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Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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ROMEO AND JULIET. Introductory matter

-- 4 --

DRAMATIS PERSONÆ. ESCALUS, Prince of Verona. Paris, a young Nobleman in love with Juliet, and kinsman to the Prince. Montague, Lord of an antient family, Enemy to Capulet. Capulet, Lord of an antient family, Enemy to Montague. Romeo, Son to Montague. Mercutio, Kinsman to the Prince, and Friend to Romeo. Benvolio, Kinsman and Friend to Romeo. Tybalt, Kinsman to Capulet. Friar Lawrence. Friar John. Balthasar, Servant to Romeo. Page to Paris. Sampson, Servant to Capulet. Gregory, Servant to Capulet. Abram [Abraham], Servant to Montague. Apothecary. Simon Catling, Musician. Hugh Rebeck, Musician. Samuel Soundboard, Musician. [Musician 1], [Musician 2], [Musician 3] Peter, Servant to the Nurse. Lady Montague, Wife to Montague. Lady Capulet, Wife to Capulet. Juliet, Daughter to Capulet, in love with Romeo. Nurse to Juliet. CHORUS. Citizens of Verona, several men and women relations to Capulet, Maskers, Guards, Watch, and other Attendants. [Officer], [Servant], [Servant 1], [Servant 2], [Old Man], [Citizen], [Watch], [Watch 1], [Watch 2], [Watch 3] The SCENE, in the beginning of the fifth Act, is in Mantua; during all the rest of the Play, in and near Verona.

-- --

ROMEO and JULIET.

PROLOGUE.
Two Housholds, both alike in Dignity,
  In fair Verona, (where we lay our Scene)
From ancient Grudge break to new mutiny;
  Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes,
  A pair of star-crost lovers take their life;
Whose misadventur'd piteous Overthrows
  Do, with their death, bury their Parents' strife.
The fearful passage of their death-mark'd love,
  And the continuance of their Parents' rage,
Which but their children's End nought could remove,
  Is now the two hours' traffick of our stage:
The which if you with patient ears attend,
What here shall miss, our Toil shall strive to mend. ACT I. SCENE I. The Street, in Verona. Enter Sampson and Gregory, (with swords and bucklers,) two servants of the Capulets.

Sampson.

Gregory, on my word, 1 notewe'll not carry coals.

Greg.

No, for then we should be colliers.

Sam.

I mean, an' we be in Choler, we'll draw.

Greg.

Ay, while you live, draw your Neck out of the Collar.

Sam.

I strike quickly, being mov'd.

Greg.

But thou art not quickly mov'd to strike.

Sam.

A dog of the House of Montague moves me.

Greg.

To move, is to stir; and to be valiant, is to stand: therefore, if thou art mov'd, thou runn'st away.

Sam.

A dog of that House shall move me to stand: I will take the wall of any man, or maid of Montague's.

-- 6 --

Greg.

That shews thee a weak slave; for the weakest goes to the wall.

Sam.

True, and therefore women, being the weakest, are ever thrust to the wall:—therefore I will push Montague's men from the wall, and thrust his maids to the wall.

Greg.

The quarrel is between our masters, and us their men.

Sam.

'Tis all one, I will shew myself a tyrant: when I have fought with the men, I will be cruel with the maids, and cut off their heads.

Greg.

The head of the maids?

Sam.

Ay, the heads of the maids, or the maiden-heads, take it in what sense thou wilt.

Greg.

They must take it in sense, that feel it.

Sam.

Me they shall feel, while I am able to stand: and 'tis known I am a pretty piece of flesh.

Greg.

'Tis well thou art not fish: if thou hadst, thou hadst been Poor John. Draw thy tool, here comes of the House of the Montagues.

Enter Abram and Balthasar.

Sam.

My naked weapon is out; quarrel, I will back thee.

Greg.

How, turn thy back and run?

Sam.

Fear me not.

Greg.

No, marry: I fear thee!—

Sam.

Let us take the law of our sides: let them begin.

Greg.

I will frown as I pass by, and let them take it as they list.

Sam.

Nay, as they dare. I will bite my thumb at them, which is a disgrace to them if they bear it.

Abr.

Do you bite your thumb at us, Sir.

Sam.

I do bite my thumb, Sir.

Abr.

Do you bite your thumb at us, Sir?

Sam.

Is the law on our side, if I say, ay?

-- 7 --

Greg.

No.

Sam.

No, Sir, I do not bite my thumb at you, Sir: but I bite my thumb, Sir.

Greg.

Do you quarrel, Sir?

Abr.

Quarrel, Sir? no, Sir.

Sam.

If you do, Sir, I am for you; I serve as good a man, as you.

Abr.

No better.

Sam.

Well, Sir.

2 noteEnter Benvolio.

Greg.

Say, better: here comes one of my master's kinsmen.

Sam.

Yes, better, Sir.

Abr.

You lie.

Sam.

Draw, if you be men. Gregory, remember thy swashing blow.

[They fight.

Ben.

Part, fools, put up your swords, you know not what you do.

Enter Tybalt.

Tyb.

What art thou drawn among these heartless hinds?


Turn thee, Benvolio, look upon thy death.

Ben.
I do but keep the peace: put up thy sword,
Or manage it to part these men with me.

Tyb.
What drawn, and talk of peace? I hate the word
As I hate hell, all Montagues and thee:
Have at thee, coward.
[Fight. Enter three or four citizens with clubs.

Offi.
Clubs, bills, and partisans! strike! beat them down!
Down with the Capulets, down with the Montagues!

-- 8 --

Enter old Capulet in his gown, and lady Capulet.

Cap.
What noise is this? give me my long sword, ho!

La. Cap.
A crutch, a crutch:—why call you for a sword?

Cap.
My sword, I say: old Montague is come,
And flourishes his blade in spight of me.
Enter old Montague, and Lady Montague.

Mon.

Thou villain, Capulet—Hold me not, let me go.

La. Mon.
Thou shalt not stir a foot to seek a foe.
Enter Prince with Attendants.

Prin.
Rebellious Subjects, enemies to peace,
Prophaners of this neighbour-stained steel—
Will they not hear? what ho! you men, you beasts,
That quench the fire of your pernicious rage
With purple fountains issuing from your veins;
On pain of torture, from those bloody hands
Throw your mis-temper'd weapons to the ground,
And hear the sentence of your moved Prince.
Three civil broils, bred of an airy word,
By thee, old Capulet, and Montague,
Have thrice disturb'd the Quiet of our streets;
And made Verona's antient Citizens
Cast by their grave, beseeming, ornaments;
To wield old partizans, in hands as old,
Cankred with peace, to part your cankred hate;
If ever you disturb our streets again,
Your lives shall pay the forfeit of the peace.
For this time all the rest depart away,
You Capulet, shall go along with me;
And, Montague, come you this afternoon,
To know our further pleasure in this case,

-- 9 --


To old Free-town, our common judgment-place:
Once more, on pain of death, all men depart. [Exeunt Prince and Capulet, &c. SCENE II.

La. Mon.
Who set this antient quarrel new abroach;
Speak, nephew, were you by, when it began?

Ben.
Here were the servants of your adversary,
And yours, close fighting, ere I did approach;
I drew to part them: In the instant came
The fiery Tybalt, with his sword prepar'd,
Which, as he breath'd defiance to my ears,
He swung about his head, and cut the winds:
Who, nothing hurt withal, hiss'd him in scorn.
While we were interchanging thrusts and blows,
Came more and more, and fought on part and part,
'Till the Prince came, who parted either Part.

La. Mon.
O where is Romeo! Saw you him to day?
Right glad am I, he was not at this fray.

Ben.
Madam, an hour before the worshipp'd Sun
'Pear'd through the golden window of the East,
A troubled mind drew me to walk abroad:
Where underneath the grove of sycamour,
That westward rooteth from the City side,
So early walking did I see your son.
Tow'rds him I made; but he was 'ware of me,
And stole into the covert of the wood.
I, measuring his affections by my own,
(3 note



That most are busied when they're most alone,)
Pursued my humour, not pursuing him;

-- 10 --


4 noteAnd gladly shun'd, who gladly fled from me.

Mon.
Many a morning hath he there been seen
With tears augmenting the fresh morning-dew;
Adding to clouds more clouds with his deep sighs:
But all so soon as the all-cheering Sun
Should, in the farthest East, begin to draw
The shady curtains from Aurora's bed;
Away from light steals home my heavy son,
And private in his chamber pens himself;
Shuts up his windows, locks fair day-light out,
And makes himself an artificial night.
Black and portentous must this humour prove,
Unless good counsel may the cause remove.

Ben.
My noble uncle, do you know the cause?

Mon.
I neither know it, nor can learn it of him.

5 noteBen.
Have you importun'd him by any means?

Mon.
Both by myself and many other friends;
But he, his own affections' counsellor,
Is to himself, I will not say, how true;
But to himself so secret and so close,
So far from sounding and discovery;
As is the bud bit with an envious worm,
Ere he can spread his sweet wings to the air,
Or dedicate his beauty to the (a) note Sun.
Could we but learn from whence his sorrows grow,
We would as willingly give Cure, as know.
Enter Romeo.

Ben.
See, where he comes: so please you, step aside,
I'll know his grievance, or be much deny'd.

Mon.
I would, thou wert so happy by thy stay
To hear true shrift. Come, Madam, let's away.
[Exeunt.

-- 11 --

Ben.
Good morrow, cousin.

Rom.
Is the day so young?

Ben.
But new struck nine.

Rom.
Ah me, sad hours seem long!
Was that my father that went hence so fast?

Ben.
It was: what sadness lengthens Romeo's hours?

Rom.
Not having That, which, having, makes them short.

Ben.
In love?

Rom.
Out—

Ben.
Of love?

Rom.
Out of her favour, where I am in love?

Ben.
Alas, that love, so gentle in his view,
Should be so tyrannous and rough in proof!

Rom.
Alas, that love, whose view is muffled still,
Should without eyes see (a) note path-ways to his ill!
Where shall we dine?—O me!—What fray was here?
Yet tell me not, for I have heard it all.
Here's much to do with hate, but more with love:
Why then, O brawling love! O loving hate!
Oh, any thing of nothing first create!
O heavy lightness! serious vanity!
Mis-shapen chaos of well-seeming forms!
Feather of lead, bright smoke, cold fire, sick health
Still-waking sleep, that is not what it is!
This love feel I, that feel no love in this.
Dost thou not laugh?

Ben.
No, coz, I rather weep.

Rom.
Good heart, at what?

Ben.
At thy good heart's oppression.

Rom.
Why, such is love's transgression.—
Griefs of mine own lie heavy in my breast;
Which thou wilt propagate, to have them prest

-- 12 --


With more of thine; this love, that thou hast shewn,
Doth add more grief to too much of mine own.
Love is a smoak rais'd with the fume of sighs,
Being purg'd, a fire sparkling in lovers' eyes;
Being vext, a sea nourish'd with lovers' tears;
What is it else? a madness most discreet,
A choaking gall, and a preserving sweet:
Farewel, my cousin. [Going.

Ben.
Soft, I'll go along.
And if you leave me so, you do me wrong.

Rom.
Tut, I have lost myself, I am not here;
This is not Romeo, he's some other where.

Ben.
Tell me in sadness, who she is you love?

Rom.
What, shall I groan and tell thee?

Ben.
Groan? why, no; but sadly tell me, who.

Rom.
Bid a sick man in sadness make his will?—
O word, ill urg'd to one that is so ill!—
In sadness, cousin, I do love a woman.

Ben.
I aim'd so near, when I suppos'd you lov'd.

Rom.
A right good marks-man;—and she's fair, I love.

Ben.
A right fair mark, fair coz, is soonest hit.

Rom.
But, in that hit, you miss;—she'll not be hit
With Cupid's arrow; she hath Dian's wit:
And, in strong proof of chastity well arm'd,
From love's weak childish bow, she lives unharm'd.
She will not stay the siege of loving terms,
Nor 'bide th' encounter of assailing eyes,
Nor ope her lap to saint-seducing gold.
O, she is rich in beauty; only poor,
That when she dies, with her dies Beauty's Store.

Bru.
Then she hath sworn, that she will still live chaste?

6 noteRom.
She hath, and in that Sparing makes huge waste.

-- 13 --


For beauty, starv'd with her severity,
Cuts beauty off from all posterity.
She is too fair, too wise; wisely too fair,
To merit bliss by making me despair;
She hath forsworn to love, and in that vow
Do I live dead, that live to tell it now.

Ben.
Be rul'd by me, forget to think of her.

Rom.
O, teach me how I should forget to think.

Ben.
By giving liberty unto thine eyes;
Examine other Beauties.

Rom.
'Tis the way
To call hers (exquisite) in question more;
Those happy masks, that kiss fair ladies' brows,
Being black, put us in mind they hide the fair;
He that is strucken blind, cannot forget
The precious treasure of his eye-sight lost.
Shew me a mistress, that is passing fair;
What doth her beauty serve, but as a note,
Where I may read, who pass'd that passing fair?
Farewel, thou canst not teach me to forget.

Ben.
I'll pay that doctrine, or else die in debt.
[Exeunt. SCENE III. Enter Capulet, Paris, and Servant.

Cap.
And Montague is bound as well as I,
In penalty alike; and 'tis not hard
For men so old as we to keep the peace.

Par.
Of honourable reck'ning are you Both,
And, pity 'tis, you liv'd at odds so long:
But now, my lord, what say you to my Suit?

Cap.
But saying o'er what I have said before:
My child is yet a stranger in the world,
She hath not seen the Change of fourteen years;
Let two more summers wither in their pride,
Ere we may think her ripe to be a bride.

-- 14 --

Par.
Younger than she are happy mothers made.

Cap.
And too soon marr'd are those so early made:
The earth hath swallow'd all my hopes but she.
7 noteShe is the hopeful lady of my earth:
But woo her, gentle Paris, get her heart,
My will to her consent is but a part;
If she agree, within her scope of choice
Lies my consent, and fair according voice:
This night, I hold an old-accustom'd Feast,
Whereto I have invited many a guest,
Such as I love; and you, among the store,
One more, most welcome, makes my number more.
At my poor house, look to behold this night
8 note




Earth-treading stars that make dark Even light.
Such comfort as do lusty young men feel,
When well-apparel'd April on the heel
Of limping Winter treads, even such delight
Among fresh female-buds shall you this night
Inherit at my house; hear all, all see,
And like her most, whose merit most shall be:
Which on more view of many, mine, being one,
May stand in number, tho' in reck'ning none.
Come, go with me. Go, sirrah, trudge about,
Through fair Verona; find those persons out,
Whose names are written there; and to them say,
My house and welcome on their pleasure stay. [Exeunt Capulet and Paris.

Ser.

Find them out, whose names are written here?—It is written, that the Shoe-maker should

-- 15 --

meddle with his Yard, and the Tailor with his Last, the Fisher with his Pencil, and the Painter with his Nets. But I am sent to find those Persons, whose names are here writ; and can never find what names the writing person hath here writ. I must to the Learned.—In good time,—

Enter Benvolio and Romeo.

Ben.
Tut, man! one fire burns out another's burning,
  One pain is lessen'd by another's Anguish:
Turn giddy, and be help'd by backward turning;
  One desperate grief cure with another's Languish:
Take thou some new infection to the eye,
And the rank poyson of the old will die.

Rom.
Your plantan leaf is excellent for That.

Ben.
For what, I pray thee?

Rom.
For your broken shin.

Ben.
Why, Romeo, art thou mad?

Rom.
Not mad, but bound more than a mad-man is:
Shut up in prison, kept without my food,
Whipt and tormented: and—Good-e'en, good fellow.
[To the Servant.

Ser.
God gi' good e'en: I pray, Sir, can you read?

Rom.
Ay, mine own fortune in my misery.

Ser.
Perhaps you have learn'd it without book: but, I pray,
Can you read any thing you see?

Rom.
Ay, if I know the letters and the language.

Ser.
Ye say honestly, rest you merry.—

Rom.
Stay, fellow, I can read. [He reads the letter.]

Signior Martino, and his wife and daughters: Count Anselm and his beauteous sisters; the lady widow of Vitruvio; Signior Placentio, and his lovely neices; Mercutio and his brother Valentine; mine uncle Capulet,

-- 16 --

his wife and daughters; my fair niece Rosaline; Livia; Signior Valentio, and his cousin Tybalt; Lucio, and the lively Helena.


9 note


A fair assembly; whither should they come?

Ser.

Up.—

Rom.

Whither?

Ser.

To supper, to our house.

Rom.

Whose house?

Ser.

My master's.

Rom.
Indeed, I should have askt you that before.

Ser.

Now I'll tell you without asking. My master is the great rich Capulet, and if you be not of the House of Montagues, I pray, come and crush a cup of wine. Rest you merry.

[Exit.

Ben.
At this same antient Feast of Capulet's
Sups the fair Rosaline, whom thou so lov'st;
With all th' admired beauties of Verona.
Go thither, and, with unattained note eye,
Compare her face with some that I shall show,
And I will make thee think thy Swan a Crow.

Rom.
When the devout religion of mine eye
  Maintains such falsehoods, then turn tears to fires!
And these, who, often drown'd, could never die,
  Transparent hereticks, be burnt for liars!
One fairer than my love! th' all-seeing Sun
Ne'er saw her match, since first the world begun.

Ben.
Tut! tut! you saw her fair, none else being by;
Her self pois'd with herself, in either eye:
But in those crystal scales, let there be weigh'd
Your Lady's love against some other maid,

-- 17 --


That I will shew you, shining at this feast;
And she will shew scant well, that now shews best.

Rom.
I'll go along, no such fight to be shewn;
But to rejoice in splendor of mine own.
[Exeunt. SCENE IV. Changes to Capulet's House. Enter Lady Capulet, and Nurse.

La. Cap.

Nurse, where's my daughter? call her forth to me.

Nurse.

Now (by my maiden-head, at twelve Years old) I bade her come; what, lamb,—what, lady-bird, God forbid!—where's this girl? what, Juliet?

Enter Juliet.

Jul.

How now, who calls?

Nurse.

Your mother.

Jul.

Madam, I am here, what is your will?

La. Cap.

This is the matter—Nurse, give leave a while, we must talk in secret; Nurse, come back again, I have remember'd me, thou shalt hear our counsel: thou know'st, my daughter's of a pretty age.

Nurse.

Faith, I can tell her age unto an hour.

La. Cap.

She's not fourteen.

Nurse.

I'll lay fourteen of my teeth, (and yet to my teen be it spoken, I have but four;) she's not fourteen; how long is it now to Lammas-tide?

La. Cap.

A fortnight and odd days.

&plquo;Nurse.

&plquo;Even or odd, of all days in the year, come Lammas eve at night, shall she be fourteen. Susan and she (God rest all christian souls!) were of an age. Well, Susan is with God, she was too good for me. But as I said on Lammas-eve at night shall she be fourteen, that shall she, marry, I remember

-- 18 --

it well. 'Tis since the earthquake now eleven years, and she was wean'd; I never shall forget it, of all the days in the year, upon that day; for I had then laid worm-wood to my dug, sitting in the Sun under the Dove-house wall, my lord and you were then at Mantua—nay, I do bear a brain. But, as I said, when it did taste the worm-wood on the nipple of my dug, and felt it bitter, pretty fool, to see it teachy, and fall out with the dug. Shake, quoth the Dove-house—'twas no need, I trow, to bid me trudge; and since that time it is eleven years, for then she could stand alone; nay, by th' rood, she could have run, and waddled all about; for even the day before she broke her brow, and then my husband, (God be with his soul, a' was a merry man;) took up the child; yea, quoth he, dost thou fall upon thy face? thou wilt fall backward when thou hast more wit, wilt thou not, Julé? and by my holy dam, the pretty wretch left crying, and said, ay; To see now, how a jest shall come about.—I warrant, an' I should live a thousand years, I should not forget it: Wilt thou not, Julé, quoth he? and, pretty fool, it stinted, and said, ay.&prquo;

La. Cap.

Enough of this, I pray thee, hold thy peace.

1 noteNurse.

Yes, Madam; yet I cannot chuse but laugh, to think it should leave crying, and say, ay; and yet, I warrant, it had upon its brow a bump as big as a young cockrel's stone: a perilous knock, and it cried bitterly. Yea, quoth my husband, fall'st upon thy face? thou wilt fall backward when thou comest to age, wilt thou not, Julé? it stinted, and said, ay.

Jul.
And stint thee too, I pray thee, nurse, say I.

-- 19 --

Nurse.
Peace, I have done: God mark thee to his grace!
Thou wast the prettiest Babe, that e'er I nurst.
An' I might live to see thee married once,
I have my wish.

La. Cap.
And that same marriage is the very theam
I came to talk of. Tell me, daughter Juliet,
How stands your disposition to be married?

Jul.
It is an honour that I dream not of.

Nurse.
An honour? were not I thine only nurse,
I'd say, thou had'st suck'd wisdom from thy teat.

La. Cap.
Well, think of marriage now; younger than you
Here in Verona, ladies of esteem,
Are made already mothers. By my count,
I was your mother much upon these years
That you are now a maid. Thus, then, in brief;
The valiant Paris seeks you for his love.

Nurse.
A man, young lady, lady, such a man
As all the world—Why, he's a man of wax.

La. Cap.
Verona's summer hath not such a flower.

Nurse.
Nay, he's a flower; in faith, a very flower.

2 noteLa. Cap.
What say you, can you like the Gentleman?
This night you shall behold him at our Feast;
Read o'er the Volume of young Paris' Face,
And find Delight writ there with Beauty's pen;
Examine ev'ry sev'ral Lineament,
And see, how one another lends Content:
And what obscur'd in this fair Volume lies,
Find written in the Margent of his Eyes.
This precious book of Love, this unbound Lover,
To beautify him only lacks a Cover.
The fish lives in the Sea, and 'tis much pride,

-- 20 --


For Fair without the Fair within to hide.
That Book in many Eyes doth share the Glory,
That in gold clasps locks in the golden Story.
So, shall you share all that he doth possess,
By having him, making yourself no less.

Nurse.
No less? Nay, bigger; Women grow by Men.

La. Cap.
Speak briefly, can you like of Paris' love?

Jul.
I'll look to like, if looking liking move.
But no more deep will I indart mine eye,
Than your consent gives strength to make it fly.
Enter a Servant.

Ser.

Madam, the guests are come, supper serv'd up, you call'd, my young lady ask'd for, the nurse curst in the pantry, and every thing in extremity. I must hence to wait; I beseech you, follow strait.

La. Cap.
We follow thee. Juliet, the County stays.

Nurse.
Go, girl, seek happy nights to happy days.
[Exeunt. SCENE V. A Street before Capulet's House. Enter Romeo, Mercutio, Benvolio, with five or six other maskers, torch-bearers, and drums.

Rom.
What, shall this speech be spoke for our excuse?
Or shall we on without apology?

Ben.
3 noteThe date is out of such prolixity.

-- 21 --


We'll have no Cupid, hood-wink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crow-keeper:
4 noteNor a without-book prologue faintly spoke
After the prompter, for our entrance.
But let them measure us by what they will,
We'll measure them a measure, and be gone.

Rom.
Give me a torch, I am not for this ambling.
Being but heavy, I will bear the Light.

Mer.
Nay, gentle Romeo, we must have you dance.

Rom.
Not I, believe me; you have dancing shoes
With nimble soles; I have a soul of lead,
So stakes me to the ground, I cannot move.

5 noteMer.
You are a Lover; borrow Cupid's Wings,
And soar with them above a common Bound.

Rom.
I am too sore enpearced with his Shaft,
To soar with his light Feathers: and so bound,
I cannot bound a pitch above dull Woe:
Under Love's heavy burthen do I sink.

Mer.
And to sink in it, should you burthen Love:
Too great Oppression for a tender Thing!

Rom.
Is Love a tender Thing? It is too rough,
Too rude, too boist'rous; and it pricks like Thorn.

Mer.
If Love be rough with you, be rough with Love;
Prick Love for pricking, and you beat Love down.
Give me a Case to put my visage in? [Pulling off his Mask.
A Visor for a Visor?—what care I,
What curious eye doth quote deformities?
Here are the beetle-brows shall blush for me.

-- 22 --

Ben.
Come, knock and enter; and no sooner in,
But ev'ry man betake him to his legs.

Rom.
A torch for me. Let wantons, light of heart,
Tickle the senseless rushes with their heels;
For I am proverb'd with a grandsire-phrase;
I'll be a candle-holder, and look on.
The game was ne'er so fair, and I am done.

Mer.
6 note




Tut! dun's the mouse, the constable's own word;
If thou art dun, we'll draw thee from the mire;
Or, save your reverence, Love, wherein thou stickest
Up to thine ears: come, we burn day-light, ho.

Rom.
Nay, that's not so.

-- 23 --

Mer.
I mean, Sir, in delay
We burn our lights by light, and lamps by day.
Take our good meaning, for our judgment sits
Five times in That, ere once in our fine wits.

Rom.
And we mean well in going to this mask;
But 'tis no wit to go.

Mer.
Why, may one ask?

Rom.
I dreamt a dream to night.

Mer.
And so did I.

Rom.
Well; what was yours?

Mer.
That dreamers often lie.

Rom.
—In bed asleep; while they do dream things true.

&plquo;Mer.
&plquo;7 note




O then I see, Queen Mab hath been with you.
&plquo;She is the Fancy's mid-wife, 8 note



and she comes
&plquo;In shape no bigger than an agat-stone

-- 24 --


&plquo;On the fore-finger of an alderman;
&plquo;Drawn with a team of little atomies,
&plquo;Athwart mens' noses as they lie asleep:
&plquo;Her waggon-spokes made of long spinners' legs;
&plquo;The cover, of the wings of grashoppers;
&plquo;The traces, of the smallest spider's web;
&plquo;The collars, of the moonshine's watry beams;
&plquo;Her whip, of cricket's bone; the lash, of film;
&plquo;Her waggoner a small grey-coated gnat,
&plquo;Not half so big as a round little worm,
&plquo;Prickt from the lazy finger of a maid.
&plquo;Her chariot is an empty hazel-nut,
&plquo;Made by the joyner squirrel, or old grub,
&plquo;Time out of mind the fairies' coach-makers:
&plquo;And in this state she gallops, night by night,
&plquo;Through lovers' brains, and then they dream of love:
&plquo;On courtiers' knees, that dream on curtsies strait:
&plquo;O'er lawyers' fingers, who strait dream on fees:
&plquo;O'er ladies' lips, who strait on kisses dream,
&plquo;Which oft the angry Mab with blisters plagues,
&plquo;Because their breaths with sweet-meats tainted are.
&plquo;9 note



Sometimes she gallops o'er a courtier's nose,
&plquo;And then dreams he of smelling out a suit:

-- 25 --


&plquo;And sometimes comes she with a tithe-pig's tail,
&plquo;Tickling the parson as he lies asleep;
&plquo;Then dreams he of another Benefice.
&plquo;Sometimes she driveth o'er a soldier's neck,
&plquo;And then he dreams of cutting foreign throats,
&plquo;Of breaches, ambuscadoes, Spanish blades,

-- 26 --


&plquo;Of healths five fathom deep; and then anon
&plquo;Drums in his ears, at which he starts and wakes;
&plquo;And being thus frighted, swears a prayer or two,
&plquo;And sleeps again. This is that very Mab,
&plquo;That plats the manes of horses in the night,
&plquo;1 noteAnd cakes the elf-locks in foul sluttish hairs,
&plquo;Which, once untangled, much misfortune bodes.
&plquo;This is the hag, when maids lie on their backs,
&plquo;That presses them, and learns them first to bear;
&plquo;Making them women of good carriage:
&plquo;This is she—

Rom.
Peace, peace, Mercutio, peace;
Thou talk'st of nothing.

Mer.
True, I talk of dreams;
Which are the children of an idle brain,
Begot of nothing, but vain phantasie;
Which is as thin of substance as the air,
And more unconstant than the wind; who wooes
Ev'n now the frozen bosom of the north,
And, being anger'd, puffs away from thence,
Turning his face to the dew-dropping south.

Ben.
This wind, you talk of, blows us from our selves;
Supper is done, and we shall come too late.

Rom.
I fear, too early; for my mind misgives,
Some consequence, yet hanging in the Stars,
Shall bitterly begin his fearful date
With this night's revels; and expire the term
Of a despised life clos'd in my breast,
By some vile forfeit of untimely death.
But he, that hath the steerage of my course,
2 noteDirect my suit! On, lusty Gentlemen.

Ben.
Strike, drum.
[They march about the Stage, and Exeunt.

-- 27 --

SCENE VI. Changes to a Hall in Capulet's House. Enter Servants, with Napkins.

&wlquo;1 Ser.

&wlquo;Where's Potpan, that he helps not to take away; he shift a trencher! he scrape a trencher!&wrquo;

&wlquo;2 Ser.

&wlquo;When good manners shall lie all in one or two mens' hands, and they unwash'd too, 'tis a foul thing.&wrquo;

&wlquo;1 Ser.

&wlquo;Away with the joint-stools, remove the court-cup-board, look to the plate: good thou, save me a piece of march-pane; and, as thou lovest me, let the porter let in Susan Grindstone, and Nell. Antony, and Potpan—&wrquo;

&wlquo;2 Ser.

&wlquo;Ay, boy, ready.&wrquo;

&wlquo;1 Ser.

&wlquo;You are look'd for, call'd for, ask'd for, and sought for, in the great chamber.&wrquo;

&wlquo;2 Ser.

&wlquo;We cannot be here and there too; cheerly, boys; be brisk a while, and the longer liver take all.&wrquo;

[Exeunt. Enter all the Guests and Ladies, with the maskers.

1 Cap.
Welcome, Gentlemen. Ladies, that have your feet
Unplagu'd with corns, we'll have a bout with you.
Ah me, my mistresses, which of you all
Will now deny to dance? she that makes dainty,
I'll swear, hath corns; am I come near you now?
Welcome, all, Gentlemen; I've seen the day
That I have worn a visor, and could tell
A whispering tale in a fair lady's ear,
Such as would please: 'tis gone; 'tis gone; 'tis gone! [Musick plays, and they dance.
More light, ye knaves, and turn the tables up;

-- 28 --


And quench the fire, the room is grown too hot.
Ah, Sirrah, this unlook'd-for sport comes well.
Nay, sit; nay, sit, good cousin Capulet,
For you and I are past our dancing days:
How long is't now since last your self and I
Were in a mask?

2 Cap.
By'r lady, thirty years.

1 Cap.
What, man! 'tis not so much, 'tis not so much;
'Tis since the nuptial of Lucentio,
Come Pentecost as quickly as it will,
Some five and twenty years, and then we mask'd.

2 Cap.
'Tis more, 'tis more; his son is elder, Sir:
His son is thirty.

1 Cap.
Will you tell me that?
His son was but a ward two years ago.

Rom.
What lady's That, which doth enrich the hand
Of yonder knight?

Ser.
I know not, Sir.

Rom.
O, she doth teach the torches to burn bright;
&wlquo;Her beauty hangs upon the cheek of night,
&wlquo;Like a rich jewel in an Æthiop's ear:
Beauty too rich for use, for earth too dear!
So shews a snowy dove trooping with crows,
As yonder lady o'er her fellows shows.
The measure done, I'll watch her place of Stand,
And, touching hers, make happy my rude hand.
Did my heart love 'till now? forswear it, sight;
I never saw true beauty 'till this night.

Tyb.
This by his voice should be a Montague.
Fetch me my rapier, boy: what! dares the slave
Come hither cover'd with an antick face,
To fleer and scorn at our solemnity?
Now by the stock and honour of my kin,
To strike him dead I hold it not a sin.

-- 29 --

Cap.
Why, how now, kinsman, wherefore storm you so?

Tyb.
Uncle, this is a Montague, our foe:
A villain, that is hither come in spight,
To scorn at our solemnity this night.

Cap.
Young Romeo, is't?

Tyb.
That villain Romeo.

Cap.
Content thee, gentle coz, let him alone;
He bears him like a portly Gentleman:
And, to say truth, Verona brags of him,
To be a virtuous and well-govern'd youth.
I would not for the wealth of all this town,
Here in my house, do him disparagement.
Therefore be patient, take no note of him;
It is my will, the which if thou respect,
Shew a fair presence, and put off these frowns,
An ill-beseeming semblance for a feast.

Tyb.
It fits, when such a villain is a guest.
I'll not endure him.

&wlquo;Cap.
&wlquo;He shall be endur'd.
&wlquo;What, goodman boy—I say, he shall. Go to—
&wlquo;Am I the master here, or you? go to—
&wlquo;You'll not endure him! God shall mend my soul,
&wlquo;You'll make a mutiny among my guests!
&wlquo;You will set cock-a-hoop? you'll be the man?

Tyb.
Why, uncle, 'tis a shame.

&wlquo;Cap.
&wlquo;Go to, go to,
&wlquo;You are a saucy boy—is't so, indeed?—
&wlquo;This trick may chance to scathe you; I know what.
&wlquo;You must contrary me! Marry, 'tis time.
&wlquo;Well said, my hearts:—You are a Princox, go:—
&wlquo;Be quiet, or (more light, more light, for shame)
&wlquo;I'll make you quiet—What? cheerly, my hearts.

Tyb.
Patience perforce, with wilful choler meeting,
Makes my flesh tremble in their different Greeting.

-- 30 --


I will withdraw; but this intrusion shall,
Now seeming sweet, convert to bitter gall.

Rom.
3 note


If I profane with my unworthy hand [To Juliet.
  This holy shrine, the gentle Fine is this;
My lips, two blushing pilgrims, ready stand,
  To smooth that rough Touch with a tender kiss.

Jul.
Good pilgrim, you do wrong your hand too much,
  Which mannerly devotion shews in this;
For Saints have hands that pilgrims' hands do touch,
  And palm to palm is holy palmers' kiss.

Rom.
Have not saints lips, and holy palmers too?

Jul.
Ay, pilgrim, lips that they must use in prayer.

Rom.
O then, dear saint, let lips do what hands do:
They pray, (grant thou) lest faith turn to despair.

Jul.
Saints do not move, yet grant for prayers' sake.

Rom.
Then move not, while my prayers' effect I take:
Thus from my lips, by thine, my sin is purg'd.
[Kissing her.

Jul.
Then have my lips, the sin that late they took.

Rom.
Sin from my lips! O trespass, sweetly urg'd!
Give me my sin again.

Jul.
You kiss by th' book.

Nurse.
Madam, your mother craves a word with you.

Rom.
What is her mother?
[To her Nurse.

-- 31 --

Nurse.
Marry, batchelor,
Her mother is the lady of the house,
And a good lady, and a wise and virtuous.
I nurs'd her daughter, that you talkt withal:
I tell you, he, that can lay hold of her,
Shall have the chink.

Rom.
Is she a Capulet?
O dear account! my life is my foe's debt.

Ben.
Away, be gone, the sport is at the best.

Rom.
Ay, so I fear, the more is my unrest.

Cap.
Nay, Gentlemen, prepare not to be gone,
We have a trifling foolish banquet towards.
Is it e'en so? why, then, I thank you all.
I thank you, honest Gentlemen, good night:
More torches here—come on, then let's to bed,
Ah, sirrah, by my fay, it waxes late.
I'll to my Rest.
[Exeunt.

Jul.
Come hither, nurse. What is yon gentleman?

Nurse.
The son and heir of old Tiberio.

Jul.
What's he, that now is going out of door?

Nurse.
That, as I think, is young Petruchio.

Jul.
What's he, that follows here, that would not dance?

Nurse.
I know not.

Jul.
Go, ask his name.—If he be married,
My Grave is like to be my wedding-bed.

Nurse.
His name is Romeo, and a Montague,
The only son of your great enemy.

Jul.
My only love sprung from my only hate!
Too early seen, unknown; and known too late;
Prodigious birth of love it is to me,
That I must love a loathed enemy.

Nurse.
What's this? what's this?

Jul.
A rhime I learn'd e'en now
Of one I danc'd withal.
[One calls within, Juliet.

Nurse.
Anon, anon—
Come, let's away, the strangers all are gone.
[Exeunt.

-- 32 --

Enter 4 noteCHORUS.
Now old Desire doth on his death-bed lie,
  And young Affection gapes to be his heir:
That Fair, for which love groan'd sore, and would die,
  With tender Juliet match'd, is now not fair.
Now Romeo is belov'd, and loves again,
  Alike bewitch'd by the charm of looks:
But to his foe suppos'd he must complain,
  And she steal love's sweet bait from fearful hooks.
Being held a foe, he may not have access
  To breathe such vows as lovers use to swear;
And she, as much in love, her means much less,
  To meet her new-beloved any where:
But passion lends them power, Time means, to meet;
Temp'ring extremities with extream sweet. [Exit Chorus.
ACT II. SCENE I. The STREET. Enter Romeo alone.

Romeo.
Can I go forward when my heart is here?
Turn back, dull earth, and find thy center out.
[Exit. Enter Benvolio, with Mercutio.

Ben.
Romeo, my cousin Romeo.

Mer.
He is wise,
And, on my life, hath stoln him home to bed.

-- 33 --

Ben.
He ran this way, and leap'd this orchard-wall.
Call, good Mercutio.

Mer.
Nay, I'll conjure too.
Why, Romeo! humours! madman! passion! lover!
Appear thou in the likeness of a Sigh,
Speak but one Rhime, and I am satisfied.
Cry but Ah me! couple but love and dove,
Speak to my gossip Venus one fair word,
One nick-name to her pur-blind son and heir:
(Young Abraham Cupid, he that shot so true,
1 noteWhen King Cophetua lov'd the beggar-maid—)
He heareth not, he stirreth not, he moveth not,
The ape is dead, and I must conjure him.
I conjure thee by Rosaline's bright eyes,
By her high fore-head, and her scarlet lip,
By her fine foot, straight leg, and quivering thigh,
And the demeasns that there adjacent lie,
That in thy likeness thou appear to us.

Ben.
An' if he hear thee, thou wilt anger him.

Mer.
This cannot anger him: 'twould anger him,
To raise a spirit in his mistress' circle,
Of some strange nature, letting it there stand
'Till she had laid it, and conjur'd it down;
That were some spight. My invocation is
Honest and fair, and, in his mistress' name,
I conjure only but to raise up him.

Ben.
Come, he hath hid himself among these trees,
To be consorted with the hum'rous night:
Blind is his love, and best befits the dark.

Mer.
If love be blind, love cannot hit the mark.
Now will he sit under a medlar tree,
And wish his mistress were that kind of fruit,
Which maids call medlars, when they laugh alone.—
Romeo, good-night; I'll to my truckle-bed,

-- 34 --


This field-bed is too cold for me to sleep:
Come, shall we go?

Ben.
Go then, for 'tis in vain
To seek him here that means not to be found.
[Exeunt. SCENE II. Changes to Capulet's Garden. Enter Romeo.

Rom.
He jests at scars, that never felt a wound—
But, soft! what light thro' yonder window breaks?
It is the East, and Juliet is the Sun! [Juliet appears above, at a window.
Arise, fair Sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou, her maid, art far more fair than she.
Be not her maid, since she is envious:
Her vestal livery is but sick and green,
And none but fools do wear it; cast it off—
She speaks, yet she says nothing; what of that?
Her eye discourses; I will answer it—
I am too bold, 'tis not to me she speaks:
Two of the fairest stars of all the heav'n,
Having some business, do intreat her eyes
To twinkle in their spheres 'till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As day-light doth a lamp; her eyes in heav'n
Would through the airy region stream so bright,
That birds would sing, and think it were not night:
See, how she leans her cheek upon her hand!
O that I were a glove upon that hand,
That I might touch that cheek!

Jul.
Ah me!

-- 35 --

Rom.
She speaks.
Oh, speak again, bright angel! for thou art
As glorious to this (a) note Sight being o'er my head,
As is a winged messenger from heav'n,
Unto the white-upturned, wondring, eyes
Of mortals, that fall back to gaze on him;
When he bestrides 2 notethe lazy-pacing clouds,
And sails upon the bosom of the air.

Jul.
O Romeo, Romeo—wherefore art thou Romeo?
Deny thy father, and refuse thy name:
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.

Rom.
Shall I hear more, or shall I speak at this?
[Aside.

Jul.
'Tis but thy name that is my enemy:
3 noteThou art thy self, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face—nor any other part.
What's in a name? that which we call a rose,
By any other name would smell as sweet.
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes,
Without that title; Romeo, quit thy name;
And for thy name, which is no part of thee,
Take all my self.

