in Collatinus' eyes.
Thou wronged lord of Rome, quoth he, arise;
  Let my unsounded self, suppos'd a fool,
  Now set thy long-experienc'd wit to school.

Why, Collatine, is woe the cure for woe4 note

?
Do wounds help wounds, or grief help grievous deeds?
Is it revenge to give thyself a blow,
For his foul act by whom thy fair wife bleeds?
Such childish humour from weak minds proceeds;
  Thy wretched wife mistook the matter so,
  To slay herself, that should have slain her foe.

Courageous Roman, do not steep thy heart
In such relenting dew of lamentations;
But kneel with me, and help to bear thy part,

-- 211 --


To rouse our Roman gods with invocations,
That they will suffer these abominations5 note,
  Since Rome herself in them doth stand disgrac'd,
  By our strong arms from forth her fair streets chas'd.
Now by the Capitol that we adore,
And by this chaste blood so unjustly stain'd,
By heaven's fair sun, that breeds the fat earth's store,
By all our country rights in Rome maintain'd,
And by chaste Lucrece' soul, that late complain'd
  Her wrongs to us6 note


, and by this bloody knife,
  We will revenge the death of this true wife.

This said, he struck his hand upon his breast,
And kiss'd the fatal knife, to end his vow;
And to his protestation urg'd the rest,
Who wondering at him, did his words allow7 note

:
Then jointly to the ground their knees they bow;
  And that deep vow which Brutus made before,
  He doth again repeat, and that they swore.

When they had sworn to this advised doom,
They did conclude to bear dead Lucrece thence;
To show her bleeding body thorough Rome,

-- 212 --


And so to publish Tarquin's foul offence:
Which being done with speedy diligence,
  The Romans plausibly8 note

did give consent
  To Tarquin's everlasting banishment9.
note

-- 213 --
















-- 214 --




-- 215 --

-- 217 --

Dr. farmer supposed that many of these Sonnets were addressed to our author's nephew Mr. William Harte. But by a reference to the Stratford Register, in vol. ii. it will be seen that William Harte was not born till 1600, the year in which these poems were first printed.

Mr. Tyrwhitt has pointed out to me a line in the twentieth Sonnet, which inclines me to think that the initials W. H. in the Dedication, stand for W. Hughes. Speaking of this person, the poet says he is—


“A man in hew all Hews in his controlling &lblank;,”

so the line is exhibited in the old copy. The name Hughes was formerly written Hews. When it is considered that one of these Sonnets is formed entirely on a play on our author's Christian name, this conjecture will not appear improbable.—To this person, whoever he was, one hundred and twenty six of the following poems are addressed; the remaining twenty-eight are addressed to a lady.

Shakspeare's Sonnets were entered on the Stationers' books by Thomas Thorpe, on the 20th of May, 1609, and printed in quarto in the same year. They were, however, written many years before, being mentioned by Meres in his Wit's Treasury, 1598: “As the soul of Euphorbus (says he) was thought to live in Pythagoras, so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakspeare. Witness his Venus and Adonis, his Lucrece, his sugred Sonnets among his private friends,” &c.

The general style of these poems, and the numerous passages in them which remind us of our author's plays, leave not the smallest doubt of their authenticity.

In these compositions, Daniel's Sonnets, which were published in 1592, appear to me to have been the model that Shakspeare followed.

An edition of Shakspeare's Sonnets was published in 1604, in small octavo, which, though of no authority or value, was followed by Dr. Sewell, and other modern editors. The order of the original copy was not adhered to, and according to the fashion of that time, fantastick titles were prefixed to different portions of these poems: The glory of beauty; The force of love; True admiration, &c. Heywood's translations from Ovid, which had been originally blended with Shakspeare's poems in 1612, were likewise reprinted in the same volume. Malone.

-- 218 --

There are few topicks connected with Shakspeare upon which the ingenuity and research of his criticks have been more fruitlessly exercised, than upon the questions which have arisen with regard to the poems before us, the individual to whom they were principally addressed, and the circumstances under which they were written. Dr. Farmer's conjecture, we find, has been decisively overthrown by the Stratford Register; and Mr. Tyrwhitt's, even if we should admit it to be well-founded, would furnish us with no very satisfactory information. We shall have made but a slight advancement in knowledge by barely having ascertained that some person of the name of Hughes, but of whose character and history we are wholly ignorant, was the object of the poet's encomiums. But, in truth, the circumstance pointed out by Mr. Malone, as adding support to this notion, is of no great weight. The original printer of the Sonnets appears to have been rather capricious in the employment of his types; and several other words, where no quibble could have been intended, such as intrim, (i. e. interim,) alien, audit, quietus, hereticke, are printed in the same manner as Hews, that is, with a capital letter, and in the Italick type. Mr. Chalmers some years ago made a singular attempt to unravel this question, and contrived to persuade himself that the “lovely boy,” whom Shakspeare addressed, was no less a person than our maiden queen Elizabeth. As I cannot permit myself to doubt that Mr. Chalmers (if he ever was serious) must now himself look back to the recollection of this whimsical fancy with a smile, I shall dismiss it without further observation. Another hypothesis has lately been started by Dr. Drake, the probability of which some of his readers, as I have been told, have considered as established; but I fear, like the other conjectures which have been hazarded before, it will not bear the test of examination. For a detailed statement of his opinion, and of the arguments which he has adduced in its favour, the reader must be referred to Dr. Drake's own work on “Shakspeare and his Times;” but in substance, he contends that the greater part of the Sonnets were addressed to the poet's early patron, Lord Southampton, and that the first seventeen in the collection were written with a view of remonstrating against a premature vow of celibacy, which that nobleman might have made, in consequence of his union with Elizabeth Vernon being forbidden by a mandate from the Queen. Dr. Drake, it must be observed, at the very outset of his argument, is obliged to rest upon a merely gratuitous assumption. We have no evidence, nor, I think, any probable ground, for supposing that the Earl had ever formed such a resolution as is here ascribed to him; and his subsequent marriage to the object of his attachment, notwithstanding he incurred by that step the resentment of his Sovereign, would lead us to a directly opposite conclusion. If we look to the poems themselves, they will afford no colour for such an interpretation. They have no reference to such a supposed case, nor allude in the

-- 219 --

slightest manner to wounded feelings, or disappointed hopes; but contain only general exhortations in favour of marriage, such as are addressed to Silvio in Guarini's Pastor Fido; and would suggest to us any idea sooner than that of a person who was anxious to marry, and only deterred from doing so by the tyrannical injunctions of power.

In the reign of Elizabeth the distinctions of rank in all their gradations were so scrupulously maintained, that it is difficult to believe that Shakspeare, in a comparatively humble situation of life, would have presumed to employ terms of such familiarity, and even, in one instance, of such grossness, when writing to a distinguished nobleman, his patron, or would have ventured to remonstrate with him on a topick which an equal would scarcely have found himself at liberty to touch upon. But if we were even to allow that the singular condescension of Lord Southampton would have permitted such language to be used; and would not have been offended with the person who interfered in a matter of such painful delicacy; yet the sort of praise which is to be found in these Sonnets was little calculated to conciliate his favour. The reiterated encomiums on his beauty, and the fondling expressions which perpetually occur, would have been better suited to a “cocker'd silken wanton” than to one of the most gallant noblemen that adorned the chivalrous age in which he lived.

But whoever the person might be to whom the greater part of these Sonnets was addressed, it seems to have been generally admitted that the poet speaks in his own person; and some of his criticks have attempted, by inferences drawn from them, to eke out the scanty memorials, which have come down to us, of the incidents of his life. I confess myself to be as sceptical on this point as on the other. Mr. Malone, in a note on the 111th Sonnet, has observed, that “the author seems to lament his being reduced to the necessity of appearing on the stage, or writing for the theatre.” The passage alluded to is as follows:


“O! for my sake, do you with fortune chide,
  “The guilty goddess of my harmful deeds,
“That did not better for my life provide,
  “Than publick means, which publick manners breeds.”

But is there any thing in these words which, read without a preconceived hypothesis, would particularly apply to the publick profession of a player or writer for the stage? The troubles and dangers which attend upon publick life in general, and the happiness and virtue of retirement, are among the tritest common places of poetry. Nor was such querulous language likely to have proceeded from Shakspeare. Ben Jonson, who was frequently obliged to exhibit before audiences who were incapable of appreciating the depth of his knowledge, the accuracy of his judgment, or the dignity of his moral, might at one time be desirous of quitting

-- 220 --

“the loathed stage,” or Massinger might have murmured at a calling which scarcely procured him a subsistence; but our poet appears, from the commencement to the close of his dramatick career, to have met with uninterrupted success, and would scarcely indulge in such bitter complaints against a profession which was rapidly conducting him to fortune as well as to fame. The mention of his harmful deeds, and the still stronger expressions which occur in this and the following Sonnet, will be afterwards considered. If Shakspeare was speaking of himself in this passage, it would follow that he is equally pointed at upon other occasions. We must then suppose him to have written them when he was old; for such is the language of many of these poems. Yet, if they were composed before Meres's publication, he could not have been at a more advanced age than thirty-four; and even if we were to adopt the theory of Dr. Drake, and suppose that most of them were produced at a subsequent period, and fix upon the latest possible year, 1609; yet still the description of decrepitude, which is found in the 73d Sonnet, could scarcely, without violent exaggeration, be applicable to a man of forty-five. But he must not only have been old, he must also have been grossly and notoriously profligate. To say nothing of the criminal connection, (for criminal in a high degree it would certainly have been in a married man,) which is frequently alluded to in those Sonnets which are said to be addressed by him in his own character to a female; we find him, in a passage already quoted, speaking in terms of shame and remorse of his “harmful deeds,” of something from which his “name had received a brand;” and of “the impression which vulgar scandal had stamped upon his brow.” I trust it will not require much argument to show that this picture could not be put for gentle Shakspeare. We may lament that we know so little of his history; but this, at least, may be asserted with confidence, that at no time was the slightest imputation cast upon his moral character; and that, in an age abounding, as Mr. Steevens has observed, with illiberal private abuse and peevish satire, the concurring testimony of his contemporaries will confirm the declaration of honest Chettle, that “his demeanour was no less civil, than he excellent in the quality he professed.”

Upon the whole, I am satisfied that these compositions had neither the poet himself nor any individual in view; but were merely the effusions of his fancy, written upon various topicks for the amusement of a private circle, as indeed the words of Meres point out: “Witness—his sugred Sonnets among his private friends.” The Sonnet was at that time a popular species of poetry, and was a favourite mode of expressing either the writer's own sentiments, or of embellishing a work of fiction. The novels of Lodge and Greene, and their contemporaries, are full of them; and something, which in the lax language of that day may be

-- 221 --

classed under the same title, is even to be found in the early dramatick productions of our author. See particularly the Comedy of Errors, vol. iv. p. 199. Any short composition in verse, indeed, seems to have gone under that name. In Turberville's Songs and Sonnets there is not one that can properly be so called; and the same may be said of many other publications of that time. It has been observed, indeed, as a proof of these poems having some man of high rank as their object, that Shakspeare, upon several occasions, has declared that one person alone is the object of his praise, and that the language which he employs could only be applicable to a peculiarly dignified individual; but such, I apprehend, is the constant strain of amatory or encomiastick poetry.

In the selection of his topicks, Shakspeare has been exposed to no small censure; but Mr. Malone, in a note on the thirty-second Sonnet, has fully vindicated him by the practice of his times, and it would be easy to multiply examples of those who, like him, have adopted language, when addressing a male object, which the more correct taste of the present day would consider as appropriate only to the other sex. The origin of this singular mode of writing may be traced to a fondness for classical imitation. The second eclogue of Virgil appears to have been particularly admired, and was translated into English hexameters, both by Webbe and by Abraham Fraunce, the friend of Spenser. Care, however, was taken to rescue Virgil's allegory, for so it was deemed, from any unbecoming interpretation. The poet, as we are told by Webbe in the argument prefixed to his version, “blameth the youth for the unsteadfastness of his witt and wandering appetite, in refusing the freendly counsayle which he used to give him.” There were, indeed, “some curious heades” who objected to this style of composition, and who thought, not without reason, that moral instruction might be conveyed in a less questionable garb; and some were so rigid in their notions on this subject that even the “unspotted bays” of Spenser did not wholly escape from animadversion. Webbe, in his Discourse of English Poetrie, has thus defended his fourth eclogue (by a slip of his memory, or the printer's mistake, it has erroneously been called the sixth,) from these censures, and has at the same time taken an opportunity to assert the prerogative of poets: “One only thing therein haue I hearde some curious heades call in question: viz. the motion of some vnsauery loue, such as in the sixt [fourth] Eglogue he séemeth to deale withall, (which say they) is skant allowable to English eares, and might well haue béene left for the Italian defenders of loathsome beastlines, of whom perhappes he learned it; to thys obiection I haue often aunswered and (I thinke truely) that theyr nyce opinion ouershooteth the Poets meaning, who though hee in that as in other thinges, immitateth the auncient Poets, yet doth not meane, no more did they before hym, any disordered loue, or the filthy lust of the deuillish Pederastice tak&ebar;

-- 222 --

in the worse sence, but rather to shewe howe the dissolute life of young men intangled in loue of women, doo neglect the fréendshyp and league with their olde freendes and familiers. Why (say they) yet he shold gyue no occasion of suspition, nor offer to the viewe of Christians, any token of such filthinesse, howe good soeuer hys meaning were: wherevnto I oppose the simple conceyte they haue of matters which concerne learning or wytt, wylling them to gyue Poets leaue to vse theyr vayne as they sée good: it is their foolysh construction, not hys wryting that is blameable. Wée must prescrybe to no wryters, (much lesse to Poets) in what sorte they should vtter theyr conceyts. But thys wyll be better discussed by some I hope of better abillity.”

The poetical merits of Shakspeare's Sonnets are now, I believe, almost universally acknowledged, notwithstanding the contemptuous manner in which they have been mentioned by Mr. Steevens: the contest between that gentleman and Mr. Malone on this subject will be found at their close. Whatever may be the reader's decision, he has here an opportunity which Mr. Steevens would have wished to withhold from him, of judging for himself. Boswell.

-- 223 --

TO THE ONLY BEGETTER1 note
OF THESE ENSUING SONNETS,
MR. W. H.
ALL HAPPINESS,
AND THAT ETERNITY PROMISED
BY OUR EVER-LIVING POET,
WISHETH THE
WELL-WISHING ADVENTURER
IN SETTING FORTH,

T. T.2 note

-- 225 --

Volume 20: Sonnet I
From fairest creatures we desire increase3 note







,
That thereby beauty's rose might never die,
But as the riper should by time decease,
His tender heir might bear his memory:
But thou, contracted to thine own bright eyes,
Feed'st thy light's flame with self-substantial fuel,
Making a famine where abundance lies,
Thyself thy foe, to thy sweet self too cruel,
Thou that art now the world's fresh ornament,
And only herald to the gaudy spring,
Within thine own bud buriest thy content,
And, tender churl, mak'st waste in niggarding4 note

.

-- 226 --


  Pity the world, or else this glutton be,
  To eat the world's due, by the grave and thee5 note



. Volume 20: Sonnet II
When forty winters shall besiege thy brow,
And dig deep trenches in thy beauty's field,

-- 227 --


Thy youth's proud livery, so gaz'd on now,
Will be a tatter'd weed6 note, of small worth held:
Then, being ask'd where all thy beauty lies,
Where all the treasure of thy lusty days;
To say, within thine own deep-sunken eyes,
Were an all-eating shame, and thriftless praise.
How much more praise deserv'd thy beauty's use,
If thou could'st answer—“This fair child of mine
Shall sum my count, and make my old excuse,—”
Proving his beauty by succession thine.
  This were to be new made, when thou art old,
  And see thy blood warm, when thou feel'st it cold. Volume 20: Sonnet III
Look in thy glass, and tell the face thou viewest,
Now is the time that face should form another;
Whose fresh repair if now thou not renewest,
Thou dost beguile the world, unbless some mother.
For where is she so fair, whose un-ear'd womb
Disdains the tillage of thy husbandry7 note



?
Or who is he so fond, will be the tomb
Of his self-love, to stop posterity8 note







?

-- 228 --


Thou art thy mother's glass, and she in thee9 note


Calls back the lovely April of her prime1 note


:
So thou through windows of thine age shalt see,
Despite of wrinkles, this thy golden time2 note



.
  But if thou live, remember'd not to be,
  Die single, and thine image dies with thee. Volume 20: Sonnet IV
Unthrifty loveliness, why dost thou spend
Upon thyself thy beauty's legacy?
Nature's bequest gives nothing, but doth lend;
And being frank, she lends to those are free3 note






.
Then, beauteous niggard, why dost thou abuse
The bounteous largess given thee to give?

-- 229 --


Profitless usurer, why dost thou use
So great a sum of sums, yet canst not live?
For having traffick with thyself alone,
Thou of thyself thy sweet self dost deceive.
Then how, when nature calls thee to be gone,
What acceptable audit canst thou leave4 note
?
  Thy unus'd beauty must be tomb'd with thee,
  Which, used, lives thy executor to be. Volume 20: Sonnet V
Those hours5 note, that with gentle work did frame
The lovely gaze where every eye doth dwell,
Will play the tyrants to the very same,
And that unfair, which fairly doth excell6 note;
For never-resting time leads summer on7 note

To hideous winter and confounds him there;
Sap check'd with frost, and lusty leaves quite gone,
Beauty o'er-snow'd, and bareness every where8 note




:
Then, were not summer's distillation left,
A liquid prisoner pent in walls of glass,
Beauty's effect with beauty were bereft,
Nor it, nor no remembrance what it was:

-- 230 --


  But flowers distill'd, though they with winter meet,
  Leese but their show; their substance still lives sweet8 note
. Volume 20: Sonnet VI
Then let not winter's ragged hand9 note deface
In thee thy summer, ere thou be distill'd:
Make sweet some phial; treasure thou some place
With beauty's treasure, ere it be self-kill'd.
That use1 note is not forbidden usury,
Which happies those that pay the willing loan;
That's for thyself to breed another thee,
Or ten times happier, be it ten for one;
Ten times thyself were happier than thou art,
If ten of thine ten times refigur'd thee:
Then what could death do, if thou should'st depart,
Leaving thee living in posterity?
  Be not self-will'd, for thou art much too fair
  To be death's conquest, and make worms thine heir. Volume 20: Sonnet VII
Lo, in the orient when the gracious light
Lifts up his burning head, each under eye
Doth homage to his new-appearing sight,
Serving with looks his sacred majesty;
And having climb'd the steep-up heavenly hill,
Resembling strong youth in his middle age2 note
,

-- 231 --


Yet mortal looks adore his beauty still,
Attending on his golden pilgrimage3 note


;
But when from high-most pitch, with weary car,
Like feeble age, he reeleth from the day,
The eyes, 'fore duteous, now converted are
From his low tract, and look another way:
  So thou, thyself out-going in thy noon,
  Unlook'd on diest, unless thou get a son. Volume 20: Sonnet VIII
Musick to hear4 note


, why hear'st thou musick sadly?
Sweets with sweets war not, joy delights in joy.
Why lov'st thou that which thou receiv'st not gladly?
Or else receiv'st with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married5 note










, do offend thine ear,

-- 232 --


They do but sweetly chide thee, who confounds
In singleness the parts that thou should'st bear.
Mark, how one string, sweet husband to another,
Strikes each in each, by mutual ordering;
Resembling sire and child and happy mother,
Who all in one, one pleasing note do sing:
  Whose speechless song, being many, seeming one,
  Sings this to thee, “thou single wilt prove none.” Volume 20: Sonnet IX
Is it for fear to wet a widow's eye,
That thou consum'st thyself in single life?
Ah! if thou issueless shalt hap to die,
The world will wail thee, like a makeless wife6 note


;
The world will be thy widow, and still weep,
That thou no form of thee hast left behind,
When every private widow well may keep,
By children's eyes, her husband's shape in mind.
Look, what an unthrift in the world doth spend,
Shifts but his place, for still the world enjoys it;
But beauty's waste hath in the world an end,
And kept unus'd, the user so destroys it.

-- 233 --


  No love toward others in that bosom sits,
  That on himself such murderous shame commits7 note

. Volume 20: Sonnet X
For shame! deny that thou bear'st love to any,
Who for thyself art so unprovident.
Grant if thou wilt, thou art belov'd of many,
But that thou none lov'st, is most evident;
For thou art so possess'd with murderous hate,
That 'gainst thyself thou stick'st not to conspire;
Seeking that beateous roof to ruinate8 note







,
Which to repair should be thy chief desire.
O, change thy thought, that I may change my mind!
Shall hate be fairer lodg'd than gentle love?
Be, as thy presence is, gracious and kind,
Or to thyself, at least, kind-hearted prove:
  Make thee another self, for love of me,
  That beauty still may live in thine or thee. Volume 20: Sonnet XI
As fast as thou shalt wane, so fast thou grow'st
In one of thine, from that which thou departest;
And that fresh blood which youngly thou bestow'st,
Thou may'st call thine, when thou from youth convertest.

-- 234 --


Herein lives wisdom, beauty, and increase;
Without this, folly, age, and cold decay:
If all were minded so, the times should cease,
And threescore years would make the world away.
Let those whom nature hath not made for store9 note,
Harsh, featureless, and rude, barrenly perish:
Look, whom she best endow'd, she gave thee more;
Which bounteous gift thou should'st in bounty cherish1 note
:
  She carv'd thee for her seal, and meant thereby,
  Thou should'st print more, nor let that copy die2 note


. Volume 20: Sonnet XII
When I do count the clock that tells the time,
And see the brave day sunk in hideous night;
When I behold the violet past prime,
And sable curls, all silver'd o'er with white3 note




;
When lofty trees I see barren of leaves,
Which erst from heat did canopy the herd4 note


,

-- 235 --


And summer's green all girded up in sheaves,
Borne on the bier with white and bristly beard5 note


;
Then of thy beauty do I question make,
That thou among the wastes of time must go,
Since sweets and beauties do themselves forsake,
And die as fast as they see others grow;
  And nothing 'gainst time's scythe can make defence,
  Save breed, to brave him6 note, when he takes thee hence. Volume 20: Sonnet XIII
O, that you were yourself! but, love, you are
No longer yours, than you yourself here live:
Against this coming end you should prepare,
And your sweet semblance to some other give7 note




.
So should that beauty which you hold in lease,
Find no determination8 note






: then you were

-- 236 --


Yourself again, after yourself's decease,
When your sweet issue your sweet form should bear.
Who lets so fair a house fall to decay,
Which husbandry in honour might uphold9 note

,
Against the stormy gusts of winter's day,
And barren rage of death's eternal cold?
  O! none but unthrifts:—Dear my love, you know.
  You had a father; let your son say so. Volume 20: Sonnet XIV
Not from the stars do I my judgment pluck;
And yet methinks I have astronomy;
But not to tell of good, or evil luck,
Of plagues, of dearths, or seasons' quality:
Nor can I fortune to brief minutes tell,
Pointing to each his thunder, rain, and wind;
Or say, with princes if it shall go well,
By oft predict1 note



that I in heaven find:

-- 237 --


But from thine eyes my knowledge I derive2 note
,
And (constant stars) in them I read such art,
As truth and beauty shall together thrive,
If from thyself to store thou would'st convert3 note




:
  Or else of thee this I prognosticate,
  Thy end is truth's and beauty's doom and date. Volume 20: Sonnet XV
When I consider every thing that grows
Holds in perfection but a little moment;
That this huge state presenteth nought but shows
Whereon the stars in secret influence comment;
When I perceive that men as plants increase,
Cheered and check'd even by the self-same sky;
Vaunt in their youthful sap, at height decrease,
And wear their brave state out of memory;
Then the conceit of this inconstant stay
Sets you most rich in youth before my sight,
Where wasteful time debateth with decay4 note

,
To change your day of youth to sullied night5 note
;
  And, all in war with time, for love of you,
  As he takes from you, I engraft you new.

-- 238 --

Volume 20: Sonnet XVI
But wherefore do not you a mightier way
Make war upon this bloody tyrant, Time?
And fortify yourself in your decay
With means more blessed than my barren rhyme?
Now stand you on the top of happy hours;
And many maiden gardens, yet unset6 note

,
With virtuous wish would bear you living flowers7 note,
Much liker than your painted counterfeit8 note

:
So should the lines of life9 note


that life repair,
Which this, Time's pencil, or my pupil pen1 note,
Neither in inward worth, nor outward fair2 note,
Can make you live yourself in eyes of men.
  To give away yourself, keeps yourself still3 note;
  And you must live, drawn by your own sweet skill.

-- 239 --

Volume 20: Sonnet XVII
Who will believe my verse in time to come,
If it were fill'd with your most high deserts?
Though yet heaven knows, it is but as a tomb
Which hides your life, and shows not half your parts.
If I could write the beauty of your eyes,
And in fresh numbers number all your graces,
The age to come would say, this poet lies,
Such heavenly touches ne'er touch'd earthly faces.
So should my papers, yellow'd with their age,
Be scorn'd, like old men of less truth than tongue;
And your true rights be term'd a poet's rage,
And stretched metre of an antique song:
  But were some child of yours alive that time,
  You should live twice;—in it, and in my rhyme. Volume 20: Sonnet XVIII
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May4 note




,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines5 note





,
And often is his gold complexion dimm'd;

-- 240 --


And every fair from fair sometime declines,
By chance, or nature's changing course, untrimm'd6 note
;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest7 note;
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
  So long as men can breathe, or eyes can see,
  So long lives this, and this gives life to thee. Volume 20: Sonnet XIX
Devouring Time, blunt thou the lion's paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tyger's jaws.
And burn the long-liv'd phœnix in her blood8 note


;
Make glad and sorry seasons as thou fleet'st,
And do whate'er thou wilt, swift-footed Time,
To the wide world, and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love's fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow,
For beauty's pattern to succeeding men.

-- 241 --


  Yet, do thy worst, old Time: despite thy wrong,
  My love shall in my verse ever live young. Volume 20: Sonnet XX
A woman's face, with nature's own hand painted,
Hast thou, the master-mistress of my passion8 note



;
A woman's gentle heart, but not acquainted
With shifting change, as is false women's fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth9 note
;
A man in hue all hues in his controlling1 note


,
Which steals men's eyes2 note


, and women's souls amazeth.

-- 242 --


And for a woman wert thou first created;
Till nature, as she wrought thee, fell a-doting3 note




,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
  But since she prick'd thee out for women's pleasure4 note


;
  Mine be thy love, and thy love's use their treasure. Volume 20: Sonnet XXI
So is it not with me, as with that muse
Stirr'd by a painted beauty to his verse;
Who heaven itself for ornament doth use,
And every fair with his fair doth rehearse;
Making a couplement5 note


of proud compare,
With sun and moon, with earth and sea's rich gems,

-- 243 --


With April's first-born flowers, and all things rare
That heaven's air in this huge rondure hems6 note
.
O let me, true in love, but truly write,
And then believe me, my love is as fair
As any mother's child, though not so bright
As those gold candles fix'd in heaven's air7 note






:
  Let them say more that like of hear-say well;
  I will not praise, that purpose not to sell8 note




. Volume 20: Sonnet XXII
My glass shall not persuade me I am old,
So long as youth and thou are of one date;

-- 244 --


But when in thee time's furrows I behold9 note
,
Then look I death my days should expiate1 note







.
For all that beauty that doth cover thee,
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me;
How can I then be elder than thou art?
O therefore, love, be of thyself so wary,
As I not for myself but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
  Presume not on thy heart, when mine is slain;
  Thou gav'st me thine, not to give back again. Volume 20: Sonnet XXIII
As an unperfect actor on the stage,
Who with his fear is put besides his part2 note




,

-- 245 --


Or some fierce thing replete with too much rage,
Whose strength's abundance weakens his own heart;
So I, for fear of trust, forget to say
The perfect ceremony of love's rite;
And in mine own love's strength seem to decay,
O'er-charg'd with burthen of mine own love's might.
O, let my books be then the eloquence3 note






-- 246 --


And dumb presagers of my speaking breast4 note
;
Who plead for love, and look for recompence,
More than that tongue that more hath more express'd.
  O, learn to read what silent love hath writ:
  To hear with eyes belongs to love's fine wit. Volume 20: Sonnet XXIV
Mine eye hath play'd the painter, and hath steel'd
Thy beauty's form in table of my heart5 note








;
My body is the frame wherein 'tis held,
And perspective it is best painter's art.
For through the painter must you see his skill,
To find where your true image pictur'd lies;
Which in my bosom's shop is hanging still,
That hath his windows glazed with thine eyes.
Now see what good turns eyes for eyes have done;
Mine eyes have drawn thy shape, and thine for me

-- 247 --


Are windows to my breast, where-through the sun
Delights to peep, to gaze therein on thee;
  Yet eyes this cunning want to grace their art,
  They draw but what they see, know not the heart. Volume 20: Sonnet XXV
Let those who are in favour with their stars,
Of publick honour and proud titles boast,
Whilst I, whom fortune of such triumph bars,
Unlook'd for joy in that I honour most.
Great princes' favourites their fair leaves spread6 note



,
But as the marigold at the sun's eye;
And in themselves their pride lies buried,
For at a frown they in their glory die.
The painful warrior famoused for fight,
After a thousand victories once foil'd,
Is from the book of honour razed quite7 note









,
And all the rest forgot for which he toil'd:

-- 248 --


  Then happy I, that love and am belov'd,
  Where I may not remove, nor be remov'd. Volume 20: Sonnet XXVI
Lord of my love, to whom in vassalage
Thy merit hath my duty strongly knit8 note










;
To thee I send this written embassage,
To witness duty, not to show my wit9 note


:

-- 249 --


Duty so great, which wit so poor as mine
May make seem bare, in wanting words to show it;
But that I hope some good conceit of thine
In thy soul's thought, all naked, will bestow it:
Till whatsoever star that guides my moving,
Points on me graciously with fair aspéct1 note







,
And puts apparel on my tatter'd loving,
To show me worthy of thy sweet respect2 note


:
  Then may I dare to boast how I do love thee;
  Till then, not show my head where thou may'st prove me. Volume 20: Sonnet XXVII
Weary with toil, I haste me to my bed,
The dear repose for limbs with travel tir'd;
But then begins a journey in my head,
To work my mind, when body's work's expir'd:

-- 250 --


For then my thoughts (from far where I abide)3 note



Intend a zealous pilgrimage to thee,
And keep my drooping eye-lids open wide,
Looking on darkness which the blind do see:
Save that my soul's imaginary sight
Presents thy shadow to my sightless view4 note,
Which, like a jewel hung in ghastly night,
Makes black night beauteous, and her old face new5 note


.
  Lo thus, by day my limbs, by night my mind,
  For thee, and for myself, no quiet find. Volume 20: Sonnet XXVIII
How can I then return in happy plight,
That am debarr'd the benefit of rest?
When day's oppression is not eas'd by night,
But day by night, and night by day, oppress'd?
And each, though enemies to either's reign,
Do in consent shake hands to torture me;
The one by toil, the other to complain
How far I toil, still farther off from thee.
I tell the day, to please him, thou art bright,
And dost him grace when clouds do blot the heaven:
So flatter I the swart-complexion'd night6 note


;
When sparkling stars twire not, thou gild'st the even7 note











.

-- 251 --


  But day doth daily draw my sorrows longer,
  And night doth nightly make grief's length seem stronger8 note
. Volume 20: Sonnet XXIX
When in disgrace with fortune and men's eyes9 note,
I all alone beweep my out-cast state,
And trouble deaf heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur'd like him, like him with friends possess'd,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least;
Yet in these thoughts myself almost despising,
Haply I think on thee,—and then my state
(Like to the lark at break of day arising
From sullen earth) sings hymns at heaven's gate1 note











:

-- 253 --


  For thy sweet love remember'd, such wealth brings,
  That then I scorn to change my state with kings. Volume 20: Sonnet XXX
When to the sessions of sweet silent thought
I summon up remembrance of things past,
I sigh the lack of many a thing I sought,
And with old woes new wail my dear time's waste2 note




:
Then can I drown an eye, unus'd to flow3 note



,
For precious friends hid in death's dateless night4 note

,
And weep afresh love's long-since-cancel'd woe,
And moan the expence of many a vanish'd sight5 note












.

-- 254 --


Then can I grieve at grievances fore-gone,
And heavily from woe to woe tell o'er
The sad account of fore-bemoaned moan,
Which I new pay as if not paid before5 note




.
  But if the while I think on thee, dear friend,
  All losses are restor'd, and sorrows end.

-- 255 --

Volume 20: Sonnet XXXI
Thy bosom is endeared with all hearts,
Which I by lacking have supposed dead;
And there reigns love, and all love's loving parts,
And all those friends which I thought buried.
How many a holy and obsequious tear6 note

Hath dear religious love stol'n from mine eye,
As interest of the dead, which now appear.
But things remov'd, that hidden in thee lie7 note!
Thou art the grave where buried love doth live,
Hung with the trophies of my lovers gone,
Who all their parts of me to thee did give;
That due of many now is thine alone:
  Their images I lov'd I view in thee,
  And thou (all they) hast all the all of me. Volume 20: Sonnet XXXII
If thou survive my well-contented day,
When that churl Death my bones with dust shall cover;
And shalt by fortune once more re-survey
These poor rude lines of thy deceased lover8 note




,

-- 256 --


Compare them with the bettering of the time,
And though they be out-stripp'd by every pen,
Reserve them for my love, not for their rhyme9 note
,
Exceeded by the height of happier men.
O, then vouchsafe me but this loving thought!
Had my friend's muse grown with this growing age1 note,
A dearer birth than this his love had brought,
To march in ranks of better equipage:
  But since he died, and poets better prove,
  Theirs for their style I'll read, his for his love.

-- 257 --

Volume 20: Sonnet XXXIII
Full many a glorious morning have I seen
Flatter the mountain tops with sovereign eye2 note







,
Kissing with golden face the meadows green3 note
,
Gilding pale streams with heavenly alchymy4 note

;
Anon permit the basest clouds to ride
With ugly rack on his celestial face5 note










,

-- 258 --


And from the forlorn world his visage hide,
Stealing unseen to west with this disgrace6 note:
Even so my sun one early morn did shine,
With all triumphant splendour on my brow;
But out, alack! he was but one hour mine,
The region cloud7 note

hath mask'd him from me now.
  Yet him for this my love no whit disdaineth;
  Suns of the world may stain8 note, when heaven's sun staineth. Volume 20: Sonnet XXXIV
Why didst thou promise such a beauteous day,
And make me travel forth without my cloak,
To let base clouds o'er-take me in my way,
Hiding thy bravery in their rotten smoke9 note
?
'Tis not enough that through the cloud thou break,
To dry the rain on my storm-beaten face,
For no man well of such a salve can speak,
That heals the wound, and cures not the disgrace:
Nor can thy shame give physick to my grief;
Though thou repent, yet I have still the loss:
The offender's sorrow lends but weak relief
To him that bears the strong offence's cross1 note


.

-- 259 --


  Ah! but those tears are pearl, which thy love sheds,
  And they are rich, and ransom all ill deeds. Volume 20: Sonnet XXXV
No more be griev'd at that which thou hast done:
Roses have thorns, and silver fountains mud;
Clouds and eclipses stain both moon and sun,
And loathsome canker lives in sweetest bud.
All men make faults, and even I in this,
Authórizing thy trespass with compare;
Myself corrupting, salving thy amiss2 note
,
Excusing thy sins more than thy sins are3 note

:
For to thy sensual fault I bring in sense4 note














,
(Thy adverse party is thy advocate,)

-- 260 --


And 'gainst myself a lawful plea commence:
Such civil war is in my love and hate,
  That I an accessary needs must be
  To that sweet thief, which sourly robs from me. Volume 20: Sonnet XXXVI
Let me confess that we two must be twain3 note,
Although our undivided loves are one:
So shall those blots that do with me remain,
Without thy help, by me be born alone.

-- 261 --


In our two loves there is but one respect,
Though in our lives a separable spite4 note,
Which though it alter not love's sole effect,
Yet doth it steal sweet hours from love's delight.
I may not evermore acknowledge thee,
Lest my bewailed guilt should do thee shame;
Nor thou with publick kindness honour me,
Unless thou take that honour from thy name:
  But do not so; I love thee in such sort,
  As thou being mine, mine is thy good report. Volume 20: Sonnet XXXVII
As a decrepit father takes delight
To see his active child do deeds of youth,
So I, made lame by fortune's dearest spite5 note









,
Take all my comfort of thy worth and truth;

-- 262 --


For whether beauty, birth, or wealth, or wit,
Or any of these all, or all, or more,
Entitled in thy parts do crowned sit6 note








,
I make my love engrafted to this store:
So then I am not lame, poor, nor despis'd
Whilst that this shadow doth such substance give,
That I in thy abundance am suffic'd,
And by a part of all thy glory live.
  Look what is best, that best I wish in thee;
  This wish I have; then ten times happy me! Volume 20: Sonnet XXXVIII
How can my muse want subject to invent,
While thou dost breathe, that pour'st into my verse
Thine own sweet argument, too excellent
For every vulgar paper to rehearse?

-- 263 --


O, give thyself the thanks, if aught in me
Worthy perusal, stand against thy sight;
For who's so dumb that cannot write to thee,
When thou thyself dost give invention light?
Be thou the tenth muse, ten times more in worth
Than those old nine, which rhymers invocate;
And he that calls on thee, let him bring forth
Eternal numbers to out-live long date.
  If my slight muse do please these curious days,
  The pain be mine, but thine shall be the praise. Volume 20: Sonnet XXXIX
O, how thy worth with manners may I sing,
When thou art all the better part of me?
What can mine own praise to mine own self bring?
And what is't but mine own, when I praise thee?
Even for this let us divided live,
And our dear love lose name of single one;
That by this separation I may give
That due to thee, which thou deserv'st alone.
O absence, what a torment would'st thou prove,
Were it not thy sour leisure gave sweet leave
To entertain the time with thoughts of love,
(Which time and thoughts so sweetly doth deceive7 note





,)

-- 264 --


  And that thou teachest how to make one twain,
  By praising him here, who doth hence remain8 note



. Volume 20: Sonnet XL
Take all my loves, my love, yea, take them all;
What hast thou then more than thou hadst before?
No love, my love, that thou may'st true love call;
All mine was thine, before thou hadst this more.
Then, if for my love thou my love receivest,
I cannot blame thee, for my love thou usest9 note;
But yet be blam'd, if thou thyself deceivest1 note
By wilful taste of what thyself refusest.
I do forgive thy robbery, gentle thief,
Although thou steal thee all my poverty;
And yet love knows, it is a greater grief
To bear love's wrong, than hate's known injury.
  Lascivious grace, in whom all ill well shows,
  Kill me with spites; yet we must not be foes. Volume 20: Sonnet XLI
Those pretty wrongs that liberty commits,
When I am sometime absent from thy heart,

-- 265 --


Thy beauty and thy years full well befits,
For still temptation follows where thou art.
Gentle thou art, and therefore to be won,
Beauteous thou art, therefore to be assail'd2 note





;
And when a woman woos, what woman's son
Will sourly leave her till she have prevail'd3 note


.
Ah me! but yet thou might'st, my sweet, forbear4 note








,
And chide thy beauty and thy straying youth,
Who lead thee in their riot even there
Where thou art forc'd to break a two-fold truth;
  Hers, by thy beauty tempting her to thee,
  Thine, by thy beauty being false to me.

-- 266 --

Volume 20: Sonnet XLII
That thou hast her, it is not all my grief,
And yet it may be said I lov'd her dearly;
That she hath thee, is of my wailing chief,
A loss in love that touches me more nearly.
Loving offenders, thus I will excuse ye:—
Thou dost love her, because thou knew'st I love her;
And for my sake even so doth she abuse me,
Suffering my friend for my sake to approve her.
If I lose thee, my loss is my love's gain5 note,
And losing her, my friend hath found that loss;
Both find each other, and I lose both twain,
And both for my sake lay on me this cross:
  But here's the joy; my friend and I are one;
  Sweet flattery!—then she loves but me alone. Volume 20: Sonnet XLIII
When most I wink, then do mine eyes best see,
For all the day they view things unrespected6 note;
But when I sleep, in dreams they look on thee,
And darkly bright, are bright in dark directed.
Then thou, whose shadow shadows doth make bright,
How would thy shadow's form form happy show
To the clear day with thy much clearer light,
When to unseeing eyes thy shade shines so?
How would (I say) mine eyes be blessed made
By looking on thee in the living day,
When in dead night thy fair imperfect shade7 note
Through heavy sleep on sightless eyes doth stay?

-- 267 --


  All days are nights to see8 note


, till I see thee,
  And nights, bright days, when dreams do show thee me9 note. Volume 20: Sonnet XLIV
If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then, despite of space, I would be brought
From limits far remote, where thou dost stay.
No matter then, although my foot did stand
Upon the farthest earth remov'd from thee;
For nimble thought can jump both sea and land1 note
,
As soon as think the place where he would be.
But ah! thought kills me, that I am not thought,
To leap large lengths of miles, when thou art gone,
But that, so much of earth and water wrought2 note



,
I must attend time's leisure with my moan;
  Receiving nought by elements so slow
  But heavy tears, badges of either's woe:

-- 268 --

Volume 20: Sonnet XLV
The other two, slight air and purging fire,
Are both with thee, wherever I abide;
The first my thought, the other my desire,
These present-absent with swift motion slide.
For when these quicker elements are gone
In tender embassy of love to thee,
My life, being made of four3 note
, with two alone
Sinks down to death, oppress'd with melancholy;
Until life's composition be recur'd
By those swift messengers return'd from thee,
Who even but now come back again, assur'd
Of thy fair health4 note, recounting it to me:
  This told, I joy; but then no longer glad,
  I send them back again, and straight grow sad. Volume 20: Sonnet XLVI
Mine eye and heart are at a mortal war5 note
,
How to divide the conquest of thy sight;
Mine eye my heart thy picture's sight would bar6 note,
My heart mine eye the freedom of that right.
My heart doth plead, that thou in him dost lie,
(A closet never pierc'd with crystal eyes,)
But the defendant doth that plea deny,
And says in him thy fair appearance lies7 note.

-- 269 --


To 'cide this title is impannelled8 note
A quest of thoughts9 note

, all tenants to the heart;
And by their verdict is determined
The clear eye's moiety1 note, and the dear heart's part:
  As thus; mine eye's due is thine outward part,
  And my heart's right thine inward love of heart. Volume 20: Sonnet XLVII
Betwixt mine eye and heart a league is took,
And each doth good turns now unto the other:
When that mine eye is famish'd for a look2 note
,
Or heart in love with sighs himself doth smother,
With my love's picture then my eye doth feast,
And to the painted banquet bids my heart3 note:
Another time mine eye is my heart's guest,
And in his thoughts of love doth share a part:
So, either by thy picture or my love4 note
,
Thyself away, art present5 note still with me;
For thou not farther than my thoughts canst move,
And I am still with them, and they with thee;
  Or, if they sleep, thy picture in my sight
  Awakes my heart to heart's and eye's delight.

-- 270 --

Volume 20: Sonnet XLVIII
How careful was I, when I took my way,
Each trifle under truest bars to thrust;
That, to my use, it might unused stay
From hands of falshood, in sure wards of trust!
But thou, to whom my jewels trifles are6 note


,
Most worthy comfort, now my greatest grief,
Thou, best of dearest, and mine only care,
Art left the prey of every vulgar thief.
Thee have I not lock'd up in any chest,
Save where thou art not, though I feel thou art,
Within the gentle closure of my breast7 note




,
From whence at pleasure thou may'st come and part;
  And even thence thou wilt be stolen, I fear,
  For truth proves thievish for a prize so dear8 note
. Volume 20: Sonnet XLIX
Against that time, if ever that time come,
When I shall see thee frown on my defects,
Whenas thy love hath cast his utmost sum9 note,
Call'd to that audit by advis'd respects;
Against that time, when thou shalt strangely pass,
And scarcely greet me with that sun, thine eye;
When love, converted from the thing it was,
Shall reasons find of settled gravity1 note


;

-- 271 --


Against that time do I ensconce me here2 note,
Within the knowledge of mine own desert,
And this my hand against myself uprear,
To guard the lawful reasons on thy part:
  To leave poor me thou hast the strength of laws,
  Since, why to love, I can allege no cause. Volume 20: Sonnet L
How heavy do I journey on the way,
When what I seek,—my weary travel's end,—
Doth teach that ease and that repose to say,
Thus far the miles are measur'd from thy friend3 note
!

The beast that bears me, tired with my woe,
Plods dully on4 note

, to bear that weight in me,
As if by some instinct the wretch did know
His rider lov'd not speed, being made from thee:
The bloody spur cannot provoke him on
That sometimes anger thrusts into his hide;
Which heavily he answers with a groan,
More sharp to me than spurring to his side;
  For that same groan doth put this in my mind,—
  My grief lies onward, and my joy behind. Volume 20: Sonnet LI
Thus can my love excuse the slow offence
Of my dull bearer, when from thee I speed:

-- 272 --


From where thou art why should I haste me thence?
Till I return of posting is no need.
O, what excuse will my poor beast then find,
When swift extremity can seem but slow3 note
?
Then should I spur, though mounted on the wind4 note










?
In winged speed no motion shall I know:
Then can no horse with my desire keep pace;
Therefore desire, of perfect love being made,
Shall neigh (no dull flesh) in his firy race5 note


;
But love, for love, thus shall excuse my jade;
  Since from thee going he went wilful-slow,
  Towards thee I'll run, and give him leave to go.

-- 273 --

Volume 20: Sonnet LII
So am I as the rich, whose blessed key
Can bring him to his sweet up-locked treasure,
The which he will not every hour survey,
For blunting the fine point of seldom pleasure6 note


,
Therefore are feasts so solemn and so rare,
Since seldom coming, in the long year set,
Like stones of worth they thinly placed are7 note








,
Or captain jewels in the carcanet8 note




.
So is the time that keeps you, as my chest,
Or as the wardrobe, which the robe doth hide,
To make some special instant special-blest9 note



,
By new unfolding his imprison'd pride.

-- 274 --


  Blessed are you, whose worthiness gives scope,
  Being had, to triumph, being lack'd, to hope. Volume 20: Sonnet LIII
What is your substance, whereof are you made,
That millions of strange shadows on you tend?
Since every one hath, every one, one shade,
And you, but one, can every shadow lend.
Describe Adonis, and the counterfeit1 note
Is poorly imitated after you;
On Helen's cheek all art of beauty set,
And you in Grecian tires are painted new:
Speak of the spring, and foizon of the year2 note;
The one doth shadow of your beauty show,
The other as your bounty doth appear3 note





;
And you in every blessed shape we know.
  In all external grace you have some part,
  But you like none, none you, for constant heart. Volume 20: Sonnet LIV
O, how much more doth beauty beauteous seem,
By that sweet ornament which truth doth give!

-- 275 --


The rose looks fair, but fairer we it deem
For that sweet odour which doth in it live.
The canker-blooms have full as deep a dye,
As the perfumed tincture of the roses4 note

;
Hang on such thorns, and play as wantonly
When summer's breath their masked buds discloses5 note




;
But, for their virtue6 note
only is their show,
They live unwoo'd, and unrespected fade;
Die to themselves; Sweet roses do not so;
Of their sweet deaths are sweetest odours made7 note



:
  And so of you, beauteous and lovely youth,
  When that shall fade, my verse distills your truth8 note.

-- 276 --

Volume 20: Sonnet LV
Not marble, nor the gilded monuments9 note


Of princes, shall out-live this powerful rhyme;
But you shall shine more bright in these contents
Than unswept stone, besmear'd with sluttish time1 note

.
When wasteful war shall statues overturn,
And broils root out the work of masonry,
Nor Mars his sword nor war's quick fire shall burn
The living record of your memory2 note

.
'Gainst death and all-oblivious enmity
Shall you pace forth; your praise shall still find room
Even in the eyes of all posterity,
That wear this world out to the ending doom.
  So, till the judgment that yourself arise,
  You live in this, and dwell in lovers' eyes. Volume 20: Sonnet LVI
Sweet love, renew thy force; be it not said,
Thy edge should blunter be than appetite;
Which but to-day by feeding is allay'd,
To-morrow sharpen'd in his former might:
So, love, be thou; although to-day thou fill
Thy hungry eyes, even till they wink with fulness,
To-morrow see again, and do not kill
The spirit of love with a perpetual dulness.

-- 277 --


Let this sad interim like the ocean be
Which parts the shore, where two contracted-new
Come daily to the banks, that, when they see
Return of love, more blest may be the view;
  Or call it winter3 note, which being full of care,
  Makes summer's welcome thrice more wish'd, more rare. Volume 20: Sonnet LVII
Being your slave, what should I do but tend
Upon the hours and times of your desire?
I have no precious time at all to spend,
Nor services to do, till you require.
Nor dare I chide the world-without-end hour4 note



,
Whilst I, my sovereign, watch the clock for you,
Nor think the bitterness of absence sour,
When you have bid your servant once adieu;
Nor dare I question with my jealous thought,
Where you may be, or your affairs suppose;
But, like a sad slave, stay and think of nought,
Save, where you are, how happy you make those:
  So true a fool is love, that in your will
  (Though you do any thing) he thinks no ill. Volume 20: Sonnet LVIII
That God forbid, that made me first your slave,
I should in thought control your times of pleasure,
Or at your hand the account of hours to crave,
Being your vassal, bound to stay your leisure!