Rom.
I take thee at thy word:
Call me but love, and I'll be new baptiz'd,
Henceforth I never will be Romeo.

Jul.
What man art thou, that thus, bescreen'd in night,

-- 36 --


So stumblest on my counsel?

Rom.
By a name
I know not how to tell thee who I am:
My name, dear Saint, is hateful to my self,
Because it is an enemy to thee.
Had I it written, I would tear the word.

Jul.
My ears have yet not drunk a hundred words
Of that tongue's uttering, yet I know the sound.
Art thou not Romeo, and a Montague?

Rom.
Neither, fair Saint, if either thee dislike.

Jul.
How cam'st thou hither, tell me, and wherefore?
The orchard-walls are high, and hard to climb;
And the place death, considering who thou art,
If any of my kinsmen find thee here.

Rom.
With love's light wings did I o'er-perch these walls,
For stony limits cannot hold love out;
And what love can do, that dares love attempt:
Therefore thy kinsmen are no stop to me.

Jul.
If they do see thee, they will murther thee.

Rom.
Alack! there lies more peril in thine eye,
Than twenty of their swords; look thou but sweet,
And I am proof against their enmity.

Jul.
I would not for the world, they saw thee here.

Rom.
I have night's cloak to hide me from their eyes,
And but thou love me, let them find me here;
My life were better ended by their hate,
Than death prorogued, wanting of thy love.

Jul.
By whose direction found'st thou out this place?

Rom.
By love, that first did prompt me to enquire;
He lent me counsel, and I lent him eyes:
I am no Pilot, yet wert thou as far
As that vast shore, wash'd with the farthest sea,
I would adventure for such merchandise.

-- 37 --

Jul.
Thou know'st, the mask of night is on my face,
Else would a maiden-blush bepaint my cheek
For that which thou hast heard me speak to night.
Fain would I dwell on form; fain, fain, deny
What I have spoke—but farewel compliment!
Dost thou love me? I know, thou wilt say, ay;
And I will take thy word—yet if thou swear'st,
Thou may'st prove false; at lovers' perjuries,
They say, Jove laughs. Oh, gentle Romeo,
If thou dost love, pronounce it faithfully:
Or if you think, I am too quickly won,
I'll frown and be perverse, and say thee nay,
So thou wilt woe note: but, else, not for the world.
In truth, fair Montague, I am too fond;
And therefore thou may'st think my 'haviour light;
But trust me, Gentleman, I'll prove more true,
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou over-heard'st, ere I was 'ware,
My true love's Passion; therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.

Rom.
Lady, by yonder blessed moon I vow,
That tips with silver all these fruit-tree tops.—

Jul.
O swear not by the moon, th' inconstant moon,
That monthly changes in her circled orb;
Lest that thy love prove likewise variable.

Rom.
What shall I swear by?

Jul.
Do not swear at all;
Or, if thou wilt, swear by thy gracious self,
Which is the God of my idolatry,
And I'll believe thee.

Rom.
If my true heart's love—

Jul.
Well, do not swear—although I joy in thee,
I have no joy of this contract to night;
It is too rash, too unadvis'd, too sudden,
Too like the lightning, which doth cease to be,

-- 38 --


Ere one can say, it lightens—Sweet, good night.
This bud of love by summer's ripening breath
May prove a beauteous flower, when next we meet:
Good night, good night—as sweet Repose and Rest
Come to thy heart, as that within my breast!

Rom.
O, wilt thou leave me so unsatisfied?

Jul.
What satisfaction canst thou have to night?

Rom.
Th' exchange of thy love's faithful vow for mine.

Jul.
I gave thee mine, before thou did'st request it:
And yet I would, it were to give again.

Rom.
Wouldst thou withdraw it? for what purpose, love?

Jul.
But to be frank, and give it thee again.
And yet I wish but for the thing I have:
My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
I hear some noise within; dear love, adieu! [Nurse calls within.
Anon, good nurse:—Sweet Montague, be true:
Stay but a little, I will come again.
[Exit.

Rom.
O blessed, blessed night! I am afraid,
Being in night, all this is but a dream;
Too flattering-sweet to be substantial.
Re-enter Juliet above.

Jul.
Three words, dear Romeo, and good night, indeed:
If that thy bent of love be honourable,
Thy purpose marriage, send me word to morrow,
By one that I'll procure to come to thee,
Where and what time thou wilt perform the rite;
And all my fortunes at thy foot I'll lay,
And follow thee, my love, throughout the world. [Within: Madam.
I come, anon—but if thou mean'st not well,

-- 39 --


I do beseech thee—[Within: Madam.] By and by, I come—
To cease thy suit, and leave me to my grief.
To morrow will I send.

Rom.
So thrive my soul,—

Jul.
A thousand times, good night.
[Exit.

Rom.
A thousand times the worse, to want thy light.
Love goes tow'rd love, as school-boys from their books;
But love from love, tow'rds school with heavy looks.
Enter Juliet again.

Jul.
Hist! Romeo, hist! O for a falkner's voice,
To lure this Tassel gentle back again—
Bondage is hoarse, and may not speak aloud;
Else would I tear the cave where Echo lies,
And make her airy tongue more hoarse than mine,
With repetition of my Romeo.

Rom.
It is my love that calls upon my name,
How silver-sweet sound lovers' tongues by night,
Like softest musick to attending ears!

Jul.
Romeo!

Rom.
My Sweet!

Jul.
At what o' clock to morrow
Shall I send to thee?

Rom.
By the hour of nine.

Jul.
I will not fail, 'tis twenty years 'till then,—
I have forgot why I did call thee back.

Rom.
Let me stand here 'till thou remember it.

Jul.
I shall forget, to have thee still stand there;
Remembring how I love thy company.

Rom.
And I'll still stay to have thee still forget,
Forgetting any other home but this.

&plquo;Jul.
&plquo;'Tis almost morning. I would have thee gone,
&plquo;And yet no further than a Wanton's bird,
&plquo;That lets it hop a little from her hand,
&plquo;Like a poor prisoner in his twisted gyves,
&plquo;And with a silk thread plucks it back again,

-- 40 --


&plquo;So loving-jealous of his liberty.

Rom.
I would, I were thy bird.

Jul.
Sweet, so would I;
Yet I should kill thee with much cherishing.
Good night, good night. Parting is such sweet sorrow,
That I shall say good night, 'till it be morrow.
[Exit.

Rom.
Sleep dwell upon thine eyes, peace in thy breast!
'Would I were sleep and peace, so sweet to rest!
Hence will I to my ghostly Friar's close Cell,
His help to crave, and my dear hap to tell.
[Exit. SCENE III. Changes to a Monastery. Enter Friar Lawrence, with a basket.

Fri.
4 noteThe grey-ey'd morn smiles on the frowning night,
Check'ring the eastern clouds with streaks of light:
And darkness flecker'd, like a drunkard, reels
From forth day's path, and Titan's burning wheels.
Now ere the Sun advance his burning eye,
The day to chear, and night's dank dew to dry,
I must fill up this osier-cage of ours
With baleful weeds, and precious-juiced flowers.
The earth, that's Nature's mother, is her tomb;
What is her burying Grave, that is her womb;
And from her womb children of divers kind
We sucking on her natural bosom find:
Many for many virtues excellent,
None but for some, and yet all different.
O, mickle is the powerful grace, that lies
In plants, herbs, stones, and their true qualities.
Nor nought so vile, that on the earth doth live,
But to the earth some special good doth give:

-- 41 --


Nor aught so good, but, strain'd from that fair use,
Revolts from true Birth, stumbling on abuse.
Virtue itself turns vice, being misapplied;
And vice sometime by action's dignified.
Within the infant rind of this small flower
5 note


Poison hath residence, and medicine power:
For this being smelt, with that sense chears each part:
Being tasted, slays all senses with the heart.
6 noteTwo such opposed Kin encamp them still
In man, as well as herbs, Grace and rude Will:
And where the worser is predominant,
Full-soon the canker death eats up that plant. Enter Romeo.

Rom.
Good morrow, father.

Fri.
Benedicite!
What early tongue so sweet saluteth me?
Young son, it argues a distemper'd head
So soon to bid good morrow to thy bed:
Care keeps his watch in every old man's eye,
And, where care lodgeth, sleep will never lye:
But where unbruised youth with unstuft brain
Doth couch his limbs, there golden sleep doth reign.
Therefore thy earliness doth me assure,
Thou art uprouz'd by some distemp'rature;
Or if not so, then here I hit it right,
Our Romeo hath not been in bed to night.

-- 42 --

Rom.
That last is true, the sweeter Rest was mine.

Fri.
God pardon sin! wast thou with Rosaline?

Rom.
With Rosaline, my ghostly father? no.
I have forgot that name, and that name's woe.

Fri.
That's my good son: but where hast thou been then?

Rom.
I'll tell thee, ere thou ask it me again;
I have been feasting with mine enemy;
Where, on a sudden, one hath wounded me,
That's by me wounded; both our remedies
Within thy help and holy physick lies;
I bear no hatred, blessed man, for, lo,
My intercession likewise steads my foe.

Fri.
Be plain, good son, and homely in thy drift;
Riddling confession finds but riddling shrift.

Rom.
Then plainly know, my heart's dear love is set
On the fair daughter of rich Capulet;
As mine on hers, so hers is set on mine;
And all combin'd; save what thou must combine
By holy marriage: When, and where, and how,
We met, we woo'd, and made exchange of vow,
I'll tell thee as we pass; but this I pray,
That thou consent to marry us this day.

Fri.
Holy saint Francis, what a change is here!
Is Rosaline, whom thou didst love so dear,
So soon forsaken? young mens' love then lyes
Not truly in their hearts, but in their eyes.
Jesu Maria! what a deal of brine
Hath washt thy sallow cheeks for Rosaline?
How much salt-water thrown away in waste,
To season love, that of it doth not taste?
The Sun not yet thy sighs from heaven clears,
Thy old groans ring yet in my antient ears:
Lo, here upon thy cheek the stain doth sit
Of an old tear, that is not wash'd off yet.
If e'er thou wast thy self, and these woes thine,
Thou and these woes were all for Rosaline.

-- 43 --


And art thou chang'd? pronounce this sentence then,
Women may fall, when there's no strength in men.

Rom.
Thou chid'st me oft for loving Rosaline.

Fri.
For doating, not for loving, Pupil mine.

Rom.
And bad'st me bury love.

Fri.
Not in a Grave,
To lay one in, another out to have.

Rom.
I pray thee, chide not: she, whom I love now,
Doth grace for grace, and love for love allow:
The other did not so.

Fri.
Oh, she knew well,
Thy love did read by rote, and could not spell.
But come, young waverer, come and go with me,
In one respect I'll thy assistant be!
For this alliance may so happy prove,
To turn your houshold-rancour to pure love.

Rom.
O let us hence, I stand on sudden haste.

Fri.
Wisely and slow; they stumble that run fast.
[Exeunt. SCENE IV. Changes to the Street. Enter Benvolio and Mercutio.

Mer.

Where the devil should this Romeo be? came he not home to night?

Ben.

Not to his father's, I spoke with his man.

Mer.

Why, that same pale, hard-hearted, wench, that Rosaline, torments him so, that he will, sure, run mad.

Ben.
Tybalt, the kinsman to old Capulet,
Hath sent a letter to his father's house.

Mer.

A challenge, on my life.

Ben.

Romeo will answer it.

Mer.

Any man, that can write, may answer a letter.

-- 44 --

Ben.

Nay, he will answer the letter's master, how he dares, being dar'd,

Mer.

Alas, poor Romeo, he is already dead! stabb'd with a white wench's black eye, run through the ear with a love-song; the very pin of his heart cleft with the blind bow-boy's but-shaft; and is he a man to encounter Tybalt?

Ben.

Why, what is Tybalt?

Mer.

7 noteMore than prince of cats?—Oh, he's the couragious captain of compliments; he fights as you sing prick-songs, keeps time, distance, and proportion; rests his minum, one, two, and the third in your bosom; the very butcher of a silk button, a duellist, a duellist; 8 notea gentleman of the very first house, of the first and second cause; ah, the immortal passado, the punto reverso, the, hay!—

Ben.

The what?

Mer.

The pox of such antick, lisping, affected phantasies, these new tuners of accents:—&wlquo;Jesu! a very good blade!—a very tall man!—a very good whore!—9 noteWhy, is not this a lamentable thing, grandsire! that we should be thus afflicted with these strange flies, these fashion-mongers, these pardonnez-moy's, who stand so much on the new form that they cannot sit at ease on the old bench? O, their bon's, their bon's!

Enter Romeo.

Ben.

Here comes Romeo, here comes Romeo.

Mer.

Without his roe, like a dried herring. O flesh, flesh, how art thou fishified? Now is he for the numbers

-- 45 --

that Petrarch flowed in: Laura to his lady was but a kitchin-wench; marry, she had a better love to berime her: Dido a dowdy, Cleopatra a gipsie, Helen and Hero hildings and harlots: 1 note


Thisbe a grey eye or so: But now to the purpose. Signior Romeo, bonjour; there's a French salutation to your French Slop. You gave us the counterfeit fairly last night.

Rom.

Good morrow to you Both: What counterfeit did I give you?

Mer.

The slip, Sir, the slip: can you not conceive?

Rom.

Pardon, good Mercutio, my business was great; and, in such a case as mine, a man may strain courtesy.

Mer.

That's as much as to say, such a case as yours constrains a man to bow in the hams.

Rom.

Meaning, to curt'sie.

Mer.

Thou hast most kindly hit it.

Rom.

A most courteous exposition.

Mer.

Nay, I am the very pink of courtesie.

Rom.

Pink for flower.—

Mer.

Right.

Rom.

Why, then is my pump well flower'd.

Mer.

Sure wit—follow me this jest, now, till thou hast worn out thy pump, that when the single sole of it is worn, the jest may remain, after the wearing, solely singular.

Rom.
O single-sol'd jest,
Solely singular, for the singleness!

Mer.
Come between us, good Benvolio, my wit faints.

Rom.
Switch and spurs.
Switch and spurs, or I'll cry a match.

-- 46 --

Mer.

Nay, if our wits run the wild-goose chase, I am done: for thou hast more of the wild-goose in one of thy wits, than, I am sure, I have in my whole five. Was I with you there for the goose?

Rom.

Thou wast never with me for any thing, when thou wast not there for the goose.

Mer.

I will bite thee by the ear for that jest.

Rom.

Nay, good goose, bite not.

Mer.
Thy wit is a very bitter sweeting,
It is a most sharp sawce.

Rom.

And is it not well serv'd in to a sweet goose?

Mer.

O, here's a wit of cheverel, that stretches from an inch narrow to an ell broad.

Rom.

I stretch it out for that word broad, which added to the goose, proves thee far and wide a broad goose.

Mer.

Why, is not this better, than groaning for love? Now thou art sociable; now art thou Romeo; now art thou what thou art, by art, as well as by nature; for this driveling love is like a great Natural, that runs lolling up and down to hide his bauble in a hole.

Ben.

Stop there, stop there.

Mer.

Thou desirest me to stop in my tale, against the hair.

Ben.

Thou wouldst else have made thy tale large.

Mer.

O, thou art deceiv'd, I would have made it short; for I was come to the whole depth of my tale, and meant, indeed, to occupy the argument no longer.

Enter Nurse, and Peter her Man.

Rom.

Here's goodly Geer: a Sayle! a Sayle!

Mer.

Two, two, a Shirt and a Smock.

Nurse.

Peter,—

Peter.

Anon?

Nurse.

My Fan, Peter.

Mer.

Do, good Peter, to hide her face; for her fan's the fairer of the two.

-- 47 --

Nurse.

God ye good morrow, gentlemen.

Mer.

God ye good den, fair genlewoman.

Nurse.

Is it good den?

Mer.

'Tis no less, I tell you; for the bawdy hand of the dial is now upon the prick of noon.

Nurse.

Out upon you! what a man are you?

Rom.

One, gentlewoman, that God hath made, himself to mar.

Nurse.

By my troth, it is well said: for himself to mar, quotha? Gentlemen, can any of you tell me where I may find the young Romeo.

Rom.

I can tell you: but young Romeo will be older when you have found him, than he was when you sought him: I am the youngest of that name, for fault of a worse.

Nurse.

You say well.

Mer.
Yea, is the worst well?
Very well took, i'faith, wisely, wisely.

Nurse.
If you be he, Sir,
I desire some confidence with you.

Ben.

She will indite him to some supper.

Mer.

A bawd, a bawd, a bawd. So ho!—

Rom.

What hast thou found?

Mer.

No hare, Sir, unless a hare, Sir, in a lenten pye, that is something stale and hoar ere it be spent.


An old hare hoar, and an old hare hoar, is very good meat in Lent.
But a hare, that is hoar, is too much for a score, when it hoars ere it be spent.
Romeo, will you come to your father's? we'll to dinner thither.

Rom.
I will follow you.

Mer.
Farewel, antient lady;
Farewel, lady, lady, lady.
[Exeunt Mercutio, Benvolio.

Nurse.

I pray you, Sir, what saucy merchant was this, that was so full of his ropery?

-- 48 --

Rom.

A gentleman, nurse, that loves to hear himself talk, and will speak more in a minute, than he will stand to in a month.

Nurse.

An a speak any thing against me, I'll take him down an' he were lustier than he is, and twenty such Jacks: and if I cannot, I'll find those that shall. Scurvy knave, I am none of his flirt-gills; I am none of his skains-mates. And thou must stand by too, and suffer every knave to use me at his pleasure?

[To her man.

Pet.

I saw no man use you at his pleasure: if I had, my weapon should quickly have been out, I warrant you. I dare draw as soon as another man, if I see occasion in a good quarrel, and the law on my side.

Nurse.

Now, afore God, I am so vext, that every part about me quivers—Scurvy knave! Pray you, Sir, a word: and as I told you, my young lady bid me enquire you out; what she bid me say, I will keep to my self: but first let me tell ye, if ye should lead her into a fool's paradise, as they say, it were a very gross kind of behaviour, as they say, for the gentlewoman is young; and therefore if you should deal double with her, truly, it were an ill thing to be offered to any gentlewoman, and very weak dealing.

Rom.

Commend me to thy lady and mistress, I protest unto thee—

Nurse.

Good heart, and, i'faith, I will tell her as much: Lord, lord, she will be a joyful woman.

Rom.

What wilt thou tell her, nurse? thou dost not mark me.

Nurse.

I will tell her, Sir, that you do protest; which as I take it, is a gentleman-like offer.

Rom.

Bid her devise some means to come to shrift this afternoon;


And there she shall at friar Laurence' Cell
Be shriv'd and married: here is for thy pains.

Nurse.
No, truly, Sir, not a penny.

-- 49 --

Rom.
Go to, I say, you shall.

Nurse.
This afternoon, Sir? well, she shall be there.

Rom.
And stay, good nurse, behind the abby-wall:
Within this hour my man shall be with thee,
And bring thee cords, made like a tackled stair,
Which to the high top-gallant of my joy
Must be my convoy in the secret night.
Farewel, be trusty, and I'll quit thy pains.

Nurse.
Now, God in heav'n bless thee! hark you, Sir.

Rom.
What sayest thou, my dear nurse?

Nurse.
Is your man secret? did you ne'er hear say,
Two may keep counsel, putting one away?

Rom.
I warrant thee, my man's as true as steel.

Nurse.

Well, Sir, my mistress is the sweetest lady; lord, lord! when 'twas a little prating thing—O,— there is a noble man in town, one Paris, that would fain lay knife aboard; but she, good soul, had as lieve see a toad, a very toad, as see him: I anger her sometimes, and tell her, that Paris is the properer man; but I'll warrant you, when I say so, she looks as pale as any clout in the versal world. Doth not Rosemary and Romeo begin both with a letter?

2 note




Rom.

Ay, nurse, what of that? both with an R.

Nurse.

Ah, mocker! that's the dog's name. R. is for Thee? No; I know, it begins with another letter;

-- 50 --

and she hath the prettiest sententious of it, of you and rosemary, that it would do you good to hear it.

Rom.

Commend me to thy lady— [Exit Rom.

Nurse.

Ay, a thousand times. Peter.—

Pet.

Anon?

Nurse.

3 noteTake my fan, and go before.

[Exeunt. SCENE V. Changes to Capulet's House. Enter Juliet.

Jul.
The clock struck nine, when I did send the nurse:
In half an hour she promis'd to return.
Perchance, she cannot meet him—That's not so—
Oh, she is lame: love's heralds should be thoughts,
Which ten times faster glide than the sun-beams,
Driving back shadows over lowring hills.
Therefore do nimble-pinion'd doves draw love,
And therefore hath the wind-swift Cupid wings.
Now is the Sun upon the highmost hill
Of this day's journey; and from nine 'till twelve
Is three long hours—and yet she is not come;
Had she affections and warm youthful blood,
She'd be as swift in motion as a ball;
My words would bandy her to my sweet love,
And his to me;

-- 51 --

Enter Nurse, with Peter.
O God, she comes. O honey Nurse, what news?
Hast thou met with him? send thy man away.

Nurse.
Peter, stay at the gate.
[Exit Peter.

Jul.
Now, good sweet Nurse,—
O lord, why look'st thou sad?
4 noteTho' news be sad, yet tell them merrily:
If good, thou sham'st the musick of sweet news,
By playing't to me with so sowre a face.

Nurse.
I am a weary, let me rest a while;
Fy, how my bones ake, what a jaunt have I had?

Jul.
I would, thou hadst my bones, and I thy news!
Nay, come, I pray thee, speak—Good, good nurse, speak.

Nurse.
5 noteJesu! what haste? Can you not stay a while?
Do you not see, that I am out of breath?

Jul.
How art thou out of breath, when thou hast breath,
To say to me, that thou art out of breath?
Th' Excuse, that thou dost make in this delay,
Is longer than the Tale thou dost excuse.
Is thy news good or bad? answer to that;
Say either, and I'll stay the circumstance:
Let me be satisfied, is't good or bad?

Nurse.

Well, you have made a simple choice; you know not how to chuse a man: Romeo, no, not he; 6 notethough his face be no better than another man's, yet his legs excel all men's; and for a hand, and a foot, and a body, tho' they be not to be talk'd on, yet they

-- 52 --

are past compare. 7 noteHe is not the flower of courtesie, but I warrant him, as gentle as a lamb—Go thy ways, wench, serve God—What, have you dined at home?

Jul.
No, no—but all this did I know before:
What says he of our marriage? what of that?

Nurse.
Lord, how my head akes! what a head have I?
It beats as it would fall in twenty pieces.
My back o'th' other side—O my back, my back:
Beshrew your heart, for sending me about
To catch my death with jaunting up and down.

Jul.
I'faith, I am sorry that thou art so ill.
Sweet, sweet, sweet nurse, tell me what says my love?

Nurse.
Your love says like an honest gentleman,
And a courteous, and a kind, and a handsome,
And, I warrant, a virtuous—where is your mother?

Jul.
Where is my mother?—why she is within;
Where should she be? how odly thou reply'st!
Your love says like an honest gentleman:—
Where is your mother?—

Nurse.
O, God's lady dear,
Are you so hot? marry, come up, I trow,
Is this the poultis for my aking bones?
Hence-forward do your messages yourself.

Jul.
Here's such a coil; come, what says Romeo?

Nurse.
Have you got leave to go to shrift to day?

Jul.
I have.

Nurse.
Then hie you hence to friar Laurence' cell,
There stays a husband to make you a wife.
Now comes the wanton blood up in your cheeks,
They'll be in scarlet straight at any news.
Hie you to church, I must another way,
To fetch a ladder, by the which your love
Must climb a bird's-nest soon, when it is dark.

-- 53 --


I am the drudge and toil in your delight,
But you shall bear the burthen soon at night.
Go, I'll to dinner, hie you to the cell.

Jul.
Hie to high fortune;—honest nurse, farewel.
[Exeunt. SCENE VI. Changes to the Monastery. Enter Friar Lawrence, and Romeo.

Fri.
So smile the heav'ns upon this holy Act,
That after-hours with sorrow chide us not!

Rom.
Amen, amen! but come what sorrow can,
It cannot countervail th' exchange of joy,
That one short minute gives me in her sight:
Do thou but close our hands with holy words,
Then love-devouring death do what he dare,
It is enough, I may but call her mine.

&wlquo;Fri.
&wlquo;These violent delights have violent ends,
&wlquo;And in their triumph die; like fire and powder,
&wlquo;Which, as they meet, consume. The sweetest honey
Is loathsome in its own deliciousness,
And in the taste confounds the appetite;
Therefore love mod'rately, long love doth so:
Too swift arrives as tardy as too slow. Enter Juliet.
  Here comes the lady. O, so light a foot
Will ne'er wear out the everlasting flint;
&plquo;A lover may bestride the gossamour,
&plquo;That idles in the wanton summer air,
&plquo;And yet not fall, so light is vanity.

Jul.
Good even to my ghostly Confessor.

Fri.
Romeo shall thank thee, daughter, for us both.

Jul.
As much to him, else are his thanks too much.

Rom.
Ah! Juliet, if the measure of thy joy

-- 54 --


Be heap'd like mine, and that thy skill be more
To blazon it, then sweeten with thy breath
This neighbour air; and let rich musick's tongue
Unfold th' imagin'd happiness, that both
Receive in either, by this dear encounter.

Jul.
Conceit, more rich in matter than in words,
Brags of his substance, not of ornament:
They are but beggars, that can count their worth;
But my true love is grown to such Excess,
I cannot sum up one half of my wealth.

Fri.
Come, come with me, and we will make short work;
For, by your leaves, you shall not stay alone,
'Till Holy Church incorp'rate two in one.
[Exeunt. ACT III. SCENE I. The STREET. Enter Mercutio, Benvolio, and Servants.

Benvolio.
I pray thee, good Mercutio, let's retire;
The day is hot, the Capulets abroad;
And, if we meet, we shall not 'scape a brawl;
For now these hot days is the mad blood stirring.

Mer.

Thou art like one of those fellows, that, when he enters the confines of a tavern, claps me his sword upon the table, and says, God send me no need of thee! and by the operation of the second cup, draws it on the Drawer, when, indeed, there is no need.

Ben.

Am I like such a fellow?

Mer.

Come, come, thou art as hot a Jack in thy mood as any in Italy; and as soon mov'd to be moody, and as soon moody to be mov'd.

-- 55 --

Ben.

And what to?

&plquo;Mer.

&plquo;Nay, an' there were two such, we should have none shortly, for one would kill the other. Thou! why thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard, than thou hast: thou wilt quarrel with a man for cracking nuts, having no other reason but because thou hast hasel eyes; what eye, but such an eye, would spy out such a quarrel? thy head is as full of quarrels, as an egg is full of meat; and yet thy head hath been beaten as addle as an egg, for quarrelling: thou hast quarrel'd with a man for coughing in the street, because he hath wakened thy dog that hath lain asleep in the Sun. Didst thou not fall out with a tailor for wearing his new doublet before Easter? with another, for tying his new shoes with old ribband? and yet thou wilt tutor me for quarrelling!&prquo;

Ben.

If I were so apt to quarrel as thou art, any man should buy the fee simple of my life for an hour and a quarter.

Mar.

The fee-simple; O simple!

Enter Tybalt, Petruchio, and others.

Ben.
By my head, here come the Capulets.

Mer.
By my heel, I care not.

Tyb.
Follow me close, for I will speak to them.
Gentlemen, good-den, a word with one of you.

Mer.

And but one word with one of us? couple it with something, make it a word and a blow.

Tyb.

You shall find me apt enough to that, Sir, if you will give me occasion.

Mer.

Could you not take some occasion without giving?

Tyb.

Mercutio, thou consort'st with Romeo

Mer.

Consort! what dost thou make us minstrels! if thou make minstrels of us, look to hear nothing but

-- 56 --

discords: here's my fiddlestick; here's That, shall make you dance. Zounds! consort!

[Laying his hand on his sword.

Ben.
We talk here in the publick haunt of men:
Either withdraw unto some private place,
Or reason coldly of your grievances,
Or else depart; here all eyes gaze on us.

Mer.
Men's eyes were made to look, and let them gaze.
I will not budge for no man's pleasure, I.
Enter Romeo.

Tyb.
Well, peace be with you, Sir! here comes my man.

Mer.
But I'll be hang'd, Sir, if he wear your livery:
Marry, go first to field, he'll be your follower;
Your worship in that sense may call him man.

Tyb.
Romeo, the love, I bear thee, can afford
No better term than this, thou art a villain.—

Rom.
Tybalt, the reason that I have to love thee
Doth much excuse the appertaining rage
To such a Greeting: villain I am none.
Therefore, farewel; I see, thou know'st me not.

Tyb.
Boy, this shall not excuse the Injuries
That thou hast done me, therefore turn and draw.

Rom.
I do protest, I never injur'd thee,
But love thee better than thou canst devise;
'Till thou shalt know the reason of my love.
And so, good Capulet, (whose name I tender
As dearly as my own,) be satisfied.

Mer.
O calm, dishonourable, vile submission!
Ah! la Stoccata carries it away.
Tybalt, you rat-catcher, will you walk?

Tyb.

What wouldst thou have with me?

Mer.

Good King of cats, nothing but one of your nine lives, that I mean to make bold withal; and as

-- 57 --

you shall use me hereafter, dry-beat the rest of the eight. 1 noteWill you pluck your sword out of his pilche by the ears? Make haste, lest mine be about your ears ere it be out.

Tyb.

I am for you.

[Drawing.

Rom.

Gentle Mercutio, put thy rapier up.

Mer.

Come, Sir, your passado.

[Mercutio and Tybalt fight.

Rom.
Draw, Benvolio—beat down their weapons—
Gentlemen—for shame, forbear this outrage—
TybaltMercutio—the Prince expressly hath
Forbidden bandying in Verona streets.
Hold, Tybalt,—good Mercutio.
[Exit Tybalt.

Mer.
I am hurt—
A plague of both the houses! I am sped:
Is he gone, and hath nothing?

Ben.
What, art thou hurt?

Mer.
Ay, ay, a scratch, a scratch; marry, 'tis enough.
Where is my page? go, villain, fetch a surgeon.

Rom.
Courage, man, the hurt cannot be much.

Mer.

No, 'tis not so deep as a well, nor so wide as a church-door, but 'tis enough, 'twill serve: ask for me to morrow, and you shall find me a grave man. I am pepper'd, I warrant, for this world: a plague of both your houses! What? a dog, a rat, a mouse, a cat, to scratch a man to death? a braggart, a rogue, a villain, that fights by the book of arithmetick? why the devil came you between us? I was hurt under your arm.

Rom.
I thought all for the best.

Mer.
Help me into some house, Benvolio,
Or I shall faint; a plague o' both your houses!
They have made worms-meat of me,

-- 58 --


I have it, and soundly too. Plague o' your houses! [Exeunt Mercutio and Benvolio. SCENE II.

Rom.
This Gentleman, the Prince's near allie,
My very friend, hath got his mortal hurt
In my behalf; my reputation stain'd
With Tybalt's slander; Tybalt, that an hour
Hath been my cousin: O sweet Juliet,
Thy beauty hath made me effeminate,
And in my temper softned valour's steel.
Enter Benvolio.

Ben.
O Romeo, Romeo, brave Mercutio's dead;
That gallant spirit hath aspir'd the clouds,
Which too untimely here did scorn the earth.

Rom.
This day's black fate on more days does depend;
This but begins the woe, others must end.
Enter Tybalt.

Ben.
Here comes the furious Tybalt back again.

Rom.
Alive? in Triumph? and Mercutio slain?
Away to heav'n, respective lenity,
And fire-ey'd fury be my conduct now!
Now, Tybalt, take the villain back again,
That late thou gav'st me; for Mercutio's soul
Is but a little way above our heads,
Staying for thine to keep him company:
Or thou or I, or both, must go with him.

Tyb.
Thou wretched boy, that didst consort him here,
Shalt with him hence.

Rom.
This shall determine that.
[They fight, Tybalt falls.

-- 59 --

Ben.
Romeo, away, begone:
The citizens are up, and Tybalt slain—
Stand not amaz'd; the Prince will doom thee death,
If thou art taken: hence, be gone, away.

Rom.
O! I am fortune's fool.

Ben.
Why dost thou stay?
[Exit Romeo. SCENE III. Enter Citizens.

Cit.
Which way ran he that kill'd Mercutio?
Tybalt, that murtherer, which way ran he?

Ben.
There lyes that Tybalt.

Cit.
Up, Sir, go with me:
I charge thee in the Prince's name, obey.
Enter Prince, Montague, Capulet, their Wives, &c.

Prin.
Where are the vile beginners of this fray?

Ben.
O noble Prince, I can discover all
Th' unlucky manage of this fatal brawl:
There lies the man, slain by young Romeo,
That slew thy kinsman, brave Mercutio.

La. Cap.
Tybalt my cousin! O my brother's child!—
Unhappy sight! alas, the blood is spill'd
Of my dear kinsman—Prince, as thou art true,
For blood of ours, shed blood of Montague.

Prince.
Benvolio, who began this fray?

Ben.
Tybalt here slain, whom Romeo's hand did slay:
Romeo, that spoke him fair, bid him bethink
How nice the quarrel was, and urg'd withal
Your high displeasure: all this uttered
With gentle breath, calm look, knees humbly bow'd,
Could not take truce with the unruly spleen
Of Tybalt, deaf to peace; but that he tilts
With piercing steel at bold Mercutio's breast;
Who, all as hot, turns deadly point to point,

-- 60 --


And with a martial scorn, with one hand beats
Cold death aside, and with the other sends
It back to Tybalt, whose dexterity
Retorts it: Romeo he cries aloud,
Hold, friends! friends, part! and, swifter than his tongue,
His agil arm beats down their fatal points,
And 'twixt them rushes; underneath whose arm
An envious thrust from Tybalt hit the life
Of stout Mercutio, and then Tybalt fled;
But by and by comes back to Romeo,
Who had but newly entertain'd revenge,
And to't they go like lightning: for ere I
Could draw to part them, was stout Tybalt slain;
And as he fell, did Romeo turn to fly:
This is the truth, or let Benvolio die.

La. Cap.
He is a kinsman to the Montague.
Affection makes him false, he speaks not true.
Some twenty of them fought in this black strife,
And all those twenty could but kill one life.
I beg for justice, which thou, Prince, must give;
Romeo slew Tybalt, Romeo must not live.

Prin.
Romeo slew him, he slew Mercutio;
Who now the price of his dear blood doth owe?

La. Mont.
Not Romeo, Prince, he was Mercutio's friend;
His fault concludes but what the law should end,
The life of Tybalt.

Prin.
And for that offence,
Immediately we do exile him hence:
I have an interest in your (a) note heats' proceeding,
My blood for your rude brawls doth lye a bleeding;
But I'll amerce you with so strong a fine,
That you shall all repent the loss of mine.

-- 61 --


I will be deaf to pleading and excuses,
Nor tears nor prayers shall purchase out abuses;
Therefore use none; let Romeo hence in haste,
Else, when he's found, that hour is his last.
Bear hence this body, and attend our will:
Mercy but murthers, pardoning those that kill. [Exeunt. SCENE IV. Changes to an Apartment in Capulet's House. Enter Juliet alone.

Jul.
Gallop apace, you fiery-footed steeds,
Tow'rds Phœbus' mansion; such a waggoner,
As Phaeton, would whip you to the west,
And bring in cloudy night immediately.
2 note




Spread thy close curtain, love performing Night,
That th' Run-away's eyes may wink; and Romeo
Leap to these arms, untalkt of and unseen.
Lovers can see to do their am'rous rites
By their own beauties: or, if love be blind,
It best agrees with night. Come, civil night,
Thou sober-suited matron, all in black,
And learn me how to lose a winning match,

-- 62 --


Plaid for a pair of stainless maidenheads.
Hood my unmann'd blood baiting in my cheeks,
With thy black mantle; 'till strange love, grown bold,
Thinks true love acted, simple modesty.
Come, night, come, Romeo! come, thou day in night,
For thou wilt lye upon the wings of night,
Whiter than snow upon a raven's back:
Come, gentle night; come, loving, black-brow'd night!
Give me my Romeo, and, when he shall die,
Take him and cut him out in little stars,
And he will make the face of heav'n so fine,
That all the world shall be in love with night,
And pay no worship to the garish sun.
O, I have bought the mansion of a love,
But not possess'd it; and though I am sold,
Not yet enjoy'd; so tedious is this day,
As is the night before some festival,
To an impatient child that hath new robes,
And may not wear them. O, here comes my nurse! Enter Nurse with cords.
And she brings news; and every tongue, that speaks
But Romeo's name, speaks heav'nly eloquence;
Now, nurse, what news? what hast thou there?
The cords that Romeo bid thee fetch?

Nurse.
Ay, ay, the cords.

Jul.
Ay me, what news?
Why dost thou wring thy hands?

Nurse.
Ah welladay, he's dead, he's dead, he's dead!
We are undone, lady, we are undone.—
Alack the day! he's gone, he's kill'd, he's dead.

Jul.
Can heaven be so envious?

Nurse.
Romeo can,
Though heav'n cannot. O Romeo! Romeo!
Who ever would have thought it, Romeo?

-- 63 --

Jul.
What devil art thou, that dost torment me thus?
This torture should be roar'd in dismal hell.
Hath Romeo slain himself? say thou but, I;
And that bare vowel, ay note, shall poison more
Than the 3 notedeath-darting eye of cockatrice.

Nurse.
I saw the wound, I saw it with mine eyes,
(God save the mark,) here on his manly breast.
A piteous coarse, a bloody piteous coarse;
Pale, pale as ashes, all bedawb'd in blood,
All in gore blood; I swooned at the sight.

Jul.
O break, my heart—poor bankrupt, break at once!
To prison, eyes! ne'er look on liberty;
Vile earth to earth resign, and motion here,
And thou and Romeo press one heavy bier!

Nurse.
O Tybalt, Tybalt, the best friend I had:
O courteous Tybalt, honest gentleman,
That ever I should live to see thee dead!

Jul.
What storm is this, that blows so contrary!
Is Romeo slaughter'd? and is Tybalt dead?
My dear-lov'd cousin, and my dearer lord?
Then let the trumpet sound the general Doom,
For who is living, if those two are gone?

Nurse.
Tybalt is dead, and Romeo banished,
Romeo, that kill'd him, he is banished.

Jul.
O God! did Romeo's hand shed Tybalt's blood?

Nurse.
It did, it did, alas, the day! it did.

Jul.
O serpent-heart, hid with a flow'ring face!
Did ever dragon keep so fair a cave?
Beautiful tyrant, fiend angelical!

-- 64 --


[4 note

Ravenous Dove, feather'd Raven! Wolvish ravening Lamb!
Despised substance, of divinest show!
Just opposite to what thou justly seem'st,
A damned Saint, an honourable villain!]
O nature! what hadst thou to do in hell,
When thou did'st bower the Spirit of a fiend
In mortal Paradise of such sweet flesh?
Was ever book, containing such vile matter,
So fairly bound? O, that deceit should dwell
In such a gorgeous palace!

Nurse.
There's no trust,
No faith, no honesty, in men; all perjur'd;
All, all forsworn; all naught; and all dissemblers.
Ah, where's my man? give me some Aqua vitæ
These griefs, these woes, these sorrows make me old!
Shame come to Romeo!

Jul.
Blister'd be thy tongue,
For such a wish! he was not born to shame;
Upon his brow shame is asham'd to sit:
For 'tis a throne where honour may be crown'd
Sole monarch of the universal earth.
O, what a beast was I to chide him so?

Nurse.
Will you speak well of him, that kill'd your cousin?

Jul.
Shall I speak ill of him, that is my husband?
Ah, poor my lord, what tongue shall smooth thy name,
When I, thy three-hours-wife, have mangled it!
But wherefore, villain, didst thou kill my cousin?
That villain cousin would have kill'd my husband.

-- 65 --


Back, foolish tears, back to your native spring;
Your tributary drops belong to woe,
Which you, mistaking, offer up to joy.
My husband lives, that Tybalt would have slain;
And Tybalt's dead, that would have kill'd my husband;
All this is comfort; wherefore weep I then?
Some word there was, worser than Tybalt's death,
That murther'd me; I would forget it, fain;
But, oh! it presses to my memory,
Like damned guilty deeds to sinners' minds;
Tybalt is dead, and Romeo banished!
That banished, that one word banished,
Hath slain ten thousand Tybalts: Tybalt's death
Was woe enough, if it had ended there:
Or if sow'r woe delights in fellowship,
And needly will be rank'd with other griefs,
Why follow'd not, when she said Tybalt's dead,
Thy Father or thy Mother, nay, or both?
But with a rear-ward following Tybalt's death,
Romeo is banished—to speak that word,
Is, father, mother, Tybalt, Romeo, Juliet,
All slain, all dead!—Romeo is banished!
There is no end, no limit, measure, bound,
In that word's death; no words can that woe sound.
Where is my father, and my mother, nurse?

Nurse.
Weeping and wailing over Tybalt's coarse.
Will you go to them? I will bring you thither.

Jul.
Wash they his wounds with tears? mine shall be spent,
When theirs are dry, for Romeo's banishment.
Take up those Cords;—poor Ropes, you are beguil'd;
Both You and I; for Romeo is exil'd.
He made You for a high-way to my Bed:
But I, a maid, dye Maiden widowed.
Come, Cord; come, Nurse; I'll to my wedding-Bed;
And Death, not Romeo, take my Maidenhead!

-- 66 --

Nurse.
Hie to your chamber, I'll find Romeo
To comfort you. I wot well, where he is.
Hark ye, your Romeo will be here at night;
I'll to him, he is hid at Lawrence' cell.

Jul.
Oh find him, give this ring to my true knight,
And bid him come, to take his last farewel.
[Exeunt. SCENE V. Changes to the Monastery. Enter Friar Lawrence and Romeo.

Fri.
Romeo, come forth; come forth, thou fearful man;
Affliction is enamour'd of thy parts,
And thou art wedded to calamity.

Rom.
Father, what news? what is the Prince's doom?
What sorrow craves acquaintance at my hand,
That I yet know not?

Fri.
Too familiar
Is my dear son with such sow'r company.
I bring thee tidings of the Prince's doom.

Rom.
What less than doom's-day is the Prince's doom?

Fri.
5 note


A gentler judgment even'd from his lips,
Not body's death, but body's banishment.

Rom.
Ha, banishment! be merciful, say, death;
For exile hath more terror in his look,
Much more than death. Do not say, banishment.

Fri.
Here from Verona art thou banished:

-- 67 --


Be patient, for the world is broad and wide.

Rom.
There is no world without Verona's walls,
6 note


But purgatory, Tartar, Hell it self.
Hence banished, is banish'd from the world;
And world-exil'd, is death. That banished
Is death mis-term'd: calling death banishment,
Thou cut'st my head off with a golden ax,
And smil'st upon the stroak that murthers me.

Fri.
O deadly sin! O rude unthankfulness!
Thy fault our law calls death; but the kind Prince,
Taking thy part, hath rusht aside the law,
And turn'd that black word death to banishment.
This is dear mercy, and thou seest it not.

Rom.
'Tis torture, and not mercy: heav'n is here
Where Juliet lives; and every cat and dog
And little mouse, every unworthy thing,
Lives here in heaven, and may look on her;
But Romeo may not. More validity,
More honourable state, more courtship lives
In carrion flies, than Romeo; they may seize
On the white wonder of dear Juliet's hand,
And steal immortal blessings from her lips;
(Which even in pure and vestal modesty
Still blush, as thinking their own kisses sin.)
This may flies do, when I from this must fly;
(And say'st thou yet, that exile is not death?)
But Romeo may not;—he is banished.
Hadst thou no Poison mixt, no sharp-ground knife,
No sudden mean of death, tho' ne'er so mean,
But banished to kill me? banished?

-- 68 --


O Friar, the Damned use that word in hell;
Howlings attend it: how hast thou the heart,
Being a Divine, a ghostly Confessor,
A sin-absolver, and my friend profest,
To mangle me with that word, banishment?

Fri.
Fond mad-man, hear me speak.—

Rom.
O, thou wilt speak again of banishment.

Fri.
I'll give thee armour to keep off that word,
Adversity's sweet milk, philosophy,
To comfort thee, tho' thou art banished.

Rom.
Yet, banished? hang up philosophy:
Unless philosophy can make a Juliet,
Displant a town, reverse a Prince's doom,
It helps not, it prevails not, talk no more—

Fri.
O, then I see that madmen have no ears.

Rom.
How should they, when that wise men have no eyes?

Fri.
Let me dispute with thee of thy estate.

Rom.
Thou canst not speak of what thou dost not feel:
Wert thou as young as I, Juliet thy love,
An hour but married, Tybalt murthered,
Doating like me, and like me banished;
Then might'st thou speak, then might'st thou tear thy hair,
And fall upon the ground as I do now,
Taking the measure of an unmade grave.
[Throwing himself on the ground.

Fri.
Arise, one knocks; good Romeo, hide thy self.
[Knock within.

Rom.
Not I, unless the breath of heart-sick Groans,
Mist-like, infold me from the Search of Eyes.
[Knock.

Fri.
Hark, how they knock!—(who's there?)—Romeo, arise.
Thou wilt be taken—(stay a while)—stand up; [Knocks.
Run to my Study—(By and by)—God's will!

-- 69 --


What willfulness is this?—I come, I come. [Knock.
Who knocks so hard? whence come you? what's your will?

Nurse. [Within.]
Let me come in, and you shall know my errand:
I come from lady Juliet.

Fri.
Welcome then.
Enter Nurse.

Nurse.
O holy Friar, oh tell me, holy Friar,
Where is my lady's lord? where's Romeo?

Fri.
There, on the ground, with his own tears made drunk.

Nurse.
O he is even in my mistress' case,
Just in her case, O woful sympathy!
Piteous predicament! even so lies she,
Blubb'ring and weeping, weeping and blubbering.
Stand up, stand up;—Stand, an' you be a Man:
For Juliet's Sake, for her Sake, rise and stand.
Why should you fall into so deep an oh!—

Rom.
Nurse!—

Nurse.
Ah Sir! ah Sir!—Death is the end of all.

Rom.
Speak'st thou of Juliet? how is it with her?
Doth not she think me an old murtherer,
Now I have stain'd the child-hood of our joy
With blood, remov'd but little from her own?
Where is she? and how does she? and 7 note





what says
My conseal'd lady to our cancell'd love?

-- 70 --

Nurse.
O, she says nothing, Sir; but weeps and weeps;
And now falls on her bed, and then starts up;
And Tybalt cries, and then on Romeo calls,
And then down falls again.

Rom.
As if that name,
Shot from the deadly level of a gun,
Did murther her, as that name's cursed hand
Murther'd her kinsman.—Tell me, Friar, tell me,
In what vile part of this anatomy
Doth my name lodge? tell me, that I may sack
The hateful mansion.
[Drawing his Sword.

Fri.
Hold thy desperate hand:
Thy tears are womanish, thy wild acts denote
Th' unreasonable fury of a beast.
8 note



Unseemly Woman in a seeming Man!
An ill-beseeming Beast in seeming Groth!
Thou hast amaz'd me. By my holy Order,
I thought thy disposition better temper'd.
Hast thou slain Tybalt? wilt thou slay thyself?

-- 71 --


And slay thy lady, that in thy life lives,
By doing damned Hate upon thyself?
9 note






Why rail'st thou on thy Birth, the Heav'n, and Earth,
Since Birth, and Heav'n, and Earth, all three so meet,
In thee atone; which Thou at once would'st lose?
Fie! fie! thou sham'st thy Shape, thy Love, thy Wit,
Which, like an Usurer, abound'st in all,
And usest none in that true use indeed,
Which should bedeck thy Shape, thy Love, thy Wit.
Thy noble Shape is but a Form of Wax,
Digressing from the Valour of a Man;
Thy dear Love sworn, but hollow Perjury,
Killing that Love, which thou hast vow'd to cherish.
Thy Wit, that Ornament to Shape and Love,
Mis-shapen in the Conduct of them Both,
Like Powder in a skill-less Soldier's Flask,
Is set on Fire by thine own Ignorance,
And thou dismember'd with thine own Defense.
What, rouse thee, man, thy Juliet is alive,

-- 72 --


For whose dear sake thou wast but lately dead:
There art thou happy. Tybalt would kill thee,
But thou slew'st Tybalt; there thou'rt happy too.
The law, that threatned death, became thy friend,
And turn'd it to exile; there art thou happy;
A pack of blessings light upon thy back,
Happiness courts thee in her best array,
But, like a misbehav'd and sullen wench,
Thou pout'st upon thy fortune and thy love.
Take heed, take heed, for such die miserable.
Go, get thee to thy love, as was decreed,
Ascend her chamber, hence and comfort her:
But, look, thou stay not 'till the Watch be set;
For then thou canst not pass to Mantua:
Where thou shalt live, 'till we can find a time
To blaze your marriage, reconcile your friends,
Beg pardon of thy Prince, and call thee back
With twenty hundred thousand times more joy,
Than thou went'st forth in lamentation.
Go before, nurse; commend me to thy lady,
And bid her hasten all the house to bed,
Which heavy sorrow makes them apt unto.
Romeo is coming.

Nurse.
O lord, I could have staid here all night long,
To hear good counsel: oh, what Learning is!
My lord, I'll tell my lady you will come.

Rom.
Do so, and bid my Sweet prepare to chide.

Nurse.
Here, Sir, a ring she bid me give you, Sir:
Hie you, make haste, for it grows very late.

Rom.
How well my comfort is reviv'd by this!

Fri.
Sojourn in Mantua; I'll find out your man,
And he shall signifie from time to time
Every good hap to you, that chances here:
Give me thy hand, 'tis late, farewel, good night.

Rom.
But that a joy, past joy, calls out on me,
It were a grief, so brief to part with thee.
[Exeunt.

-- 73 --

SCENE VI. 1 noteChanges to Capulet's House. Enter Capulet, Lady Capulet, and Paris.

Cap.
Things have fallen out, Sir, so unluckily,
That we have had no time to move our daughter:
Look you, she lov'd her kinsman Tybalt dearly,
And so did I.—Well, we were born to die.—
'Tis very late, she'll not come down to night.
I promise you, but for your Company,
I would have been a-bed an hour ago.

Par.
These times of woe afford no time to wooe:
Madam, good night; commend me to your daughter.

La. Cap.
I will, and know her Mind early to morrow:
To night she's mew'd up to her heaviness.

Cap.
2 note




Sir Paris, I will make a separate tender
Of my child's love: I think, she will be rul'd
In all respects by me; nay more, I doubt it not.
Wife, go you to her ere you go to bed;

-- 74 --


Acquaint her here with my son Paris' love,
And bid her, mark you me, on Wednesday next,—
But, soft; what day is this?

Par.
Monday, my lord.

Cap.
Monday? Ha! ha! well, Wednesday is too soon,
On Thursday let it be: o' Thursday, tell her,
She shall be married to this noble Earl.
Will you be ready? Do you like this Haste?
We'll keep no great a-do—a friend or two—
For, hark you, Tybalt being slain so late,
It may be thought we held him carelesly,
Being our kinsman, if we revel much:
Therefore we'll have some half a dozen friends,
And there's an end. But what say you to Thursday?

Par.
My lord, I would that Thursday were to morrow.

Cap.
Well, get you gone—on Thursday be it then:
Go you to Juliet ere you go to bed, [To lady Cap.
Prepare her, wife, against this wedding-day.
Farewel, my lord—light to my chamber, hoa!
'Fore me, it is so very late, that we
May call it early by and by. Good night.
[Exeunt. SCENE VII. Juliet's Chamber looking to the Garden. Enter Romeo and Juliet, above at a window; a ladder of ropes set.

&plquo;Jul.
&plquo;Wilt thou be gone? it is not yet near day:
&plquo;It was the Nightingale, and not the Lark,
&plquo;That pierc'd the fearful hollow of thine ear;
&plquo;Nightly she sings on yon pomgranate tree:

-- 75 --


&plquo;Believe me, love, it was the nightingale.

&plquo;Rom.
&plquo;It was the Lark, the herald of the morn,
&plquo;No Nightingale. Look, love, what envious streaks
&plquo;Do lace the severing clouds in yonder east:
&plquo;Night's candles are burnt out, and jocund day
&plquo;Stands tiptoe on the misty mountains' tops.
&plquo;I must be gone and live, or stay and die.

&plquo;Jul.
&plquo;Yon light is not day-light, I know it well:
&plquo;It is some meteor that the Sun exhales,
&plquo;To be to thee this night a torch-bearer,
&plquo;And light thee on thy way to Mantua;
&plquo;Then stay a while, thou shalt not go so soon.

&plquo;Rom.
&plquo;Let me be ta'en, let me be put to death,
&plquo;I am content, if thou wilt have it so.
&plquo;I'll say, yon gray is not the morning's eye,
&plquo;'Tis but the pale reflex of Cynthia's brow;
&plquo;Nor that is not the lark, whose notes do beat
&plquo;The vaulty heav'ns so high above our heads.
&plquo;I have more care to stay, than will to go.
&plquo;Come death, and welcome: Juliet wills it so.
&plquo;How is't, my Soul? let's talk, it is not day.

Jul.
It is, it is; hie hence, be gone, away:
It is the lark that sings so out of tune,
Straining harsh discords, and unpleasing sharps.
Some say, the lark makes sweet division;
This doth not so: for she divideth us.
Some say, the lark and loaded note toad change eyes;
3 note





O, now I wot they had chang'd voices too!
O now be gone, more light and light it grows.

-- 76 --

Rom.
More light and light?—More dark and dark our Woes.
Enter Nurse.

Nurse.
Madam,—

Jul.
Nurse?

Nurse.
Your lady mother's coming to your chamber:
The day is broke, be wary, look about. [Exit Nurse.

Jul.
Then, Window, let Day in, and let Life out.

Rom.
Farewel, farewel; one Kiss, and I'll descend.
[Romeo descends.

Jul.
Art thou gone so? love! lord! ah husband! friend!
I must hear from thee ev'ry day in th' hour,
For in a minute there are many days.
O, by this count I shall be much in years,
Ere I again behold my Romeo.

Rom.
Farewel: I will omit no opportunity,
That may convey my greetings, love, to thee.

Jul.
O think'st thou, we shall ever meet again?

Rom.
I doubt it not; and all these woes shall serve
For sweet discourses, in our time to come.

Jul.
O God! I have an ill-divining soul.—
Methinks, I see thee, now thou art below,
As one dead in the bottom of a tomb:
Either my eye-sight fails, or thou look'st pale.

Rom.
And trust me, love, in mine eye so do you:
Dry Sorrow drinks our blood. Adieu, adieu. [Exit Romeo.

-- 77 --

SCENE VIII.

Jul.
O fortune, fortune, all men call thee fickle:
If thou art fickle, what dost thou with him
That is renown'd for faith? be fickle, fortune:
For then, I hope, thou wilt not keep him long,
But send him back.
Enter Lady Capulet.

La. Cap.
Ho, daughter, are you up?

Jul.
Who is't, that calls? is it my lady mother?
What unaccustom'd cause 4 noteprocures her hither?

La. Cap.
Why, how now, Juliet?

Jul.
Madam, I am not well.

La. Cap.
Evermore weeping for your cousin's death?
What, wilt thou wash him from his Grave with tears?
An' if thou could'st, thou could'st not make him live;
Therefore, have done. Some Grief shews much of Love;
But much of Grief shews still some want of Wit.

Jul.
Yet let me weep for such a feeling loss.

La. Cap.
So shall you feel the Loss, but not the Friend
Which you do weep for.

Jul.
Feeling so the Loss,
I cannot chuse but ever weep the Friend.

La. Cap.
Well, girl, thou weep'st not so much for his death,
As that the villain lives which slaughter'd him.

Jul.
What villain, Madam?

La. Ca.
That same villain, Romeo.

Jul.
Villain and he are many miles asunder.
God pardon him! I do, with all my Heart:
And, yet, No Man like He doth grieve my Heart.

La. Cap.
That is, because the Traytor lives.

-- 78 --

Jul.
I, Madam, from the Reach of these my hands:—
'Would, None but I might venge my Cousin's Death!

La. Cap.
We will have Vengeance for it, fear Thou not:
Then weep no more. I'll send to one in Mantua,
Where That same banish'd Runagate doth live,
Shall give him such an unaccustom'd Dram,
That he shall soon keep Tybalt Company.
And then, I hope, thou wilt be satisfied.

Jul.
Indeed, I never shall be satisfied
With Romeo, till I behold him—dead—
Is my poor heart so for a Kinsman vext.
Madam, if You could find out but a Man
To bear a poyson, I would temper it;
That Romeo should upon receipt thereof
Soon sleep in Quiet.—O, how my heart abhors
To hear him nam'd.—and cannot come to him—
To wreak the Love I bore my slaughter'd Cousin,
Upon his body that hath slaughter'd him.

La. Cap.
Find Thou the Means, and I'll find such a Man.
But now I'll tell thee joyful Tidings, Girl.

Jul.
And joy comes well in such a needful time.
What are they, I beseech your ladyship?

La. Cap.
Well, well, thou hast a careful father, child:
One, who, to put thee from thy heaviness,
Hath sorted out a sudden day of joy,
That thou expect'st not, nor I look'd not for.

Jul.
Madam, in happy time, what day is this?

La. Cap.
Marry, my child, early next Thursday morn,
The gallant, young and noble Gentleman,
The County Paris, at St. Peter's church,
Shall happily make thee a joyful bride.

Jul.
Now, by St. Peter's church, and Peter too,

-- 79 --


He shall not make me there a joyful bride.
I wonder at this haste, that I must wed
Ere he that must be husband, comes to wooe.
I pray you, tell my lord and father, Madam,
I will not marry yet: and when I do,
It shall be Romeo, whom you know I hate,
Rather than Paris.—These are news, indeed!

La. Cap.
Here comes your father, tell him so your self,
And see, how he will take it at your hands.
Enter Capulet, and Nurse.

Cap.
When the Sun sets, the Air doth drizzle Dew;
But for the Sunset of my Brother's Son
It rains downright.—
How now? a conduit, girl? what, still in tears?
Evermore show'ring? in one little body
Thou counterfeit'st a bark, a sea, a wind;
For still thy eyes, which I may call the sea,
Do ebb and flow with tears; the bark thy body is,
Sailing in this salt flood: the winds thy sighs,
Which, raging with thy tears, and they with them,
Without a sudden calm, will overset
Thy tempest-tossed body—How now, wife?
Have you deliver'd to her our decree?

La. Cap.
Ay, Sir; but she will none, she gives you thanks:
I would, the fool were married to her Grave!

Cap.
Soft, take me with you, take me with you, wife.
How, will she none? doth she not give us thanks?
Is she not proud, doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?

Jul.
Not proud, you have; but thankful, that you have.

-- 80 --


Proud can I never be of what I hate,
But thankful even for hate, that is meant love.

Cap.
How now! how now! Chop Logick? What is This?
Proud! and I thank you! and I thank you not!
And yet not proud!—Why, Mistress Minion, You,
Thank me no thankings, nor proud me no prouds,
But settle your fine joints 'gainst Thursday next,
To go with Paris to Saint Peter's church:
Or I will drag thee on a hurdle thither.
Out, you green-sickness-carrion! Out, you baggage!
You Tallow-face!

La. Cap.
Fie, fie, what, are you mad?

Jul.
Good father, I beseech you on my knees,
Hear me with Patience, but to speak a word.

Cap.
Hang thee, young baggage! disobedient wretch!
I tell thee what, get thee to church o' Thursday,
Or never after look me in the face.
Speak not, reply not, do not answer me;
My fingers itch. Wife, we scarce thought us blest,
That God had sent us but this only child;
But now I see this One is one too much,
And that we have a Curse in having her:
Out on her, hilding!—

Nurse.
God in heaven bless her!
You are to blame, my lord, to rate her so.

Cap.
And why, my lady Wisdom? hold your tongue,
Good Prudence, smatter with your gossips, go.

Nurse.
I speak no treason—O, god-ye-good-den—
May not one speak?

Cap.
Peace, peace, you mumbling fool;
Utter your gravity o'er a gossip's bowl,
For here we need it not.

La. Cap.
You are too hot.

-- 81 --

Cap.
God's bread! it makes me mad: day, night, late, early,
At home, abroad, alone, in company,
Waking, or sleeping, still my care hath been
To have her match'd; and having now provided
A gentleman of noble parentage,
Of fair demeasns, youthful, and nobly-allied,
Stuff'd, as they say, with honourable parts,
Proportion'd as one's thought would wish a man:
And then to have a wretched puling fool,
A whining mammet, in her fortune's Tender,
To answer, I'll not wed,—I cannot love,—
I am too young,—I pray you pardon me—
But, if you will not wed, I'll pardon you:
Graze where you will, you shall not house with me;
Look to't, think on't, I do not use to jest.
Thursday is near; lay hand on heart, advise;
If you be mine, I'll give you to my friend:
If you be not, hang, beg, starve, die i' th' streets;
For, by my soul, I'll ne'er acknowledge thee,
Nor what is mine shall ever do thee good:
Trust to't, bethink you, I'll not be forsworn.
[Exit.

Jul.
Is there no pity sitting in the clouds,
That sees into the bottom of my grief?
O, sweet my mother, cast me not away,
Delay this marriage for a month, a week;
Or, if you do not, make the bridal bed
In that dim monument where Tybalt lies.

La. Cap.
Talk not to me, for I'll not speak a word:
Do as thou wilt, for I have done with thee.
[Exit.

Jul.
O God! O Nurse, how shall this be prevented?
My Husband is on Earth; my Faith in Heav'n;
How shall that Faith return again to Earth,
Unless that Husband send it me from Heav'n,
By leaving Earth?—Comfort me, counsel me.

-- 82 --


Alack, alack, that heav'n should practise stratagems
Upon so soft a subject as my self!
What say'st thou? hast thou not a word of Joy?
Some Comfort, Nurse—

Nurse.
Faith, here it is:
Romeo is banish'd; all the world to nothing,
That he dares ne'er come back to challenge you;
Or if he do, it needs must be by stealth.
Then since the case so stands, as now it doth,
I think it best, you married with the Count.
Oh, he's a lovely gentleman!
Romeo's a dish-clout to him; an eagle, Madam,
Hath not (a) note so keen, so quick, so fair an eye
As Paris hath. Beshrew my very heart,
I think you happy in this second match,
For it excels your first; or if it did not,
Your first is dead; or 'twere as good he were,
(b) noteAs living hence, and you no use of him.

Jul.
Speak'st thou from thy heart?

Nurse.
And from my Soul too,
Or else beshrew them both.

Jul.
Amen.

Nurse.
What?

Jul.
Well, thou hast comforted me marvellous much;
Go in, and tell my lady I am gone,
Having displeas'd my father, to Lawrence' cell,
To make confession, and to be absolved.

Nurse.
Marry, I will; and this is wisely done.
[Exit.

Jul.
Ancient Damnation! O most wicked Fiend!
Is it more sin to wish me thus forsworn,
Or to dispraise my lord with that same tongue

-- 83 --


Which she hath prais'd him with above compare,
So many thousand times? go, Counsellor,—
Thou and my bosom henceforth shall be twain:
I'll to the Friar, to know his remedy:
If all else fail, myself have power to die. [Exit. ACT IV. SCENE I. The MONASTERY. Enter Friar Lawrence and Paris.

Friar.
On Thursday, Sir! the time is very short.

Par.
My father Capulet will have it so,
And I am nothing slow to slack his haste.

Fri.
You say, you do not know the lady's mind:
Uneven in this course, I like it not.

Par.
Immoderately she weeps for Tybalt's death,
And therefore have I little talk'd of love,
For Venus smiles not in a house of tears.
Now, Sir, her father counts it dangerous,
That she should give her sorrow so much sway;
And, in his wisdom, hastes our marriage,
To stop the inundation of her tears;
Which, too much minded by herself alone,
May be put from her by society.
Now do you know the reason of this haste?

Fri.
I would, I knew not why it should be slow'd. [Aside.
Look, Sir, here comes the lady tow'rds my cell.
Enter Juliet.

Par.
Welcome, my love, my lady and my wife!

Jul.
That may be, Sir, when I may be a wife.

-- 84 --

Par.
That may be, must be, Love, on Thurdsay next.

Jul.
What must be, shall be.

Fri.
That's a certain text.

Par.
Come you to make confession to this father?

Jul.
To answer That, were to confess to you.

Par.
Do not deny to him, that you love me.

Jul.
I will confess to you, that I love him.

Par.
So will ye, I am sure that you love me.

Jul.
If I do so, it will be of more price
Being spoke behind your back, than to your face.

Par.
Poor soul, thy face is much abus'd with tears.

Jul.
The tears have got small victory by that:
For it was bad enough before their spight.

Par.
Thou wrong'st it, more than tears, with that report.

Jul.
That is no slander, Sir, which is but truth,
And what I speak, I speak it to my face.

Par.
Thy face is mine, and thou hast slander'd it.

Jul.
It may be so, for it is not mine own.
Are you at leisure, holy father, now,
Or shall I come to you at evening mass?

Fri.
My leisure serves me, pensive daughter, now.
My lord, I must intreat the time alone.

Par.
God shield, I should disturb devotion:
Juliet, on Thursday early will I rouse you:
'Till then, adieu! and keep this holy kiss. [Exit Paris.

Jul.
Go, shut the door, and when thou hast done so,
Come weep with me, past hope, past cure, past help.

Fri.
O Juliet, I already know thy grief,
It strains me past the Compass of my Wits.
I hear, you must, and nothing, may prorogue it,
On Thursday next be married to this Count.

Jul.
Tell me not, Friar, that thou hear'st of this,
Unless thou tell me how I may prevent it.

-- 85 --


If in thy wisdom thou canst give no help,
Do thou but call my resolution wise,
And with this knife I'll help it presently.
God join'd my heart and Romeo's; thou, our hands;
And ere this hand, by thee to Romeo seal'd,
Shall be the label to another deed,
Or my true heart with treacherous revolt
Turn to another, this shall slay them both:
Therefore out of thy long-experienc'd time,
Give me some present counsel; or, behold,
'Twixt my extreams and me this bloody knife
Shall play the umpire; arbitrating that,
Which the commission of thy years and art
Could to no issue of true honour bring:
Be not so long to speak; I long to die,
If what thou speak'st speak not of remedy.

Fri.
Hold, daughter, I do 'spy a kind of hope,
Which craves as desperate an execution,
As That is desp'rate which we would prevent.
If, rather than to marry County Paris,
Thou hast the strength of will to slay thy self,
Then it is likely, thou wilt undertake
A thing like death to chide away this shame,
That cop'st with death himself, to 'scape from it:
And if thou dar'st, I'll give thee remedy.

Jul.
O, bid me leap, rather than marry Paris,
From off the battlements of yonder tower:
5 note


Or chain me to some steepy mountain's top,
Where roaring bears and savage lions roam;
Or shut me nightly in a charnel house,
O'er-cover'd quite with dead mens' ratling bones,
With reeky shanks, and yellow chapless skulls;
Or bid me go into a new-made Grave,

-- 86 --


And hide me with a dead man in his shroud;
(Things, that to hear them nam'd, have made me tremble;)
And I will do it without fear or doubt,
To live an unstain'd wife to my sweet love.

Fri.
Hold, then, go home, be merry, give consent
To marry Paris; Wednesday is to morrow;
To morrow Night, look, that thou lye alone.
(Let not thy Nurse lye with thee in thy chamber:)
Take thou this vial, being then in Bed,
And this distilled liquor drink thou off;
When presently through all thy veins shall run
A cold and drowsie humour, which shall seize
Each vital spirit; for no Pulse shall keep
His nat'ral progress, but surcease to beat.
No warmth, no breath, shall testify thou livest;
The roses in thy lips and cheeks shall fade
To paly ashes; thy eyes' windows fall,
Like death, when he shuts up the day of life;
Each Part, depriv'd of supple Government,
Shall stiff, and stark, and cold appear like Death:
And in this borrowed likeness of shrunk death
Thou shalt continue two and forty hours,
And then awake, as from a pleasant sleep.
Now when the bridegroom in the morning comes
To rouse thee from thy bed, there art thou dead:
Then, as the manner of our Country is,
In thy best robes uncover'd on the bier,
Be borne to burial in thy kindred's Grave:
Thou shalt be borne to that same antient vault,
Where all the kindred of the Capulets lye.
In the mean time, against thou shalt awake,
Shall Romeo by my letters know our drift,
And hither shall he come; and he and I
Will watch thy Waking, and that very night
Shall Romeo bear thee hence to Mantua;
And This shall free thee from this present Shame,

-- 87 --


If no unconstant toy, nor womanish fear,
Abate thy valour in the acting it.

Jul.
Give me, oh give me, tell me not of fear.
[Taking the vial.

Fri.
Hold, get you gone, be strong and prosperous
In this Resolve; I'll send a Friar with speed
To Mantua, with my letters to thy lord.

Jul.
Love, give me strength, and strength shall help afford.
Farewel, dear father!—
[Exeunt. SCENE II. Changes to Capulet's House. Enter Capulet, Lady Capulet, Nurse, and two or three Servants.

Cap.
So many Guests invite, as here are writ;
Sirrah, go hire me twenty cunning cooks.

Ser.

You shall have none ill, Sir, for I'll try if they can lick their fingers.

Cap.

How canst thou try them so?

Ser.

Marry, Sir, 'tis an ill cook that cannot lick his own fingers: therefore he that cannot lick his fingers, goes not with me.

Cap.
Go, be gone.
We shall be much unfurnish'd for this time:
What, is my daughter gone to Friar Lawrence?

Nurse.
Ay, forsooth.

Cap.
Well, he may chance to do some good on her:
A peevish self-will'd harlotry it is.
Enter Juliet.

Nurse.
See, where she comes from Shrift with merry Look.

-- 88 --

Cap.
How now, my head-strong? where have you been gadding?

Jul.
Where I have learnt me to repent the sin
Of disobedient opposition
To You and your Behests; and am enjoin'd
By holy Lawrence to fall prostrate here,
And beg your pardon: Pardon, I beseech you!
Henceforward I am ever rul'd by you.

Cap.
Send for the County, go tell him of this,
I'll have this knot knit up to morrow morning.

Jul.
I met the youthful lord at Lawrence' cell,
And gave him what becoming love I might,
Not stepping o'er the bounds of Modesty.

Cap.
Why, I am glad on't, this is well, stand up;
This is as't should be; let me see the County:
Ay, marry, go, I say, and fetch him hither.
Now, afore God, this reverend holy Friar,
6 note


All our whole city is much bound to him.

Jul.
Nurse, will you go with me into my closet,
To help me sort such needful ornaments
As you think fit to furnish me to morrow?

La. Cap.
No, not 'till Thursday, there is time enough.

Cap.
Go, nurse, go with her; we'll to Church to morrow.
[Exeunt Juliet and Nurse.

La. Cap.
We shall be short in our provision;
'Tis now near night.

Cap.
Tush, I will stir about,
And all things shall be well, I warrant thee, wife:
Go thou to Juliet, help to deck up her,
I'll not to bed to night, let me alone:
I'll play the housewife for this once.—What, ho!
They are all forth; well I will walk my self
To County Paris, to prepare him up

-- 89 --


Against to morrow. My heart's wondrous light,
Since this same way-ward girl is so reclaim'd. [Exeunt Capulet and lady Capulet. SCENE III. Changes to Juliet's Chamber. Enter Juliet and Nurse.

Jul.
Ay, those attires are best; but, gentle nurse,
I pray thee, leave me to myself to night:
For I have need of many Orisons
To move the heav'ns to smile upon my State,
Which, well thou know'st, is cross, and full of Sin.
Enter lady Capulet.

La. Cap.
What, are you busie, do you need my help?

Jul.
No, Madam, we have cull'd such necessaries
As are behoveful for our state to morrow:
So please you, let me now be left alone,
And let the nurse this night sit up with you:
For, I am sure, you have your hands full all,
In this so sudden business.

La. Cap.
Good night,
Get thee to bed and rest, for thou hast need.
[Exeunt.

&plquo;Jul.
&plquo;Farewel—God knows, when we shall meet again!
&plquo;I have a faint cold fear thrills through my veins,
&plquo;That almost freezes up the heat of life.
&plquo;I'll call them back again to comfort me.
&plquo;Nurse—what should she do here?
&plquo;My dismal scene I needs must act alone:
&plquo;Come, vial—What if this mixture do not work at all?
&plquo;Shall I of force be marry'd to the Count?
&plquo;No, no, this shall forbid it; lye thou there— [Pointing to a dagger.

-- 90 --


&plquo;What if it be a poison, which the Friar
&plquo;Subtly hath ministred, to have me dead,
&plquo;Lest in this marriage he should be dishonour'd,
&plquo;Because he married me before to Romeo?
&plquo;I fear, it is; and yet, methinks, it should not,
&plquo;For he hath still been tried a holy man.—
&plquo;How, if, when I am laid into the tomb,
&plquo;I wake before the time that Romeo
&plquo;Comes to redeem me? there's a fearful point!
&plquo;Shall I not then be stifled in the vault,
&plquo;To whose foul mouth no healthsome air breathes in,
&plquo;And there be strangled ere my Romeo comes?
&plquo;Or, if I live, is it not very like,
&plquo;The horrible conceit of death and night,
&plquo;Together with the terror of the place,
&plquo;(As in a vault, an ancient receptacle,
&plquo;Where, for these many hundred years, the bones
&plquo;Of all my buried Ancestors are packt;
&plquo;Where bloody Tybalt, yet but green in earth,
&plquo;Lies festring in his shroud; where, as they say,
&plquo;At some hours in the night spirits resort—)
&plquo;Alas, alas! is it not like, that I
&plquo;So early waking, what with loathsome smells,
&plquo;And shrieks, like mandrakes torn out of the earth,
&plquo;That living mortals, hearing them, run mad.—
&plquo;Or, if I wake, shall I not be distraught,
&plquo;(Invironed with all these hideous fears,)
&plquo;And madly play with my fore-fathers' joints,
&plquo;And pluck the mangled Tybalt from his shroud?
&plquo;And in this rage, with some great kinsman's bone,
&plquo;As with a club, dash out my desp'rate brains?
&plquo;O look! methinks, I see my cousin's ghost
&plquo;Seeking out Romeo, that did spit his Body
&plquo;Upon a Rapier's Point.—Stay, Tybalt, stay!
&plquo;Romeo, I come! this do I drink to thee. [She throws herself on the bed.

-- 91 --

SCENE IV. Changes to Capulet's Hall. Enter Lady Capulet and Nurse.

La. Cap.
Hold, take these keys and fetch more spices, nurse.

Nurse.
They call for dates and quinces in the pastry.
Enter Capulet.

Cap.
Come, stir, stir, stir, the second cock hath crow'd,
The curphew-bell hath rung, 'tis three o'clock:
Look to the bak'd Meats, good Angelica.
Spare not for cost.

Nurse.
Go, go, you cot-quean, go;
Get you to bed; faith, you'll be sick to morrow,
For this night's watching.

Cap.
No, not a whit: what, I have watch'd ere now
All night for a less cause, and ne'er been sick.

La. Cap.
Ay, you have been a mouse-hunt in your time,
But I will watch you, from such watching, now.
[Exeunt Lady Capulet and Nurse.

Cap.
A jealous-hood, a jealous-hood—
Now, fellow, what's there?
Enter three or four with spits, and logs, and baskets.

Ser.
Things for the cook, Sir, but I know not what.

Cap.
Make haste, make haste; Sirrah, fetch drier logs,
Call Peter, he will shew thee where they are.

Ser.
I have a head, Sir, that will find out logs,
And never trouble Peter for the matter.

Cap.
'Mass, and well said, a merry horson, ha!

-- 92 --


Thou shalt be logger-head.—good faith, 'tis day. [Play musick.
The County will be here with musick straight,
For so, he said, he would. I hear him near.
Nurse,—wife,—what, ho! what, nurse, I say? Enter Nurse.
Go, waken Juliet, go and trim her up,
I'll go and chat with Paris: hie, make haste,
Make haste, the Bride-groom he is come already;
Make haste, I say. [Exeunt Capulet and Nurse, severally. SCENE V. Changes to Juliet's Chamber, Juliet on a bed. Re-enter Nurse.

Nurse.
Mistress,—what, mistress! Juliet—Fast, I warrant her,
Why, lamb—why, lady—Fie, you slug-a-bed—
Why, love, I say—Madam, sweet-heart—why, bride—
What, not a word! you take your pennyworths now;
Sleep for a week; for the next night, I warrant,
The County Paris hath set up his Rest,
That you shall rest but little—God forgive me—
Marry, and amen!—How sound is she asleep?
I must needs wake her: Madam, madam, madam,
Ay, let the County take you in your bed—
He'll fright you up, i' faith. Will it not be?
What drest, and in your cloaths—and down again?
I must needs wake you: Lady, lady, lady—
Alas! alas! help! help! my lady's dead.
O well-a-day, that ever I was born!
Some Aqua vitæ, ho! my lord, my lady!

-- 93 --

Enter Lady Capulet.

La. Cap.
What noise is here?

Nurse.
O lamentable day!

La. Cap.
What's the matter?

Nurse.
Look,—oh heavy day!

La. Cap.
Oh me, oh me, my child, my only life!
Revive, look up, or I will die with thee;
Help, help! call help.
Enter Capulet.

Cap.
For shame, bring Juliet forth; her lord is come.

Nurse.
She's dead, deceas'd, she's dead: alack the day!

Cap.
Ha! let me see her—Out, alas! she's cold;
Her blood is settled, and her joints are stiff:
Life and these lips have long been separated:
Death lies on her, like an untimely frost
Upon the sweetest flow'r of all the field.
Accursed time! unfortunate old man!

Nurse.
O lamentable day!

La. Cap.
O woful Time!

Cap.
Death, that hath ta'en her hence to make me wail,
Tyes up my Tongue, and will not let me speak.
Enter Friar Lawrence, and Paris with Musicians.

Fri.
Come, is the bride ready to go to church?

Cap.
Ready to go, but never to return.
O son, the night before thy wedding-day
Hath Death lain with thy wife: see, there she lies,
Flower as she was, deflower'd now by him:
Death is my son-in-law.—

Par.
Have I thought long to see this morning's face,
And doth it give me such a sight as this!

-- 94 --

La. Cap.
Accurs'd, unhappy, wretched, hateful day!
Most miserable hour, that Time e'er saw
In lasting labour of his pilgrimage!
But one, poor one, one poor and loving child,
But one thing to rejoice and solace in,
And cruel death hath catch'd it from my sight.

Nurse.
7 noteO woe! oh woful, woful, woful day!
Most lamentable day! most woful day!
That ever, ever, I did yet behold.
Oh day! oh day! oh day! oh hateful day!
Never was seen so black a day as this:
Oh woful day, oh woful day!

Par.
Beguil'd, divorced, wronged, spighted, slain,
Most detestable Death, by Thee beguil'd,
By cruel, cruel Thee quite over-thrown:—
O Love, O Life, not Life, but Love in Death!—

Cap.
Despis'd, distressed, hated, martyr'd, kill'd,
Uncomfortable Time! why cam'st thou now
To murther, murther our Solemnity?
O Child! O Child! My Soul, and not my Child!
Dead art Thou! dead; alack! my Child is dead;
And, with my Child, my Joys are buried.

Fri.
Peace, ho, for Shame! Confusion's Cure lives not
In these Confusions: Heaven and Yourself
Had Part in this fair Maid; now Heav'n hath All;
And All the better is it for the Maid.
Your Part in her you could not keep from Death;
But Heav'n keeps his Part in eternal Life.
The most, you sought, was her Promotion;
For 'twas your Heav'n, she should be advanc'd:
And weep you now, seeing she is advanc'd,
Above the Clouds, as high as Heav'n himself?

-- 95 --


Oh, in this Love you love your Child so ill,
That you run mad, seeing, that she is well.
She's not well married, that lives married long;
But she's best married, that dyes married young.
Dry up your Tears, and stick your Rosemary
On this fair Coarse; and, as the Custom is,
And in her best Array, bear her to Church.
For tho' some Nature bids us all lament,
Yet Nature's Tears are Reason's Merriment.