-- 278 --


O, let me suffer (being at your beck)
The imprison'd absence of your liberty;
And patience, tame to sufferance, bide each check5 note
,
Without accusing you of injury.
Be where you list; your charter is so strong,
That you yourself may privilege your time:
Do what you will6 note, to you it doth belong
Yourself to pardon of self-doing crime.
  I am to wait, though waiting so be hell;
  Not blame your pleasure, be it ill or well. Volume 20: Sonnet LIX
If there be nothing new, but that, which is,
Hath been before, how are our brains beguil'd,
Which, labouring for invention, bear amiss
The second burthen of a former child?
O, that record could with a backward look,
Even of five hundred courses of the sun,
Show me your image in some antique book,
Since mind at first in character was done7 note


!
That I might see what the old world could say
To this composed wonder of your frame;

-- 279 --


Whether we are mended, or whe'r better they8 note,
Or whether revolution be the same.
  O! sure I am, the wits of former days
  To subjects worse have given admiring praise. Volume 20: Sonnet LX
Like as the waves make towards the pebbled shore,
So do our minutes hasten to their end;
Each changing place with that which goes before;
In sequent toil all forwards do contend.
Nativity once in the main of light9 note,
Crawls to maturity, wherewith being crown'd,
Crooked eclipses 'gainst his glory fight,
And time that gave, doth now his gift confound1 note.
Time doth transfix the flourish set on youth2 note
,
And delves the parallels in beauty's brow3 note








;
Feeds on the rarities of nature's truth,
And nothing stands but for his scythe to mow:
  And yet, to times in hope, my verse shall stand4 note
,
  Praising thy worth, despite his cruel hand.

-- 280 --

Volume 20: Sonnet LXI
Is it thy will, thy image should keep open
My heavy eyelids to the weary night?
Dost thou desire my slumbers should be broken,
While shadows, like to thee, do mock my sight?
Is it thy spirit that thou send'st from thee
So far from home, into my deeds to pry;
To find out shames and idle hours in me,
The scope and tenour of thy jealousy?
O no! thy love, though much, is not so great;
It is my love5 note that keeps mine eye awake;
Mine own true love that doth my rest defeat,
To play the watchman ever for thy sake:
  For thee watch I, whilst thou dost wake elsewhere
  From me far off, with others all-too-near. Volume 20: Sonnet LXII
Sin of self-love possesseth all mine eye,
And all my soul, and all my every part;
And for this sin there is no remedy,
It is so grounded inward in my heart.
Methinks no face so gracious is as mine6 note
,
No shape so true, no truth of such account;
And for myself mine own worth do define,
As I all other in all worths surmount.
But when my glass shows me myself indeed,
Beated and chopp'd with tann'd antiquity7 note




,

-- 281 --


Mine own self-love quite contrary I read,
Self so self-loving were iniquity.
  'Tis thee (myself) that for myself I praise,
  Painting my age with beauty of thy days. Volume 20: Sonnet LXIII
Against my love shall be, as I am now,
With time's injurious hand crush'd and o'erworn8 note


;
When hours have drain'd his blood, and fill'd his brow
With lines and wrinkles; when his youthful morn
Hath travell'd on to age's steepy night9 note









;
And all those beauties, whereof now he's king,

-- 282 --


Are vanishing or vanish'd out of sight,
Stealing away the treasure of his spring;
For such a time do I now fortify
Against confounding age's cruel knife,
That he shall never cut from memory
My sweet love's beauty, though my lover's life1 note:
  His beauty shall in these black lines be seen,
  And they shall live, and he in them still green. Volume 20: Sonnet LXIV
When I have seen by Time's fell hand defac'd
The rich-proud cost of out-worn bury'd age;
When sometime lofty towers I see down-ras'd,
And brass eternal, slave to mortal rage:
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore2 note



,
And the firm soil win of the watery main,
Increasing store with loss, and loss with store;

-- 283 --


When I have seen such interchange of state3 note












,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate—
That time will come, and take my love away.
  This thought is as a death, which cannot choose
  But weep to have that which it fears to lose. Volume 20: Sonnet LXV
Since brass, nor stone, nor earth, nor boundless sea,
But sad mortality o'er-sways their power,
How with this rage shall beauty hold a plea4 note,
Whose action is no stronger than a flower?
O, how shall summer's honey breath hold out,
Against the wreckful siege of battering days5 note

When rocks impregnable are not so stout,
Nor gates of steel so strong, but time decays?
O fearful meditation! where, alack,
Shall time's best jewel from time's chest lie hid6 note





















?

-- 284 --


Or what strong hand can hold his swift foot back?
Or who his spoil of beauty can forbid7 note?

-- 285 --


  O none, unless this miracle have might,
  That in black ink my love may still shine bright. Volume 20: Sonnet LXVI
Tir'd with all these, for restful death I cry8 note,—
As, to behold desert a beggar born,
And needy nothing trimm'd in jollity,
And purest faith unhappily forsworn,
And gilded honour shamefully misplac'd,
And maiden virtue rudely strumpeted,
And right perfection wrongfully disgrac'd,
And strength by limping sway disabled,
And art made tongue-ty'd by authority,
And folly (doctor-like) controlling skill,
And simple truth miscall'd simplicity9 note,
And captive good attending captain ill1 note



:
  Tir'd with all these, from these would I be gone,
  Save that, to die, I leave my love alone. Volume 20: Sonnet LXVII
Ah! wherefore with infection should he live,
And with his presence grace impiety,
That sin by him advantage should achieve,
And lace itself with his society2 note

?
Why should false painting imitate his cheek,
And steal dead seeing of his living hue3 note?

-- 286 --


Why should poor beauty indirectly seek
Roses of shadow, since his rose is true?
Why should he live, now nature bankrupt is,
Beggar'd of blood to blush through lively veins?
For she hath no exchequer now but his,
And, proud of many, lives upon his gains.
  O, him she stores, to show what wealth she had,
  In days long since, before these last so bad. Volume 20: Sonnet LXVIII
Thus is his cheek the map of days out worn4 note

,
When beauty liv'd and died, as flowers do now,
Before these bastard signs of fair were borne5 note,
Or durst inhabit on a living brow;
Before the golden tresses of the dead,
The right of sepulchres, were shorn away,
To live a second life on second head6 note














;
Ere beauty's dead fleece made another gay:

-- 287 --


In him those holy antique hours are seen,
Without all ornament, itself, and true7 note

,
Making no summer of another's green,
Robbing no old to dress his beauty new;
  And him as for a map doth nature store,
  To show false art what beauty was of yore. Volume 20: Sonnet LXIX
Those parts of thee that the world's eye doth view,
Want nothing that the thought of hearts can mend;
All tongues (the voice of souls) give thee that due8 note,
Uttering bare truth, even so as foes commend.
Thine outward9 note thus with outward praise is crown'd;
But those same tongues that give thee so thine own,
In other accents do this praise confound,
By seeing farther than the eye hath shown.

-- 288 --


They look into the beauty of thy mind,
And that, in guess, they measure by thy deeds;
Then (churls) their thoughts, although their eyes were kind,
To thy fair flower add the rank smell of weeds:
  But why thy odour matcheth not thy show,
  The solve is this1 note





,—that thou dost common grow. Volume 20: Sonnet LXX
That thou art blam'd shall not be thy defect,
For slander's mark was ever yet the fair;
The ornament of beauty is suspect2 note
,
A crow that flies in heaven's sweetest air.
So thou be good, slander doth but approve
Thy worth the greater, being woo'd of time3 note


;

-- 289 --


For canker vice the sweetest buds doth love4 note









,
And thou present'st a pure unstained prime.
Thou has pass'd by the ambush of young days,
Either not assail'd, or victor being charg'd;
Yet this thy praise cannot be so thy praise,
To tie up envy evermore enlarg'd:
  If some suspect5 note of ill mask'd not thy show,
  Then thou alone kingdoms of hearts should'st owe6 note.

-- 290 --

Volume 20: Sonnet LXXI
No longer mourn for me when I am dead,
Than you shall hear the surly sullen bell
Give warning to the world that I am fled7 note




From this vile world, with vilest worms to dwell:
Nay, if you read this line, remember not
The hand that writ it; for I love you so,
That I in your sweet thoughts would be forgot,
If thinking on me then should make you woe8 note

.
O if (I say) you look upon this verse,
When I perhaps compounded am with clay9 note
,
Do not so much as my poor name rehearse;
But let your love even with my life decay:
  Lest the wise world should look into your moan,
  And mock you with me after I am gone. Volume 20: Sonnet LXXII
O, lest the world should task you to recite
What merit liv'd in me, that you should love
After my death,—dear love, forget me quite,
For you in me can nothing worthy prove;
Unless you would devise some virtuous lie,
To do more for me than mine own desert,

-- 291 --


And hang more praise upon deceased I,
Than niggard truth would willingly impart1 note

:
O, lest your true love may seem false in this,
That you for love speak well of me untrue,
My name be buried where my body is,
And live no more to shame nor me nor you.
  For I am sham'd by that which I bring forth,
  And so should you, to love things nothing worth. Volume 20: Sonnet LXXIII
That time of year thou may'st in me behold,
When yellow leaves, or none, or few, do hang2 note


Upon those boughs which shake against the cold,
Bare ruin'd choirs, where late the sweet birds sang3 note











.

-- 292 --


In me thou seest the twilight of such day
As after sun-set fadeth in the west;
Which by and by black night doth take away2 note
,
Death's second self, that seals up all in rest.
In me thou seest the glowing of such fire,
That on the ashes of his youth doth lie3 note

;
As the death-bed whereon it must expire,
Consum'd with that which it was nourish'd by.
  This thou perceiv'st, which makes thy love more strong,
  To love that well which thou must leave ere long: Volume 20: Sonnet LXXIV
But be contented: when that fell arrest
Without all bail shall carry me away4 note



,
My life hath in this line some interest,
Which for memorial still with thee shall stay.
When thou reviewest this, thou dost review
The very part was consecrate to thee.

-- 293 --


The earth can have but earth, which is his due:
My spirit is thine, the better part of me:
So then thou hast but lost the dregs of life,
The prey of worms, my body being dead;
The coward conquest of a wretch's knife,
Too base of thee to be remembered.
  The worth of that, is that which it contains,
  And that is this, and this with thee remains5 note
. Volume 20: Sonnet LXXV
So are you to my thoughts, as food to life,
Or as sweet-season'd showers are to the ground;
And for the peace of you I hold such strife6 note



As 'twixt a miser and his wealth is found;
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure;
Now counting best to be with you alone,
Then better'd that the world may see my pleasure:
Some time all full with feasting on your sight,
And by and by clean starved for a look7 note



;
Possessing or pursuing no delight,
Save what is had or must from you be took.

-- 294 --


  Thus do I pine and surfeit day by day,
  Or gluttoning on all, or all away8 note

. Volume 20: Sonnet LXXVI
Why is my verse so barren of new pride?
So far from variation or quick change?
Why, with the time, do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed9 note,
That every word doth almost tell my name1 note;
Showing their birth, and where they did proceed?
O know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
  For as the sun is daily new and old,
  So is my love still telling what is told. Volume 20: Sonnet LXXVII
Thy glass will show thee how thy beauties wear,
Thy dial how thy precious minutes waste;
The vacant leaves2 note thy mind's imprint will bear,
And of this book this learning may'st thou taste3 note



.

-- 295 --


The wrinkles which thy glass will truly show,
Of mouthed graves4 note




will give thee memory;
Thou by thy dial's shady stealth may'st know
Time's thievish progress5 note




to eternity.
Look, what thy memory cannot contain,
Commit to these waste blanks6 note, and thou shalt find
Those children nurs'd, deliver'd from thy brain,
To take a new acquaintance of thy mind.

-- 296 --


  These offices, so oft as thou wilt look,
  Shall profit thee, and much enrich thy book. Volume 20: Sonnet LXXVIII
So oft have I invok'd thee for my muse,
And found such fair assistance in my verse,
As every alien pen hath got my use,
And under thee their poesy disperse.
Thine eyes, that taught the dumb, on high to sing,
And heavy ignorance aloft to fly7 note,
Have added feathers to the learned's wing8 note

,
And given grace a double majesty.
Yet be most proud of that which I compile,
Whose influence is thine, and born of thee:
In others' works thou dost but mend the style,
And arts with thy sweet graces graced be;
  But thou art all my art, and dost advance
  As high as learning my rude ignorance. Volume 20: Sonnet LXXIX
Whilst I alone did call upon thy aid,
My verse alone had all thy gentle grace;
But now my gracious numbers are decay'd,
And my sick muse doth give another place.
I grant, sweet love, thy lovely argument
Deserves the travail of a worthier pen;
Yet what of thee thy poet doth invent,
He robs thee of, and pays it thee again.
He lends thee virtue, and he stole that word
From thy behaviour; beauty doth he give,
And found it in thy cheek; he can afford
No praise to thee but what in thee doth live.

-- 297 --


  Then thank him not for that which he doth say,
  Since what he owes thee thou thyself dost pay. Volume 20: Sonnet LXXX
O, how I faint when I of you do write,
Knowing a better spirit doth use your name9 note,
And in the praise thereof spends all his might,
To make me tongue-ty'd, speaking of your fame!
But since your worth (wide, as the ocean is,)
The humble as the proudest sail doth bear1 note



,
My saucy bark, inferior far to his,
On your broad main doth wilfully appear.
Your shallowest help will hold me up afloat,
Whilst he upon your soundless deep doth ride;
Or, being wreck'd, I am a worthless boat,
He of tall building, and of goodly pride:
  Then if he thrive, and I be cast away,
  The worst was this;—my love was my decay. Volume 20: Sonnet LXXXI
Or I shall live your epitaph to make,
Or you survive when I in earth am rotten;

-- 298 --


From hence your memory death cannot take,
Although in me each part will be forgotten.
Your name from hence immortal life shall have,
Though I, once gone, to all the world must die:
The earth can yield me but a common grave,
When you entombed in men's eyes shall lie.
Your monument shall be my gentle verse,
Which eyes not yet created shall o'er-read;
And tongues to be, your being shall rehearse,
When all the breathers of this world are dead2 note;
  You still shall live (such virtue hath my pen,)
  Where breath most breathes,—even in the mouths of men. Volume 20: Sonnet LXXXII
I grant thou wert not married to my muse,
And therefore may'st without attaint o'er-look
The dedicated words which writers use
Of their fair subject, blessing every book.
Thou art as fair in knowledge as in hue,
Finding thy worth a limit past my praise;
And therefore art enforc'd to seek anew
Some fresher stamp of the time-bettering days.
And do so, love; yet when they have devis'd
What strained touches rhetorick can lend,
Thou truly fair wert truly sympathiz'd
In true plain words, by thy true-telling friend;
  And their gross painting might be better us'd
  Where cheeks need blood; in thee it is abus'd. Volume 20: Sonnet LXXXIII
I never saw that you did painting need,
And therefore to your fair no painting set;

-- 299 --


I found, or thought I found, you did exceed
The barren tender of a poet's debt3 note





:
And therefore have I slept in your report4 note






,
That you yourself, being extant, well might show
How far a modern quill doth come too short5 note,
Speaking of worth, what worth in you doth grow6 note


.
This silence for my sin you did impute,
Which shall be most my glory, being dumb;
For I impair not beauty, being mute,
When others would give life, and bring a tomb7 note.
  There lives more life in one of your fair eyes,
  Than both your poets can in praise devise. Volume 20: Sonnet LXXXIV
Who is it that says most? which can say more,
Than this rich praise—that you alone are you?
In whose confine immured is the store,
Which should example where your equal grew.

-- 300 --


Lean penury within that pen doth dwell,
That to his subject lends not some small glory;
But he that writes of you, if he can tell
That you are you, so dignifies his story,
Let him but copy what in you is writ,
Not making worse what nature made so clear,
And such a counter-part shall fame his wit,
Making his style admired every where.
  You to your beauteous blessings add a curse,
  Being fond on praise, which makes your praises worse8 note



. Volume 20: Sonnet LXXXV
My tongue-ty'd muse in manners holds her still,
While comments of your praise, richly compil'd,
Reserve their character with golden quill9 note,
And precious phrase by all the muses fil'd.
I think good thoughts, whilst others write good words,
And, like unletter'd clerk, still cry Amen
To every hymn that able spirit affords,
In polish'd form of well-refined pen.
Hearing you prais'd, I say, 'tis so, 'tis true,
And to the most of praise add something more;

-- 301 --


But that is in my thought, whose love to you,
Though words come hindmost, holds his rank before.
  Then others for the breath of words respect,
  Me for my dumb thoughts, speaking in effect. Volume 20: Sonnet LXXXVI
Was it the proud full sail of his great verse,
Bound for the prize of all-too-precious you,
That did my ripe thoughts in my brain inherse,
Making their tomb the womb wherein they grew1 note





?
Was it his spirit, by spirits taught to write
Above a mortal pitch, that struck me dead?
No, neither he, nor his compeers by night
Giving him aid, my verse astonished.
He, nor that affable familiar ghost,
Which nightly gulls him with intelligence2 note
;
As victors, of my silence cannot boast;
I was not sick of any fear from thence:
  But when your countenance fil'd up his line3 note
,
  Then lack'd I matter; that enfeebled mine. Volume 20: Sonnet LXXXVII
Farewell! thou art too dear for my possessing,
And like enough thou know'st thy estimate:
The charter of thy worth gives thee releasing;

-- 302 --


My bonds in thee are all determinate4 note.
For how do I hold thee but by thy granting?
And for that riches where is my deserving?
The cause of this fair gift in me is wanting,
And so my patent5 note back again is swerving.
Thyself thou gav'st, thy own worth then not knowing,
Or me, to whom thou gav'st it, else mistaking;
So thy great gift, upon misprision growing,
Comes home again, on better judgment making.
  Thus have I had thee, as a dream doth flatter,
  In sleep a king6 note

, but waking, no such matter. Volume 20: Sonnet LXXXVIII
When thou shalt be dispos'd to set me light,
And place my merit in the eye of Scorn7 note

,
Upon thy side against myself I'll fight,
And prove thee virtuous, though thou art forsworn.
With mine own weakness being best acquainted,
Upon thy part I can set down a story
Of faults conceal'd, wherein I am attainted8 note
;
That thou, in losing me, shalt win much glory;
And I by this will be a gainer too;
For bending all my loving thoughts on thee,
The injuries that to myself I do,
Doing thee vantage, double-vantage me.

-- 303 --


  Such is my love, to thee I so belong,
  That for thy right myself will bear all wrong. Volume 20: Sonnet LXXXIX
Say that thou didst forsake me for some fault,
And I will comment upon that offence:
Speak of my lameness9 note, and I straight will halt:
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desired change,
As I'll myself disgrace: knowing thy will,
I will acquaintance strangle1 note










, and look strange;
Be absent from thy walks2 note

; and in my tongue
Thy sweet-beloved name no more shall dwell;
Lest I (too much profane) should do it wrong,
And haply of our old acquaintance tell.

-- 304 --


  For thee, against myself I'll vow debate,
  For I must ne'er love him whom thou dost hate. Volume 20: Sonnet XC
Then hate me when thou wilt; if ever, now:
Now while the world is bent my deeds to cross,
Join with the spite of fortune, make me bow,
And do not drop in, for an after-loss:
Ah! do not, when my heart hath scap'd this sorrow,
Come in the rearward of a conquer'd woe2 note



;
Give not a windy night a rainy morrow,
To linger out a purpos'd overthrow.
If thou wilt leave me, do not leave me last,
When other petty griefs have done their spite,
But in the onset come; so shall I taste
At first the very worst of fortune's might;
  And other strains of woe, which now seem woe,
  Compar'd with loss of thee, will not seem so. Volume 20: Sonnet XCI
Some glory in their birth, some in their skill,
Some in their wealth, some in their body's force;
Some in their garments, though new-fangled ill;
Some in their hawks and hounds, some in their horse;
And every humour hath his adjunct pleasure,
Wherein it finds a joy above the rest;
But these particulars are not my measure,
All these I better in one general best.

-- 305 --


Thy love is better than high birth to me,
Richer than wealth, prouder than garments' cost3 note

,
Of more delight than hawks or horses be;
And having thee, of all men's pride I boast.
  Wretched in this alone, that thou may'st take
  All this away, and me most wretched make. Volume 20: Sonnet XCII
But do thy worst to steal thyself away,
For term of life thou art assured mine;
And life no longer than thy love will stay,
For it depends upon that love of thine.
Then need I not to fear the worst of wrongs,
When in the least of them my life hath end.
I see a better state to me belongs
Than that which on thy humour doth depend:
Thou canst not vex me with inconstant mind,
Since that my life on thy revolt doth lie.
O, what a happy title do I find,
Happy to have thy love, happy to die!
  But what's so blessed-fair that fears no blot?
  Thou may'st be false, and yet I know it not: Volume 20: Sonnet XCIII
So shall I live, supposing thou art true,
Like a deceived husband4 note












; so love's face

-- 306 --


May still seem love to me, though alter'd-new;
Thy looks with me, thy heart in other place:

-- 307 --


For there can live no hatred in thine eye,
Therefore in that I cannot know thy change.

-- 308 --


In many's looks the false heart's history
Is writ5 note




, in moods and frowns and wrinkles strange;

-- 309 --


But heaven in thy creation did decree,
That in thy face sweet love should ever dwell;
Whate'er thy thoughts or thy heart's workings be,
Thy looks should nothing thence but sweetness tell.
  How like Eve's apple doth thy beauty grow,
  If thy sweet virtue answer not thy show!

-- 310 --

Volume 20: Sonnet XCIV
They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow;
They rightly do inherit heaven's graces,
And husband nature's riches from expence;
They are the lords and owners of their faces6 note
,
Others but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die;
But if that flower with base infection meet,
The basest weed outbraves his dignity:
  For sweetest things turn sourest by their deeds:
  Lilies that fester, smell far worse than weeds7 note. Volume 20: Sonnet XCV
How sweet and lovely dost thou make the shame,
Which, like a canker in the fragrant rose,
Doth spot the beauty of thy budding name?
O, in what sweets dost thou thy sins enclose!
That tongue that tells the story of thy days,
Making lascivious comments on thy sport,
Cannot dispraise but in a kind of praise;
Naming thy name blesses an ill report8 note


.
O, what a mansion have those vices got,
Which for their habitation chose out thee?

-- 311 --


Where beauty's veil doth cover every blot,
And all things turn to fair that eyes can see!
  Take heed, dear heart, of this large privilege;
  The hardest knife ill-us'd doth lose his edge. Volume 20: Sonnet XCVI
Some say, thy fault is youth, some wantonness;
Some say, thy grace is youth, and gentle sport;
Both grace and faults are lov'd of more and less9 note
:
Thou mak'st faults graces that to thee resort.
As on the finger of a throned queen
The basest jewel will be well esteem'd;
So are those errors that in thee are seen,
To truths translated, and for true things deem'd.
How many lambs might the stern wolf betray,
If like a lamb he could his looks translate1 note

!
How many gazers might'st thou lead away,
If thou would'st use the strength of all thy state!
  But do not so; I love thee in such sort2 note,
  As thou being mine, mine is thy good report. Volume 20: Sonnet XCVII
How like a winter hath my absence been3 note
From thee, the pleasure of the fleeting year!
What freezings have I felt, what dark days seen?
What old December's bareness every where!

-- 312 --


And yet this time remov'd4 note





! was summer's time;
The teeming autumn, big with rich increase,
Bearing the wanton burden of the prime5 note





,
Like widow'd wombs after their lords' decease:
Yet this abundant issue seem'd to me
But hope of orphans, and unfather'd fruit;
For summer and his pleasures wait on thee,
And, thou away, the very birds are mute;
  Or, if they sing, 'tis with so dull a cheer,
  That leaves look pale, dreading the winter's near. Volume 20: Sonnet XCVIII
From you have I been absent in the spring,
When proud-pied April, dress'd in all his trim,
Hath put a spirit of youth in every thing6 note





That heavy Saturn laugh'd and leap'd with him.
Yet nor the lays of birds7 note


, nor the sweet smell
Of different flowers in odour and in hue,

-- 313 --


Could make me any summer's story tell8 note


,
Or from their proud lap pluck them where they grew9 note

:
Nor did I wonder at the lilies white,
Nor praise the deep vermilion in the rose;
They were but sweet, but figures of delight1 note



,
Drawn after you; you pattern of all those.

-- 314 --


  Yet seem'd it winter still, and, you away,
  As with your shadow I with these did play: Volume 20: Sonnet XCIX
The forward violet thus did I chide;—
Sweet thief, whence did'st thou steal thy sweet that smells,
If not from my love's breath? The purple pride
Which on thy soft cheek for complexion dwells,
In my love's veins thou hast too grossly dy'd.
The lily I condemned for thy hand2 note,
And buds of marjoram had stolen thy hair:
The roses fearfully on thorns did stand,
One blushing shame, another white despair2 note






;
A third, nor red nor white, had stolen of both,
And to his robbery had annex'd thy breath;
But, for his theft, in pride of all his growth
A vengeful canker eat him up to death4 note



.
  More flowers I noted, yet I none could see,
  But sweet or colour it had stolen from thee.