Cap.
All things, that we ordained festival,
Turn from their Office to black Funeral;
Our Instruments to melancholy Bells,
Our wedding Chear to a sad Funeral Feast;
Our solemn Hymns to sullen Dirges change,
Our bridal Flow'rs serve for a buried Coarse;
And all things change them to the contrary.

Fri.
Sir, go you in, and, Madam, go with him;
And go, Sir Paris; every one prepare
To follow this fair Coarse unto her Grave.
The Heav'ns do lowr upon you, for some Ill;
Move them no more, by crossing their high Will.
[Exeunt Capulet, Lady Capulet, Paris, and Friar. SCENE VI. Manent Musicians, and Nurse.

Mus.
Faith, we may put up our pipes and be gone.

Nurse.
Honest good fellows: ah, put up, put up;
For, well you know, this is a pitiful case. [Exit Nurse.

Mus.
Ay, by my troth, the case may be amended.
Enter Peter.

Pet.
Musicians, oh musicians, heart's ease, heart's ease:
Oh, an you will have me live, play heart's ease.

-- 96 --

Mus.

Why, heart's ease?

Pet.

O musicians, because my heart itself plays, my heart itself is full of woe. O, play me some merry dump, to comfort me!

Mus.

Not a dump we, 'tis no time to play now.

Pet.

You will not then?

Mus.

No.

Pet.

I will then give it you soundly.

Mus.

What will you give us?

Pet.

No mony, on my faith, but the gleek: I will give you the Minstrell.

Mus.

Then will I give you the Serving Creature.

Pet.

Then will I lay the Serving Creature's Dagger on your Pate. I will carry no Crotchets. I'll re you, I'll fa you, do you note me?

Mus.

An you re us, and fa us, you note us.

2 Mus.

Pray you, put up your dagger, and put out your wit.

Pet.

Then have at you with my wit: I will dry-beat you with an iron Wit, and put up my iron dagger:— answer me like men:



When griping grief the heart doth wound,
Then musick with her silver sound—
Why, silver sound? why, musick with her silver sound?
What say you, Simon Catling?

Mus.

Marry, Sir, because silver hath a sweet sound.

Pet.

Pretty! what say you, Hugh Rebeck?

2 Mus.

I say, silver sound, because musicians sound for silver.

Pet.

Pretty too! what say you, Samuel Soundboard?

3 Mus.

Faith, I know not what to say.

Pet.

O, I cry you mercy, you are the singer, I will say for you. It is musick with her silver sound, because such fellows, as you, have no gold for sounding.



The Musick with her silver sound
Doth lend redress. [Exit singing.

-- 97 --

Mus.

What a pestilent knave is this same?

2 Mus.

Hang him, Jack; come, we'll in here, tarry for the mourners, and stay dinner.

[Exeunt. ACT V. SCENE I. MANTUA.

Enter Romeo.
1 note






If I may trust the flattering ruth of sleep,
My dreams presage some joyful news at hand:
My bosom's Lord sits lightly on his Throne,
And, all this day, an unaccustom'd spirit
Lifts me above the ground with chearful thoughts.
I dreamt, my lady came and found me dead,
(Strange dream! that gives a dead man leave to think)

-- 98 --


And breath'd such life with kisses in my lips,
That I reviv'd, and was an Emperor.
Ah me! how sweet is love itself possest,
When but love's shadows are so rich in joy? Enter Balthasar.
News from Verona—How now, Balthasar?
Dost thou not bring me letters from the Friar?
How doth my lady? is my father well?
How doth my Juliet? That I ask again;
For nothing can be ill, if she be well.

Balth.
Then she is well, and nothing can be ill;
Her body sleeps in Capulets' monument,
And her immortal part with angels lives:
I saw her laid low in her kindred's vault,
And presently took post to tell it you:
O pardon me for bringing these ill news,
Since you did leave it for my Office, Sir.

Rom.
Is it even so? then I defy you, Stars!
Thou know'st my lodging, get me ink and paper,
And hire post-horses. I will hence to night.

Balth.
Pardon me, Sir, I dare not leave you thus.
Your looks are pale and wild, and do import
Some misadventure.

Rom.
Tush, thou art deceiv'd;
Leave me, and do the thing I bid thee do:
Hast thou no letters to me from the Friar?

Balth.
No, my good lord.

Rom.
No matter: get thee gone,
And hire those horses; I'll be with thee straight. [Exit Balthazar.
Well, Juliet, I will lye with thee to night;
Let's see for means—O mischief! thou art swift
To enter in the thought of desperate men!
&plquo;I do remember an Apothecary,
&plquo;And hereabouts he dwells, whom late I noted
&plquo;In tatter'd weeds, with overwhelming brows,

-- 99 --


&plquo;Culling of simples; meager were his looks;
&plquo;Sharp misery had worn him to the bones:
&plquo;And in his needy shop a tortoise hung,
&plquo;An alligator stuft, and other skins
&plquo;Of ill-shap'd fishes; and about his shelves
&plquo;2 note




A beggarly account of empty boxes;
&plquo;Green earthen pots, bladders, and musty seeds,
&plquo;Remnants of packthread, and old cakes of roses
&plquo;Were thinly scatter'd to make up a show.
Noting this penury, to myself, I said,
An if a man did need a poison now,
Whose sale is present death in Mantua,
Here lives a caitiff wretch would sell it him.
Oh, this same thought did but fore-run my need,
And this same needy man must sell it me,
As I remember, this should be the house.
Being holy-day, the beggar's shop is shut:
What, ho! apothecary! Enter Apothecary.

Ap.
Who calls so loud?

Rom.
Come hither, man; I see, that thou art poor;
Hold, there is forty ducats: let me have
A dram of poison, such soon-speeding geer,
As will disperse itself thro' all the veins,
That the life-weary Taker may fall dead;
And that the Trunk may be discharg'd of breath,

-- 100 --


As violently as hasty powder fir'd
Doth hurry from the fatal cannon's womb.

Ap.
Such mortal drugs I have, but Mantua's law
Is death to any he that utters them.

&plquo;Rom.
&plquo;Art thou so bare and full of wretchedness,
&plquo;And fear'st to die? famine is in thy cheeks;
&plquo;Need and oppression stare within thine eyes,
&plquo;Contempt and beggary hang upon thy back:
&plquo;The world is not thy friend, nor the world's law;
&plquo;The world affords no law to make thee rich,
&plquo;Then be not poor, but break it and take this.

Ap.
My poverty, but not my will, consents.

Rom.
I pay thy poverty, and not thy will.

Ap.
Put this in any liquid thing you will,
And drink it off, and if you had the strength
Of twenty men, it would dispatch you straight.

Rom.
There is thy gold; worse poison to men's souls,
Doing more murthers in this loathsom world,
Than these poor compounds that thou may'st not sell:
I sell thee poison, thou hast sold me none.—
Farewel, buy food, and get thee into flesh.
Come, cordial, and not poison; go with me
To Juliet's grave, for there must I use thee.
[Exeunt. SCENE II. Changes to the Monastery at Verona. Enter Friar John.

John.
Holy Franciscan Friar! brother! ho!
Enter Friar Lawrence to him.

Law.
This same should be the voice of Friar John.—
Welcome from Mantua; what says Romeo?

-- 101 --


Or, if his mind be writ, give me his letter.

John.
Going to find a bare-foot brother out,
One of our Order, to associate me,
Here in this city visiting the sick;
And finding him, the Searchers of the town,
Suspecting that we both were in a house
Where the infectious pestilence did reign,
Seal'd up the doors, and would not let us forth;
So that my speed to Mantua there was staid.

Law.
Who bore my letter then to Romeo?

John.
I could not send it; here it is again;
Nor get a Messenger to bring it thee,
So fearful were they of infection.

Law.
Unhappy fortune! by my Brotherhood,
3 noteThe letter was not nice, but full of charge
Of dear import; and the neglecting it
May do much danger. Friar John, go hence,
Get me an iron Crow, and bring it straight
Unto my cell.

John.
Brother, I'll go and bring it thee.
[Exit.

Law.
Now must I to the Monument alone;
Within these three hours will fair Juliet wake;
She will beshrew me much, that Romeo
Hath had no notice of these accidents:
But I will write again to Mantua,
And keep her at my cell 'till Romeo come.
Poor living coarse, clos'd in a dead man's tomb!
[Exit.

-- 102 --

SCENE III. Changes to a Church-yard: In it, a Monument belonging to the Capulets. Enter Paris, and his Page, with a light.

Par.
Give me thy torch, boy; hence and stand aloof.
Yet put it out, for I would not be seen:
Under yond yew-trees lay thee all along,
Laying thy ear close to the hollow ground;
So shall no foot upon the church-yard tread,
(Being loose, unfirm, with digging up of Graves)
But thou shalt hear it: whistle then to me,
As signal that thou hear'st something approach.
Give me those flow'rs. Do as I bid thee; go.

Page.
I am almost afraid to stand alone
Here in the church-yard, yet I will adventure.
[Exit.

Par.
Sweet flow'r! with flow'rs thy bridal bed I strew: [Strewing flowers.
4 noteFair Juliet, that with angels dost remain,
Accept this latest favour at my hand;
That living honour'd thee, and, being dead,
With fun'ral obsequies adorn thy tomb. [The boy whistles.
—The boy gives warning, something doth approach;—
What cursed foot wanders this way to night,
To cross my Obsequies, and true love's rite?
What! with a torch? muffle me, night, a while.

-- 103 --

SCENE IV. Enter Romeo and Balthasar with a light.

Rom.
Give me that mattock, and the wrenching iron.
Hold, take this letter, early in the morning
See thou deliver it to my lord and father.
Give me the light; upon thy life, I charge thee,
Whate'er thou hear'st or seest, stand all aloof,
And do not interrupt me in my course.
Why I descend into this bed of death,
Is partly to behold my lady's face:
But chiefly to take thence from her dead finger
A precious ring, a ring that I must use
In dear employment; therefore, hence, be gone:
But if thou, jealous, dost return to pry
In what I further shall intend to do,
By heaven, I will tear thee joint by joint,
And strew this hungry church-yard with thy limbs;
The time and my intents are savage, wild,
More fierce and more inexorable far
Than empty tygers, or the roaring sea.

Balth.
I will be gone, Sir, and not trouble you.

Rom.
So shalt thou shew me Friendship.—Take thou that;
Live and be prosp'rous, and farewel, good fellow.

Balth.
For all this same, I'll hide me hereabout;
His looks I fear, and his intents I doubt. [Exit Balth.

Rom.
Thou detestable maw, thou womb of death,
Gorg'd with the dearest morsel of the earth,
Thus I enforce thy rotten jaws to open, [Breaking open the Monument.
And in despight I'll cram thee with more food.

Par.
This is that banisht haughty Montague,
That murther'd my love's cousin; (with which grief,
It is supposed, the fair Creature dy'd,)

-- 104 --


And here is come to do some villanous shame
To the dead bodies: I will apprehend him.
Stop thy unhallow'd toil, vile Montague:
Can vengeance be pursu'd further than death?
Condemned villain, I do apprehend thee;
Obey, and go with me, for thou must die.

Rom.
I must, indeed, and therefore came I hither.—
Good gentle youth, tempt not a desp'rate man;
Fly hence and leave me: think upon these gone,
Let them affright thee. I beseech thee, youth,
Pull not another sin upon my head,
By urging me to fury. Oh be gone!
By heav'n, I love thee better than my self;
For I come hither arm'd against my self.
Stay not, begone; live, and hereafter say,
A madman's Mercy bade thee run away.

Par.
I do defie thy commiseration,
And apprehend thee for a felon here.

Rom.
Wilt thou provoke me? then have at thee, boy.
[They fight, Paris falls.

Page.
Oh lord, they fight! I will go call the Watch.

Par.
Oh, I am slain; if thou be merciful,
Open the tomb, lay me with Juliet.
[Dies.

Rom.
In faith, I will: let me peruse this face—
Mercutio's kinsman! Noble County Paris!
What said my man, when my betossed soul
Did not attend him as we rode? I think,
He told me, Paris should have married Juliet.
Said he not so? or did I dream it so?
Or am I mad, hearing him talk of Juliet,
To think it was so? Oh give me thy hand,
One writ with me in four Misfortune's book,
I'll bury thee in a triumphant Grave.
A Grave? O no; a Lanthorn, slaughter'd Youth;
For here lyes Juliet; and her beauty makes
This vault a feasting Presence full of Light.

-- 105 --


Death, lye thou there, by a dead man interr'd:— [Laying Paris in the Monument.
How oft, when Men are at the point of Death,
Have they been merry? which their Keepers call
A Lightning before Death.—O, how may I
Call this a Lightning!—O my love, my wife!
Death, that hath suckt the honey of thy breath,
Hath had no power yet upon thy beauty:
Thou art not conquer'd; beauty's ensign yet
Is crimson in thy lips, and in thy cheeks,
And death's pale flag is not advanced there.
Tybalt, ly'st thou there in thy bloody sheet?
Oh, what more favour can I do to thee,
Than with that hand, that cut thy youth in twain,
To sunder his, that was thy enemy?
Forgive me, cousin.—Ah dear Juliet,
Why art thou yet so fair? shall I believe
That unsubstantial death is amorous,
And that the lean abhorred monster keeps
Thee here in dark, to be his paramour?
For fear of that, I still will stay with thee;
And never from this Palace of dim night
Depart again: Here, here will I remain,
With worms that are thy chamber-maids; oh here
Will I set up my everlasting Rest;
And shake the yoke of inauspicious stars
From this world-weary'd flesh. Eyes, look your last!
Arms, take your last embrace! and lips, oh you
The doors of breath, seal with a righteous kiss
A dateless bargain to engrossing death!
Come, bitter conduct! come, unsav'ry guide!
Thou desp'rate pilot, now at once run on
The dashing rocks my sea-sick, weary, bark:
Here's to my love! oh, true apothecary! [Drinks the poison.
Thy drugs are quick. Thus with a kiss I die. [Dies.

-- 106 --

Enter Friar Lawrence with lanthorn, crow, and spade.

Fri.
St. Francis be my speed! how oft to night
Have my old feet stumbled at graves? who's there?
Enter Balthasar.

Balth.
Here's one, a friend, and one that knows you well.

Fri.
Bliss be upon you! Tell me, good my friend,
What torch is yond, that vainly lends his light
To grubs and eyeless sculls? as I discern,
It burneth in the Capulets Monument.

Balth.
It doth so, holy Sir,
And there's my master, one you dearly love.

Fri.
Who is it?

Balth.
Romeo.

Fri.
How long hath he been there?

Balth.
Full half an hour.

Fri.
Go with me to the vault.

Balth.
I dare not, Sir.
My master knows not, but I am gone hence;
And fearfully did menace me with death,
If I did stay to look on his intents.

Fri.
Stay then, I'll go alone; fear comes upon me;
O, much I fear some ill unlucky thing.

Balth.
As I did sleep under this yew-tree here,
I dreamt my master and another fought,
And that my master slew him.

Fri.
Romeo!
Alack, alack, what blood is this, which stains
The stony entrance of this sepulchre?
What mean these masterless and goary swords,
To lye discolour'd by this place of peace?
  Romeo oh pale! who else? what Paris too?
And steep'd in blood? ah, what an unkind hour
Is guilty of this lamentable chance?
The lady stirs.

-- 107 --

Jul. [awaking.]
Oh comfortable Friar, where is my lord?
I do remember well, where I should be;
And there I am; but where is Romeo?

Fri.
I hear some noise! Lady, come from that nest
Of death, contagion, and unnatural sleep;
A greater Power, than we can contradict,
Hath thwarted our intents; come, come away;
Thy husband in thy bosom there lyes dead,
And Paris too—Come, I'll dispose of thee
Amongst a sisterhood of holy Nuns:
Stay not to question, for the Watch is coming.
Come, go, good Juliet; I dare no longer stay.
[Exit.

Jul.
Go, get thee hence, for I will not away.
What's here? a cup, clos'd in my true love's hand?
Poison, I see, hath been his timeless end.
Oh churl, drink all, and leave no friendly drop
To help me after? I will kiss thy lips;
Haply some poison yet doth hang on them;
To make me die with a Restorative.
Thy lips are warm.
Enter Boy and Watch.

Watch.
Lead, boy, which way?

Jul.
Yea, noise?
Then I'll be brief. O happy dagger! [Finding a dagger.
This is thy sheath, there rust and let me die.
[Kills herself.

Boy.
This is the place; there, where the torch doth burn.

Watch.
The ground is bloody. Search about the church-yard;
Go, some of you, whom e'er you find, attach.
Pitiful sight! here lies the County slain,
And Juliet bleeding, warm, and newly dead,
Who here hath lain these two days buried.

-- 108 --


Go, tell the Prince, run to the Capulets,
Raise up the Montagues; Some others, search—
We see the Ground whereon these Woes do lye:
But the true ground of all these piteous Woes
We cannot without Circumstance descry. Enter some of the Watch, with Balthasar.

2 Watch.

Here's Romeo's man, we found him in the church-yard.

1 Watch.
Hold him in safety, 'till the Prince comes hither.
Enter another Watchman with Friar Lawrence.

3 Watch.
Here is a Friar that trembles, sighs and weeps:
We took this mattock and this spade from him,
As he was coming from this church-yard side.

1 Watch.
A great suspicion: stay the Friar too.
SCENE V. Enter the Prince, and attendants.

Prince.
What misadventure is so early up,
That calls our person from our morning's Rest?
Enter Capulet and lady Capulet.

Cap.
What should it be, that they so shriek abroad?

La. Cap.
The people in the street cry, Romeo;
Some, Juliet; and some, Paris; and all run
With open out-cry tow'rd our Monument.

Prince.
What fear is this, which startles in your ears?

Watch.
Sovereign, here lyes the County Paris slain,
And Romeo dead, and Juliet (dead before)
Warm and new kill'd.

-- 109 --

Prince.
Search, seek, and know, how this foul murther comes.

Watch.
Here is a Friar, and slaughter'd Romeo's man,
With instruments upon them, fit to open
These dead men's tombs.

Cap.
Oh, heav'n! oh, wife! look how our daughter bleeds!
This dagger hath mista'en; for, loe! the sheath
Lies empty on the back of Montague,
The point mis-sheathed in my daughter's bosom.

La. Cap.
Oh me, this sight of death is as a bell,
That warms my old age to a sepulchre.
Enter Montague.

Prince.
Come, Montague, for thou art early up.
To see thy son and heir now early down.

Mon.
Alas, my liege, my wife is dead to night;
Grief of my son's exile hath stopt her breath:
What further woe conspires against my age?

Prince.
Look, and thou shalt see.

Mon.
Oh, thou untaught! what manners is in this,
To press before thy father to a Grave?

Prince.
Seal up the mouth of outrage for a while,
'Till we can clear these ambiguities,
And know their spring, their head, their true descent;
And then will I be General of your woes,
And lead you ev'n to Death. Mean time forbear,
And let mischance be slave to patience.
Bring forth the parties of suspicioin.

Fri.
I am the greatest, able to do least,
Yet most suspected; as the time and place
Doth make against me, of this direful murther;
And here I stand both to impeach and purge
My self condemned, and my self excus'd.

Prince.
Then say at once what thou dost know in this.

-- 110 --

Fri.
I will be brief, for my short date of breath
Is not so long as is a tedious tale.
Romeo, there dead, was husband to that Juliet;
And she, there dead, that Romeo's faithful wife:
I married them; and their stoln marriage-day
Was Tybalt's dooms-day, whose untimely death
Banish'd the new-made bridegroom from this city;
For whom, and not for Tybalt, Juliet pined.
You, to remove that siege of grief from her,
Betroth'd, and would have married her perforce
To County Paris. Then comes she to me,
And, with wild looks, bid me devise some means
To rid her from this second marriage;
Or, in my Cell, there would she kill herself.
Then gave I her (so tutor'd by my art)
A sleeping potion, which so took effect
As I intended; for it wrought on her
The form of death. Mean time I writ to Romeo,
That he should hither come, as this dire night,
To help to take her from her borrowed Grave;
Being the time the potion's force should cease.
But he which bore my letter, Friar John,
Was staid by accident; and yesternight
Return'd my letter back; then all alone,
At the prefixed hour of her awaking,
Came I to take her from her kindred's Vault:
Meaning to keep her closely at my Cell,
'Till I conveniently could send to Romeo.
But when I came, (some minute ere the time
Of her awaking) here untimely lay
The noble Paris, and true Romeo dead.
She wakes, and I intreated her come forth,
And bear this work of heav'n with patience:
But then a noise did scare me from the tomb,
And she, too desp'rate, would not go with me:
But, as it seems, did violence on herself.
All this I know, and to the marriage

-- 111 --


Her nurse is privy; but if aught in this
Miscarried by my fault, let my old life
Be sacrific'd, some hour before the time,
Unto the rigour of severest law.

Prince.
We still have known thee for an holy man.
Where's Romeo's man? what can he say to this?

Balth.
I brought my master news of Juliet's death,
And then in post he came from Mantua
To this same place, to this same Monument.
This letter he early bid me give his father,
And threatned me with death going to the Vault,
If I departed not, and left him there.

Prince.
Give me the letter, I will look on it.
Where is the County's page, that rais'd the Watch?
Sirrah, what made your master in this place?

Page.
He came with flowers to strew his lady's Grave,
And bid me stand aloof, and so I did:
Anon comes one with light to ope the tomb,
And, by and by, my master drew on him;
And then I ran away to call the Watch.

Prince.
This letter doth make good the Friar's words,
Their course of love, the tidings of her death:
And here he writes, that he did buy a poison
Of a poor 'pothecary, and therewithal
Came to this vault to die, and lye with Juliet.
Where be these enemies? Capulet! Montague!
See, what a scourge is laid upon your hate,
That heav'n finds means to kill your joys with love!
And I, for winking at your discords too,
Have lost a brace of kinsmen: all are punish'd!

Cap.
O brother Montague, give me thy hand,
This is my daughter's jointure; for no more
Can I demand.

Mon.
But I can give thee more,
For I will raise her Statue in pure gold;

-- 112 --


That, while Verona by that name is known,
There shall no figure at that rate be set,
As that of true and faithful Juliet.

Cap.
As rich shall Romeo's by his lady lye;
Poor sacrifices of our enmity!

Prince.
A gloomy Peace this morning with it brings,
  The Sun for Sorrow will not shew his head;
Go hence to have more talk of these sad things;
  Some shall be pardon'd, and some punished.
For never was a story of more woe,
Than this of Juliet, and her Romeo.
[Exeunt omnes.

-- 113 --

-- 114 --

Introductory matter

DRAMATIS PERSONÆ. CLAUDIUS, King of Denmark. Fortinbras, Prince of Norway. Hamlet, Son to the former, and Nephew to the present, King. Polonius, Lord Chamberlain. Horatio, Friend to Hamlet. Laertes, Son to Polonius. Voltimand [Voltemand], Courtier. Cornelius, Courtier. Rosencrantz, Courtier. Guildenstern, Courtier. Osrick [Osric], a Fop. Marcellus, an Officer. Bernardo, Soldier. Francisco, Soldier. Reynoldo [Reynaldo], Servant to Polonius. Ghost of Hamlet's Father. Gertrude, Queen of Denmark, and Mother to Hamlet. Ophelia, Daughter to Polonius, belov'd by Hamlet. Ladies attending on the Queen. Players, Grave makers, Sailors, Messengers, and other Attendants. [Player 1], [Player], [Prologue], [Player King], [Player Queen], [Lucianus], [Captain], [Gentleman], [Messenger], [Danes], [Sailor], [Clown 1], [Clown 2], [Priest], [Lord], [Ambassador] SCENE, ELSINOOR. note

-- 115 --

HAMLET, Prince of Denmark. ACT I. SCENE I. A Platform before the Palace. Enter Bernardo and Francisco, two Centinels.

Bernarrdo.
Who's there?

Fran.
Nay, answer me: stand, and unfold your self.

Ber.
Long live the King!

Fran.
Bernardo?

Ber.
He.

Fran.
You come most carefully upon your hour.

Ber.
'Tis now struck twelve; get thee to bed, Francisco.

Fran.
For this relief, much thanks: 'tis bitter cold,
And I am sick at heart.

Ber.
Have you had quiet Guard?

Franc.
Not a mouse stirring.

-- 116 --

Ber.
Well, good night.
If you do meet Horatio and Marcellus,
1 noteThe rivals of my Watch, bid them make haste.
Enter Horatio and Marcellus.

Franc.
I think, I hear them. Stand, ho! who is there?

Hor.
Friends to this ground.

Mar.
And liege-men to the Dane.

Fran.
Give you good night.

Mar.
Oh, farewel, honest soldier; who hath reliev'd you?

Fran.
Bernardo has my place: give you good night. [Exit Francisco.

Mar.
Holla! Bernardo,—

Ber.
Say, what, is Horatio there?

2 noteHor.
A piece of him.
[Giving his hand.

Ber.
Welcome, Horatio; welcome, good Marcellus,

Mar.
What, has this thing appear'd again to night?

Ber.
I have seen nothing.

Mar.
Horatio says, 'tis but our phantasie;
And will not let belief take hold of him,
3 noteTouching this dreaded sight, twice seen of us;
Therefore I have intreated him along
With us, to watch the minutes of this night;
That if again this apparition come,
He may approve our eyes, and speak to it.

Hor.
Tush! tush! 'twill not appear.

Ber.
Sit down a while,
And let us once again assail your ears,

-- 117 --


That are so fortified against our story,
What we have two nights seen.

Hor.
Well, sit we down,
And let us hear Bernardo speak of this.

Ber.
Last night of all,
When yon same Star, that's westward from the Pole,
Had made his course t'illume that part of heav'n
Where now it burns, Marcellus and my self,
The bell then beating one,—

Mar.
Peace, break thee off; Enter the Ghost.
Look where it comes again.

Ber.
In the same figure, like the King that's dead.

Mar.
Thou art a scholar, speak to it, Horatio.

Ber.
Looks it not like the King? mark it, Horatio.

Hor.
Most like: it harrows me with fear and wonder.

Ber.
It would be spoke to.

Mar.
Speak to it, Horatio.

Hor.
What art thou, that usurp'st this time of night,
Together with that fair and warlike form,
In which the Majesty of buried Denmark
Did sometime march? by Heav'n, I charge thee, speak.

Mar.
It is offended.

Ber.
See! it stalks away.

Hor.
Stay; speak; I charge thee, speak.
[Exit Ghost.

Mar.
'Tis gone, and will not answer.

Ber.
How now, Horatio? you tremble and look pale.
Is not this something more than phantasie?
What think you of it?

Hor.
Before my God, I might not this believe,

-- 118 --


4 note


Without the sensible and try'd avouch
Of mine own eyes.

Mar.
Is it not like the King?

Hor.
As thou art to thy self.
Such was the very armour he had on,
When he th' ambitious Norway combated:
So frown'd he once, when in an angry parle,
5 noteHe smote the sleaded Polack on the ice.
'Tis strange—

Mar.
Thus twice before, 6 noteand just at this dead hour,
With martial stalk, he hath gone by our Watch.

Hor.
In what particular thought to work, I know not;
But, in the gross and scope of my opinion,
This bodes some strange eruption to our State.

Mar.
Good now sit down, and tell me, he that knows,
Why this same strict and most observant Watch
So nightly toils the Subjects of the Land?
And why such daily cast of brazen Canon,
And foreign mart for implements of war?
Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week?
What might be toward, that this sweaty haste
Doth make the night joint labourer with the day:
Who is't, that can inform me?

-- 119 --

Hor.
That can I;
At least, the whisper goes so. Our last King,
Whose image but even now appear'd to us,
Was, as you know, by Fortinbras of Norway,
(Thereto prickt on by a most emulate pride)
Dar'd to the fight: In which, our valiant Hamlet,
(For so this side of our known world esteem'd him)
Did slay this Fortinbras: 7 note





who by seal'd compact,
Well ratified by law of heraldry,
Did forfeit (with his life) all those his Lands,
Which he stood seiz'd of, to the Conqueror:
Against the which, a moiety competent
Was gaged by our King; which had Return
To the inheritance of Fortinbras,

-- 120 --


Had he been vanquisher; 8 note


as by the same comart,
And carriage of the articles design'd,
His fell to Hamlet. Now young Fortinbras,
9 noteOf unimproved mettle hot and full,
Hath in the skirts of Norway, here and there,
Shark'd up a list of landless resolutes,
For food and diet, to some enterprize
That hath a stomach in't: which is no other,
As it doth well appear unto our State,
But to recover of us by strong hand,
1 noteAnd terms compulsatory those foresaid Lands
So by his father lost: and this, I take it,
Is the main motive of our preparations,
The source of this our watch, and the chief head
Of this post-haste and romage in the Land.

Ber.
I think, it be no other, but even so:
Well may it sort, that this portentous figure
Comes armed through our watch so like the King,
That was, and is the question of these wars.

Hor.
A mote it is to trouble the mind's eye.
&wlquo;In the most high and 2 notepalmy State of Rome,
&wlquo;A little ere the mightiest Julius fell
&wlquo;The Graves stood tenantless; the sheeted Dead
&wlquo;Did squeak and gibber in the Roman streets;
&wlquo;Stars shone with trains of fire, Dews of blood fel;
&wlquo;3 noteDisasters veil'd the Sun; and the moist Star,

-- 121 --


&wlquo;Upon whose influence Neptune's Empire stands,
&wlquo;Was sick almost to dooms-day with eclipse.
And even the like 4 noteprecurse of fierce events,
As harbingers preceding still the fates,
5 noteAnd prologue to the omen coming on,
Have heav'n and earth together demonstrated
Unto our climatures and country-men. Enter Ghost again.
But soft, behold! lo, where it comes again!
I'll cross it, though it blast me. Stay illusion! [Spreading his Arms.
If thou hast any sound, or use of voice,
Speak to me.
If there be any good thing to be done,
That may to thee do ease, and grace to me;
Speak to me.
If thou art privy to thy Country's fate,
Which, happily, Foreknowing may avoid,
Oh speak!—
Or, if thou hast uphoorded, in thy life
6 noteExtorted treasure, in the womb of earth, [Cock crows.
For which, they say, you Spirits oft walk in death,
Speak of it. Stay, and speak—Stop it, Marcellus.—

Mar.
Shall I strike at it with my partizan?

Hor.
Do, if it will not stand.

Ber.
'Tis here—

Hor.
'Tis here—

Mar.
'Tis gone. [Exit Ghost.
We do it wrong, being so majestical,
To offer it the shew of violence;
For it is as the air, invulnerable;
And our vain blows, malicious mockery.

-- 122 --

Ber.
It was about to speak, when the cock crew.

&wlquo;Hor.
&wlquo;And then it started like a guilty thing
&wlquo;Upon a fearful Summons. I have heard,
&wlquo;The cock, that is the trumpet to the morn,
&wlquo;Doth with his lofty and shrill-sounding throat
&wlquo;Awake the God of day; and, at his warning,
&wlquo;Whether in sea or fire, in earth or air,
&wlquo;7 noteTh' extravagant and erring Spirit hies
&wlquo;To his Confine: And of the truth herein
This present object made probation.

Mar.
It faded on the crowing of the cock.
&wlquo;Some say, that ever 'gainst that season comes
&wlquo;Wherein our Saviour's birth is celebrated,
&wlquo;The bird of Dawning singeth all night long:
&wlquo;And then, they say, no Spirit walks abroad;
&wlquo;The nights are wholesome, then no planets strike,
&wlquo;No Fairy takes, no witch hath power to charm;
&wlquo;So hallow'd and so gracious is the time.

Hor.
So have I heard, and do in part believe it.
&wlquo;But look, the morn, in russet mantle clad,
&wlquo;Walks o'er the dew of yon 8 notehigh eastward hill;
Break we our watch up; and, by my advice,
Let us impart what we have seen to night
Unto young Hamlet. For, upon my life,
This Spirit, dumb to us, will speak to him:
Do you consent, we shall aquaint him with it,
As needful in our loves, fitting our duty?

Mar.
Let's do't, I pray; and I this morning know
Where we shall find him most conveniently.
[Exeunt.

-- 123 --

SCENE II. Changes to the Palace. Enter Claudius King of Denmark, Gertrude the Queen, Hamlet, Polonius, Laertes, Voltimand, Cornelius, Lords and Attendants.

King.
Though yet of Hamlet our dear brother's death
The memory be green, and that it fitted
To bear our hearts in grief, and our whole Kingdom
To be contracted in one brow of woe;
Yet so far hath Discretion fought with Nature,
That we with wisest sorrow think on him,
Together with remembrance of our selves.
Therefore our sometime sister, now our Queen,
Th' imperial Jointress of this warlike State,
Have we, as 'twere, with a defeated joy,
With one auspicious, and one dropping eye,
With mirth in funeral, and with dirge in marriage,
In equal scale weighing delight and dole,
Taken to wife.—Nor have we herein barr'd
Your better wisdoms, which have freely gone
With this affair along: (for all, our thanks.)
Now follows, that you know, young Fortinbras,
Holding a weak supposal of our worth;
Or thinking by our late dear brother's death
Our State to be disjoint and out of frame;
9 noteColleagued with this dream of his advantage,
He hath not fail'd to pester us with message,
Importing the surrender of those Lands

-- 124 --


Lost by his father, by all bands of law,
To our most valiant brother.—So much for him.—
Now for our self, and for this time of meeting:
Thus much the business is. We have here writ
To Norway, uncle of young Fortinbras,
(Who, impotent and bed-rid, scarcely hears
Of this his nephew's purpose,) to suppress
His further gate herein; in that the Levies,
The Lists, and full Proportions are all made
Out of his Subjects: and we here dispatch
You, good Cornelius, and you Voltimand,
For bearers of this Greeting to old Norway;
Giving to you no further personal power
To business with the King, more than the scope
Which these dilated articles allow.
Farewel, and let your haste commend your duty.

Vol.
In that, and all things, will we shew our duty.

King.
We doubt it nothing; heartily farewel. [Exeunt Voltimand and Cornelius.
And now, Laertes, what's the news with you?
You told us of some suit. What is't, Laertes?
You cannot speak of Reason to the Dane,
And lose your voice. What wouldst thou beg, Laertes,
That shall not be my offer, not thy asking?
1 note



The blood is not more native to the heart,

-- 125 --


The hand more instrumental to the mouth,
Than to the Throne of Denmark is thy father.
What would'st thou have, Laertes?

Laer.
My dread lord,
Your leave and favour to return to France;
From whence, though willingly I came to Denmark
To shew my duty in your Coronation;
Yet now I must confess, that duty done,
My thoughts and wishes bend again tow'rd France:
And bow them to your gracious leave and pardon.

King.
Have you your father's leave? what says Polonius?

Pol.
He hath, my lord, by laboursome petition,
Wrung from me my slow leave; and, at the last,
Upon his will I seal'd my hard consent.
I do beseech you, give him leave to go.

King.
Take thy fair hour, Laertes, time be thine;
And thy best Graces spend it at thy will.
2 note





But now, my cousin Hamlet.—Kind my son—

-- 126 --

Ham.
A little more than kin, and less than kind.
[Aside.

King.
How is it, that the clouds still hang on you?

Ham.
Not so, my lord, I am too much i'th' Sun.

Queen.
Good Hamlet, cast thy nighted colour off,
And let thine eye look like a friend on Denmark.
Do not, for ever, with thy veiled lids,
Seek for thy noble father in the dust;
Thou know'st, 'tis common; all that live, must die;
Passing through nature to eternity.

Ham.
Ay, Madam, it is common.

Queen.
If it be,
Why seems it so particular with thee?

Ham.
Seems, Madam? nay, it is; I know not seems:
'Tis not alone my inky cloak, good mother,
Nor customary suits of solemn Black,
Nor windy suspiration of forc'd breath,
No, nor the fruitful river in the eye,
Nor the dejected 'haviour of the visage,
Together with all forms, moods, shews of grief,
That can denote me truly. These indeed seem,
For they are actions that a man might play;
But I have That within, which passeth shew:
These, but the trappings, and the suits of woe.

King.
'Tis sweet and commendable in your nature, Hamlet,
To give these mourning duties to your father:
&wlquo;But you must know, 3 note


your father lost a father;

-- 127 --


&wlquo;That father, his; and the surviver bound
&wlquo;In filial obligation, for some term,
&wlquo;To do obsequious sorrow. But to persevere
&wlquo;4 noteIn obstinate condolement, is a course
&wlquo;Of impious stubbornness, unmanly grief.
&wlquo;It shews 5 notea will most incorrect to heav'n,
&wlquo;A heart unfortify'd, a mind impatient,
&wlquo;An understanding simple, and unschool'd:
&wlquo;For, what we know must be, and is as common
&wlquo;As any the most vulgar thing to sense,
&wlquo;Why should we, in our peevish opposition,
&wlquo;Take it to heart? fie! 'tis a fault to heav'n,
&wlquo;A fault against the dead, a fault to nature,
&wlquo;6 noteTo Reason most absurd; whose common theam
&wlquo;Is death of fathers, and who still hath cry'd,
&wlquo;From the first coarse, 'till he that died to day,
&wlquo;This must be so. We pray you 7 notethrow to earth
8 noteThis unprevailing woe, and think of us
As of a father: for let the world take note,
You are the most immediate to our Throne;
9 noteAnd with no less nobility of love,
Than that which dearest father bears his son,

-- 128 --


1 noteDo I impart tow'rd you. For your intent
In going back to school to Wittenberg,
It is most retrograde to our desire:
And we beseech you, bend you to remain
Here in the cheer and comfort of our eye,
Our chiefest courtier, cousin, and our son.

Queen.
Let not thy mother lose her prayers, Hamlet:
I pr'ythee, stay with us, go not to Wittenberg.

Ham.
I shall in all my best obey you, Madam.

King.
Why, 'tis a loving, and a fair reply;
Be as our self in Denmark. Madam, come;
This gentle and unforc'd accord of Hamlet
Sits smiling to my heart, in grace whereof
No jocund health, that Denmark drinks to day,
But the great Cannon to the clouds shall tell;
And the King's rowse the heav'n shall bruit again,
Re-speaking earthly thunder. Come, away.
[Exeunt. SCENE III. Manet Hamlet.

&wlquo;Ham.
&wlquo;Oh, that this too-too-solid flesh would melt,
&wlquo;Thaw, and resolve itself into a dew!
&wlquo;Or that the Everlasting had not fixt
&wlquo;His canon 'gainst self-slaughter! Oh God! oh God!
&wlquo;How weary, stale, flat, and unprofitable
&wlquo;Seem to me all the uses of this world!
&wlquo;Fie on't! oh fie! 'tis an unweeded garden,
&wlquo;That grows to seed; things rank, and gross in nature,
&wlquo;Possess it meerly. That it should come to this!
&wlquo;But two months dead! nay, not so much; not two;—

-- 129 --


&wlquo;2 note
So excellent a King, that was, to this,
&wlquo;Hyperion to a Satyr: so loving to my mother,
&wlquo;That he permitted not the winds of heav'n
&wlquo;Visit her face too roughly. Heav'n and earth!
&wlquo;Must I remember—why, she would hang on him,
&wlquo;As if Increase of Appetite had grown
&wlquo;By what it fed on; yet, within a month,—
&wlquo;Let me not think—Frailty, thy name is Woman!
&wlquo;A little month! or ere those shoes were old,
&wlquo;With which she follow'd my poor father's body,
&wlquo;Like Niobe, all tears—Why she, ev'n she,—
&wlquo;(O heav'n! 3 notea beast that wants discourse of reason,
&wlquo;Would have mourn'd longer—) married with mine uncle,
&wlquo;My father's brother; but no more like my father,
&wlquo;Than I to Hercules. Within a month!—
&wlquo;Ere yet the salt of most unrighteous tears
&wlquo;Had left the flushing in her gauled eyes,
&wlquo;She married.—Oh, most wicked speed, to post
4 noteWith such dexterity to incestuous sheets!
It is not, nor it cannot come to Good.
But break, my heart, for I must hold my tongue.

-- 130 --

SCENE IV. Enter Horatio, Bernardo, and Marcellus.

Hor.
Hail to your lordship!

Ham.
I am glad to see you well;
Horatio,—or I do forget myself?

Hor.
The same, my lord, and your poor servant ever.

Ham.
Sir, my good friend; I'll change that name with you:
And what make you from Wittenberg, Horatio?
Marcellus!

Mar.
My good lord—

Ham.
I am very glad to see you; good morning, Sir.
But what, in faith, make you from Wittenberg?

Hor.
A truant disposition, good my lord.

Ham.
I would not hear your enemy say so;
Nor shall you do mine ear that violence,
To make it Truster of your own report
Against yourself. I know, you are no truant;
But what is your affair in Elsinoor?
We'll teach you to drink deep, ere you depart.

Hor.
My lord, I came to see your father's funeral.

Ham.
I pr'ythee, do not mock me, fellow-student;
I think, it was to see my mother's wedding.

Hor.
Indeed, my lord, it follow'd hard upon.

Ham.
Thrift, thrift, Horatio; the funeral bak'd meats
Did coldly furnish forth the marriage tables.
'Would, I had met my dearest foe in heav'n,
Or ever I had seen that day, Horatio!
My father—methinks I see my father.

Hor.
Oh where, my lord?

Ham.
In my mind's eye, Horatio.

Hor.
I saw him once, he was a goodly King.

Ham.
He was a man, take him for all in all,
I shall not look upon his like again.

-- 131 --

Hor.
My lord, I think, I saw him yesternight.

Ham.
Saw! who?—

Hor.
My lord, the King your father.

Ham.
The King my father!

Hor.
5 noteSeason your admiration but a while,
With an attentive ear; 'till I deliver
Upon the witness of these gentlemen,
This marvel to you.

Ham.
For heaven's love, let me hear.

Hor.
Two nights together had these gentlemen,
Marcellus and Bernardo, on their watch,
In the dead waste and middle of the night,
Been thus encountred: A figure like your father,
Arm'd at all points exactly, Cap-à-pe,
Appears before them, and with solemn march
Goes slow and stately by them; thrice he walk'd,
By their opprest and fear-surprized eyes,
Within his truncheon's length; whilst they (distill'd
Almost to jelly 6 note
with th' effect of fear)
Stand dumb, and speak not to him. This to me
In dreadful secrecy impart they did,
And I with them the third night kept the watch;
Where, as they had deliver'd both in time,
Form of the thing, each word made true and good,
The Apparition comes. I knew your father:
These hands are not more like.

Ham.
But where was this?

Hor.
My lord, upon the Platform where we watcht.

Ham.
Did you not speak to it?

Hor.
My lord, I did;
But answer made it none; yet once, methought,
It lifted up its head, and did address

-- 132 --


Itself to motion, like as it would speak:
But even then the morning-cock crew loud;
And at the sound it shrunk in haste away,
And vanisht from our sight.

Ham.
'Tis very strange.

Hor.
As I do live, my honour'd lord, 'tis true;
And we did think it writ down in our duty
To let you know of it.

Ham.
Indeed, indeed, Sirs, but this troubles me.
Hold you the watch to night?

Both.
We do, my lord.

Ham.
Arm'd, say you?

Both.
Arm'd, my lord.

Ham.
From top to toe?

Both.
My lord, from head to foot.

Ham.
Then saw you not his face?

Hor.
Oh, yes, my lord; he wore his beaver up.

Ham.
What, look'd he frowningly?

Hor.
A count'nance more in sorrow than in anger.

Ham.
Pale, or red?

Hor.
Nay, very pale.

Ham.
And fixt his eyes upon you?

Hor.
Most constantly.

Ham.
I would I had been there!

Hor.
It would have much amaz'd you.

Ham.
Very like; staid it long?

Hor.
While one with moderate haste might tell a hundred.

Both.
Longer, longer.

Hor.
Not when I saw't.

Ham.
7 note


His beard was grisl'd? no.

Hor.
It was, as I have seen it in his life,
A sable silver'd.

-- 133 --

Ham.
I'll watch to night; perchance, 'twill walk again.

Hor.
I warrant you, it will.

Ham.
If it assume my noble father's person,
I'll speak to it, tho' hell itself should gape
And bid me hold my peace. I pray you all,
If you have hitherto conceal'd this sight,
8 note



Let it be ten'ble in your silence still:
And whatsoever shall befall to night,
Give it an understanding, but no tongue;
I will requite your loves: so, fare ye well.
Upon the platform 'twixt eleven and twelve
I'll visit you.

All.
Our duty to your Honour.
[Exeunt.

Ham.
Your loves, as mine to you: farewel.
My father's Spirit in arms! all is not well:
I doubt some foul play: 'would, the night were come!
'Till then sit still, my soul: foul deeds will rise
(Tho' all the Earth o'erwhelm them) to men's eyes.
[Exit. SCENE V. Changes to an Apartment in Polonius's House. Enter Laertes and Ophelia.

Laer.
My necessaries are imbark'd, farewel;
And, sister, as the winds give benefit,
And Convoy is assistant, do not sleep,
But let me hear from you.

-- 134 --

Oph.
Do you doubt That?

Laer.
For Hamlet, and the trifling of his favour,
&wlquo;Hold it a fashion and a toy in blood;
&wlquo;A violet in the youth of primy nature,
&wlquo;Forward, not permanent, tho' sweet, not lasting;
&wlquo;The perfume, and suppliance of a minute;
No more—

Oph.
No more but so?

Laer.
Think it no more:
For Nature, crescent, does not grow alone
In thews and bulk; but, as this Temple waxes,
The inward service of the mind and soul
Grows wide withal. Perhaps he loves you now;
9 note





And now no soil of cautel doth besmerch
The virtue of his will: but you must fear,
His Greatness weigh'd, his will is not his own:
For he himself is subject to his Birth;
He may not, as unvalued persons do,
Carve for himself; for on his choice depends
1 noteThe safety and the health of the whole State:
And therefore must his choice be circumscrib'd
Unto the 2 notevoice and yielding of that body,

-- 135 --


Whereof he's head. Then, if he says, he loves you,
It fits your wisdom 3 noteso far to believe it,
As he in his peculiar act and place
May give his Saying deed; which is no further,
Than the main voice of Denmark goes withal.
Then weigh, what loss your Honour may sustain,
If with too credent ear you list his songs;
Or lose your heart, or your chaste treasure open
To his unmaster'd importunity.
Fear it, Ophelia, fear it, my dear sister;
And keep within the rear of your affection,
Out of the shot and danger of desire.
&wlquo;The chariest maid is prodigal enough,
&wlquo;If she unmask her beauty to the moon:
&wlquo;Virtue itself 'scapes not calumnious strokes;
&wlquo;The canker galls the Infants of the Spring,
&wlquo;Too oft before their buttons be disclos'd;
&wlquo;And in the morn and liquid dew of youth
&wlquo;Contagious blastments are most imminent.
Be wary then, best safety lies in fear;
Youth to itself rebels, though none else near.

Oph.
4 noteI shall th' effects of this good lesson keep,
As watchman to my heart. &wlquo;But, good my brother,
&wlquo;Do not, as some ungracious pastors do,
&wlquo;Shew me the steep and thorny way to heav'n;
&wlquo;5 note






Whilst, he a puft and reckless libertine,

-- 136 --


&wlquo;Himself the primrose path of dalliance treads,
&wlquo;And 6 noterecks not his own reed.

Laer.
Oh, fear me not.
SCENE VI. Enter Polonius.


I stay too long;—but here my father comes:
A double Blessing is a double grace;
Occasion smiles upon a second leave.

Pol.
Yet here, Laertes! aboard, aboard for shame;
The wind sits in the shoulder of your sail,
And you are staid for. There, my blessing with you; [Laying his hand on Laertes's head.
And these few precepts in thy memory
See thou character. &plquo;Give thy thoughts no tongue,
&plquo;Nor any unproportion'd thought his act:
&plquo;Be thou familiar, but by no means vulgar;
&plquo;The friends thou hast, and their Adoption try'd,
&plquo;Grapple them to thy soul with hooks of steel:
&plquo;But do not dull thy palm with entertainment
&plquo;Of each new-hatch'd, unfledg'd comrade. Beware
&plquo;Of Entrance to a quarrel: but being in,
&plquo;Bear't that the opposed may beware of thee.
&plquo;Give ev'ry Man thine ear; but few thy voice.

-- 137 --


&plquo;Take each man's censure; but reserve thy judgment,
Costly thy habit as thy purse can buy,
But not exprest in fancy; rich, not gaudy:
For the apparel oft proclaims the man,
And they in France of the best rank and station
7 noteAre most select and generous, chief in That.
Neither a borrower, nor a lender be;
For Loan oft loses both itself and friend:
And Borrowing dulls the edge of Husbandry.
This above all; to thine own self be true;
8 note



And it must follow, as the light the Day,
Thou canst not then be false to any man.
Farewel; 9 notemy Blessing season this in thee!

Laer.
Most humbly do I take my leave, my lord.

-- 138 --

Pol.
The time invests you; go, your servants tend.

Laer.
Farewel, Ophelia, and remember well
What I have said.

Oph.
'Tis in my mem'ry lockt,
And you your self shall keep the key of it.

Laer.
Farewel. [Exit Laer.

Pol.
What is't, Ophelia, he hath said to you?

Oph.
So please you, something touching the lord Hamlet.

Pol.
Marry, well bethought!
'Tis told me, he hath very oft of late
Given private time to you; and you your self
Have of your audience been most free and bounteous.
If it be so, (as so 'tis put on me,
And that in way of caution,) I must tell you,
You do not understand your self so clearly,
As it behoves my daughter, and your honour.
What is between you? give me up the truth.

Oph.
He hath, my lord, of late, made many tenders
Of his affection to me.

Pol.
Affection! puh! you speak like a green girl,
1 noteUnsifted in such perilous circumstance.
Do you believe his tenders, as you call them?

Oph.
I do not know, my lord, what I should think.

Pol.
Marry, I'll teach you; think yourself a baby;
That you have ta'en his tenders for true pay,
Which are not sterling. 2 note

Tender yourself more dearly;

-- 139 --


Or (not to crack the wind of the poor phrase,
Wringing it thus) you'll tender me a fool.

Oph.
My lord, he hath importun'd me with love,
In honourable fashion.

Pol.
Ay, fashion you may call't: go to, go to.

Oph.
And hath giv'n count'nance to his speech, my lord,
With almost all the holy vows of heaven.

Pol.
Ay, springes to catch woodcocks. I do know,
When the blood burns, how prodigal the soul
Lends the tongue vows. These blazes, oh my daughter,
Giving more light than heat, extinct in both,
Ev'n in the promise as it is a making,
You must not take for fire. From this time,
Be somewhat scanter of your maiden-presence,
3 note


Set your intraitments at a higher rate,
Than a command to parley. For lord Hamlet,
Believe so much in him, that he is young;
And with a 4 notelarger tether he may walk,
Than may be given you. In few, Ophelia,
Do not believe his vows; for they are brokers,
Not of that Die which their investments shew,

-- 140 --


But meer implorers of unholy suits,
5 noteBreathing like sanctified and pious Bonds,
The better to beguile. This is for all:
6 note
I would not, in plain terms, from this time forth,
Have you so slander any moment's leisure,
As to give words or talk with the lord Hamlet.
Look to't, I charge you, come your way.

Oph.
I shall obey, my lord.
[Exeunt. SCENE VII. Changes to the Platform before the Palace. Enter Hamlet, Horatio, and Marcellus.

Ham.
The Air bites shrewdly; it is very cold.

Hor.
It is a nipping and an eager air.

Ham.
What hour now?

Hor.
I think, it lacks of twelve.

Mar.
No, it is struck.

Hor.
I heard it not: it then draws near the season,
Wherein the Spirit held his wont to walk. [Noise of warlike musick within.

-- 141 --


What does this mean, my lord?

Ham.
The King doth wake to night, and takes his rouse,
Keeps wassel, and the swagg'ring up-spring reels;
And as he drains his draughts of Rhenish down,
The kettle-drum and trumpet thus bray out
The triumph of his pledge.

Hor.
Is it a custom?

Ham.
Ay, marry, is't:
But, to my mind, though I am native here,
And to the manner born, it is a custom
More honour'd in the breach, than the observance.
7 noteThis heavy-headed revel east and west,
Makes us traduc'd, and tax'd of other nations;
They clepe us drunkards, and with swinish phrase
Soil our addition; and, indeed, it takes
From our atchievements, though perform'd at height,
The pith and marrow of our attribute.
So, oft it chances in particular men,
That for some vicious mole of nature in them,
As, in their birth, (wherein they are not guilty,
Since nature cannot chuse his origin)
By the 8 noteo'ergrowth of some complexion,
Oft breaking down the pales and forts of reason;
Or by some habit, that too much o'er-leavens
The form of plausive manners; that these men
Carrying, I say, the stamp of one defect,
(Being nature's livery, or fortune's scar)
Their virtues else, be they as pure as grace,
As infinite as man may undergo,
Shall in the general censure take corruption
From that particular fault. (a) note The dram of Base

-- 142 --


Doth all the noble substance of Worth out,
To his own scandal. Enter Ghost.

Hor.
Look, my lord, it comes!

&wlquo;Ham.
&wlquo;Angels and ministers of grace defend us!
&wlquo;Be thou a Spirit of health, or Goblin damn'd,
&wlquo;Bring with thee airs from heav'n, or blasts from hell,
&wlquo;9 note


Be thy advent wicked or charitable,
&wlquo;Thou com'st in such a questionable shape,
&wlquo;That I will speak to thee. I'll call thee Hamlet,
&wlquo;King, Father, Royal Dane: oh! answer me;
&wlquo;Let me not burst in ignorance; but 1 note





tell,
&wlquo;Why thy canoniz'd bones, hearsed in Earth,
&wlquo;Have burst their cearments? why the sepulchre,
&wlquo;Wherein we saw thee quietly in-urn'd,
&wlquo;Hath op'd his ponderous and marble jaws,
&wlquo;To cast thee up again? What may this mean?
&wlquo;That thou, dead coarse, again, in compleat steel,

-- 143 --


&wlquo;Revisit'st thus the glimpses of the moon,
&wlquo;Making night hideous, and 2 noteus fools of nature
&wlquo;So horribly 3 noteto shake our disposition
&wlquo;With thoughts beyond the reaches of our souls?
Say, why is this? wherefore? what should we do? [Ghost beckons Hamlet.

Hor.
It beckons you to go away with it,
As if it some impartment did desire
To you alone.

Mar.
Look, with what courteous action
It waves you to a more removed ground:
But do not go with it.

Hor.
No, by no means.
[Holding Hamlet.

Ham.
It will not speak; then I will follow it.

Hor.
Do not, my lord.

Ham.
Why, what should be the fear?
I do not set my life at a pin's fee;

-- 144 --


And, for my soul, what can it do to That,
Being a thing immortal as itself?
It waves me forth again.—I'll follow it—

&wlquo;Hor.
&wlquo;What if it tempt you tow'rd the flood, my lord?
&wlquo;Or to the dreadful summit of the cliff,
&wlquo;That beetles o'er his Base into the sea;
&wlquo;And there assume some other horrible form,
&wlquo;Which might 4 note


deprave your sov'reignty of reason,
&wlquo;And draw you into madness? think of it.
&wlquo;5 noteThe very place 6 noteputs toys of desperation,
&wlquo;Without more motive, into ev'ry brain,
&wlquo;That looks so many fathoms to the sea;
&wlquo;And hears it roar beneath.

Ham.
It waves me still: go on, I'll follow thee—

Mar.
You shall not go, my lord.

Ham.
Hold off your hands.

Mar.
Be rul'd, you shall not go.

Ham.
My fate cries out,
And makes each petty artery in this body
As hardy as the Nemean lion's nerve:
Still am I call'd: unhand me, gentlemen— [Breaking from them.
By heaven, I'll make a Ghost of him that lets me—

-- 145 --


I say, away—go on—I'll follow thee— [Exeunt Ghost and Hamlet.

Hor.
He waxes desp'rate with imagination.

Mar.
Let's follow 'tis not fit thus to obey him.

Hor.
Have after.—To what issue will this come?

Mar.
Something is rotten in the State of Denmark.

Hor.
Heav'n will direct it.

Mar.
Nay, let's follow him.
[Exeunt. SCENE VIII. Changes to a more remote Part of the Platform. Re-enter Ghost and Hamlet.

Ham.
Where wilt thou lead me? speak; I'll go no further.

Ghost.
Mark me.

Ham.
I will.

Ghost.
My hour is almost come,
When I to sulphurous and tormenting flames
Must render up my self.

Ham.
Alas, poor Ghost!

Ghost.
Pity me not, but lend thy serious hearing
To what I shall unfold.

Ham.
Speak, I am bound to hear.

Ghost.
So art thou to revenge, when thou shalt hear.

Ham.
What?

Ghost.
I am thy father's Spirit;
Doom'd for a certain term to walk the night,
And, for the day, 7 note


confin'd too fast in fires;
'Till the foul crimes, done in my days of nature,
Are burnt and purg'd away. But that I am forbid

-- 146 --


To tell the secrets of my prison-house,
I could a tale unfold, whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes, like stars, start from their spheres,
8 noteThy knotty and combined locks to part,
And each particular hair to stand on end
Like quills upon the fretful porcupine:
But this eternal blazon must not be
To ears of flesh and blood; list, list, oh list!
If thou didst ever thy dear father love—

Ham.
O heav'n!

Ghost.
Revenge his foul and most unnatural murther.

Ham.
Murther?

Ghost.
Murther most foul, as in the best it is;
But this most foul, strange, and unnatural.

&wlquo;Ham.
&wlquo;Haste me to know it, that I, with wings as swift
&wlquo;9 noteAs meditation or the thoughts of love,
&wlquo;May sweep to my revenge.

Ghost.
I find thee apt;
&wlquo;1 note
And duller shouldst thou be, than the fat weed
&wlquo;That roots itself in ease on Lethe's wharf,
Wouldst thou not stir in this. Now, Hamlet, hear:

-- 147 --


'Tis given out, that, sleeping in my orchard,
A serpent stung me. So, the whole ear of Denmark
Is by a forged process of my death
Rankly abus'd: but know, thou noble Youth,
The serpent, that did sting thy father's life,
Now wears his crown.

Ham.
Oh, my prophetick soul! my uncle?

Ghost.
Ay, that incestuous, that adulterate beast,
With witchcraft of his wit, with trait'rous gifts,
(O wicked wit, and gifts, that have the power
So to seduce!) won to his shameful lust
The will of my most seeming-virtuous Queen.
Oh Hamlet, what a falling off was there!
From me, whose love was of that dignity,
That it went hand in hand ev'n with the vow
I made to her in marriage; and to decline
Upon a wretch, whose natural gifts were poor
To those of mine!
But virtue, as it never will be mov'd,
Though lewdness court it in a shape of heav'n;
So lust, though to a radiant angel link'd,
Will sate itself in a celestial bed,
And prey on garbage—
But, soft! methinks, I scent the morning air—
Brief let me be; Sleeping within mine orchard,
My custom always of the afternoon,
Upon my secure hour thy uncle stole
With juice of cursed hebenon in a viol,
And in the porches of mine ears did pour
The leperous distilment; whose effect
Holds such an enmity with blood of man,
That swift as quick-silver it courses through
The nat'ral gates and allies of the body;
And, with a sudden vigour, it doth posset

-- 148 --


And curd, like eager droppings into milk,
The thin and wholesome blood: so did it mine,
And a most instant tetter bark'd about,
Most lazar-like, with vile and loathsome crust
All my smooth body.—
Thus was I sleeping, by a brother's hand,
Of life, of Crown, of Queen, 2 noteat once dispatcht;
Cut off even in the blossoms of my sin,
3 noteUnhousel'd, 4 noteunanointed, 5 noteunanel'd:
No reck'ning made, but sent to my account
With all my imperfections on my head.
Oh, horrible! oh, horrible! most horrible!
If thou hast nature in thee, bear it not;
Let not the royal bed of Denmark be
A couch for luxury and damned incest.
But howsoever thou pursu'st this act,
Taint not thy mind, nor let thy soul contrive
Against thy mother aught; leave her to heav'n,
And to those thorns that in her bosom lodge,
To prick and sting her. Fare thee well at once!
The glow-worm shews the Matin to be near,
And 'gins to pale his 6 noteuneffectual fire.
Adieu, adieu, adieu; remember me. [Exit.

Ham.
Oh, all you host of heav'n! oh earth! what else?
And shall I couple hell? oh fie! hold my heart!
And you, my sinews, grow not instant old;
But bear me stifly up. Remember thee!
Ay, thou poor Ghost, while memory holds a seat
In this distracted globe? &wlquo;remember thee!
&wlquo;Yea, from the table of my memory
&wlquo;I'll wipe away all trivial fond records,
&wlquo;All saws of books, all forms, all pressures past,

-- 149 --


&wlquo;That youth and observation copied there;
&wlquo;And thy commandment all alone shall live
&wlquo;Within the book and volume of my brain,
&wlquo;Unmix'd with baser matter. Yes, by heav'n:
Oh most pernicious woman!
Oh villain, villain, smiling damned villain!
My tables,—meet it is, I set it down,
That one may smile, and smile, and be a villain;
At least, I'm sure, it may be so in Denmark. [Writing.
So, uncle, there you are; now to my word;
It is; Adieu, adieu, remember me:
I've sworn it— SCENE IX. Enter Horatio and Marcellus.

Hor.
My lord, my lord,—

Mar.
Lord Hamlet,—

Hor.
Heav'n secure him!

Mar.
So be it.

Hor.
Illo, ho, ho, my lord!

Ham.
Hillo, ho, ho, boy; 7 notecome, bird, come.

Mar.
How is't, my noble lord?

Hor.
What news, my lord?

Ham.
Oh, wonderful!

Hor.
Good my lord, tell it.

Ham.
No, you'll reveal it.

Hor.
Not I, my lord, by heav'n.

Mar.
Nor I, my lord.

Ham.
How say you then, would heart of man once think it?
But you'll be secret—

-- 150 --

Both.
Ay, by heav'n, my lord.

Ham.
There's ne'er a villain, dwelling in all Denmark,
But he's an arrant knave.

Hor.
There needs no Ghost, my lord, come from the Grave
To tell us this.

Ham.
Why, right, you are i' th' right;
And so without more circumstance at all,
I hold it fit that we shake hands, and part;
You, as your business and desires shall point you;
(For every man has business and desire,
Such as it is) and, for my own poor part,
I will go pray.

Hor.
These are but wild and whurling words, my lord.

Ham.
I'm sorry they offend you, heartily;
Yes, heartily.

Hor.
There's no offence, my lord.

Ham.
Yes, 8 noteby St. Patrick, but there is, my lord,
And much offence too. Touching this Vision here—
It is an honest Ghost, that let me tell you:
For your desire to know what is between us,
O'er-master it as you may. And now, good friends,
As you are friends, scholars, and soldiers,
Give me one poor request.

Hor.
What is't, my lord?

Ham.
Never make known what you have seen to night.

Both.
My lord, we will not.

Ham.
Nay, but swear't.

-- 151 --

Hor.
In faith, my lord, not I.

Mar.
Nor I, my lord, in faith.

Ham.
Upon my sword.

Mar.
We have sworn, my lord, already.

Ham.
Indeed, upon my sword, indeed.

Ghost.
Swear.
[Ghost cries under the Stage.

Ham.
Ah ha, boy, say'st thou so? art thou there, true-penny?
Come on, you hear this fellow in the cellaridge.
Consent to swear.

Hor.
Propose the oath, my lord.

Ham.
Never to speak of this that you have seen,
9 noteSwear by my sword.

Ghost.
Swear.

Ham.
Hic & ubique? then we'll shift our ground.
Come hither, gentlemen,
And lay your hands again upon my sword.
Never to speak of this which you have heard,
Swear by my sword.

Ghost.
Swear by his sword.

Ham.
Well said, old mole, can'st work i' th' ground so fast?
A worthy pioneer! Once more remove, good friends.

Hor.
Oh day and night, but this is wondrous strange.

Ham.
1 noteAnd therefore as a stranger give it welcome.
There are more things in heav'n and earth, Horatio,
Than are dreamt of in your philosophy. But come,
Here, as before, never (so help you mercy!)
How strange or odd soe'er I bear my self
(As I, perchance, hereafter shall think meet

-- 152 --


To put an antick disposition on)
That you, at such time seeing me, never shall,
With arms encumbred thus, or this head-shake,
Or by pronouncing of some doubtful phrase,
As, well—we know—or, we could, and if we would—
Or, if we list to speak—or, there be, and if there might—
(Or such ambiguous givings out) denote
That you know aught of me; This do ye swear,
So grace and mercy at your most need help you!
Swear.

Ghost.
Swear.

Ham.
Rest, rest, perturbed Spirit. So, Gentlemen,
With all my love do I commend me to you;
And what so poor a man as Hamlet is
May do t' express his love and friending to you,
God willing, shall not lack; let us go in together,
And still your fingers on your lips, I pray:
The Time is out of joint; oh, cursed spight!
That ever I was born to set it right.
Nay, come, let's go together.
[Exeunt. ACT II. SCENE I. An Apartment in Polonius's House. Enter Polonius and Reynoldo.

Polonius.
Give him this mony, and these notes, Reynoldo.

Rey.
I will, my lord.

Pol.
You shall do marvellous wisely, good Reynoldo,

-- 153 --


Before you visit him, to make inquiry
Of his behaviour.

Rey.
My lord, I did intend it.

Pol.
Marry, well said; very well said. Look you, Sir,
Enquire me first what Danskers are in Paris;
And how, and who, what means, and where they keep,
What company, at what expence; and finding,
By this encompassment and drift of question,
That they do know my son, come you more near;
Then your particular demands will touch it;
Take you, as 'twere some distant knowledge of him,
As thus—I know his father and his friends,
And, in part, him—Do you mark this, Reynoldo?

Rey.
Ay, very well, my lord.

Pol.
And, in part, him—but you may say—not well;
But if't be he, I mean, he's very wild;
Addicted so and so—and there put on him
What forgeries you please; marry, none so rank,
As may dishonour him; take heed of that;
But Sir, such wanton, wild, and usual slips,
As are companions noted and most known
To youth and liberty.

Rey.
As gaming, my lord—

Pol.
Ay, or 1 notedrinking, [fencing,] swearing,
Quarrelling, drabbing—You may go so far.

Rey.
My lord, that would dishonour him.

Pol.
Faith, no, as you may season it in the Charge;
You must not put (a) note an utter scandal on him,
That he is open to incontinency,
That's not my meaning; but breathe his faults so quaintly,

-- 154 --


That they may seem the taints of liberty;
The flash and out-break of a fiery mind,
2 noteA savageness in unreclaimed blood
3 noteOf general assault.

Rey.
But, my good lord—

Pol.
Wherefore should you do this?

Rey.
Ay, my lord, I would know that.

Pol.
Marry, Sir, here's my drift;
And I believe it is a fetch of wit.
You, laying these slight sullies on my son,
As 'twere a thing a little soil'd i' th' working,
Mark you, your party in converse, he you would sound,
Having ever seen, in the prenominate crimes,
The youth, you breathe of, guilty, be assur'd,
4 noteHe closes with you in this consequence;
5 note
Good sir, or sire, or friend, or gentleman,
(According to the phrase or the addition
Of man and country.)

Rey.
Very good, my lord.

Pol.
And then, Sir, does he this;
He does—what was I about to say?
I was about to say something—where did I leave?—

Rey.
At, closes in the consequence.

Pol.
At, closes in the consequence—Ay marry.
He closes thus;—I know the gentleman,
I saw him yesterday, or t' other day,
Or then, with such and such; and, as you say,
There was he gaming, there o'ertook in's rowse,
There falling out at tennis; or, perchance,
I saw him enter such a house of sale,
Videlicet, a Brothel, or so forsooth.—See you now;

-- 155 --


Your bait of Falshood takes this carp of Truth;
And thus do we of wisdom and of reach,
With windlaces, and with assays of Byas,
By indirections find directions out:
So by my former lecture and advice
Shall you my son; you have me, have you not?

Rey.
My lord, I have.

Pol.
God b' w' you; fare you well.

Rey.
Good my lord—

Pol.
Observe his inclination (a) note e'en yourself.

Rey.
I shall, my lord.

Pol.
And let him ply his musick.

Rey.
Well, my lord.
[Exit. SCENE II. Enter Ophelia.

Pol.
Farewel. How now, Ophelia, what's the matter?

Oph.
Alas, my lord, I have been so affrighted!

Pol.
With what, in the name of heav'n?

Oph.
My lord, as I was sewing in my closet,
Lord Hamlet, with his Doublet all unbrac'd,
No hat upon his head, his stockings loose,
Ungarter'd, and down-gyred to his ancle;
Pale as his shirt, his knees knocking each other,
And with a look so piteous in purport,
As if he had been loosed out of hell,
To speak of horrors; thus he comes before me.

Pol.
Mad for thy love?

Oph.
My lord, I do not know:
But, truly, I do fear it.

Pol.
What said he?

Oph.
He took me by the wrist, and held me hard;
Then goes he to the length of all his arm;

-- 156 --


And with his other hand, thus o'er his brow,
He falls to such perusal of my face,
As he would draw it. Long time staid he so;
At last, a little shaking of mine arm,
And thrice his head thus waving up and down,
He rais'd a sigh, so piteous and profound,
That it did seem to shatter all his bulk,
And end his Being. Then he lets me go,
And, with his head over his shoulder turn'd,
He seem'd to find his way without his eyes;
For out o'doors he went without their help,
And, to the last, bended their light on me.

Pol
Come, go with me, I will go seek the King.
This is the very ecstasie of love;
Whose violent property foregoes itself,
And leads the will to desp'rate undertakings,
As oft as any passion under heav'n,
That does afflict our natures. I am sorry;
What, have you giv'n him any hard words of late?

Oph.
No, my good lord; but, as you did command,
I did repel his letters, and deny'd
His access to me.

Pol.
That hath made him mad.
I'm sorry, that with better speed and judgment
6 noteI had not noted him. I fear'd, he trifl'd,
And meant to wreck thee; but beshrew my jealousy;
It seems, it is as proper to our age
To cast beyond ourselves in our opinions,
As it is common for the younger sort
To lack discretion. Come; go we to the King.

-- 157 --


7 note
This must be known; which, being kept close, might move
More grief to hide, than hate to utter love. [Exeunt. SCENE III. Changes to the Palace. Enter King, Queen, Rosincrantz, Guildenstern, Lords, and other Attendants.

King.
Welcome, dear Rosincrantz, and Guildenstern!
Moreover that we much did long to see you,
The need, we have to use you, did provoke
Our hasty sending. Something you have heard
Of Hamlet's transformation; so I call it,
Since not th' exterior, nor the inward man
Resembles That it was. What it should be
More than his Father's death, that thus hath put him
So much from th' understanding of himself,
I cannot dream of. I entreat you Both,
That being of so young days brought up with him,
And since so neighbour'd to his youth and 'havour,
That you vouchsafe your Rest here in our Court
Some little time; so by your companies
To draw him on to pleasures, and to gather,
So much as from occasions you may glean,
If aught, to us unknown, afflicts him thus,
That open'd lies within our remedy.

-- 158 --

Queen.
Good gentlemen, he hath much talk'd of you;
And, sure I am, two men there are not living,
To whom he more adheres. If it will please you
8 noteTo shew us so much gentry and good will,
As to extend your time with us a while,
9 noteFor the supply and profit of our hope,
Your visitation shall receive such thanks,
As fits a King's remembrance.

Ros.
Both your Majesties
Might, by the sov'reign power you have of us,
Put your dread pleasures more into command
Than to entreaty.

Guil.
But we both obey,
And here give up our selves, * notein the full bent,
To lay our service freely at your feet.

King.
Thanks, Rosincrantz, and gentle Guildenstern.

Queen.
Thanks, Guildenstern, and gentle Rosincrantz.
And, I beseech you, instantly to visit
My too much changed son. Go some of ye,
And bring these gentlemen where Hamlet is.

Guil.
Heav'ns make our presence and our practices
Pleasant and helpful to him!
[Exeunt Ros. and Guil.

Queen.
Amen.
Enter Polonius.

Pol.
Th' ambassadors from Norway, my good Lord,
Are joyfully return'd.

King.
Thou still hast been the father of good news.

Pol.
Have I, my lord? assure you, my good liege,
I hold my duty, as I hold my soul,
Both to my God, and to my gracious King;
And I do think, (or else this brain of mine

-- 159 --


Hunts not the trail of policy so sure
As I have us'd to do) that I have found
The very cause of Hamlet's lunacy.

King.
Oh, speak of that, that do I long to hear.

Pol.
Give first admittance to th' ambassadors:
My news shall be the fruit to that great feast.

King.
Thyself do grace to them, and bring them in. [Exit Pol.
He tells me, my sweet Queen, that he hath found
The head and source of all your son's distemper.

Queen.
I doubt, it is no other but the main,
His father's death, and our o'er-hasty marriage.
SCENE IV. Re-enter Polonius, with Voltimand, and Cornelius.

King.
Well, we shall sift him.—Welcome, my good friends!
Say, Voltimand, what from our brother Norway?

Volt.
Most fair return of Greetings, and Desires.
Upon our first, he sent out to suppress
His Nephew's levies, which to him appear'd
To be a preparation 'gainst the Polack:
But, better look'd into, he truly found
It was against your Highness: Whereat griev'd,
That so his sickness, age, and impotence
Was falsely borne in hand, sends out Arrests
On Fortinbras; which he, in brief, obeys;
Receives rebuke from Norway; and, in fine,
Makes vow before his uncle, never more
To give th' assay of arms against your Majesty.
Whereon old Norway, overcome with joy,
Gives him three thousand crowns in annual fee;
And his Commission to employ those soldiers,
So levied as before, against the Polack:
With an entreaty, herein further shewn,

-- 160 --


That it might please you to give quiet Pass
Through your Dominions for this enterprize,
On such regards of safety and allowance,
As therein are set down.

King.
It likes us well;
And at our more consider'd time we'll read,
Answer, and think upon this business.
Mean time, we thank you for your well-took labour.
Go to your Rest; at night we'll feast together.
Most welcome home!
[Exit Ambas.

&wlquo;Pol.
&wlquo;This business is well ended.
&wlquo;1 note











My Liege, and Madam, 2 noteto expostulate

-- 161 --


&wlquo;What Majesty should be, what duty is,
&wlquo;Why day is day, night night, and time is time,
&wlquo;Were nothing but to waste night, day, and time.
&wlquo;Therefore, since brevity's the soul of wit,
&wlquo;And tediousness the limbs and outward flourishes,
&wlquo;I will be brief; your noble son is mad;
&wlquo;Mad, call I it; for, to define true madness,
&wlquo;What is't, but to be nothing else but mad?
&wlquo;But let that go.—

Queen.
More matter, with less art.

&wlquo;Pol.
&wlquo;Madam, I swear, I use no art at all:—
&wlquo;That he is mad, 'tis true; 'tis true, 'tis pity;
&wlquo;And pity 'tis, 'tis true; A foolish figure;
&wlquo;But farewel it; for I will use no art.
&wlquo;Mad let us grant him then; and now remains
&wlquo;That we find out the cause of this effect,
&wlquo;Or rather say, the cause of this defect,
&wlquo;For this effect, defective, comes by cause;
&wlquo;Thus it remains, and the remainder thus.—Perpend.—

-- 162 --


&wlquo;I have a daughter; have, whilst she is mine;
&wlquo;Who in her duty and obedience, mark,
&wlquo;Hath giv'n me this; now gather, and surmise. [He opens a letter, and reads.]

To the celestial, and my soul's idol, the most beatified Ophelia.—That's an ill phrase, a vile phrase: (a) note beatified is a vile phrase; but you shall hear—These to her excellent white bosom, these.—

Queen.

Came this from Hamlet to her?

Pol.
Good Madam, stay a while, I will be faithful.

Doubt thou, the stars are fire, [Reading.
Doubt, that the Sun doth move;
Doubt truth to be a liar,
But never doubt, I love.

Oh, dear Ophelia, I am ill at these numbers; I have not art to reckon my groans; but that I love thee best, oh most best, believe it.

Adieu.

Thine evermore, most dear Lady, whilst
this Machine is to him, Hamlet.


This in obedience hath my daughter shewn me:
And, more above, hath his sollicitings,
As they fell out by time, by means, and place,
All given to mine ear.

King.
But how hath she receiv'd his love?

Pol.
What do you think of me?

King.
As of a man, faithful and honourable.

Pol.
I would fain prove so. But what might you think?
When I had seen this hot love on the wing,
(As I perceiv'd it, I must tell you that,
Before my daughter told me:) what might you,

-- 163 --


Or my dear Majesty your Queen here, think?
3 note


If I had play'd the desk or table-book,
Or giv'n my heart a working mute and dumb,
Or look'd upon this love with idle sight;
&wlquo;What might you think? no, I went round to work,
&wlquo;And my young mistress thus I did bespeak;
&wlquo;Lord Hamlet is a Prince out of thy sphere,
&wlquo;This must not be; and then, I precepts gave her,
&wlquo;That she should lock herself from his resort,
&wlquo;Admit no messengers, receive no tokens:
&wlquo;4 note


Which done, see too the fruits of my advice;
&wlquo;For, he repulsed, 5 note


a short tale to make,
&wlquo;Fell to a sadness, then into a fast,
&wlquo;Thence to a watching, thence into a weakness,

-- 164 --


&wlquo;Thence to a lightness, and, by this declension,
&wlquo;Into the madness wherein now he raves,
&wlquo;And all we wail for.

King.
Do you think this?

Queen.
It may be very likely.

&wlquo;Pol.
&wlquo;Hath there been such a time, I'd fain know that,
&wlquo;That I have positively said, 'tis so,
&wlquo;When it prov'd otherwise?

King.
Not that I know.

Pol.
Take this from this, if this be otherwise. [Pointing to his Head and Shoulder.
&wlquo;If circumstances lead me, I will find
&wlquo;Where truth is hid, though it were hid indeed
&wlquo;Within the center.

King.
How may we try it further?

Pol.
You know, sometimes he walks four hours together,
Here in the lobby.

Queen.
So he does, indeed.

Pol.
At such a time I'll loose my daughter to him;
Be you and I behind an Arras then,
Mark the encounter: If he love her not,
And be not from his reason fal'n thereon,
Let me be no assistant for a State,
But keep a farm and carters.

King.
We will try it.
SCENE V. Enter Hamlet reading.

Queen.
But, look, where, sadly the poor wretch comes reading.

Pol.
Away, I do beseech you, both away.
I'll board him presently. [Exeunt King and Queen.
Oh, give me leave.—How does my good lord Hamlet?

-- 165 --

Ham.

Well, God o' mercy.

Pol.

Do you know me, my lord?

Ham.

Excellent well; you are a fishmonger.

Pol.

Not I, my lord?

Ham.

Then I would you were so honest a man.

Pol.

Honest, my lord?

Ham.

Ay, Sir; to be honest, as this world goes, is to be one man pick'd out of ten thousand.

Pol.

That's very true, my lord.

Ham.
6 note









For if the Sun breed maggots in a dead dog,
Being a God, kissing carrion—
Have you a daughter?

-- 166 --

Pol.

I have, my lord.

Ham.

Let her not walk i' th' Sun; conception is a blessing, but not as your daughter may conceive. Friend, look to't.

&wlquo;Pol.
&wlquo;How say you by that? still harping on my daughter!—
&wlquo;Yet he knew me not at first; he said, I was a fishmonger.
&wlquo;He is far gone; and, truly, in my youth, [Aside.
&wlquo;I suffer'd much extremity for love;
&wlquo;Very near this.—I'll speak to him again.
What do you read, my lord?

Ham.

Words, words, words.

Pol.

What is the matter, my lord?

Ham.

Between whom?

Pol.

I mean the matter that you read, my lord.

Ham.

7 note






Slanders, Sir: for the satyrical slave says here, that old men have grey beards; that their faces are wrinkled; their eyes purging thick amber, and plumtree gum; and that they have a plentiful lack of wit; together with most weak hams. All which, Sir,

-- 167 --

tho' I most powerfully and potently believe, yet I hold it not honestly to have it thus set down; for yourself, Sir, shall be as old as I am, if, like a crab, you could go backward.

Pol.
Though this be madness, yet there's method in't:
Will you walk out of the air, my lord?

Ham.
Into my Grave.—

Pol.
Indeed, that is out o'th' air:—
&wlquo;How pregnant (sometimes) his replies are?
&wlquo;A happiness that often madness hits on,
&wlquo;Which sanity and reason could not be
&wlquo;So prosp'rously deliver'd of. I'll leave him,
And suddenly contrive the means of meeting
Between him and my daughter.
My honourable lord, I will most humbly
Take my leave of you.