-- 315 --

Volume 20: Sonnet C
Where art thou, Muse, that thou forget'st so long
To speak of that which gives thee all thy might?
Spend'st thou thy fury on some worthless song,
Darkening thy power, to lend base subjects light?
Return, forgetful Muse, and straight redeem
In gentle numbers time so idly spent;
Sing to the ear that doth thy lays esteem,
And gives thy pen both skill and argument.
Rise, restive Muse, my love's sweet face survey,
If Time have any wrinkle graven there;
If any, be a satire to decay,
And make Time's spoils despised every where.
  Give my love fame faster than Time wastes life;
  So thou prevent'st his scythe5 note, and crooked knife. Volume 20: Sonnet CI
O truant Muse, what shall be thy amends,
For thy neglect of truth in beauty dy'd?
Both truth and beauty on my love depends;
So dost thou too, and therein dignify'd.
Make answer, Muse: wilt thou not haply say,
Truth needs no colour, with his colour fix'd;
Beauty no pencil, beauty's truth to lay;
But best is best, if never intermix'd?
Because he needs no praise, wilt thou be dumb?
Excuse not silence so; for it lies in thee
To make him much out-live a gilded tomb,
And to be prais'd of ages yet to be.
  Then do thy office, Muse; I teach thee how
  To make him seem long hence as he shows now.

-- 316 --

Volume 20: Sonnet CII
My love is strengthen'd, though more weak in seeming;
I love not less, though less the show appear:
That love is merchandiz'd6 note



, whose rich esteeming
The owner's tongue doth publish every where7 note




.
Our love was new, and then but in the spring,
When I was wont to greet it with my lays;
As Philomel in summer's front doth sing8 note








,
And stops his pipe in growth of riper days;
Not that the summer is less pleasant now
Than when her mournful hymns did hush the night,

-- 317 --


But that wild musick burdens every bough1 note




,
And sweets grown common lose their dear delight2 note
.
  Therefore, like her, I sometime hold my tongue,
  Because I would not dull you with my song. Volume 20: Sonnet CIII
Alack! what poverty my muse brings forth,
That having such a scope to show her pride,
The argument, all bare, is of more worth,
Than when it hath my added praise beside.
O, blame me not, if I no more can write!
Look in your glass, and there appears a face,
That over-goes my blunt invention quite3 note





,
Dulling my lines, and doing me disgrace.
Were it not sinful then, striving to mend,
To mar the subject that before was well4 note




?

-- 318 --


For to no other pass my verses tend,
Than of your graces and your gifts to tell;
  And more, much more, than in my verse can sit,
  Your own glass shows you, when you look in it. Volume 20: Sonnet CIV
To me, fair friend, you never can be old,
For as you were, when first your eye I ey'd,
Such seems your beauty still. Three winters cold
Have from the forests shook three summers' pride5 note
;
Three beauteous springs to yellow autumn turn'd6 note

,
In process of the seasons have I seen;
Three April perfumes in three hot Junes burn'd,
Since first I saw you fresh, which yet are green.
Ah! yet doth beauty, like a dial hand,
Steal from his figure, and no pace perceiv'd7 note




;
So your sweet hue, which methinks still doth stand,
Hath motion8 note




, and mine eye may be deceiv'd:
  For fear of which, hear this, thou age unbred.—
  Ere you were born, was beauty's summer dead.

-- 319 --

Volume 20: Sonnet CV
Let not my love be call'd idolatry,
Nor my beloved as an idol show,
Since all alike my songs and praises be,
To one, of one, still such, and ever so.
Kind is my love to-day, to-morrow kind,
Still constant in a wondrous excellence;
Therefore my verse to constancy confin'd,
One thing expressing, leaves out difference.
Fair, kind, and true, is all my argument,
Fair, kind, and true, varying to other words;
And in this change is my invention spent,
Three themes in one, which wondrous scope affords.
  Fair, kind, and true, have often liv'd alone,
  Which three, till now, never kept seat in one. Volume 20: Sonnet CVI
When in the chronicle of wasted time
I see descriptions of the fairest wights,
And beauty making beautiful old rhyme,
In praise of ladies dead, and lovely knights,
Then, in the blazon of sweet beauty's best,
Of hand, of foot, of lip, of eye, of brow9 note


,
I see their antique pen would have express'd
Even such a beauty as you master now1 note

.

-- 320 --


So all their praises are but prophecies
Of this our time, all you prefiguring;
And for they look'd but with divining eyes,
They had not skill enough your worth to sing2 note


:
  For we which now behold these present days,
  Have eyes to wonder, but lack tongues to praise. Volume 20: Sonnet CVII
Not mine own fears, nor the prophetick soul3 note

Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Suppos'd as forfeit to a confin'd doom.
The mortal moon hath her eclipse endur'd4 note
,
And the sad augurs mock their own presage5 note;
Incertainties now crown themselves assur'd,
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and death to me subscribes,
Since, spite of him, I'll live in this poor rhyme,
While he insults o'er dull and speechless tribes6 note





:

-- 321 --


  And thou in this shalt find thy monument,
  When tyrants' crests and tombs of brass are spent. Volume 20: Sonnet CVIII
What's in the brain that ink may character,
Which hath not figur'd to thee my true spirit?
What's new to speak, what new to register7 note


,
That may express my love, or thy dear merit?
Nothing, sweet boy; but yet, like prayers divine,
I must each day say o'er the very same;
Counting no old thing old, thou mine, I thine,
Even as when first I hallow'd thy fair name.
So that eternal love in love's fresh case8 note
Weighs not the dust and injury of age9 note
,
Nor gives to necessary wrinkles place,
But makes antiquity for aye his page;
  Finding the first conceit of love there bred,
  Where time and outward form would show it dead. Volume 20: Sonnet CIX
O, never say that I was false of heart,
Though absence seem'd my flame to qualify.
As easy might I from myself depart,
As from my soul, which in thy breast doth lie1 note


:

-- 322 --


That is my home of love: if I have rang'd,
Like him that travels, I return again2 note





;
Just to the time, not with the time exchang'd,—
So that myself bring water for my stain.
Never believe, though in my nature reign'd
All frailties that besiege all kinds of blood3 note

,
That it could so preposterously be stain'd,
To leave for nothing all thy sum of good;
  For nothing this wide universe I call,
  Save thou, my rose; in it thou art my all. Volume 20: Sonnet CX
Alas, 'tis true, I have gone here and there,
And made myself a motley to the view4 note;
Gor'd mine own thoughts5 note





, sold cheap what is most dear,
Made old offences of affections new:

-- 323 --


Most true it is, that I have look'd on truth
Askance and strangely; but, by all above,
These blenches gave my heart another youth6 note


,
And worse essays prov'd thee my best of love.
Now all is done, save what shall have no end7 note:
Mine appetite I never more will grind
On newer proof, to try an older friend,
A God in love, to whom I am confin'd.
  Then give me welcome, next my heaven the best,
  Even to thy pure and most most loving breast. Volume 20: Sonnet CXI
O, for my sake do you with fortune chide8 note



,
The guilty goddess of my harmful deeds,
That did not better for my life provide
Than publick means, which publick manners breeds9 note

.

-- 324 --


Thence comes it that my name receives a brand;
And almost thence my nature is subdu'd
To what it works in, like the dyer's hand:
Pity me then, and wish I were renew'd;
Whilst, like a willing patient, I will drink
Potions of eysell, 'gainst my strong infection1 note



;
No bitterness that I will bitter think,
Nor double penance, to correct correction.
  Pity me then, dear friend, and I assure ye,
  Even that your pity is enough to cure me. Volume 20: Sonnet CXII
Your love and pity doth the impression fill
Which vulgar scandal stamp'd upon my brow;
For what care I who calls me well or ill,
So you o'er-green my bad, my good allow2 note


?
You are my all-the-world, and I must strive
To know my shames and praises from your tongue;
None else to me, nor I to none alive,
That my steel'd sense or changes, right or wrong3 note


.

-- 325 --


In so profound abysm I throw all care4 note
Of others' voices, that my adder's sense
To critick and to flatterer stopped are5 note




.
Mark how with my neglect I do dispense:—
  You are so strongly in my purpose bred,
  That all the world besides methinks they are dead6 note


. Volume 20: Sonnet CXIII
Since I left you, mine eye is in my mind7 note



;
And that which governs me to go about,

-- 326 --


Doth part his function8 note, and is partly blind,
Seems seeing, but effectually is out9 note

:
For it no form delivers to the heart
Of bird, of flower, or shape, which it doth latch1 note




;
Of his quick objects hath the mind no part,
Nor his own vision holds what it doth catch;
For if it see the rud'st or gentlest sight,
The most sweet favour2 note, or deformed'st creature,
The mountain or the sea, the day or night,
The crow or dove, it shapes them to your feature:
  Incapable of more, replete with you,
  My most true mind thus maketh mine untrue3 note










.

-- 327 --

Volume 20: Sonnet CXIV
Or whether doth my mind, being crown'd with you4 note

,
Drink up the monarch's plague, this flattery5 note

,
Or whether shall I say, mine eye saith true,
And that your love taught it this alchymy,
To make, of monsters and things indigest,
Such cherubins as your sweet self resemble;
Creating every bad a perfect best6 note

,
As fast as objects to his beams assemble?
O, 'tis the first; 'tis flattery in my seeing,
And my great mind most kingly drinks it up:
Mine eye well knows what with his gust is 'greeing7 note,
And to his palate doth prepare the cup:
  If it be poison'd8 note

, tis the lesser sin
  That mine eye loves it, and doth first begin.

-- 328 --

Volume 20: Sonnet CXV
Those lines that I before have writ, do lie,
Even those that said I could not love you dearer:
Yet then my judgment knew no reason why
My most full flame should afterwards burn clearer.
But reckoning time, whose million'd accidents
Creep in 'twixt vows, and change decrees of kings,
Tan sacred beauty, blunt the sharp'st intents,
Divert strong minds to the course of altering things;
Alas! why, fearing of time's tyranny,
Might I not then say, now I love you best,
When I was certain o'er incertainty,
Crowning the present, doubting of the rest?
  Love is a babe; then might I not say so,
  To give full growth to that which still doth grow? Volume 20: Sonnet CXVI
Let me not to the marriage of true minds8 note

Admit impediments. Love is not love,
Which alters when it alteration finds9 note



;
Or bends, with the remover to remove:
O no! it is an ever-fixed mark,
That looks on tempests, and is never shaken1 note









;

-- 329 --


It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool2 note
, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom3 note

.
  If this be error, and upon me prov'd,
  I never writ, nor no man ever lov'd. Volume 20: Sonnet CXVII
Accuse me thus; that I have scanted all
Wherein I should your great deserts repay4 note

;
Forgot upon your dearest love to call,
Whereto all bonds do tie me day by day5 note






;

-- 330 --


That I have frequent been with unknown minds,
And given to time your own dear-purchas'd right;
That I have hoisted sail to all the winds
Which should transport me farthest from your sight:
Book both my wilfulness and errors down,
And on just proof, surmise accumulate,
Bring me within the level of your frown6 note






,
But shoot not at me in your waken'd hate7 note
:
  Since my appeal says, I did strive to prove
  The constancy and virtue of your love. Volume 20: Sonnet CXVIII
Like as, to make our appetites more keen,
With eager compounds8 note
we our palate urge;
As, to prevent our maladies unseen,
We sicken to shun sickness, when we purge;
Even so, being full of your ne'er-cloying sweetness,
To bitter sauces did I frame my feeding;
And, sick of welfare, found a kind of meetness
To be diseas'd, ere that there was true needing.
Thus policy in love, to anticipate
The ills that were not, grew to faults assur'd,
And brought to medicine a healthful state,
Which, rank of goodness9 note
, would by ill be cur'd;

-- 331 --


  But thence I learn, and find the lesson true,
  Drugs poison him that so fell sick of you. Volume 20: Sonnet CXIX
What potions have I drunk of syren tears,
Distill'd from limbecks foul as hell within,
Applying fears to hopes, and hopes to fears,
Still losing when I saw myself to win!
What wretched errors hath my heart committed,
Whilst it hath thought itself so blessed never!
How have mine eyes out of their spheres been fitted,
In the distraction of this madding fever1 note





!
O benefit of ill! now I find true,
That better is by evil still made better2 note

;
And ruin'd love, when it is built anew3 note










,
Grows fairer than at first, more strong, far greater.

-- 332 --


  So I return rebuk'd to my content,
  And gain by ill thrice more than I have spent. Volume 20: Sonnet CXX
That you were once unkind, befriends me now,
And for that sorrow, which I then did feel,
Needs must I under my transgression bow,
Unless my nerves were brass or hammer'd steel.
For if you were by my unkindness shaken,
As I by yours, you have pass'd a hell of time4 note







;
And I, a tyrant, have no leisure taken
To weigh how once I suffer'd in your crime.
O that our night of woe might have remember'd5 note

My deepest sense, how hard true sorrow hits;
And soon to you, as you to me, then tender'd
The humble salve which wounded bosoms fits!
  But that your trespass now becomes a fee;
  Mine ransoms yours, and yours must ransom me. Volume 20: Sonnet CXXI
'Tis better to be vile, than vile esteem'd,
When not to be receives reproach of being;

-- 333 --


And the just pleasure lost, which is so deem'd
Not by our feeling, but by others' seeing.
For why should others' false adulterate eyes
Give salutation to my sportive blood?
Or on my frailties why are frailer spies,
Which in their wills count bad what I think good?
No,—I am that I am6 note
; and they that level
At my abuses, reckon up their own:
I may be straight, though they themselves be bevel7 note;
By their rank thoughts my deeds must not be shown;
  Unless this general evil they maintain,—
  All men are bad, and in their badness reign. Volume 20: Sonnet CXXII
Thy gift, thy tables, are within my brain
Full character'd with lasting memory8 note










,
Which shall above that idle rank remain,
Beyond all date, even to eternity:
Or, at the least, so long as brain and heart
Have faculty by nature to subsist9 note



;

-- 334 --


Till each to raz'd oblivion yield his part
Of thee, thy record never can be miss'd.
That poor retention could not so much hold1 note,
Nor need I tallies, thy dear love to score;
Therefore to give them from me was I bold,
To trust those tables that receive thee more:
  To keep an adjunct to remember thee,
  Were to import forgetfulness in me. Volume 20: Sonnet CXXIII
No! Time, thou shalt not boast that I do change:
Thy pyramids, built up with newer might,
To me are nothing novel, nothing strange;
They are but dressings of a former sight.
Our dates are brief, and therefore we admire
What thou dost foist upon us that is old;
And rather make them born to our desire,
Than think that we before have heard them told.
Thy registers and thee I both defy,
Not wondering at the present nor the past;
For thy records and what we see do lie,
Made more or less by thy continual haste:
  This I do vow, and this shall ever be,
  I will be true, despite thy scythe and thee; Volume 20: Sonnet CXXIV
If my dear love were but the child of state,
It might for fortune's bastard be unfather'd,
As subject to time's love, or to time's hate,
Weeds among weeds, or flowers with flowers gather'd.

-- 335 --


No, it was builded far from accident;
It suffers not in smiling pomp, nor falls
Under the blow of thralled discontent,
Whereto the inviting time our fashion calls:
It fears not policy, that heretick,
Which works on leases of short-number'd hours,
But all alone stands hugely politick2 note



,
That it nor grows with heat, nor drowns with showers3 note





.
  To this I witness call the fools of time,
  Which die for goodness, who have liv'd for crime4 note
. Volume 20: Sonnet CXXV
Were it aught to me I bore the canopy,
With my extern the outward honouring5 note


,

-- 336 --


Or lay'd great bases for eternity,
Which prove more short than waste or ruining?
Have I not seen dwellers on form and favour
Lose all, and more, by paying too much rent;
For compound sweet forgoing simple savour,
Pitiful thrivers, in their gazing spent?
No;—let me be obsequious in thy heart,
And take thou my oblation, poor but free,
Which is not mix'd with seconds6 note, knows no art,
But mutual render, only me for thee.
  Hence, thou suborn'd informer! a true soul,
  When most impeach'd, stands least in thy control. Volume 20: Sonnet CXXVI
O thou, my lovely boy7 note, who in thy power
Dost hold Time's fickle glass, his sickle, hour;
Who hast by waning grown, and therein show'st
Thy lovers withering, as thy sweet self grow'st;
If nature, sovereign mistress over wrack,
As thou goest onwards, still will pluck thee back,
She keeps thee to this purpose, that her skill
May time disgrace, and wretched minutes kill.
Yet fear her, O thou minion of her pleasure;
She may detain, but not still keep her treasure:
Her audit, though delay'd, answer'd must be,
And her quietus8 note



is to render thee.

-- 337 --

Volume 20: Sonnet CXXVII
In the old age black was not counted fair9 note









,
Or if it were, it bore not beauty's name;
But now is black beauty's successive heir,
And beauty slander'd with a bastard shame:
For since each hand hath put on nature's power,
Fairing the foul with art's false-borrow'd face,
Sweet beauty hath no name, no holy hour,
But is profan'd, if not lives in disgrace.
Therefore my mistress' eyes are raven black,
Her eyes so suited; and they mourners seem
At such, who, not born fair, no beauty lack,
Slandering creation with a false esteem1 note

:

-- 338 --


  Yet so they mourn, becoming of their woe4 note


,
  That every tongue says, beauty should look so. Volume 20: Sonnet CXXVIII
How oft, when thou, my musick5 note

, musick play'st,
Upon that blessed wood whose motion sounds
With thy sweet fingers, when thou gently sway'st
The wiry concord that mine ear confounds6 note

,
Do I envý those jacks7 note



, that nimble leap
To kiss the tender inward of thy hand8 note





,
Whilst my poor lips, which should that harvest reap,
At the wood's boldness by thee blushing stand!

-- 339 --


To be so tickled, they would change their state
And situation with those dancing chips,
O'er whom thy fingers walk with gentle gait9 note,
Making dead wood more bless'd than living lips.
  Since saucy jacks so happy are in this1 note



,
  Give them thy fingers, me thy lips to kiss. Volume 20: Sonnet CXXIX
The expence of spirit in a waste of shame
Is lust in action; and till action, lust
Is perjur'd, murderous, bloody, full of blame,
Savage, extreme, rude, cruel, not to trust;
Enjoy'd no sooner, but despised straight;
Past reason hunted; and, no sooner had,
Past reason hated, as a swallow'd bait,
On purpose laid to make the taker mad:
Mad in pursuit2 note, and in possession so;
Had, having, and in quest to have, extreme;
A bliss in proof,—and prov'd, a very woe3 note
;
Before, a joy propos'd; behind, a dream:
  All this the world well knows; yet none knows well
  To shun the heaven that leads men to this hell.

-- 340 --

Volume 20: Sonnet CXXX
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak,—yet well I know
That musick hath a far more pleasing sound;
I grant I never saw a goddess go,—
My mistress, when she walks, treads on the ground:
  And yet, by heaven, I think my love as rare
  As any she, bely'd with false compare. Volume 20: Sonnet CXXXI
Thou art as tyrannous, so as thou art,
As those whose beauties proudly make them cruel;
For well thou know'st to my dear doting heart
Thou art the fairest and most precious jewel.
Yet, in good faith, some say that thee behold,
Thy face hath not the power to make love groan:
To say they err, I dare not be so bold,
Although I swear it to myself alone.
And, to be sure that is not false I swear,
A thousand groans, but thinking on thy face,
One on another's neck4 note


, do witness bear,
Thy black is fairest in my judgment's place.
  In nothing art thou black, save in thy deeds,
  And thence this slander, as I think, proceeds.

-- 341 --

Volume 20: Sonnet CXXXII
Thine eyes I love, and they, as pitying me,
Knowing thy heart, torment me with disdain;
Have put on black, and loving mourners be,
Looking with pretty ruth upon my pain.
And truly not the morning sun of heaven
Better becomes the grey cheeks of the east5 note


,
Nor that full star that ushers in the even
Doth half that glory to the sober west6 note


,
As those two mourning eyes become thy face7 note





:
O, let it then as well beseem thy heart
To mourn for me, since mourning doth thee grace,
And suit thy pity like in every part.
  Then will I swear, beauty herself is black,
  And all they foul that thy complexion lack. Volume 20: Sonnet CXXXIII
Beshrew that heart that makes my heart to groan
For that deep wound it gives my friend and me!

-- 342 --


Is't not enough to torture me alone,
But slave to slavery my sweet'st friend must be?
Me from myself thy cruel eye hath taken,
And my next self thou harder hast engross'd;
Of him, myself, and thee, I am forsaken;
A torment thrice threefold thus to be cross'd.
Prison my heart in thy steel bosom's ward,
But then my friend's heart let my poor heart bail;
Who e'er keeps me, let my heart be his guard;
Thou canst not then use rigour in my gaol:
  And yet thou wilt; for I, being pent in thee,
  Perforce am thine, and all that is in me8 note




. Volume 20: Sonnet CXXXIV
So now I have confess'd that he is thine,
And I myself am mortgag'd to thy will;
Myself I'll forfeit, so that other mine
Thou wilt restore, to be my comfort still:
But thou wilt not, nor he will not be free,
For thou art covetous, and he is kind;
He learn'd but, surety-like, to write for me,
Under that bond that him as fast doth bind.
The statute of thy beauty9 note thou wilt take,
Thou usurer, that put'st forth all to use,
And sue a friend, came debtor for my sake;
So him I lose through my unkind abuse.
  Him have I lost; thou hast both him and me;
  He pays the whole, and yet am I not free.

-- 342 --

Volume 20: Sonnet CXXXV
Whoever hath her wish, thou hast thy will,
And will to boot, and will in over-plus;
More than enough am I that vex thee still,
To thy sweet will making addition thus.
Wilt thou, whose will is large and spacious,
Not once vouchsafe to hide my will in thine?
Shall will in others seem right gracious,
And in my will no fair acceptance shine?
The sea, all water, yet receives rain still,
And in abundance addeth to his store;
So thou, being rich in will, add to thy will
One will of mine, to make thy large will more!
  Let no unkind, no fair beseechers kill;
  Think all but one, and me in that one Will. Volume 20: Sonnet CXXXVI
If thy soul check thee, that I come so near,
Swear to thy blind soul that I was thy Will,
And will, thy soul knows, is admitted there;
Thus far for love, my love-suit, sweet, fulfil.
Will will fulfil the treasure of thy love,
Ay, fill it full with wills, and my will one1 note.
In things of great receipt with ease we prove;
Among a number one is reckon'd none:
Then in the number let me pass untold2 note


,

-- 344 --


Though in thy stores' account I one must be;
For nothing hold me, so it please thee hold
That nothing me, a something sweet to thee:
  Make but my name thy love, and love that still,
  And then thou lov'st me,—for my name is Will. Volume 20: Sonnet CXXXVII
Thou blind fool, Love, what dost thou to mine eyes,
That they behold, and see not what they see?
They know what beauty is, see where it lies,
Yet what the best is, take the worst to be.
If eyes, corrupt by over-partial looks,
Be anchor'd in the bay3 note





where all men ride,
Why of eyes' falsehood hast thou forged hooks,
Whereto the judgment of my heart is ty'd4 note



?
Why should my heart think that a several plot5 note,
Which my heart knows the wide world's common place?
Or mine eyes seeing this, say, this is not,
To put fair truth upon so foul a face6 note
?

-- 345 --


  In things right true my heart and eyes have err'd,
  And to this false plague are they now transferr'd. Volume 20: Sonnet CXXXVIII
When my love swears7 note















that she is made of truth,
I do believe her, though I know she lies;
That she might think me some untutor'd youth,
Unlearned in the world's false subtleties.
Thus vainly thinking that she thinks me young,
Although she knows my days are past the best,
Simply I credit her false-speaking tongue;
On both sides thus is simple truth supprest.
But wherefore says she not, she is unjust?
And wherefore say not I, that I am old?
O, love's best habit is in seeming trust,
And age in love loves not to have years told:
  Therefore I lie with her, and she with me,
  And in our faults by lies we flatter'd be. Volume 20: Sonnet CXXXIX
O, call not me to justify the wrong
That thy unkindness lays upon my heart;

-- 346 --


Wound me not with thine eye8 note



, but with thy tongue;
Use power with power, and slay me not by art.
Tell me thou lov'st elsewhere; but in my sight,
Dear heart, forbear to glance thine eye aside.
What need'st thou wound with cunning, when thy might
Is more than my o'er-press'd defence can 'bide?
Let me excuse thee: ah! my love well knows
Her pretty looks have been mine enemies;
And therefore from my face she turns my foes,
That they elsewhere might dart their injuries:
  Yet do not so; but since I am near slain,
  Kill me out-right with looks, and rid my pain. Volume 20: Sonnet CXL
Be wise as thou art cruel; do not press
My tongue-ty'd patience with too much disdain;
Lest sorrow lend me words, and words express
The manner of my pity-wanting pain.
If I might teach thee wit, better it were,
Though not to love, yet, love, to tell me so9 note;
(As testy sick men, when their deaths be near,
No news but health from their physicians know;)
For, if I should despair, I should grow mad,
And in my madness might speak ill of thee:
Now this ill-wresting world is grown so bad,
Mad slanderers by mad ears believed be.

-- 347 --


  That I may not be so, nor thou bely'd,
  Bear thine eyes straight, though thy proud heart go wide1 note
. Volume 20: Sonnet CXLI
In faith I do not love thee with mine eyes,
For they in thee a thousand errors note;
But 'tis my heart that loves what they despise,
Who in despite of view is pleas'd to dote.
Nor are mine ears with thy tongue's tune delighted;
Nor tender feeling, to base touches prone,
Nor taste, nor smell, desire to be invited
To any sensual feast with thee alone:
But my five wits, nor my five senses can
Dissuade2 note


one foolish heart from serving thee,
Who lives unsway'd the likeness of a man,
Thy proud heart's slave and vassal wretch to be:
  Only my plague thus far I count my gain,
  That she that makes me sin, awards me pain. Volume 20: Sonnet CXLII
Love is my sin, and thy dear virtue hate,
Hate of my sin, grounded on sinful loving:
O, but with mine compare thou thine own state,
And thou shalt find it merits not reproving;

-- 348 --


Or, if it do, not from those lips of thine,
That have profan'd their scarlet ornaments3 note

,
And seal'd false bonds of love as oft as mine4 note












;
Robb'd others' beds revenues of their rents5 note
.
Be it lawful I love thee, as thou lov'st those
Whom thine eyes woo as mine importune thee:
Root pity in thy heart, that when it grows,
Thy pity may deserve to pitied be.
  If thou dost seek to have what thou dost hide,
  By self-example may'st thou be deny'd! Volume 20: Sonnet CXLIII
Lo, as a careful house-wife runs to catch
One of her feather'd creatures broke away,
Sets down her babe, and makes all swift dispatch
In púrsuit of the thing she would have stay;
Whilst her neglected child holds her in chace,
Cries to catch her whose busy care is bent

-- 349 --


To follow that which flies before her face,
Not prizing her poor infant's discontent6 note;
So run'st thou after that which flies from thee,
Whilst I thy babe chace thee afar behind;
But if thou catch thy hope, turn back to me,
And play the mother's part, kiss me, be kind:
  So will I pray that thou may'st have thy Will,
  If thou turn back, and my loud crying still7 note
. Volume 20: Sonnet CXLIV
Two loves I have8 note of comfort and despair,
Which like two spirits do suggest me still9 note;
The better angel is a man right fair,
The worser spirit a woman, colour'd ill.
To win me soon to hell, my female evil
Tempteth my better angel from my side1 note


,
And would corrupt my saint to be a devil,
Wooing his purity with her foul pride2 note.
And whether that my angel be turn'd fiend,
Suspect I may, yet not directly tell;
But being both from me3 note, both to each friend,
I guess one angel in another's hell:

-- 349 --


  Yet this shall I ne'er know4 note
, but live in doubt,
  Till my bad angel fire my good one out5 note
. Volume 20: Sonnet CXLV
Those lips that Love's own hand did make6 note

,
Breath'd forth the sound that said, I hate,
To me that languish'd for her sake:
But when she saw my woeful state,
Straight in her heart did mercy come,
Chiding that tongue, that ever sweet
Was us'd in giving gentle doom;
And taught it thus a-new to greet;
I hate she alter'd with an end,
That follow'd it as gentle day
Doth follow night7 note


, who, like a fiend8 note

,
From heaven to hell is flown away;
  I hate from hate away she threw,
  And sav'd my life, saying—not you9 note






.

-- 351 --

Volume 20: Sonnet CXLVI
Poor soul, the center of my sinful earth1 note









,
Fool'd by those rebel powers that thee array2 note





,

-- 352 --


Why dost thou pine within, and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? Is this thy body's end?
Then, soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store3 note;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
  So shalt thou feed on death, that feeds on men,
  And, death once dead, there's no more dying then. Volume 20: Sonnet CXLVII
My love is as a fever, longing still
For that which longer nurseth the disease;
Feeding on that which doth preserve the ill,
The uncertain sickly appetite to please.
My reason, the physician to my love4 note,
Angry that his prescriptions are not kept,
Hath left me, and I desperate now approve,
Desire is death, which physick did except.
Past cure I am, now reason is past care5 note


,
And frantick-mad with ever-more unrest;

-- 353 --


My thoughts and my discourse as madmens are,
At random from the truth vainly express'd;
  For I have sworn thee fair, and thought thee bright,
  Who art as black as hell, as dark as night6 note

. Volume 20: Sonnet CXLVIII
O me! what eyes hath love put in my head,
Which have no correspondence with true sight!
Or, if they have, where is my judgment fled,
That censures falsely7 note what they see aright?
If that be fair whereon my false eyes dote,
What means the world to say it is not so?
If it be not, then love doth well denote
Love's eye is not so true as all men's: no,
How can it? O, how can Love's eye be true,
That is so vex'd with watching and with tears?
No marvel then though I mistake my view;
The sun itself sees not, till heaven clears.
  O cunning Love! with tears thou keep'st me blind,
  Lest eyes well-seeing thy foul faults should find. Volume 20: Sonnet CXLIX
Canst thou, O cruel! say I love thee not,
When I, against myself, with thee partake8 note

?

-- 354 --


Do I not think on thee, when I forgot
Am of myself, all tyrant, for thy sake9 note





?
Who hateth thee, that I do call my friend1?
On whom frown'st thou that I do fawn upon?
Nay, if thou low'rst on me, do I not spend
Revenge upon myself with present moan?
What merit do I in myself respect,
That is so proud thy service to despise,
When all my best doth worship thy defect,
Commanded by the motion of thine eyes1 note





?
  But, love, hate on, for now I know thy mind;
  Those that can see thou lov'st, and I am blind. Volume 20: Sonnet CL
O, from what power hast thou this powerful might,
With insufficiency my heart to sway?
To make me give the lie to my true sight,
And swear that brightness doth not grace the day2 note

?

-- 355 --


Whence hast thou this becoming of things ill3 note






,
That in the very refuse of thy deeds
There is such strength and warrantise of skill,
That in my mind thy worst all best exceeds?
Who taught thee how to make me love thee more,
The more I hear and see just cause of hate4 note







?
O, though I love what others do abhor,
With others thou should'st not abhor my state;
  If thy unworthiness rais'd love in me,
  More worthy I to be belov'd of thee. Volume 20: Sonnet CLI
Love is too young to know what conscience is;
Yet who knows not, conscience is born of love?
Then, gentle cheater, urge not my amiss,
Lest guilty of my faults thy sweet self prove.
For, thou betraying me, I do betray
My nobler part to my great body's treason;
My soul doth tell my body that he may
Triumph in love; flesh stays no farther reason;

-- 356 --


But rising at thy name, doth point out thee
As his triumphant prize. Proud of this pride,
He is contented thy poor drudge to be,
To stand in thy affairs, fall by thy side.
  No want of conscience hold it that I call
  Her—love, for whose dear love I rise and fall. Volume 20: Sonnet CLII
In loving thee thou know'st I am forsworn,
But thou art twice forsworn, to me love swearing;
In act thy bed-vow broke, and new faith torn,
In vowing new hate after new love bearing.
But why of two oaths' breach do I accuse thee,
When I break twenty? I am perjur'd most;
For all my vows are oaths but to misuse thee,
And all my honest faith in thee is lost:
For I have sworn deep oaths of thy deep kindness,
Oaths of thy love, thy truth, thy constancy;
And, to enlighten thee, gave eyes to blindness,
Or made them swear against the thing they see6 note
;
  For I have sworn thee fair: more perjur'd I,
  To swear, against the truth, so foul a lie7 note
! Volume 20: Sonnet CLIII
Cupid laid by his brand, and fell asleep8 note







;
A maid of Dian's this advantage found,

-- 357 --


And his love-kindling fire did quickly steep
In a cold valley-fountain of that ground;
Which borrow'd from this holy fire of love
A dateless lively heat, still to endure,
And grew a seething bath, which yet men prove,
Against strange maladies a sovereign cure.
But at my mistress' eye love's brand new-fir'd,
The boy for trial needs would touch my breast;
I sick withal, the help of bath desir'd,
And thither hied9 note





, a sad distemper'd guest,
  But found no cure: the bath for my help lies
  Where Cupid got new fire; my mistress' eyes. Volume 20: Sonnet CLIV
The little love-god lying once asleep,
Laid by his side his heart-inflaming brand,
Whilst many nymphs that vow'd chaste life to keep,
Came tripping by; but in her maiden hand
The fairest votary took up that fire
Which many legions of true hearts had warm'd;

-- 358 --


And so the general of hot desire
Was sleeping by a virgin hand disarm'd.
This brand she quenched in a cool well by,
Which from love's fire took heat perpetual,
Growing a bath and healthful remedy
For men diseas'd; but I, my mistress' thrall,
  Came there for cure, and this by that I prove,
  Love's fire heats water, water cools not love1. note







-- 359 --























-- 360 --


-- 361 --

-- 362 --

-- 363 --

-- 365 --

-- 367 --

Volume 20: A Lover's Complaint note
From off a hill whose concave womb re-worded2 note


A plaintful story from a sistering vale3 note


,
My spirits to attend this double voice accorded4 note,
And down I lay to list the sad-tun'd tale:
Ere long espy'd a fickle maid full pale,
Tearing of papers, breaking rings a-twain,
Storming her world with sorrow's wind and rain5 note










.

-- 368 --


Upon her head a platted hive of straw,
Which fortified her visage from the sun,
Whereon the thought might think sometime it saw
The carcase of a beauty spent and done6 note
.
Time had not scythed all that youth begun,
Nor youth all quit; but, spite of heaven's fell rage,
Some beauty peep'd through lattice of sear'd age7 note








.
Oft did she heave her napkin8 note to her eyne,
Which on it had conceited characters9 note
,

-- 369 --


Laund'ring the silken figures in the brine
That season'd woe had pelleted in tears1 note










,
And often reading what contents it bears;
As often shrieking undistinguish'd woe,
In clamours of all size2 note, both high and low.

Sometimes her level'd eyes their carriage ride3 note




,
As they did battery to the spheres intend;
Sometime diverted4 note

their poor balls are ty'd
To the orbed earth5 note
; sometimes they do extend
Their view right on; anon their gazes lend

-- 370 --


To every place at once, and no where fix'd,
The mind and sight distractedly commix'd.
Her hair, nor loose, nor ty'd in formal plat,
Proclaim'd in her a careless hand of pride;
For some, untuck'd, descended her sheav'd hat6 note,
Hanging her pale and pined cheek7 note beside;
Some in her threaden fillet8 note still did bide,
And, true to bondage, would not break from thence,
Though slackly braided in loose negligence.

A thousand favours from a maund she drew9 note
Of amber, crystal, and of bedded jet1 note


,
Which one by one she in a river threw,
Upon whose weeping margent she was set;
Like usury, applying wet to wet2 note










,

-- 371 --


Or monarchs' hands, that let not bounty fall
Where want cries some3 note


, but where excess begs all.

Of folded schedules had she many a one,
Which she perus'd, sigh'd, tore, and gave the flood;
Crack'd many a ring of posied gold and bone,
Bidding them find their sepulchers in mud4 note




;
Found yet more letters sadly pen'd in blood,

-- 372 --


With sleided silk feat and affectedly5 note



Enswath'd, and seal'd to curious secrecy6 note

.

These often bath'd she in her fluxive eyes,
And often kiss'd, and often 'gan to tear7 note



;
Cry'd, O false blood! thou register of lies,
What unapproved witness dost thou bear!
Ink would have seem'd more black and damned here!
This said, in top of rage the lines she rents,
Big discontent so breaking their contents.

-- 373 --


A reverend man that graz'd his cattle nigh,
(Sometime a blusterer, that the ruffle knew8 note


Of court, of city, and had let go by
The swiftest hours9 note
,) observed as they flew1 note;
Towards this afflicted fancy2 note
fastly drew;
And, privileged by age, desires to know
In brief, the grounds and motives of her woe.
So slides he down upon his grained bat3 note


,
And comely-distant sits he by her side;
When he again desires her, being sat,
Her grievance with his hearing to divide:
If that from him there may be aught apply'd,

-- 374 --


Which may her suffering ecstacy4 note assuage,
'Tis promis'd in the charity of age.
Father, she says, though in me you behold
The injury of many a blasting hour5 note,
Let it not tell your judgment I am old;
Not age, but sorrow, over me hath power6 note



:
I might as yet have been a spreading flower,
Fresh to myself, if I had self-apply'd
Love to myself, and to no love beside.

But woe is me! too early I attended
A youthful suit (it was to gain my grace)
Of one by nature's outwards so commended7 note


,
That maidens' eyes stuck over all his face:
Love lack'd a dwelling, and made him her place8 note


;

-- 375 --


And when in his fair parts she did abide,
She was new lodg'd, and newly deified.
His browny locks did hang in crooked curls;
And every light occasion of the wind
Upon his lips their silken parcels hurls9 note
What's sweet to do, to do will aptly find1 note:
Each eye that saw him did enchant the mind;
For on his visage was in little drawn,
What largeness thinks in paradise was sawn2 note



.

Small show of man was yet upon his chin;
His phœnix down3 note began but to appear,
Like unshorn velvet, on that termless skin,
Whose bare out-brag'd the web it seem'd to wear;
Yet show'd his visage4 note
by that cost most dear;
And nice affections wavering stood in doubt
If best 'twere as it was, or best without.

His qualities were beauteous as his form,
For maiden-tongu'd he was, and thereof free;

-- 376 --


Yet, if men mov'd him, was he such a storm5 note



















As oft 'twixt May and April is to see,
When winds breathe sweet, unruly though they be6 note

.
His rudeness so with his authoriz'd youth
Did livery falseness in a pride of truth.

Well could he ride, and often men would say,
That horse his mettle from his rider takes7 note
:

Proud of subjection, noble by the sway,
What rounds, what bounds, what course, what stop he makes!
And controversy hence a question takes,

-- 377 --


Whether the horse by him became his deed,
Or he his manage by the well-doing steed.
But quickly on this side8 note the verdict went;
His real habitude gave life and grace
To appertainings and to ornament,
Accomplish'd in himself, not in his case:
All aids themselves made fairer by their place;
Came for additions9 note



, yet their purpos'd trim
Piec'd not his grace, but were all grac'd by him1 note

.

So on the tip of his subduing tongue
All kind of arguments and question deep,
All replication prompt, and reason strong,
For his advantage still did wake and sleep:
To make the weeper laugh, the laugher weep,
He had the dialect and different skill,
Catching all passions in his craft of will2 note;

-- 378 --


That he did in the general bosom reign3 note

Of young, of old; and sexes both enchanted4 note







,
To dwell with him in thoughts, or to remain
In personal duty, following where he haunted5 note
:
Consents bewitch'd, ere he desire, have granted;
And dialogu'd for him what he would say,
Ask'd their own wills, and made their wills obey.
Many there were that did his picture get,
To serve their eyes, and in it put their mind;
Like fools that in the imagination set
The goodly objects which abroad they find
Of lands and mansions, their's in thought assign'd;
And labouring in more pleasures to bestow them,
Than the true gouty landlord which doth owe them6 note

:

So many have, that never touch'd his hand,
Sweetly suppos'd them mistress of his heart.
My woeful self, that did in freedom stand,
And was my own fee-simple7 note, (not in part,)

-- 379 --


What with his art in youth, and youth in art,
Threw my affections in his charmed power,
Reserv'd the stalk, and gave him all my flower.
Yet did I not, as some my equals did,
Demand of him, nor being desired, yielded;
Finding myself in honour so forbid,
With safest distance I mine honour shielded:
Experience for me many bulwarks builded
Of proofs new-bleeding, which remain'd the foil
Of this false jewel8 note



, and his amorous spoil.

But ah! who ever shunn'd by precedent
The destin'd ill she must herself assay?
Or forc'd examples, 'gainst her own content,
To put the by-pass'd perils in her way?
Counsel may stop a while what will not stay;
For when we rage, advice is often seen
By blunting us to make our wits more keen.

Nor gives it satisfaction to our blood9 note,
That we must curb it upon others' proof;
To be forbid the sweets that seem so good,
For fear of harms that preach in our behoof.
O appetite, from judgment stand aloof!
The one a palate hath that needs will taste,
Though reason weep, and cry—it is thy last.

-- 380 --


For further I could say, this man's untrue,
And knew the patterns of his foul beguiling9 note;
Heard where his plants in others' orchards grew1 note


,
Saw how deceits were gilded in his smiling;
Knew vows were ever brokers to defiling2 note



;
Thought, characters, and words, merely but art3 note,
And bastards of his foul adulterate heart.

And long upon these terms I held my city4 note




,
Till thus he 'gan besiege me: “Gentle maid,
Have of my suffering youth some feeling pity,
And be not of my holy vows afraid:
That's to you sworn, to none was ever said;
For feasts of love I have been call'd unto,
Till now did ne'er invite, nor never vow.

-- 381 --


All my offences that abroad you see,
Are errors of the blood, none of the mind;
Love made them not: with acture they may be,
Where neither party is nor true nor kind5 note
:
They sought their shame that so their shame did find;
And so much less of shame in me remains,
By how much of me their reproach contains.

Among the many that mine eyes have seen6 note


,
Not one whose flame my heart so much as warm'd,
Or my affection put to the smallest teen7 note

,
Or any of my leisures ever charm'd:
Harm have I done to them, but ne'er was harm'd;
Kept hearts in liveries, but mine own was free,
And reign'd, commanding in his monarchy.

Look here, what tributes wounded fancies sent me8 note
,
Of paled pearls, and rubies red as blood;
Figuring that they their passions likewise lent me

-- 382 --


Of grief and blushes, aptly understood
In bloodless white and the encrimson'd mood;
Effects of terror and dear modesty,
Encamp'd in hearts, but fighting outwardly9 note
.
And lo! behold these talents of their hair1 note,
With twisted metal amorously impleach'd2 note




,
I have receiv'd from many a several fair,
(Their kind acceptance weepingly beseech'd,)
With the annexions of fair gems enrich'd,
And deep-brain'd sonnets, that did amplify
Each stone's dear nature, worth, and quality3 note.

The diamond; why 'twas beautiful and hard,
Whereto his invis'd properties did tend4 note

;
The deep-green emerald, in whose fresh regard
Weak sights their sickly radiance do amend;
The heaven-hued saphire and the opal blend

-- 383 --


With objects manifold; each several stone,
With wit well blazon'd, smil'd or made some moan.
Lo! all these trophies of affections hot,
Of pensiv'd and subdued desires the tender,
Nature hath charg'd me that I hoard them not,
But yield them up where I myself must render,
That is, to you, my origin and ender:
For these, of force, must your oblations be,
Since I their altar, you enpatron me.

O then advance of yours that phraseless hand,
Whose white weighs down the airy scale of praise5 note




;
Take all these similes to your own command,
Hallow'd with sighs that burning lungs did raise;
What me your minister, for you obeys,
Works under you; and to your audit comes6 note



Their distract parcels in combined sums.
Lo! this device was sent me from a nun,
Or sister sanctified, of holiest note7 note
;
Which late her noble suit in court did shun8 note,

-- 384 --


Whose rarest havings made the blossoms dote9 note;
For she was sought by spirits of richest coat1 note

,
But kept cold distance, and did thence remove,
To spend her living in eternal love.
But O, my sweet, what labour is't to leave
The thing we have not, mastering what not strives?
Paling the place which did no form receive2 note












;—
Playing patient sports3 note




in unconstrained gyves:
She that her fame so to herself contrives,

-- 385 --


The scars of battle scapeth by the flight4 note,
And makes her absence valiant, not her might.
O pardon me, in that my boast is true;
The accident which brought me to her eye,
Upon the moment did her force subdue,
And now she would the caged cloister fly;
Religious love put out religion's eye:
Not to be tempted, would she be immur'd5 note

,
And now, to tempt all, liberty procur'd.

-- 386 --


How mighty then you are, O hear me tell!
The broken bosoms that to me belong,
Have emptied all their fountains in my well,
And mine I pour your ocean all among:
I strong o'er them, and you o'er me being strong,
Must for your victory us all congest,
As compound love to physick your cold breast.

My parts had power to charm a sacred sun5 note






,
Who, disciplin'd and dieted in grace,
Believ'd her eyes, when they to assail begun,
All vows and consecrations giving place6 note





:
O most potential love! vow, bond, nor space,
In thee hath neither sting, knot, nor confine,
For thou art all, and all things else are thine.

-- 387 --


When thou impressest, what are precepts worth
Of stale example? When thou wilt inflame7 note








,
How coldly those impediments stand forth
Of wealth, of filial fear, law, kindred, fame?
Love's arms are peace, 'gainst rule, 'gainst sense, 'gainst shame8 note




;
And sweetens, in the suffering pangs it bears,
The aloes of all forces, shocks, and fears9 note


.
Now all these hearts that do on mine depend,
Feeling it break, with bleeding groans they pine;
And supplicant their sighs to you extend,
To leave the battery that you make 'gainst mine,

-- 388 --


Lending soft audience to my sweet design,
And credent soul to that strong-bonded oath
That shall prefer and undertake my troth.”
This said, his watery eyes he did dismount,
Whose sights till then were level'd on my face1 note
;
Each cheek a river running from a fount
With brinish current downward flow'd apace:
O, how the channel to the stream gave grace!
Who, glaz'd with crystal, gate the glowing roses
That flame2 note
through water which their hue incloses.

O father, what a hell of witchcraft lies
In the small orb of one particular tear?
But with the inundation of the eyes
What rocky heart to water will not wear?
What breast so cold that is not warmed here?
O cleft effect3 note! cold modesty, hot wrath,
Both fire from hence and chill extincture hath!

For lo! his passion, but an art of craft,
Even there resolv'd my reason into tears4 note
;
There my white stole of chastity I daff'd5 note,
Shook off my sober guards, and civil fears6 note

;
Appear to him, as he to me appears,

-- 389 --


All melting; though our drops this difference bore,
His poison'd me, and mine did him restore.
In him a plenitude of subtle matter,
Applied to cautels7 note


, all strange forms receives,
Of burning blushes, or of weeping water,
Or swooning paleness; and he takes and leaves,
In either's aptness, as it best deceives
To blush at speeches rank, to weep at woes,
Or to turn white and swoon at tragick shows:

That not a heart which in his level came,
Could scape the hail of his all-hurting aim8 note








,
Showing fair nature is both kind and tame;
And veil'd in them, did win whom he would maim:
Against the thing he sought he would exclaim:

-- 390 --


When he most burn'd in heart-wish'd luxury8 note,
He preach'd pure maid9 note



, and prais'd cold chastity.

Thus merely with the garment of a Grace
The naked and concealed fiend he cover'd;
That the unexperienc'd gave the tempter place,
Which, like a cherubin, above them hover'd1 note

.
Who, young and simple, would not be so lover'd?
Ah me! I fell; and yet do question make
What I should do again for such a sake.

O, that infected moisture of his eye,
O, that false fire which in his cheek so glow'd,
O, that forc'd thunder from his heart did fly2 note
,
O, that sad breath his spongy lungs bestow'd,
O, all that borrow'd motion, seeming ow'd3 note,
Would yet again betray the fore-betray'd,
And new pervert a reconciled maid4!
note

-- 391 --




-- 393 --

-- 395 --

The Passionate Pilgrim was first published by William Jaggard in small octavo in 1599, with our author's name. Two of the Sonnets inserted in that collection are also found (as has been already observed) in the larger collection printed in quarto in 1609; which having been already laid before the reader, (see before, Sonnet 138, and 144,) are here omitted. J. Jaggard in 1598 had printed a collection of Poems written by Richard Barnefield. Among these are found A Sonnet “addressed to his friend Maister R. L. in praise of musique and poetrie,” beginning with this line, “If musique and sweete poetrie agree,” &c. and an Ode also written by Barnefield, of which the first line is “As it fell upon a day &lblank;:” notwithstanding which, William Jaggard inserted these two pieces in the Passionate Pilgrim as the productions of Shakspeare.

In the year 1612 he went still further, for he then added to the former miscellany several pieces written by Thomas Heywood, and re-published the Collection under the following title: “The passionate Pilgrime, or certaine Amorous Sonnets betweene Venus and Adonis, newly corrected and augmented. By W. Shakespeare. The third edition. Whereunto is newly added two love-epistles, the first from Paris to Hellen, and Hellens answere backe againe to Paris.” Heywood, being much offended with this proceeding, appears to have insisted on the printer's cancelling the original title-page, and substituting another that should not ascribe the whole to Shakspeare. This I learn from my copy of these poems, in which the two title-pages by the fortunate negligence of the binder have been preserved: one with, and the other without, the name of our author. Heywood in his postscript to his Apology for Actors, printed in 1612, thus speaks of this transaction: “Here likewise I must necessarily insert a manifest injury done to me in that worke, [Britaynes Troy,] by taking the two epistles of Paris to Helen, and Helen to Paris, and printing them in a less volume under the name of another; which may put the world in opinion I might steale them from him, and hee, to do himselfe right, hath since published them in his own name: but as I must acknowledge my lines not worthy his patronage under whom he hath published them, so, the author, I know, much offended with Mr. Jaggard, that (altogether unknown to him,) presumed to make so bold with his name.”

In consequence of Jaggard's conduct the two poems of Barnefield

-- 396 --

have till the present edition been printed as Shakspeare's; and Heywood's translations from Ovid, notwithstanding the author's remonstrance, were again republished in 1640, under the name of our poet: nor was the fallacy detected till the year 1766, when it was pointed out by Dr. Farmer in his very ingenious Essay on the Learning of Shakspeare.

Beside the poems already enumerated, which the printer falsely ascribed to Shakspeare, he likewise inserted a celebrated Madrigal written by Marlowe, beginning with the words—“Come live with me, and be my love,” which is now rejected.