Ham.
You cannot, Sir, take from me any thing that
I will more willingly part withal, except my life.

Pol.
Fare you well, my lord.

Ham.
These tedious old fools!

Pol.
You go to seek lord Hamlet; there he is.
[Exit. SCENE VI. Enter Rosincrantz and Guildenstern.

Ros.
God save you, Sir

Guild.
Mine honour'd lord!

Ros.
My most dear lord!

-- 168 --

Ham.
My excellent good friends! How dost thou, Guildenstern?
Oh, Rosincrantz, good lads! how do ye both?

Ros.
As the indifferent children of the earth.

Guil.

Happy, in that we are not over-happy; on fortune's cap, we are not the very button.

Ham.

Nor the soals of her shoe?

Ros.

Neither, my lord.

Ham.

Then you live about her waste, or in the middle of her favours?

Guil.

Faith, in her privates we.

Ham.

In the secret parts of fortune? oh, most true; she is a strumpet. What news?

Ros.

None, my lord, but that the world's grown honest.

Ham.

Then is dooms-day near; but your news is not true. Let me question more in particular: what have you, my good friends, deserved at the hands of fortune, that she sends you to prison hither?

Guil.

Prison, my lord!

Ham.

Denmark's a prison.

Ros.

Then is the world one.

Ham.

A goodly one, in which there are many confines, wards, and dungeons; Denmark being one o'th' worst.

Ros.

We think not so, my lord.

Ham.

Why, then, 'tis none to you; for there is nothing either good or bad, but thinking makes it so: to me, it is a prison.

Ros.

Why, then your ambition makes it one: 'tis too narrow for your mind.

Ham.

Oh God, I could be bounded in a nut-shell, and count myself a King of infinite space; were it not, that I have bad dreams.

Guil.

Which dreams, indeed, are Ambition; for the very substance of the ambitious is meerly the shadow of a dream.

-- 169 --

Ham.

A dream itself is but a shadow.

Ros.

Truly, and I hold ambition of so airy and light a quality, that it is but a shadow's shadow.

Ham.

Then are our beggars, bodies; and our monarchs and out-stretch'd heroes, the beggars' shadows; Shall we to th' Court? for, by my fay, I cannot reason.

Both.

We'll wait upon you.

Ham.

No such matter. I will not sort you with the rest of my servants: for, to speak to you like an honest man, I am most dreadfully attended: but in the beaten way of Friendship, what make you at Elsinoor?

Ros.

To visit you, my lord; no other occasion.

Ham.

Beggar that I am, I am even poor in thanks; but I thank you; and sure, dear friends, my thanks are too dear of a half-penny. Were you not sent for? is it your own inclining? is it a free visitation? come, deal justly with me; come, come; nay, speak.

Guil.

What should we say, my lord?

Ham.

Any thing, but to the purpose. You were sent for; and there is a kind of confession in your looks, which your modesties have not craft enough to colour. I know, the good King and Queen have sent for you.

Ros.

To what end, my lord?

Ham.

That you must teach me; but let me conjure you by the rights of our fellowship, by the consonancy of our youth, by the obligation of our ever-preserved love, and by what more dear, a better proposer could charge you withal; be even and direct with me, whether you were sent for or no?

Ros.

What say you?

[To Guilden.

Ham.

Nay, then I have an eye of you: if you love me, hold not off.

Guil.

My lord, we were sent for.

-- 170 --

Ham.

I will tell you why; so shall my anticipation prevent your discovery, and your secrecy to the King and Queen moult no feather. &wlquo;8 noteI have of late, but wherefore I know not, lost all my mirth, foregone all custom of exercise; and indeed, it goes so heavily with my disposition, that this goodly frame, the earth, seems to me a steril promontory; this most excellent canopy the air, look you, this brave o'er-hanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me, than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculties! in form and moving how express and admirable! in action how like an angel! in apprehension how like a God! the beauty of the world, the paragon of animals! and yet to me, what is this quintessence of dust? man delights not me, nor woman neither; though by your smiling you seem to say so.&wrquo;

Ros.

My lord there was no such stuff in my thoughts.

Ham.

Why did you laugh, when I said, man delights not me?

Ros.

To think, my lord, if you delight not in man, what lenten entertainment the Players shall receive from you; we accosted them on the way, and hither are they coming to offer you service.

&wlquo;Ham.

&wlquo;He that plays the King shall be welcome; his Majesty shall have tribute of me; the adventurous Knight shall use his foyl and target; the lover shall not sigh gratis; the humourous man 9 noteshall end his part in peace; the clown shall make those laugh whose lungs are tickled o' th' sere; and the

-- 171 --

lady shall say her mind freely, or the blank verse shall halt for't. What Players are they?&wrquo;

Ros.

Even those you were wont to take delight in, the Tragedians of the city.

Ham.

How chances it, they travel? their residence both in reputation and profit was better, both ways.

Ros.

I think, their inhibition comes by the means of the late innovation.

Ham.

Do they hold the same estimation they did, when I was in the city? are they so follow'd?

Ros.

No, indeed, they are not.

Ham.

How comes it? do they grow rusty?

Ros.

Nay, their endeavour keeps in the wonted pace; but there is, Sir, 1 notean Aiery of Children, little Eyases, that cry out on the top of question; and are most tyrannically clapt for't; these are not the fashion, and so berattle the common stages, (so they call them) that many wearing rapiers are afraid of goose-quills, and dare scarce come thither.

Ham.

What, are they children? who maintains 'em? how are they escoted? will they pursue the Quality, no longer than they can sing? will they not say afterwards, if they should grow themselves to common players, (as it is most like, if their means are no better:) their writers do them wrong to make them exclaim against their own succession?

Ros.

Faith, there has been much to do on both sides; and the nation holds it no sin, to tarre them on to controversy. There was, for a while, no mony bid for argument, unless the poet and the player went to cuffs in the question.

Ham.

Is't possible?

Guil.

Oh, there has been much throwing about of brains.

-- 172 --

Ham.

Do the Boys carry it away?

Ros.

Ay, that they do, my lord, 2 noteHercules and his load too.

Ham.

It is not strange; for mine uncle is King of Denmark; and those, that would make mowes at him while my father lived, give twenty, forty, fifty, an hundred ducats apiece, for his picture in little. There is something in this more than natural, if philosophy could find it out.

[Flourish for the Players.

Guil.

There are the Players.

Ham.

Gentlemen, you are welcome to Elsinoor; your hands: come then, the appurtenance of welcome is fashion and ceremony. Let me comply with you in this garbe, lest my extent to the players (which, I tell you, must shew fairly outward) should more appear like entertainment than yours. You are welcome; but my Uncle-father and Aunt-mother are deceiv'd.

Guil.

In what, my dear lord?

&wlquo;Ham.

&wlquo;I am but mad north, north-west: when the wind is southerly, 3 noteI know a hawk from a handsaw.&wrquo;

SCENE VII. Enter Polonius.

Pol.

Well be with you, gentlemen.

Ham.

Hark you, Guildenstern, and you too, at each ear a hearer; that great Baby, you see there, is not yet out of his swathling-clouts.

-- 173 --

Ros.

Haply, he's the second time come to them; for they say, an old man is twice a child.

Ham.

I will prophesy, he comes to tell me of the players. Mark it;—you say right, Sir; for on Monday morning 'twas so, indeed.

Pol.

My lord, I have news to tell you.

Ham.
My lord, I have news to tell you.
When Roscius was an Actor in Rome

Pol.

The Actors are come hither, my lord.

Ham.

Buzze, buzze.—

Pol.

Upon mine honour—

Ham.

Then came each Actor on his ass—

&wlquo;Pol.

&wlquo;The best Actors in the world, either for tragedy, comedy, history, pastoral, pastoral-comical, historical, pastoral, scene undivideable, or Poem unlimited: Seneca cannot be too heavy, nor Plautus too light. For the law of wit, and the Liberty, these are the only men.&wrquo;

Ham.

Oh, Jephtha, judge of Israel, what a treasure hadst Thou!

Pol.

What a treasure had he, my lord?

Ham.
Why, one fair daughter, and no more,
The which he loved passing well.

Pol.

Still on my daughter.

Ham.

Am I not i'th' right, old Jephtha?

Pol.

If you call me Jephtha, my lord, I have a daughter that I love passing well.

Ham.

Nay, that follows not.

Pol.

What follows then, my lord?

Ham.

Why, as by lot, God wot—and then you know, it came to pass, as most like it was; 4 note

the first

-- 174 --

row of the rubrick will shew you more. For, look, where my abridgements come.

Enter four or five Players.

Y'are welcome, masters, welcome all. I am glad to see thee well; welcome, good friends. Oh! old friend! thy face is valanc'd, since I saw thee last: com'st thou to beard me in Denmark? What! my young lady and mistress? b'erlady, your ladyship is nearer heaven than when I saw you last, by the altitude of 5 notea chioppine. Pray God, your voice, like a piece of uncurrent gold, be not crack'd within the ring.—Masters, you are all welcome; we'll e'en to't like friendly faulconers, fly at any thing we see; we'll have a speech straight. Come, give us a taste of your quality; come, a passionate speech.

1 Play.

What speech, my good lord?

Ham.

I heard thee speak me a speech once; but it was never acted: or if it was, not above once; for the Play, I remember, pleas'd not the million, 'twas Caviar to the general; but it was (as I received it, and others, whose judgment in such matters 6 notecried in the top of mine) an excellent Play; well digested in the scenes, 7 noteset down with as much modesty as cunning. I remember, one said, there was no salt in the lines, to make the matter savoury; nor no matter in the phrase, 8 notethat might indite the author of affection; but call'd it, 9 notean honest method. One speech in it I chiefly lov'd; 'twas Æneas's tale to Dido; and thereabout of it especially, where he speaks of Priam's slaughter. If it live in your memory, begin at this line, let me see, let me see—

-- 175 --

The rugged Pyrrhus, like th' Hyrcanian beast,—It is not so;—it begins with Pyrrhus.


The rugged Pyrrhus, he,5Q0003 whose sable arms,
Black as his purpose, did the Night resemble
When he lay couched in the ominous horse;
Hath now his dread and black complexion smear'd
With heraldry more dismal; head to foot,
Now is he total gules; horridly trickt
With blood of fathers, mothers, daughters, sons,
Bak'd and impasted with the parching fires,
That lend a tyrannous and damned light
To murthers vile. Roasted in wrath and fire,
And thus o'er-sized with coagulate gore,
With eyes like carbuncles, the hellish Pyrrhus
Old grandsire Priam seeks.

Pol.

'Fore God, my lord, well spoken, with good accent, and good discretion.

1 Play.
Anon he finds him,
Striking, too short, at Greeks. His antique sword,
Rebellious to his arm, lies where it falls,
Repugnant to Command; unequal match'd,
Pyrrhus at Priam drives, in rage strikes wide;
But with the whif and wind of his fell sword
Th'unnerved father falls. &wlquo;Then senseless Ilium
&wlquo;Seeming to feel this blow, with flaming top
&wlquo;Stoops to his Base; and with a hideous crash
Takes prisoner Pyrrhus' ear. For lo, his sword,
Which was declining on the milky head
Of rev'rend Priam, seem'd i'th' air to stick;
So, as a painted tyrant, Pyrrhus stood;
And, like a neutral to his will and matter,
Did nothing.
&wlquo;But as we often see, against some storm,
&wlquo;A silence in the heav'ns, the rack stand still,
&wlquo;The bold winds speechless, and the orb below
&wlquo;As hush as death: anon the dreadful thunder
Doth rend the region: So after Pyrrhus' pause,

-- 176 --


A roused vengeance sets him new a-work:
And never did the Cyclops' hammers fall
On Mars his armour, forg'd for proof eterne,
With less remorse than Pyrrhus' bleeding sword
Now falls on Priam.—
Out, out, thou strumpet Fortune! all you Gods,
In general synod take away her power:
Break all the spokes and fellies from her wheel,
And bowl the round nave down the hill of heav'n,
As low as to the fiends.

Pol.

This is too long.

Ham.

It shall to th' barber's with your beard. Pr'ythee, say on; he's for a jigg, or a tale of bawdry, or he sleeps. Say on, come to Hecuba.

1 Play.
But who, oh! who, had seen 1 notethe mobled Queen,—

Ham.

The mobled Queen?

Pol.

That's good; mobled Queen, is good.

1 Play.
Run bare-foot up and down, threatning the flames
With bisson rheum; a clout upon that head,
Where late the Diadem stood; and for a robe
About her lank and all-o'er-teemed loyns,
A blanket in th' alarm of fear caught up:
Who this had seen, with tongue in venom steep'd,
'Gainst fortune's state would treason have pronounc'd:
But if the Gods themselves did see her then,
When she saw Pyrrhus make malicious sport
In mincing with his sword her husband's limbs;
The instant burst of clamour that she made,
(Unless things mortal move them not at all)
Would have made milch the burning eyes of heav'n,
And passion in the Gods.

-- 177 --

Pol.

Look, whe're he has not turn'd his colour, and has tears in's eyes. Pr'ythee, no more.

Ham.

'Tis well, I'll have thee speak out the rest of this soon. Good my lord, will you see the Players well bestow'd? Do ye hear, let them be well us'd; for they are the abstract, and brief chronicles of the time. After your death, you were better have a bad Epitaph, than their ill report while you liv'd.

Pol.

My lord, I will use them according to their desert.

Ham.

God's bodikins, man, much better. Use every man after his desert, and who shall 'scape whipping? use them after your own honour and dignity. The less they deserve, the more merit is in your bounty. Take them in.

Pol.

Come, Sirs.

[Exit Polonius.

Ham.

Follow him, Friends: we'll hear a Play to morrow. Dost thou hear me, old friend, can you play the murther of Gonzago?

Play.

Ay, my lord.

Ham.

We'll ha't to morrow night. You could, for a need, study a speech of some dozen or sixteen lines, which I would set down, and insert in't? could ye not?

Play.

Ay, my lord.

Ham.

Very well. Follow that lord, and, look, you mock him not. My good friends, I'll leave you 'till night, you are welcome to Elsinoor.

Ros.

Good my lord.

[Exeunt. SCENE VIII. Manet Hamlet.

Ham.
Ay, so, God b' w' ye: now I am alone.
Oh, what a rogue and peasant slave am I!
&wlquo;Is it not monstrous that this Player here,

-- 178 --


&wlquo;But in a fiction, in a dream of passion,
&wlquo;Could force his soul so to his own conceit,
&wlquo;That, from her working, 2 note


all his visage wan'd:
&wlquo;Tears in his eyes, distraction in his aspect,
&wlquo;A broken voice, and his whole function suiting,
&wlquo;With forms, to his conceit? and all for nothing?
&wlquo;For Hecuba?
&wlquo;What's Hecuba to him, or he to Hecuba,
&wlquo;That he should weep for her? what would he do,
&wlquo;Had he the motive and the cue for passion,
&wlquo;That I have? he would drown the stage with tears,
&wlquo;And cleave the gen'ral ear with horrid speech;
&wlquo;Make mad the guilty, and appall the free;
&wlquo;Confound the ign'rant, and amaze, indeed,
&wlquo;The very faculty of eyes and ears.—Yet I,
A dull and muddy-mettled rascal, peak,
Like John-a-dreams, 3 noteunpregnant of my cause,
And can say nothing,—no, not for a King,
Upon whose property and most dear life
4 noteA damn'd defeat was made. Am I a coward?
Who calls me villain, breaks my pate a-cross,
Plucks off my beard, and blows it in my face?
Tweaks me by th' nose, gives me the lye i'th' throat,
As deep as to the lungs? who does me this?
Yet I should take it—for it cannot be,
But I am pidgeon-liver'd, and lack gall
To make oppression bitter; or, ere this,
I should have fatted all the region kites

-- 179 --


With this slave's offal. Bloody, bawdy villain!
Remorseless, treacherous, letcherous, kindless villain!
Why, what an ass am I? this is most brave,
That I, the son of a dear father murthered,
Prompted to my revenge by heav'n and hell,
Must, like a whore, unpack my heart with words,
And fall a cursing like a very drab—
A scullion,—fye upon't! foh!—about, my brain!—
I've heard, that guilty creatures, at a Play,
Have by the very cunning of the Scene
Been struck so to the soul, that presently
They have proclaim'd their malefactions.
For murther though it have no tongue, will speak
With most miraculous organ. I'll have these Players
Play something like the murther of my father,
Before mine uncle. I'll observe his looks;
I'll tent him to the quick; if he but blench,
I know my course. The spirit, that I have seen,
May be the Devil; and the Devil hath power
T' assume a pleasing shape; yea, and, perhaps,
Out of my weakness and my melancholy,
(As he is very potent with such spirits)
Abuses me to damn me. I'll have grounds
5 noteMore relative than this: The Play's the thing,
Wherein I'll catch the Conscience of the King. [Exit.

-- 180 --

ACT III. SCENE I. The PALACE. Enter King, Queen, Polonius, Ophelia, Rosincrantz, Guildenstern, and Lords.

King.
And can you by no drift of conference
Get from him why he puts on this confusion,
Grating so harshly all his days of quiet,
With turbulent and dang'rous lunacy?

Ros.
He does confess, he feels himself distracted;
But from what cause he will by no means speak.

Guil.
Nor do we find him forward to be sounded;
But with a crafty madness keeps aloof,
When we would bring him on to some confession
Of his true state.

Queen.
Did he receive you well?

Ros.
Most like a gentleman.

Guil.
But with much forcing of his disposition.

Ros.
1 note



Most free of question, but of our demands
Niggard in his reply.

Queen.
Did you assay him to any pastime?

Ros.
Madam, it so fell out, that certain Players

-- 181 --


2 noteWe o'er-rode on the way; of these we told him;
And there did seem in him a kind of joy
To hear of it: they are about the Court;
And (as I think) they have already order
This night to play before him.

Pol.
'Tis most true:
And he beseech'd me to intreat your Majesties
To hear and see the matter.

King.
With all my heart, and it doth much content me
To hear him so inclin'd.
Good gentlemen, give him a further edge,
And drive his purpose into these delights.

Ros.
We shall, my lord.
[Exeunt.

King.
Sweet Gertrude, leave us too;
For we have closely sent for Hamlet hither,
That he, as 'twere by accident, may here
Affront Ophelia. Her father, and my self,
Will so bestow our selves, that, seeing, unseen,
We may of their encounter frankly judge;
And gather by him, as he is behaved,
If't be th' affliction of his love, or no,
That thus he suffers for.

Queen.
I shall obey you:
And for my part, Ophelia, I do wish,
That your good beauties be the happy cause
Of Hamlet's wildness: So shall I hope, your virtues
May bring him to his wonted way again
To both your honours.

Oph.
Madam, I wish it may.
[Exit Queen.

Pol.
Ophelia, walk you here.—Gracious, so please ye,
We will bestow ourselves—Read on this book;

-- 182 --


That shew of such an exercise may colour
Your loneliness. We're oft to blame in this,
'Tis too much prov'd, that with devotion's visage,
And pious action, we do sugar o'er
The devil himself.

King.
Oh, 'tis too true.
How smart a lash that speech doth give my conscience!
The harlot's cheek, beautied with plastring art,
Is not more ugly to the thing that helps it,
Than is my deed to my most painted word. [Aside.
Oh heavy burthen!

Pol.
I hear him coming; let's withdraw, my lord.
[Exeunt all but Ophelia. SCENE II. Enter Hamlet.

&wlquo;Ham.
&wlquo;To be, or not to be? that is the question.—
&wlquo;Whether 'tis nobler in the mind, to suffer
&wlquo;The slings and arrows of outragious fortune;
&wlquo;3 note


Or to take arms against assail of troubles,
&wlquo;And by opposing end them?—to die,—to sleep—
&wlquo;No more; and by a sleep, to say, we end
&wlquo;The heart-ache, and the thousand natural shocks
&wlquo;That flesh is heir to; 'tis a consummation
&wlquo;Devoutly to be wish'd. To die—to sleep—
&wlquo;To sleep? perchance, to dream; ay, there's the rub—
&wlquo;For in that sleep of Death what dreams may come,
&wlquo;When we have shuffled off this 4 notemortal coil,

-- 183 --


&wlquo;Must give us pause.—5 noteThere's the respect,
&wlquo;That makes Calamity of so long life.
&wlquo;For who would bear 6 note


the whips and scorns of time,
&wlquo;Th' oppressor's wrong, the proud man's contumely,
&wlquo;The pang of despis'd love, the law's delay,
&wlquo;The insolence of office, and the spurns
&wlquo;That patient merit of th' unworthy takes;
&wlquo;When he himself might his Quietus make
&wlquo;With a bare bodkin? who would fardles bear,
&wlquo;To groan and sweat under a weary life?
&wlquo;But that the dread of something after death,
&wlquo;(That undiscover'd country, from whose bourne
&wlquo;No traveller returns) puzzles the will;
&wlquo;And makes us rather bear those ills we have,
&wlquo;Than fly to others that we know not of.
&wlquo;Thus conscience does make cowards of us all:
&wlquo;And thus the native hue of resolution
&wlquo;Is sicklied o'er with the pale cast of thought;
&wlquo;And enterprizes of great pith, and moment,
&wlquo;With this regard their currents turn awry,
&wlquo;And lose the name of action—Soft you, now! [Seeing Oph.
The fair Ophelia? Nymph, in thy orisons
Be all my sins remembred.

Oph.
Good my lord,
How does your Honour for this many a day?

Ham.
I humbly thank you, well;—

Oph.
My lord, I have remembrances of yours,

-- 184 --


That I have longed long to re-deliver.
I pray you, now receive them.

Ham.
No, I never gave you aught.

Oph.
My honour'd lord, you know right well, you did;
And with them words of so sweet breath compos'd,
As made the things more rich: that perfume lost,
Take these again; for to the noble mind
Rich gifts wax poor, when givers prove unkind.
There, my lord.

Ham.

Ha, ha! are you honest?

Oph.

My lord,—

Ham.

Are you fair?

Oph.

What means your lordship?

Ham.

That if you be honest and fair, you should admit no discourse to your beauty.

Oph.

Could beauty, my lord, have better commerce than with honesty?

Ham.

Ay, truly; for the power of beauty will sooner transform honesty from what it is, to a bawd; than the force of honesty can translate beauty into its likeness. This was sometime a paradox, but now the time gives it proof.—I did love you once.

Oph.

Indeed, my lord, you made me believe so.

Ham.

You should not have believed me. For virtue cannot so inoculate our old stock, but we shall relish of it. I lov'd you not.

Oph.

I was the more deceiv'd.

Ham.

Get thee to a nunnery. Why wouldst thou be a breeder of sinners? I am myself indifferent honest; but yet I could accuse me of such Things, that it were better, my mother had not borne me. I am very proud, revengeful, ambitious, 7 note


with more offences
at my beck, than I have thoughts to put them in

-- 185 --

name, imagination to give them shape, or time to act them in. What should such fellows, as I, do crawling between heav'n and earth? we are arrant knaves, believe none of us—Go thy ways to a nunnery—Where's your father?

Oph.

At home, my lord.

Ham.

Let the doors be shut upon him, that he may play the fool no where but in's own house. Farewel.

Oph.

Oh help him, you sweet heav'ns!

Ham.

If thou dost marry, I'll give thee this plague for thy dowry. Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny.—Get thee to a nunnery,—farewel—Or, if thou wilt needs marry, marry a fool; for wise men know well enough, what monsters you make of them—To a nunnery, go— and quickly too: farewel.

Oph.

Heav'nly powers, restore him!

Ham.

I have heard of your painting too, well enough: God has given you one face, and you make yourselves another. You jig, you amble, and you lisp, and nick-name God's creatures, and make your wantonness your ignorance. Go to, I'll no more on't, it hath made me mad. I say, we will have no more marriages. Those that are married already, all but one, shall live; the rest shall keep as they are. To a nunnery, go.

[Exit Hamlet.

&wlquo;Oph.
&wlquo;Oh, what a noble mind is here o'erthrown!
&wlquo;The courtier's, soldier's, scholar's, eye, tongue, sword!
&wlquo;Th' expectancy and rose of the fair State,
&wlquo;The glass of fashion, and the mould of form,

-- 186 --


&wlquo;Th' observ'd of all observers, quite, quite down!
I am of ladies most deject and wretched,
That suck'd the hony of his musick vows:
&wlquo;Now see that noble and most sovereign reason,
&wlquo;Like sweet bells jangled out of tune, and harsh;
&wlquo;That unmatch'd form, and feature of blown youth,
&wlquo;Blasted with extasie. Oh, woe is me!
T' have seen what I have seen; see what I see. SCENE III. Enter King and Polonius.

King.
Love! his affections do not that way tend,
Nor what he spake, tho' it lack'd form a little,
Was not like madness. Something's in his soul,
O'er which his melancholy sits on brood;
And, I do doubt, the hatch and the disclose
Will be some danger, which, how to prevent,
I have in quick determination
Thus set it down. He shall with speed to England,
For the demand of our neglected Tribute:
Haply, the Seas and Countries different,
With variable objects, shall expel
This something-settled matter in his heart;
Whereon his brains still beating, puts him thus
From fashion of himself. What think you on't?

Pol.
It shall do well. But yet do I believe,
The origin and commencement of this grief
Sprung from neglected love. How now, Ophelia?—
You need not tell us what lord Hamlet said,
We heard it all.—My lord, do as you please; [Exit Ophelia.
But if you hold it fit, after the Play
Let his Queen-mother all alone intreat him
To shew his griefs; let her be round with him:
And I'll be plac'd, so please you, in the ear
Of all their conf'rence. If she find him not,
To England send him; or confine him, where

-- 187 --


Your wisdom best shall think.

King.
It shall be so:
Madness in Great ones must not unwatch'd go.
[Exeunt. Enter Hamlet, and two or three of the Players.

&wlquo;Ham.

&wlquo;Speak the speech, I pray you; as I pronounc'd it to you, trippingly on the tongue. But if you mouth it, as many of our Players do, I had as lieve, the town-crier had spoke my lines. And do not saw the air too much with your hand thus, but use all gently; for in the very torrent, tempest, and, as I may say, whirl-wind of your passion, you must acquire and beget a temperance that may give it smoothness. Oh, it offends me to the soul, to hear a robusteous periwig-pated fellow tear a passion to tatters, to very rags, to split the ears of the groundlings: who (for the most part) are capable of nothing, but inexplicable dumb shews, and noise: I could have such a fellow whipt for o'er-doing Termagant; it out-herods Herod. Pray you, avoid it.&wrquo;

Play.

I warrant your Honour.

&wlquo;Ham.

&wlquo;Be not too tame neither; but let your own discretion be your tutor. Sute the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of Nature; for any thing so overdone is from the purpose of playing; whose end, both at the first and now; was and is, to hold as 'twere the mirror up to nature; to shew virtue her own feature, scorn her own image, and the very age and body of the time, 8 notehis form and pressure. Now this overdone, or come tardy of, tho' it make the unskilful laugh, cannot but make the judicious grieve: the censure of which one must in your allowance o'erweigh

-- 188 --

a whole theatre of others. Oh, there be Players that I have seen play, and heard others praise, and that highly (not to speak it prophanely) that [9 noteneither having the accent of christian, nor the gate of christian, pagan, nor man,] have so strutted and bellow'd, that I have thought some of nature's journey-men had made men, and not made them well; they imitated humanity so abominably.&wrquo;

Play.

I hope, we have reform'd that indifferently with us.

&wlquo;Ham.

&wlquo;Oh, reform it altogether. And let those, that play your Clowns, speak no more than is set down for them: For there be of them that will themselves laugh, to set on some quantity of barren spectators to laugh too; though, in the mean time, some necessary question of the Play be then to be considered: That's villanous; and shews a most pitiful ambition in the fool that uses it. Go make you ready.&wrquo;

[Exeunt Players. SCENE IV. Enter Polonius, Rosincrantz, and Guildenstern.


How now, my lord; will the King hear this piece of work?

Pol.
And the Queen too, and that presently.

Ham.
Bid the Players make haste. [Exit Polonius.
Will you two help to hasten them?

Both.
We will, my lord.
[Exeunt.

Ham.
What, ho, Horatio!
Enter Horatio to Hamlet.

Hor.
Here, sweet lord, at your service.

Ham.
Horatio, thou art e'en as just a Man,

-- 189 --


As e'er my conversation coap'd withal.

Hor.
Oh my dear lord,—

&wlquo;Ham.
&wlquo;Nay, do not think, I flatter:
&wlquo;For what advancement may I hope from thee,
&wlquo;That no revenue hast, but thy good spirits,
&wlquo;To feed and cloath thee? Should the poor be flatter'd?
&wlquo;No, let the candied tongue lick absurd Pomp,
&wlquo;And crook the pregnant hinges of the knee,
&wlquo;Where thrift may follow fawning. Dost thou hear?
&wlquo;Since my dear soul was mistress of her choice,
&wlquo;And could of men distinguish, her election
&wlquo;Hath seal'd thee for herself. For thou hast been
&wlquo;As one, in suffering all, that suffers nothing:
&wlquo;A man, that fortune's buffets and rewards
&wlquo;Hast ta'en with equal thanks. And blest are those,
&wlquo;Whose blood and judgment are so well comingled,
&wlquo;That they are not a pipe for fortune's finger,
&wlquo;To sound what stop she please. Give me that man,
&wlquo;That is not passion's slave, and I will wear him
&wlquo;In my heart's core: ay, in my heart of heart,
As I do thee.—Something too much of this.—
There is a Play to night before the King,
One Scene of it comes near the circumstance,
Which I have told thee, of my father's death.
I pr'ythee, when thou see'st that Act a-foot,
Ev'n with the very comment of thy soul
Observe mine uncle: if his occult guilt
Do not itself unkennel in one speech,
It is a damned Ghost that we have seen:
And my imaginations are as foul
As Vulcan's Stithy. Give him heedful note;
For I mine eyes will rivet to his face;
And, after, we will both our judgments join,
In censure of his Seeming.

Hor.
Well, my lord.

-- 190 --


If he steal aught, the whilst this Play is playing,
And 'scape detecting, I will pay the theft. SCENE V. Enter King, Queen, Polonius, Ophelia, Rosincrantz, Guildenstern, and other lords attendant, with a guard carrying torches. Danish March. Sound a flourish.

Ham.

They're coming to the Play; I must be idle. Get you a place.

King.

How fares our cousin Hamlet?

Ham.

Excellent, i'faith, of the camelion's dish: I eat the air, promise-cramm'd: you cannot feed capons so.

King.

I have nothing with this answer, Hamlet; these words are not mine.

Ham.

No, nor mine.—Now, my lord; you plaid once i' th' university, you say?

[To Polonius.

Pol.

That I did, my lord, and was accounted a good actor.

Ham.

And what did you enact?

Pol.

I did enact Julius Cæsar, I was kill'd i' th' Capitol: Brutus kill'd me.

Ham.

It was a brute part of him, to kill so capital a calf there. Be the players ready?

Ros.

Ay, my lord, they stay upon your patience.

Queen.

Come hither, my dear Hamlet, sit by me.

Ham.

No, good mother, here's mettle more attractive.

Pol.

Oh ho, do you mark that?

Ham.

Lady, shall I lye in your lap?

[Lying down at Ophelia's feet.

Oph.

No, my lord.

Ham.

I mean, my Head upon your Lap?

Oph.

Ay, my Lord.

-- 191 --

Ham.

Do you think, I meant country matters?

Oph.

I think nothing, my lord.

Ham.

That's a fair thought, to lie between a maid's legs.

Oph.

What is, my lord?

Ham.

Nothing.

Oph.

You are merry, my lord.

Ham.

Who, I?

Oph.

Ay, my lord.

Ham.

Oh God! your only jig-maker; what should a man do, but be merry? For, look you, how chearfully my mother looks, and my father dy'd within these two hours.

Oph.

Nay, 'tis twice two months, my lord.

Ham.

So long? 1 notenay, then let the Devil wear black, 'fore I'll have a suit of sable. Oh heav'ns! dye two months ago, and not forgotten yet! then there's hope, a great man's memory may out-live his life half a year: but, by'r-lady, he must build churches then; or else shall he 2 notesuffer not thinking

-- 192 --

on, with the hobby-horse; whose epitaph is, For oh, for oh, the hobby-horse is forgot.

SCENE VI. Hautboys play. The dumb shew enters. Enter a Duke and Dutchess, with regal Cornets note, very lovingly; the Dutchess embracing him, and he her. She kneels; he takes her up, and declines his head upon her neck; he lays him down upon a bank of flowers; she seeing him asleep, leaves him. Anon comes in a fellow, takes off his Crown, kisses it, and pours poison in the Duke's ears, and Exit. The Dutchess returns, finds the Duke dead, and makes passionate action. The poisoner, with some two or three mutes, comes in again, seeming to lament with her. The dead body is carried away. The poisoner wooes the Dutchess with gifts; she seems loth and unwilling a while, but in the end accepts his love. [Exeunt.

Oph.

What means this, my lord?

Ham.

3 noteMarry, this is miching Malhechor; it means mischief.

-- 193 --

Oph.

Belike, this show imports the Argument of the Play?

Enter Prologue.

Ham.

We shall know by this fellow: the Players cannot keep counsel; they'll tell all.

Oph.

Will he tell us, what this show meant?

Ham.

Ay, or any show that you'll shew him. Be not you ashamed to shew, he'll not shame to tell you what it means.

Oph.

You are naught, you are naught, I'll mark the Play.


Prol.
For us, and for our tragedy,
Here stooping to your clemency,
We beg your bearing patiently.

Ham.

Is this a prologue, or the posie of a ring?

Oph.

'Tis brief, my lord.

Ham.

As woman's love.

Enter Duke, and Dutchess, Players.

Duke.
Full thirty times hath Phœbus' Carr gone round
Neptune's salt wash, and Tellus' orbed ground;
And thirty dozen moons with borrowed sheen
About the world have time twelve thirties been,
Since love our hearts, and Hymen did our hands,
Unite commutual, in most sacred bands.

Dutch.
So many journeys may the Sun and Moon
Make us again count o'er, ere love be done.
But woe is me, you are so sick of late,
So far from cheer and from your former state,

-- 194 --


That I distrust you; yet though I distrust,
Discomfort you, my lord, it nothing must:
For women fear too much, ev'n as they love.
And womens' fear and love hold quantity;
'Tis either none, or in extremity.
Now, what my love is, proof hath made you know;
And as my love is siz'd, my fear is so.
Where love is great, the smallest doubts are fear;
Where little fears grow great, great love grows there.

Duke.
Faith, I must leave thee, Love, and shortly too:
My operant powers their functions leave to do,
And thou shalt live in this fair world behind,
Honour'd, belov'd; and, haply, one as kind
For husband shalt thou—

Dutch.
Oh, confound the rest!
Such love must needs be treason in my breast:
In second husband let me be accurst!
None wed the second, but who kill the first.

Ham.
Wormwood, wormwood!—

Dutch.
The instances, that second marriage move,
Are base respects of thrift, but none of love.
A second time I kill my husband dead,
When second husband kisses me in bed.

Duke.
I do believe, you think what now you speak;
But what we do determine, oft we break;
Purpose is but the slave to memory,
Of violent birth, but poor validity:
Which now, like fruits unripe, sticks on the tree,
But fall unshaken, when they mellow be.
Most necessary 'tis, that we forget
To pay ourselves what to ourselves is debt:
What to ourselves in passion we propose,
The passion ending, doth the purpose lose;
The violence of either grief or joy,
Their own enactors with themselves destroy.

-- 195 --


Where joy most revels, grief doth most lament;
Grief joys, joy grieves, on slender accident.
This world is not for aye; nor 'tis not strange,
That ev'n our loves should with our fortunes change.
For 'tis a question left us yet to prove,
Whether love leads fortune, or else fortune love.
The Great man down, you mark, his fav'rite flies;
The poor advanc'd, makes friends of enemies.
And hitherto doth love on fortune tend,
For who not needs, shall never lack a friend;
And who in want a hollow friend doth try,
Directly seasons him his enemy.
But orderly to end where I begun,
Our wills and fates do so contrary run,
That our devices still are overthrown;
Our thoughts are ours, their ends none of our own.
Think still, thou wilt no second husband wed;
But die thy thoughts, when thy first lord is dead.

Dutch.
Nor earth to me give food, nor heaven light!
Sport and repose lock from me, day and night!
To desperation turn my trust and hope!
4 noteAn Anchor's cheer in prison be my scope!
Each opposite, that blanks the face of joy,
Meet what I would have well, and it destroy!
Both here, and hence, pursue me lasting strife!
If, once a widow, ever I be wife.

Ham.
If she should break it now—

Duke.
'Tis deeply sworn; Sweet, leave me here a while;
My spirits grow dull, and fain I would beguile
The tedious day with sleep.
[Sleeps.

Dutch.
Sleep rock thy brain,
And never come mischance between us twain!
[Exit.

Ham.

Madam, how like you this Play?

-- 196 --

Queen.

The lady protests too much, methinks.

Ham.

Oh, but she'll keep her word.

King.

Have you heard the argument, is there no offence in't?

Ham.

No, no, they do but jest, poison in jest, no offence i' th' world.

King.

What do you call the Play?

Ham.

The Mouse-Trap;—Marry, how? tropically. This Play is the image of a murther done in Vienna; Gonzago is the Duke's name, his wife's Baptista; you shall see anon, 'tis a knavish piece of Work; but what o' that? your Majesty, and we that have free souls, it touches us not; let the gall'd jade winch, our withers are unwrung.

Enter Lucianus.

This is one Lucianus, nephew to the Duke.

Oph.

You are as good as a chorus, my lord.

Ham.

I could interpret between you and your love, if I could see the puppets dallying.

Oph.

You are keen, my lord, you are keen.

Ham.

It would cost you a groaning to take off my edge.

Oph.

Still better and worse.

Ham.
So you mistake your husbands.
Begin, murtherer.—Leave thy damnable faces, and begin.
Come, the croaking raven doth bellow for revenge.

Luc.
Thoughts black, hands apt, drugs fit, and time agreeing:
Confederate season, and no creature seeing:
Thou mixture rank, of mid-night weeds collected,
With Hecate's ban thrice blasted, thirce infected,
Thy natural magick, and dire property,
On wholsom life usurp immediately.
[Pours the poison into his ears.

-- 197 --

Ham.

He poisons him i' th' garden for's estate; his name's Gonzago; the story is extant, and writ in choice Italian. You shall see anon how the murtherer gets the love of Gonzago's wife.

Oph.

The King rises.

Ham.

What, frighted with false fire!

Queen.

How fares my lord?

Pol.

Give o'er the Play.

King.

Give me some light. Away!

All.

Lights, lights, lights!

[Exeunt. SCENE VII. Manent Hamlet and Horatio.

Ham.
Why, let the strucken deer go weep,
  The hart ungalled play;
For some must watch, whilst some must sleep;
  So runs the world away.

Would not this, Sir, and a forest of Feathers, (if the rest of my fortunes turn Turk with me) with two provincial roses on my rayed shoes, get me a fellowship in 5 notea cry of Players, Sir?

Hor.

Half a share.

Ham.
A whole one, I.
&wlquo;For thou dost know, oh Damon dear,
  &wlquo;This realm dismantled was
&wlquo;Of Jove himself, and now reigns here
  &wlquo;6 noteA very, very,—Peacock.

Hor.

You might have rhim'd.

Ham.

Oh, good Horatio, I'll take the Ghost's word for a thousand pounds. Didst perceive?

Hor.

Very well, my lord.

Ham.

Upon the talk of the poisoning?

Hor.

I did very well note him.

-- 198 --

Enter Rosincrantz and Guildenstern.

Ham.
Oh, ha! come, some musick: Come, the recorders.
For if the King like not the comedy;
Why, then, belike, he likes it not, perdy.
Come, some musick.

Guil.
Good my lord, vouchsafe me a word with you.

Ham.
Sir, a whole history.

Guil.
The King, Sir—

Ham.
Ay, Sir, what of him?

Guil.
Is, in his retirement, marvellous distemper'd—

Ham.
With drink, Sir?

Guil.
No, my lord, with choler.

Ham.

Your wisdom should shew itself more rich, to signify this to his Doctor: for, for me to put him to his purgation, would, perhaps, plunge him into more choler.

Guil.