The title-page above given fully supports an observation I made some years ago, that several of the sonnets in this collection seem to have been essays of the author when he first conceived the notion of writing a poem on the subject of Venus and Adonis, and before the scheme of his work was completely adjusted.

Many of these little pieces bear the strongest mark of the hand of Shakspeare.—I have not adhered to the order in which they stand in the old copy, having classed all those which relate to Adonis together. Malone.

Why the present collection of Sonnets, &c. should be entitled The Passionate Pilgrim, I cannot discover, as it is made up out of the loose fragments of Shakspeare, together with pieces of other writers. Perhaps it was so called by its first editor William Jaggard the bookseller. We may be almost sure that our author never designed the majority of these his unconnected scraps for the publick.

On the Stationers' books the following entry occurs: “Jan. 3, 1599, Amours by J. D. with certen Sonets by W. S.” This entry is made by Eleazar Edgar. Steevens.

So many instances have been given of Jaggard's want of fidelity in this publication, that I am afraid all confidence must be withdrawn from the whole. In addition to those poems which have been withdrawn by Mr. Malone as being the property of other writers, that which stands fourth in this edition may, upon equally good grounds, be added to the list, as it is found in a collection of Sonnets, by B. Griffin, entitled Fidessa more Chaste then Kinde, 1596, with some variations which I have pointed out in the notes. Fidessa was reprinted in the year 1815 by my friend Mr. Bliss. It will throw some additional doubt upon Mr. Malone's conjecture, that the little pieces which he has thrown together at the beginning were “essays of the author, when he first conceived the notion of writing a poem upon the subject of Venus and Adonis.” Mr. Malone, indeed, has himself, at the end of that poem, produced several instances of the same topick being treated by preceding writers.

In Jaggard's edition of 1612 a distinction seems to be drawn between some of these poems and others, which are separated from them by a fresh title-page:

-- 397 --


SONNETS To sundry notes of Musick.

This second class contains the following

1 It was a lordings daughter 2 Oh a day alack the day 3 My flocks feed not 4 When as thine eye hath chose the dame 5 Live with me and be my love 6 As it fell upon a day

Here (we may observe) two of the poems not written by Shakspeare are found, namely, No. 5 and 6; and from thence we might at first infer that the first class belonged to him, and that the second, like Heywood's translations, was added, to fill up the volume, from other sources; for I cannot but consider No. 1, as totally unworthy of our poet, and Nos. 3 and 4 appear to me to be of an older cast than his writings, or those of his immediate contemporaries, and bear a nearer resemblance to the style of those uncertain authors, whose poems are attached to Surreys, in Tottell's edition. But unfortunately this second part contains No. 2, which is perhaps the only unquestionable production of Shakspeare in the volume, and in the first we find the poem in praise of musick and poetry, which is claimed for Barnefield. If we are not to consider the Passionate Pilgrim altogether as a bookseller's trick, I know not why this last-mentioned composition is to be surrendered without a question. If William Jaggard was a rogue, John Jaggard may not have been much better, and may have stolen Shakspeare's verses, which were afterwards restored to their rightful owner. I should be glad if I could claim them with more confidence for our great poet, not on account of their merit, which is small, but as showing his admiration of Spenser, and the warm terms in which he expressed it. As Barnefield's poems are not easily met with, I shall add this little piece:


“If Musick and sweet Poetry agree,
  “As they must needs, the Sister and the Brother,
“Then must the love be great 'twixt you and me,
  “Because thou lov'st the one, and I the other:
“Dowland to thee is dear, whose heavenly touch
  “Upon the lute doth ravish human sense;
“Spenser to me, whose deep conceit is such
  “As, passing all conceit, needs no defence.


“Thou lov'st to hear the sweet melodious sound
  “That Phœbus' lute (the queen of musick) makes;
“And I in deep delight am chiefly drown'd
  “When as himself to singing he betakes:

-- 398 --


“One God is God of both (as poets feign);
“One knight loves both, and both in thee remain.

Numberless instances might be produced to show with how little scruple the printers, and even the authors of that time, pillaged one another. A song, which is inserted in Lylly's Alexander, and Campaspe, in Blount's republication of his plays, “O for a bowl of fat Canary,” is appended to the second edition of Middleton's A Mad World My Masters, as “a catch for the fifth Act sung by Sir Bounteous Progresse to his guests.” But I find among Mr. Malone's poetical tracts the most singular instance of plagiarism I recollect to have met with. W. L. (whom these initials point out I know not) published in 1603 two poems, one entitled, Nothing for a New Yeare's Gift; the other, The Effects proceeding from Nothing, He concludes the dedication to his patron, Sir William Hide, in which he speaks very modestly of his sickly spirit and virgin Muse, with these lines:


“You lookt for Nothing Nothing I empart
“With the poore remnant of my broken hart.”

He has kept his word: for he has done little more than transcribe a certain number of passages from Sylvester's Du Bartas. I should not perhaps have discovered this, had he not been so unfortunate in his selection, as to take those lines to which Dryden has given an unhappy celebrity:


“To glaze the lakes and bridle up the floods,
“And perriwig with snow the bald-pate woods.” Boswell.

-- 399 --

Volume 20: Poem IV

I.
Sweet Cytherea, sitting by a brook,
With young Adonis, lovely, fresh and green,
Did court the lad with many a lovely look,
Such looks as none could look but beauty's queen.
She told him stories to delight his ear;
She show'd him favours to allure his eye;
To win his heart, she touch'd him here and there:
Touches so soft still conquer chastity1 note

.
But whether unripe years did want conceit,
Or he refus'd to take her figur'd proffer,
The tender nibbler would not touch the bait,
But smile and jest at every gentle offer:
  Then fell she on her back, fair queen, and toward;
  He rose and ran away; ah, fool too froward! Volume 20: Poem VI

II.
Scarce had the sun dried up the dewy morn2 note















,
And scarce the herd gone to the hedge for shade,

-- 400 --


When Cytherea, all in love forlorn,
A longing tarriance for Adonis made,
Under an osier growing by a brook,
A brook, where Adon us'd to cool his spleen:
Hot was the day; she hotter that did look
For his approach, that often there had been.
Anon he comes, and throws his mantle by,
And stood stark naked on the brook's green brim;
The sun look'd on the world with glorious eye,
Yet not so wistly, as this queen on him:
  He spying her, bounc'd in, whereas he stood;
  O Jove, quoth she, why was not I a flood? Volume 20: Poem IX

III.
Fair was the morn, when the fair queen of love,


Paler for sorrow than her milk-white dove4 note,
For Adon's sake, a youngster proud and wild;
Her stand she takes upon a steep-up hill5 note
:
Anon Adonis comes with horn and hounds;
She silly queen, with more than love's good will,
Forbade the boy he should not pass those grounds;
Once, quoth she, did I see a fair sweet youth
Here in these brakes deep-wounded with a boar,

-- 401 --


Deep in the thigh, a spectacle of ruth!
See, in my thigh, quoth she, here was the sore6 note






:
  She showed hers; he saw more wounds than one,
  And blushing fled, and left her all alone. Volume 20: Poem XI

IV.
Venus with young Adonis sitting by her7 note


,
Under a myrtle shade, began to woo him;
She told the youngling how god Mars did try her8 note




,
And as he fell to her, so fell she to him9 note


.

-- 402 --


Even thus, quoth she, the warlike god embrac'd me;
And then she clipp'd Adonis in her arms;
Even thus, quoth she, the warlike god unlac'd me,
As if the boy should use like loving charms:
Even thus, quoth she, he seized on my lips,
And with her lips on his did act the seizure;
And as she fetched breath, away he skips,
And would not take her meaning nor her pleasure.
  Ah! that I had my lady at this bay,
  To kiss and clip me till I run away1 note









! Volume 20: Poem XII

V.
Crabbed age and youth2 note






  Cannot live together;

-- 403 --


Youth is full of pleasance,
  Age is full of care:
Youth like summer morn,
  Age like winter weather;
Youth like summer brave,
  Age like winter bare.
Youth is full of sport,
Age's breath is short,
  Youth is nimble, age is lame;
Youth is hot and bold,
Age is weak and cold;
  Youth is wild, and age is tame.
Age, I do abhor thee,
Youth, I do adore thee;
  O, my love, my love is young;
Age, I do defy thee3 note
;
O, sweet shepherd, hie thee,
  For methinks thou stay'st too long4 note. Volume 20: Poem X

VI.
Sweet rose5 note

, fair flower, untimely pluck'd, soon faded,
Pluck'd in the bud, and faded in the spring6 note!

-- 404 --


Bright orient pearl, alack! too timely shaded!
Fair creature, kill'd too soon by death's sharp sting!
  Like a green plumb that hangs upon a tree,
  And falls, through wind, before the fall should be.
I weep for thee, and yet no cause I have;
For why? thou left'st me nothing in thy will.
And yet thou left'st me more than I did crave;
For why? I craved nothing of thee still:
  O yes, dear friend, I pardon crave of thee:
  Thy discontent thou didst bequeath to me.
Volume 20: Poem VII

VII.
Fair is my love, but not so fair as fickle,
Mild as a dove, but neither true nor trusty;
Brighter than glass, and yet, as glass is, brittle7 note

,
Softer than wax, and yet, as iron, rusty:
  A lily pale8 note




, with damask die to grace her,
  None fairer, nor none falser to deface her.

-- 405 --


Her lips to mine how often hath she join'd,
Between each kiss her oaths of true love swearing!
How many tales to please me hath she coin'd,
Dreading my love, the loss thereof still fearing!
  Yet in the midst of all her pure protestings,
  Her faith, her oaths, her tears, and all were jestings.

She burn'd with love, as straw with fire flameth;
She burn'd out love, as soon as straw out-burneth9 note

;
She fram'd the love, and yet she foil'd the framing;
She bade love last, and yet she fell a turning.
  Was this a lover, or a lecher whether?
  Bad in the best, though excellent in neither.
Volume 20: Poem III

VIII.
Did not the heavenly rhetorick of thine eye,
'Gainst whom the world cannot hold argument1 note,
Persuade my heart to this false perjury?
Vows for thee broke deserve not punishment.
A woman I forswore; but I will prove,
Thou being a goddess, I forswore not thee:
My vow was earthly, thou a heavenly love;
Thy grace being gain'd, cures all disgrace in me.
My vow was breath, and breath a vapour is;
Then thou fair sun, which on my earth dost shine2 note






,

-- 406 --


Exhal'st this vapour vow; in thee it is:
If broken, then it is no fault of mine.
  If by me broke, what fool is not so wise
  To break an oath, to win a paradise8 note
? Volume 20: Poem V

IX.
If love make me forsworn, how shall I swear to love?
O, never faith could hold, if not to beauty vow'd:
Though to myself forsworn, to thee I'll constant prove;
Those thoughts, to me like oaks, to thee like osiers bow'd.
Study his bias leaves, and makes his book thine eyes9 note




,
Where all those pleasures live, that art can comprehend.
If knowledge be the mark, to know thee shall suffice;
Well learned is that tongue that well can thee commend;
All ignorant that soul that sees thee without wonder;
Which is to me some praise, that I thy parts admire:
Thine eye Jove's lightning seems, thy voice his dreadful thunder,
Which (not to anger bent) is musick and sweet fire1 note




.

-- 407 --


  Celestial as thou art, O do not love that wrong,
  To sing the heavens' praise with such an earthly tongue2 note

. Volume 20: Poem XIII

X.
Beauty is but a vain and doubtful good,
A shining gloss, that fadeth suddenly;
A flower that dies, when first it 'gins to bud;
A brittle glass, that's broken presently;
  A doubtful good, a gloss, a glass, a flower,
  Lost, faded, broken, dead within an hour.

And as good lost are seld or never found,
As faded gloss no rubbing will refresh3 note



,
As flowers dead, lie wither'd on the ground,
As broken glass no cement can redress,

-- 408 --


  So beauty blemish'd once, for ever's lost,
  In spite of physick, painting, pain, and cost. Volume 20: Poem XIV

XI.
Good night, good rest. Ah! neither be my share:
She bade good night, that kept my rest away;
And daff'd me4 note


to a cabin hang'd with care,
To descant on the doubts of my decay.
  Farewell, quoth she, and come again to-morrow;
  Fare well I could not, for I supp'd with sorrow.
Yet at my parting sweetly did she smile,
In scorn or friendship, nill I construe whether:
'Tmay be, she joy'd to jest at my exíle,
'Tmay be5 note

, again to make me wander thither;
  Wander, a word for shadows like thyself,
  As take the pain, but cannot pluck the pelf.
Volume 20: Poem XIV

XII.
Lord, how mine eyes throw gazes to the east!
My heart doth charge the watch6 note

; the morning rise
Doth cite each moving sense from idle rest.
Not daring trust the office of mine eyes,

-- 409 --


  While Philomela sits and sings, I sit and mark,
  And wish her lays were tuned like the lark7 note
;
For she doth welcome day-light with her ditty8 note
,
And drives away dark dismal-dreaming night:
The night so pack'd, I post unto my pretty;
Heart hath his hope, and eyes their wished sight;
  Sorrow chang'd to solace, solace mix'd with sorrow;
  For why? she sigh'd, and bade me come tomorrow.

Were I with her, the night would post too soon;
But now are minutes added to the hours;
To spite me now, each minute seems a moon9 note














;
Yet not for me, shine sun to succour flowers!

-- 410 --


  Pack night, peep day, good day, of night now borrow:
  Short, night, to-night, and length thyself tomorrow. Volume 20: Poem XV

XIII.
It was a lording's daughter, the fairest one of three1 note








,
That liked of her master as well as well might be,
Till looking on an Englishman, the fairest eye could see,
  Her fancy fell a turning.
Long was the combat doubtful, that love with love did fight,
To leave the master loveless, or kill the gallant knight:
To put in practice either, alas it was a spite
  Unto the silly damsel.

-- 411 --


But one must be refused, more mickle was the pain,
That nothing could be used, to turn them both to gain,
  For of the two the trusty knight was wounded with disdain:
  Alas, she could not help it!
Thus art with arms contending was victor of the day,
Which by a gift of learning did bear the maid away;
Then lullaby, the learned man hath got the lady gay;
  For now my song is ended. Volume 20: Poem XVI

XIV.
On a day (alack the day2 note!)
Love, whose month was ever May3 note,
Spy'd a blossom passing fair,
Playing in the wanton air:
Through the velvet leaves the wind,
All unseen, 'gan passage find;
That the lover4 note
, sick to death,
Wish'd himself the heaven's breath.
Air, quoth he, thy cheeks may blow;
Air, would I might triumph so!
But alas! my hand hath sworn5 note

Ne'er to pluck thee from thy thorn:
Vow, alack, for youth unmeet;
Youth, so apt to pluck a sweet.

-- 412 --


Do not call it sin in me6 note,
That I am forsworn for thee;
Thou for whom Jove would swear7 note
Juno but an Ethiope were;
And deny himself for Jove,
Turning mortal for thy love8 note
. Volume 20: Poem XVII

XV.
My flocks feed not9 note,
My ewes breed not,
My rams speed not,
  All is amiss:
Love's denying1 note,
Faith's defying,
Heart's renying,
  Causer of this2 note


.
All my merry jigs are quite forgot3 note


,
All my lady's love is lost, God wot:

-- 413 --


Where her faith was firmly fix'd in love,
There a nay4 note is plac'd without remove.
One silly cross
Wrought all my loss;
  O frowning fortune, cursed, fickle dame!
For now I see
Inconstancy
  More in women than in men remain.
In black mourn I5 note,
All fears scorn I,
Love hath forlorn me6 note



,
  Living in thrall:
Heart is bleeding,
All help needing,
(O cruel speeding!)
Fraughted with gall!
My shepherd's pipe can sound no deal7 note
,

-- 414 --


My wether's bell rings doleful knell;
My curtail dog that wont to have play'd,
Plays not at all, but seems afraid;
My sighs so deep8 note



,
Procure to weep,
  In howling-wise, to see my doleful plight.
How sighs resound
Through harkless ground9 note,
  Like a thousand vanquish'd men in bloody fight!
Clear wells spring not,
Sweet birds sing not,
Loud bells ring not
  Cheerfully1 note


;
Herds stand weeping,
Flocks all sleeping,
Nymphs back creeping2 note
  Fearfully:

-- 415 --


All our pleasure known to us poor swains,
All our merry meetings on the plains,
All our evening sport from us is fled,
All our love is lost, for love is dead.
Farewell, sweet lass3 note,
Thy like ne'er was
  For a sweet content, the cause of all my moan4 note


:
Poor Coridon
Must live alone,
  Other help for him I see that there is none5 note.
Volume 20: Poem XVIII

XVI.
When as thine eye hath chose the dame,
And stall'd the deer that thou would'st strike6 note

,
Let reason rule things worthy blame,
As well as fancy, partial tike7 note


:
  Take counsel of some wiser head,
  Neither too young, nor yet unwed.

-- 416 --


And when thou com'st thy tale to tell,
Smooth not thy tongue with filed talk7 note
,
Lest she some subtle practice swell;
(A cripple soon can find a halt:)
  But plainly say thou lov'st her well,
  And set thy person forth to sell8 note


.
And to her will9 note frame all thy ways;
Spare not to spend,—and chiefly there
Where thy desert may merit praise,
By ringing always in her ear:
  The strongest castle, tower, and town,
  The golden bullet beats it down1 note
















.

-- 417 --


Serve always with assured trust,
And in thy suit be humble, true;
Unless thy lady prove unjust,
Seek never thou to choose anew:
  When time shall serve, be thou not slack
  To proffer, though she put thee back.

What though her frowning brows be bent,
Her cloudy looks will clear2 note
ere night;
And then too late she will repent
That she dissembled her delight;
  And twice desire, ere it be day,
  That with such scorn she put away.

What though she strive to try her strength,
And ban and brawl3 note
, and say thee nay,
Her feeble force will yield at length,
When craft hath taught her thus to say,—
  Had women been so strong as men,
  In faith you had not had it then.

-- 418 --


The wiles and guiles that women work,
Dissembled with an outward show,
The tricks and toys that in them lurk,
The cock that treads them shall not know.
  Have you not heard it said full oft,
  A woman's nay doth stand for nought?

Think, women love to match with men3 note



,
And not to live so like a saint:
Here is no heaven; they holy then
Begin, when age doth them attaint.
  Were kisses all the joys in bed,
  One woman would another wed.

But soft; enough,—too much I fear;
For if my lady hear my song,
She will not stick to ring4 note mine ear,
To teach my tongue to be so long:
  Yet will she blush, here be it said,
  To hear her secrets so bewray'd5 note.

-- 419 --

Volume 20: Poem XXI

XVII.
Take, oh, take those lips away6 note,
  That so sweetly were forsworn;
And those eyes, the break of day,
  Lights that do mislead the morn:
But my kisses bring again,
Seals of love, but seal'd in vain7 note






.

-- 420 --


Hide, oh, hide those hills of snow
  Which thy frozen bosom bears,
On whose tops the pinks that grow8 note

  Are of those that April wears:
But first set my poor heart free,
Bound in those icy chains by thee.
Volume 20: The Phoenix and Turtle

XVIII.
Let the bird of loudest lay9 note

,
On the sole Arabian tree1 note






.

-- 421 --


Herald sad and trumpet be2 note

,
To whose sound chaste wings obey.
But thou shrieking harbinger,
Foul pre-currer of the fiend,
Augur of the fever's end3 note










,
To this troop come thou not near4 note



!

-- 422 --


From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king5 note

:
Keep the obsequy so strict.

Let the priest in surplice white,
That defunctive musick can6 note
,
Be the death-divining swan,
Lest the requiem lack his right.

And thou, treble-dated crow7 note



,
That thy sable gender mak'st8 note




-- 423 --


With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:—
Love and constancy is dead;
Phœnix and the turtle fled
In a mutual flame from hence.

So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.

Hearts remote, yet not asunder;
Distance, and no space was seen
'Twixt the turtle and his queen:
But in them it were a wonder9 note.

So between them love did shine,
That the turtle saw his right
Flaming in the Phœnix' sight1 note






:
Either was the other's mine.

-- 424 --


Property was thus appall'd,
That the self was not the same2 note
;
Single nature's double name
Neither two nor one was call'd.

Reason, in itself confounded,
Saw division grow together;
To themselves yet either neither3 note

,
Simple were so well compounded;

That it cry'd, how true a twain
Seemeth this concordant one4 note





!
Love hath reason, reason none,
If what parts can so remain5 note
.

-- 425 --


Whereupon it made this threne6 note



;
To the phœnix and the dove,
Co-supremes and stars of love;
As chorus to their tragick scene.
Beauty, truth, and rarity,
Grace in all simplicity,
Here inclos'd in cinders lie.

Death is now the phœnix' nest;
And the turtle's loyal breast
To eternity doth rest,

Leaving no posterity:—
'Twas not their infirmity,
It was married chastity.

Truth may seem, but cannot be;
Beauty brag, but 'tis not she;
Truth and beauty buried be.

-- 426 --


To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer.
Wm. Shake-speare.

-- 427 --

MEMOIRS OF HENRY WRIOTHESLEY, THE THIRD EARL OF SOUTHAMPTON.

Shakspeare's selection of Lord Southampton from all his illustrious contemporaries, as the person under whose patronage the first productions of his muse were ushered to the publick, would have conferred celebrity on one less distinguished than this amiable and accomplished nobleman; his munificence to our great poet gives him an additional title to respect; but his best claim to our esteem and admiration, is founded on those excellent qualities and endowments, which in his own time rendered him the theme of unceasing eulogy, and will endear his name and memory to all future ages.

His great-grandfather, William Wriothesley, attained to no higher station than that of York Herald at Arms: being the second son of John Wriothesley, who had originally filled the office of Falcon Herald; and finally, in the eighteenth year of Edward the Fourth [1478], was constituted Herald of the Noble Order of the Garter, and Principal King at Arms. William's eldest son, Thomas, after passing through various offices1 note, and having

-- 428 --

served King Henry the Eighth with equal zeal and ability at home and abroad, as a lawyer, a soldier, and a statesman2 note

, was in or before the year 1530,

-- 429 --

appointed Secretary of State; on the first of January 1543, was created a baron by the title of

-- 430 --

Lord Wriothesley of Titchfield, (one of the newly dissolved monasteries) in the county of Southampton;

-- 431 --

and in 1544, constituted Lord Chancellor, and installed a Knight of the Garter. King Henry

-- 432 --

on his death bed constituted him one of the executors of his will, and appointed him to be of the council to his son. Three days before the coronation of Edward the Sixth, [Feb. 16, 1546], he was created Earl of Southampton, but soon afterwards was divested of his office of Lord Chancellor, and removed from his place in the Council3 note. Though he is highly extolled by the contemporary historians, his inhuman treatment of the pious and unfortunate Anne Askew, whom with his own hands he tortured on the rack4 note, has affixed a stain on his memory which no time can efface. He died July 30, 15505 note, at his house called Lincoln Place in Holborn, (afterwards distinguished by the name of Southampton House), and was buried in a vault near the choir of St. Andrew's Church in Holborn; but his body, pursuant to the directions of his son's will, was afterwards removed to Titchfield, where there lately remained an inscription recording his titles and issue6 note


.

-- 433 --

His only son, Henry, the second Earl, continued no less attached to popery than his father had been,

-- 434 --

and was one of the most zealous partizans of Mary Queen of Scots6 note, an attachment which occasioned

-- 435 --

his being imprisoned in the Tower in 1572. He died at the early age of thirty-five7 note, October 4th, 15818 note; leaving by his wife, Mary, daughter of Anthony Browne, Viscount Montacute, one daughter who bore her mother's name, and was married to Thomas Arundel, afterwards created Lord Arundel of Wardour, and one son, Henry, the subject of the present memoir.