Good my lord, put your discourse into some frame, and start not so wildly from my affair.

Ham.

I am tame, Sir;—pronounce.

Guil.

The Queen your mother, in most great affliction of spirit, hath sent me to you.

Ham.

You are welcome.

Guil.

Nay, good my lord, this Courtesy is not of the right Breed. If it shall please you to make me a wholsom answer, I will do your mother's commandment; if not, your pardon, and my return shall be the end of my business.

Ham.

Sir, I cannot.

Guil.

What, my lord?

Ham.

Make you a wholsom answer: my wit's diseas'd. But, Sir, such answer as I can make, you shall command; or, rather, as you say, my mother—therefore no more but to the matter—my mother, you say—

-- 199 --

Ros.

Then thus she says; your behaviour hath struck her into amazement, and admiration.

Ham.

O wonderful son, that can so astonish a mother! But is there no sequel at the heels of this mother's admiration?

Ros.

She desires to speak with you in her closet, ere you go to bed.

Ham.

We shall obey, were she ten times our mother. Have you any further trade with us?

Ros.

My lord, you once did love me.

Ham.

So I do still, by these pickers and stealers.

Ros.

Good my lord, what is your cause of distemper? you do, surely, bar the door of your own liberty, if you deny your griefs to your friend.

Ham.

Sir, I lack advancement.

Ros.

How can that be, when you have the voice of the King himself, for your succession in Denmark?

Ham.

Ay, but while the grass grows—the Proverb is something musty.

Enter one, with a Recorder.

Oh, the Recorders; let me see one. To withdraw with you—why do you go about to recover the wind of me, as if you would drive me into a toil?

Guil.

7 noteOh my lord, if my duty be too bold, my love is too unmannerly.

Ham.

I do not well understand that. Will you play upon this pipe?

Guil.

My lord, I cannot.

Ham.

I pray you.

Guil.

Believe me, I cannot.

Ham.

I do beseech you.

Guil.

I know no touch of it, my lord.

-- 200 --

Ham.

'Tis as easy as lying; govern these ventige with your fingers and thumb, give it breath with your mouth, and it will discourse most eloquent musick. Look you, these are the stops.

Guil.

But these cannot I command to any utterance of harmony; I have not the skill.

&wlquo;Ham.

&wlquo;Why, look you now, how unworthy a thing you make of me; you would play upon me, you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note, to the top of my compass; and there is much musick, excellent voice, in this little organ, yet cannot you make it speak. Why, do you think, that I am easier to be plaid on than a pipe? call me what instrument you will, though you can fret me, you cannot play upon me.—God bless you, Sir.&wrquo;

Enter Polonius.

Pol.

My lord, the Queen would speak with you, and presently.

Ham.

Do you see yonder cloud, that's almost in shape of a Camel?

Pol.

By the mass, and it's like a Camel, indeed.

Ham.

Methinks, it is like an Ouzle.

Pol.

It is black like an Ouzle.

Ham.

Or, like a Whale?

Pol.

Very like a Whale.

Ham.

Then will I come to my mother by and by— they fool me to the top of my bent.—I will come by and by.

Pol.

I will say so.

Ham.
By and by is easily said. Leave me, friends. [Exeunt.
&wlquo;'Tis now the very witching time of night,
&wlquo;When Church-yards yawn, and hell itself breathes out

-- 201 --


&wlquo;Contagion to this world. Now could I drink hot-blood,
&wlquo;8 note




And do such business as the better day
&wlquo;Would quake to look on. Soft, now to my mother—
&wlquo;O heart, lose not thy nature; let not ever
&wlquo;The Soul of Nero enter this firm bosom;
&wlquo;Let me be cruel, not unnatural;
I will speak daggers to her, but use none.
My tongue and soul in this be hypocrites;
How in my words soever she be shent,
9 noteTo give them seals never my soul consent! [Exit. SCENE VIII. Enter King, Rosincrantz, and Guildenstern.

King.
I like him not, nor stands it safe with us
To let his madness range. Therefore, prepare you;
I your Commission will forthwith dispatch,
And he to England shall along with you.
The terms of our estate may not endure
Hazard so near us, as doth hourly grow

-- 202 --


Out of his Lunacies.

Guil.
We will provide ourselves;
Most holy and religious fear it is,
To keep those many, many, Bodies safe,
That live and feed upon your Majesty.

Ros.
The single and peculiar life is bound,
With all the strength and armour of the mind,
To keep itself from noyance; but much more,
That spirit, on whose weal depends and rests
The lives of many. The cease of Majesty
Dies not alone, but, like a gulf, doth draw
What's near it with it. It's a massy wheel
Fixt on the summit of the highest mount,
To whose huge spokes ten thousand lesser things
Are mortiz'd and adjoin'd; which, when it falls,
Each small annexment, petty consequence,
Attends the boist'rous ruin. Ne'er alone
Did the King sigh; but with a general groan.

King.
Arm you, I pray you, to this speedy voyage;
For we will fetters put upon this fear,
Which now goes too free-footed.

Both.
We will haste us.
[Exeunt Gentlemen. Enter Polonius.

Pol.
My lord, he's going to his mother's closet;
Behind the arras I'll convey my self
To hear the process, I'll warrant, she'll tax him home.
And, as you said, and wisely was it said,
'Tis meet, that some more audience than a mother
(Since nature makes them partial,) should oe'r-hear
The speech, of vantage. Fare wou well, my liege;
I'll call upon you ere you go to bed,
And tell you what I know.
[Exit.

King.
Thanks, dear my lord.
&plquo;Oh! my offence is rank, it smells to heav'n,
&plquo;It hath the primal, eldest, curse upon't;
&plquo;A brother's murther.—Pray I cannot,

-- 203 --


&plquo;1 note



Though inclination be as sharp as th' ill;
&plquo;My stronger guilt defeats my strong intent:
&plquo;And, like a man to double business bound,
&plquo;I stand in pause where I shall first begin,
&plquo;And both neglect. What if this cursed hand
&plquo;Were thicker than itself with brother's blood?
&plquo;Is there not rain enough in the sweet heav'ns
&plquo;To wash it white as snow? whereto serves Mercy,
&plquo;But to confront the visage of offence?
&plquo;And what's in prayer, but this two-fold force,
&plquo;To be fore-stalled ere we come to fall,
&plquo;Or pardon'd being down? then I'll look up;
&plquo;My fault is past.—But oh, what form of prayer
&plquo;Can serve my turn? Forgive me my foul murther!—
&plquo;That cannot be, since I am still possest
&plquo;Of those effects for which I did the murther,
&plquo;My Crown, mine own Ambition, and my Queen,
&plquo;2 note


May one be pardon'd, and retain th' effects?
&plquo;In the corrupted currents of this world,
&plquo;Offence's gilded hand may shove by justice;
&plquo;And oft 'tis seen, the wicked prize itself
&plquo;Buys out the law; but 'tis not so above:

-- 204 --


&plquo;There, is no shuffling; there, the action lies
&plquo;In his true nature, and we ourselves compell'd,
&plquo;Ev'n to the teeth and forehead of our faults,
&plquo;To give in evidence. What then? what rests?
Try, what repentance can: What can it not?
3 note











Yet what can it, when one can but repent?
Oh wretched state! oh bosom, black as death!
Oh limed soul, that, struggling to be free,

-- 205 --


Art more engaged! help, angels! make assay!
Bow, stubborn knees; and, heart, with strings of steel,
Be soft as sinews of the new-born babe!
All may be well. [The King retires and kneels. SCENE IX. Enter Hamlet

&wlquo;Ham.
&wlquo;Now might I do it pat, now he is praying,
&wlquo;And now I'll do't—and so he goes to heav'n.—
&wlquo;And so am I reveng'd? that would be scann'd;
&wlquo;A villain kills my father, and for that
&wlquo;4 noteI, his fal'n son, do this same villain send
&wlquo;To heav'n—O, this is hire and salary, not revenge.
&wlquo;He took my father grosly, full of bread,
&wlquo;With all his crimes broad blown, and flush as May;
&wlquo;5 note

And how his audit stands, who knows, save heaven?
&wlquo;But in our circumstance and course of thought,
&wlquo;'Tis heavy with him. Am I then reveng'd,
&wlquo;To take him in the purging of his soul,
&wlquo;When he is fit and season'd for his passage?
&wlquo;Up, sword, and know thou a more horrid bent;
&wlquo;When he is drunk, asleep, or in his rage,

-- 206 --


&wlquo;Or in th' incestuous pleasure of his bed;
&wlquo;At gaming, swearing, or about some act
&wlquo;That has no relish of salvation in't;
&wlquo;Then trip him, that his heels may kick at heav'n;
&wlquo;And that his soul may be as damn'd and black
&wlquo;As hell, whereto it goes. My mother stays;
This physick but prolongs thy sickly days. [Exit. The King rises, and comes forward.

King.
My words fly up, my thoughts remain below;
Words, without thoughts, never to heaven go.
[Exit. SCENE X. Changes to the Queen's Apartment. Enter Queen and Polonius.

Pol.
He will come straight; look, you lay home to him;
Tell him, his pranks have been too broad to bear with;
And that your Grace hath screen'd, and stood between
Much heat and him. (a) note I'll 'sconce me e'en here;
Pray you, be round with him.

Ham. [within.]
Mother, Mother, Mother.—

Queen.
I'll warrant you, fear me not.
Withdraw, I hear him coming.
[Polonius hides himself behind the Arras. Enter Hamlet.

Ham.
Now, mother, what's the matter?

Queen.
Hamlet, thou hast thy father much offended.

-- 207 --

Ham.
Mother, you have my father much offended.

Queen.
Come, come, you answer with an idle tongue.

Ham.
Go, go, you question with a wicked tongue.

Queen.
Why, how now, Hamlet?

Ham.
What's the matter now?

Queen.
Have you forgot me?

Ham.
No, by the rood, not so;
You are the Queen, your husband's brother's wife,
But, 'would you were not so!—You are my mother.

Queen.
Nay, then I'll set those to you that can speak.

Ham.
Come, come, and sit you down; you shall not budge:
You go not, 'till I set you up a glass
Where you may see the inmost part of you.

Queen.
What wilt thou do? thou wilt not murther me?
Help, ho.

Pol.
What ho, help.
[Behind the Arras.

Ham.
How now, a rat? dead for a ducate, dead.
[Hamlet kills Polonius.

Pol.
Oh, I am slain.

Queen.
Oh me, what hast thou done?

Ham.
Nay, I know not: is it the King?

Queen.
Oh, what a rash and bloody deed is this!

Ham.
A bloody deed; almost as bad, good mother,
As kill a King, and marry with his brother.

Queen.
As kill a King?

Ham.
Ay, lady, 'twas my word.
Thou wretched, rash, intruding fool, farewel, [To Polonius.
I took thee for thy Betters; take thy fortune;
Thou find'st, to be too busy, is some danger.
Leave wringing of your hands; peace, sit you down,
And let me wring your heart, for so I shall,
If it be made of penetrable stuff:

-- 208 --


If damned custom have not braz'd it so,
That it is proof and bulwark against sense.

Queen.
What have I done, that thou dar'st wag thy tongue
In noise so rude against me?

Ham.
Such an act,
That blurs the grace and blush of modesty;
Calls virtue hypocrite; 6 notetakes off the rose
From the fair forehead of an innocent love,
And sets a blister there; makes marriage-vows
As false as dicers' oaths. Oh, such a deed,
As 7 notefrom the body of Contraction plucks
The very soul, and sweet Religion makes
A rhapsody of words. 8 note










Heav'n's face doth glow
O'er this solidity and compound mass

-- 209 --


With tristful visage; and, as 'gainst the doom,
Is thought-sick at the act.

9 note





Queen.
Ay me! what act?

Ham.
That roars so loud, it thunders to the Indies.—
Look here upon this picture, and on this,
The counterfeit presentment of two brothers:
&wlquo;See, what a grace was seated on this brow;
&wlquo;Hyperion's curles; 1 notethe front of Jove himself;
&wlquo;An eye, like Mars, to threaten or command;
&wlquo;A station, like the herald Mercury
&wlquo;New-lighted on a heaven-kissing hill;
&wlquo;A combination, and a form indeed,
&wlquo;Where every God did seem to set his seal,
&wlquo;To give the world assurance of a man.
&wlquo;This was your husband,—Look you now, what follows;
&wlquo;Here is your husband, like a mildew'd ear,
&wlquo;Blasting his wholesome brother. Have you eyes?
Could you on this fair mountain leave to feed,
And batten on this moore? ha! have you eyes?
You cannot call it Love; for, at your age,

-- 210 --


The hey-day in the blood is tame, it's humble,
And waits upon the judgment; and what judgment
Would step from this to this? 2 note


Sense, sure, you have,
Else could you not have notion: but, sure, that sense
Is apoplex'd: for madness would not err;
Nor sense to ecstasy was ne'er so thrall'd,
But it reserv'd some quantity of choice
To serve in such a diff'rence.—What devil was't,
That thus hath cozen'd you at hoodman blind?
Eyes without feeling, feeling without sight,
Ears without hands or eyes, smelling sans all,
Or but a sickly part of one true sense
Could not so mope.—
O shame! where is thy blush? 3 note








rebellious hell,
If thou canst mutiny in a matron's bones;

-- 211 --


To flaming youth let virtue be as wax,
And melt in her own fire. Proclaim no shame,
When the compulsive ardour gives the charge;
Since frost itself as actively doth burn,
And Reason panders Will.

Queen.
O Hamlet, speak no more.
Thou turn'st mine eyes into my very soul,
And there I see such black and grained spots,
As will not leave their tinct.

Ham.
Nay, but to live
In the rank sweat of an incestuous bed,
Stew'd in corruption, honying and making love
Over the nasty sty;—

Queen.
Oh, speak no more;
These words like daggers enter in mine ears.
No more, sweet Hamlet.

Ham.
A murtherer, and a villain!—
A slave, that is not twentieth part the tythe
Of your precedent lord. A Vice of Kings;—
A cutpurse of the Empire and the Rule,
4 noteThat from a shelf the precious Diadem stole
And put it in his pocket.

Queen.
No more.
Enter Ghost.

Ham.
A King of shreds and patches—
&wlquo;Save me! and hover o'er me with your wings, [Starting up.

-- 212 --


&wlquo;You heav'nly guards!—What would your gracious figure?

Queen.
Alas, he's mad—

&wlquo;Ham.
&wlquo;Do you not come your tardy son to chide,
&wlquo;That laps'd in time and passion, lets go by
&wlquo;Th' important acting of your dread command?
&wlquo;O say!

Ghost.
Do not forget: this visitation
Is but to whet thy almost blunted purpose.
But, look! amazement on thy mother sits;
O step between her and her fighting soul:
Conceit in weakest bodies strongest works.
Speak to her, Hamlet.

Ham.
How is it with you, lady?

Queen.
Alas, how is't with you?
That thus you bend your eye on vacancy,
And with th' incorporal air do hold discourse?
Forth at your eyes your spirits wildly peep,
And, as the sleeping soldiers in th' alarm,
Your bedded hairs, 5 notelike life in excrements,
Start up, and stand on end. O gentle son,
Upon the heat and flame of thy distemper
Sprinkle cool patience. Whereon do you look?

&wlquo;Ham.
&wlquo;On him! on him!—look you, how pale he glares!
&wlquo;His form and cause conjoin'd, preaching to stones,
&wlquo;Would make them capable. Do not look on me,
&wlquo;Lest with this piteous action you convert
&wlquo;My stern effects; then what I have to do,
Will want true colour; tears, perchance, for blood.

Queen.
To whom do you speak this?

Ham.
Do you see nothing there?
[Pointing to the Ghost.

-- 213 --

Queen.
Nothing at all; yet all, that is, I see.

Ham.
Nor did you nothing hear?

Queen.
No, nothing but ourselves.

Ham.
Why, look you there! look, how it steals away!
My father in his habit as he lived!
Look where he goes ev'n now, out at the portal.
[Exit Ghost.

Queen.
This is the very coinage of your brain,
This bodiless creation Ecstasy
Is very cunning in.

Ham.
What Ecstasy?
&wlquo;My pulse, as yours, doth temp'rately keep time,
&wlquo;And makes as healthful musick. 'Tis not madness
&wlquo;That I have utter'd; bring me to the test,
&wlquo;And I the matter will re-word; which madness
&wlquo;Would gambol from. Mother, for love of grace,
Lay not that flattering unction to your soul,
That not your trespass, but my madness speaks:
It will but skin and film the ulcerous place;
Whilst rank corruption, mining all within,
Infects unseen. Confess yourself to heav'n;
Repent what's past, avoid what is to come;
And do not spread the compost on the weeds
To make them ranker. Forgive me this my virtue;
For, in the fatness of these pursy times,
Virtue itself of vice must pardon beg,
Yea, courb, and wooe, for leave to do it good.

Queen.
Oh Hamlet! thou hast cleft my heart in twain.

Ham.
O, throw away the worser part of it,
And live the purer with the other half.
Good night; but go not to mine uncle's bed:
Assume a virtue, if you have it not.
That monster custom, who all sense doth eat
Of (a) note habits evil, is angel yet in this;

-- 214 --


That to the use of actions fair and good
He likewise gives a frock, or livery,
That aptly is put on: Refrain to night;
And That shall lend a kind of easiness
To the next abstinence; the next, more easy;
For use can almost change the stamp of Nature,
And master ev'n the Devil, or throw him out
With wondrous potency. Once more, good night!
And when you are desirous to be blest,
I'll Blessing beg of you.—For this same lord, [Pointing to Polonius.
I do repent: but heav'n hath pleas'd it so,
To punish me with this, and this with me,
That I must be their scourge and minister.
I will bestow him, and will answer well
The death I gave him; so, again, good night!
I must be cruel, only to be kind;
Thus bad begins, and worse remains behind.

Queen.
What shall I do?

Ham.
Not this by no means, that I bid you do.
6 note


Let the bloat King tempt you again to bed;
Pinch wanton on your cheek; call you his mouse;
And let him, for a pair of reechy kisses,
Or padling in your neck with his damn'd fingers,
Make you to ravel all this matter out,
That I essentially am not in madness,
But mad in craft. 'Twere good you let him know.
For who that's but a Queen, fair, sober, wise,
Would from a paddock, from a bat, a gibbe,
Such dear concernings hide? who would do so?
No, in despight of sense and secrecy,
Unpeg the basket on the house's top,
Let the birds fly, and like the famous ape,

-- 215 --


To try conclusions, in the basket creep;
And break your own neck down.

Queen.
Be thou assur'd, if words be made of breath,
And breath of Life, I have no life to breathe
What thou hast said to me.

Ham.
I must to England, you know that?

Queen.
Alack, I had forgot; 'tis so concluded on.

Ham.
7 noteThere's letters seal'd, and my two school-fellows,
(Whom I will trust, as I will adders fang'd;)
They bear the mandate; they must sweep my way,
Ad note marshal me to knavery: let it work.—
&wlquo;For 'tis the sport, to have the engineer
&wlquo;Hoist with his own petar: and 't shall go hard,
But I will delve one yard below their mines,
And blow them at the moon. O, 'tis most sweet,
When in one line two crafts directly meet!
This man shall set me packing;—
I'll lug the guts into the neighbour room;
Mother, good night.—Indeed, this Counsellor
Is now most still, most secret, and most grave,
Who was in life a foolish prating knave.
Come, Sir, to draw toward an end with you.
Good night, mother.
[Exit Hamlet, tugging in Polonius.

-- 216 --

ACT IV. SCENE I. A Royal APARTMENT. Enter King and Queen, with Rosincrantz, and Guildenstern.

King.
There's matter in these sighs; these profound heaves
You must translate; 'tis fit, we understand them.
Where is your son?

Queen.
Bestow this place on us a little while. [To Rosincrantz and Guildenstern, who go out.
Ah, my good lord, what have I seen to night?

King.
What, Gertrude? How does Hamlet?

Queen.
Mad as the seas, and wind, when both contend
Which is the mightier; in his lawless fit,
Behind the arras hearing something stir,
He whips his rapier out, and cries, a rat!
And, in this brainish apprehension, kills
The unseen good old man.

King.
O heavy deed!
It had been so with us, had we been there:
His liberty is full of threats to all,
To you yourself, to us, to every one.
Alas! how shall this bloody deed be answer'd?
It will be laid to us, whose providence
Should have kept short, restrain'd, and out of haunt,
This mad young man. But so much was our love,
We would not understand what was most fit;
But, like the owner of a foul disease,
To keep it from divulging, let it feed
Ev'n on the pith of life. Where is he gone?

-- 217 --

Queen.
To draw apart the body he hath kill'd
O'er whom his very madness, like some ore
Among a mineral of metals base,
Shews itself pure. He weeps for what is done.

King.
O Gertrude, come away:
The sun no sooner shall the mountains touch,
But we will ship him hence; and this vile deed
We must, with all our Majesty and Skill,
Both countenance and excuse. Ho! Guildenstern! Enter Rosincrantz and Guildenstern.
Friends both, go join you with some further aid:
Hamlet in madness hath Polonius slain,
And from his mother's closet hath he drag'd him.
Go seek him out, speak fair, and bring the body
Into the chappel. Pray you, haste in this. [Ex. Rosincrantz and Guildenstern.
Come, Gertrude, we'll call up our wisest friends,
And let them know both what we mean to do,
And what's untimely done. [1 noteFor, haply, Slander]
(Whose whisper o'er the world's diameter,
As level as the cannon to his blank,
Transports its poyson'd shot;) may miss our Name,
And hit the woundless air.—O, come away;
My soul is full of discord and dismay.
[Exeunt. SCENE II. Enter Hamlet.

Ham.
Safely stowed.—

Gentlemen within.
Hamlet! lord Hamlet!

Ham.
What noise? who calls on Hamlet?
Oh, here they come.

-- 218 --

Enter Rosincrantz, and Guildenstern.

Ros.
What have you done, my lord, with the dead body?

Ham.
Compounded it with dust, whereto 'tis kin.

Ros.
Tell us where 'tis, that we may take it thence,
And bear it to the chappel.

Ham.

Do not believe it.

Ros.

Believe what?

Ham.

That I can keep your counsel, and not mine own. Besides, to be demanded of a spunge, what replication should be made by the son of a King?

Ros.

Take you me for a spunge, my lord?

Ham.

Ay, Sir, that sokes up the King's countenance, his rewards, his authorities; but such officers do the King best service in the end; he keeps them, like an apple, in the corner of his jaw; first mouth'd, to be last swallow'd: when he needs what you have glean'd, it is but squeezing you, and, spunge, you shall be dry again.

Ros.

I understand you not, my lord.

Ham.

I am glad of it; a knavish speech sleeps in a foolish ear.

Ros.

My lord, you must tell us where the body is, and go with us to the King.

Ham.

The body is with the King, but the King is not with the body. The King is a thing—

Guild.

A thing, my lord?

Ham.

Of nothing: bring me to him; 2 notehide fox, and all after.

[Exeunt. SCENE III. Enter King.

King.
I've sent to seek him, and to find the body;
How dang'rous is it, that this man goes loose!

-- 219 --


Yet must not we put the strong law on him;
He's lov'd of the distracted multitude,
Who like not in their judgment, but their eyes:
And where 'tis so, th' offender's scourge is weigh'd,
But never the offence. To bear all smooth,
This sudden sending him away must seem
Deliberate pause: diseases, desp'rate grown,
By desperate appliance are relieved,
Or not at all. Enter Rosincrantz.
How now? what hath befall'n?

Ros.
Where the dead body is bestow'd, my lord,
We cannot get from him.

King.
But where is he?

Ros.
Without, my lord, guarded to know your pleasure.

King.
Bring him before us.

Ros.
Ho, Guildenstern! bring in my lord.
Enter Hamlet, and Guildenstern.

King.

Now, Hamlet, where's Polonius?

Ham.

At supper.

King.

At supper? where?

Ham.

Not where he eats, but where he is eaten; a certain convocation of politique worms are e'en at him. Your worm is your only Emperor for diet. We fat all creatures else to fat us, and we fat our selves for maggots. Your fat King and your lean beggar is but variable service, two dishes but to one table; that's the end.

King.

Alas, alas!

Ham.

3 noteA man may fish with the worm that hath eat of a King, eat of the fish that hath fed of that worm.

King.

What dost thou mean by this?

-- 220 --

Ham.

Nothing, but to shew you how a King may go a progress through the guts of a beggar.

King.

Where is Polonius?

Ham.

In heav'n, send thither to see. If your messenger find him not there, seek him i' th' other place your self. But, indeed, if you find him not within this month, you shall nose him as you go up the stairs into the lobbey.

King.

Go seek him there.

Ham.

He will stay 'till ye come.

King.
Hamlet, this deed, for thine especial safety,
(Which we do tender, as we dearly grieve
For That which thou hast done) must send thee hence
With fiery quickness; therefore prepare thyself;
The bark is ready, and the wind at help,
Th' associates tend, and every thing is bent
For England.

Ham.
For England?

King.
Ay, Hamlet.

Ham.
Good.

King.
So is it, if thou knew'st our purposes.

Ham.

I see a Cherub, that sees them; but come, for England! farewel, dear mother.

King.

Thy loving father, Hamlet.

Ham.

My mother: father and mother is man and wife; man and wife is one flesh, and, so, my mother. Come, for England.

[Exit.

King.
Follow him at foot; tempt him with speed aboard;
Delay it not, I'll have him hence to night.
Away, for every thing is seal'd and done
That else leans on th' affair; pray you make haste. [Exeunt Rosincrantz and Guildenstern.
And, England! if my love thou hold'st at aught,
As my great power thereof may give thee sense,
Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe

-- 221 --


Pays homage to us; thou may'st not coldly set
Our sovereign process, which imports at full,
By letters congruing to that effect,
The present death of Hamlet. Do it, England:
For like the hectick in my blood he rages,
And thou must cure me; 'till I know 'tis done,
How-e'er my haps, my joys will ne'er begin. [Exit. SCENE IV. A Camp on the Frontiers of Denmark. Enter Fortinbras with an Army.

For.
Go, Captain, from me, greet the Danish King;
Tell him, that, by his license, Fortinbras
Claims the conveyance of a promis'd March
Over his Realm. You know the rendezvous.
If that his Majesty would aught with us,
We shall express our duty in his eye,
And let him know so.

Capt.
I will do't, my lord.

For.
Go softly on.
[Exit Fortinbras, with the Army. Enter Hamlet, Rosincrantz, Guildenstern, &c.

Ham.
Good Sir, whose Powers are these?

Capt.
They are of Norway, Sir.

Ham.
How purpos'd, Sir, I pray you?

Capt.
Against some part of Poland.

Ham.
Who commands them, Sir?

Capt.
The nephew of old Norway, Fortinbras.

Ham.
Goes it against the main of Poland, Sir,
Or for some frontier.

Capt.
Truly to speak it, and with no addition,
We go to gain a little patch of ground,
That hath in it no profit but the name.
To pay five ducats—five, I would not farm it;
Nor will it yield to Norway, or the Pole,

-- 222 --


A ranker rate, should it be sold in fee.

Ham.
Why, then the Polacke never will defend it.

Capt.
Yes, 'tis already garrison'd.

Ham.
Two thousand souls, and twenty thousand ducats,
Will not debate the question of this straw;
This is th' imposthume of much wealth and peace,
That inward breaks, and shews no cause without
Why the man dies. I humbly thank you, Sir.

Capt.
God b' w' ye, Sir.

Ros.
Will't please you go, my lord?

Ham.
I'll be with you strait, go a little before. [Exeunt. Manet Hamlet.
&wlquo;How all occasions do inform against me,
&wlquo;And spur my dull-revenge? what is a man,
&wlquo;If his chief good and market of his time
&wlquo;Be but to sleep and feed? a beast, no more.
&wlquo;Sure, he that made us with such 4 notelarge discourse,
&wlquo;Looking before and after, gave us not
&wlquo;That capability and god-like reason
&wlquo;To rust in us unus'd. Now whether it be
&wlquo;Bestial oblivion, or some craven scruple
&wlquo;Of thinking too precisely on th' event,
&wlquo;(A thought, which, quarter'd, hath but one part wisdom,
&wlquo;And ever three parts coward:) &wlquo;I do not know
&wlquo;Why yet I live to say this thing's to do;
&wlquo;Sith I have cause, and will, and strength, and means
&wlquo;To do't. Examples, gross as earth, exhort me;
&wlquo;Witness this army of such mass and charge,
&wlquo;Led by a delicate and tender Prince,
&wlquo;Whose spirit, with divine ambition puft,

-- 223 --


&wlquo;Makes mouths at the invisible event;
&wlquo;Exposing what is mortal and unsure
&wlquo;To all that fortune, death, and danger dare,
&wlquo;Ev'n for an egg-shell. 'Tis not to be great,
Never to stir without great argument;
But greatly to find quarrel in a straw,
When Honour's at the stake. How stand I then,
That have a father kill'd, a mother stain'd,
(Excitements of my reason and my blood)
And let all sleep? while, to my shame, I see
The imminent death of twenty thousand men;
That for a fantasie and trick of fame
Go to their Graves like beds; fight for a Plot,
Whereon the numbers cannot try the cause,
Which is not tomb enough and continent
To hide the slain? O, then, from this time forth,
My thoughts be bloody, or be nothing worth. [Exit. SCENE V. Changes to a Palace. Enter Queen, Horatio, and a Gentleman.

Queen.
I will not speak with her.

Gent.
She is importunate,
Indeed, distract; her mood will needs be pitied.

Queen.
What would she have?

Gent.
She speaks much of her father; says, she hears,
There's tricks i' th' world; and hems and beats her heart;
Spurns enviously at straws; speaks things in doubt,
That carry but half sense: her speech is nothing,
Yet the unshaped use of it doth move
The hearers to collection; they aim at it,
And botch the words up fit to their own thoughts;

-- 224 --


Which as her winks, and nods, and gestures yield them,
Indeed would make one think, there might be thought;
5 noteTho' nothing sure, yet much unhappily.

Hor.
'Twere good she were spoken with, for she may strow
Dangerous conjectures in ill-breeding minds.
Let her come in.—

Queen.
To my sick soul, as sin's true nature is,
Each Toy seems prologue to some great Amiss;
So full of artless jealousy is guilt,
It spills itself, in fearing to be spilt.
Enter Ophelia, distracted.

Oph.
Where is the beauteous Majesty of Denmark?

Queen.
How now, Ophelia?

Oph.
How should I your true Love know from another one?
6 noteBy his cockle hat and staff, and his sandal shoon.
[Singing.

Queen.
Alas, sweet lady; what imports this Song?

Oph.
Say you? nay, pray you, mark.

He's dead and gone, lady, he's dead and gone;
At his head a grass-green turf, at his heels a stone.

-- 225 --

Enter King.

Queen.
Nay, but Ophelia

Oph.
Pray you, mark.

White the shrowd as the mountain snow.

Queen.
Alas, look here, my lord.

Oph.
Larded all with sweet flowers:
Which bewept to the grave did go
With true love showers.

King.

How do ye, pretty lady?

Oph.

Well, God yield you! They say, 7 notethe owl was a baker's daughter. Lord, we know what we are, but know not what we may be. God be at your table!

King.

Conceit upon her father.

Oph.

Pray, let us have no words of this; but when they ask you what it means, say you this:



To morrow is St. Valentine's day, all in the morn betime,
And I a maid at your window, to be your Valentine.
Then up he rose, and don'd his cloaths, 8 noteand do'pt the chamber door;
Let in the maid, that out a maid never departed more.

King.

Pretty Ophelia!

Oph.

Indeed, without an oath, I'll make an end on't.



By Gis, and by S. Charity,
  Alack, and fie for shame!
Young men will do't, if they come to't,
  By cock, they are to blame.

-- 226 --


Quoth she, before you tumbled me,
  You promis'd me to wed:
So would I ha' done, by yonder sun,
  And thou hadst not come to my bed.

King.

How long has she been thus?

Oph.

I hope, all will be well. We must be patient; but I cannot chuse but weep, to think, they should lay him i'th' cold ground; my brother shall know of it, and so I thank you for your good counsel. Come, my coach; good night, ladies; good night, sweet ladies; good night, good night.

[Exit.

King.
Follow her close, give her good watch, I pray you; [Exit Horatio.
This is the poison of deep grief; it springs
All from her father's death. O Gertrude, Gertrude!
When sorrows come, they come not single spies,
But in battalions. First, her father slain;
Next your Son gone, and he most violent author
Of his own just Remove; the people muddied,
Thick and unwholesome in their thoughts and whispers,
For good Polonius' death; (We've done but greenly,
In private to interr him;) poor Ophelia,
Divided from herself, and her fair judgment;
(Without the which we're pictures, or mere beasts:)
Last, and as much containing as all these,
Her brother is in secret come from France:
Feeds on this wonder, keeps himself in clouds,
And wants not buzzers to infect his ear
With pestilent speeches of his father's death;
Wherein necessity, of matter beggar'd,
Will nothing stick our persons to arraign
In ear and ear. O my dear Gertrude, this,
9 noteLike to a murthering piece, in many places

-- 227 --


Gives me superfluous death! [A noise within.

Queen.
Alack! what Noise is this?
SCENE VI. Enter a Messenger.

King.
Where are my Switzers? let them guard the door.
What is the matter?

Mes.
Save yourself, my lord.
The ocean, over-peering of his list,
Eats not the flats with more impetuous haste,
Than young Laertes, in a riotous head,
O'er-bears your officers; the rabble call him lord;
And as the world were now but to begin,
Antiquity forgot, custom not known,
1 note


The ratifiers and props of every ward;
The cry, “Chuse we Laertes for our King.”
Caps, hands, and tongues, applaud it to the Clouds;
Laertes shall be King, Laertes King!”

Queen.
How chearfully on the false trail they cry!
Oh, this is counter, you false Danish dogs.
[Noise within. Enter Laertes, with a Party at the Door.

King.
The doors are broke.

-- 228 --

Laer.
Where is this King? Sirs! stand you all without.

All.
No, let's come in.

Laer.
I pray you, give me leave.

All.
We will, we will.
[Exeunt.

Laer.
I thank you, keep the door.
O thou vile King, give me my father.

Queen.
Calmly, good Laertes.

Laer.
That drop of blood that's calm, proclaims me bastard;
Cries cuckold to my father; brands the harlot
Even here, between the chaste and unsmirch'd brow
Of my true mother.

King.
What is the cause, Laertes,
That thy Rebellion looks so giant-like?
Let him go, Gertrude; do not fear our person:
There's such divinity doth hedge a King,
That treason can but peep to what it would,
Acts little of its will. Tell me, Laertes,
Why are you thus incens'd? Let him go, Gertrude.
Speak, man.

Laer.
Where is my father?

King.
Dead.

Queen.
But not by him.

King.
Let him demand his fill.

Laer.
How came he dead? I'll not be juggled with:
To hell, allegiance! vows, to the blackest devil!
Conscience and grace, to the profoundest pit!
I dare damnation; to this point I stand,
That both the worlds I give to negligence,
Let come, what comes; only I'll be reveng'd
Most throughly for my father.

King.
Who shall stay you?

Laer.
My will, not all the world;
And for my means, I'll husband them so well,
They shall go far with little.

-- 229 --

King.
Good Laertes,
If you desire to know the certainty
Of your dear father, is't writ in your revenge,
(That sweep-stake) you will draw both friend and foe,
Winner and loser?

Laer.
None but his enemies.

King.
Will you know them then?

Laer.
To his good friends thus wide I'll ope my arms,
And like the kind life-rendring pelican,
Repast them with my blood.

King.
Why, now you speak
Like a good child, and a true gentleman.
That I am guiltless of your father's death,
And am most sensible in grief for it,
It shall as level to your judgment pierce,
As day does to your eye. [A noise within. &wlquo;Let her come in.]

Laer.
How now, what noise is that?
SCENE VII. Enter Ophelia, fantastically dress'd with straws and flowers.


O heat, dry up my brains! tears, seven times salt,
Burn out the sense and virtue of mine eye!
By heav'n, thy madness shall be paid with weight,
'Till our scale turn the beam. O rose of May!
Dear maid, kind sister, sweet Ophelia!
O heav'ns, is't possible a young maid's wits
Should be as mortal as an old man's life?
2 note







Nature is fal'n in love; and where 'tis fal'n,

-- 230 --


It sends some precious instance of itself
After the thing it loves.
Oph.
They bore him bare-fac'd on the bier,
And on his Grave remains many a tear;
Fare you well, my dove!

Laer.
Had'st thou thy wits, and didst perswade Revenge,
It could not move thus.

Oph.

You must sing, down a-down, and you call him a-down-a. 3 noteO how the weal becomes it! it is the false steward that stole his master's daughter.

Laer.

This nothing's more than matter.

Oph.

There's rosemary, that's for remembrance; pray, love, remember; and there's pancies, that's for thoughts.

-- 231 --

Laer.

A document in madness, thoughts and remembrance fitted.

Oph.

There's fennel for you, and columbines; 4 notethere's rue for you, and here's some for me. We may call it herb of grace o' Sundays: you may wear your rue with a difference. There's a daisie; I would give you some violets, but they withered all when my father dy'd: they say, he made a good end;

For bonny sweet Robin is all my joy.

Laer.
Thought, and affliction, passion, hell itself,
She turns to favour, and to prettiness.

Oph.

And will he not come again?
And will he not come again?
No, no, he is dead, go to thy death-bed,
He never will come again.
His beard was as white as snow,
All flaxen was his pole:
He is gone, he is gone, and we cast away mone,
Gramercy on his soul!
And of all christian souls! God b' w' ye.
[Exit Ophelia.

-- 232 --

Laer.
Do you see this, you Gods!

King.
Laertes, I must commune with your grief,
Or you deny me right: go but a-part,
Make choice of whom your wisest friends you will,
And they shall hear and judge 'twixt you and me;
If by direct or by collateral hand
They find us touch'd, we will our Kingdom give,
Our Crown, our life, and all that we call ours,
To you in satisfaction. But if not,
Be you content to lend your patience to us,
And we shall jointly labour with your soul,
To give it due content.

Laer.
Let this be so.
His means of death, his obscure funeral,
No trophy, sword, nor hatchment o'er his bones,
No noble rite, nor formal ostentation,
Cry to be heard, as 'twere from heav'n to earth,
That I must call't in question.

King.
So you shall:
5 note


And where th' offence is, let the great tax fall.
I pray you, go with me. [Exeunt. SCENE VIII. Enter Horatio, with an attendant.

Hor.
What are they, that would speak with me?

Ser.
Sailors, Sir; they say, they have letters for you.

Hor.
Let them come in.
I do not know from what part of the world
I should be greeted, if not from lord Hamlet.
Enter Sailors.

Sail.

God bless you, Sir.

Hor.

Let him bless thee too.

-- 233 --

Sail.

He shall, Sir, an't please him.—There's a letter for you, Sir: It comes from th' ambassador that was bound for England, if your name be Horatio, as I am let to know it is.

Horatio reads the letter.

Horatio, when thou shalt have overlook'd this, give these fellows some means to the King: they have letters for him. Ere we were two days old at sea, a pirate of very warlike appointment gave us chace. Finding our selves too slow of sail, we put on a compelled valour, and in the grapple I boarded them: on the instant they got clear of our ship, so I alone became their prisoner. They have dealt with me, like thieves of mercy; but they knew what they did: I am to do a good turn for them. Let the King have the letters I have sent, and repair thou to me with as much haste as thou wouldest fly death. I have words to speak in thy ear, will make thee dumb; yet are they much too light for the matter. These good fellows will bring thee where I am. Rosincrantz and Guildenstern hold their course for England. Of them I have much to tell thee, farewel.

He that thou knowest thine, Hamlet.


Come, I will make you way for these your letters;
And do't the speedier, that you may direct me
To him from whom you brought them. [Exeunt. SCENE IX. Enter King and Laertes.

King.
Now must your conscience my acquittance seal,
And you must put me in your heart for friend;

-- 234 --


Sith you have heard, and with a knowing ear,
That he, which hath your noble father slain,
Pursued my life.

Laer.
It well appears. But tell me,
Why you proceeded not against these feats,
So crimeful and so capital in nature,
As by your safety, wisdom, all things else,
You mainly were stirr'd up?