Henry Wriothesley, the third Earl of Southampton, was born October 6, 15739 note, and consequently was just eight years old when his father died. At the early age of twelve, he was admitted a student of St. John's College, Cambridge1 note; where the high eulogies of his contemporaries afford abundant ground for believing he made no common proficiency2 note;

-- 436 --

and after a residence of four years, he took the degree of Master of Arts in the regular form3 note; about three years afterwards he was admitted to the same degree by incorporation at Oxford4 note. The usual mode at that time, and long afterwards adopted by the nobility, as well as the most considerable gentry of England, was to spend some time, after removing from the university, in one of the inns of court, a practice of which the Queen is said to have highly approved, as likely to be productive of much benefit both to the state and the individual, whatever course he might afterwards pursue. His step-father, Sir Thomas Heminge, having been bred at Gray's Inn, this circumstance might lead us to suppose that Lord Southampton was for some time placed there; of which inn, on the authority of a Roll, preserved in the library of Lord Hardwicke, he is said to have been a member so late as the year 1611. I am inclined, however, to believe, that he rather was admitted a member of Lincoln's Inn, to the chapel of which society he gave one of the admirably painted windows in which his arms may yet be seen. Soon afterwards, Lord Southampton was engaged in an adventure, in which the part that he acted must be ascribed to his extreme youth, and the ardour of his friendship for the persons principally concerned. Two of his young friends, with whom he lived in the greatest intimacy, Sir Charles and Sir Henry Danvers5 note, on what

-- 437 --

provocation is not known, broke into the house of one Henry Long, at Draycot in Wiltshire, and by one of them Long was killed. In this transaction, Lord Southampton had no concern; and from his high reputation, it may justly be concluded, that the most unfavourable circumstances attending it were concealed from him; and that he had been merely informed by his friends that a life had been unfortunately lost in an affray. Without going more minutely into the matter, or perhaps justifying what had been done under colour of injuries or provocation received, they threw themselves under his protection, which he immediately afforded them. He concealed them for some time in his house at Tichfield, and afterwards procured for them a vessel which conveyed them to France, where Sir Charles Danvers engaged in military service under Henry the Fourth, and highly distinguished himself as a soldier. After a few years, having with difficulty obtained the Queen's pardon, in July, 1598, he returned into England, where his attachment to Southampton led him to join in the insurrection of Essex, for which he lost his head on Tower Hill, in March, 1601. Though the circumstances attending the transaction for which these persons fled from their country, as detailed in a manuscript in the Museum, appear highly atrocious; there are grounds for believing that the whole of the case is not there stated. Camden calls it only homicidium; and we do not find that Lord Southampton's kindness to his friends in concealing them, and afterwards enabling them to escape, gave any blemish to his reputation, which, if he had protected a murderer, it certainly must have done. If we add to this, the highly respected character which was borne by Henry Danvers during the remainder

-- 438 --

of his life, which was for near fifty years afterwards; during which time he was created Baron Danvers by King James in the first year of his reign, and by King Charles, the first Earl of Derby; we may be led to suppose that some circumstances existed in this case which are not noticed in the only detailed narrative of this transaction which I have been able to meet with.

Lord Southampton seems, at a very early period, to have betaken himself to a military life, and hence it was natural to suppose that he was engaged in the attack on Cadiz, by Lord Essex and Lord Nottingham, in the summer of 1596, as I formerly asserted on apparently strong grounds6 note; but it appears from a letter of attorney executed by him in London, and dated July 1st, in that year (for a perusal of which I was indebted to Thomas Orde, Esq. the possessor of this document) that he could not have sailed with those two gallant noblemen; and although it is possible he may have joined them afterwards, yet as he was highly distinguished for bravery, and nothing is recorded of his atchievements in that action, it is probable he was not engaged in it. In 1598, however, he was certainly joined with Lord Essex in an important enterprise.

After the defeat of the Armada in 1588, it appears to have been the wise policy of Elizabeth, to

-- 439 --

attack the enemy on their own ground, so as effectually to prevent the Spaniards from ever again making a similar attempt. Of these enterprises the successful attack on Cadiz in 1596, already mentioned, was one. In the summer of the following year, a similar enterprise was undertaken; the object of which was to attack the enemy in their own ports, and, if possible, to destroy their navy; if that attempt should fail, to intercept the Spanish Plate ships laden with the treasures of the new world. The fleet fitted out for this occasion consisted of 120 vessels, of various descriptions; on board of this fleet were embarked about 6000 soldiers7 note

, and the Earl of Essex was commander in chief both by sea and land, supported in the sea service by Lord Thomas Howard, and Sir Wm. Raleigh as his Vice and Rear-Admirals; and at land, by Lord Montjoy, his Lieutenant General; Sir Francis Vere Marshall, Sir George Carew, Lieutenant of the Ordnance, Lord Southampton, his friend Roger, Earl of Rutland, the Lords Grey, Cromwell, and Rich, with several other noblemen, embarked as volunteers8 note, and Southampton was appointed Captain of the Garland, one of the Queen's best ships; from those times, and long afterwards, no precise line of distinction seems to have been drawn between the land and sea service,

-- 440 --

and several of the nobility and others, though not bred to the sea, occasionally served in the navy. The great object of this expedition being dissolved by a tempest which shattered and dispersed the fleet soon after they left Plymouth (July 1597), Essex dismissed 5000 of new raised troops, retaining only the forces under Sir Francis Vere9 note; and instead of attacking Ferrol or Corunna with such of his ships as had not suffered much by the storm, or were speedily refitted, directed his courses to the Western Islands, called the Azores; chiefly with a view to intercept the Plate Fleet on its return to Spain. In this expedition, which finally sailed on the 17th of August, Southampton, who appears, on their sailing a second time, to have had a small squadron under his command, happening with only three of the Queen's ships and a few merchant men under his command, to fall in with thirty-five sail of Spanish galleons, laden with the treasures of South America; he sunk one of them1 note

, and dispersed others that were afterwards taken;

-- 441 --

the rest taking shelter in a bay of the island of Terceira, which was then unassailable.

After the English troops had taken and spoiled the rich town of Villa Franca in the island of St. Michael (on the last of Sept. 1597), the enemy finding that most of them were gone on board their ships, and that only Essex and Southampton, with a few others, remained on shore, came down upon them with all their forces, but were received with such spirit and resolution by the small band whom they expected to have found an easy conquest, that many were put to the sword, and the mob obliged to retreat. On this occasion, Southampton behaved with such gallantry, that he was knighted in the field by Essex, ere (says a contemporary writer), “he could dry the sweat from his brows, or put his sword up in the scabard2 note.”

In 1598 he attended his noble friend to Ireland, as General of the horse; from which employment (after having greatly distinguished himself by overcoming the rebels in Munster), he was dismissed by the peremptory orders of Queen Elizabeth, who was offended with him for having presumed in 1598, to marry Miss Elizabeth Vernon, daughter of John Vernon of Hednet, in the county of Salop, Esq. without Her Majesty's consent; which in those days was esteemed a heinous offence. This lady (of whom there is an original picture at Sherborne Castle in Dorsetshire, the seat of lord Digby), was cousin to lord Essex3 note.

When that nobleman, for having returned from Ireland without the permission of the Queen, was confined at the lord keeper's house, lord Southampton

-- 442 --

withdrew from court. At this period a circumstance is mentioned by a writer of that time, which corresponds with the received account of his admiration of Shakspeare. “My lord Southampton and lord Rutland (says Rowland Whyte in a letter to Sir Robert Sydney, dated in the latter end of the year 1599, Sydney Papers, vol. ii. p. 132), came not to the court [at Nonsuch]. The one doth but very seldome. They pass away the tyme in London, merely in going to plaies every day.” At this time King Henry V. which had been produced in the spring of that year, and contains an elegant compliment to lord Essex, was probably exhibiting with applause. Roger earl of Rutland (to whom lord Essex addressed that pathetick letter which is printed in Howard's Collection, vol. ii. p. 521, where it is absurdly entitled “A letter to the earl of Southampton,”) was married to the daughter of lady Essex by her first husband, Sir Philip Sidney.

Lord Southampton being condemned for having joined the earl of Essex in his wild project, that amiable nobleman generously supplicated the Lords for his unfortunate friend, declaring at the same time that he was himself not at all solicitous for life; and we are told by Camden, who was present at the trial, that lord Southampton requested the peers to intercede for her Majesty's mercy, (against whom he protested that he had never any ill intention,) with such ingenuous modesty, and such sweet and persuasive elocution, as greatly affected all who heard him. Though even the treacherous enemies of Essex (as we learn from Osborne,) supplicated the inexorable Elizabeth, to spare the life of Lord Southampton, he for some time remained doubtful of his fate, but at length was pardoned; yet he was confined in the Tower during the remainder

-- 443 --

of the Queen's reign. Bacon mentions that on her death he was much visited there. On the first of April, 1603, six days only after her decease, King James sent a letter for his release; of which there is a copy in the Museum. It is dated at Holyrood House, and directed “to the nobility of England, and the right trusty and well beloved the counsel of state sitting at Whitehall.”— On the 10th of the same month Lord Southampton was released, the king, at the same time that he sent the order for his enlargement, honouring him so far as to desire him to meet him on his way to England. Soon afterwards his attainder was reversed, and he was installed a knight of the Garter. In the same year he was constituted governour of the Isle of Wight, and of Carisbrooke castle; in which office, says the historian of that island, (from the manuscript memoirs of Sir John Oglander), “his just, affable, and obliging deportment gained him the love of all ranks of people, and raised the island to a most flourishing state, many gentlemen residing there in great affluence and hospitality.”

By the machinations of lord Essex's great adversary, the earl of Salisbury, (whose mind seems to have been as crooked as his body,) it is supposed King James was persuaded to believe that too great an intimacy subsisted between lord Southampton and his queen; on which account, (though the charge was not avowed, disaffection to the king being the crime alleged), he was apprehended in the latter end of June, 1604; but there being no proof whatsoever of his disloyalty, he was immediately released. In the summer of 1613, he went to Spa, much disgusted at not having obtained a seat in the council. His military ardour seems at no period of his life to have deserted him. In 1614 we find him with the romantick lord Herbert of Cherbury, at the siege of Rees in the dutchy of

-- 444 --

Cleve. In April 30, 1619, he was at length appointed a privy counsellor. Two years afterwards, having joined the popular party, who were justly inflamed at the king's supineness and pusillanimity, in suffering the Palatinate to be wrested from his son-in-law, and, what was a still more heinous offence, having rebuked the duke of Buckingham for a disorderly speech that he had made in the House of Lords, he was committed to the custody of the dean of Westminster, at the same time that the earl of Oxford and Sir Edward Coke were sent to the Tower; but he was soon enlarged.

On the rupture with Spain in 1624, he was appointed jointly with the young earl of Essex, and the lords Oxford and Willoughby, to the command of six thousand men, who were sent to the Low Countries, to act under prince Maurice against the Spaniards; but was cut off by a fever at Bergen-op-zoom on the 10th of November in that year. The ignorance of the Dutch physicians, who bled him too copiously, is said to have occasioned his death. He left three daughters, (Penelope, who married William lord Spencer of Wormleighton; Anne, who married Robert Wallop of Earley, in the county of Southampton, Esq. son of Sir Henry Wallop, knight, and Elizabeth, who married Sir Henry Estcourt, knight;) and one son, Thomas, who was lord high treasurer of England in the time of King Charles II. His eldest son James, who had accompanied him in this his last campaign, died a few days before, of the same disorder that proved fatal to his father.

Wilson, the historian, who attended Lord Essex in this expedition, is more particular. In his History of King James, he says, they were both seized with a fever at Rosendale, which put an end to the son's life; that lord Southampton, having recovered of the fever, departed from Rosendale with an intention

-- 445 --

to bring his son's body into England; but at Bergen-op-zoom “he died of a lethargy, in the view and presence of the relater;” and that the two bodies were brought in the same bark to Southampton. He was buried at Tichfield in Hampshire.

Lady Southampton survived her husband many years, King Charles I. having been concealed by her for some time in the mansion-house of Tichfield, (which Lord Clarendon calls “a noble seat,”) after his escape from Hampton Court in Nov. 1647.

Their son Thomas, the fourth earl of Southampton, dying in May, 1667, without issue male, the title became extinct. He left three daughters. Magdalene, the youngest, died unmarried. Rachael, his second daughter, married, first, Francis lord Vaughan, eldest son of Richard, earl of Carbery; and afterwards the illustrious William lord Russel, by whom she had Wriothesley, the second duke of Bedford. Lady Elizabeth, the eldest daughter, married Edward Noel, (eldest son of Baptist Viscount Campden), who in 1680 was created Baron Noel of Tichfield, and in 1682 earl of Gainsborough. Their only son Wriothesley Baptist, earl of Gainsborough, died in 1690, leaving only two daughters; of whom Elizabeth, the elder, married Henry the first duke of Portland, and Rachael married Henry the second duke of Beaufort. On a partition of the real and personal property between those who noble families, about the year 1735, lord Southampton's estate at Tichfield, which had belonged to a monastery of Cistercian monks in the time of King Henry VIII. was part of the share of the duke of Beaufort, and now belongs to Peter Delmé, Esq. Beaulieu, in Hampshire, which at present belongs to the representatives

-- 446 --

of the late duke of Montagu, was formerly the property of our earl of Southampton.

From Rowland Whyte's letters lord Southampton seems to have been very fond of tennis, at which game he once lost 18000 crowns in Paris, on one match; [2250l. sterl.] and sir John Oglander, in his manuscript memoirs of the Isle of Wight, relates as a proof of his affable deportment in his government, that he used to play at bowls twice a week on Saint George's Down, with the principal gentlemen of the island.

Of this amiable and accomplished nobleman there is an original portrait at Gorhambury, the seat of lord viscount Grimston, by Vansomer, as I conceive; another at Woburn Abbey, by Miervelt; and two in the possession of his grace the duke of Portland; one a whole length, when he was a young man, and the other a half length, when he was a prisoner in the Tower.

From the testimony of Camden5 note and others, he appears to have been no less devoted to the muses than to military atchievements. We find his name, as well as that of his friend Essex, prefixed to many publications of those times; and two poets have expressly sung his praises. Their verses, though of little merit, serving in some measure to illustrate his character, I shall subjoin them.

A third production having still less pretensions to poetical fame, for the same reason, and, as it is rarely to be met with, I have thought worthy of preservation.

-- 447 --

Non fert ullum ictum illæsa fælicitas.
He who hath never warr'd with misery,
Nor ever tugg'd with Fortune, and distress,
Hath had no occasion nor no field to try
The strength and forces of his worthiness:
Those parts of judgment which felicity
Keeps as conceal'd, affliction must express;
And only men shew their abilities,
And what they are, in their extremities.

The world had never taken so full note
Of what thou art, hadst thou not been undone,
And only thy affliction hath begot
More fame than thy best fortunes could have done.
For ever by adversity are wrought
The greatest works of admiration,
And all the fair examples of renown
Out of distress and misery are grown.

Mutius the fire, the tortures Regulus,
Did make the miracles of faith and zeal:
Exile renown'd and grac'd Rutilius:
Imprisonment and poison did reveal
The worth of Socrates: Fabricius'
Poverty did grace that common-wealth
More than all Syllaes riches got with strife;
And Catoes death6 note did vie with Cæsar's life.

Not to be unhappy is unhappiness,
And misery not to have known misery:
For the best way unto discretion is
The way that leads us by adversity:
And men are better shew'd what is amiss,
By the expert finger of calamity,
Than they can be with all that fortune brings,
Who never shews them the true face of things.

How could we know that thou could'st have endur'd
With a reposed cheer, wrong and disgrace,
And with a heart and countenance assur'd
Have look'd stern death and horrour in the face?

-- 448 --


How should we know thy soul had been secur'd
In honest counsels, and in ways unbase,
Hadst thou not stood to show us what thou wert,
By thy affliction that descry'd thy heart?
It is not but the tempest that doth shew
The sea-man's cunning: but the field that tries
The captain's courage: and we come to know
Best what men are, in their worst jeopardies:
For lo, how many have we seen to grow
To high renown from lowest miseries,
Out of the hands of death; and many a one
To have been undone, had they not been undone!

He that endures for what his conscience knows
Not to be ill, doth from a patience high
Look only on the cause whereto he owes
Those sufferings, not on his misery:
The more he endures, the more his glory grows,
Which never grows from imbecillity:
Only the best compos'd and worthiest hearts
God sets to act the hardest and constant'st parts.

When now the life of great Southampton ends,
His fainting servants and astonish'd friends
Stand like so many weeping marble stones,
No passage left to utter sighs, or groans:
And must I first dissolve the bonds of grief,
And strain forth words, to give the rest relief?
I will be bold my trembling voice to try,
That his dear name may not in silence die.
The world must pardon, if my song be weak;
In such a case it is enough to speak.
My verses are not for the present age;
For what man lives, or breathes on England's stage,
That knew not brave Southampton, in whose sight
Most place their day, and in his absence night?
I strive, that unborn children may conceive,
Of what a jewel angry fates bereave
This mournful kingdom; and, when heavy woes
Oppress their hearts, think ours as great as those.
In what estate shall I him first express?
In youth, or age, in oy, or in distress?

-- 449 --


When he was young, no ornament of youth
Was wanting in him, acting that in truth
Which Cyrus did in shadow; and to men
Appear'd like Peleus' son from Chiron's den:
While through this island Fame his praise reports,
As best in martial deeds, and courtly sports.
When riper age with winged feet repairs,
Grave care adorns his head with silver hairs;
His valiant fervour was not then decay'd,
But join'd with counsel, as a further aid.
Behold his constant and undaunted eye,
In greatest danger, when condemn'd to die!
He scorns the insulting adversary's breath,
And will admit no fear, though near to death.
But when our gracious sovereign had regain'd
This light, with clouds obscur'd, in walls detain'd;
And by his favour plac'd this star on high,
Fix'd in the Garter, England's azure sky;
He pride (which dimms such change) as much did hate,
As base dejection in his former state.
When he was call'd to sit, by Jove's command,
Among the demigods that rule this land,
No power, no strong persuasion, could him draw
From that, which he conceiv'd as right and law.
When shall we in this realm a father find
So truly sweet, or husband half so kind?
Thus he enjoy'd the best contents of life,
Obedient children, and a loving wife.
These were his parts in peace; but O, how far
This noble soul excell'd itself in war!
He was directed by a natural vein,
True honour by this painful way to gain.
Let Ireland witness, where he first appears,
And to the fight his warlike ensigns bears.
And thou, O Belgia, wert in hope to see
The trophies of his conquests wrought in thee;
But Death, who durst not meet him in the field,
In private by close treachery made him yield.—
I keep that glory last, which is the best;
The love of learning, which he oft exprest
By conversation, and respect to those
Who had a name in arts, in verse or prose.
Shall ever I forget, with what delight,
He on my simple lines would cast his sight?
His only memory my poor work adorns,
He is a father to my crown of thorns.
Now since his death how can I ever look,
Without some tears, upon that orphan book?

-- 450 --


Ye sacred Muses, if ye will admit
My name into the roll which ye have writ
Of all your servants, to my thoughts display
Some rich conceit, some unfrequented way,
Which may hereafter to the world commend
A picture fit for this my noble friend:
For this is nothing, all these rhimes I scorn;
Let pens be broken, and the paper torn;
And with his last breath let my musick cease,
Unless my lowly poem could increase
In true description of immortal things;
And, rais'd above the earth with nimble wings,
Fly like an eagle from his funeral fire,
Admir'd by all, as all did him admire. The Teares of the Isle of Wight, shed on the Tombe of their most Noble, valorous, and louing Captaine and Gouernour, the right Honourable Henrie, Earle of Southampton: who dyed in the Netherlands, Nouemb. &frac1020; at Bergen-vp-Zone. As also the true Image of his Person and Vertues, Iames; the Lord Wriothesley, Knight of the Bath, and Baron of Titchfield; who dyed Nouemb. &frac515; at Rosendaell. And were both buried in the Sepulcher of their Fathers, at Tichfield, on Innocents day, 1624.

To the Right Honovrable, Thomas, Earle of Sovthampton; All Peace and Happinesse.

My very Honourable good Lord:

It hath pleased God to make your Lordship Heire vnto your most Noble Father, and therefore I thinke you haue most right to these Teares, which were shed for him, and your renowned Elder Brother. If I did not know by mine own obseruasion, that your Lordship was a diligent Obseruer of all your Fathers Vertues (touching which also, you haue a daily Remembrancer) I would exhort you to behold the shadow of them

-- 451 --

delienated here, by those which much admired him liuing, and shall neuer cease to honour his Memory, and loue those that doe any Honour vnto him. The Lord increase the Honour of your House, and reioyce ouer you to doe you good, vntill hee haue Crowned you with Immortalitie.

Your Lordships at command,
W. Iones.

To the Reader.

Coming lately to London I found in publike1 note and priuat, many Monuments of honor, loue and griefe, to those Great Worthies; the Earle of Southampton, and his Sonne, which lately deceased in the Low-Countries, whiles they did Honour to our State and Friends. And because it cannot be denied, but wee of the Isle of Wight (of whom that Noble Earle had the speciall Charge and Care) were most obliged vnto his Honour: I thought it very meet to publish these Teares, which (for the greater part) were shed in the Island long since for priuate vse, and adiudged to darknesse; but that my selfe (being bound by particular duty to doe all Honour to these Gracious Lords) intreated that they might still liue, which not without importunitie I obtained. And now they are set forth, neither for fashion, nor flattery, nor ostentation; but meerely to declare our loue and respect, to our neuer sufficiently Commended Noble Captaine. So take them without curiositie; and farewell.

Thine
W. I.

-- 452 --


Mors vltima, linea rerum.
Quis est homo qui viuet & non videbit mortem. Ps.

Yee famous Poets of this Southerne Islle,
Straine forth the raptures of your Tragick Muse;
And with your Laurea't Pens come and compile,
The praises due to this Great Lord: peruse
  His Globe of Worth, and eke his Vertues braue,
  Like learned Maroes at Mecenas graue.

Valour and Wisdome were in thee confin'd;
The Gemini of thy perfection,
And all the Graces were in thee combin'd,
The rich mans ioy and poores refection,
  Therefore the King of Kings doth thee imbrace,
  For aye to dwell in iust Astræas place.

Nought is Immortall vnderneath the Sun,
Wee all are subiect to Deaths restlesse date,
Wee end our liues before they are begun,
And mark't in the Eternall Booke of Fate.
  But for thy Selfe, and Heire one thred was spun
  And cut: like Talbots and his valiant Sonne.

Planet of Honour rest, Diuinely sleepe
Secure from iealousie and worldly feares,
Thy Soule Iehovah will it safely keepe:
I, at thy Vrne will drop sad Funerall Teares.
  Thou A'leluiah's vnto God alone,
  And to the Lambe that sits amidst his Throne.


I can no more in this lugubrious Verse:
Reader depart, and looke on Sidneys Herse. Fra. Beale, Esq.

-- 453 --


Henry Sovthampton,
  Anagram;
The Stampe in Honour.


'Twas neere a fortnight, that no sun did smile
Vpon this cloudy Orbe; and all that while
The Heau'ns wept by fits, as their pale feares
Presented to them matters for their teares:
And all the winds at once such gusts forth sent
Of deep-fetch't sighs, as filled where they went,
The shoares with wracks; as if they mean't the state
Of all the world, should suffer with that fate.


We of the lower sort, loath that our wings
By proudly soaring into Gods or Kings
Reserv'd designments, should be iustly sear'd,
Fearing to search, stay'd till the cause appear'd.
Yet simply thought that Nature had mistaken
Her courses, so, that all her ground were shaken,
And her whole frame disioynted; wherewithall
Wee look't eich houre the stagg'ring world should fall.
Til by a rumour from beyond-sea flying,
Wee found the cause: Sovthampton lay a dying.


O had we found it sooner, e're the thred
Of his desired life had quite beene shred!
Or that pure soule, of all good men belou'd
Had left her rich-built lodge to be remou'd,
Yet to a richer Mansion! We had then
Preuented this great losse. Our pray'rs amain
Had flow'n to Heau'n, and with impetu'ous strife,
And such vnited strength, su'ed for his life,
As should haue forc't th' allmighties free consent.
Not that we enuie, or shall e're repent
His flight to rest; but wishing he had stood,
Both for our owne, and for our countries good,
T' haue clos'd our eyes; (who onely now suruiue,
To waile his losse; and wish we so may thriue,
As we lament it truely.) That a race
Of men vnborne, that had not seene his face,
Nor know'n his vertues, might without a verse,
Or with lesse anguish, haue bedew'd his herse,
But he was gone ere any bruit did grow,
And so we wounded, ere we saw the blow.

-- 454 --


Thou long tongu'd Fame that blabbest all thou know'st
But send'st ill newes to fly, where ere thou goe'st,
Like dust in March, what mischiefe did thee guide,
This worst of ills, so long from vs to hide?
That, whilst we dream'd all well, and nothing thought,
But of his honourable battails fought,
And braue atchieuements, by his doing hand,
O're any newes could come to countermand
Our swelling hopes, the first report was spread,
Should stricke vs through, at once: Southamptons dead.


Had it com'n stealing on vs and by slow
Insensible degree's, ben taught to goe,
As his disease on him, 't had so prepar'd
Our hearts, against the wors that could be dar'd,
That, in the vpshott, our misgiuing feares
Would haue fore-stall'd, or quallified our teares.
But thus to wound vs! O distastrous luck!
Struck dead, before we knew that we were struck.


Whence 'tis; that we so long a loofe did hover,
Nor could our witts, and senses soone recover,
T' expresse our griefe, whilst others vainely stroue
In time t' outstripp vs, who could not in loue.
“Light cares will quickly speake; but great ones, craz'd
“With their misfortunes, stand a while amaz'd.


Even my selfe, who with the first assay'd
To lanch out into this deepe, was so dismay'd,
That sighs blew back my Barke, and sorrows tyde
Draue her against her course, and split her side
So desp'rately vppon a rocke of feares,
That downe she sunke, and perish't in my teares;
Nor durst I seeke to putt to Sea againe,
Till tyme had won on griefe, and scour'd the Maine.


Ev'n yet, me thinks, my numbers doe not flow,
As they were wont; I find them lame, and slow.
My buisie sighs breake off eich tender linke,
And eyes let fall more teares, than Pen doth inke.