King.
Two special reasons,
Which may to you, perhaps, seem much unsinew'd,
And yet to me are strong. The Queen, his mother,
Lives almost by his looks; and for my self,
(My virtue or my plague, be't either which,)
She's so conjunctive to my life and soul,
That, as the star moves not but in his sphere,
I could not but by her. The other motive,
Why to a publick count I might not go,
Is the great love the general gender bear him;
Who, dipping all his faults in their affection,
Would, like the spring that turneth wood to stone,
Convert his gyves to graces. So that my arrows,
Too slightly timbred for so loud a wind,
Would have reverted to my bow again,
And not where I had aim'd them.

Laer.
And so have I a noble father lost,
A sister driven into desperate terms,
Whose worth, if praises may go back again,
Stood challenger on mount of all the age
For her perfections—But my revenge will come.

King.
Break not your sleeps for that; you must not think,
That we are made of stuff so flat and dull,
That we can let our beard be shook with danger,
And think it pastime. You shall soon hear more.
I lov'd your father, and we love our self,
And that, I hope, will teach you to imagine—
How now? what news?

-- 235 --

Enter Messenger.

Mes.
Letters, my lord, from Hamlet.
These to your Majesty: this to the Queen.

King.
From Hamlet? who brought them?

Mes.
Sailors, my lord, they say; I saw them not:
They were given me by Claudio, he receiv'd them.

King.
Laertes, you shall hear them: leave us, all— [Exit Mes.

High and Mighty, you shall know, I am set naked on your Kingdom. To morrow shall I beg leave to see your kingly eyes. When I shall, (first asking your pardon thereunto,) recount th' occasion of my sudden return.

Hamlet.


What should this mean? are all the rest come back?
Or is it some abuse—and no such thing?

Laer.
Know you the hand?

King.
'Tis Hamlet's character;
Naked, and (in a postscript here, he says)
Alone: can you advise me?

Laer.
I'm lost in it, my lord: but let him come;
It warms the very sickness in my heart,
That I shall live and tell him to his teeth,
Thus diddest thou.

King.
If it be so, Laertes,
As how should it be so?—how, otherwise?—
Will you be rul'd by me?

Laer.
I, so you'll not o'er-rule me to a peace.

King.
To thine own peace: if he be now return'd,
As liking not his voyage, and that he means
No more to undertake it; I will work him
To an exploit now ripe in my device,
Under the which he shall not chuse but fall:
And for his death no wind of Blame shall breathe;

-- 236 --


But ev'n his mother shall uncharge the practice,
And call it accident.

Laer.
I will be rul'd,
The rather, if you could devise it so,
That I might be the organ.

King.
It falls right:
You have been talkt of since your travel much,
And that in Hamlet's Hearing, for a quality
Wherein, they say, you shine; your sum of parts
Did not together pluck such envy from him,
As did that one, and that in my regard
Of the unworthiest siege.

Laer.
What part is that, my lord?

King.
A very feather in the cap of youth,
Yet needful too; for youth no less becomes
The light and careless livery that it wears,
Than settled age his sables, and his weeds
6 note


Importing wealth and graveness.—Two months since,
Here was a gentleman of Normandy;
I've seen my self, and serv'd against the French,
And they can well on horse-back; but this Gallant
Had witchcraft in't, he grew unto his seat;
And to such wondrous doing brought his horse,
As he had been incorps'd and demy-natur'd
With the brave beast; so far he top'd my thought,
That I in forgery of shapes and tricks
Come short of what he did.

Laer.
A Norman, was't?

King.
A Norman.

Laer.
Upon my life, Lamond.

King.
The same.

-- 237 --

Laer.
I know him well; he is the brooch, indeed,
And gem of all the nation.

King.
He made confession of you,
And gave you such a masterly report,
For art and exercise in your defence;
And for your rapier most especial,
That he cry'd out, 'twould be a Sight indeed,
If one could match you. The Scrimers of their nation,
He swore, had neither motion, guard, nor eye,
If you oppos'd 'em—Sir, this Report of his
Did Hamlet so envenom with his envy,
That he could nothing do, but wish and beg
Your sudden coming o'er to play with him.
Now out of this—

Laer.
What out of this, my lord?

King.
Laertes, was your father dear to you?
Or are you like the painting of a sorrow,
A face without a heart?

Laer.
Why ask you this?

King.
Not that I think, you did not love your father,
But that I know, love is begun by time;
And that I see in passages of proof,
Time qualifies the spark and fire of it:
&wlquo;There lives within the very flame of love
&wlquo;A kind of wick, or snuff, that will abate it,
And nothing is at a like goodness still;
7 noteFor goodness growing to a pleurisie,
Dies in his own too much; what we would do,
We should do when we would; for this would changes,

-- 238 --


And hath abatements and delays as many
As there are tongues, are hands, are accidents;
8 note



And then this should is like a spend-thrift's sign
That hurts by easing; but to th' quick o' th' ulcer—
Hamlet comes back; what would you undertake
To shew yourself your father's Son indeed
More than in words?

Laer.
To cut his throat i' th' church.

King.
No place indeed, should murther sanctuarise;
Revenge should have no bounds; but, good Laertes,
Will you do this? keep close within your chamber;
Hamlet, return'd, shall know you are come home:
We'll put on those shall praise your excellence,
And set a double varnish on the fame
The Frenchmen gave you; bring you in fine together,
And wager on your heads. He being remiss,
Most generous, and free from all contriving,
Will not peruse the foils; so that with ease,
Or with a little shuffling, you may chuse
9 noteA sword unbated, and in a pass of practice
Requite him for your father.

Laer.
I will do't;
And for the purpose I'll anoint my sword:
I bought an unction of a Mountebank,
So mortal, that but dip a knife in it,
Where it draws blood, no Cataplasm so rare,

-- 239 --


Collected from all Simples that have virtue
Under the Moon, can save the thing from death,
That is but scratch'd withal; I'll touch my point
With this contagion, that if I gall him slightly,
It may be death.

King.
Let's farther think of this;
Weigh, what convenience both of time and means
May fit us to our shape. If this should fail,
And that our drift look through our bad performance,
'Twere better not assay'd; therefore this project
Should have a back, or second, that might hold,
If this should blast in proof. Soft—let me see—
We'll make a solemn wager on your cunnings;
I ha't—when in your motion you are hot,
(As make your bouts more violent to that end)
And that he calls for Drink, I'll have prepar'd him
A Chalice for the nonce; whereon but sipping,
If he by chance escape your venom'd tuck,
Our purpose may hold there.
SCENE X. Enter Queen.


How now, sweet Queen?

Queen.
One woe doth tread upon another's heel,
So fast they follow: your sister's drown'd, Laertes.

Laer.
Drown'd! oh where?

&wlquo;Queen.
&wlquo;There is a willow grows aslant a Brook,
&wlquo;That shews his hoar leaves in the glassie stream:
&wlquo;There with fantastick garlands did she come,
&wlquo;Of crow-flowers, nettles, daisies, and long purples,
&wlquo;(That liberal shepherds give a grosser name to;
&wlquo;But our cold maids do dead men's fingers call them;)
&wlquo;There on the pendant boughs, her coronet weeds
&wlquo;Clambring to hang, an envious sliver broke;
&wlquo;When down her weedy trophies and herself

-- 240 --


&wlquo;Fell in the weeping brook; her cloaths spread wide,
&wlquo;And mermaid-like, a while they bore her up;
&wlquo;1 note

Which time she chaunted snatches of old tunes,
&wlquo;As one incapable of her own distress;
&wlquo;Or like a creature native, and indued
&wlquo;Unto that element: but long it could not be,
'Till that her garments, heavy with their drink,
Pull'd the poor wretch from her melodious lay
To muddy death.

Laer.
Alas then, she is drown'd!

Queen.
Drown'd, drown'd.

Laer.
Too much of water hast thou, poor Ophelia,
And therefore I forbid my tears: but yet
It is our trick; Nature her custom holds,
Let Shame say what it will; when these are gone,
The woman will be out: adieu, my lord!
I have a speech of fire, that fain would blaze,
But that this folly drowns it.
[Exit.

King.
Follow, Gertrude:
How much had I to do to calm his rage!
Now fear I, this will give it start again;
Therefore, let's follow.
[Exeunt.

-- 241 --

ACT V. SCENE I. A CHURCH. Enter two Clowns, with spades and mattocks.

1 Clown.

Is she to be buried in christian burial, that wilfully seeks her own salvation?

2 Clown.

I tell thee, she is, therefore make her Grave straight; the crowner hath sate on her, and finds it christian burial.

1 Clown.

How can that be, unless she drowned herself in her own defence?

2 Clown.

Why, tis found so.

&wlquo;1 Clown.

&wlquo;It must be se offendendo, it cannot be else. For here lyes the point; if I drown my self wittingly, it argues an act; and 1 notean act hath three branches; It is to act, to do, and to perform; argal, she drown'd herself wittingly.&wrquo;

2 Clown.

Nay, but hear you, goodman Delver.

&wlquo;1 Clown.

&wlquo;Give me leave; here lies the water, good: here stands the man, good: if the man go to this water, and drown himself, it is, will he, nill he, he goes; mark you that: but if the water come to him, and drown him, he drowns not himself. Argal, he, that is not guilty of his own death, shortens not his own life.&wrquo;

2 Clown.

But is this law?

1 Clown.

Ay, marry is't, crowner's quest-law.

2 Clown.

Will you ha' the truth on't? If this had not been a gentlewoman, she should have been buried out of christian burial.

-- 242 --

1 Clown.

Why, there thou say'st. And the more pity, that great folk should have countenance in this world to drown or hang themselves, more than 2 notetheir even christian. Come, my spade; there is no ancient gentlemen but gardeners, ditchers, and grave-makers; they hold up Adam's profession.

2 Clown.

Was he a gentleman?

1 Clown.

He was the first, that ever bore arms.

2 Clown.

Why he had none.

1 Clown.

What, art a heathen? how dost thou understand the Scripture? the Scripture says, Adam digg'd; could he dig without arms? I'll put another question to thee; if thou answerest me to the purpose, confess thyself—

2 Clown.

Go to.

1 Clown.

What is he that builds stronger than either the mason, the ship-wright, or the carpenter?

2 Clown.

The gallows-maker; for that frame out-lives a thousand tenants.

1 Clown.

I like thy wit well, in good faith; the gallows does well; but how does it well? it does well to those that do ill: now thou dost ill, to say the gallows is built stronger than the church; argal, the gallows may do well to thee. To't again, come.

2 Clown.

Who builds stronger than a mason, a shipwright, or a carpenter?

1 Clown.

3 noteAy, tell me that, and unyoke.

2 Clown.

Marry, now I can tell.

1 Clown.

To't.

2 Clown.

Mass, I cannot tell.

Enter Hamlet and Horatio, at a distance.

1 Clown.

Cudgel thy brains no more about it; for your dull ass will not mend his pace with beating;

-- 243 --

and, when you are ask'd this question next, say a grave-maker. The houses, he makes, last 'till doomsday: go, get thee to Youghan, and fetch me a stoup of liquor.

[Exit 2 Clown. He digs, and sings.

In youth when I did love, did love,
  Methought, it was very sweet;
To contract, oh, the time for, a, my behove,
  Oh, methought, there was nothing so meet.

Ham.

Has this fellow no feeling of his business, that he sings at Grave-making?

Hor.

Custom hath made it to him a property of easiness.

Ham.

'Tis e'en so; the hand of little employment hath the daintier sense.


Clown sings.
But age, with his stealing steps,
  Hath claw'd me in his clutch:
And hath shipped me into his land,
  As if I had never been such.

Ham.

That scull had a tongue in it, and could sing once; how the knave jowles it to the ground, as if it were Cain's jaw-bone, that did the first murther! this might be the pate of 4 notea politician, 5 note




which this ass

-- 244 --

o'er-offices; one that would circumvent God, might it not?

Hor.

It might, my lord.

Ham.

Or of a courtier, which could say, “good-morrow, sweet lord; how dost thou, good lord?” this might be my lord such a one, that prais'd my lord such a one's horse, when he meant to beg it; might it not?

Hor.

Ay, my lord.

Ham.

Why, e'en so: and now my lady Worm's chapless, and knockt about the mazzard with a sexton's spade. Here's a fine revolution, if we had the trick to see't. Did these bones cost no more the breeding, but to play at loggats with 'em? mine ake to think on't.


Clown sings.
A pick-axe and a spade, a spade
  For,—and a shrouding sheet!
O, a pit of clay for to be made
For such a guest is meet.

Ham.

There's another: why may not that be the scull of a lawyer? where be his quiddits now? his quillets? his cases? his tenures, and his tricks? why does he suffer this rude knave now to knock him about the sconce with a dirty shovel, and will not tell him of his action of battery? hum! this fellow might

-- 245 --

be in's time a great buyer of land, with his statutes, his recognizances, his fines, his double vouchers, his recoveries. Is this the fine of his fines, and the recovery of his recoveries, to have his fine pate full of fine dirt? will his vouchers vouch him no more of his purchases, and double ones too, than the length and breadth of a pair of indentures? the very conveyances of his lands will hardly lye in this box; and must the inheritor himself have no more? ha?

Hor.

Not a jot more, my lord.

Ham.

Is not parchment made of sheep-skins?

Hor.

Ay, my lord, and of calve-skins too.

Ham.

They are sheep and calves that seek out assurance in that. I will speak to this fellow: Whose Grave's this, Sirrah?

Clown.

Mine, Sir—



O, a pit of clay for to be made
  For such a Guest is meet.

Ham.

I think, it be thine, indeed, for thou liest in't.

Clown.

You lie out on't, Sir, and therefore it is not yours; for my part, I do not lie in't, yet it is mine.

Ham.

Thou dost lie in't, to be in't, and say, 'tis thine: 'tis for the dead, and not for the quick, therefore thou ly'st.

Clown.

'Tis a quick lie, Sir, 'twill away again from me to you.

Ham.

What man dost thou dig it for?

Clown.

For no man, Sir.

Ham.

What woman then?

Clown.

For none neither.

Ham.

Who is to be buried in't?

Clown.

One, that was a woman, Sir; but rest her soul, she's dead.

Ham.

How absolute the knave is? we must speak by the card, or equivocation will undo us. By the lord,

-- 246 --

Horatio, these three years I have taken note of it, the age is grown so picked, that the toe of the peasant comes so near the heel of our courtier, he galls his kibe. How long hast thou been a grave-maker?

Clown.

Of all the days i' th' year, I came to't that day that our last King Hamlet o'ercame Fortinbras.

Ham.

How long is that since?

Clown.

Cannot you tell that? every fool can tell that: it was that very day that young Hamlet was born, he that was mad, and sent into England.

Ham.

Ay, marry, why was he sent into England?

Clown.

Why, because he was mad; he shall recover his wits there; or, if he do not, it's no great matter there.

Ham.

Why?

Clown.

'Twill not be seen in him; there the men are as mad as he.

Ham.

How came he mad?

Clown.

Very strangely, they say.

Ham.

How strangely?

Clown.

Faith, e'en with losing his wits.

Ham.

Upon what ground?

Clown.

Why, here, in Denmark. I have been sexton here, man and boy, thirty years.

Ham.

How long will a man lie i' th' earth ere he rot?

Clown.

I' faith, if he be not rotten before he die, (as we have many pocky coarses now-a-days, that will scarce hold the laying in) he will last you some eight year, or nine year; a tanner will last you nine years.

Ham.

Why he, more than another?

Clown.

Why, Sir, his hide is so tann'd with his trade, that he will keep out water a great while. And your water is a sore decayer of your whorson dead body. Here's a scull now has lain in the earth three and twenty years.

-- 247 --

Ham.

Whose was it?

Clown.

A whorson mad fellow's it was; whose do you think it was?

Ham.

Nay, I know not.

Clown.

A pestilence on him for a mad rogue! he pour'd a flaggon of Rhenish on my head once. This same scull, Sir, was Yorick's scull, the King's jester.

Ham.

This?

Clown.

E'en that.

Ham.

Alas, poor Yorick! I knew him, Horatio, a fellow of infinite jest; of most excellent fancy: he hath borne me on his back a thousand times: and now how abhorred in my imagination it is! my gorge rises at it. Here hung those lips, that I have kiss'd I know not how oft. Where be your gibes now; your gambols? your songs? your flashes of merriment, that were wont to set the table in a roar? not one now, to mock your own grinning? quite chap fallen? now get you to my lady's chamber, and tell her, let her paint an inch thick, to this savour she must come; make her laugh at that—Pr'ythee, Horatio, tell me one thing.

Hor.

What's that, my Lord?

Ham.

Dost thou think, Alexander look'd o' this fashion i' th' earth?

Hor.

E'en so.

Ham.

And smelt so, puh?

[Smelling to the Scull.

Hor.

E'en so, my lord.

Ham.

To what base uses we may return, Horatio! why may not imagination trace the noble dust of Alexander, 'till he find it stopping a bung-hole?

Hor.

'Twere to consider too curiously, to consider so.

Ham.

No, faith, not a jot: But to follow him thither with modesty enough, and likelihood to lead it; as thus: Alexander died, Alexander was buried, Alexander returneth to dust; the dust is earth; of

-- 248 --

earth we make lome; and why of that lome, whereto he was converted, might they not stop a beer-barrel?


Imperial Cæsar, dead and turn'd to clay,
Might stop a hole to keep the wind away:
Oh, that that earth, which kept the world in awe,
Should patch a wall t'expel the winter's flaw!
But soft! but soft a while—here comes the King, SCENE II. Enter King, Queen, Laertes, and a coffin, with Lords, and Priests, attendant.


The Queen, the Courtiers. What is that they follow,
And with such maimed rites? this doth betoken,
The coarse, they follow, did with desperate hand
Foredo its own life; 'twas of some estate.
Couch we a while, and mark.

Laer.
What ceremony else?

Ham.
That is Laertes, a most noble youth: mark—

Laer.
What ceremony else?

Priest.
Her obsequies have been so far enlarg'd
As we have warranty; her death was doubtful;
And but that great Command o'er-sways the order,
She should in ground unsanctified have lodg'd
'Till the last Trump. For charitable prayers,
Shards, flints, and pebbles, should be thrown on her;
Yet here she is 6 noteallow'd her virgin chants,
Her maiden-strewments, and the bringing home
7 noteOf bell and burial.

Laer.
Must no more be done?

-- 249 --

Priest.
No more be done!
We should profane the service of the dead,
To sing a Requiem, and such Rest to her
As to peace-parted souls.

Laer.
Lay her i'th' earth;
&wlquo;And from her fair and unpolluted flesh
&wlquo;May violets spring! I tell thee, churlish priest,
&wlquo;A ministring angel shall my sister be,
&wlquo;When thou liest howling.

Ham.
What, the fair Ophelia!

Queen.
Sweets to the sweet, farewel!
I hop'd, thou should'st have been my Hamlet's wife;
I thought thy bride-bed to have deck'd, sweet maid,
And not have strew'd thy Grave.

Laer.
O treble woe
Fall ten times treble on that cursed head,
Whose wicked deed thy most ingenious sense
Depriv'd thee of! Hold off the earth a while,
'Till I have caught her once more in my arms; [Laertes leaps into the Grave.
Now pile your dust upon the quick and dead,
'Till of this flat a mountain you have made,
T' o'er-top old Pelion, or the skyish head
Of blue Olympus.

Ham. [discovering himself.]
What is he, whose griefs
Bear such an emphasis? whose phrase of sorrow
Conjures the wandring stars, and makes them stand
Like wonder-wounded hearers? this is I, [Hamlet leaps into the Grave.
Hamlet the Dane.

Laer.
The Devil take thy soul!
[Grappling with him.

Ham.
Thou pray'st not well.
I pr'ythee, take thy fingers from my throat—
For though I am not splenitive and rash;
Yet have I in me something dangerous,
Which let thy wisdom fear. Hold off thy hand.

King.
Pluck them asunder—

-- 250 --

Queen.
Hamlet, Hamlet—

Hor.
Good my lord, be quiet.
[The attendants part them.

Ham.
Why, I will fight with him upon this theme,
Until my eye-lids will no longer wag.

Queen.
Oh my son! what theme?

Ham.
I lov'd Ophelia; forty thousand brothers
Could not with all their quantity of love
Make up my sum. What wilt thou do for her?

King.
O, he is mad, Laertes.

Queen.
For love of God, forbear him.

Ham.
Come, shew me what thou'lt do.
Woo't weep? woo't fight? woo't fast? woo't tear thy self?
Woo't drink up 8 noteeisel, eat a crocodile?
I'll do't—Do'st thou come hither but to whine?
To out-face me with leaping in her Grave?
Be buried quick with her; and so will I;
And if thou prate of mountains, let them throw
Millions of acres on us, 'till our ground,
Singeing his pate 9 noteagainst the burning Sun,
Make Ossa like a wart! nay, an thou'lt mouth,
I'll rant as well as thou.

Queen.
This is meer madness;
And thus a while the Fit will work on him:
&wlquo;Anon, as patient as the female dove,
&wlquo;1 noteE'er that her golden couplets are disclos'd
&wlquo;His silence will sit drooping.

Ham.
Hear you, Sir—
What is the reason that you use me thus?
I lov'd you ever; but it is no matter—
Let Hercules himself do what he may,

-- 251 --


The cat will mew, the dog will have his day. [Exit.

King.
I pray you, good Horatio, wait upon him. [Exit Hor.
Strengthen your patience in our last night's speech. [To Laertes.
We'll put the matter to the present push.
Good Gertrude, set some watch over your son:
This Grave shall have a living Monument.
An hour of quiet shortly shall we see;
'Till then, in patience our proceeding be.
[Exeunt. SCENE III. Changes to a Hall, in the Palace. Enter Hamlet and Horatio.

Ham.
So much for this, now shall you see the other.
You do remember all the circumstance?

Hor.
Remember it, my lord?

Ham.
Sir, in my heart there was a kind of fighting,
That would not let me sleep; methought, I lay
Worse than the mutines in the Bilboes; 2 note





Rashness
(And prais'd be rashness for it) lets us know;
Or indiscretion sometimes serves us well,
When our deep plots do fail; &wlquo;and that should teach us,
&wlquo;There's a Divinity that shapes our ends,
&wlquo;Rough-hew them how we will.

Hor.
That is most certain.

Ham.
Up from my cabin,

-- 252 --


My sea-gown scarft about me, in the dark
Grop'd I to find out them; had my desire,
Finger'd their packet, and in fine withdrew
To mine own room again; making so bold
(My fears forgetting manners) to unseal
Their grand Commission, where I found, Horatio,
A royal knavery; an exact Command,
Larded with many several sorts of reasons,
Importing Denmark's health, and England's too,
With, ho! such buggs and goblins in my life;
That on the supervize, 3 noteno leisure bated,
No, not to stay the grinding of the ax,
My head should be struck off.

Hor.
Is't possible?

Ham.
Here's the commission, read it at more leisure;
But wilt thou hear now how I did proceed?

Hor.
I beseech you.

Ham.
4 note




Being thus benetted round with Villains,
(Ere I could mark the prologue to my Bane
They had begun the Play:) I sate me down,
Devis'd a new commission, wrote it fair:
(I once did hold it, as our Statists do,

-- 253 --


A baseness to write fair; and labour'd much
How to forget that Learning; but, Sir, now
It did me yeoman's service;) wilt thou know
Th' effect of what I wrote?

Hor.
Ay, good my lord.

Ham.
An earnest conjuration from the King,
As England was his faithful tributary,
As love between them, like the palm, might flourish,
5 note






As Peace should still her wheaten garland wear,
And stand a Commere 'tween their amities;
And many such like As's of great charge;
That on the view and knowing these contents,
Without debatement further, more or less,
He should the bearers put to sudden death,
Not shriving time allow'd.

Hor.
How was this seal'd?

Ham.
Why, ev'n in that was heaven ordinant;
I had my father's Signet in my purse,
Which was the model of that Danish seal:
I folded the Writ up in form of th' other,

-- 254 --


Subscrib'd it, gave th' impression, plac'd it safely,
The changling never known; now, the next day
Was our sea-fight, and what to this was sequent
Thou know'st already.

Hor.
So, Guildenstern and Rosincrantz go to't.

Ham.
Why, man, they did make love to this employment.—
They are not near my conscience; their defeat
6 noteDoth by their own insinuation grow:
&wlquo;'Tis dangerous when the baser nature comes
&wlquo;Between the pass, and fell incensed points,
&wlquo;Of mighty opposites.

Hor.
Why, what a King is this?

Ham.
Does it not, think'st thou, stand me now upon?
He that hath kill'd my King, and whor'd my mother,
Popt in between th' election and my hopes,
Thrown out his angle for my proper life,
And with such cozenage; is't not perfect conscience,
To quit him with this arm? and is't not to be damn'd,
To let this canker of our nature come
In further evil?

Hor.
It must be shortly known to him from England,
What is the issue of the business there.

Ham.
It will be short.
The Interim's mine; and a man's life's no more
Than to say, one.
But I am very sorry, good Horatio,
That to Laertes I forgot myself;
For by the image of my cause I see
The portraiture of his; I'll court his favour;
But, sure, the bravery of his grief did put me
Into a tow'ring passion.

Hor.
Peace, who comes here?

-- 255 --

SCENE IV. Enter Osrick.

Osr.

Your lordship is right welcome back to Denmark.

Ham.

I humbly thank you, Sir. Dost know this water-fly?

Hor.

No, my good lord.

Ham.

Thy state is the more gracious; for 'tis a vice to know him: he hath much land, and fertile; let a beast be lord of beasts, and his crib shall stand at the King's messe; 'tis a chough; but, as I say, spacious in the possession of dirt.

Osr.

Sweet lord, if your lordship were at leisure, I should impart a thing to you from his Majesty.

Ham.

I will receive it with all diligence of spirit: your bonnet to his right use,—'tis for the head.

Osr.

I thank your lordship, 'tis very hot.

Ham.

No, believe me, 'tis very cold; the wind is northerly.

Osr.

It is indifferent cold, my lord, indeed.

Ham.

But yet, methinks, it is very sultry, and hot, 7 noteor my complexion—

Osr.

Exceedingly, my lord, it is very sultry, as 'twere, I cannot tell how:—My lord, his Majesty bid me signify to you, that he has laid a great wager on your head: Sir, this is the matter—

Ham.

I beseech you, remember—

Osr.

Nay, in good faith, for mine ease, in good faith:—Sir, here is newly come to Court Laertes; believe me, an absolute Gentleman, full of most excellent Differences, of very soft society, and great shew:

-- 256 --

indeed, to speak feelingly of him, he is the card or kalendar of gentry; for you shall find in him the continent of what part a gentleman would see.

Ham.

8 noteSir, his definement suffers no perdition in you, tho' I know, to divide him inventorially would dizzy the arithmetick of memory; 9 noteand yet but slow neither in respect of his quick sail: But, in the verity of extolment, I take him to be a Soul of great article; and his infusion of such dearth and rareness, as, to make true diction of him, his Semblable is his mirrour; and, who else would trace him, his umbrage, nothing more.

Osr.

Your Lordship speaks most infallibly of him.

Ham.

The Concernancy, Sir?—Why do we wrap the Gentleman in our more rawer breath?

[To Horatio.

Osr.

Sir,—

Hor.

Is't not possible to understand in another tongue? you will do't, Sir, rarely.

Ham.

What imports the nomination of this gentleman?

Osr.

Of Laertes?

Hor.

His purse is empty already: all's golden words are spent.

Ham.

Of him, Sir.

Osr.

I know, you are not ignorant,—

Ham.

I would, you did, Sir; yet, in faith, if you did, it would not much approve me.—Well, Sir.

-- 257 --

Osr.

You are not ignorant of what excellence Laertes is.

Ham.

I dare not confess that, lest I should compare with him in excellence: but to know a man well, were to know himself.

Osr.

I mean, Sir, for his weapon: but in the Imputation laid on him by them in his Meed, he's unfellow'd.

Ham.

What's his weapon?

Osr.

Rapier and dagger.

Ham.

That's two of his weapons; but well.

Osr.

The King, Sir, has wag'd with him six Barbary horses, against the which he has impon'd, as I take it, six French rapiers and poniards, with their assigns, as girdle, hangers, and so: three of the carriages, in faith, are very dear to fancy, very responsive to the hilts, most delicate carriages, and of very liberal conceit.

Ham.

What call you the carriages?

Hor.

1 noteI knew, you must be edified by the Margent, e'er you had done.

[Aside.

Osr.

The carriages, Sir, are the hangers.

Ham.

The phrase would be more germane to the matter, if we could carry cannon by our sides; I would, it might be hangers 'till then. But, on; six Barbary horses against six French swords, their assigns, and three liberal-conceited carriages; that's the French bet against the Danish; why is this impon'd, as you call it?

-- 258 --

Osr.

The King, Sir, hath laid, that in a Dozen Passes between you and him, he shall not exceed you three hits; he hath laid on twelve for nine, and it would come to immediate tryal, if your lordship would vouchsafe the answer.

Ham.

How if I answer, no?

Osr.

I mean, my lord, the opposition of your person in tryal.

Ham.

Sir, I will walk here in the Hall; If it please his Majesty, 'tis the breathing time of day with me; let the foils be brought, the gentleman willing, and the King hold his purpose, I will win for him if I can; if not, I'll gain nothing but my shame, and the odd hits.

Osr.

Shall I deliver you so?

Ham.

To this effect, Sir, after what flourish your nature will.

Osr.

I commend my duty to your lordship.

[Exit.

Ham.

Yours, yours; he does well to commend it himself, there are no tongues else for's turn.

Hor.

This lapwing runs away with the shell on his head.

Ham.

2 noteHe did compliment with his dug before he suck'd it: thus has he (and many more of the same breed, that, I know, the drossy age dotes on) only got the tune of the time, and outward habit of encounter, 3 notea kind of yesty collection, which carries them through

-- 259 --

and through the most fann'd and winnowed opinions; and do but blow them to their tryals, the bubbles are out.

Enter a Lord.

Lord.

My lord, his Majesty commended him to you by young Osrick, who brings back to him, that you attend him in the Hall; he sends to know if your pleasure hold to play with Laertes, or that you will take longer time?

Ham.

I am constant to my purposes, they follow the King's pleasure; if his fitness speaks, mine is ready, now, or whensoever, provided I be so able as now.

Lord.

The King and Queen, and all are coming down.

Ham.

In happy time.

Lord.

The queen desires you to use some gentle entertainment to Laertes, before you fall to play.

Ham.

She well instructs me.

[Exit Lord.

Hor.

You will lose this wager, my lord.

Ham.

I do not think so; since he went into France, I have been in continual practice; I shall win at the odds. But thou wouldst not think how ill all's here about my heart—but it is no matter.

Hor.

Nay, my good lord.

Ham.

It is but foolery; but it is such a kind of gain-giving as would, perhaps, trouble a woman.

-- 260 --

Hor.

If your mind dislike any thing, obey it. I will forestal their repair hither, and say you are not fit.

Ham.

Not a whit, we defy augury; there is a special providence in the fall of a sparrow, If it be now, 'tis not to come; if it be not to come, it will be now: if it be not now, yet it will come; the readiness is all. 4 noteSince no man, of ought he leaves, knows, what is't to leave betimes? Let be.

SCENE V. Enter King, Queen, Laertes and lords, Osrick, with other attendants with foils, and gantlets. A table, and flaggons of wine on it.

King.
Come, Hamlet, come, and take this hand from me.

Ham.
Give me your pardon, Sir; I've done you wrong;
But pardon't, as you are a gentleman.
This presence knows, and you must needs have heard,
How I am punish'd with a sore distraction.
What I have done,
That might your Nature, Honour, and Exception
Roughly awake, I here proclaim was madness:

-- 261 --


Was't Hamlet wrong'd Laertes? never, Hamlet.
If Hamlet from himself be ta'en away,
And, when he's not himself, does wrong Laertes,
Then Hamlet does it not; Hamlet denies it:
Who does it then? his madness. If't be so,
Hamlet is of the faction that is wrong'd;
His madness is poor Hamlet's enemy.
Let my disclaiming from a purpos'd Evil,
Free me so far in your most generous thoughts,
That I have shot mine arrow o'er the house,
And hurt my brother.

Laer.
I am satisfied in nature,
Whose motive, in this case, should stir me most
To my revenge: but in my terms of honour
I stand aloof, and will no reconcilement;
'Till by some elder masters of known honour
I have a voice, and president of peace,
To keep my name ungor'd. But 'till that time,
I do receive your offer'd love like love,
And will not wrong it.

Ham.
I embrace it freely,
And will this brother's wager frankly play.
Give us the foils.

Laer.
Come, one for me.

Ham.
I'll be your foil, Laertes; in mine Ignorance
Your skill shall like a star i'th' darkest night
Stick fiery off, indeed.

Laer.
You mock me, Sir.

Ham.
No, by this hand.

King.
Give them the foils, young Osrick.
Hamlet, you know the wager.

Ham.
Well, my lord;
Your Grace hath laid the odds o'th' weaker side.

King.
I do not fear it, I have seen you both:
But since he's better'd, we have therefore odds.

Laer.
This is too heavy, let me see another.

-- 262 --

Ham.
This likes me well; these foils have all a length.
[Prepares to play.

Osr.
Ay, my good lord.

King.
Set me the stoops of wine upon that table:
If Hamlet gives the first, or second, Hit,
Or quit in answer of the third exchange,
Let all the battlements their ordnance fire;
The King shall drink to Hamlet's better breath:
And in the cup an Union shall be throw,
Richer than that which four successive Kings
In Denmark's Crown have worn. Give me the cups:
And let the kettle to the trumpets speak,
The trumpets to the cannoneer without,
The cannons to the heav'ns, the heav'ns to earth:
Now the King drinks to Hamlet.—Come, begin,
And you the Judges bear a wary eye.

Ham.
Come on, Sir.

Laer.
Come, my lord.
[They play.

Ham.
One—

Laer.
No—

Ham.
Judgment.

Osr.
A hit, a very palpable hit.

Laer.
Well—again—

King.
Stay, give me Drink. Hamlet, this Pearl is thine,
Here's to thy health. Give him the cup.
[Trumpets sound, Shot goes off.

Ham.
I'll play this bout first, set it by a while. [They play.
Come—another hit—what say you?

Laer.
A touch, a touch, I do confess.

King.
Our son shall win.

Queen.
He's fat, and scant of breath.
Here, Hamlet, take my napkin, rub thy brows;
The Queen carouses to thy fortune, Hamlet.

Ham.
Good Madam,—

King.
Gertrude, do not drink.

-- 263 --

Queen.
I will, my lord; I pray you, pardon me.

King.
It is the poison'd cup, it is too late.
[Aside.

Ham.
I dare not drink yet, Madam, by and by.

Queen.
Come, let me wipe thy face.

Laer.
I'll hit him now.

King.
I do not think't.

Laer.
And yet it is almost against my conscience.
[Aside.

Ham.
Come, for the third, Laertes, you but dally;
I pray you, pass with your best violence;
I am afraid you make a Wanton of me.

Laer.
Say you so? come on.
[Play.

Osr.
Nothing neither way.

Laer.
Have at you now.
[Laertes wounds Hamlet; then, in scuffling, they change rapiers, and Hamlet wounds Laertes.

King.
Part them, they are incens'd.

Ham.
Nay, come again—

Osr.
Look to the Queen there, ho!

Hor.
They bleed on both sides. How is't, my lord?

Osr.
How is't, Laertes?

Laer.
Why, as a woodcock to my own springe, Osrick;
I'm justly kill'd with mine own treachery.

Ham.
How does the Queen?

King.
She swoons to see them bleed.

Queen.
No, no, the drink, the drink—
Oh my dear Hamlet, the drink, the drink,—
I am poison'd—
[Queen dies.

Ham.
Oh villany! ho! let the door be lock'd:
Treachery! seek it out—

Laer.
It is here, Hamlet, thou art slain,
No medicine in the world can do thee good:
In thee there is not half an hour of life;
The treach'rous instrument is in thy hand,
Unbated and envenom'd: the foul practice
Hath turn'd itself on me. Lo, here I lye,

-- 264 --


Never to rise again; thy mother's poison'd;
I can no more—the King, the King's to blame.

Ham.
The point envenom'd too?
Then venom do thy work.
[Stabs the King.

All.
Treason, treason.

King.
O yet defend me, friends, I am but hurt.

Ham.
Here, thou incestuous, murth'rous, damned Dane,
Drink off this potion: is the Union here?
Follow my mother.
[King dies.

Laer.
He is justly served.
It is a poison temper'd by himself.
Exchange forgiveness with me, noble Hamlet;
Mine and my father's death come not on thee,
Nor thine on me!
[Dies.

Ham.
Heav'n make thee free of it! I follow thee.
I'm dead, Horatio; wretched Queen, adieu!
You that look pale, and tremble at this chance,
That are but mutes or audience to this act,
Had I but time, (as this fell Serjeant death
Is strict in his arrest) oh, I could tell you—
But let it be—Horatio, I am dead;
Thou liv'st, report me and my cause aright
To the unsatisfied.

Hor.
Never believe it.
I'm more an antique Roman than a Dane;
Here's yet some liquor left.

Ham.
As th' art a man,
Give me the cup; let go; by heav'n, I'll hav't.
Oh good Horatio, what a wounded name,
Things standing thus unknown, shall live behind me?
If thou didst ever hold me in thy heart,
Absent thee from felicity a while,
And in his harsh world draw thy breath in pain,
To tell my tale. [March afar off, and shout within.
What warlike noise is this?

-- 265 --

SCENE VI. Enter Osrick.

Osr.
Young Fortinbras, with Conquest come from Poland,
To the Ambassadors of England gives
This warlike volley.

Ham.
O, I die, Horatio:
The potent poison quite o'er-grows my spirit;
I cannot live to hear the news from England.
But I do prophesie, th' election lights
On Fortinbras; he has my dying voice;
So tell him, with the occurrents more or less,
5 noteWhich have sollicited.—The rest is silence.
[Dies.

Hor.
Now cracks a noble heart; good night, sweet Prince;
6 note


And flights of angels wing thee to thy Rest!
Why does the Drum come hither? Enter Fortinbras, and English Ambassadors, with drum, colours, and attendants.

Fort.
Where is this sight?

Hor.
What is it you would see?
If aught of woe or wonder, cease your search.

Fort.
This quarry cries—on havock. Oh proud death!
What feast is tow'rd in thy infernal cell,
That thou so many Princes at a shot
So bloodily hast struck?

-- 266 --

Amb.
The sight is dismal,
And our affairs from England come too late:
The ears are senseless, that should give us hearing;
To tell him, his commandment is fulfill'd,
That Rosincrantz and Guildenstern are dead:
Where should we have our thanks?

Hor.
7 noteNot from his mouth,
Had it th' ability of life to thank you:
He never gave commandment for their death.
But since so jump upon this bloody question,
You from the Polack Wars, and you from England,
Are here arriv'd; give Order, that these bodies
High on a Stage be placed to the view,
And let me speak to th' yet unknowing world,
How these things came about. So shall you hear
Of cruel, bloody, and unnatural acts;
Of accidental judgments, casual slaughters;
Of deaths put on by cunning, and forc'd cause;
And, in this upshot, purposes mistook,
Fall'n on th' inventors' heads. All this can I
Truly deliver.

Fort.
Let us haste to hear it,
And call the Nobless to the audience.
For me, with sorrow I embrace my fortune;
I have some rights of memory in this Kingdom,
Which, now to claim my vantage doth invite me.

Hor.
Of that I shall have also cause to speak,
And from his mouth whose voice will draw on more:
But let this same be presently perform'd,
Even while men's minds are wild, lest more mischance
On plots and errors happen.

Fort.
Let four captains
Bear Hamlet, like a soldier, to the Stage;
For he was likely, had he been put on,
To have prov'd most royally. And for this passage,

-- 267 --


The Soldiers' musick, and the rites of war
Speak loudly for him—
Take up the body: such a sight as this
Becomes the field, but here shews much amiss.
Go, bid the soldiers shoot. [Exeunt, marching: after which a peal of Ordnance is shot off. note

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Alexander Pope [1747], The works of Shakespear in eight volumes. The Genuine Text (collated with all the former Editions, and then corrected and emended) is here settled: Being restored from the Blunders of the first Editors, and the Interpolations of the two Last: with A Comment and Notes, Critical and Explanatory. By Mr. Pope and Mr. Warburton (Printed for J. and P. Knapton, [and] S. Birt [etc.], London) [word count] [S11301].
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