O how I wish, I might not writt at all,
Not that I doe repine, or ever shall,
To make Sovthamptons high priz'd vertues glory.
The eternall subiect of my well-tun'd storie;
But loath to make his exequies and herse
The argument of my afflicted verse.
Me thinks, it never should be writt, nor read,
Nor ought I tell the world, Sovthampton's dead.


A man aboue all prayse: the richest soile
Of witt, or art, is but his lusters foile,
Fall's short of what he was, and seru's alone,
To set forth, as it can, so rich a stone,

-- 455 --


Which in it selfe is richer; of more worth,
Than any witt, or art, can blazon forth.
In peace, in warr, in th' country, in the Court,
In favour in disgrace, earnest and sport,
In all assayes, the blanke of ev'rie Pen,
The Stampe In Honovr, and delight of men.
Should enuie be allow'ed rather than speake,
What she must needes of him, her heart would breake.
Religion, wisedome, valour, courtesse,
Temperance, Iustice, Affabilitie,
And what the Schoole of vertues ever taught,
And meere humanitie hath ever raught,
Were all in him; so couch't so dulie plac't,
And with such liberall endowments grac't,
In such a perfect mixture, and so free
From selfe-conceiptednesse, or levitie,
As if He onely were their proper Spheare,
And They but liu'd, to haue their motion there.
“Such greatnesse with such goodnes seldome stood;
“Seldome is found a man, so great, so good.”
Nor doe I fall vpon his worth, so much
To blazon it, as to giue the world a tuch
Of what by his sadd fall, it selfe hath lost.
“Great benefitts are know'en, and valu'd most
“By their great wants. We neuer knew to prize
Southampton right, vntil Southampton dy'es.


Yet had he dy'd alone, some ease 't had beene,
His reall liuing Image to haue seene.
In his ripe Sonne, grow'n to the pitch of Man,
And who, in his short course, so swiftly ran,
That he outwent his Elders, and ere long
Was old in Vertue, though in yeeres but young;
“Put on his Gowne betime, and in his Downe
Put on his Armes, to beautifie his Gowne.
But ô, sad Fate! Prepost'rous Death would haue
Him too, because so ready for the graue.
The Father was his ayme; yet being loth
To leaue the Sonne, now seene, he would haue both,
And like a Marshall, or a Herald rather,
Surpriz'd the Sonne to vsher vp the Father.


O that I could suppose my selfe to bee
True Poet, rap't into an extasie!
And speaking out of a redundant braine,
Not what is simplie true, but what I faine,
That I might thinke the storie I impart
But some sad fiction of that coyning art!
How pleasing would th' adult'rate error bee?
How sweete th' imposture of my Poesie?

-- 456 --


What euer true esteeme my life hath gain'd,
I would haue false, that this were also fain'd.
But Griefe will not so leaue the hould it had,
But still assures me, 'tis as true, as sad.


You bonds of Honour, by th' allmighties hand,
Seal'd, and deliuer'd, to this noble Land,
To saue her harme sse from her debt to fate;
How is't, that you so soone are out of date?
You promis'd more, at your departure hence,
Than to returne with your deere liues expence
Defac't, and cancell'd. You most glorious starres,
Great ornaments both of our Peace and Warres,
Than which, there moues not, in Great Britains spheare,
Sauing the Mouers selfe, and his Great heire,
A brighter couple; When you left our shore
In such great lustre, you assur'd vs more,
Than to returne extinct. O vaine reliefe!
To fill that state with ioy, your owne with griefe.
You were not with Dutch ioy receiued their,
As now, with sorrow, you are landed here


O' if the period of your liues were come,
Why stay'd you not to yeeld them vp at home?
Where, the good Lady, Wife, and Mother both,
For right-diuided love, and true-plight troth,
And all the graces, that that sex hath won,
Worthy of such a Husband, such a Sonne,
With deere imbracings might haue clipt your death,
And from your lips, haue suck't your yeelding breath,
And kneeling by your beds, haue stretch't your thighes,
And with her tender fingers clos'd your eyes.
Where manie Oliue branches, of ripe growth,
Might by their teares haue testifi'd how loath
They were to part, either from slip, or stock,
And many Noble friends, whose high minds mock
The frowns of stars, might with endeered spirits
Haue render'd you, the tribute of your merits.


Why rather went you to a strange dull clyme,
Rich only in such trophies of the time,
In such post hast, there to resigne them, where
The foggie aire is clog'd with fumes of beere,
Amongst a people, that profainely thinke,
They were borne but to liue, and liue to drinke,
A stupid people, whose indocil hearts
Could neuer learne to value your greate parts,
As much vnworthy of you, as vnable
To iudge of worth, the very scum and rable
Of baptiz'd reason? O why went you hying
To giue to them the honour of your dying?

-- 457 --


Yet with this pointe of greife, some comfort striu'es:
They onely knew your deaths, but we your liues.


Or if you needes must to the state be sent,
Why did you not returne the same you went?
The whole went hence: the better parts we lack;
And but the courser parts alone come back,
And scarcely parts; since in a state farre worse:
We sent Sovthmapton, but receiue a corse.


Alas; what haue Great Henries merited,
That they by death should thus be summoned?
Henrie the great of France; and Henrie then
Of Wales the greater, Cynosure of men;
And now Sovthamptons Henrie, great in fame,
But greater farre in goodnes, than in name?


Had he but left his like, nor higher stil'd,
More blamelesse death had beene, my selfe more mild
But since their liues scarce one, to make a doubt,
Traduce me, Enuie, I must needes flye out.


Imprudent state of ours, that did not scan
Rightly, what 'twas to hazard such a man,
To saue ten thousand Holands, or of him
For Europes selfe, to venture but a lim!
“The building is more subiect to decay,
“When such a piller is remou'd away.”


But, ô I erre: Deere Countrey, I confesse,
Griefe, and distraction make me thus transgresse
All rules of Reason: Your designes are good.
O pardon me. And yet he might haue stood,
Pardon againe. Alas I doe not know
In his distraction, how my verses flow,
But whilst I am my selfe, if euer thought
But tempt my heart, or tongue but whisper, ought
Gainst your dread hests, may my bold tongue with wonder.
Rot as it lyes, and hart-strings crack asunder.


But thou accursed Netherland, the stage
And common theater of bloud and rage,
On thee Ile vent my vncontrouled spleene,
And stabbe thee to the heart, with my sharpe teene.
Thou whose cold pastures cannot be made good,
But with continuall shour's of reeking blood;
Nor fields be brought to yeald increase agen,
But with the seeds of carcasses of men.
Whose state, much worse than vs'rers, onely thriues
By th' large expence and forfeitures of liues;
Yet bankcrupt-like, who daylie for thy store
Without regard of payment, borrow'st more.
Wherein in threescore years, more men of worth
Haue perish't, than th' whole countrey hath brought forth

-- 458 --


Since the Creation; and of lower sorte
More haue beene forc't to trauile through the porte
Of ghastlie death, vnto the common womb
Than well that lirtle bottome can entombe;
How art thou worthy, that to saue thy harmes,
Or worke them, this new world should rise in armes,
And bandy factions? That for thy dear sake,
Kingdomes should ioyne, and Countries parties take?


Curst be thy Cheese and Butter; (All the good
That e're the world receiv'd for so much blood)
May maggots breed in them, vntill they flie
Away in swarms; May all thy Kine goe dry
Or cast their Calues; and when to Bull they gad,
May they grow wilde, and all thy Bulls run mad.


Better that all thy Salt and fenny marishes
Had quite bin sunke, (as some whole-peopled parishes
Already are; whose towers peere o'er the flood,
To tell the wandring Sea-man where they stood.)
Than that these Worthies only, should haue crost
The straights of death, by sayling to that coast.
Whose losse not all that State can recompence:
Nay; should their worths be ballanc't, not th' expence
Of Spaines vast Throne, losse of the Monarchs selfe
And all his subiects, and the glorious pelfe
Of both the Indies, whence his trifles come,
Nor of th' triformed Gerion of Rome,
With all his boystrous Red-caps, and the store
Of diuers-colour'd shauelings, that adore
That strange Chimera, with the lauish rent
That feed's them all, were halfe sufficient.


You Leiden-Doctors, how were you mistooke?
How did your iudgement step besides the booke?
Where was your Art? that could not find the way
To cure two such, in whose know'n valour lay
Your Countries weale. For whom you should haue show'n
The vtmost of that Art, that e're was know'n
Or practiz'd, amongst artists; and haue stroue
T' haue turn'd the course of Nature, and t' haue droue
Things to their pristin state, reducing Men
Meerly to Elements, and thence agen
Moulding them vp anew, preseruing life
In spight of death, and sharpe diseases strife.


Dull leaden Doctors: (Leiden is too good,
For you, poore men, that neuer vnderstood
More wayes of Physicke, than to giue a drench
To cure the big-swolne Dutch, or wasted French.)
Pardon you neighbour Nations: what I had
Or reason's yours; but griefe hath made me mad.

-- 459 --


How durst you to such men such boldnesse show,
As t' practise with these parts you did not know?
Or meddle with those veines, that none should strike
But those, that had beene practiz'd in the like?
Alas! you knew not how their bodies stood;
Their veines abounded with a Nobler blood,
Of a farre purer dye, and far more rife
With actiue spirits, of a nimbler life,
Than e're before, you practiz'd on. May all
The sicknesses that on our nature fall,
And vex rebellious man for his foule sin,
Seize on you all throughout, without, within,
For this presumptuous deed, and want of skill;
And may such potions as haue pow'r to kill,
Be all your physicke; yet, corrected, striue
To weare you out, and keepe you long aliue.


But, O, mee think's I raue? 'Tis time to end,
When, 'gainst the rules I loue, I so offend.
Pardon, you learned Artists: well I know
Your skill is great, and you not spar'd to show
The vtmost of it. Yet when all's assay'd,
The debt to God and nature must be pay'd.


You precious Vrns, that hold that Noble dust,
Keepe safe the wealth, committed to your trust.
And you, deare Reliques of that ample worth,
That whilom through your creuices shin'd forth,
That now haue put off Man, and sweely lye;
T' expect your Crowne of Immortality;
Rest there repos'd, vntouch't, and free from care,
Till you shall meet your soules, with them to share
In that rich glory, wherein now they shine,
Disdaining all, that's not like them; Diuine.
  Where I assur'd, againe, to see, and greete you,
  Resolue to weepe, till I goe out to meet you.
Ita non cecinit; at verè, piissimeq. flevit.
Ille dolet verè, qui sine teste dolet.

TO THE READER.


Reader, beleeue me, 'tis not Gaine, nor Fame
That makes me put in my neglected Name;

-- 460 --


Mong'st learned Mourners that in Sable Verse,
Doe their last Honour to this dolefull Herse.


Nor did these Lords, by liuing bountie, tie
To Them, and to their Heires my Poetry:
For, to speake plainly, though I am but poore;
Yet neuer came I knocking to their doore:
Nor euer durst my low obscuritie,
Once creepe into the luster of their die.


Yet since I am a Christian, and suppose
My selfe obliged, both with Verse and Prose;
Both with my Pencills, and my Pens best Art;
With eye, tongue, heart, and hand, and euery part
In each right Noble well-deseruing Spirit,
To honour Vertue, and commend true merit.
Since first I breath'd and liu'd within the Shire,
That giues a Title to this honoured Peere;
Since twelue long Winters I, my little Flock
Fed in that Isle that (wal'd with many a rock;
And circled with the Maine) against her shore,
Hear's the proud Ocean euery day to rore;
And sitting there in sun-shine of his Glory
Saw his fair Vertues, read his lifes true Story.


Who see's not, I haue reason to make one,
In this Isle's, Churches, Countries common mone?
Or thinks that in this losse I haue no part,
When the whole Kingdome seems to feele the smart?


Let him that list his griefs in silence mutter,
I cannot hold; my plaints I needs must vtter:
I must lament, and sigh, and write, and speake,
Lest while I hold my tongue, my hearte should breake. W. Pettie.
  The changing World, and the Eternall Word;
Nature, Art, Custome, Creatures all accord
To proue (if any doubted) that we must
(Since All haue sin'd) all die and turne to dust.
  But (deare Sovthampton) since deserued praise
Came thronging on Thee faster then thy dayes;
Since thy Immortall Vertues then were seene
(When thy graue head was gray) to be most greene;
Wee fooles began to hope that thy lifes date,
Was not confined to our common fate.

-- 461 --


But that thou still should'st keep the worlds faire Stage,
Acting all parts of goodnesse: that Each Age
Succeeding ours, might in thy action see,
What Vertue, (in them dead) did liue in Thee.
Bvt oh vaine thoughts, though late, we find alas;
The fairest flowers that th' earth brings forth are grass:
Wealth, Honor, Wisdome, Grace, nor Greatnesse can
Adde one short moment to the life of Man.
Time will not stay: and the proud King of feares;
Not mov'd by any Presents, Prayers or teares;
Doth trample downe fraile flesh, and from the wombe
Leads vs away close prisoners to the tombe.
And you braue Lords, the glorie of your Peeres,
More laden with your Honors then your yeeres;
Deare to Your Soueraigne, faithfull to the State;
Friends to Religion, ill men's feare and hate:
Death, as his Captiues, here hath laid full lowe,
And left your friends long legacies of woe.
Griefe to your Country, to your house sad losses,
T' our Armies dread, to our designements crosses.
Tell me (yee liuing wights) what marble heart,
Weying our wants, doth not with sorrow smart
To see those glorious Starres that shin'd so cleere,
In our disconsolate darke Hemisphere:
To see these Pillars, whose firme Basies prop't
Our feeble State; the Cedars that oretop't
The ayrie clouds, yeelding to Birds a Neast,
Shadow and shelter to the wearied Beast:
Now by Death's bloudie hand, cut downe, defaced,
Their Light ecclipsed, and their height abased?
  Yet boast not (cruell Tyrant) of thy spoyle,
Since with thy conquest thou hast won the foile;
For they (O happy Soules) diuinely armed
Could not (though hit) bee with thine arrowes harmed.
  Thus robbed, not of Beeing, but of Breath,
Secure they triumph ouer stinglesse Death;
And while their pure immortall part inherits
The heauenly blisse, with glorified Spirits;

-- 462 --


Their dust doth sleepe in hope, and their good name
Liue's in th' eternall Chronicles of fame.
  Holland: t'is knowne that you vnto our Nation
Haue long bin linc'kt in friendlie Combination;
T'is knowne, that we to you haue daily, duly,
All offices of loue performed truely.
  You still haue had protection from our Forts,
Trade to our Townes, and harbour in our Ports;
When big-swolne Spaine you threatend to deuour,
We to your weaker ioyn'd our stronger power.
And our old souldiers willingly, vnprest,
Ran to your wars as fast as to some feast:
We man'd your Cities, and instead of stones,
Helpt you to build your Bulwarks with our bones.
Nor had your Castles now vnbattered stood,
Had not your slime ben tempered with our blood.
  All this we did, and more are still content,
With men, munition, mony to preuent
Your future ruine; Hence with warie speede
Our state sent ouer to your latest neede.
Ten Noble heads, and twice ten thousand hands,
All prest to execute their wise commands:
Mongst them our good Southampton, and his joy,
Deare Iames in hart a man, in age a boy.
  But oh your fatall fields, vnhappie soile,
Accurst Acheldama, foule den of spoile,
Deaths Hospitall, like Hell the place of woe,
Admit all commers, but nere let them goe;
  Churl's to your aide, we sent strong liuing forces,
And you in lieu returne vs liueless corses.
  Ah Noble Lords: went you so farre to haue
  Your Death, and yet come home to seeke a graue?
  Bright starre of Honour, what celestiall fires
Inflame thy youthful bloud; that thy desires
Mount vp so fast to Glories highest Spheres,
So farre beyond thine equalls and thy yeares?
  Whil'st others Noblie borne, ignoblie staine
Their bloud and youth with manners base and vaine,
Thou to thy Fathers holie lessons lending
Thine eare; and to his liue's faire patterne bending
Thy steps; did'st daily learne for sport or need
Nimblie to mount and man thy barbed steed;

-- 463 --


Fairelie thy serious thoughts to write or speake,
Stoutlie vpon thy foe, thy lance to breake.
It did not with thine actiue spirit suite
To wast thy time in fingring of a Lute,
Or sing mongs't Cupids spirits a puling Dittie
To moue some femall saint to loue or pittie.
T'was Musick to thine eare in ranged batle
To heare sad Drums to grone, harsh Trumpets ritle:
Or see, when clouds of bloud do rent in sunder,
The pouders lightning, and the Canons thunder.
  And when thou might'st at home haue liued free
From cares and feares in soft securitie,
Thou scorning such dishonorable ease,
To all the hazards both of land and sea's,
Against Religions and thy Countries foes,
Franklie thy selfe and safetie did'd expose.
  O Sacred virtue thy mild modest glances,
Rais'd in his tender heart, these amorous trances,
For thy deare loue so dearely did he weane
His youth from pleasures, and from lusts vncleane:
And so in thy straight narrow paths still treading,
He found the way to endlesse glorie leading.
  But soft (sad Muse) tis now no fitting taske,
The prayses of his well spent Youth t'vnmaske,
To sing his pious cares, his studious night's,
His thriftie daies, his innocent delights,
Or tell what store of vsefull obseruations
He gain'd at home and 'mongst the neighbring Nations.
  Leaue we this virgin theame vntouch't, vntainted,
Till some more happie hand so liuely paint it,
That all Posteritie may see, and read,
His liuing virtues when hee's cold and dead.
  (Sweet Youth) what made thee hide thine amorous face,
And cheekes scarce downie in a steelie case,
And like yong Cupid vnder Mars his sheild,
Mongst men of armes to braue it in the field?
  Thought'st thou (o fondling) cruell death would pitty
The faire, the yong, the noble, wise and witty,
More then the foule and foolish, base and old?
Oh no: the tirant bloudy, blind and bold,
All the wide world in single combate dareth,
  And no condition, sex or age he spareth.

-- 464 --


  Yet some supposed since in open fight
Thou had'st so often scap'd his murdering might,
That sure he fear'd to throw his fatall dart
Against thine innocent faith-armed heart:
  Yet sooth to say; twas thy sweet louely youth
That so often mou'd flint-harted Death to ruth.
Though now intangled in thy locks of amber
The inamour'd monster dogs thee to thy chamber,
  And there (alas) to end the mortall strife,
He rauish thee of beautie and of life.
  Nature, although we learne in Graces schoole,
That children must not call their mother foole.
Yet when wee see thee lauishly to burne,
Two or three lights when one would serue the turne.
When we perceiue thee through affection blind,
Cocker the wicked, to the good vnkind.
Ready the stinking rankest Weeds to cherish,
When Lillies, Violets, and sweet Roses perish:
  Wee cannot chuse but tell thee 'tis our thought,
  That age or weaknesse (Nature) makes thee dote.
  Vaine men, how dare yee, in your thoughts vnholy;
Mee, (nay your Maker) to accuse of folly?
And all impatient with your plaints importune
Heav'n, Earth, and Hell, Death, Destiny, and Fortune?
  When 'tis not these poore Instruments that cause
Your Crosses: but the neuer changing Lawes
Of your Almightie, mercifull Creator;
Who sitting supreme Iudge and Moderator
Of mens affaires: doth gouerne and dispence
All, by his All-disposing Prouidence;
  And equally his glorious ends aduances
By good or bad, happy or haplesse chances.
  Great and good Lady, though wee know full well,
What tides of griefe in your sad brest doe swell:
Nor can in this our simple mourning Verse,
The thousand'th part of your deepe cares reherse.

-- 465 --


  Yet as the lesser rivulets and fountaines,
Run hastning from the Fields, the Meads, & Mountaines,
Their siluer streames into the Sea to poure,
So flow our tributary teares to your;
  That from the boundlesse Ocean of your sorrow
  Our eyes new springs, our harts new griefs may borrow.
Could we as easily comfort, as complaine;
Then haply this our charitable paine,
Might merit from your grieued heart some thanks;
But oh, our griefs so swell aboue the banks
Of shallow cnstome, and the feeble fences
That are oppos'd by Reason, Art, or Senses;
That if Religion rul'd not our affections,
And pacifi'd our passions insurrections;
We should in mourning misse, both meane and scope,
And sorrow (Pagan-like) sans Faith or Hope.
  Madam, though we but aggrauate your Crosses,
Thus sadly to repeat your former losses:
Whil'st you sit comfortlesse, as all vndone,
Mourning to lack an Husband and a Sonne.
  Yet may it giue your grieued heart some ease,
To saile with company in sorrow's Seas:
To thinke in them you are not tost alone,
But haue the Kingdome partner in your mone:
To thinke that those for whom you weep, are blest,
Lodg'd in the heauenly harbour, where they rest
Secure, nere more to grieue, to want, to feare,
To sin, to Die, or to let fall a teare.
  So though heauens high Decree haue late bereft you
Of two at once, yet hath his bountie left you
Many faire daughters, and a sonne t' inherit
Your Loue, our Honour, and his Fathers Spirit. W. P.
Great Lord; thy losse though I surcease to mourne,
Sith Heanen hath found Thee: yet I'le take my turne
To wait vpon thy Obsequies a while,
And traile my pen, with others of my File:
And tell thy worth; th' effects whereof wee felt,
That in the lists of thy command haue dwelt.

-- 466 --


Religions Champion, Guardian of that Isle;
Which is the Goshen of Great Brittains soyle:
How good, how great example dy'd in thee,
When th' Heire of both, preuents thy destiny?
And scarce a pattern's left for those behind
To view in one so Great so good a mind.
Thou Man of Men, how little doth thy Name
Need any Muses praise, to giue it Fame:
Whose liu'ry gayn'd by merit, thou hast worne,
And beg'd or bought esteeme didst hold in scorne:
But wast in darkest lustre, chillingst cold
A perfect Dimond, though not set in gold;
And whether thy regard were good or ill,
Did'st (constant) carry one set posture still.
Needs must the world grow base, and poore at last,
That Honours stock so carelessly doth wast,
How prodigall is shee, that would send forth
At once Two Noble Persons of such worth,
As great Southampton, and his Martiall Heyre?
When scarce one Age yeelds such another payre.
Combin'd in resolution, as infate,
To sacrifice their liues for good of State:
How forward was his youth, how far from feares
As greate in hope, as hee was young in yeeres.
How apt and able in each warlike deed
To charge his foe, to mannage fiery steed?
Yet these but Essays were of what was hee,
Wee but the twilight of his spirit did see.
What had his Autumne bin? wee yet did spy
Only the blossom of his Chieualry.
Death enuious of his actions, hastned Fate
Atchieuements glory to anticipate.
In both whose periods, this I truly story
The earth's best essence is but transitory.
You valiant hearts, that grudged not your blood
To spend for Honour, Country, Altars good:
Your high attempt, your Noble House doe crowne
That chose to dye in Bed of Fame; not Downe.
Liue still admir'd, esteem'd, belov'd; for why
Records of Vertue, will not let you die:
Your Actiue Soules in fleshly gyues restrain'd,
Haue Victory, and Palmes of triumph gain'd:
Your Belgick Feauer, doth your Being giue,
And Phœnix-like, you burne, and dye, and liue. Qui per virtutem peritat non interit. Ar. Price.

-- 467 --

Henry Wriothesly Earle of Southampton,
Anagram:
Thy Honour is worth the praise of all Men.
Great Worthy, such is thy renowned Name,
Say what I can, it will make good the same.
On such a theme I would euen spend my quill,
If I had meanes according to my will:
And tho I want fine Poets Wit and Art,
I gladly streine the sinews of my heart:
And prostrate at the Tombe of these two Lords
My tongue, my pen, and what my Fate affords.

Henry Wriothesley Earle of Southampton.
Anagram:
Vertue is thy Honour; O the praise of all men!
  Some men not worth, but fauour doth aduance
Some vulgar breath, some riches doe inhance:
Not so the Noble Squire, of whom I treat,
Nought makes him honour'd, but Vertues great:
  Cardinall, Morall, Theologicall,
  Consider well and behold in him all.
Yet notwithstanding all his Vertues, hee
Lies now in dust and darknesse: Hereby see
How death can rent the hopes of worthy Squires,
And dash their proiects, and crosse their desires.
Yet shall not Death triumph in Vertues fall,
For this his Name is still esteem'd of all.
Death strooke his Body; onely that could die,
His Fame is fresh; his Spirit is gone on hie.

Iames Wriotesley, Baron of Tichfield,
Anagram;
Boyles in Field, to reach worthy's Fame.
  O Rare bright Sparke of ancient Chiualry,
In tender yeeres affecting warlike Glory!
O Noble Impe of that thrice Noble Sire,
What was it that thus kindled thy desire?

-- 468 --


Surely 'twas thy presaging Spirit: For why!
Hauing small time thou would'st doe worthily.
Thou took'st thy flight, because in heauinesse
Would'st not see drown'd a world of Worthinesse.

Vpon the sudden and immature Death of both the Lords. A comfortable Conclusion.
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James Boswell [1821], The plays and poems of William Shakspeare, with the corrections and illustrations of various commentators: comprehending A Life of the Poet, and an enlarged history of the stage, by the late Edmond Malone. With a new glossarial index (J. Deighton and Sons, Cambridge) [word count] [S10201].
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